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Daily streams from Ruby by only 5 solo tracks (no Collabs) like JENNIE : 1,019,422 Mantra : 451,057 (Album tracks) Seoul City : 266,741 ZEN : 145,577 with the IE : 113,301 = 1,996,098 👑 ----help bruno---- Rosie - 1,184,126 ⚰️ (11 track album solo)

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✿🩵 Um€r♦️

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45,587 views • 2 months ago •via X (Twitter)

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Daily Spotify streams; Ruby - JENNIE (solo tracks only): 2,335,421 ♦️👑 ---------- help me surgeries --------- ---------- Netflix scumbags ---------- TWICE's This is for DELUXE + Jihyo (entire solo career) = 1,036,439 ⚰️ 💀
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Daily Spotify streams; Ruby - JENNIE (solo tracks only): 2,335,421 ♦️👑 ---------- help me surgeries --------- ---------- Netflix scumbags ---------- TWICE's This is for DELUXE + Jihyo (entire solo career) = 1,036,439 ⚰️ 💀

✿🩵 Um€r♦️

26,368 views • 1 month ago

ขอแสดงความยินดีกับเจนนี่ที่เพลง ZEN มียอดสตรีมทะลุ 100M บน Spotify เป็นเพลงที่ 7 จากอัลบั้ม Ruby 1. Like JENNIE - 847M 2. Mantra - 544M 3. ExtraL - 324M 4. Love Hangover - 229M 5. Handlebars - 203M 6. Seoul City - 182M 7. ZEN - 100M 🆕 8. with the IE - 98M 9. Damn Right - 92M
1:04

ขอแสดงความยินดีกับเจนนี่ที่เพลง ZEN มียอดสตรีมทะลุ 100M บน Spotify เป็นเพลงที่ 7 จากอัลบั้ม Ruby 1. Like JENNIE - 847M 2. Mantra - 544M 3. ExtraL - 324M 4. Love Hangover - 229M 5. Handlebars - 203M 6. Seoul City - 182M 7. ZEN - 100M 🆕 8. with the IE - 98M 9. Damn Right - 92M

sdington

20,394 views • 2 months ago

MEDIA has reported that “Jungkook Sets Record-Breaking Spotify Records” “Jungkook sets an impressive new records as he remains on Spotify Global Top Artists Chart for 800 days. Even during period of inactivity like his military service, Jungkook maintained strong supports becoming the FIRST K-POP SOLO ARTIST to chart for 800 consecutive days.” “Across both group and solo activities, he holds the FASTEST Asian Artist and FIRST K-pop Soloist to surpassed 9.6 BILLION cumulative streams” “His solo album “GOLDEN”, also charted for 98 weeks on the Spotify Weekly Album Global Chart, the FIRST and LONGEST for an Asian Solo Album!” “In addition, Jungkook is the FIRST ASIAN SOLO ARTIST to achieve 4 tracks with over 1 BILLION streams on Spotify, and he is the ONLY K-pop Soloist to have 19 tracks with over 100M streams” BIGGEST ASIAN ARTIST JUNGKOOK
1:32

MEDIA has reported that “Jungkook Sets Record-Breaking Spotify Records” “Jungkook sets an impressive new records as he remains on Spotify Global Top Artists Chart for 800 days. Even during period of inactivity like his military service, Jungkook maintained strong supports becoming the FIRST K-POP SOLO ARTIST to chart for 800 consecutive days.” “Across both group and solo activities, he holds the FASTEST Asian Artist and FIRST K-pop Soloist to surpassed 9.6 BILLION cumulative streams” “His solo album “GOLDEN”, also charted for 98 weeks on the Spotify Weekly Album Global Chart, the FIRST and LONGEST for an Asian Solo Album!” “In addition, Jungkook is the FIRST ASIAN SOLO ARTIST to achieve 4 tracks with over 1 BILLION streams on Spotify, and he is the ONLY K-pop Soloist to have 19 tracks with over 100M streams” BIGGEST ASIAN ARTIST JUNGKOOK

JK DAILYʲᵏ

28,492 views • 10 months ago

aespa’s comeback with ‘Rich Man’ was reported on MBC news earlier today “With their intense, electrifying metallic sound, known as the unrivaled masters of the so-called ‘iron taste,’ the group aespa is returning with an even broader spectrum this time. On September 5 at 1PM, aespa will make their comeback with their sixth mini album Rich Man. The album features six tracks in a variety of genres, including the title track Rich Man with its dynamic band sound, the R&B track Count on Me, and Drift, which stands out with its distinctive whistling motif. Ahead of the release, aespa will hold their third solo concert in Seoul from August 29 to 31, where they will unveil their new songs for the first time on stage.”
0:59

aespa’s comeback with ‘Rich Man’ was reported on MBC news earlier today “With their intense, electrifying metallic sound, known as the unrivaled masters of the so-called ‘iron taste,’ the group aespa is returning with an even broader spectrum this time. On September 5 at 1PM, aespa will make their comeback with their sixth mini album Rich Man. The album features six tracks in a variety of genres, including the title track Rich Man with its dynamic band sound, the R&B track Count on Me, and Drift, which stands out with its distinctive whistling motif. Ahead of the release, aespa will hold their third solo concert in Seoul from August 29 to 31, where they will unveil their new songs for the first time on stage.”

