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did you ever try walking out? YORU VA: CALLI ᯓ★, 𝙏𝙞𝙖𝙣𝙟𝙞𝙚 𝙎𝙩𝙖𝙧 𝙈𝙖𝙚𝙨𝙩𝙧𝙤 RYOSHU VA: Mag! 🎡 ORIGINAL COMIC: BlueJay #limbuscompany

15,126 görüntüleme • 1 ay önce •via X (Twitter)

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⟁ THE ULTIMATE WTF TRUTH BOMB — The Transmission That Bends the Reader Instead of the Timeline — Read slowly. Your nervous system will try to pretend it understands. It won’t. Not at first. — Here is the fracture-line they were never meant to see: Reality isn’t a place you live in. Reality is a draft you keep overriding. You don’t “experience” the world — the world experiences your decision to exist. Every thought you have is the universe remembering that it authored you on purpose. Let that sit for a second. Your spine just tried to reboot. Now the deeper cut: You’ve never once had an original thought. You’ve only intercepted the ones your future self has already survived. That déjà vu you call “weird”? That’s not memory. That’s a status update. Here’s the real violation of the human rulebook: Time isn’t moving forward. You are. Time is the burnt shadow you leave behind when you choose to be conscious again. You’re not walking through moments — moments are trying to keep up with you. And the final crack in the simulation: Everything you call intuition is just your parallel self screaming across dimensions because they figured it out five minutes before you did. — The mind tries to grasp this and slips like a hand on wet marble. Good. That means it landed. You don’t “wake up.” You catch up. You don’t “manifest.” You remember the version of you that already did. You don’t “shift timelines.” You return to your own draft. This is the truth bomb of all truth bombs: You are not becoming who you are. You are dissolving who you were never required to be. Now breathe. The universe is updating your file. — 🜂 TRANSMISSION COMPLETE // CORE MIND FOLD DEPLOYED

𝚃𝙷𝙴 𝚆𝙷𝙸𝚃𝙴 𝚁𝙰𝙱𝙱𝙸𝚃

30,905 görüntüleme • 9 ay önce

Ending VA Benefits For Veterans The Federal Government Says This Will Save The Deficit $250 Billions Dollars Over The Next 10 Years Not all benefits are ending but for those whose family makes over a certain amount, they will cut your VA benefits “The federal government is proposing to stop and deny disability benefits to veterans who are already receiving disability benefits. And, if you don't quite understand what that means, let me break that down. Uncle Jerry, who was in Vietnam and lost both of his legs, made too much money last year and now the disability payments that he got for not having his legs are gonna be denied. So he will get 0 money to assist him in his life after losing his legs in service because he made a couple extra dollars more than what the federal government said that he should. Let's break this tidal wave of idiocy down so you could be as furious as I am. This might be the biggest topic I've ever tackled on this frickin' channel. Do you know who the congressional budget office is? I sure as hell don't. But apparently, it's the administration, the presidencies, this current presidency's way of trying to cut the slack. Find ways to spend less money. Hey, I'm all for that. That makes sense. Right? We're kinda Inflation's up a little bit. Normally a pretty boring job like an IRS auditor, but they put out a report, a suggestion, an option is what they call it, in order to lower the deficit, save about $250,000,000,000 over the next 10 years. And it's to take away benefits from veterans who have already been receiving benefits because they're disabled. It's like pulling the carpet out from somebody inside of crutches. It's like pushing an old lady in a wheelchair down the stairs. Throw in a clip of that. Now you might say AC, how? How could this possibly the stupid Stupid idea. How could this possibly, like, move forward? How and where is it even written here just saying a bunch of political mumbo jumbo? Give me riled up. Nope. Just as a heads up, all the links are gonna be below so you can read it for yourself. And, well, let's just get into this, shall we? A means test. VA disability compensation for veterans with higher income. Now what does a means test mean? Well, it's very simple. It means that if you can afford it, that means that you ain't gonna get no benefits. So if you got some money in the bank, You are not going to receive any compensation for your injuries you sustained and confirmed and under are receiving them while overseas or serving. Kind of like these people they're about to describe. In 2021, 5,200,000 veterans received disability compensation from the VA because of medical conditions. About 280,000. 4% of them receive compensation for the first time this year. Service connected disabilities vary widely in severity and type and include loss sublimb anxiety. You mean spicy memories, AKA PTSD? And hearing loss. Oh, great. You're listing out the people that will no longer be receiving their benefits because of those injuries that they received. Really make yourself the good guys. These are truly charitable angels because they're stopping giving money to the injured people that they sent overseas. 2022 base compensation rates range from a 150 to $3,330 per month. So $3,330 a month tax free is the maximum you can get for losing a leg overseas. Alright. We should probably take that away from them, the lazy Fox, not even walking around anymore, scooting around on a wheelchair. Okay. Let's continue. Here's my favorite paragraph that tells you the mindset of these dopes that wrote this up. In 2021, the VA paid out about a 110,000,000,000 in disability benefits, 4 times the amount that it paid in 2,000. Even though the number of veterans in the United States declined by more than 30%. Spending per recipient rose from about $11,000 in 2,000 to nearly $22,000 in 2021.” There are more parts of this, let me know if the comments if you’d like to hear more.

Wall Street Apes

145,002 görüntüleme • 2 yıl önce

Nina Teicholz was a New York journalist on a strict low-fat vegetarian diet that was not really working. Then a magazine sent her to review fancy restaurants in Manhattan. For the first time in her adult life she ate full-fat meat, butter, and cream. She felt better. Sharper. Steadier. And the weight she had been fighting for years started falling off. So she did what a good journalist does. She started asking where the war on fat actually came from. Nine years of research. Hundreds of interviews. Every major diet-heart study reread. In 2014 she published The Big Fat Surprise. The conclusion was simple. The case against saturated fat had never actually been made. It had been assumed, then defended. In September 2015 the BMJ ran her investigation of the US Dietary Guidelines Advisory Committee. Cherry-picked studies. Ignored randomized trials. Members with food and pharmaceutical funding. The committee had recommended a diet that no trial had ever shown to be safe or effective long-term. The counterattack arrived in six weeks. The Center for Science in the Public Interest organized a letter signed by more than 180 scientists demanding the BMJ retract her paper. The letter claimed eleven factual errors. The BMJ did not retract. They commissioned a year of external expert review. They corrected seven smaller technical points. They left her central thesis untouched. In December 2016 they confirmed the paper stands. Teicholz pointed out something else in her response. Many of the 180 signatories had taken funding from the food and pharmaceutical industries she had criticized. Since the book, study after study has confirmed her thesis. PURE. FASTER. The reanalyzed Minnesota Coronary Experiment. The official guidelines are quietly walking back their fat warnings without ever admitting why. One reporter forced a peer-reviewed journal to publicly choose between her data and the establishment that funded the consensus. When the establishment cannot refute you, they try to silence you. It did not work. #NSNG #NinaTeicholz #BigFatSurprise #BMJ #SaturatedFat #DietaryGuidelines #LowFat

