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Desperation and release 😉 Great feeling 👌 . . . . #omorashi #maleomorashi #peehimself #kissaibyxorna #kissibyxan #omokink #omofetish

Pftish

5,371 subscribers

42,813 views • 3 years ago •via X (Twitter)

NSFW #omorashi #maleomorashi #peehimself #kissaibyxorna #kissibyxan #omokink #omofetish

Anya Rossi• Live Now

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Got very desperate the other day and totally wet my tight sweatpants!! #wettingpants #omorashi #wetsocks #maledesperation #maleomo #maleomorashi #malewetting #peedesperation #wettingpants #desperatetopee #peepants #desperation #gayomo #gayomorashi

Got very desperate the other day and totally wet my tight sweatpants!! #wettingpants #omorashi #wetsocks #maledesperation #maleomo #maleomorashi #malewetting #peedesperation #wettingpants #desperatetopee #peepants #desperation #gayomo #gayomorashi

ShinyVolcarona

15,181 views • 5 months ago

Some wriggling and squirming for you desperation lovers out there 😁😁. Will add the 2nd part soon 😘😘 #peepants #wettingpants #omorashi #wetsocks #maledesperation #maleomo #maleomorashi #malewetting #peedesperation #gayomo #gayomorashi

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Some wriggling and squirming for you desperation lovers out there 😁😁. Will add the 2nd part soon 😘😘 #peepants #wettingpants #omorashi #wetsocks #maledesperation #maleomo #maleomorashi #malewetting #peedesperation #gayomo #gayomorashi

ShinyVolcarona

19,132 views • 2 years ago

"It's a great feeling... not many have done it" 😅 Llordo's Closing Cook for John Longmire after robbing Joel Amartey of the chance to join the greats and kick 10 😉 #9FootyClassified | Live on 9Now 🖥️

"It's a great feeling... not many have done it" 😅 Llordo's Closing Cook for John Longmire after robbing Joel Amartey of the chance to join the greats and kick 10 😉 #9FootyClassified | Live on 9Now 🖥️

Footy on Nine

41,706 views • 2 years ago

Humboldt penguin Chiquitita recently took an enrichment field trip to the sub-Antarctic habitat! The Humboldts live outdoors in a separate space, so she couldn’t stay long, but we have a feeling Chiquitita and king penguin Elmer will be great “long distance” friends. 😉

Humboldt penguin Chiquitita recently took an enrichment field trip to the sub-Antarctic habitat! The Humboldts live outdoors in a separate space, so she couldn’t stay long, but we have a feeling Chiquitita and king penguin Elmer will be great “long distance” friends. 😉

Saint Louis Zoo

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Work Finally Done Here in Merseyside/Lancs #MentalHealthSupport Watt Started Yesterday as Very positive day finished of shyte #JobsFucked 😤 but great work colleagues 💚💙❤️ #EmergencyResponse 🙏 motorway gods safe journey home yes 🤔 Safe And Happy Saturday Night BLB No.2 Be Seeing You 😉👌 #NHS #Seconded

Work Finally Done Here in Merseyside/Lancs #MentalHealthSupport Watt Started Yesterday as Very positive day finished of shyte #JobsFucked 😤 but great work colleagues 💚💙❤️ #EmergencyResponse 🙏 motorway gods safe journey home yes 🤔 Safe And Happy Saturday Night BLB No.2 Be Seeing You 😉👌 #NHS #Seconded

BloodyLoveLeh

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This is how Moe Norman felt the downswing. Not rushed. Not forced. He trained the feeling of staying down, keeping the trail palm stable, and delaying the release so the club could fall into position. That’s why his strike looked effortless. No violent move. Just the club returning on plane. Great ball strikers don’t chase positions… they train the right feels. 👉

This is how Moe Norman felt the downswing. Not rushed. Not forced. He trained the feeling of staying down, keeping the trail palm stable, and delaying the release so the club could fall into position. That’s why his strike looked effortless. No violent move. Just the club returning on plane. Great ball strikers don’t chase positions… they train the right feels. 👉

Todd Graves

164,820 views • 5 months ago

'A Nightmare in Gotham' Ep 1. A Batman Animated Fan film built in Unreal Engine. Proud to release Part 1 of Mine and Mr💙Falcon🦅 short mini series. If you like it, please support by hitting the bookmark. like. comment and quote tweet if you're feeling. Synopsis and YT Full HD version in the comments for the big screen. Hope ya'll Enjoy 🦇🧨🔥🚚🎭 Oh....And make sure you stay for the end credits 😉

'A Nightmare in Gotham' Ep 1. A Batman Animated Fan film built in Unreal Engine. Proud to release Part 1 of Mine and Mr💙Falcon🦅 short mini series. If you like it, please support by hitting the bookmark. like. comment and quote tweet if you're feeling. Synopsis and YT Full HD version in the comments for the big screen. Hope ya'll Enjoy 🦇🧨🔥🚚🎭 Oh....And make sure you stay for the end credits 😉

TalesFromTheFuture

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Hey Y’all💚 Feeling so much better today. Not great but waaayyy better. Thanks to those who checked in on your girl🙏🏻🫶🏻 Ok I’m in from the work grind, grabbed a new mason jar, and ground some fresh buds for rollin’🤗 Rolled a nice blunt and of course ground plenty for some bong rips🙌🏻 Cheers🔥💨💨💨💨💨💨 PPP💨💨🤏🏻😉