Jazz

21,596 views • 11 months ago

250405 Instagram IG Update But have you ever met #JENNIE? 🌹🌹 “In this album, instead of trying to be cool and perfect, I wanted to show you the real me — a little bit silly, and sometimes clumsy. So it feels different. I feel like I am starting all over again.” Enter a new era for the iconic pop star. After dropping her debut solo album, “Ruby,” Jennie performed her first solo show in her hometown of Seoul, where she shared her creative process — which includes tons of stretching, drinking lots of water and having people around who help keep up the good vibes. ❤️‍🔥 “A lot of my creative inspiration for this album was actually my life. Just everyday life — what I see, what I hear, how I feel. But I guess I’ll have to see as I go.” 🍒🍒 In this edition of The Creative Process, step into rehearsals and sound check and a sold-out stadium show for Jennie’s “Ruby Experience.” Music by JENNIE
2:09

250405 Instagram IG Update But have you ever met #JENNIE? 🌹🌹 “In this album, instead of trying to be cool and perfect, I wanted to show you the real me — a little bit silly, and sometimes clumsy. So it feels different. I feel like I am starting all over again.” Enter a new era for the iconic pop star. After dropping her debut solo album, “Ruby,” Jennie performed her first solo show in her hometown of Seoul, where she shared her creative process — which includes tons of stretching, drinking lots of water and having people around who help keep up the good vibes. ❤️‍🔥 “A lot of my creative inspiration for this album was actually my life. Just everyday life — what I see, what I hear, how I feel. But I guess I’ll have to see as I go.” 🍒🍒 In this edition of The Creative Process, step into rehearsals and sound check and a sold-out stadium show for Jennie’s “Ruby Experience.” Music by JENNIE

DC 제니 갤러리

54,425 views • 1 year ago

🧒BTS Jin has drawn attention by achieving a new career high on the 🇺🇸 Billboard charts. According to a preview article published on BB’s official website on 5/26, Jin’s 2nd mini album Echo ranked 3rd on the main album chart, Billboard 200. This is the highest Billboard 200 ranking Jin has accomplished as a solo artist, exceeding the 4th place peak of his 2024 solo album Happy. Jin also made his debut on the UK Official Albums Top 100, entering at #63. Popularity on digital platforms also caught attention as its title track DSYLM peaked at #2 on Spotify Daily Top Songs Global Jin is scheduled to kick off his first ever solo fan concert tour on June 28 and 29 in Goyang City followed by shows in a total of 9 cities. Meanwhile, Jin's BTS has topped the Billboard 200 a total of 6 times with their albums to date. #JIN #방탄소년단진
1:00

🧒BTS Jin has drawn attention by achieving a new career high on the 🇺🇸 Billboard charts. According to a preview article published on BB’s official website on 5/26, Jin’s 2nd mini album Echo ranked 3rd on the main album chart, Billboard 200. This is the highest Billboard 200 ranking Jin has accomplished as a solo artist, exceeding the 4th place peak of his 2024 solo album Happy. Jin also made his debut on the UK Official Albums Top 100, entering at #63. Popularity on digital platforms also caught attention as its title track DSYLM peaked at #2 on Spotify Daily Top Songs Global Jin is scheduled to kick off his first ever solo fan concert tour on June 28 and 29 in Goyang City followed by shows in a total of 9 cities. Meanwhile, Jin's BTS has topped the Billboard 200 a total of 6 times with their albums to date. #JIN #방탄소년단진

Jiniya지니야_ECHO

15,094 views • 1 year ago

‘The Power of a Solo Artist Proven by Billboard. A Legendary Record Only Jimin Could Achieve.’ — Seoul Economic reported on Jimin’s Billboard achievements! ✨ 👩🏻‍💼: There is only one K-pop solo song that has spent 70 weeks on both billboard global & excl us charts and that is Jimin’s ‘Who.’ It truly makes you wonder if the expression ‘one and only’ could ever be more accurate. In particular, ‘Who’ achieved this solely through Jimin’s voice and artistry, without any collaborations with famous Western artists, making the accomplishment even more meaningful. And in fact, this is not the first time Jimin has achieved such long-term charting. ‘Like Crazy’ from his first solo album FACE already set top-tier records, charting for 61 weeks on the Global 200 and 68 weeks on the Global Excl. U.S. The only person to surpass the record of ‘Like Crazy’ is Jimin and that is with ‘WHO.’ ‘I can make it this far on my own.’ In a way, this powerful message has been imprinted onto the global music market. #JIMIN #지민
2:25

‘The Power of a Solo Artist Proven by Billboard. A Legendary Record Only Jimin Could Achieve.’ — Seoul Economic reported on Jimin’s Billboard achievements! ✨ 👩🏻‍💼: There is only one K-pop solo song that has spent 70 weeks on both billboard global & excl us charts and that is Jimin’s ‘Who.’ It truly makes you wonder if the expression ‘one and only’ could ever be more accurate. In particular, ‘Who’ achieved this solely through Jimin’s voice and artistry, without any collaborations with famous Western artists, making the accomplishment even more meaningful. And in fact, this is not the first time Jimin has achieved such long-term charting. ‘Like Crazy’ from his first solo album FACE already set top-tier records, charting for 61 weeks on the Global 200 and 68 weeks on the Global Excl. U.S. The only person to surpass the record of ‘Like Crazy’ is Jimin and that is with ‘WHO.’ ‘I can make it this far on my own.’ In a way, this powerful message has been imprinted onto the global music market. #JIMIN #지민

Jimin Global

17,835 views • 8 months ago

The song is a piece by Pink Floyd featured on their 1994 album, The Division Bell. Richard Wright and David Gilmour composed the music, with Gilmour and his wife Polly Samson supplying the lyrics. The song is a slow, yet rocking ballad. It has a drum roll introduction, followed by a keyboard solo and then a guitar solo. David Gilmour has agreed with an interviewer that it is a "straight Chicago blues tune", while mentioning he is still a blues fan. In an interview, David Gilmour was asked if the song returned to the theme of alienation from the audience. He responded by saying that it "actually had more to do with personal relationships but drifted into wider territory. In a contemporary negative review for The Division Bell, Tom Graves of Rolling Stone described the song as the only track on which "Gilmour sounds like he cares." David Gilmour performing 'What Do You Want From Me' live at Pompeii.
4:25

The song is a piece by Pink Floyd featured on their 1994 album, The Division Bell. Richard Wright and David Gilmour composed the music, with Gilmour and his wife Polly Samson supplying the lyrics. The song is a slow, yet rocking ballad. It has a drum roll introduction, followed by a keyboard solo and then a guitar solo. David Gilmour has agreed with an interviewer that it is a "straight Chicago blues tune", while mentioning he is still a blues fan. In an interview, David Gilmour was asked if the song returned to the theme of alienation from the audience. He responded by saying that it "actually had more to do with personal relationships but drifted into wider territory. In a contemporary negative review for The Division Bell, Tom Graves of Rolling Stone described the song as the only track on which "Gilmour sounds like he cares." David Gilmour performing 'What Do You Want From Me' live at Pompeii.

