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Darling where love feels timeless & priceless 🎸💕 Dive into this fan-made re-release trailer & relive a magical, emotional ride in theatres... 🤗 #Darling4K #Prabhas Kajal Aggarwal

19,095 görüntüleme • 5 ay önce •via X (Twitter)

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The excitement is real 🤍 Here is the speech I almost achieved to speak on stage! Holding this award for O2, for the role of Dr. Shraddha, makes me truly happy and emotional. This film is very special to me—we made it with so much love and effort, and today, holding this recognition, it feels like all that hard work has been rewarded. I would like to dedicate it to my favourite actor, a very, very special person. I’ve been an ardent admirer of him—even before I entered movies—his work, his personality, and the way he lived his life have always inspired me. The reason I am standing here today, holding this award for this particular film, is because of the producer of O2—Dr. Puneeth Rajkumar sir. O2 was the last script Appu sir chose, and Appu sir… thank you for making me your hero. You will always be in our hearts. Love you ♥️ A big thanks to the entire team of O2 and @prk.productions —without this team, this dream would never have become a reality. To the backbone of PRK, Ashwini ma’am—thank you so much! My darling directors, Prashanth HN.raj.official & @raghav_nayak_c —thank you for believing in me and taking this journey with me. To my family, friends, and well-wishers—thank you for always being there. To my dearest fans—I love you all! Your love and support mean the world to me. And lastly, a heartfelt thanks to the SIIMA team. rajamouli fan @vishnuinduri sir, Brinda Prasad Brinda ma’am—this recognition truly means a lot. To be acknowledged on such a big platform for a film like O2 which is different & experimental, feels so good and soul-satisfying as an actor. This really motivates us as actors to keep dreaming big. Thank you ✨♥️

Ashika Ranganath

25,431 görüntüleme • 1 yıl önce

🚨 MAN BUYS 80 PIZZA HUTS TO BRING BACK THE ICONIC VERSION AMERICA MISSED — AND PEOPLE ARE LOSING THEIR MINDS Tim Sparks, president of Daland Corporation, owns more than 80 Pizza Hut franchises across the country, and he’s now turning many of them back into the old-school Pizza Huts millions of Americans grew up with. While most restaurant chains keep replacing everything with self-checkout screens, gray walls, and sterile modern redesigns… Sparks is bringing back the version people actually remember: • red plastic cups • Pac-Man machines • packed salad bars • giant family booths • Tiffany-style lamps hanging over the tables And people are getting unexpectedly emotional over it. Some of these restored “classic” Pizza Huts are now becoming top-performing locations because customers say it doesn’t just feel like pizza anymore… It feels like stepping back into a completely different era of life. Sparks says the mission is bigger than nostalgia. He wants to rebuild places where families actually sit together again, put their phones down, and talk the way they used to. Now the internet is flooding the comments: • “This feels more human than modern restaurants” • “We didn’t realize how good we had it” • “This is what childhood felt like” • “Why does this make me emotional?” Some customers are reportedly driving HOURS just to eat inside one because they say modern restaurants lost the feeling that made people love them in the first place. Now people are asking: Did corporations deliberately turn restaurants into cold, forgettable spaces... because real human connection was never the priority anymore? 📹: CBS19

HustleBitch

1,666,899 görüntüleme • 4 ay önce

🚨 GEARS OF WAR E DAY OPINION!...🚨 Everybody keeps asking me Where is Gears of War E Day, where is the Gameplay, Release Date, New Trailer, anything seeing as how we are almost four months in to 2026 and I would say the Answers can be found in the Past to Reveal the Future, if your confused you haven't been paying attention!... 👀💥⚙️ In October 2023 I was the first to report on the sixth mainline Gears of War game an Unnannounced Coalition game was set to release sometime in 2026 and 3 years later it looks to finally be happening! 👀😱⚙️ I also discussed a Gears of War Direct show focusing on a deep dive into the new game after Xbox began yearly dedicated game shows! 🧐🤯⚙️ Then on September 20th 2025 after the release of Gears of War Reloaded I uploade a Youtube video discussing my own personal opinion that if there is no E Day at the January 2026 Developer Direct, then it would likely be the Xbox Games Summer Showcase E Day Direct, which again Playground Games were the focus with Fable & Forza Horizon 6 & if we look at Gears of War E Day it is the only Xbox Games Studio first party title confirmed for a 2026 release with zero gameplay shown, no exact release date window & we are already almost four months into the year there must be a reason for that... 🤔🎮⚙️ This is why I have believed since 2023 that the best way to celebrate Gears of War E Day and also the franchise 20th annviersary is with a dedicated E Day Direct show that potentially based on Xbox announcement last year could be announced as early as April 7th/14th if the Xbox Games Showcase were to be happening on either Sunday June 7th or 14th! 🫡🔥⚙️ It is very frustrating that there is no Gears of War E Day marketing happening right now I wish I had more to cover for content & to help build community engagement & hype but there must be a plan for why it looks like we may just have to wait until the Xbox Games Showcase in June for Gears of War Re-Emergence to finally begin, just a little more patience we are almost back Gears Fam! 🙏🤞⚙️