Hey Y’all💚 Feeling so much better today. Not great but waaayyy better. Thanks to those who checked in on your girl🙏🏻🫶🏻 Ok I’m in from the work grind, grabbed a new mason jar, and ground some fresh buds for rollin’🤗 Rolled a nice blunt and of course ground plenty for some bong rips🙌🏻 Cheers🔥💨💨💨💨💨💨 PPP💨💨🤏🏻😉

*~♡~Erin~♡~*

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Hey Y’all💚 Not feeling great but shhh 🤫 don’t tell Momma bc she worries She can’t make it better so no need to make her upset🙏🏻😮‍💨 Maybe the cannabis will calm the stomach and get me feelin’ a bit better🥹 Let’s smoke this blunt and get in a few bong rips to get started shall we Cheers 🤗🔥💨💨💨💨💨💨 PPP💨💨🤏🏻😉

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Hey Y’all💚 Not feeling great but shhh 🤫 don’t tell Momma bc she worries She can’t make it better so no need to make her upset🙏🏻😮‍💨 Maybe the cannabis will calm the stomach and get me feelin’ a bit better🥹 Let’s smoke this blunt and get in a few bong rips to get started shall we Cheers 🤗🔥💨💨💨💨💨💨 PPP💨💨🤏🏻😉

*~♡~Erin~♡~*

55,424 views • 4 months ago

One of Quentin Tarantino’s biggest influences on Reservoir Dogs was actually John Carpenter’s The Thing. Not in terms of plot, but in the feeling of claustrophobia and paranoia created by trapping a group of men together who cannot trust one another. Tarantino explains: “The film that actually is a big influence on the film is John Carpenter’s remake of The Thing. It’s very similar, alright. I didn’t take anything from it, but I wanted to capture that same feeling of The Thing. In The Thing, you have all these guys trapped in this room, alright, and no one can trust anybody else. They can’t go anywhere else, and they just have to deal with each other, which is exactly the exact same situation in Reservoir Dogs. What I wanted to achieve is what I felt that film achieved when I first saw it at the theaters, the tension of those guys in that situation was so great, and there was no release of it because it was so claustrophobic, that the only place that tension could go was right into the audience. That’s how I felt when I was looking at The Thing, and that’s what I wanted to achieve in my movie.”

One of Quentin Tarantino’s biggest influences on Reservoir Dogs was actually John Carpenter’s The Thing. Not in terms of plot, but in the feeling of claustrophobia and paranoia created by trapping a group of men together who cannot trust one another. Tarantino explains: “The film that actually is a big influence on the film is John Carpenter’s remake of The Thing. It’s very similar, alright. I didn’t take anything from it, but I wanted to capture that same feeling of The Thing. In The Thing, you have all these guys trapped in this room, alright, and no one can trust anybody else. They can’t go anywhere else, and they just have to deal with each other, which is exactly the exact same situation in Reservoir Dogs. What I wanted to achieve is what I felt that film achieved when I first saw it at the theaters, the tension of those guys in that situation was so great, and there was no release of it because it was so claustrophobic, that the only place that tension could go was right into the audience. That’s how I felt when I was looking at The Thing, and that’s what I wanted to achieve in my movie.”

Gangster Cinema Central

23,960 views • 2 months ago

🎥 🚨 In this movie, the characters already know he’s gone. The only thing still alive is the press release sitting in somebody’s drafts waiting for a “special” date. 🤭 🎬The headliner would be feeling himself right now because the plot is finally falling into place exactly as he drew it up. For now… 🤭 The rival gets jammed up, the ancient sugar daddy executive switches sides, and the lead character already knows how the final act ends → 🏥 → ⚰️ ↳ Then comes the big festival. Celebrities perform. Cameras flash. And somehow… ➜ the headliner’s wig becomes the biggest story of the weekend. 😭 Instead of feeling like a regular music festival, it feels more like a mysterious victory lap… the kind of scene that leaves viewers with more questions than answers. The energy feels reminiscent of one of the most controversial Grammy weekends in music history where they paid “tribute.” Then the camera 🎥 pans to Moesha. 🧐 The same Moesha connected to the Whitney era. The same Mo that Whitney gave a note to. The same Mo that told Clive about the note. 🫠 And according to her brother, the same Mo that Jig and Bey overlooked multiple times during the Moesha & Monica tour. They showed up for the special guest, but Moesha never seemed to get any acknowledgment. In fact, Bey was seen dodging her at her own tour. 🥴 Yet somehow, in this movie, she gets an invite to “The Roots Picnic.” 😱 #CliveDavisDead 🔥 #JusticeForWhitneyHouston 🕊️ All opinions expressed are my own. Allegedly. For entertainment, commentary, and discussion purposes only 😉