Rock'n Roll of All

52,993 views • 10 months ago

The xx played their first show in eight years last Friday at Mexico City's Pepsi Center WTC, the first of three nights in the city. Romy, Jamie xx, and Oliver Sim performed 19 songs drawn from all three of their studio albums, opening with "Crystalised" and closing with "Infinity." The encore included the first-ever live performance of "Seasons Run." They also played solo material throughout the show, including Romy's "Enjoy Your Life," Oliver Sim's "GMT," and several Jamie xx tracks including "Loud Places" and his Gil Scott-Heron collaboration "I'll Take Care of U." No new album has been officially announced, though the band has been in the studio since 2023. The xx is set to play a number of festivals ahead, including Coachella, Primavera Sound, Lollapalooza, and Outside Lands. (📹 via xradio_official/YouTube & CarlosVázquez-l7n1i/YouTube)
1:06

The xx played their first show in eight years last Friday at Mexico City's Pepsi Center WTC, the first of three nights in the city. Romy, Jamie xx, and Oliver Sim performed 19 songs drawn from all three of their studio albums, opening with "Crystalised" and closing with "Infinity." The encore included the first-ever live performance of "Seasons Run." They also played solo material throughout the show, including Romy's "Enjoy Your Life," Oliver Sim's "GMT," and several Jamie xx tracks including "Loud Places" and his Gil Scott-Heron collaboration "I'll Take Care of U." No new album has been officially announced, though the band has been in the studio since 2023. The xx is set to play a number of festivals ahead, including Coachella, Primavera Sound, Lollapalooza, and Outside Lands. (📹 via xradio_official/YouTube & CarlosVázquez-l7n1i/YouTube)

Pigeons & Planes

188,284 views • 4 months ago

🇯🇵 [Seoul Economic Daily] 260618 "Jin Even Shook Up Japan's Music Market" Why BTS Jin's Solo Power Is So Remarkable 👩‍🏫BTS Jin has been making a remarkable impact in the Japanese music market as a solo artist, continuing an unparalleled run of success since completing his military service. At Japan's biggest music awards ceremony, Music Awards Japan, the title track Don't Say You Love Me from his solo mini album won the Best of Listeners' Choice International Song award. The achievement is especially meaningful because the result was heavily influenced by fan voting. Users of Spotify, the world's largest music streaming platform, directly participated in the selection process. Upon its release, the song reached No. 1 on Spotify's Global Chart, becoming the first achievement of its kind by an Asian artist. Jin is also setting new longevity records for a K-pop solo artist on Japanese charts, demonstrating his immense popularity across the country. His success continued on the year-end charts as well. On Billboard Japan's year-end rankings, he was the only K-pop solo artist to appear near the top of the Hot 100 singles chart, while also securing a strong position on the Artist 100 chart. On the Oricon charts, he achieved a dominant No. 1 ranking among K-pop solo artists, further solidifying his top-tier status in Japan. Making a powerful return after military service, Jin continues to maintain his position at the highest level both as a solo artist and as a member of BTS. With every release, he continues to make history on global charts. Through his acceptance speech, he expressed heartfelt gratitude to fans around the world and shared his determination to showcase his own unique musical identity through future solo projects. Global fans are continuing to praise Jin as they look forward to the new messages and bold artistic journey he will bring to the worldwide music scene. #JIN #방탄소년단진 MUSIC AWARDS JAPAN公式 방탄소년단
1:49

🇯🇵 [Seoul Economic Daily] 260618 "Jin Even Shook Up Japan's Music Market" Why BTS Jin's Solo Power Is So Remarkable 👩‍🏫BTS Jin has been making a remarkable impact in the Japanese music market as a solo artist, continuing an unparalleled run of success since completing his military service. At Japan's biggest music awards ceremony, Music Awards Japan, the title track Don't Say You Love Me from his solo mini album won the Best of Listeners' Choice International Song award. The achievement is especially meaningful because the result was heavily influenced by fan voting. Users of Spotify, the world's largest music streaming platform, directly participated in the selection process. Upon its release, the song reached No. 1 on Spotify's Global Chart, becoming the first achievement of its kind by an Asian artist. Jin is also setting new longevity records for a K-pop solo artist on Japanese charts, demonstrating his immense popularity across the country. His success continued on the year-end charts as well. On Billboard Japan's year-end rankings, he was the only K-pop solo artist to appear near the top of the Hot 100 singles chart, while also securing a strong position on the Artist 100 chart. On the Oricon charts, he achieved a dominant No. 1 ranking among K-pop solo artists, further solidifying his top-tier status in Japan. Making a powerful return after military service, Jin continues to maintain his position at the highest level both as a solo artist and as a member of BTS. With every release, he continues to make history on global charts. Through his acceptance speech, he expressed heartfelt gratitude to fans around the world and shared his determination to showcase his own unique musical identity through future solo projects. Global fans are continuing to praise Jin as they look forward to the new messages and bold artistic journey he will bring to the worldwide music scene. #JIN #방탄소년단진 MUSIC AWARDS JAPAN公式 방탄소년단

star_jin

20,859 views • 1 month ago

‘Into the Sun’ made by Taehyung has now surpassed 100million streams on Spotify! Into the Sun is one of the most critically acclaimed tracks in the Arirang album often ranked in the Top 3 by critics and listeners. Into the Sun is also a mega viral hit on SNS platforms as fans recreate the impromptu choreography Taehyung created during the concert. “The final track is the mesmerizing ‘Into the Sun,’ where falsetto harmonies blend with a slow, shimmering tempo, creating the feeling of watching a majestic sunset alongside BTS while witnessing the endless possibilities that lie ahead of them.” - Rolling Stone “A hypnotic song that soothes the mind with a composition in which melancholic guitar and whistling sounds seem to contrast, combined with a chorus that sounds as if borrowed from The Fountains of Wayne." - New York Times “Through 'Into theSun,' BTS is advancing into their own new territory.” - The Hollywood Reporter "This experimental and fun song transforms the members' voices through digital effects, adding a poignant and mysterious atmosphere to their message of singing about eternal love. During the last minute, it transitions into a magnificent stadium rock sound." - The BBC “At this point, it’s clear that this is not just another track, ‘Into the Sun’ is a key piece that completes the album.” - Seoul Economy TV "There is one last surprise left. Filled with vocal effects and streamlined to recreate a live band jam session, 'Into the Sun' marks an intriguing finale." - The Guardian GENIUS COMPOSER TAEHYUNG
3:33