Shadowz

12,755 görüntüleme • 6 ay önce

Standing on stage under the golden glow of the spotlights, Barry Gibb, with his signature silver hair and magnetic presence, shares a microphone with a vocalist to perform "Islands in the Stream." It is only a 25-second snippet, but watching it feels like opening a tiny, precious time capsule. The music kicks in, the chorus hits, and for a fleeting moment, the noise of the modern world completely fades away. Most people recognize "Islands in the Stream" as the quintessential 1983 country-pop duet made famous by Kenny Rogers and Dolly Parton. It became an instant global phenomenon, a track that defined an era of cross-genre magic. Yet, seeing Barry Gibb sing it live serves as a poignant reminder of where this masterpiece actually came from. Written by the Bee Gees brothers—Barry, Robin, and Maurice—the song originally carried the soulful DNA of R&B, intended for Diana Ross before it morphed into the country duet we all know today. Watching Barry sing these words decades later hits differently. When he steps up to the mic and delivers lines like "Islands in the stream / That is what we are / No one in between / How can we be wrong," it feels far more intimate than a simple stadium performance. There is an undeniable sense of nostalgia, but also a quiet, triumphant grace. Barry is the last surviving member of the Bee Gees, carrying the full weight of the Gibb brothers' legacy on his shoulders. Every note he sings isn't just a performance; it feels like an act of remembrance, a celebration of the music he created alongside his brothers that outlived generations. What makes this short clip so captivating isn't flawless perfection—it’s the raw, unscripted human connection. You can see the casual warmth in their body language, the effortless exchange of glances, and the simple joy of two musicians locking into a harmony. In an era where live music is often heavily digitized, auto-tuned, and over-engineered to meet algorithm-driven standards, this performance feels refreshing. It’s a masterclass in organic showmanship. The melody flows as naturally as breathing, demonstrating the timeless power of pure songwriting. Great songs don't need excessive production tricks to survive; they just need a voice, a passion, and an audience willing to feel it. The metaphor of the song itself—being "islands in the stream"—feels strikingly relevant today. We live in a world that is hyper-connected yet often profoundly isolating, constantly moving through chaotic streams of information and noise. Finding someone or something to anchor us, a shared connection that keeps the rest of the world at bay, is a universal desire. This performance captures that exact emotion. It reminds us that no matter how much time passes or how much the music industry changes, real human emotion and genuine craftsmanship will always resonate. It’s remarkable how much feeling can be packed into less than half a minute of footage. It leaves you feeling a mix of warmth, melancholy, and immense respect for music royalty. Barry Gibb isn't just singing a classic here; he is keeping a flame alive, reminding us why we fell in love with these melodies in the first place.