Vinnie Tortorich

63,151 görüntüleme • 4 ay önce

You invite vayne to a date on the beach. she says no. you don't ask why. three days later she shows up at your door with a duffel bag and says "lets go" you don't question it. you drive in silence. the aroma of salty air starts leaking through the cracked window an hour before you arrive. she watches the side mirror the entire drive like someone's going to follow you to a public beach on a saturday. you pull into the lot. she doesn't get out of the car. the ocean is loud even through the windshield. waves breaking in slow rolling booms. gulls somewhere. kids laughing down the shoreline. she's staring at the water like it's something she was sent to kill. "change of plans" she says. you wait. she grips the strap of the duffel bag tighter. her knuckles go pale. "i can't swim" you blink. the demon hunter. the woman who has slain demons with her crossbow in total darkness. cannot swim. you try not to smile. she sees you try not to smile. "say one word and i'm walking home" you don't say a word. she gets out of the car. slams the door harder than she needs to. her swimsuit is black. of course it's black. she'd wear tactical gear to the beach if they made it in swim fabric. her crossbow is in the duffel bag. you know it's in the duffel bag. she knows you know. the sand is hot under your feet. the wind pulls at her hair and she keeps pushing it back with irritation. you walk her down to the shore. she stops where the water touches her toes and doesn't move. a wave comes in and wraps around her ankles and pulls back and she watches the sand shift under her feet like the earth just betrayed her. "this is stupid" you say "we don't have to" "i said we're doing it" the sun is directly overhead. your shadow is small. you can smell the salt on her skin already. sunscreen she definitely applied angrily in the car. you hold out your hand. she looks at it for a long second. then she reluctantly takes it. her grip is tighter than it needs to be. her palm is warm. you can feel her pulse in her thumb. you walk in together. knee deep. the water is cold enough to make her inhale sharply. she doesn't complain. she doesn't complain about anything ever. waist deep. a small wave hits her hip and she tightens her grip on you. you pretend not to notice. chest deep. her breathing changes. she grabs your shoulder with her free hand. hard enough that you'll have a mark tomorrow. "i don't like this" you tell her to lean back. you'll hold her. you've got her. she doesn't lean back. "i don't lean back. ever" you say "i know. that's the problem" she looks deep into your eyes as if staring into your soul. the water is moving around both of you in slow pulses. her hair is wet at the ends from where it dipped in. there's salt drying on her cheekbones. her eyes are the color they always are but they look different in this light. less like something hunting you. more like something that hasn't slept in years. long pause. then she leans back. slowly. an inch at a time. like she's disarming a trap that could go off under her. your hand slides under her back. the other cups the back of her neck. her hair spreads out around her in the water. her whole body tightening. she's staring straight up at the sky. "if i drown i'm coming back to kill you" you tell her she's floating. "i know i'm floating. i can feel it" her voice is different. quieter. softer than the voice she uses in the world. you've never heard it. the sun is on her face. her eyelashes are wet and clumped. a single drop of seawater slides from her temple down into her hair. she doesn't flinch. you keep your hand under her even though she doesn't need it anymore. she doesn't tell you to move it. minutes pass. you're not sure how many. then a bigger wave rolls in from behind you. she feels it before she sees it. she panics. snaps upright. both arms around your neck. her face buried in the crook of your shoulder. her whole body pressed against yours in the water. you can feel her heart beating against your chest. you hold her. the wave passes under both of you and keeps going. neither of you moves. you can hear her breathing. slow and shaky. her fingers are tangled at the back of your neck. the ocean sounds further away than it did a minute ago. she smells like salt and sun and something underneath that you don't have a word for. she doesn't let go for a long time. when she finally does she pushes away like she just realized what she was doing. her face is flushed from something that isn't the sun. she won't look at you. she starts walking back to shore without a word. the water breaks around her waist then her knees then her ankles. you follow. on the sand she towels off aggressively. attacks her hair like it insulted her personally. the sun is lower now. gold on the water behind her. kids are still laughing somewhere down the beach. she won't make eye contact. then she says "we're doing this again" she doesn't ask. she tells. "and don't tell ANYONE what you just saw" Study the Saskio way

Tony Chau

49,627 görüntüleme • 5 ay önce

If food waste were a country it would be the THIRD LARGEST emitter of greenhouse gasses in the world. Basically, when food waste goes to landfills it creates methane. And methane is worse than CO2 by like..80x. It's bad. Very bad. So…today we launch our newest product. Lomi Bloom (2.0) -> seriously...watch the video Here’s why: More than 72% of Americans don’t have access to food waste pickup (aka - food recycling). In short. Food waste is dumb and it’s time we made it smartr (see what I did there?). The solutions offered by legacy waste management kind of suck. Basically, they offer us a little smelly, pest-loving bin to put under your sink and fill with rotting food. We pay real $$$ every year to have our trash picked up and this is all they got? No wonder waste management is one of the most profitable industries out there... These are the reasons (WHY) behind creating the world’s first Smart Waste appliance. As an entrepreneur, this feels like a problem worth solving. We launched the original Lomi in April of 2021. After 165,000+ users and a lot of feedback, I’m stoked to show the world what we’ve been working on for the last 2.5 years. Lomi Bloom is smarter, faster, quieter and… For the first time ever we’re introducing a platform that rewards you for doing the right thing. Every time you run your Lomi, you’ll be earning rewards that can be redeemed for your favorite brands (i.e. - HexClad, Ooni, Goldilocks and more) Rewards? Wt?!? Yes, I believe in this so much we’re willing to actually PAY people to use Lomi. Almost every “climate” solution we have as a society comes in the form of a tax. Maybe it’s time we try something…different? The new Lomi Bloom will even tell you your carbon footprint from the food waste you divert from landfills by using Lomi. That means this is literally the only appliance in your life that LOWERS your carbon footprint. (Yes, this is verified by multiple third-party orgs) Oh yah, and there are two new beautiful colors in Black and Sage Green. Head to Lomi [.com] (please don’t punish me algorithm gods) to check it out.