🎥 🚨 In this movie, the characters already know he’s gone. The only thing still alive is the press release sitting in somebody’s drafts waiting for a “special” date. 🤭 🎬The headliner would be feeling himself right now because the plot is finally falling into place exactly as he drew it up. For now… 🤭 The rival gets jammed up, the ancient sugar daddy executive switches sides, and the lead character already knows how the final act ends → 🏥 → ⚰️ ↳ Then comes the big festival. Celebrities perform. Cameras flash. And somehow… ➜ the headliner’s wig becomes the biggest story of the weekend. 😭 Instead of feeling like a regular music festival, it feels more like a mysterious victory lap… the kind of scene that leaves viewers with more questions than answers. The energy feels reminiscent of one of the most controversial Grammy weekends in music history where they paid “tribute.” Then the camera 🎥 pans to Moesha. 🧐 The same Moesha connected to the Whitney era. The same Mo that Whitney gave a note to. The same Mo that told Clive about the note. 🫠 And according to her brother, the same Mo that Jig and Bey overlooked multiple times during the Moesha & Monica tour. They showed up for the special guest, but Moesha never seemed to get any acknowledgment. In fact, Bey was seen dodging her at her own tour. 🥴 Yet somehow, in this movie, she gets an invite to “The Roots Picnic.” 😱 #CliveDavisDead 🔥 #JusticeForWhitneyHouston 🕊️ All opinions expressed are my own. Allegedly. For entertainment, commentary, and discussion purposes only 😉

🦄BarbzRus🇺🇸

23,469 views • 3 months ago

Exciting News for the Pi Network community! USA 🇺🇸 GCV Bartering is here!!! 📢 Grammotones Music, Located at 120 S. Division #125, Grand Rapids, MI is now an official GCV Barter & Informational Location! Owner Brandon (a fellow Pi miner) has generously opened his shop for us to meet, barter, share Pi Network info, and grow together. Grammatones is a Retail store located in the Heartside Neighborhood of Grand Rapids Michigan. This location hosts Concerts, Record Release Shows, Studio time hourly rentals, and sells retail Clothing 👌 📅 Date: TBA Soon (Less than 30 days (Depending on Fundraising) Working on Date as we speak!!! Until then → Anyone can Sign up for Pi Network here. If you don’t have a Pi Network account, Stop in and ask for the owner 😉. He will take care of you. During the Event there will be: • Bartering • New sign-ups • Live Q&A with USA Pioneer Pi Network Excitement USA /Models For Pi GCV Family, We need to be following and engaging to make sure this is a successful opportunity for our whole community. ⚠️ Note: I can't do it by myself so help will be needed from Pioneers. Stay tuned Family. Time for the USA to join this party!!! (Follow Grammatones on Facebook and Instagram) Experience Grand Rapids FOX 17 #PiNetwork #GCV #GrandRapids #Barter #ModelsForPi #ExperienceGr

Exciting News for the Pi Network community! USA 🇺🇸 GCV Bartering is here!!! 📢 Grammotones Music, Located at 120 S. Division #125, Grand Rapids, MI is now an official GCV Barter & Informational Location! Owner Brandon (a fellow Pi miner) has generously opened his shop for us to meet, barter, share Pi Network info, and grow together. Grammatones is a Retail store located in the Heartside Neighborhood of Grand Rapids Michigan. This location hosts Concerts, Record Release Shows, Studio time hourly rentals, and sells retail Clothing 👌 📅 Date: TBA Soon (Less than 30 days (Depending on Fundraising) Working on Date as we speak!!! Until then → Anyone can Sign up for Pi Network here. If you don’t have a Pi Network account, Stop in and ask for the owner 😉. He will take care of you. During the Event there will be: • Bartering • New sign-ups • Live Q&A with USA Pioneer Pi Network Excitement USA /Models For Pi GCV Family, We need to be following and engaging to make sure this is a successful opportunity for our whole community. ⚠️ Note: I can't do it by myself so help will be needed from Pioneers. Stay tuned Family. Time for the USA to join this party!!! (Follow Grammatones on Facebook and Instagram) Experience Grand Rapids FOX 17 #PiNetwork #GCV #GrandRapids #Barter #ModelsForPi #ExperienceGr

Pi Network Excitement USA /Models For Pi

18,070 views • 2 months ago

MK: i seriously find it a bummer that it’s over JN: ‘wind up’? MK: yeah. it’s been so long since i’ve watched a drama, and that feeling of it coming to an end is something i haven’t felt in a while. HC: the two of them must have been really busy back then MK: but seriously, watching it... didn’t you guys film all of that only in the dawn? JM: yes JS: it was very cold MK: anyway, i really want everyone to know that lee woojin and kwon taehee are actually lee jeno and na jaemin who worked incredibly hard to film this drama. and you guys did so well. i really enjoyed watching it. 👏🏻 please look forward to the wind up brothers a lot JS: ‘wind up brothers’ ㅋㅋㅋ JM: why is he... this hyung is way too into ‘wind up’ right now MK: no, it’s just, it was such a great... JN: are you perhaps the PR ambassador? MK: because i was looking forward to it JM: which part made your heart flutter the most? like, one that makes you go oh~ the most RJ: the kiss scene all: .....😀 RJ: the kiss scene MK: no, but seriously, i’m usually not like this. i watched it without any expectations, but anyway- JN: without expectations? MK: i mean, i watched it without thinking! like, “let’s just see how the kids did!” JM: ay~ ㅋㅋㅋ MK: i didn’t mean it in a bad way! i meant like, “let’s see how they did,” but the story ended up being way more interesting than i thought JN: “let’s see how they did” MK: anyway, when a drama ends and you’re immersed in it, you stop seeing the actors and start seeing the characters, right? but the fact that i’m seeing my own members with that kind of feeling... JN: did you cry? MK: i heard kwon taehee and lee woojin are going to release an album... JM: so do you feel like i’m about to disappear or something? JS: okay everyone, we seriously have to go now