‘Into the Sun’ made by Taehyung has now surpassed 100million streams on Spotify! Into the Sun is one of the most critically acclaimed tracks in the Arirang album often ranked in the Top 3 by critics and listeners. Into the Sun is also a mega viral hit on SNS platforms as fans recreate the impromptu choreography Taehyung created during the concert. “The final track is the mesmerizing ‘Into the Sun,’ where falsetto harmonies blend with a slow, shimmering tempo, creating the feeling of watching a majestic sunset alongside BTS while witnessing the endless possibilities that lie ahead of them.” - Rolling Stone “A hypnotic song that soothes the mind with a composition in which melancholic guitar and whistling sounds seem to contrast, combined with a chorus that sounds as if borrowed from The Fountains of Wayne." - New York Times “Through 'Into theSun,' BTS is advancing into their own new territory.” - The Hollywood Reporter "This experimental and fun song transforms the members' voices through digital effects, adding a poignant and mysterious atmosphere to their message of singing about eternal love. During the last minute, it transitions into a magnificent stadium rock sound." - The BBC “At this point, it’s clear that this is not just another track, ‘Into the Sun’ is a key piece that completes the album.” - Seoul Economy TV "There is one last surprise left. Filled with vocal effects and streamlined to recreate a live band jam session, 'Into the Sun' marks an intriguing finale." - The Guardian GENIUS COMPOSER TAEHYUNG

Taehyung Naver

37,202 views • 3 months ago

"You Get What You Give" was basically a solo project disguised as a band. Gregg Alexander (singer, songwriter and producer) recorded almost the entire album Maybe You've Been Brainwashed Too (1998) alone, playing most of the instruments and doing all the lead vocals. The track became the only major hit for the New Radicals. Released as a single in 1998, the song reached #36 on the Billboard Hot 100 and was very successful on alternative radio and in several countries. The iconic ending of the song ("Beck, Hanson, Courtney Love and Marilyn Manson You're all fakes") It generated a lot of controversy at the time. Several artists cited were angry, but Gregg Alexander explained that it was not a personal attack, it was a criticism of the materialism and superficiality of the music industry. Gregg Alexander dissolved the New Radicals soon after success and completely disappeared from the spotlight. He never released anything again as a solo artist or in a band. After disappearing from the stage, he became a high-level behind-the-scenes composer and producer. His works include tracks for Ronan Keating ("Life Is a Rollercoaster"), Santana with Michelle Branch ("The Game of Love"), Enrique Iglesias and even The Script.
4:03

"You Get What You Give" was basically a solo project disguised as a band. Gregg Alexander (singer, songwriter and producer) recorded almost the entire album Maybe You've Been Brainwashed Too (1998) alone, playing most of the instruments and doing all the lead vocals. The track became the only major hit for the New Radicals. Released as a single in 1998, the song reached #36 on the Billboard Hot 100 and was very successful on alternative radio and in several countries. The iconic ending of the song ("Beck, Hanson, Courtney Love and Marilyn Manson You're all fakes") It generated a lot of controversy at the time. Several artists cited were angry, but Gregg Alexander explained that it was not a personal attack, it was a criticism of the materialism and superficiality of the music industry. Gregg Alexander dissolved the New Radicals soon after success and completely disappeared from the spotlight. He never released anything again as a solo artist or in a band. After disappearing from the stage, he became a high-level behind-the-scenes composer and producer. His works include tracks for Ronan Keating ("Life Is a Rollercoaster"), Santana with Michelle Branch ("The Game of Love"), Enrique Iglesias and even The Script.

Ladytron Fan Account

124,215 views • 1 month ago

🩷 Lee Donghae solo album: “I’m very confident in my music” 🐯 #donghae #동해 #eunhyuk #은혁 🐯: Are you all very curious about my solo album? But I feel a lot of pressure. Lately I’ve kept wanting to cry, because everyone’s expectations are really high. I posted a photo on IG where I even covered the file names, but the comments were all like, “Looks like it’s all finished, right?” I looked at that and thought, “I really wish it were finished too.” To give everyone the best, there are still some parts I feel are a bit lacking, so I’m re-recording and working hard to revise them. 🐰: Fighting! On the contrary, my heart feels very calm. 👤: Don’t you have a birthday event? 🐰: If everyone wants to celebrate with me.. 🐯: I also wish I could just hold a birthday party. 🐰: We’re currently preparing, so everyone don’t worry. 🐯: But I’m really worried. Lately I can’t sleep well and I don’t have much appetite either. 🐰: I’m really looking forward to it~ Even though fans are very excited, I’m honestly very excited too. My personality is such that I don’t really like spoilers or being spoiled. This time, although Donghae already let me listen to 2 or 3 songs, for the other tracks and the whole process I try not to look as much as possible. That way, when it’s released, I can enjoy it together with the fans. I’m really looking forward to it. 🐯: Then maybe my album won’t be released~ Without our representative’s confirmation. 🐰: I— 🐯: Then you might as well not confirm it. 🐰: Then I’ll do a no-look confirm, won’t look at anything and just give unconditional OK! 🐯: Actually, this is the very first solo album of my life. My heart is racing, and I’m nervous, with a lot of pressure too. With everyone’s support, love, and trust, I’m working hard to prepare it. I’ll keep doing my best! I’m very confident in my music! That’s for sure! Everyone will definitely like it. If there are five songs, then all five will be of title-track quality 🔥 cr. _ode.eunhae_
4:32