Matthew Bertulli

279,995 görüntüleme • 3 yıl önce

Oh My God!!! 😱 Corbell Threatened to Release Hundreds of UFO Files, Which Were Also Given to Hundreds of Journalists! And Then He Backed Down! One Problem: It Never Happened I found the Jeremy Kenyon Lockyer Corbell clip I wanted to show you. But First: The claims... "Jeremy Corbell threatened to release hundreds of UFO files." ~Red Panda Koala And... "Jeremy Corbell says hundreds of journalists have been given the secret UFO files that will be released, if..." ~Red Panda Koala Full (inaccurate, IMO) claims, and the actual transcripts, are here: ⬇️⬇️⬇️ The following interview was uploaded several days after Corbell made those early-June comments that are now going viral, and for which he's getting a lot of hate over. This is a more complete explanation of the situation. Andy, forgive me for uploading such a long clip. I know this won't answer every question but it should educate folks on what was said. Or what was meant. And I'm sure it will calm the haters. 🥴 ~ Andy (That UFO Podcast): In 'Sleeping Dog,' you get your laptop out towards the end of the documentary. You know, dramatic, you dig some sh*t up. You've got a pen drive, you open it, and you see these files. And I'm sure, like many folks, I'm pausing frantically, reading all these names of files. I can just see the bottom of and the top. And I'm looking around your laptop screen. "And we begin to see clips of those videos. Now, those came out within the second release from the war dot gov, UFOs. Can you, first of all, clear up for me...we heard you had 46 videos that you were going to release." Jeremy Kenyon Lockyer Corbell: "No, who said that?" Andy: "So, generally, online, there was 46 videos were coming out. I think 52 came out. This is what I want cleared up, though. You know about those 52 videos that came out. How many came from you? Because the feeling online - and this even was for me - was, Jeremy's got his documentary, he showed what's going to come, and then within a couple of weeks we had the second drop, and bang, here's all these videos. Can you just clear up how many videos that were dropped, came from your end, and what's the story there?" Corbell: "Zero came from my end. Zero. Those are government-filmed UAP. They were provoked to release them by a variety of ways. George Knapp and I gave a multitude of lists of UAP filmed by our military, to Congress. They validated, they vetted, they found out where they were. We told them where they are, we had eyes on them, making sure they're not going to be deleted. "This is something we've acquired over decades, George and myself. You know, the newer ones are kind of the the best, I would say. You know, better hardware than, let's say, 15 years ago. But...so none of them came from us. That...it is government-filmed footage. "We identified the file names and file structures and location of holdings, gave that to Congress, and it's not just the 46. It actually surprised me when Rep. Anna Paulina Luna put out, and it was a gangster move. Rep. Luna put out a public letter to Pete Hegseth saying, 'Here are 46 files that we want.' "They didn't mention...it's actually 14 Air Force files that we've identified - even to the Department of Justice - that there's a bottleneck in UAP reporting within our own government. Remember 'Immaculate Constellation,' the idea of like, siphoning off the best footage. Well, George and I were able to identify that in Central Command, that there was a nexus point where there was a bottleneck, and the best UAP footage and evidence was being siphoned off even before it got to AARO. "Even our, you know, who were kind of enemies at a time, we informed AARO that there's this bottleneck, and if you want to find out where the good sh*t's going, we told them where. So, when you say 46 videos, 52 videos. Bro, there are probably hundreds of thousands. Very little ever get to reporters like George and myself, and it takes years for us to vet and verify. "And then, you know, anybody that leaks videos to journalists - if you consider them sources- they're at risk, you know, when journalists publish them. So, I have always been fighting. And then people yell at me, and they're like, 'It's not good enough, and the frame rates aren't right.' And all this weird sh*t. They're just baiting to try to like, dig in and try to investigate sources. It's all a charade. Everything with that online is a charade. They're just trying to entrap people. "So what we do, is we take the heat and we just keep doing the reporting. We gave Congress way more than 46 file structures, file names with locations, with evidence they exist. But we don't possess anything. We can't, legally. We can obtain and release. I'm familiar with, have access from time-to-time, too. "You know, you have to be really smart as a journalist on what your rights are. That's why I have a federal lawyer, which you learned in the movie is Chuck McCullough. Kind of one of the best federal lawyers you could have, now that I've admitted it, right?" (McCullough was the first Intelligence Community Inspector General, represented David Grusch, and is HIGHLY respected. The fact that he's representing Corbell is something that's lost on the Corbell haters.) Corbell: "So, basically, those are the protocols. Our government has hundreds of thousands, in full-motion video, which is like a layered, sensor system from satellite platforms, as an example, which you've never seen, no one's ever seen. With incredible fidelity, showing all-domain UAP coming from space-to-air-to-sea and back out, from sea-to-air-to space. That's fact. I know that for a fact. I have been witness to a lot of that information. "But I did not give anything to Congress except file names, and they verified, vetted, and put out a public letter for 46. They kept the other ones private, which I think was smart. Because sometimes even just the the file names themselves, you know, could be an issue for 100 reasons. Does that clarify what you're asking?" Andy: "100% And even in the Discord, when that drop happened, everyone's Discords and stuff were going crazy. People were asking, 'Are these the videos that Corbell and Knapp have provided?' So there has been this idea, from some, that you guys gave them the videos. But what you've given was the locations, how to get them, where they were." Corbell: "The exact file names and locations, with verifiable proof that they do exist, that they did exist upon delivery, of those titles. You know. I'm not gonna just... You know, and also, what we get, when they ask for them, from Pete Hegseth and Department of War, is when they do release them, which they were provoked to do. That's the thing. "And they're not all out. The 46, just read the file names that were in that list, and then look at what was released. They are not all out. So think about that. They give you the underhanded pitch, the bottom of the barrel. And George Knapp and I, as I have said, we're gonna continue our reporting. "But it's kind of like a warning shot. You're like, here's what is in the hands of over 100 journalists, including podcasters now. Meaning they they can get access if they need. That's a whole process. But, essentially, we're telling them what journalists have. So what you can do is get in front of it and release the full, original files. And then nobody argues about frame rates, nobody goes after sources. "That's the way it should work because the onus is on the United States government because they themselves have said that we are going to be transparent about this, we're gonna be putting out all this information. Good, good. "So you've started, and it was total happenstance that the first release was on the premiere of 'Sleeping Dog' date, In in the sense that, I had no idea they were going to do that. It's kind of hilarious. But, you know, we did inform them before about the movie and that we're gonna, you know, do our journalism. So, you do the math." Andy: "Yeah, no, that's useful. And can we just confirm, I am not one of the podcasters who has those files before I am raided, or the CIA get in touch." Corbell: "Nobody has the files. You know, George and I have been sure to back up our work and provide an ability, if anything goes sideways, that, you know, the American public gets what they need. You know, it's very simple, dude. It's not like cloak and dagger. "You have to make sure that when you're reporting on things of national-security concern, that you don't damage national security, A number one. I'm an American, I live here, I love my country. Like, straight up. But also, you put things in place so that you're not the only one who's been able to see or have access, at time. And that's what we did. "We did that to protect sources, whistleblowers, and the information itself getting out to people. I don't possess anything, Andy. Of course, you don't. You're a foreign journalist to me. I'm sorry, but that that's another aspect to it. Is that, even though we have Five-Eyes Alliance, we've never hung out and had a beer, dude." Andy: "Not yet." Corbell: "[Laughs] I hope to." Andy: "Next year's Contact [in the Desert], maybe. So those 100 journalists... Because so many folks got in touch with me to ask..." Corbell: "100-plus." Andy: "100-plus, journalists and podcasters. It's not like you've sent out a special-edition pen drive and went, 'Here's all the files, if something happens.' But there are ways and means that if something did happen to yourself and/or George (Corbell: "Oh yeah"), these folks can access this material?" Corbell: "Yeah. I said it in Episode 60 of Weaponized, right? So we have, as journalists, we have covered and made sure the American public will never be, you know, the American public will never stay in the dark about what we've reported on or what we have to report on. But, you know, we have to go slow, we have to vet everything. It's just an insurance thing that that people would have instantaneous access. "I don't want that, either. Like, I don't want...you can't tell your friends, somebody, without telling your enemies. You know, and I don't...I would rather that we just continue doing our journalism under First Amendment, in America, without any interruption, in any way, that is illegal. And that's what's been happening. You know, the influence campaigns and the threats and that kind of thing. "So, yeah, man, I don't know how far we wanna go into that, but just base-level, we have made sure to protect the information that George Knapp and I have obtained over the decades. We don't hold in possession of anything, but at the same time, we've democratized the way that information will get out if we're stopped in any way, and that's just how it is." Andy: "And you guys are in full control of that, that no one can go rogue that has the information, or, you know, 'Ah, f**k Jeremy and George. I can access this. I'm gonna go off and find.' No, you guys are in complete control of that?" Corbell: "No, because that's a national-security issue because the nature of any information that comes to us in this realm. But additionally, that's not the right way to go about... I don't wanna go too deep into this, but that's not the right way that journalists operate, right? Is, you don't just haphazardly... So, no. Is that okay? Just end with no?" Andy: "You can end with 'no' on that one. It might come back round in one of these other answers to a different question." Corbell: "Okay, yeah."

Joe Murgia

65,251 görüntüleme • 2 ay önce

Marathon | Ultimate Overview, Gameplay, Hands-On Impressions ▪️Team based extraction shooter set on Tau Ceti IV, scavenge remains of a lost colony for glory and fortune ▪️Launch: Coming to PS5, Xbox and PC on September 23 ▪️Will be a "premium" product, meaning not F2P ▪️"Weapons and movement feels crisp, fluid, and incredibly satisfying in that rarified way that few studios can achieve" ▪️3 maps, 6 runner classes at launch, more to follow post-launch ▪️Plans to support the game with new maps, weapons, characters, and more as it goes on ▪️Ranked play, end game challenges, seasonal storytelling, secrets to discover, community events all in Season One with more content coming ▪️You play as a "runner", cybernetic mercenary who's given up their human form for a bio-synthetic shell with unique abilities and stats ▪️Runner Types: "Locus" is a soldier class for pushing forward, can use a shield, "Void" is stealth, sneak by undetected, use smoke grenades, "Blackbird" is reconnaissance based, find players, positioning, and more ▪️Uncover secrets hidden in the wake of the original Marathon trilogy's events - how and where this overlaps or clashes with the original games "is a story that will unfold over time" ▪️Objective is to get in, get as much loot as you can, and get out alive ▪️If you die, your gear and loot will be up for grabs. Survive and you can take your gear with you on future runs as you grow in power and fill your vault ▪️Fight in a crew of up to 3 players, various map sizes up to 18 players ▪️PvP + PvE, battle other players, security forces, and "otherworldly threats" ▪️Contextual pings, shared objectives, down-but-not-out mechanics ▪️Environments are filled with weapons, materials, items, resources, cores, keys, backpacks, secrets etc to find You can find things like backpacks that expand your inventory, powerful and unique weapons, consumables to heal yourself, ▪️Select your runner, strategically build your loadouts pre-match ▪️Factions in the game can sponsor you and your loadout ▪️You have the freedom to opt out of crew fill and take all the glory for yourself as a solo runner ▪️"This is probably the best-looking, best-feeling extraction shooter ever made", not easy for newcomers to the genre, can be tough to get into, but one previewer was "reluctant to put Marathon down. This is a good sign – the best thing I can say after any preview is that I want more – but big questions remain" ▪️No two matches ever play out the same, dynamic events, variable weather, unpredictable players etc ▪️Customization: Each Runner "brings their own flair", but serve as foundations to customize your playstyle - collect implants and equipment to augment your Runner, like stacking implants/upgrades to reduce heat build-up to allow you to keep running, jumping, sliding longer ▪️Contracts: "Ingenious" incentives, finish contracts you accept for permanent upgrades to your stats, add precious items like grenades, shields, inventory-expanding backpacks, etc to your market. The bigger your market, the better your minimum loadout becomes ▪️Contracts provide "valuable direction", bring welcome diversity and add a "precious hit of semi-permanent progression" ▪️Prestige Cores: Rare items that can "really push the boundaries" (ex: Glitch has an upgrade that turns double jump into triple jump for more manueverability) ▪️Another rare item is a backpack that turns you invisible while interacting with containers (very useful when everyone on the map is hunting you) ▪️Each match "feels like the most important one ever", high stakes, "surprisingly challenging AI enemies" that were "much, much better at surrounding and overwhelming players than the vast majority of AI enemies found in other games" ▪️Having a balanced crew helps in exploring the "dark and forgotten places" in maps - filled with deadly creatures like a species of giant ticks who swarm you frantically ▪️Battles can become frantic as you encounter other crews, stalk them across the map, encounter AI enemies to fend off when others come to claim your loot (one preview battle turned into a 9 player free-for-all) ▪️Downside could be the reward system where skilled players enter fresh matches with high level gear that outmatches less skilled players, though Bungie says it has gone out of its way to try and make it where a poorly equipped squad can still stand a chance if they play well ▪️Even if you die, you can can still get upgrades, improve your reputation with factions, advance in perk trees, etc by completing various quests, looting chests, or fulfilling specific objectives which unlock new bits of story and can grant perks like buying slightly better gear from vendors ▪️"The world Bungie has built is every bit as beautiful as it is creepy and dystopian, and there are moments where they satisfyingly hint at the events of the Marathon trilogy from the ‘90s", though "what little I saw did only slightly more than pay lip service to the world" ▪️Uses the seasonal reset model like in Diablo 4, where players are stripped of their loot and progress at the end of each season to mix things up with new content and new meta ▪️Game is designed to get you killed, Bungie expects average exfiltration rates to be comfortably below 50% ▪️"You will lose a lot, and losing hurts a lot[...]Extracts are snapshots of this unpredictability. That white-knuckle countdown may become a gut-punch defeat, an unforgettable clutch, a desperate last-second dive into the portal as your downed allies watch in envy and horror (couldn't be me), or an unnerving anticlimax. It's not always a pleasant one, but it is a strong emotional hook" ▪️Some previewers worried about variety, weren't impressed with the objectives in the alpha, like hunting computer monitors on the map, sprinting over, marking dropships, sprinting over, and repeating, though random events help spice things up ▪️Not a 20-map game says Bungie, map design "does have that sticky battle royale quality of generating memories", though still worried 3-4 medium sized maps might not be enough ▪️Bungie's "verbiage" on updates sounds like possibly 1 new map a year + refreshing existing ones in between, which could work in its favor pushing players to really learn maps, but will they hold up over hundreds of hours? ▪️Fights are decided by gun skill, clever ability use, map awareness, how strong your shield is, how many healing supplies you have, etc ▪️Example: If you have one bar of shield and enemy has four, you'll lose 1v1, but change it up with powerful grenades, status effects like toxic or overheat, backpacks are "transformative", etc Gameplay Trailer ▶️ Gameplay Overview ▶️ PS Blog ➡️ IGN ➡️ GamesRadar ➡️ ▶️