MK: i seriously find it a bummer that it’s over JN: ‘wind up’? MK: yeah. it’s been so long since i’ve watched a drama, and that feeling of it coming to an end is something i haven’t felt in a while. HC: the two of them must have been really busy back then MK: but seriously, watching it... didn’t you guys film all of that only in the dawn? JM: yes JS: it was very cold MK: anyway, i really want everyone to know that lee woojin and kwon taehee are actually lee jeno and na jaemin who worked incredibly hard to film this drama. and you guys did so well. i really enjoyed watching it. 👏🏻 please look forward to the wind up brothers a lot JS: ‘wind up brothers’ ㅋㅋㅋ JM: why is he... this hyung is way too into ‘wind up’ right now MK: no, it’s just, it was such a great... JN: are you perhaps the PR ambassador? MK: because i was looking forward to it JM: which part made your heart flutter the most? like, one that makes you go oh~ the most RJ: the kiss scene all: .....😀 RJ: the kiss scene MK: no, but seriously, i’m usually not like this. i watched it without any expectations, but anyway- JN: without expectations? MK: i mean, i watched it without thinking! like, “let’s just see how the kids did!” JM: ay~ ㅋㅋㅋ MK: i didn’t mean it in a bad way! i meant like, “let’s see how they did,” but the story ended up being way more interesting than i thought JN: “let’s see how they did” MK: anyway, when a drama ends and you’re immersed in it, you stop seeing the actors and start seeing the characters, right? but the fact that i’m seeing my own members with that kind of feeling... JN: did you cry? MK: i heard kwon taehee and lee woojin are going to release an album... JM: so do you feel like i’m about to disappear or something? JS: okay everyone, we seriously have to go now

Ⓙ archive

498,985 views • 8 months ago

I’m feeling blessed to share: Owner raised $120M Series C and is now at a $1B valuation 🦄 Mom-and-pop restaurant owners are being crushed by huge corporations. We’re using this cash to arm them to fight back. • This round was co-led by 2 perfect partners for us: Alex Kurland from Meritech, who led DoorDash’s Series B, and Shalini Rao from Headline, who led Toast’s Series C. They were also joined by an inspiring group of new investors: Fidji Simo (CEO Instacart), Jonathan Neman (CEO Sweetgreen), Garrett Langley (CEO Flock Safety). & still more inspiring new investors... Dharmesh Shah (CTO HubSpot), Josh Reeves (CEO Gusto), Shaan Puri (MFM), Matteo Franceschetti (CEO Eight Sleep), Anthony Pompliano, Sahil Bloom, Christina Cacioppo (CEO Vanta), Brett Schulman (CEO Cava), Matt Maloney (Founder & CEO GrubHub). … just to name a few. :) • Today, technology is being weaponized against small business owners. Corporations like Domino’s dominate. Why? Because they spend billions on tech, engineers, and marketers. • Small business owners are forced to compete with corporations that have massive war chests. But with Owner, they can do more than compete. They can win. We’re building the platform that gives them the power. We serve the people who serve our communities. • I started Owner 7 years ago, after dropping out of high school halfway through 10th grade. The first version of Owner wasn’t built for venture capital. It was built for my mom. She’s a small business owner who just needed a shot at success in the digital world. • I remember watching her worry that we’d lose her business and our house. In a moment of desperation, she asked her weird :) nerdy 17-year-old son to help her. I built a solution for her. That was Owner V1. When it started to work, I saw my mom transform. She went from being constantly stressed about money to feeling hopeful and excited about her future. The Owner team has now seen that same transformation happen for thousands of small business owners like her. That’s what drives us. • You can think of Owner as Shopify for restaurants—and, eventually, all local business owners. It gives them everything they need to succeed in the online future, in one place. Owner is their website, online ordering, mobile app, CRM. It all works together as one system. • Owner is also continuously optimized with what we learn from the thousands of restaurants and the more than 57 million consumers who have used our platform. It’s the only system designed for one outcome: growing sales profitably. It gives independent owners enough firepower to take on the big corporations, and win. • Shoutout to the great team at Owner — You deserve the credit for getting us here. I thank God every morning that I get to build Owner with each of you. We wouldn’t be here without you. We have a special team. Each of you represents greatness. • And shoutout to the best cofounder and CTO I could ever ask for, Deano🧙‍♂️. His work ethic and genius are as impressive as his character. I view partnering with Dean as one of the best decisions I’ve ever made. • I’m proud of Owner today. But I also feel scared that people will see our unicorn valuation and think “we’ve made it.” So let me be brutally clear. We HAVE NOT made it. And if we start to believe we have, we never will. When investors value us at $1B, it’s because they see potential. Our investors see the POTENTIAL for us to build a company worth tens of billions. We have to prove them right. And we must also prove right the thousands of restaurant owners who’ve bet their futures on us. • We’re still underdogs. We still have a long way to go. We didn’t come this far just to come this far. It’s time to move faster, build better, and fight harder! We have millions of small business owners counting on us.