🩷 Lee Donghae solo album: “I’m very confident in my music” 🐯 #donghae #동해 #eunhyuk #은혁 🐯: Are you all very curious about my solo album? But I feel a lot of pressure. Lately I’ve kept wanting to cry, because everyone’s expectations are really high. I posted a photo on IG where I even covered the file names, but the comments were all like, “Looks like it’s all finished, right?” I looked at that and thought, “I really wish it were finished too.” To give everyone the best, there are still some parts I feel are a bit lacking, so I’m re-recording and working hard to revise them. 🐰: Fighting! On the contrary, my heart feels very calm. 👤: Don’t you have a birthday event? 🐰: If everyone wants to celebrate with me.. 🐯: I also wish I could just hold a birthday party. 🐰: We’re currently preparing, so everyone don’t worry. 🐯: But I’m really worried. Lately I can’t sleep well and I don’t have much appetite either. 🐰: I’m really looking forward to it~ Even though fans are very excited, I’m honestly very excited too. My personality is such that I don’t really like spoilers or being spoiled. This time, although Donghae already let me listen to 2 or 3 songs, for the other tracks and the whole process I try not to look as much as possible. That way, when it’s released, I can enjoy it together with the fans. I’m really looking forward to it. 🐯: Then maybe my album won’t be released~ Without our representative’s confirmation. 🐰: I— 🐯: Then you might as well not confirm it. 🐰: Then I’ll do a no-look confirm, won’t look at anything and just give unconditional OK! 🐯: Actually, this is the very first solo album of my life. My heart is racing, and I’m nervous, with a lot of pressure too. With everyone’s support, love, and trust, I’m working hard to prepare it. I’ll keep doing my best! I’m very confident in my music! That’s for sure! Everyone will definitely like it. If there are five songs, then all five will be of title-track quality 🔥 cr. _ode.eunhae_

𝗦𝗵𝗮𝗹𝗲💙동해☀️

16,413 views • 5 months ago

After 15 years of DJing, I’m deciding to retire. This journey has been a beautiful one, with incredible moments of ecstasy throughout. This rose is not without its thorns, however. The lifestyle of late nights and early mornings took a toll on my mental health, spurring me to seek therapy, personal development, and ultimately spiritual growth. These changes have uncovered deeper desires for my life. I want to live a life more intimately connected with myself, others, and the world around me. I want to help people unfold into their fullest potential. I want to work on projects that support the flourishing of humanity for generations to come. This doesn’t mean that I’m walking away from music altogether. In fact, quite the opposite. Music has always been a crucial ingredient to my life, and I will continue making it for both myself and others. My relationship to it is just changing; no longer am I trying to keep up with trends and make music solely to get popular. I’m treating each song like a diary entry, telling the story of my journey track by track. The next song I will be releasing is coming May 31st, and is called “Fallin’”. It’s the first of 12 original tracks that I’ve sung on, written, and produced that will be combined into an album called “Love Letters” later this year. I hope these tracks connect to my listeners’ hearts – they are sourced straight from mine. You can listen to Fallin’ at Enjoy
1:32

After 15 years of DJing, I’m deciding to retire. This journey has been a beautiful one, with incredible moments of ecstasy throughout. This rose is not without its thorns, however. The lifestyle of late nights and early mornings took a toll on my mental health, spurring me to seek therapy, personal development, and ultimately spiritual growth. These changes have uncovered deeper desires for my life. I want to live a life more intimately connected with myself, others, and the world around me. I want to help people unfold into their fullest potential. I want to work on projects that support the flourishing of humanity for generations to come. This doesn’t mean that I’m walking away from music altogether. In fact, quite the opposite. Music has always been a crucial ingredient to my life, and I will continue making it for both myself and others. My relationship to it is just changing; no longer am I trying to keep up with trends and make music solely to get popular. I’m treating each song like a diary entry, telling the story of my journey track by track. The next song I will be releasing is coming May 31st, and is called “Fallin’”. It’s the first of 12 original tracks that I’ve sung on, written, and produced that will be combined into an album called “Love Letters” later this year. I hope these tracks connect to my listeners’ hearts – they are sourced straight from mine. You can listen to Fallin’ at Enjoy

Jared Lucas

12,548 views • 2 years ago

BOYNEXTDOOR in 2025 as a 5th Gen Group: • Most watched music show performance by a 5th gen boygroup overall not only this year: → IF I SAY, I LOVE YOU • Highest 1st week sales for a 5th gen group with a Korean album on Oricon over all not only this year: → No Genre – 162,725 (only 1 day counted) • Highest debuts for 5th gen boygroup songs on YouTube Daily Top Songs Korea (2025): 1. I Feel Good – 601,947 2. IF I SAY, I LOVE YOU – 568,587 • Highest debut for a 5th gen boygroup song on Spotify (2025, 15 hours counted): → I Feel Good – 557,223 • Highest debuts for 5th gen B-sides on Spotify (2025, 15 hours counted): → 123-78 – 390K → Step By Step – 281,196 → Is That True? – 265,209 → Next Mistake – 224,099 (no other boygroup B-side debuted with even 200K) • Most-liked 5th gen song on Melon 2025: → IF I SAY, I LOVE YOU • Only 5th gen B-side to reach #1 on Apple Music Korea Daily Chart: over all → 123-78 • Highest peak by a 5th gen boygroup on Spotify Korea daily chart over all not only this year: IF I SAY I LOVE YOU (#5) I Feel Good (#5) • Highest peak on Spotify Korea Artists Chart for a 5th gen group overall all : → BOYNEXTDOOR (#2) • Highest debut + peak on YouTube Global Daily Chart (2025) for a 5th gen boygroup: → I Feel Good (#40) • Most liked MVs in the first 24h by a 5th gen boygroup (2025): → I Feel Good – 200K → IF I SAY, I LOVE YOU – 164K • Tied with PLAVE as the 5th gen boygroups with the most songs charted simultaneously inside Melon Top 100 ( 5 songs ) • Joined PLAVE as the only boygroups to debut every track from an album on Melon Daily Chart • Highest debut on Apple Music Korea for a 5th gen boygroup 2025: → IF I SAY, I LOVE YOU / 123-78 (#10) • Longest running #1 on Apple Music Korea for a 5th gen boygroup overall all not only this year: → IF I SAY, I LOVE YOU …and there’s still so much I haven’t even listed yet.
0:53