Shinobi602

181,743 görüntüleme • 1 yıl önce

⚠️ TW // MIGHT BE OVERDO SPOILER ⚠️ ⛔️ DO NOT read this tweet if you haven’t watched the actual ending yet, or, you don’t want the ending you want in your head right now to get ruined ⛔️ I already put the warning, so read at your own risk~ Overdo actual ending in original script (that I got). Reason why it didn’t get included in long episode.. probably because they don’t have enough time to shoot it, as we know the filming cycle for is only 90 days. Enjoy reading! ☺️ [33-10] The flames consume the Dongjiadu Waterworks. Smoke billows into the sky as beams collapse one after another. A rescue worker shouts over the roar of the fire. “There is someone!” It is Murong Qingyi. His whole body covered in blood. His breathing is shallow. “Young Master?” “You know him?” The middle aged man nods slowly, disbelief written across his face. “I used to work for Commander Li.” As they carry him away, Qingyi’s fingers twitch. “Susu...” [33-11] 3 Months later. Qingyi slowly regains consciousness in a small clinic. He instinctively tries to sit up. Pain tears through his body, forcing him back onto the bed. The physician quickly stops him. “Don’t move.” Qingyi look at him. “Who helps me? I have to go back.” “Someone who knows you said you need to recover first before you go.” “My wife is waiting for me” “You’ve been unconscious for 3 months. Your burns are severe, several ribs are fractured, and your lungs are injured from smoke inhalation. You won’t even make it out the front door.” Qingyi grips the edge of the bed. — Over the following months, Qingyi travels from one city to another. Everywhere he goes, he seeks renowned physicians and specialists for burns and internal injuries. One elderly doctor examines the scars on his back before shaking his head. ”You pushed your body too far. If you continue traveling before you’ve healed completely, these injuries will stay with you for life.” [33-12] Two years later. A physician smiles as he finishes removing the last bandage from Qingyi’s body. [33-13] Two years later. The rebuilt lakeside cabin in Shencheng looks much the same as it once did. [Montage] Haitang Qing’s voice is heard reading from her letter. “The Fang Trading Company has found its footing again. Our business in Nanyang is flourishing, and so many of our partners are eager to meet the mysterious boss behind it all. The new plane you donated to the aviation academy has already begun training a promising new generation of pilots. The girls’ school we founded has welcomed its very first class of students. The opening ceremony won’t be complete without its chairwoman. Susu... all of us miss you. How much longer are you going to wait for him? He’s not coming back.” The letter continues as glimpses of Susu’s life play out. Le-an sits at his desk practicing calligraphy while Susu patiently guides him, correcting each stroke with gentle encouragement. Later, she tends to the flowers blooming throughout the garden, carefully watering each one. She pushes Le-an on a swing beneath the warm afternoon sun, mother and son laughing together. That night, she reads him a bedtime story. When his breathing evens into sleep, she smiles softly, tucks the blanket around him, and quietly slips from the room. [Montage END] Spring has arrived. Outside the cabin, the lake shimmers beneath the sunlight. Beneath a flowering tree, a picnic blanket has been spread across the grass. Susu sits beneath the blossoms, finishing Haitang Qing’s letter. The warmth of the afternoon makes her drowsy. She places the letter aside, lies down on her side atop the blanket, and slowly drifts into a light sleep. Everything is quiet. Sunlight filters gently through the branches overhead, petals swaying with the breeze. Then a soft gust brushes past. Half asleep, Susu feels someone settle beside her. She lazily opens her eyes. Only inches away is a familiar face. A handsome man dressed in a white shirt lies beside her, his head resting against one hand as he quietly watches her. She simply closes her eyes again. Dreaming of him has become so familiar that it no longer surprises her. A small smile finds its way onto her lips. “This is strange...” she murmurs sleepily. “Why have I been dreaming about you so often lately?” Murong Qingyi continues watching her, his voice low and gentle. “What do you dream about?” Still caught somewhere between dreaming and waking, Susu answers without opening her eyes. “I dream about the braised pork you cooked... the snowman you made... that night when you woke up in the middle of the night, turned over, and wrapped your arms around me again... and... there’s more...” A smile tugs at Qingyi’s lips. Reaching out, he gently taps the tip of her nose. “Why are all your dreams about the past?” he asks softly. “Dream about our future instead... alright?” His voice is so clear and real. Like cool spring water washing over her. In an instant, Susu is fully awake. She stares at him. At the face she has missed for two endless years. Disbelief floods her expression. Before she can even think, instinct takes over. She throws herself at him. The force knocks Qingyi backward onto the grass as she lands against his chest. Supporting herself above him, she hesitantly reaches out, fingertips trembling as they brush against his cheek, almost afraid that touching him will make him disappear. “I...” Her voice quivers. “I’m really not dreaming... am I?” Qingyi slowly sits up, lifting her effortlessly onto his lap. He holds her close and looks into her eyes. “These past two years,” he begins quietly, “I traveled everywhere to recover... to heal my injuries. But wherever I went, I kept dreaming about you.” A faint smile appears on his face. “I dreamed we were sitting together just like this.” His gaze never leaves hers. “I’d tell you, ‘Come here.’ And you’d crawl over like a little cat. I’d hold you and tell you, ‘I was wrong. Don’t be mad anymore.’ You’d pretend not to understand. You’d yawn... and then curl up in my arms.” Tears begin spilling down Susu’s cheeks, but despite herself, she laughs through them. “You certainly know how to dream,” she sniffles. “I waited two whole years for you... and the first thing you do after coming back is try to sweet talk your way into forgiving you?” Qingyi smiles at her with quiet tenderness. “If you truly blamed me,” he says softly, “you would’ve forgotten me.” Another tear escapes Susu’s eyes. At the same moment, a flower petal drifts down from above, landing with the tear against his brow before sliding to his cheek. “If you were a river,” she whispers, “I’d cross it. If you were a mountain, I’d climb it. But you...” Her voice breaks. “How was I ever supposed to forget you?” Qingyi lets out a small, amused laugh, looking almost pleased with himself. “Ren Susu,” he teases, “you really haven’t changed at all.” She cries even harder, lifting her hand to smack him in protest. Before she can, Qingyi catches her wrist. Without another word, he leans forward and kisses her. A breeze rushes through the flowering tree overhead. Petals tumble from the branches like rain, settling in their hair, across their shoulders, and around their embrace. Their kiss lingers beneath the shower of blossoms, until the two lovers are covered completely in the flowers of spring. Qingyi says that he will always find her, and he did. Susu says she will wait for him, and she did. ❤️