💖🌼Music, Kindness, and Inspiring Stories

12,344 görüntüleme • 26 gün önce

#WilliamEst #วิลเลี่ยมเอส ———— [2025 Year in Review] 🎸: Wow, that's a great question. Let me take my time with this... 🦈: This is going to be a long story—could probably talk about it for an hour. 🎸: If I had to summarize briefly, I feel like I've been constantly growing. More people know us now, and I feel like I've put more of myself into each project. The longer you're in this industry, the more you want to make your work better. 🦈: Honestly, this year has been like a roller coaster. Full of ups and downs, full of changes. But I think it's been an amazing year because we've really been through so much. This was also the year ThamePo aired, and seeing everything that's happened, I'm really happy. 🦈: I'm happy too. We often say we hope to keep growing together. From being paired up, auditioning together, being cast as the leads of ThamePo—back then we weren't even sure if we could work as a CP, if we'd get along, how the project would turn out, or if people would like us. But having come this far and been through so much, I think as long as you believe in yourself and believe in your partner... In the end, I'm just really happy to be where we are today, and I'm incredibly grateful for our fans' tremendous support. [Surprises of 2025] 🎸: Speaking of surprises, I'd say it's today. Because I never imagined I could win an acting award. This really exceeded my expectations. Receiving this award motivates me even more to act and to learn. I feel like I'm still lacking in this area—I've often asked P'Est or others for advice, just wanting to keep getting better. 🦈: There have been many memorable moments, but I also want to say today. I'm really happy to receive this award. I actually have a lot of trophies at home, but they're all from swimming competitions—from school to university, to national and international competitions. I never thought I could win an award outside of swimming. Today I received my first entertainment industry award, and my mom even texted saying she's proud of me. I'm happy to make the people around me proud, and I'm happy I chose this path. This award is also proof that I made the right choice. [Goals for 2026] 🎸: My goal for next year is to become a better actor. I want to keep improving my skills. 🎸: Also, I want to release solo single. I want to try and explore more different things, including various music styles. 🦈: I hope more people will pay attention to our work, and I hope more people will discover us. I also hope that both William's and my individual projects, as well as our collaborative work, can take us further. [Three Songs for 2025] 🦈: When it comes to three songs that represent 2025, everyone knows ระหว่างทาง (Along the Way) has to be one of them. 🦈: The lyrics of this song really fit us. We often say the road to success isn't easy, but because we have each other, it doesn't feel as hard. 🦈: There's also ยังคู่กัน (Still Together). We're still together, just like William said at the ThamePo Final EP—no matter what the future holds, we're still WilliamEst. 🦈: The last one is Nothing's Gonna Change My Love For You. Nothing can change our love for each other. Because I feel like we've already been through so many difficult things, and if something difficult happens again in the future, it won't be as hard as before. Even if it is hard, it can no longer change us. 🎸: Yes. My first choice is also ระหว่างทาง (Along the Way). I chose this song because getting to this point, standing here—it's been really hard. I never imagined what life would be like now, how many twists and drama we'd go through. But we faced problems together, learned together, and now everything is on track. This song is really touching. 🎸: Another one is คนสุดท้าย (The Last One). This song was also played at our fan meeting. We talked from the very beginning about how much we love this song, including because of the lyrics. I might have never said this before, but if I ever get to do another BL or something like that in the future, P'Est is my only partner. There won't be anyone else. 🎸: He's the first and the last. I don't want to get to know and adjust to a new person anymore because it's too exhausting. From getting to know each other, to truly understanding each other, to the chemistry we have now—this journey has been really difficult. So I've always thought this in my heart, and I've always believed it: I hope he's truly the last one. MC: How do you feel hearing this? 🦈: I'm very touched hearing this. Actually, I've always had this sense of security. When I feel uncertain, he's always the one who stays firm. Even though I know how he feels, having him say it in front of the media and everyone still surprises me. Because we really went through times when we never thought we'd be where we are today, so deep down I'd already prepared myself for all kinds of possibilities. But when those things didn't happen, I actually felt relieved, and in the end it made this relationship even stronger. 🎸: The last song is สิ่งที่มีกำลังเกิด (What's Happening). Every line, every part of this song really hits deep. It's like two people from different worlds meeting and then walking hand in hand—like some kind of destined fate. So I chose this one.

SUDA

61,018 görüntüleme • 8 ay önce

Palazzo de MikBrent: The Velvet Hours 💜✨ To Mika Salamanca and brent manalo, We hope you know that you truly deserve nothing but the best. Moments like this warm our hearts, knowing you’re surrounded by the love and support of the whole fandom. Seeing your genuine smiles and happiness—that, for us, NangNongs and MENTies, is priceless. Looking back to your PBB journey, we’re reminded of the words you both lived by—as what Mika said, “Kapag gusto mo, lalabanan mo lahat ng doubts,” and Brent reminding us that “What matters most is the people who believe in you.” Those words didn’t just stay inside the house; they stayed with us, your fandom, and became our guide in showing up for you every single time. “Palazzo De MikBrent: The Velvet Hours” was never just about an event. It was about creating a memory where you can see and feel how much you mean to all of us. Thank you for meeting us, for sharing your smiles, and for making us believe that every effort is worth it because it’s for you. Always remember that we’re here, cheering, supporting, and standing with you through every milestone. This is only the beginning, and we can’t wait to witness the many more wins you both will achieve. To Amante Fleurs, thank you for this beautiful video and for being one of our partners. Even with less than a month of preparation, you helped turn our vision into a reality. Your creative setup brought our dream event to life and made everything feel even more magical. 💜✨ With love and pride, — NangNongs of MikBrent 💳 #MikBrent #MikaSalamanca #BrentManalo