BOYNEXTDOOR in 2025 as a 5th Gen Group: • Most watched music show performance by a 5th gen boygroup overall not only this year: → IF I SAY, I LOVE YOU • Highest 1st week sales for a 5th gen group with a Korean album on Oricon over all not only this year: → No Genre – 162,725 (only 1 day counted) • Highest debuts for 5th gen boygroup songs on YouTube Daily Top Songs Korea (2025): 1. I Feel Good – 601,947 2. IF I SAY, I LOVE YOU – 568,587 • Highest debut for a 5th gen boygroup song on Spotify (2025, 15 hours counted): → I Feel Good – 557,223 • Highest debuts for 5th gen B-sides on Spotify (2025, 15 hours counted): → 123-78 – 390K → Step By Step – 281,196 → Is That True? – 265,209 → Next Mistake – 224,099 (no other boygroup B-side debuted with even 200K) • Most-liked 5th gen song on Melon 2025: → IF I SAY, I LOVE YOU • Only 5th gen B-side to reach #1 on Apple Music Korea Daily Chart: over all → 123-78 • Highest peak by a 5th gen boygroup on Spotify Korea daily chart over all not only this year: IF I SAY I LOVE YOU (#5) I Feel Good (#5) • Highest peak on Spotify Korea Artists Chart for a 5th gen group overall all : → BOYNEXTDOOR (#2) • Highest debut + peak on YouTube Global Daily Chart (2025) for a 5th gen boygroup: → I Feel Good (#40) • Most liked MVs in the first 24h by a 5th gen boygroup (2025): → I Feel Good – 200K → IF I SAY, I LOVE YOU – 164K • Tied with PLAVE as the 5th gen boygroups with the most songs charted simultaneously inside Melon Top 100 ( 5 songs ) • Joined PLAVE as the only boygroups to debut every track from an album on Melon Daily Chart • Highest debut on Apple Music Korea for a 5th gen boygroup 2025: → IF I SAY, I LOVE YOU / 123-78 (#10) • Longest running #1 on Apple Music Korea for a 5th gen boygroup overall all not only this year: → IF I SAY, I LOVE YOU …and there’s still so much I haven’t even listed yet.

ᗢ

39,020 views • 1 year ago

🚨The chat asked Dj Akademiks why Drake’s Iceman records currently have low radio numbers despite dominating streaming platforms 👀📻 Ak broke down how radio “servicing” works and explained why most of Drake’s songs are showing almost ZERO airplay right now. 🗣️ Ak: “Drake has absolutely zero radio airplay on most of these records.” According to Ak, the issue isn’t that radio stations dislike Drake it’s because the songs reportedly weren’t officially “serviced” to radio by the label yet. Ak explained that radio airplay works differently from streaming: 📻 A song has to be pushed into rotation by a label’s promotion team 📻 Stations then repeatedly play the record “hour on the hour” 📻 Billboard counts those audience impressions toward the Hot 100 charts Ak says Drake’s current chart positions are being driven almost entirely by streams and sales, not radio support 🗣️ “Right now it’s going off strictly streams and sales.” He also explained why artists like Bruno Mars and Ella Langley currently show stronger airplay numbers: 🗣️ “Their records are already being serviced to radio.” Ak noted that radio only affects the Billboard Hot 100 singles chart not the Billboard 200 album chart. He then revealed that Drake’s team is reportedly beginning the radio rollout NOW for records like “Janis” and the West Coast-inspired tracks from Iceman 👀 According to Ak, if Drake’s records still have no radio push several weeks from now, it could raise bigger questions about the relationship between Drake and his label. 🗣️ “If the label stops doing their duties… that becomes another conversation.” Ak ultimately believes Drake’s numbers are still extremely strong because the project is succeeding without major radio assistance, something very few artists can pull off in today’s music industry
5:39

🚨The chat asked Dj Akademiks why Drake’s Iceman records currently have low radio numbers despite dominating streaming platforms 👀📻 Ak broke down how radio “servicing” works and explained why most of Drake’s songs are showing almost ZERO airplay right now. 🗣️ Ak: “Drake has absolutely zero radio airplay on most of these records.” According to Ak, the issue isn’t that radio stations dislike Drake it’s because the songs reportedly weren’t officially “serviced” to radio by the label yet. Ak explained that radio airplay works differently from streaming: 📻 A song has to be pushed into rotation by a label’s promotion team 📻 Stations then repeatedly play the record “hour on the hour” 📻 Billboard counts those audience impressions toward the Hot 100 charts Ak says Drake’s current chart positions are being driven almost entirely by streams and sales, not radio support 🗣️ “Right now it’s going off strictly streams and sales.” He also explained why artists like Bruno Mars and Ella Langley currently show stronger airplay numbers: 🗣️ “Their records are already being serviced to radio.” Ak noted that radio only affects the Billboard Hot 100 singles chart not the Billboard 200 album chart. He then revealed that Drake’s team is reportedly beginning the radio rollout NOW for records like “Janis” and the West Coast-inspired tracks from Iceman 👀 According to Ak, if Drake’s records still have no radio push several weeks from now, it could raise bigger questions about the relationship between Drake and his label. 🗣️ “If the label stops doing their duties… that becomes another conversation.” Ak ultimately believes Drake’s numbers are still extremely strong because the project is succeeding without major radio assistance, something very few artists can pull off in today’s music industry