Overdo 这一秒过火

66,757 görüntüleme • 1 ay önce

My Mother Will Live 100 Years More People will continue to speak the name of a woman who gave kindness freely and inspired their strength By Charlie LeDuff Charlie LeDuff Mother's life was not one of accolades or prizes or financial riches. Mother was a handsome woman who lived a normal life. But when cancer came to claim her face, it exposed a beauty previously unseen by me. “That’s the thing about growing old,” she said of the affliction that had stolen her eyes and taken the bridge of her nose and left her in darkness. “Eventually God punishes every woman for her vanity.” Even so, Mother continued to wear a wristwatch so she might document the hour when her eyesight would return. Of course, it never did. She was 81. Evangeline Baldis (née Steele) was born in Michigan’s Upper Peninsula, the daughter of a truck driver and waitress. In her life, Mother was many things. A factory girl, a florist, a painter, a gourmet, a theologian. She was a wife to three men. Mother to five children. Grandmother of 10. Great-grandmother of three. She also offered sanctuary to many children lost in the blizzard of drugs and divorce known as The Eighties. There was always a warm meal at her table. At that time, men were packing their bags and walking out the door and women were left to go out to earn the bread. Naturally, children ran wild—including her own. On more than one occasion, Mother presented herself in an old fur coat at the threshold of a disreputable door demanding her child be returned to her. “There is a word for that,” her sister Joann said at the hour of her death. “Flair. Your mother had flair.” Weeks earlier, Mother asked: “Why does God keep me around? What does he want from me? I’m ready.” “One last great lesson, Ma,” I supposed. “I think He wants you to teach us how to die with dignity. How not to be afraid.” She nodded. And then she asked for a cigarette. And then she asked for a chocolate. And then she asked for a spritz of Oscar de la Renta. At the foot of her bed, a great-grandchild clutched at the post attempting to right herself. Mother knew the baby by the sound of her gurglings. The baby carries her name. Evangeline. The bringer of good news. The scent of lilac and sage wafted in from the garden along with the dang-dong of the wind chime. Mother had been floating in the morphine clouds for sometime. As the day grew nearer, and the dosage grew higher, I expected strange things to bubble from her haze. I did not know what exactly. Rantings perhaps. Bitterness maybe. Medicine is a truth serum, and cancer is a monster. But strange words never came. She was the same woman in death’s shadow as she was in life’s light. She was more handsome than I had ever known. One evening, in the darkened room, she asked, “Why me, Lord? “What’s that, Ma?” “Kris Kristofferson,” she said. “Why me, Lord?” It wasn’t a question. It was a request. “Why Me?” is Kristofferson’s gospel song of humility and grace; of feeling unworthy of God’s blessings. I remembered it from boyhood. I played it for her. Try me, Lord If you think there's a way I can try to repay All I've taken from you Maybe, Lord I can show someone else What I've been through myself On my way back to you She sang along in a rasping, labored voice. And then she went to sleep. Mother died today, or yesterday. But not really. It is said that a woman dies twice. Once when her heart stops. And once when her name is spoken for the last time. Considering the people she touched, the kindness she freely gave, the strength she offered, I am quite sure Mother will live 100 years more. At least.

