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Devasena's arrows fly like lightning thunder 🔥⚡ Deleted scene from Baahubali.. #HBDAnushkaShetty #AnushkaShetty

205,705 Aufrufe • vor 8 Monaten •via X (Twitter)

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Could you release the hand of the one person you can’t live without? Made this short film by using GPT Image 2 + Seedance 2.0 on TapNow Prompt Create a cinematic emotional disaster short film that follows the storyboard EXACTLY panel-by-panel with strict visual continuity and chronological storytelling. Style: ultra-realistic Hollywood disaster romance film, ARRI Alexa 35mm anamorphic lens, shallow depth of field, cinematic handheld + slow dolly camera movement, dramatic volumetric lighting, photorealistic skin textures, emotional facial acting, epic environmental destruction. Color palette: cool blue-teal storm tones warm orange fire glow dark gray storm clouds realistic lightning flashes daytime apocalypse atmosphere Environment: collapsing mountain cliff above a destroyed city, cracked earth, smoke, fires, ash, debris, rain mist, massive tidal wave in distance, violent lightning storms. Characters must remain visually CONSISTENT throughout the entire film. CHARACTER CONSISTENCY Ethan (24) wet messy dark hair rugged dark jacket bruised emotional face tearful eyes emotionally breaking apart Maya (22) long wet dark hair oversized dark coat soft emotional expression brave but heartbroken visually consistent face and clothing in every shot STORY FLOW — FOLLOW STRICTLY SCENE 1 — “THE LAST DAY” Wide aerial cinematic shot of a destroyed city during daytime apocalypse. Giant lightning bolts strike through dark storm clouds. Massive cracks split streets apart. Fires burn everywhere. Camera slowly pushes toward Ethan and Maya standing on a collapsing mountain cliff overlooking the ruined city. Camera: slow cinematic drone push-in, anamorphic lens flares, atmospheric haze. Emotion: shock, fear, hopelessness. SCENE 2 — “STAY WITH ME” Medium shot. Ethan runs toward Maya and embraces her tightly as violent tremors shake the cliff. Dust and debris fall around them. Wind blows their hair and clothes aggressively. Camera: handheld cinematic movement with subtle shake. Emotion: desperate love and fear. SCENE 3 — “NO ESCAPE” Wide epic shot revealing an enormous tidal wave rising behind the destroyed skyline. Lightning illuminates the massive wall of water. Ground beneath the couple begins cracking. Camera: slow pan upward revealing the gigantic wave. Emotion: realization of inevitable death. SCENE 4 — “HOLDING ON” Tight emotional close-up. Ethan grips Maya tightly while crying. Rain mixes with tears on their faces. Background softly blurred with shallow depth of field. Lightning flashes illuminate their faces. Camera: slow intimate push-in. Emotion: pain, desperation, emotional collapse. SCENE 5 — “LET ME GO” Close-up on Maya. She gently touches Ethan’s face while crying softly and whispers: “Let me go…” Wind blows her hair across her face. Orange firelight flickers against blue storm lighting. Camera: slow cinematic orbit around them. Emotion: selfless acceptance. SCENE 6 — “I LOVE YOU” Extreme emotional close-up on Ethan. He breaks down emotionally while holding her hand tightly and whispers through tears: “I love you.” Ground cracks deeper beneath them. Rocks fall into abyss below. Camera: shaky close-up with cinematic focus breathing. Emotion: heartbreaking refusal to let go. SCENE 7 — “THE RELEASE” Slow-motion sequence. Ethan finally releases Maya’s trembling hand while crying uncontrollably. Her body slowly falls backward from the collapsing cliff edge. Camera: ultra slow-motion side angle with dramatic lightning flash. Emotion: devastation and helplessness. SCENE 8 — “THE FALL” Epic wide cinematic shot. Maya falls through smoke, rain, debris, and storm clouds into the abyss below while lightning tears across the sky. Ethan screams her name from the cliff edge. Camera: massive cinematic crane shot following her fall downward. Emotion: tragic sacrifice. SCENE 9 — “AFTERMATH” Final emotional scene. Ethan collapses alone to his knees on the ruined mountain edge. Rain pours heavily. Fires burn in distance. Smoke fills the sky. Lightning slowly fades behind him while tears stream down his face. Camera: slow pull-back wide shot ending with Ethan small against massive apocalyptic landscape. Emotion: loss, emptiness, heartbreak. IMPORTANT AI INSTRUCTIONS FOLLOW EVERY PANEL EXACTLY IN ORDER DO NOT skip scenes DO NOT change story structure KEEP BOTH CHARACTERS CONSISTENT in face, clothing, hairstyle, and age Maintain same environment continuity throughout film Keep daytime apocalypse lighting in every shot Include realistic lightning in sky consistently Preserve emotional progression from hope → fear → heartbreak → sacrifice Cinematic pacing with smooth transitions Prioritize emotional facial acting over action Use realistic physics for debris, rain, smoke, and falling sequence Keep movie-like realism, not fantasy animation Maintain anamorphic cinematic lens look throughout End exactly on wide emotional aftermath shot No text overlays No subtitles No extra characters becoming main focus No happy ending Moody tragic atmosphere throughout entire film cinematic film Style tags: cinematic disaster romance, emotional apocalypse, tidal wave, lightning storm, heartbreaking sacrifice, photorealistic movie scene, Hollywood film, ARRI Alexa anamorphic, dramatic realism, emotional storytelling.