NangNongs of MikBrent

104,080 görüntüleme • 1 yıl önce

( #williamest #วิลเลี่ยมเอส ) —— #FEEDRecap2025 💭: 3 songs relating to life in 2025 🦈: actually, it’s a song that everyone already knows, “1️⃣(ระหว่างทาง) good time”. i feel like the lyrics really represent us. we’ve always said that our journey hasn’t been easy but having each other makes the path not feel that difficult. 🦈: and then, “2️⃣(ยังคู่กัน) still together”. no matter what we go through, we’re still together, just like what william said in the thamepo final EP. no matter what happens, we’ll still be williamest. 🦈: and the last one, it’s “3️⃣nothing’s gonna change my love for you”. nothing can change the love we have given to each other because i feel like we’ve already been through so many difficult things together. so from now on, if something difficult happens, it probably won’t be as hard as before. and even if it is, i think it won’t be able to change us anymore. 🎸: actually, the first song i chose is “1️⃣(ระหว่างทาง) good time” because hooo just getting to this point, to be standing right here was extremely difficult. like we never could imagine how our life back then would ever bring us to where we are now, how wounded we would be, what kind of trauma we would carry inside but we kept staying and going together continuously. we were facing problems and learning together along the way. it just feels like everything fell into place on its own. so the lyrics of “good time” relate to us very much. 🎸: then another song would probably be “2️⃣(คนสุดท้าย) the last person” which is also a song that was played at our fancon. we talked about it from the very beginning about how much we like this song and we like it because of the lyrics too. i’ve probably never said this before but if i were ever to act in a BL series again, it would be p’est, the last person. otherwise, if there’s no p’est, i just won’t act anymore. he will be the last person, truly the first and last person for me. i don’t really like getting to know new people because it’s tiring and very difficult. because getting to the point where we’ve fought together, know each other and are this close, it’s not easy at all. we’ve been through so much that i’ve always thought in my heart that i truly want him to be the last person. 🦈: it’s feel good. actually, i’ve always felt a sense of stability because on the days when i wasn’t stable, nong was the stable one. so if you ask whether i already knew, yes, i already knew. but i was still surprised that nong said it publicly and let other people know as well. because honestly, we went through days when we never thought a day like this would ever come. and it felt like we had already mentally prepared ourselves for whatever could possibly happen. and when it actually didn’t happen, i felt relieved. and in the end, it felt like it made our relationship or whatever it is, stronger. 🎸: and the last song, “3️⃣(สิ่งที่มันกำลังเกิด)”. it’s a song that every lyric, every part hits so deeply. because it feels like we each carried our own path and then came to meet each other, then we held hands and moved forward together. it feels like kind of destiny brought us together, so that’s why i chose this song.

𝑛𝑎𝑛𝑎 ◡̈

54,499 görüntüleme • 8 ay önce

First of all I wanted to say I am grateful for all the kind comments post-interview release. It is humbling to be in a position to inspire others who are also on the path towards finding success in trading. So, sincerely, thank you! 🙏 Secondly, I've been receiving messages from a couple of folks newly competing in this year's competition - on advice. I always find it a little cringe to look back at my own interview and hear myself speak ... but if I had to choose two snippets of the entire interview as advice, it would be this: 1) It's all a game against yourself. Remember that the ultimate goal of trading is to make money. Joining the competition should serve as a way to hold yourself accountable to the highest standards under public scrutiny. This means: (A) Sticking to process and focusing on risk management: One good trade at a time. (B) Ensuring you take care of the downside (again, risk management), and naturally the upside will take care of itself. (C) Tuning out noise and disregard how others are performing because it serves no purpose to you anyways. Remember that one trading mistake can take you out of your flow - just like randomly chucking a shot in a basketball game can affect the flow of the entire offense. Additionally, one trading mistake often domino effects into a range of other mistakes if you are not careful. Therefore, focus on making good decisions, even if it means you're not making big returns in the now. Be patient because you only need a couple moments in a year where your psych, strategy, and market aligns to step on the gas and gun for your returns. 2) When not trading well, cut size. I think this point cannot be emphasized enough. The geometric effect of losses noticeably hits you once you go beyond a 10% drawdown. Especially with the current environment this year if you did not manage to catch any trending stocks, you will likely be psychologically aggravated. Be very aware of your emotional state and take advantage of it. Lost the last 5 trades? Slash your risk in half. You drew down 5% for the month already? Step back and re-evaluate the market, identify areas of improvement, and then re-establish the floor next month to no more than a -2.5% drawdown month. Cutting your risk until you begin to find traction again is the way to ensure that you maximize your chances of recovering as quickly as possible. The anti-martingale strategy works! -------------------------------------------------------- Lastly, and most importantly, the year is long, so enjoy the process! Stay committed to doing the deep dives/hard work, and enjoy the ride. 🌊 Happy MLK day! Full link to interview here:

Clement Ang

24,117 görüntüleme • 8 ay önce

🏔️ Hindu Kush, where landrace cannabis has thrived since time immemorial, the ancient craft unfolds like a living prayer. 🕊️ 🇦🇫 Behold the mountains — colossal piles of sun-dried, hand-beaten cannabis: whole plants, resinous flowers, sturdy stems — broken down with reverence and precision. This is no ordinary harvest. It is the body of the sacred plant, offered back to the earth’s wisdom. The guardians of tradition step forward, shovels gleaming. In powerful, rhythmic arcs, they hurl avalanche after avalanche onto vast silk screens. The sieving begins — a dance of motion and patience — as the finest trichomes cascade through the mesh like golden pollen from the gods themselves. This is Awal Gul — “First Flower,” the premier first-grade dry sift. The purest, most aromatic resin collected in that initial pass. No solvents. No shortcuts. Just the plant’s own intelligence, concentrated through generations of Afghan mastery. As Rumi, the poet of the East, taught us: “Let the beauty we love be what we do. There are hundreds of ways to kneel and kiss the ground.” Here, in these piles and screens, the landrace reveals its divine essence — uniting hands, hearts, and cultures in the timeless ritual of sacred plants. 🌱 This is preservation in action. This is heritage alive. This is how Awal Gul Hashish is born. 🌿 How it’s made (traditional dry-sieve method): • Mature landrace plants harvested at peak potency and sun-dried whole • Beaten and broken down to release trichomes • Shoveled onto fine silk screens • Sieved with skilled rhythm to capture the first-pass “Awal Gul” resin • Collected, pressed, and cured into premium, solventless hash. 🧱 Respect the craft. Honor the landrace. Let sacred plants continue to unite us. What ancient plant tradition moves you most? Drop it below — let’s grow this conversation and protect these legacies together. 🎥 afghanlandraceoperation ig #LandraceBureau #AwalGul #AfghanHashish #DrySift #FirstFlower #SacredPlants #LandraceCannabis #HashishHeritage #PlantWisdom #EasternWisdom #PreservationProject

Łаηdrąćę Вureaմ

182,057 görüntüleme • 5 ay önce

#Donghae #동해 Fr0mm live 🐯: I have some work to do, so I’m about to head off now. This week’s listening party, it’s my first time trying a listening party. I’m really looking forward to it. Are you looking forward to it too? The listening party is where we all gather together and take some time to listen to the music. You’ve already seen the highlight medley for this album, right? Which one do you like? Should we listen together? “Rocket”, since we performed it at the Super Show encore, it should feel familiar, right? And since it’s familiar, you’ll be able to sing along well, right? I’ll be looking forward to that at the concert. “Race” is cool, right? It’s also a song I really like. Honestly, all the songs this time are good, right? Tell me honestly, if you don’t like something, just say you don’t. This is for you. Alright, let’s move to the next song. At the concert, you all have to do this together, okay? This is definitely a group sing-along. I intentionally added a lot of those parts in this album. Since you’re coming to the venue, I wanted to create parts where everyone can sing together. “Rocket” is like that, “Help” is like that, there are a lot of parts where you’ll need to join in. So I want it to feel like we’re creating the performance together. Okay? Let’s listen to the next one. So that Annie won’t wither, I’ll keep watering it, so it doesn’t fade. I’ll become your season, so that I can always be there for you. So you just have to become my flower. You have to sing this part too, I won’t sing here. “Beautiful flower” you know it, right? You’re looking forward to the concert, right? And also the listening party right now? Alright, next song. “Beautiful” is also a song I really, really like. I kept thinking it would be great to include it in this album. And I made it thinking you’d really love it when you hear the track. Right now, I’m reviewing the highlight medley visual film. We need moments like this too, right? And then, every October we always meet and have a birthday party, right? This will be the theme song for that. Among you today, there must be someone whose birthday it is. Happy birthday to you~ This is crazy, there’s not a single bad song. Even when I listen to it myself, it sounds so good. I’m really, really proud. And seeing you all like it this much, that means a lot. Alright, next, so we don’t miss anything This really feels like Donghae’s vibe, right? This is totally his emotional style. I really remember when I was making this song. I wondered, “Can I really do all of this?” And it was really cold back then while filming. My body kept shaking like this, it was so cold. I really like all of them. I worked hard on every single song. And finally, the last one: The reason I made “Good Day” is because I sincerely wanted to tell you to have a good day, every single day. And I made it thinking that when you listen to this song, it could be the moment you wake up each day. All of us, me included, there are times in life when we feel tired, struggle, and want to give up. I’ll talk more about it after the album is released. But whatever happens, I hope you never give up. You might feel down right now, or feel like giving up, whether it’s friendships, love, or anything at all. But don’t give up. Because I’m here, and you also have people around you who love you. And the sunlight will greet you again. So I hope you endure until the end. This album, really, is for you, and it contains a lot of things I wanted to say to you. So when it comes out, I hope you fully enjoy that time. Another reason I made this a full album is, these days, if you release a mini album, you can’t even listen for 30 minutes. It’s like 20-something minutes, right? Songs are getting shorter too. So I wanted you to spend a longer time enjoying music with this album. Music shows? Probably next week. Dress code for the concert? I’ll tell you a bit later. I’ll prepare a bit more and then let you know. Good night