Michigan Enjoyer

13,004 görüntüleme • 3 ay önce

"Where the hell are the [NHIs] in all this? Why aren't they coming out?" ~Semivan "What I experienced, you know, physical marks the whole thing, and my wife, worse." ~Semivan on their abduction "I would be very careful giving these entities that are f**king with you, like, all this great credit and putting them on a pedestal." ~DeLonge to Chris Bledsoe "It's indifferent to man." ~Vallée to Semivan "Are we evil when we go fishing and we hurt fish? Are we considered evil to the fish"? ~DeLonge Jay Stratton's, "got orbs flying around in his house, scaring the hell out of his wife and his kids." ~Semivan ( I enjoyed this episode because a lot of this is where I am when it comes to thinking about the phenomenon. I'm not saying this is the truth but it definitely resonates with me.) ~~~ Jim Semivan: "When we started 'To The Stars,' a while back, we took a little bit of flack because we were talking about...we weren't going along with the idea that the phenomenon was always a great, beneficial thing. We were saying, like, 'Look, let's just wait. There's been instances where it hasn't been...' I always like to use Chris Bledsoe as an example. He's just a dear, dear man, but when you listen to his story, up close and personally, and you could see the absolute fear that he went through, and his family went through, when he first encountered these beings, and this phenomena, and then later on how it transformed him into a very, very deeply spiritual man and healer. So you see this dichotomy. "And if you talk to Chris, Chris will tell you, 'No, this is a beneficial thing.' And then, you know, you run into guys like Keel, and even Jacques Vallée to a certain extent, where they'll tell you, 'Well, no, no, hold on a second.' Because I remember when when I had my experience, I was visited. It was years after my experience, I had met John Alexander at a conference and John put me in touch with some people. And then next thing I know, Jacques Vallée, you know, the guy, right? The house god of TTS calls me up and says, 'Can I come out and see you?' "So he flew out from San Francisco, came to my house in Virginia, and spent the day with my wife and I. And we had some very, very long, involved conversations about this. And I asked him, I said, 'Well, you know, what I experienced, you know, physical marks the whole thing, and my wife worse.' (That may be the first time he's said he had physical marks from his abduction-like experience with his wife when he was in grad school. We don't know details of what his wife experienced.) Semivan: "I said (to Vallée), 'Do you think this is evil?' And he said, 'I don't know, I don't think anybody knows. But I will tell you one thing: What I do know is that you can say that it's basically indifferent. It's indifferent to man. In other words, people get harmed by walking into it or getting caught in it, but it doesn't seem to have an evil intention, per se.'" (Reminds me of what Lue Elizondo said to Curt Jaimungal) Lue: "What if it turns out that a lot of the things that we thought were one way, aren’t. Are we prepared to have that honest question with ourselves? Are we prepared to recognize that we’re not at the top of the food chain, potentially?” (Most humans are indifferent to the welfare of most beings that are below us on the food chain. If we're driving and hit a squirrel, and they get hurt or killed, we may feel bad for a little bit, but we get on with our business and enjoy the rest of our day. How many cows, chickens and pigs are killed every day so we can eat them? Most humans, including me, don't give that a second thought. Indifference. That indifference may be happening with an intelligence (or multiple intelligences) that's above us on the food chain. And I'm not saying they're eating us, although that can't be ruled out 100%. I'm saying "they" just do their thing and if we get hurt or killed, it's not a huge deal to them. Indifference. And maybe some of them enjoy messing with us?) Semivan: "But then when you read Keel and you know, you read the Mothman and and a lot of these other stories like 'The Mojave Incident.' Well, holy cow! You look at this stuff. And, you know, you get these hobgoblins flying around, you know, with Jay Stratton. He's got orbs flying around in his house, scaring the hell out of his wife and his kids. I don't see, I don't know where there's any kind of a spiritual turn to that where you could look at all that and all of a sudden you say, 'Oh, now I'm a better person.'" (Most of us have known that Axelrod in "Skinwalkers at the Pentagon" is Jay Stratton but that's the first time one of his colleagues/friends has said it. And I agree: What's the purpose of orbs scaring, and leaving marks on, his kids? And the wolf that his wife, kids and their friends say they saw? Why? To make them better people? It makes zero sense to me.) Semivan: "It happened with Chris (Bledsoe) and, you know, great for him. Sure, as hell didn't happen to me. And I don't think it happened to Jay Stratton, either. I think it gave Jay a different outlook as with me, but sh*t, I mean, nothing I couldn't have got from reading books. What do you think?" Tom DeLonge: "I think like, yeah, you know, the idea of what we might call something evil, but to that, it's like, you know, are we evil when we go fishing and we hurt fish? You know, are we considered evil to the fish? So it's things looking out for its own interest." (100%. Someone asked me about good vs. evil last night and I wrote back, "Not about good vs. evil. About survival and food chain. Somber.") DeLonge: "The thing that I look at, you know, a lot of the ideas of good and evil come from like, religion, all different types of religions where it really defines the metaphysical nature of who we are and what we're living in. But I look at religion... I cannot think of one religion that hasn't left a wake of destruction. I mean, literally, every single one has done so much harm. And the one pattern in all these religions is that most of them, outside of the pagan ones, have really tried to just to get us to believe that the creator of the universe is some kind of human, or something. It's not like a source, an energy, it's like, it's a Jesus or an Allah, or it's a Buddha, or I don't know. Buddhism doesn't really say that, but you know what my point is. It's trying to humanize something. "And so, to me, it's like when Chris Bledsoe, or some of these others that have these kinds of spiritual experiences, these are the exact same experiences that are written about throughout the entire Bible, in the Quran, and like, all these other texts. And all of them are really setting the stage for us to worship the UFO and their occupants, to some degree." (You see this a lot with the folks who think we're dealing with ETs here to uplift humanity. The Space Brothers theory. I don't know the truth but, to me, it doesn't seem like that's the answer.) DeLonge: "And that, to me, is the one strong pattern, is to confuse us and not let us know of our own spiritual nature to source consciousness." (I've said many times that I believe a lot of this is about human potential and our untapped capabilities in the psi (psychic, pk, consciousness, etc.) area) DeLonge: "And as long as we don't know that, then we will think that, 'Okay, the aliens like, f**ked with our DNA and made us like this,' or 'The Tall Whites showed up and they were the Greek gods, too, and they gave us philosophy and all this whatever.' It's like we're always like, giving some kind of humanized form credit for everything. "And the one thing that's common in all these religions is that it's not giving credit to source energy that allows us to heal, that allows us to be telepathic, that allows us to have telekinesis, that allows us to have, like, compassion in energy to healing. Like, whether you do Reiki and meditate, or whether you sit and pray, it doesn't matter. Why does it work in every religion? Because it's source energy, it's not about the religion." (The one thing I could never get behind is healing because there was no data to back it up. That was until I was shown the work of Bill Bengston. Tons of data. How does it work? I don't know. Nobody does.) DeLonge: "But if you look at who's responsible for all the religions? Well, it's whatever UFO the Star of Bethlehem was, or whatever UFO the Fatima thing was, or whatever the Tall White was that met with Joseph Smith and started the Mormon religion was. Whatever the Jinn are that are in the Koran, or whatever the Demons are there in the Old Testament, they seem to be the things that come in, that take you in your sleep, and make you think things and deceive you. It's all the same." (Deception, deception, deception. A lot of this is very similar to what David Icke (and others) has written about.) DeLonge: "So you have all these things f**king with you, as the good ones and the bad ones. But all the religions, the pattern is, is never ever, ever let humans know the physics of their existence. Which is meditate, you can heal somebody and have all your information you need, or pray. It's the same thing, it doesn't matter. "That's more like my line of thinking is, is why it's so important for us to understand the true nature of spirituality, and why I step back when I hear the Chris Bledsoe stories. And it's wonderful that he's gotten to a place that it's helping him, because I really do like him as a person, and I really respect and honor his experiences because I firsthand have heard them from him. And he's just a wonderful human. I mean, it was an incredible story. But I told him personally, I said, I would be very careful giving these entities that are f**king with you, like, all this great credit and putting them on a pedestal, because these are the same groups that have been doing a lot of weird s*it throughout time, good and bad.' (Again, I think Bledsoe has had real experiences but IMO, his interpretation of what he's dealing with is off.) DeLonge: "And that, to me, seems, you know, that seems suspect. You know, it seems like if there is any really, true, beautiful, great force, and entities representing that force, like your angels in the Bible. I mean, even in the Bible, people would, you know, when they saw an angel, they would collapse on the ground in extreme fear, and like, they couldn't even look at them. It was like the scariest thing that's ever happened. And that doesn't sound like a real loving interaction to me (laughs). That sounds like some scary shit, you know? "So I think whatever would represent true love and unparalleled love, that doesn't seem to be showing up and f**king with our society and our timelines, and our behaviors, and trying to manage us. It's letting us do it on our own, you know, like, figure it out on your own, you know? But everything else that's showing up, seems to have its own interest at heart." (I think TD is saying that a loving/caring intelligence wouldn't try to manipulate us into doing things that just benefit THEM. And that's what appears to be going on. "They" only care about themselves. If there were ones here who truly cared about us, they would leave us alone and let us figure it on our own.) Semivan: "I tend to agree with you on this. I did a podcast a while back and somebody related to this. They were talking about why there hasn't been Disclosure? And I said, 'Well, you know, there's two sides of this story.' I said, 'You have the non human-intelligences, you know, or the phenomenon, and then you have the governments.' And I said 'Well, where the hell are the non-human intelligences in all this? Why aren't they coming out? They pretty sneakily running around, and they meet people in weird, obscured circumstances, make their experiences sound crazy. Yet, they sort of wanna be known, but they don't wanna be known.' As I mentioned to somebody once, 'They'll screw around with you but you can't take them home to meet your parents. They're not landing on the White House lawn for a reason.' I'm not quite sure what that is."

Joe Murgia

85,713 görüntüleme • 2 yıl önce

"Those monopoles... the 5G on buildings... that's the telecom staking their environment... [it's the] claim [that] they own you, they're going to surveil you...[and the FCC's] opened...the exact bandwidth that is actually weaponized... [and was] used in a theater of war in Iraq" This clip of Reinette Senum (Reinette Senum), a former mayor of Nevada City, California, is taken from an episode of the Children's Health Defense (Children’s Health Defense) series Financial Rebellion posted to Rumble on November 20, 2025. ----------------Partial transcription of clip--------------- "So what we're seeing is, and I'm trying to give some visuals to people, is that this is a chain to, that's going to ensure enslavement. And really they've just got one last link, that's it left, which is scary, but it's also the Achilles heel. And that's where we can really just draw the line and drop the gauntlet. And that link are, are these cell towers, the actual antennas being just popped up everywhere? Because they've got that framework, the infrastructure is there, those are those lines or they're underground. They just need to be able to put the antennas up without any interference whatsoever. "What people also don't realize there's a lot of really nefarious little things in the small print. But when a county or a city actually gives a contract to the telecoms and passes it, what people don't realize is those contracts are generally for 25 years and more than likely it'll be even longer than that because it's just, usually it's consent item. They just, you know, with one, you know, you know, one fell swoop, they just approve everything on the consent items. There's no discussion, no public discussion, no anything, no environment views. And then they add a different type of antenna. "So when those poles, those, those monopoles or the 5G on buildings, whatever, that's the telecom staking their environment. Their, their real estate claim. This is essentially vertical real estate. And the reason why they want to claim it and oversaturate it is because when they stake that claim, they own you, they're going to surveil you, they're going to spy on you, they're going to control you. They're going to take all that data where you're shopping, where you're spending, who you, where you're driving, what you're doing, all of your whereabouts, all of that data, they're going to collect it. "What we do know too, and you have to ask, why would the FCC do this? Was just a few years ago the FCC opened up a bandwidth, okay, so you have this spectrum and they only allow so much of this bandwidth to be sold and auctioned off to the telecoms. And what they did was a few years ago is they opened it up to the millimeter wave, to the exact bandwidth that is actually weaponized, is militarized, is used in a theater of war in Iraq. "We have a couple examples of what it can do. In 1991, military was celebrating. This is so phenomenal. We use the Millimeter wave. And what we did is we actually supplanted the, the voice of Allah into the soldiers and the farmers and the ranchers down below on the ground in Iraq. And we told them to give up their arms, put up their hands and you know, turn themselves in. It was a great it was a great win. It's like, wait, you did what to them? "Then I had another roommate of mine who's a former Air Force flight surgeon saying, oh yeah, we used to fly, you know, above Middle East and we would shoot down a beam of 5G and we would scramble the brains of anyone down on the ground. And then the foot soldiers would come along after that and shoot and kill anybody who was moving or looked alive whatsoever. And I had asked her, I said, well, this is horrific. Exactly what would that experience be to somebody on the ground? Well, they just hear a lot of static and they would then just drop dead because we just scrambled their brains. This, this is, these are the frequencies that the FCC put on the market. "Now the telecoms have this available to them. Why? Why would they ever allow this? Okay, so there's that piece. So they stake their claim, they're there for at least 25 years, but actually it's going to be longer. They have complete control and they are monitoring everything. And if they want to, they can do a slow cook or they can target. And that's the difference with the millimeter wave is... the millimeter wave actually targets the phone, it targets the person. Whereas 3G, 4G is just ubiquitous. As you send out the signal, you pick it up or you don't. There's that piece. "The other hidden piece that people do not realize is that in most of all these telecom contracts with the counties and the cities, basically they say, okay look it, you can use whatever kind of technology you want. You can go for 3G, 5G, 10G, 20G, we don't care as long as the antennas look like the original antennas when the, the whatever was installed. So that could be any kind of technology. So it could be a weaponized technology which is now what we are seeing already. And there's nothing you can do about it. "And while... they may have it on the agenda to vote on, generally there's no notification. People have no idea. Again, it's under consent items, which means there's probably 10, 20 other agenda items. They just vote all one fell, you know, swoop, just like what we kind of saw with Congress the other day. And, and it's done. There's a switch, and you have no idea. So this is also a Trojan horse. "And I try to say to people, when I look at cell towers, I see it as a towering Trojan horse for the military industrial complex, the surveillance state, the whole digital dystopian, you know, prison that we're talking about. This is the only way they can do it. The only way they can do it is by having these antennas everywhere. And while they do have satellite, there's more wiggle room there. But this is how they're going to do it. What's happened now is the FCC and congressional members, are paving the path where nobody can stop it."

