Sensitive content
This media may contain sensitive content.
Video wird geladen...
Video konnte nicht geladen werden
Debt brought them together. A broken lock made sure they couldn’t leave. 🚐🔒 Two strangers, 40 minutes, and plenty of reasons to dislike each other… at least at first. 👀 But when the arguing stops, an entirely different kind of tension takes over. Looks like this collection job just... show more
20,915 Aufrufe • vor 1 Monat •via X (Twitter)
0 Kommentare
Keine Kommentare verfügbar
Kommentare vom Original-Post werden hier angezeigt
![patrick walters and fisayo akinade talk about joe locke and kit connor’s roles as executive producers on “heartstopper forever”: patrick: “joe’s just very like, ‘i’m just gonna get on with the job.’ he’s very clever, he’s very analytical; if he’s got a question, he’ll ask it, but he’s not, you know—he’s sort of to the point in a way. kit is completely different, and in a really complementary way, where kit really likes to talk about it—you know, everything in detail—and likes to get under the skin of stuff, and really, so that they’re kind of chalk and cheese in the rehearsals, when we’re in rehearsals with them for each season, but like together they really sort of trust each other. so them coming on as executive producers, it felt like they were like a team, and where they could help [alice oseman] and i just to go, ‘hey, like this is what we think about this.’ it was really brilliant to feel like they were sort of incentivized to do that part.” fisayo: “i think a lot of the cast, we really benefited from kit and joe’s sort of additional perspective on things. it really helped to contextualize a lot of things that we, that had been maybe like niggling at us for years. and it was, yeah, they were really amazing. it was a really kind of like quite a beautiful, generous decision you made. and it was like deeply beneficial to all of us.” 🎥: kitschain on twitter](https://image.24vids.com/tw-2038293037479026731/amplify_video_thumb/2038291819008512000/img/8nuv6JoQ941SQT_X.jpg)
![What happens when Sanskrit students take the language beyond the classroom? A group of international Sanskrit learners went on an informal hike through the Elbsandsteingebirge in Germany. What began as a simple day outdoors soon turned into something unexpected: they started speaking Sanskrit. As they walked, they described what they saw, asked questions, joked, searched for words and helped each other along the way. There were mistakes too—and plenty of laughter. It wasn’t a lesson. It wasn’t an official Summer School activity. It was simply people trying to make a language part of everyday life. And perhaps that is what keeps a language alive—not just preserving its words, but continuing to speak them, share them and find new ways to use them. This Sanskrit Day, here’s to a language that has travelled across centuries and continues to bring people from different places together, one conversation at a time. ❤️ Credits : flowtingfairy on IG #Sanskrit #SpokenSanskrit #IndianLanguages #LanguageLearning #SanskritStudents [Sanskrit, Spoken Sanskrit, Sanskrit Summer School, Elbsandsteingebirge, language learning]](https://image.24vids.com/tw-2093209462026703251/amplify_video_thumb/2092926755556425728/img/DsoZdZWFYCi0UuFh.jpg)
![The first scene for 2010’s “The Social Network" is ~6 minutes. It shows Mark Zuckerberg getting dumped in a Harvard bar (and with some creative licenses, how that leads to Facebook). Director David Fincher did 99 takes of the scene (yes, 99). For some, that's Fincher being a perfectionist. For others, it's Fincher wasting people's time. Aaron Sorkin wrote the screenplay and has a fascinating recollection of the scene: ➡️ "An average screenplay is about 120 pages long. My screenplays have higher page counts because there’s more dialogue and less action. By the rules of screenplay format, dialogue takes up more room on the page and less time on the screen than action (which takes up less room on the page and more time on the screen). "The Social Network" was 178 pages. And the studio said, “OK, the first thing you’ve got to do is figure out a way to cut 30 pages from this.” And David said, “I don’t think so.” […] He came over to my house with his iPhone set on stopwatch mode, and he said, “I want you to read the entire script out loud for me, at the pace you heard it in your head when you were writing it, and I’m going to write down the timing of each scene.” So that opening scene...with Jesse Eisenberg (Zuck) and Rooney Mara. I read it and it was 7 minutes and 22 seconds. In rehearsal, Jesse and Rooney would rehearse the scene, David would say great, and he would give them a couple of notes and always end with, “But this scene is 7 minutes and 22 seconds long, and you’re doing it at 7 minutes and 40 seconds. So I don’t care how, but you’re going to have to talk faster somewhere, because I promise you, this scene plays best at 7 minutes and 22 seconds.” ⬅️ With that context, the 99 takes is very understandable. It’s a combo of perfectionism and managing the shooting budget. The final cut was shorter than 7 minutes and 22 seconds. But one thing stayed consistent throughout the shoot: Fincher told dozens of extras in the bar scene to keep the volume of their chatter high, as they would on any night out. This forced Eisenberg and Mara not only to speak faster. But also louder, increasing the scene’s intensity. It worked.](https://image.24vids.com/tw-1722050577734185130/amplify_video_thumb/1722050077051805696/img/quUPc4rrdLr8PT5P.jpg)
![The Social Network sequel also won’t have David Fincher. His directing style great combo with Sorkin’s dialogue-heavy script. Social Network’s opening scene is perfect example: it’s ~5 minutes and Fincher famously did 99 takes. It shows Zuck getting dumped in a Harvard bar (and with some creative licenses, how that leads to Facebook). Sorkin — who will direct the sequel — talked about how the scene came together: ➡️ "An average screenplay is about 120 pages long. My screenplays have higher page counts because there’s more dialogue and less action. By the rules of screenplay format, dialogue takes up more room on the page and less time on the screen than action (which takes up less room on the page and more time on the screen). "The Social Network" was 178 pages. And the studio said, “OK, the first thing you’ve got to do is figure out a way to cut 30 pages from this.” And David said, “I don’t think so.” […] He came over to my house with his iPhone set on stopwatch mode, and he said, “I want you to read the entire script out loud for me, at the pace you heard it in your head when you were writing it, and I’m going to write down the timing of each scene.” So that opening scene...with Jesse Eisenberg (Zuck) and Rooney Mara. I read it and it was 7 minutes and 22 seconds. In rehearsal, Jesse and Rooney would rehearse the scene, David would say great, and he would give them a couple of notes and always end with, “But this scene is 7 minutes and 22 seconds long, and you’re doing it at 7 minutes and 40 seconds. So I don’t care how, but you’re going to have to talk faster somewhere, because I promise you, this scene plays best at 7 minutes and 22 seconds.” ⬅️ The final cut was quite a bit shorter than 7 minutes and 22 seconds. But one thing stayed consistent throughout the shoot: Fincher told dozens of extras in the bar scene to keep the volume of their chatter high, as they would on any night out. This forced Eisenberg and Mara not only to speak faster. But also louder, increasing the scene’s intensity. IT WORKED REAL WELL!! *** Full interview with Sorkin here:](https://image.24vids.com/tw-2065084496551231672/amplify_video_thumb/2065084390745804800/img/LYMYyJloSTZl7k87.jpg)