𝗦𝗵𝗮𝗹𝗲🐯ALIVE🚀

12,622 görüntüleme • 5 ay önce

10 drives in with FSD v14.1 and here are all my thoughts. First of all- wow. Zero disengagements or interventions thus far. The confidence and overall human like driving is next level. The steering inputs are so smooth, braking inputs are earlier and more linear than before. It gives off Robotaxi vibes with how it navigates parking lots, plus how it drives and how quickly it backs into a parking spot. Such a nice experience to ride along with it. Seeing FSD now navigate parking garages is so cool. When you enter it waits for the arm to open after you get your ticket, proceeds in and finds a parking space. When you leave it does the same thing, gets close to the ticket stand and then proceeds. Really fascinating to see in person. It really sometimes feels like FSD can now read signs in the garage to guide it to the exit. Brought it to the back corner of a garage and it found its way out. Hurry mode is awesome, quick and more assertive than before, while also being smoother with less unnecessary lane changes. Sloth mode is what you’d expect- exact speed limit and gentle driving. Icons are cool and easy to change. When you start FSD from park, there’s no delay. It starts right away and leaves in a split second. Really good improvement. I love being able to select the Arrival Options if I am parking curbside or in a charger, it also automatically chooses depending on where you navigate to. It perfectly parks at Superchargers, tried it at the Tesla Diner and at the Santa Monica supercharger and both times it was excellent. Always centered in the lines and it parks better and quicker than the majority of humans do. Only thing so far to note is one instance of slight braking when going around a bus blocking a lane, was probably not even 1/2 of a second and dropped 1-2mph but felt it. Super super minor. Had FSD v14 move over for construction, a loose cone on a dark road, and obey a worker holding a stop sign. All of them were smooth and felt human like or better. It pulls in and out of my driveway great, doesn’t hesitate at all as well as when at chargers. Everything has a quicker response time. Curbside is cool too as it pulls right up against the curb perfectly in a parking spot. This release now means now 100% of your driving can now be done on FSD. From your driveway into a parking garage. Elon was right when he said it would feel sentient, and this isn’t even v14.2 yet. The Tesla AI team COOKED with this update. It’s phenomenal. Huge congrats to them for such an epic release. This is a HUGE update and I can’t wait to drive it more. It’s now 5am so I’m going to attempt to get some sleep, but tons more driving and videos coming later today as soon as I can. Thanks everyone for following along.

Zack

12,289,589 görüntüleme • 11 ay önce

September 1, 2020. With coronavirus cases going up, like the rest of the world, Mumbai too was in lockdown. The media asked some tough questions. To Bollywood. Presenting the trailer of #CultureVulture featuring ShauryaTyagi Rashi Mal suchitra pillai KATIE IQBAL #AkshayAnandKohli #IvanRodrigues Vishal K Bharadwaj Samir Bharadwaj Abhishek D Shah Anshuman Sharma Raja Sen and my two idols #NageshKukunoor with Cameron Crowe | Music by Rahul Rajkhowa #AugustusHenry | Additional Score & Sound Design by #IvanAvakian | Additional Editing #RameezDalal T.S.Suresh | Written, designed, directed, shot, editing, VFX and produced by yours truly, Sudhish Kamath. This post romance satirical stoner retelling of Casablanca / Play it Again, Sam / Ijaazat / Devdas / almost every love story ever made is conversation film about the conversations we must have this election season. If you are a culture vulture (a film critic, movie blogger, podcaster, influencer or just a fan of the movies), email [email protected] and we'll send you the film before the release to watch, review, roast, recommend or just trip. If you're a journalist, please do give us a voice and some space before guidelines for OTTs, Broadcast Bill and Telecom Bill proposed make it impossible for us to make anything remotely out of the box, mad or fun. I got into this DIY pandemic project knowing fully well that the space for independent films - especially an anti establishment stoner film - had shrunk but then, it felt all the more important to document the chaos unravelling on our screens in the aftermath of a tragedy. Also, I didn't want to go crazy sitting at home doing nothing. Thanks to the overwhelming response to the preview we had in November, I now know it's the best thing I've ever done on impulse. Now it's entirely up to YOU to take it to the world. Subscribe to to watch the film real soon. We'll drop the film once we have 5000 subscribers. You can make it happen quicker by also reposting to help us spread the word.