I’m feeling blessed to share: Owner raised $120M Series C and is now at a $1B valuation 🦄 Mom-and-pop restaurant owners are being crushed by huge corporations. We’re using this cash to arm them to fight back. • This round was co-led by 2 perfect partners for us: Alex Kurland from Meritech, who led DoorDash’s Series B, and Shalini Rao from Headline, who led Toast’s Series C. They were also joined by an inspiring group of new investors: Fidji Simo (CEO Instacart), Jonathan Neman (CEO Sweetgreen), Garrett Langley (CEO Flock Safety). & still more inspiring new investors... Dharmesh Shah (CTO HubSpot), Josh Reeves (CEO Gusto), Shaan Puri (MFM), Matteo Franceschetti (CEO Eight Sleep), Anthony Pompliano, Sahil Bloom, Christina Cacioppo (CEO Vanta), Brett Schulman (CEO Cava), Matt Maloney (Founder & CEO GrubHub). … just to name a few. :) • Today, technology is being weaponized against small business owners. Corporations like Domino’s dominate. Why? Because they spend billions on tech, engineers, and marketers. • Small business owners are forced to compete with corporations that have massive war chests. But with Owner, they can do more than compete. They can win. We’re building the platform that gives them the power. We serve the people who serve our communities. • I started Owner 7 years ago, after dropping out of high school halfway through 10th grade. The first version of Owner wasn’t built for venture capital. It was built for my mom. She’s a small business owner who just needed a shot at success in the digital world. • I remember watching her worry that we’d lose her business and our house. In a moment of desperation, she asked her weird :) nerdy 17-year-old son to help her. I built a solution for her. That was Owner V1. When it started to work, I saw my mom transform. She went from being constantly stressed about money to feeling hopeful and excited about her future. The Owner team has now seen that same transformation happen for thousands of small business owners like her. That’s what drives us. • You can think of Owner as Shopify for restaurants—and, eventually, all local business owners. It gives them everything they need to succeed in the online future, in one place. Owner is their website, online ordering, mobile app, CRM. It all works together as one system. • Owner is also continuously optimized with what we learn from the thousands of restaurants and the more than 57 million consumers who have used our platform. It’s the only system designed for one outcome: growing sales profitably. It gives independent owners enough firepower to take on the big corporations, and win. • Shoutout to the great team at Owner — You deserve the credit for getting us here. I thank God every morning that I get to build Owner with each of you. We wouldn’t be here without you. We have a special team. Each of you represents greatness. • And shoutout to the best cofounder and CTO I could ever ask for, Deano🧙‍♂️. His work ethic and genius are as impressive as his character. I view partnering with Dean as one of the best decisions I’ve ever made. • I’m proud of Owner today. But I also feel scared that people will see our unicorn valuation and think “we’ve made it.” So let me be brutally clear. We HAVE NOT made it. And if we start to believe we have, we never will. When investors value us at $1B, it’s because they see potential. Our investors see the POTENTIAL for us to build a company worth tens of billions. We have to prove them right. And we must also prove right the thousands of restaurant owners who’ve bet their futures on us. • We’re still underdogs. We still have a long way to go. We didn’t come this far just to come this far. It’s time to move faster, build better, and fight harder! We have millions of small business owners counting on us.

Adam Guild

681,117 views • 1 year ago

Scott Galloway draws a sharp line between being rich and being wealthy —and explains why a $10M-a-year banker is less wealthy than his 94-year-old father. The NYU professor and entrepreneur argues that most people are chasing the wrong target. The goal isn't to be rich. Rich is what you see. Wealth is what you don't. He defines it simply: "Wealth is having passive income that's greater than your burn." To make it concrete, he describes two people in his life. The first is a friend who runs M&A for a bulge bracket investment bank. He makes between $3 and $10 million a year depending on the market. He pays 50% in taxes. Between his ex-wife, his home in the Hamptons, and what Scott calls a "master of the universe lifestyle that he feels he deserves," he has saved very little. Scott says: "He has a lot of sleepless nights wondering what happens if the music stops. He is not wealthy." The second is his 94-year-old father. Between his pension from the Royal Navy, Social Security, and six washer-dryer machines in trailer parks where he goes and "collects the money with his walker," he makes $52,000 a year. He spends $48,000. His passive income is greater than his burn. "He is wealthy." Scott then describes coaching a couple in their late 50s in San Jose who weren't going to have enough passive income by 65 to fund their lifestyle. His advice was to lean into their strengths. Their kids were gone. They were already going to Costa Rica twice a year. So he asked them: Why not sell the house, move to Costa Rica, and cut your burn by 40%? The point, he explains, is to put yourself on a path using basic math — ideally hitting that passive-income-greater-than-burn line by 40, but at the latest by 65 or 70. Because: "That release of economic anxiety frees you up to focus on what is really important, and that is deep and meaningful relationships." He speaks from experience. Raised by a single immigrant mother who "lived and died as a secretary," Scott describes feeling like there was a ghost following his family around telling them they weren't worthy because they didn't have money. Between student loans, the dot-com crash, and the financial crisis, he didn't escape that anxiety until he sold his last company about ten years ago. Wealth, in his framing, comes down to two levers: How much you make so you can save, and how much you burn. He cites a friend who left Tribeca for Portugal (same family, three kids, a beautiful home and great schools) but on $400,000 a year instead of a million. --- Full video here:

Scott Galloway draws a sharp line between being rich and being wealthy —and explains why a $10M-a-year banker is less wealthy than his 94-year-old father. The NYU professor and entrepreneur argues that most people are chasing the wrong target. The goal isn't to be rich. Rich is what you see. Wealth is what you don't. He defines it simply: "Wealth is having passive income that's greater than your burn." To make it concrete, he describes two people in his life. The first is a friend who runs M&A for a bulge bracket investment bank. He makes between $3 and $10 million a year depending on the market. He pays 50% in taxes. Between his ex-wife, his home in the Hamptons, and what Scott calls a "master of the universe lifestyle that he feels he deserves," he has saved very little. Scott says: "He has a lot of sleepless nights wondering what happens if the music stops. He is not wealthy." The second is his 94-year-old father. Between his pension from the Royal Navy, Social Security, and six washer-dryer machines in trailer parks where he goes and "collects the money with his walker," he makes $52,000 a year. He spends $48,000. His passive income is greater than his burn. "He is wealthy." Scott then describes coaching a couple in their late 50s in San Jose who weren't going to have enough passive income by 65 to fund their lifestyle. His advice was to lean into their strengths. Their kids were gone. They were already going to Costa Rica twice a year. So he asked them: Why not sell the house, move to Costa Rica, and cut your burn by 40%? The point, he explains, is to put yourself on a path using basic math — ideally hitting that passive-income-greater-than-burn line by 40, but at the latest by 65 or 70. Because: "That release of economic anxiety frees you up to focus on what is really important, and that is deep and meaningful relationships." He speaks from experience. Raised by a single immigrant mother who "lived and died as a secretary," Scott describes feeling like there was a ghost following his family around telling them they weren't worthy because they didn't have money. Between student loans, the dot-com crash, and the financial crisis, he didn't escape that anxiety until he sold his last company about ten years ago. Wealth, in his framing, comes down to two levers: How much you make so you can save, and how much you burn. He cites a friend who left Tribeca for Portugal (same family, three kids, a beautiful home and great schools) but on $400,000 a year instead of a million. --- Full video here:

Black Edge

27,628 views • 3 months ago

$TSLA 🇰🇷 I just drove about 60 kilometers on the second version of FSD V14 Lite (HW3) for Korea — 2026.20.7.5 — and I’d like to share my first impressions. For reference, all of my driving was done at night. The main new features included in this update are: • Ability to disable the brake confirm • FSD statistics (also viewable in the app) • FSD Streaks Unfortunately, the Arrive-at-Destination parking assist option is still not available. • The ability to disable brake confirmation is a small but significant feature. It’s simply removing the need to press and release the brake, but eliminating that one step alone gives me a great sense of satisfaction. Anything that reduces human intervention is something I welcome. • FSD statistics can now be viewed on the car’s center display and in the Tesla app. Because the numbers are presented so clearly and visually, I expect many owners will start trying hard to raise them. - These statistics could be an important indicator showing that this car is autonomous. • FSD Streaks is a nice feature, but unlike the U.S., many people in Korea live in apartments. This means FSD often can’t find a suitable parking spot in complex underground parking lots, so drivers in Korea generally still have to intervene and park manually. As a result, I think it will be quite difficult to achieve high Streak numbers here. That said, it should be much more useful on long-distance trips. - This feature will create even better synergy once destination parking assist is eventually brought to V14 Lite. Overall driving performance felt smoother than before. I performed two U-turns, both of which went smoothly, and lane changes for exits and merges felt like they were initiated earlier than previously. I’m looking forward to seeing how 2026.20.7.5 performs during daytime driving tomorrow. There were a few things I found a bit disappointing, though. “Hurry” mode still doesn’t feel fast or assertive enough for what most Koreans would consider quick and sufficient. I’d like to see the profile apply a slightly higher speed in normal driving conditions. It’s already dawn in Korea, so I have to go to sleep. After a short sleep, I’ll head out on a new drive right away. I feel like I can give you a more positive review. I’m really feeling the big progress in 2026.20.7.5! Thank you for all the work. Tesla AI Ashok Elluswamy Yun-Ta Tsai

Tsla Chan

14,998 views • 1 month ago

🇫🇷🔴 Mohamed L. is being released in France after just 4 years in detention, the same man who brutally murdered 40-year-old military doctor and father Alban Gervaise in front of his young children. "It’s news that we’re trying to prepare for this early release after the murder, barely four years today. It’s news that is really hard to hear, that makes us really go back to our work of mourning for the children and me," said Christelle Gervaise, the wife of Alban. "It’s true that it’s hard to imagine being able to be in the same city as him. It’s true that it’s quite unbearable for us." Alban was stabbed to death while waiting outside his children's Catholic school to pick up his two sons, aged 3 and 7, while his 20-month-old daughter was inside his car, in Marseille in May 2022. Now, the killer will enjoy partial release during evenings and weekends "at liberty." The mother, Christelle, is terrified, and the courts so far have refused to listen to her pleas to block Mohamed L. from being in the same city as her and her children. "I find that it is an additional concern in our lives that we didn’t really need. And I had to announce to my children this early release. There is necessarily a feeling of injustice. How can he leave prison so early after the murder of their father? And then, yes, there is a great concern on the part of my children. That’s for sure." This clip is a condensed version of her full interview, but it showcases the horror a French family is facing, both from the murderer and from the French judicial system. In the interview, Christelle describes the moment of disbelief and grief when she first learned her husband had been stabbed. "This is not possible, this is not possible, what is happening," she told herself. But it did happen, just as it has happened to countless Europeans year after year. Alban spent 17 days in a coma, where she tried to tell him over and over again that the children were not harmed and that they needed their father. "And during those 17 days, I talked to him a lot and he ... I hope he heard me. I will never know.... I will really repeat several times to Alban that our daughter is fine, that she is okay, that nothing happened at all, because I imagine that as a father, for him, it was terrible to be attacked like that with a knife. And then to see that he was going to lose his consciousness. He must have felt it and imagine his daughter in danger." "I also tell him that he can’t leave, he can’t leave us. Our children are very small, and I need him, the children need him." Then, she describes the moment when she had to tell her young children that their father is gone. "The death announcement to the children is something that I will never forget and I think it’s the hardest moment of my life, really." Now, after being dragged through hell, the French court system is releasing their father's killer with ZERO restrictions on him entering the same city as the family. While there is a direct contact ban, there is no guarantee they do not run into Mohamed L. on the street. Mohamed L. never even faced a trial. Why? He smoked too much cannabis and had a “psychotic break.” The court experts confirmed this, and just like that, authorities deemed he could not be held criminally responsible. No trial and freedom after just four years. "The fact that he is not imprisoned like a murderer could take 15, 20 years in prison. It’s terrible for us. It’s terrible to know the violence Alban has suffered. And in addition, we must accept that after four years, his murderer is outside on evenings and weekends." "I am very worried, first of all, about the risk of recidivism. And then I find that for us, it is also a concern, since this person has the right to come to Marseille." She said that the authorities involved in the decision say Mohamed L. "must be able to benefit from it, he must have the necessary care." The murder already led the children to be forced from their own school. Now, they may have to leave their own city. She is fighting desperately with her lawyer to ensure this killer is no longer allowed in her city. "The goal is that, is to have a measure that makes it forbidden for him to go to Marseille." "It is something that we carry on our shoulders with the children and that we will carry for a very long time." Follow: Remix News & Views