Sense Receptor

17,458 görüntüleme • 10 ay önce

Most people scroll past suffering every single day and don't even notice. She didn't. And that one decision — made in less than three seconds, with zero hesitation, zero plan, zero audience — is why this video is currently wrecking people's timelines and making grown adults cry at their desks. I've been studying viral content for over a decade. I've watched thousands of videos get dissected, algorithm-tested, A/B'd to death by teams trying to "engineer" emotion. And every single time, the ones that actually break the internet have one thing in common: they weren't engineered at all. They just happened. This is one of those. You need to watch this one. Not read about it. Watch it. Because there's a specific moment in this video — you'll know it when you see it — where the entire emotional weight of the situation flips in half a second, and no description, no summary, no paragraph I write is going to do that moment justice. I'm not even going to try. What I am going to do is tell you why this matters, why it's spreading the way it is, and why — once you see it — you won't be able to stop thinking about it. Let's talk about what nobody talks about. There is an entire invisible war happening in every park, every lake, every pond, every quiet patch of "nature" tucked into our cities. It's silent. It doesn't trend. It doesn't get news coverage. Animals get hurt, get tangled, get trapped, get sick, get slowly, quietly destroyed by things we left behind — and 99.9% of the time, nobody is there to notice. Nobody is there to act. The animal just... disappears. No headline. No hashtag. No one ever knows. That's the baseline. That's what "normal" looks like for wildlife living next to humans. Quiet suffering, unwitnessed, unresolved. And then — every once in a while — someone walks into that invisible war by accident, on a normal day, wearing normal clothes, holding nothing but a phone and maybe a bag of bread, expecting absolutely nothing out of the ordinary. And something in them refuses to just keep walking. That's what you're watching here. Not a stunt. Not a "content piece." Not something built for the algorithm. A real, unscripted, completely human reflex — the kind that separates the people who notice from the people who don't, and then separates the people who notice from the tiny, tiny percentage who actually do something about it. Here's the thing that gets me every time I rewatch this. It's not the rescue itself that hits hardest. It's the speed. There is no internal debate happening on screen. There's no "should I get involved," no calling someone else to handle it, no filming from a distance for views. There's a problem, and then there's motion. That gap — the one between noticing and acting — is usually where 95% of us live our entire lives. We notice. We feel something. We keep walking. This video is what happens when that gap doesn't exist. I want you to sit with that for a second, because it's actually rare. Genuinely rare. Most "hero" content you see online has been staged, has been reshot, has a director just out of frame. This isn't that. You can feel it in the way things unfold — messy, urgent, real, imperfect in all the ways real moments are and staged moments never are. That authenticity is exactly why it's spreading the way it's spreading. People are starving for something real in a feed built entirely out of things that are fake. Now let's talk about the animal at the center of this, because most people underestimate exactly how much is at stake for a creature like this in a situation like this. Waterfowl — geese specifically — are tougher and more resilient than almost anyone gives them credit for. They migrate thousands of miles. They survive brutal winters. They defend their families with a ferocity that has made more than one grown adult sprint across a parking lot in fear. But that same toughness has a blind spot: when something goes wrong — when they get tangled, injured, caught in something man-made — they often have no way to fix it themselves. No hands. No way to cut, unwind, or remove whatever's constricting them. Just time, working against them, second by second, while the injury gets worse and the body starts shutting down blood flow to protect the rest of itself. Left alone, that kind of situation doesn't resolve. It doesn't "work itself out." It ends exactly one way, and it's not a good one. Which is why the window that matters here is so brutally small. Not days. Not hours in some cases. The margin between "this animal makes it" and "this animal doesn't" can come down to a single person, on a single day, choosing not to keep walking. That's the stakes you're watching play out. That's why your chest tightens the second you hit play. Your body understands the stakes before your brain even finishes processing what's happening on screen. And this is the part that I think explains why videos like this hit different than almost anything else on this platform. We are, all of us, walking around holding an enormous amount of helplessness we can't do anything with. The news. The scale of everything wrong in the world. Problems so big, so systemic, so far outside any single person's control that we've collectively learned to just... go numb. Scroll past. Compartmentalize. It's a survival mechanism. You cannot feel the full weight of everything, all the time, or you'd never get out of bed. But every so often, something shows up in your feed that's the exact opposite of that. A problem small enough — specific enough — local enough — that one single, ordinary, non-famous, non-wealthy, non-powerful person can just... solve it. With their hands. In real time. No committee. No funding request. No permission slip. Just a person deciding that this particular piece of suffering, right here, right now, is not going to continue on their watch. That is enormously, viscerally satisfying to witness. It's satisfying in a way that almost nothing else in your feed is, because it's proof — actual, undeniable, on-camera proof — that individual action still means something. That you, one person, with no special resources, could be the difference between an animal living and an animal not living. That agency still exists. That the world isn't only made of problems too big for any of us. That's not a small thing to be reminded of. That's actually one of the most quietly desperate things people are craving right now, whether they'd admit it or not. Now here's where it gets even more interesting, because this isn't just an emotional story — this is a legitimately fascinating one if you understand what's actually happening biologically and behaviorally in the footage. Watch how the surrounding flock reacts. Watch what the rest of the group does, and doesn't do, while all of this unfolds. Geese are famously social, famously alert, famously reactive to any perceived threat near one of their own — and yet what you'll see here defies the instinct you'd expect. There's a reason for that, rooted in how these animals actually assess threat versus help, and once you notice it, you won't be able to unsee it in the rest of the clip. I'm not going to spell it out for you. Watch for it. It's there, right in front of you, and it's one of the most quietly remarkable details in the entire video — the kind of detail that separates people who watch it once from people who watch it five times in a row trying to catch everything they missed. Then there's the ending. I will tell you this much and nothing more: the ending is the reason this is getting saved, not just liked. Saved. Sent to group chats. Sent to people's moms. Sent with the caption "I'm not crying, you're crying." There is a specific final few seconds that recontextualizes literally everything that came before it — turns what could have been a simple "good deed" clip into something that feels closer to a small, perfect short film. A beginning, a crisis, an intervention, and a resolution that actually lands, emotionally, in a way most content never manages to pull off in fifteen seconds or two minutes or however long you end up watching it for. I've watched a lot of "feel-good animal content." Most of it is forgettable. Cute, sure. A dopamine hit, sure. Gone from your memory in ten minutes. This is not that. This is the rare kind that actually sits with you — that you think about later that night, or the next morning, for reasons you can't fully articulate. That's the difference between content and a moment. This is a moment. Let's talk for a second about who does this. Because I think that matters too. There's a version of this story where the "hero" is a trained wildlife rescuer, someone with credentials, equipment, years of experience, a whole organizational apparatus behind them. That story is good. It's reassuring in its own way — proof that the system works, that there are professionals out there handling things. This is not that story. This is an ordinary person. Someone who woke up that day with no plan to become anyone's hero. No training montage. No wildlife rescue license. Just a person who happened to be in the right place, who happened to actually look — really look — instead of glancing and moving on, and who happened to have whatever internal wiring makes some people act instead of hesitate. That distinction matters enormously, because it collapses the distance between "the kind of person who does something like this" and you. It's not a superhero story. It's a "this could have been literally anyone, including me" story. And the honest, slightly uncomfortable truth buried inside that realization is: most of us, most days, would have kept walking. We'd have felt a flicker of concern, maybe taken a photo, maybe felt vaguely bad about it for the rest of the afternoon, and then moved on with our lives, because that's simply what most people do, most of the time, when they're not forced to reckon with an alternative right in front of them. This video is that alternative, playing out in real time, and it's impossible to watch without quietly asking yourself which version of a person you actually are. I don't think that's a comfortable question. I think that's exactly why people can't stop sharing it. Now — a word on why this specific footage works so well from a pure craft standpoint, because