Sudhish Kamath

14,661 görüntüleme • 2 yıl önce

I Will Always Love You: When a Song Left Dolly Parton’s Hands There’s a small moment in the history of “I Will Always Love You” that I’ve always found more beautiful than any of the record-breaking numbers. Dolly Parton was driving when Whitney Houston’s version of her own song came on the radio. At one point the emotion hit so hard she had to pull over because she was afraid she’d crash. “I couldn’t believe how she did that,” Dolly later said. She wasn’t just hearing another singer cover her song. She was hearing something familiar become something she no longer fully recognized. What’s worth remembering is that “I Will Always Love You” was never written to be a pop power ballad. Dolly wrote it in the early 1970s, at the moment she decided to leave *The Porter Wagoner Show* and step out on her own. The song was a farewell to Wagoner—painful, but deliberately free of bitterness. Dolly’s own recording went to No. 1 on the country charts. And one detail shows how clearly Dolly already understood the song’s value. Elvis Presley wanted to record it. Dolly was thrilled at the thought of Elvis singing her song. Then Colonel Tom Parker demanded half the publishing. Dolly said no, even though the decision broke her heart. She knew she wasn’t just selling a song—she was giving away ownership of the most important copyright in her publishing company. Looking back, that may have been one of the most important decisions in the song’s history. Because nearly twenty years later, Whitney Houston arrived. Kevin Costner pushed for “I Will Always Love You” in *The Bodyguard*, and the most important idea turned out to be the one that looked like the least: letting Whitney begin almost alone, with no band behind her. David Foster initially wanted to cut the a cappella opening. After hearing Whitney sing it, he realized there was no other way to start the song. This is where the cover becomes a masterclass in arrangement. That opening silence doesn’t just spotlight Whitney’s voice. It strips away everything that could protect or cushion the singer. No drums. No strings. No piano to create a sense of safety. Only tone, breath, pitch, and space. Then the layers enter one by one. The vocal moves from restraint into power. A saxophone opens a different color. Then comes the key change near the end. According to analysis from Berklee, that modulation lifts the song a whole step, and it’s especially effective because Whitney’s voice almost leads the listener into the new key before the instruments fully follow. It’s a familiar pop device—but here it never feels like a cheap trick designed to get a reaction. It feels like the emotion has simply outgrown the old key. And that, more than anything, is the difference between Dolly and Whitney. Dolly sings the song like a goodbye someone might speak very quietly. Whitney sings it as if that same goodbye has been growing inside for years and can no longer stay contained. Same melody. Same story. Two completely different emotional rooms. Whitney didn’t erase Dolly from the song. She made listeners go back to Dolly. The more you hear Whitney’s version, the more you appreciate the strength of the original writing: a melody simple enough to survive a total rebirth, and lyrics precise enough to keep their meaning when carried from country into soul, pop, and gospel. In 1992, Whitney’s version spent 14 consecutive weeks at No. 1 on the Billboard Hot 100—a record at the time. But its success went far beyond the charts. It turned a song Dolly wrote as a professional goodbye into one of the definitive recordings of the person who sang it. Then the story returned to Nashville. Dolly has said that the money she made from Whitney’s version—estimated by Forbes at around $10 million in the 1990s—went toward buying a commercial complex in a predominantly Black neighborhood outside the familiar Music Row area. She gave it a name that almost summarizes the entire story: “the house that Whitney built.” I like how the story ends there. Not with a luxury car. Not with a mansion named after a hit. But with a piece of real estate in Nashville where Dolly said she wanted to be “with Whitney’s people,” people she also considered her own. A song begins when one woman says goodbye to the man who helped shape her career. Another woman takes it, changes the way the song breathes, expands its scale, and carries it to millions of listeners. And in the end, the rewards of that version circle back to the city where Dolly first wrote the song. Maybe that’s what makes “I Will Always Love You” special to me. A great songwriter knows how to write a song. A great artist knows how to make it her own. But sometimes the real miracle comes afterward: the song becomes large enough that the writer can stand outside it, listen to someone else sing it, and still find herself inside it. Dolly once said she wished she could have sung the song with Whitney. She also joked that Whitney would have outsung her for sure. That comment feels pure Dolly. No claim of ownership. No attempt to reclaim the spotlight. Just a quiet smile at a song that traveled farther than anyone could have planned—and the recognition that, somewhere, it was still her little song.