🇫🇷🔴 Mohamed L. is being released in France after just 4 years in detention, the same man who brutally murdered 40-year-old military doctor and father Alban Gervaise in front of his young children. "It’s news that we’re trying to prepare for this early release after the murder, barely four years today. It’s news that is really hard to hear, that makes us really go back to our work of mourning for the children and me," said Christelle Gervaise, the wife of Alban. "It’s true that it’s hard to imagine being able to be in the same city as him. It’s true that it’s quite unbearable for us." Alban was stabbed to death while waiting outside his children's Catholic school to pick up his two sons, aged 3 and 7, while his 20-month-old daughter was inside his car, in Marseille in May 2022. Now, the killer will enjoy partial release during evenings and weekends "at liberty." The mother, Christelle, is terrified, and the courts so far have refused to listen to her pleas to block Mohamed L. from being in the same city as her and her children. "I find that it is an additional concern in our lives that we didn’t really need. And I had to announce to my children this early release. There is necessarily a feeling of injustice. How can he leave prison so early after the murder of their father? And then, yes, there is a great concern on the part of my children. That’s for sure." This clip is a condensed version of her full interview, but it showcases the horror a French family is facing, both from the murderer and from the French judicial system. In the interview, Christelle describes the moment of disbelief and grief when she first learned her husband had been stabbed. "This is not possible, this is not possible, what is happening," she told herself. But it did happen, just as it has happened to countless Europeans year after year. Alban spent 17 days in a coma, where she tried to tell him over and over again that the children were not harmed and that they needed their father. "And during those 17 days, I talked to him a lot and he ... I hope he heard me. I will never know.... I will really repeat several times to Alban that our daughter is fine, that she is okay, that nothing happened at all, because I imagine that as a father, for him, it was terrible to be attacked like that with a knife. And then to see that he was going to lose his consciousness. He must have felt it and imagine his daughter in danger." "I also tell him that he can’t leave, he can’t leave us. Our children are very small, and I need him, the children need him." Then, she describes the moment when she had to tell her young children that their father is gone. "The death announcement to the children is something that I will never forget and I think it’s the hardest moment of my life, really." Now, after being dragged through hell, the French court system is releasing their father's killer with ZERO restrictions on him entering the same city as the family. While there is a direct contact ban, there is no guarantee they do not run into Mohamed L. on the street. Mohamed L. never even faced a trial. Why? He smoked too much cannabis and had a “psychotic break.” The court experts confirmed this, and just like that, authorities deemed he could not be held criminally responsible. No trial and freedom after just four years. "The fact that he is not imprisoned like a murderer could take 15, 20 years in prison. It’s terrible for us. It’s terrible to know the violence Alban has suffered. And in addition, we must accept that after four years, his murderer is outside on evenings and weekends." "I am very worried, first of all, about the risk of recidivism. And then I find that for us, it is also a concern, since this person has the right to come to Marseille." She said that the authorities involved in the decision say Mohamed L. "must be able to benefit from it, he must have the necessary care." The murder already led the children to be forced from their own school. Now, they may have to leave their own city. She is fighting desperately with her lawyer to ensure this killer is no longer allowed in her city. "The goal is that, is to have a measure that makes it forbidden for him to go to Marseille." "It is something that we carry on our shoulders with the children and that we will carry for a very long time." Follow: Remix News & Views

