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.DHH explains what his printer taught him about selling software: “The Brother HL-2340WD. That's the model number of my beloved printer. And the reason why it's so beloved is it was the first printer I ever bought that I just plugged in and it worked.” “There was no fucking...

63,408 просмотров • 5 дней назад •via X (Twitter)

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More from Trump and Qatar gift: "I think this is just a gesture of good-faith." "It'll go to my library... I thought it was a great gesture." He says he would NOT use the plane himself after leaving office. It would basically sit in his library. "I think what happens with the plane is that, you know, we're very disappointed that it's taking Boeing so long to build a new Air Force One. You know, we have an Air Force One that's 40 years old. And if you take a look at that compared to the new plane of the equivalent, you know, stature at the time, it's not even the same ballgame. You look at some of the Arab countries and the planes they have parked alongside of the United States of America plane, it's like from a different planet." "When I came back, I said, by the way, what's going on with the Boeings that are coming in? 'Well, sir, they're way behind.' And they are way behind." "I think Qatar, who has really, we've helped them a lot over the years in terms of security and safety. I think they, and very, very nicely, and I have a lot of respect for the leadership and for the leader, Qatar. And I think they knew about it because they buy Boeings, they buy a lot of Boeings. And they knew about it and they said 'we would like to do something,' and if we can get a 747 as a contribution to our Defense Department to use during a couple of years while they're building the other ones - I think that was a very nice gesture." "Now, I could be a stupid person and say, oh, no, we don't want a free plane. We give free things out. We'll take one, too. And it helps us out because, again, we're talking about we have 40-year-old aircraft. The money we spend, the maintenance we spend on those planes to keep them tippy-top is astronomical."

Open Source Intel

118,783 просмотров • 1 год назад

Zack Snyder discusses virtual production technology with the Russo Bros. and explains why he chose to build practical sets for Rebel Moon: "The idea of this sort of virtual production that's really interesting is that it does come back around. The green screen environment is an exclusive world, right? "Like there's not a lot of guys that can make a movie with no sets. Because as it is now, there's a thousand visual effects artists between that green screen and it being in your movie. "In the virtual production version, anybody who walks in there with a camera... The desert is there. And they can go and film it. So in a lot of ways it's kind of... it demystifies visual effects a little bit. "The thing that I've always found a little off-putting about a big green screen environment is it's not really engaging for anybody. Even for us, even for the filmmakers. We've been looking at the concept, we know what it is. "And the actors especially are like, 'I don't know where the hell I am.' Like, 'I guess... Okay, whatever you guys say, I'll do it.'" Anthony Russo: "But for camera operators too, right? It's just like there's nothing to grab on to." Snyder: "Yeah, I don't know, tilt up to the mountain. What mountain?" Joe Russo: "No, no, it's a little higher." Snyder: "Yeah, exactly. I think it's a small mountain. "Anyway, but I do think that the introduction of this kind of virtual productions as a concept really brings sort of physicality back to visual effects. And sort of a fantastic world. "You really can, you know, you can feel it and see it. They can put Atmos in, it can really feel like you're in a place. Which is really just... You're more passionate about it, you know, filming it. "Like I did a small thing that we were just really more of an experiment. And I was really fascinated by like, you know, they're like, 'Okay, here's, we have a cave set with light shafts coming through these holes in the ceiling.' And then we were like, literally, you know, 'Okay, now we're in like this forest.' "And it was the same rocks, but suddenly they didn't look like- they worked in both spots. It was just, I was like, 'Wow, this is really...' And even the focus and everything, the wall understood the depth of field as well. "So like everything, like especially in the eyepiece was like, 'Wow, that's scary.' That's like, feels like I'm there. So I think there's huge potential and hugely exciting future for that technology. "You know, as it becomes more available to like, and also scale, I think, you know, from this to like also being able to have, you know, 100 guys standing around inside of, you know, a giant environment would be just, it's just cool. Which they're doing now anyway, everyone's doing it. "But what was funny, because like on the movie that we're working on now, we ended up, we took a deep dive into it. And it just, the reason why we ended up not doing it in the end was because we just, we have these big war scenes. "And I had like 100 guys, you know, and we were just like, I don't even like, the amount of French reverses I have to do, everyone's brains were exploding. "Because, you know, you're always like, I'm like, 'Oh, just flip the set again and flip the set again.' And then for his reverse, we flipped the set that way and we flipped the set that way. "And so we had to build all the, all in the design, everything was symmetrical, right? Like the bridges and the houses were kind of symmetrical. "So you could always be flipping and not tell... because the sets were all symmetrical. You could shoot them from both sides and it was kind of the same. But the audience couldn't tell because the backgrounds were not symmetrical. "So it was only the immediate stuff, you know. It was, so it was a bit of a brain teaser for everyone. And then in the end, we were like, because of the scale of the fighting, I was like, 'Oh, let's just...' "So now we're just building it up the road. "But it's cool. "It's fun to build a giant thing as well. Just to go there and like, 'Oh my God, we made a village.'