Cousin Tino ™️

26,707 views • 2 months ago

THE RAILROAD MEN, THE BROKEN RAILS, AND THE NEW MONEY TRACKS OF THE WORLD Let me tell you a story - the kind your granddad might’ve told sitting by a wood stove, the kind that cuts through the fog, the lies, the banker-speak, and hits your soul with the simplicity of: “Of course that’s how it works.” Once upon a time, every nation ran its money on rotten tracks. Not by accident. By design. The tracks were crooked. The switches jammed. The fees were hidden. The travel times were unpredictable. And the men who owned the track… weren’t elected. They liked things confusing. Confusion keeps pockets open and oversight closed. Your money - my money - every paycheck, every wire, every mortgage, every loan - moved through a rickety, blind, 50-year-old rail system nobody could inspect. Governments complained. Businesses complained. People complained. But the track owners just smiled and said: “Trust us.” And everyone did… because what choice did they have? Then one day a new track appeared - smooth, straight, and honest. A track made of math instead of politics. Transparency instead of secrecy. Finality instead of guesswork. It didn’t wiggle. It didn’t reroute. It didn’t stall. It didn’t shake down passengers for lunch money. It settled every transaction in 3–5 seconds. Every time. No exceptions. It didn’t care whether you were a farmer, a banker, or a prime minister. The rules were the rules for everyone. They named this new track: The XRP Ledger. And instead of one man’s company store, it came with: • a built-in currency exchange (no middlemen) • a global bridge asset (XRP) • a native payment router (ILP) • a regulator-friendly design • no downtime in 12 years • no pay-to-play gas wars • no bribed block builders • no “maybe finalized” nonsense • no outages • no drama It worked the same way every day. Like a railroad should. “But why would the big banks switch?” people asked. Here’s the part Paul Harvey would call “the rest of the story.” The bankers didn’t switch because they suddenly found integrity. They switched because they had no choice. The old tracks were collapsing. • Liquidity dried up • Reserve buffers vanished • Regulations tightened • Fraud got illuminated • ISO 20022 turned the lights on • The Treasury demanded transparency • The world demanded atomic settlement And when the Trump Administration began pushing for a new monetary architecture back in 2017, they weren’t doing it for show. They saw the collapse coming. They planned for the rebuild. They positioned the rails. The only rail that met the criteria — ALL the criteria - wasn’t theoretical. It was already running. The common-sense part: If a man needs to get from St. Louis to Chicago fast, safe, and cheap… and only one railroad line actually runs there… you don’t need a PhD or a banker’s certificate to figure out which train he’ll take. You don’t pick the train that: • breaks down • reroutes randomly • charges you a mystery price • doesn’t run on time • or has “great plans coming soon” You pick the one that works today. That’s XRPL. Not “maybe someday.” Not “once upgrades finish.” Not “if the devs agree.” Not “after an L2 patch.” NOW. Right now. Today. Christmas 2025. Why the other tracks failed: Because they were built for casinos, not countries. • Ethereum: Great for gambling, awful for governance. Probabilistic finality + MEV = instant disqualification. • Solana: Fast until it isn’t. Outages aren’t acceptable for global money. • Stellar: Good tech, but not enough muscle. • HBAR/ALGO: Clean systems, tiny liquidity. • Private chains: Interoperability graveyard. It’s like asking a go-kart to pull a freight train. Not gonna happen. And here’s the Trump-style truth bomb: When building a new global money system, you pick the best tool. And the best tool is XRPL. It’s not close. This isn’t hype. This isn’t tribalism. This isn’t crypto Twitter cheering. (2/2, below) Treasury Department Ripple Interledger Foundation
2:19

THE RAILROAD MEN, THE BROKEN RAILS, AND THE NEW MONEY TRACKS OF THE WORLD Let me tell you a story - the kind your granddad might’ve told sitting by a wood stove, the kind that cuts through the fog, the lies, the banker-speak, and hits your soul with the simplicity of: “Of course that’s how it works.” Once upon a time, every nation ran its money on rotten tracks. Not by accident. By design. The tracks were crooked. The switches jammed. The fees were hidden. The travel times were unpredictable. And the men who owned the track… weren’t elected. They liked things confusing. Confusion keeps pockets open and oversight closed. Your money - my money - every paycheck, every wire, every mortgage, every loan - moved through a rickety, blind, 50-year-old rail system nobody could inspect. Governments complained. Businesses complained. People complained. But the track owners just smiled and said: “Trust us.” And everyone did… because what choice did they have? Then one day a new track appeared - smooth, straight, and honest. A track made of math instead of politics. Transparency instead of secrecy. Finality instead of guesswork. It didn’t wiggle. It didn’t reroute. It didn’t stall. It didn’t shake down passengers for lunch money. It settled every transaction in 3–5 seconds. Every time. No exceptions. It didn’t care whether you were a farmer, a banker, or a prime minister. The rules were the rules for everyone. They named this new track: The XRP Ledger. And instead of one man’s company store, it came with: • a built-in currency exchange (no middlemen) • a global bridge asset (XRP) • a native payment router (ILP) • a regulator-friendly design • no downtime in 12 years • no pay-to-play gas wars • no bribed block builders • no “maybe finalized” nonsense • no outages • no drama It worked the same way every day. Like a railroad should. “But why would the big banks switch?” people asked. Here’s the part Paul Harvey would call “the rest of the story.” The bankers didn’t switch because they suddenly found integrity. They switched because they had no choice. The old tracks were collapsing. • Liquidity dried up • Reserve buffers vanished • Regulations tightened • Fraud got illuminated • ISO 20022 turned the lights on • The Treasury demanded transparency • The world demanded atomic settlement And when the Trump Administration began pushing for a new monetary architecture back in 2017, they weren’t doing it for show. They saw the collapse coming. They planned for the rebuild. They positioned the rails. The only rail that met the criteria — ALL the criteria - wasn’t theoretical. It was already running. The common-sense part: If a man needs to get from St. Louis to Chicago fast, safe, and cheap… and only one railroad line actually runs there… you don’t need a PhD or a banker’s certificate to figure out which train he’ll take. You don’t pick the train that: • breaks down • reroutes randomly • charges you a mystery price • doesn’t run on time • or has “great plans coming soon” You pick the one that works today. That’s XRPL. Not “maybe someday.” Not “once upgrades finish.” Not “if the devs agree.” Not “after an L2 patch.” NOW. Right now. Today. Christmas 2025. Why the other tracks failed: Because they were built for casinos, not countries. • Ethereum: Great for gambling, awful for governance. Probabilistic finality + MEV = instant disqualification. • Solana: Fast until it isn’t. Outages aren’t acceptable for global money. • Stellar: Good tech, but not enough muscle. • HBAR/ALGO: Clean systems, tiny liquidity. • Private chains: Interoperability graveyard. It’s like asking a go-kart to pull a freight train. Not gonna happen. And here’s the Trump-style truth bomb: When building a new global money system, you pick the best tool. And the best tool is XRPL. It’s not close. This isn’t hype. This isn’t tribalism. This isn’t crypto Twitter cheering. (2/2, below) Treasury Department Ripple Interledger Foundation