Remix News & Views

18,656 views • 1 month ago

Voices That Make You Fall Silent Because They’re Too Beautiful Just a few seconds into the video, when the stage lights come up and the voices begin, the air around me seems to thicken. No auto-tune. No heavy layers of effects. No modern production covering anything up. Only human voices — clear, steady, and strangely almost unreal in their purity. Four men in white suits stand in a line, with Zola Taylor in the center wearing a light-colored strapless gown. They don’t need exaggerated gestures or flashy stage theatrics. They simply sing. And that very simplicity carries a weight that is hard to explain. Tony Williams takes the lead. His tenor is not only high and bright — it holds something rare: absolute control paired with emotion that never feels restrained. He doesn’t need to shout to show power. He simply opens his mouth, and the melody seems to lift on its own, traveling straight into the space between singer and listener. Some of the high notes he reaches with such ease that you almost forget how difficult they are. You only feel a clarity that settles deep in the chest. Around him, the other four voices form a harmony that feels almost alive. They don’t just hit the right notes. They breathe together. Each time the lead voice rises, the supporting voices lift it gently, then release at exactly the right moment, creating a structure that is both solid and soft. That kind of harmony is rare today — not because the technique has disappeared, but because the patience required to make voices lock together so completely has become scarce. I first truly noticed The Platters not because of one particular hit, but because of the strange feeling that came with listening to them. It was like standing in a large room when suddenly every surrounding noise vanished. Only the voices remained. At first I thought I was hearing something too perfect to be real. The more I listened, though, the clearer it became that the perfection didn’t come from over-polishing. It came from honesty. They sang as if they were speaking to themselves, and the listener was simply allowed to overhear. There have been nights when I put on their old recordings, turned off the lights, and just sat still. Not because I was sad, and not because I was looking for comfort. Simply because I wanted to stay inside that space for a while — a space where the voices don’t try to demand attention, but simply exist. And because they exist so fully, they quietly take up room in the listener’s chest. The Platters emerged in the mid-1950s, at a time when American music was shifting rapidly. They carried both worlds within them: the elegance of traditional popular song and the vitality of R&B. They became one of the first Black American vocal R&B groups to achieve major success on the mainstream pop market, carrying their sound across racial boundaries that were still sharply drawn in the music industry of that era. Hits like “Only You,” “The Great Pretender,” and “Smoke Gets in Your Eyes” were not just songs. They were proof that a story could be told through pure singing alone. More than half a century later, watching this video again, I am still caught by the same feeling. Something in those voices makes you want to slow down. To turn off the noise outside. To simply sit and listen. In an age when music often fights for attention with heavy beats, effects, and images, the quiet but substantial presence of The Platters feels especially rare. I don’t believe today’s music is lesser. Technology has opened many new possibilities. But some things, once lost, are hard to recover. The patience to build harmony until the voices become one. The confidence to stand on stage and rely only on the human voice. And the ability to make a listener fall silent — not from being overwhelmed, but from being truly touched. Voices like these don’t need to convince anyone. They only need to begin, and the listener understands why they have gone quiet.

Voices That Make You Fall Silent Because They’re Too Beautiful Just a few seconds into the video, when the stage lights come up and the voices begin, the air around me seems to thicken. No auto-tune. No heavy layers of effects. No modern production covering anything up. Only human voices — clear, steady, and strangely almost unreal in their purity. Four men in white suits stand in a line, with Zola Taylor in the center wearing a light-colored strapless gown. They don’t need exaggerated gestures or flashy stage theatrics. They simply sing. And that very simplicity carries a weight that is hard to explain. Tony Williams takes the lead. His tenor is not only high and bright — it holds something rare: absolute control paired with emotion that never feels restrained. He doesn’t need to shout to show power. He simply opens his mouth, and the melody seems to lift on its own, traveling straight into the space between singer and listener. Some of the high notes he reaches with such ease that you almost forget how difficult they are. You only feel a clarity that settles deep in the chest. Around him, the other four voices form a harmony that feels almost alive. They don’t just hit the right notes. They breathe together. Each time the lead voice rises, the supporting voices lift it gently, then release at exactly the right moment, creating a structure that is both solid and soft. That kind of harmony is rare today — not because the technique has disappeared, but because the patience required to make voices lock together so completely has become scarce. I first truly noticed The Platters not because of one particular hit, but because of the strange feeling that came with listening to them. It was like standing in a large room when suddenly every surrounding noise vanished. Only the voices remained. At first I thought I was hearing something too perfect to be real. The more I listened, though, the clearer it became that the perfection didn’t come from over-polishing. It came from honesty. They sang as if they were speaking to themselves, and the listener was simply allowed to overhear. There have been nights when I put on their old recordings, turned off the lights, and just sat still. Not because I was sad, and not because I was looking for comfort. Simply because I wanted to stay inside that space for a while — a space where the voices don’t try to demand attention, but simply exist. And because they exist so fully, they quietly take up room in the listener’s chest. The Platters emerged in the mid-1950s, at a time when American music was shifting rapidly. They carried both worlds within them: the elegance of traditional popular song and the vitality of R&B. They became one of the first Black American vocal R&B groups to achieve major success on the mainstream pop market, carrying their sound across racial boundaries that were still sharply drawn in the music industry of that era. Hits like “Only You,” “The Great Pretender,” and “Smoke Gets in Your Eyes” were not just songs. They were proof that a story could be told through pure singing alone. More than half a century later, watching this video again, I am still caught by the same feeling. Something in those voices makes you want to slow down. To turn off the noise outside. To simply sit and listen. In an age when music often fights for attention with heavy beats, effects, and images, the quiet but substantial presence of The Platters feels especially rare. I don’t believe today’s music is lesser. Technology has opened many new possibilities. But some things, once lost, are hard to recover. The patience to build harmony until the voices become one. The confidence to stand on stage and rely only on the human voice. And the ability to make a listener fall silent — not from being overwhelmed, but from being truly touched. Voices like these don’t need to convince anyone. They only need to begin, and the listener understands why they have gone quiet.

Music over time🎻

53,196 views • 1 month ago