Zack Snyder Film

23,149 просмотров • 6 месяцев назад

lando asked whether his relationship with oscar changed: “it's still the same. and i think we both are happy that that's how it is. it's because we both have a lot of respect for one another and we both understand the position that we're in. and we both treat the world of driving versus just personally what we're like away from the track, quite differently. that's how i've always been. i feel like i've always gone on well with my teammates since go-karting. i've always wanted to because it just makes my life more fun, more enjoyable and that's also why i'm here. it's because i love what i do, so the more i can do that, the better. but we still just very much understand that we're here, we work for mclaren, we want the best for the team. we work very hard and as drivers always do, you try and maximize your own performance more than anything. but then when we step out of the car, we can still have a joke. we still have laughs in our debriefs, and we still enjoy everything away from the track. so, no i think it's still better than ever in many ways. i think we're still very different people. he's very just calm down to earth, very relaxed, always looks just cool, and that's something i also admire quite a bit, is how just plain sailing he is with a lot of things. it's a good attribute to have. always hard to read what mood he's in, but i think probably for me, you see more visually kind of the moods i'm in. but otherwise, it's not like we go play golf together and do things like i have done with carlos, daniel i didn't play golf with. but we're still different people, but in terms of relationship, we get along well. we still work together well and i think it's still better than it's ever been”

ray

129,217 просмотров • 8 месяцев назад

YOKO ONO: ONOCHORD, VENICE, 2004 Yoko: The world is divided in two industries. One is the War Industry and the other is the Peace Industry. The people in the War Industry are totally together. They don't have to talk to each other, even. They know exactly what they want to do. They want to go out there, kill and make money. But the people in the Peace Industry, which are us - we are so idealistic that each one of us criticises the other Peace Person in the Peace Industry. And we are always just arguing and we are wasting our energies doing that. So let's just forgive each other and see that we are in the Peace Industry and that's all that counts. Even if you are not marching for peace, just be yourself, being a florist, being a merchant, being a talior, anything. That way you're contributing to the Peace Industry. People are just concentrating on fear, confusion and anger. And therefore just for a moment, I'd like us to think about Love. In a very magical, straight way, John and I met in London and from then on we stood for Peace and Love. And when I do this kind of event. Well it is... I was inspired to do it, but I still think that I'm still with John in spirit. John and I created the country called Nutopia. Not Utopia, because there was Utopia as a concept already. And we wanted to create a new concept, so we just added N on it - Nutopia - and as a country. Well, that is the concept of a country. And we all are citizens of that country. And in my apartment in the Dakota Building, we put a little plaque on the back door, the kitchen door. It says 'Nutopian Embassy' and even now we have that. (laughs). Nutopia exists in our minds. And because of that, some people want to rebel against it. The reason some want to rebel against it is a good proof that it exists. I think that it was a terrible thing that happened in Chechnya. But we have to still keep our hopes up. And instead of giving up, we have to keep on sending the message of Love to each other. You say that I am the Ambassador of Peace. We are all Ambassadors of Peace. You are too. Everybody in this room are Ambassadors of Peace. Just the fact that we are not participating in War. The fact that we are here, and we are what we are, means that we are in the Peace Industry. All of us. John and I used to say that our apartment in the Dakota is a conceptual monastry, just for the two of us. And when we go out of the Dakota, we get so many people communicating with us, so it's very important that we had silence and quietness. And my apartment is a very small space compared to the world. And I need that for my peace of mind. You should be kind to each other. You should come together, hug each other, love each other, express our love to each other and we should make it work. We should finally create a world that is a totally an Earth for Us. So let's do it. Yoko Ono, OpenAsia Press Conference, whilst exhibiting Onochord, 2004 by Yoko Ono (Nutopia) at the Venice Biennale: OpenAsia 2004, Lido Di Venezia, Venice, Italy, 9 September 2004.

Yoko Ono

35,208 просмотров • 2 лет назад

Matthew North - The Cambridge Analytica The exposure of Joe Rogan as a military operation has caught wind today and it reminded me of Matthew North and his research. This kid was extremely good at figuring things out. He was exposing everyone who was deep state, and he was eliminated because he was a threat. This video was created about The Cambridge Analytica who is a group who handles and sells data on us. His research is extremely good. I know a lot of you truly believe that Trump is some kind of savior. I did too, and still kind of do. I really do hope he is doing this for "optics" but I often have to stop and think about that. There is a lot of reason for me to believe that he is doing the right thing, but at this point unless he has already eliminated them, there is no reason anymore. He is being really clear and transparent as to what he is doing, what he wants to do and where he wants it to take us. I don't want to be right about that. I want to be wrong. His focus lately has been on endorsing cryptocurrencies as the future of our economy. That raises a lot of concerns. First of all, cryptocurrency was created for surveillance from the very start. Anything digital leaves easy to trace footprints. They have been talking about it being decentralized and that it is the road to freedom. That makes sense to me, after I learned what they were doing with the federal banking system and I saw that this was a way around it, I too got extremely excited and put a lot of money into crypto. It makes sense. It makes too much sense. It is a system we will not be able to get out of after we are in it. It is a cage with no way out from the inside. However, we don't have anything else going. I have been in these spaces and I see that people are indeed seeing the danger we are in, but we aren't actually making any movement in the physical world. It will be too late if we let this continue. We won't be able to get out or change anything. I am not sure what will happen, and I truly want to believe that "Israel is saved for last" was a good hint, not a bad one. We are being kept in the dark, and it is being done purposefully. I know that we are all collectively learning a lot about the world that the kept from us, but maybe we aren't seeing that it is herding us into the beast system? I often do post about that possibility, but there is always something that brings me back to believe Trump is a hero. After all, the templar started out good, but went bad after they had amassed wealth and power through banking activities. This was because they were infiltrated by the Jesuits, who were crypto-jews. It is the same damn Edomites. The Babylonians have infiltrated everything. Rumble:

Mofobian

16,634 просмотров • 1 год назад