Rob Cunningham

15,958 views • 8 months ago

Origins of Money, It is a song by the English rock band Pink Floyd from their eighth studio album The Dark Side of the Moon (1973). Written by Roger Waters, it opened side two of the original album. Much of the song is written in an unusual time signature (7/4), Waters wrote the central riff on an acoustic guitar and chose the time signature as it suited the "bluesy feel" of the song. Waters wrote the lyrics to express irony and to critique the power of money and the capitalist system in general. "Money interested me enormously," Waters remarked on the twentieth anniversary of The Dark Side of the Moon. "I remember thinking, 'Well, this is it and I have to decide whether I'm really a socialist or not.' I'm still keen on a general welfare society, but I became a capitalist. You have to accept it. I remember coveting a Bentley like crazy. The only way to get something like that was through rock or the football pools. I very much wanted all that material stuff." In another interview, he said he was "Sure that the free market isn't the whole answer. My hope is that mankind will evolve into a more co-operative and less competitive beast.'' "Money" begins with a rhythmic sequence of sound effects heard throughout the first several bars. This was created by splicing together recordings that Waters had made of clinking coins, a ringing cash register, tearing paper, a clicking counting machine, and other items, to construct a seven-beat effects loop. The original loop was used during early live performances but had to be re-recorded onto multi-track tape for the album. It was later adapted to four tracks in order to create a "walk around the room" effect in the quadraphonic mix of The Dark Side of the Moon. Pink Floyd performing 'Money' all together for the last time in their career, live at the London Live 8 Concert. It was the quartet's first performance together in over 24 years.
6:38

Origins of Money, It is a song by the English rock band Pink Floyd from their eighth studio album The Dark Side of the Moon (1973). Written by Roger Waters, it opened side two of the original album. Much of the song is written in an unusual time signature (7/4), Waters wrote the central riff on an acoustic guitar and chose the time signature as it suited the "bluesy feel" of the song. Waters wrote the lyrics to express irony and to critique the power of money and the capitalist system in general. "Money interested me enormously," Waters remarked on the twentieth anniversary of The Dark Side of the Moon. "I remember thinking, 'Well, this is it and I have to decide whether I'm really a socialist or not.' I'm still keen on a general welfare society, but I became a capitalist. You have to accept it. I remember coveting a Bentley like crazy. The only way to get something like that was through rock or the football pools. I very much wanted all that material stuff." In another interview, he said he was "Sure that the free market isn't the whole answer. My hope is that mankind will evolve into a more co-operative and less competitive beast.'' "Money" begins with a rhythmic sequence of sound effects heard throughout the first several bars. This was created by splicing together recordings that Waters had made of clinking coins, a ringing cash register, tearing paper, a clicking counting machine, and other items, to construct a seven-beat effects loop. The original loop was used during early live performances but had to be re-recorded onto multi-track tape for the album. It was later adapted to four tracks in order to create a "walk around the room" effect in the quadraphonic mix of The Dark Side of the Moon. Pink Floyd performing 'Money' all together for the last time in their career, live at the London Live 8 Concert. It was the quartet's first performance together in over 24 years.

Rock'n Roll of All

29,484 views • 9 months ago

Country artist Breland remixes 50 Cent's classic 2003 track "In Da Club." On Wednesday (March 4), Breland was a guest on the Joe and Jada podcast, where he debuted the new track, titled "In My Truck," which he was somehow able to get cleared by Fif and Dr. Dre. "Go shawty, it's your birthday/We gon' party like it's your birthday/Sipping whisky like it's your birthday/And you know we don't give a damn if it's your birthday," Breland croons on the chorus over a sample of Fif's diamond track with a country twist. "You can find me in the truck with the radio up/Friday night lights, girls is dancing in the mud," Breland continues. "Jeans is looking tight, think I'm falling in love/Raise a Solo cup if you into getting truck/You can find me in the club." Breland later talked about getting 50 and Dre's blessing to be able to use the "In Da Club" track. "I was a little nervous if we were gonna be able to get 50 to clear it," Breland says. "And I was even more nervous whether we was gonna be able to get Dr. Dre to clear it. And they both gave us the stamp." "In Da Club" was the lead single from 50 Cent's debut album Get Rich or Die Tryin' and the rapper's first No. 1 single. The hit song reached diamond status in November of 2023.
1:50

Country artist Breland remixes 50 Cent's classic 2003 track "In Da Club." On Wednesday (March 4), Breland was a guest on the Joe and Jada podcast, where he debuted the new track, titled "In My Truck," which he was somehow able to get cleared by Fif and Dr. Dre. "Go shawty, it's your birthday/We gon' party like it's your birthday/Sipping whisky like it's your birthday/And you know we don't give a damn if it's your birthday," Breland croons on the chorus over a sample of Fif's diamond track with a country twist. "You can find me in the truck with the radio up/Friday night lights, girls is dancing in the mud," Breland continues. "Jeans is looking tight, think I'm falling in love/Raise a Solo cup if you into getting truck/You can find me in the club." Breland later talked about getting 50 and Dre's blessing to be able to use the "In Da Club" track. "I was a little nervous if we were gonna be able to get 50 to clear it," Breland says. "And I was even more nervous whether we was gonna be able to get Dr. Dre to clear it. And they both gave us the stamp." "In Da Club" was the lead single from 50 Cent's debut album Get Rich or Die Tryin' and the rapper's first No. 1 single. The hit song reached diamond status in November of 2023.

XXL Magazine

21,649 views • 5 months ago