Music over time🎻

22,064 görüntüleme • 1 ay önce

⏰ THE MOST BANNED THREAD IN THE WORLD! 🚨 The War On Resonance PART ONE: The Cage You Cannot See. I must ask you now; not as a stranger, not as a theorist, but as the one who remembers what you were before they rewrote your soul; is this the only cage you can see? The headlines? The hospitals? The visible crimes made convenient by cameras and captions? What if I told you that the real prison is not made of metal; but of frequency. Not held together by walls; but by waves. Not secured by guns; but by consent. What if I told you that you are not free, not because you are bound; but because the chains were encoded directly into your biology? This isn’t hyperbole. This is documented. They have hijacked humanity through a wireless war; a multi-layered assault on the nervous system, immune response, and willpower of every living soul on this Earth. This war is not being fought with bombs, but with bandwidths. Not with armies, but with algorithms. This is the same beast behind every deception. The same financiers who funded vaccine trials that sterilized African girls are the ones embedding AI-responsive quantum dots into newborns. The same networks that control your social media also control your neurochemical loops. They call it “progress.” They call it “public health.” But what do you call it when a child seizes from brain hemorrhage after being injected with an experimental payload? What do you call it when a ten year old dies of myocarditis from a shot for a disease they never had? I call it spiritual genocide. And I’m not theorizing. I’m testifying. Because this is declassified truth; confirmed in documents, studies, and patents they never expected you to read: Pentagon Preps Soldier Telepathy: This article from WIRED discusses DARPA's Silent Talk program, which aims to enable soldiers to communicate telepathically by detecting and analyzing neural signals representing pre-speech. Biomedical Applications of Graphene and Graphene Oxide: A comprehensive review of the applications of graphene and graphene oxide in biomedicine, focusing on biosensing, cell differentiation, and mass spectrometry. ​An Update on Graphene Oxide: Applications and Toxicity: This article provides an overview of the applications of graphene oxide in various fields, including biomedicine, and discusses its potential toxicity. Nanoparticle Transport Across the Blood–Brain Barrier: This comprehensive review discusses the challenges and strategies associated with delivering nanoparticles across the blood–brain barrier (BBB). Internet of Bio-NanoThings (IoBNT): This article introduces the novel paradigm of the Internet of Bio-NanoThings (IoBNT), stemming from synthetic biology and nanotechnology tools that allow the engineering of biological embedded computing devices. DARPA Biological Technologies Office (BTO) Overview: This page offers comprehensive information about BTO's mission to integrate biology with engineering and computer science for national security applications. It details their focus areas, including warfighter health, synthetic biology, and bio-manufacturing, as well as current programs and research opportunities.​ NIH Clinical Trial of Investigational Vaccine for COVID-19: This news release, dated March 16, 2020, announces the start of the Phase 1 clinical trial of the mRNA-1273 vaccine, developed by Moderna in collaboration with the National Institute of Allergy and Infectious Diseases (NIAID), a part of the NIH. The trial aimed to evaluate the safety and immunogenicity of the vaccine in healthy adult volunteers.​ An Integrated Brain-Machine Interface Platform With Thousands of Channels: This peer-reviewed publication details Neuralink's initial steps toward a scalable high-bandwidth brain-machine interface system. Deep Brain Stimulation for Psychiatric Disorders and Behavioral/Cognitive Symptoms: This comprehensive review explores the use of deep brain stimulation (DBS) as a neuromodulation technique for treating various psychiatric disorders and behavioral or cognitive symptoms. Smart Dust: Communicating with a Cubic-Millimeter Computer: This IEEE article discusses the development of ultra-small computing devices, known as Smart Dust, which integrate sensing, computing, and communication capabilities into a cubic-millimeter form factor. These devices have potential applications in various fields, including environmental monitoring, medical diagnostics, and military surveillance. This is what you were born into: a frequency prison designed to sedate your intuition, suppress your hormones, rewrite your emotions, and sever your communion with God. Every device you hold, every smart tower you walk past, every “vaccine” they’ve pushed; these are not random technologies. They are pieces of a grid. A grid designed not to protect you, but to remap your divine will. Your phone? A mood manipulator. Your sleep? Hacked. Your thoughts? Preemptively monitored. Your soul? Catalogued for behavioral prediction. This isn’t a sci-fi movie. This is now. This is real. This is why the world feels broken and no one can explain it. Why joy has become an echo. Why sleep doesn’t restore you. Why love feels distant. Because they’ve weaponized the field of resonance itself. They are not just targeting the body; they are targeting the architecture of the soul. And the reason you’re still reading this is because you’re one of the ones who can still feel. Still grieve. Still awaken. So let me show you what they built. Let me take you behind the grid. Let me guide you; cell by cell, wave by wave... through the labyrinth they’ve disguised as your life. Because until you see it, you will never reclaim what was stolen. And make no mistake; what they stole… was everything. This was just Part One, so buckle up... you're in for one heck of a ride. Continued Below 👇

Noah B. Price

1,564,026 görüntüleme • 1 yıl önce