Sharon Riley

13,890 Aufrufe • vor 2 Monaten

Household chores created using a movement sheet as reference to animate the entire scene using ChatGPT Image 2.0 and Seedance 2.0 on Yapper GPT Image 2 Prompt; [VISUAL STYLE] Monochrome grayscale composition featuring a highly detailed 3D-rendered female character. Designed like a professional instructional guide with a technical, diagram-inspired layout. Clean white background, soft studio lighting, and strong contrast to highlight posture, actions, and object interaction. [GRID LAYOUT] Structured 4×4 panel grid (16 frames total), evenly spaced with thin black divider lines. Each panel is identical in size and clearly numbered from 1 to 16, showing a continuous sequence of household activities. [CHARACTER] Use the provided reference image for the face and overall likeness. Same facial features, skin tone, and proportions Natural makeup, soft expression Consistent identity across all 16 panels Realistic proportions and clean hairstyle (loose or tied back) [WARDROBE] Modern, modest casual outfit: Fitted crop top (not revealing, clean neckline, practical for movement) High-waisted straight or slightly wide-leg jeans (full length, neat fit) Optional minimal sneakers or barefoot indoor styling Fabric should react naturally to movement (subtle folds and tension) [SCENE APPROACH] Minimal, clean environment per panel — only essential props related to the chore. No clutter, no complex backgrounds — focus stays on the subject and action. [PANEL STRUCTURE – EACH FRAME] Top-left: Step number + task title (e.g., “Step 4 – Vacuum Floor”) Center: Full-body pose performing the chore Bottom-left: 3–4 concise instruction lines Overlay: Motion arrows and directional guides showing action flow [CHORE SEQUENCE EXAMPLES] Make the Bed Tidy Up Room Dust Surfaces Vacuum Floor Sweep Floor Mop Floor Do Laundry Hang Clothes Fold Clothes Clean Kitchen Counter Wash Dishes Take Out Trash Water Plants Clean Bathroom Organize Shelves Final Room Reset [MOTION INDICATORS] Curved arrows → fluid actions (wiping, folding) Straight arrows → directional movement Circular arrows → repetitive motions (scrubbing, mopping) [RENDER QUALITY] High-detail sculpted 3D style with smooth grayscale shading, soft shadows, and clean linework. Polished, concept-art level finish with clarity in every pose and object interaction. [RESTRICTIONS] No color, no unnecessary background detail, no extra characters, no revealing clothing, no clutter — only the subject, props, and instructional elements.

Johnn

72,200 Aufrufe • vor 2 Monaten

Beyond the clouds is a fascinating world. What you see here is a picture of a red sprite over a thunder cloud that I took as part of the Thor-Davis experiment from DTU Space ⚡Red sprites are part of the rare phenomena known as Transient Luminous Events, often shortened TLEs, that can appear over thunder clouds. The red sprites form around 40 to 80 km above ground and as you can see in the video from the Davis camera, the red sprites appear after the thunder has struck and much higher up. The Davis camera is special in that it does not take a picture like a regular camera, but like the retina in our eyes that is sensitive to changes in light, allowing it to take up to the equivalent of 100.000 pictures per second. This brings back memories of the blue jet I caught on camera on my first mission in 2015. / En verden over skyerne Det her er et billede af en rød fe over en tordensky, som jeg tog som en del af Thor-Davis-eksperimentet fra DTU. Røde feer er en del af de sjældne fænomener kendt som Transiente Luminous Events, ofte forkortet TLE'er, der dannes over tordenskyer. De røde feer dannes cirka 40 til 80 km over Jorden, og som du kan se i videoen fra Davis-kameraet, kommer tordenen først, hvorefter den røde fe opstår højere oppe. Davis-kameraet er specielt, fordi det ikke tager billeder som et almindeligt kamera, men som nethinden i vores øjne, der er følsom over for ændringer i lys og med det kan Davis kameraet tage op til hvad der svarer til 100.000 billeder pr. sekund. At se en rød fe minder mig om det blå lyn, jeg tog et billede af under min første mission i 2015.

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