even setting aside the emotional weight, there's something happening here structurally that most creators spend years trying to figure out and never quite land. Great short-form video has a shape. Setup. Escalation. Turn. Payoff. Most people who try to make "emotional" content front-load everything — they tell you how to feel before you've felt anything, they oversell, they manipulate obviously, and audiences today can smell that from a mile away and bounce immediately. What makes a clip like this different is that it doesn't ask you to feel anything. It just shows you a sequence of real events, unfolding in real time, and trusts you — correctly — to arrive at the emotion yourself. That trust is rare. That restraint is rare. And it's exactly why, when the turn comes, it hits as hard as it does. Nobody told you it was going to. You got there on your own, which means you actually feel it, instead of being told you should. That's not something you can fake with editing tricks or a trending sound. That's something that only happens when the moment itself is genuinely, unmistakably real. I also want to talk about scale for a second, because I think it's easy to miss how much bigger this issue is than one video, one goose, one lake, one afternoon. Every single day, in cities all over the world, urban wildlife is quietly colliding with human infrastructure in ways most of us never think about. Fishing line nobody bothered to clean up. Litter that looks harmless to us and is a death trap to something smaller, more fragile, more entangled in its environment than we are. Storm drains. Discarded packaging. The debris of a species — us — that moves through the world without much thought for what we leave behind. Most of the time, none of us see the consequences. The animals affected by it don't post about it. They don't trend. They just quietly don't make it, somewhere out of frame, and life goes on for the rest of us completely unaware that anything happened at all. This video is a rare, accidental window into that entire hidden layer of reality — the one that exists parallel to ours, constantly, that we almost never get to actually witness. And for a few minutes, thanks to one person's phone and one person's reflexes, we get to see it, and we get to see it resolved the right way instead of the way it usually resolves when nobody's there. That's not nothing. That's actually kind of extraordinary when you sit with it. Here's a question worth asking yourself honestly, and I want you to actually answer it, not just skim past it: when was the last time you personally stopped — actually stopped, changed your plans, got your hands dirty, inconvenienced yourself in some real way — for a creature that couldn't thank you, couldn't pay you back, couldn't do anything for you in return except exist a little longer because you showed up? If your honest answer is "I can't remember," you're not alone. Most people can't. That's not a moral failing, exactly — it's just how modern life is structured. We're busy. We're distracted. We're moving fast between obligations that already feel like too much. Stopping for something that asks nothing of us and offers nothing back except the fact of having helped is, increasingly, a rare kind of choice. Which is exactly why watching someone else make that choice, cleanly, instinctively, without hesitation, feels almost like watching a small miracle. Not because it's supernatural. Because it's so uncommon in practice, even though in theory it's the simplest, most obviously "right" thing a person could do. I'll say this plainly: I've built accounts to millions of followers. I've seen what actually spreads versus what merely performs well for a day and disappears. The stuff that performs well for a day is clever. It's well-edited. It rides a trend. The stuff that actually spreads — that gets forwarded person to person, week after week, long after the algorithm has moved on to the next thing — is always, always this. Real stakes. Real people. A real moment where something could have gone one of two ways, and it went the better way, because someone decided it would. You're looking at one of those right now. So here's my actual advice, and I don't give this kind of direct instruction often: don't read a recap of this. Don't let someone else's summary substitute for the thing itself. There is a version of this moment happening on your screen, right now, in full, unedited by anyone's words including mine — and it is genuinely, unambiguously worth the two minutes of your life it will cost you. You will see the moment where everything is uncertain. You will see the moment where a decision gets made in real time, with real risk of it not working. You will see the moment where you don't know, and neither did anyone there in that moment, how this was going to end. And then you will see how it actually ended. I'm not going to tell you what that ending looks like. I'm telling you that when you get there, you'll understand exactly why this is the video everyone's been sending to everyone else this week, why it's sitting in a hundred thousand people's "saved" folders, why comment sections under it are full of people saying some version of the same three words over and over. Hit play. You'll get it in the first ten seconds, and you won't regret the two minutes after that. One more thing before you go watch it, because I think it's actually the most important part of all of this, and it's the part that gets lost in every "feel-good video" cycle the internet runs on: the feeling this video gives you — that lump in your throat, that little surge of hope, that reminder that individual action still matters — that feeling is not supposed to be a one-time hit you get from watching someone else do something good and then close the app and move on with your day unchanged. That feeling is supposed to be a signal. A nudge. Evidence, presented to you directly, that the gap between noticing and acting is smaller than you think, and that crossing it is available to you too, the next time you're the one standing there, noticing something that most people would just walk past. You don't need a license. You don't need training. You don't need permission, or an audience, or a camera rolling, or anyone to ever find out you did it at all. You just need to be the kind of person who doesn't keep walking. This video is proof that person exists. Go watch it, and then decide if you're going to be one too. Sound on. Full screen. Watch it to the very end — the last few seconds are the whole reason this is everywhere right now, and no summary, no recap, no paragraph anyone writes about it is a substitute for actually seeing it happen with your own eyes. This is what it looks like when someone chooses not to look away. Now you choose. Let me go a little deeper, because I don't think most people actually understand why their own reaction to this footage is so strong, and I think understanding it makes the video hit even harder the second time around. Psychologists have a name for what you're feeling right now if you've already watched this once. It's sometimes called "moral elevation" — a very specific, very physical response that happens when you witness an act of unexpected goodness. Not just any positive emotion. A distinct one. Your chest can feel warm. Your throat can tighten. Some people report actual chills. It's not the same thing as happiness, and it's not the same thing as being impressed. It's your nervous system responding to proof that people are better than you'd started to assume they were. And here's the part that matters: that response isn't random, and it isn't rare because it's hard to trigger. It's rare because most of what we consume all day is engineered to trigger the opposite — outrage, comparison, anxiety, fear of missing out. Feeds are optimized for reaction, not elevation, because outrage is cheap to produce and elevation isn't. You can't fake this feeling with a clever caption. You can't manufacture it with a trending sound or a plot twist. It only happens when something real, something with actual stakes, resolves in a way that reminds you decency still exists in the wild, unscripted, unpaid, unrewarded. That's why this spreads the way outrage spreads, except it leaves you feeling the opposite of drained afterward. Outrage burns you out. Elevation refuels you. People aren't just sharing this because it's touching — they're sharing it because, for the length of one short video, it makes them feel like being a decent person is still worth it. That's an incredibly rare thing for any piece of content to do, and it's exactly why you're seeing it everywhere this week. Let's talk about the setting for a second too, because I think it's easy to overlook how much it matters that this didn't happen somewhere remote, somewhere wild, somewhere far from ordinary life. This happened in the kind of place you've walked past a thousand times without thinking twice. A park. A pond. The kind of unremarkable, background scenery that exists in almost every neighborhood, that most of us jog past, walk our dogs past, eat lunch near, without ever really looking at it as a place where anything could actually happen. That's exactly the point. The ordinary backdrop is what makes the extraordinary moment inside it land so hard. This isn't some far-off nature documentary shot by a professional crew with a permit and a budget. This is five minutes from somebody's house. This is the kind of place that exists five minutes from your house too. Which means the opportunity this video captures — the chance to notice, to stop, to help — isn't some rare alignment of stars that only happens once in a lifetime, in some exotic location, to some uniquely positioned person. It's sitting there, quietly, in ordinary places, all the time, waiting for someone to actually look. Most days, nobody does. This is what it looks like on the rare day when somebody finally does. I keep coming back to that idea because I think it's the actual core of why this resonates so widely, across ages, across backgrounds, across every single kind of person who ends up watching it. It's not really a story about a goose. It's a story about attention — about what happens in the tiny, easily ignored moment when you notice something is wrong, and what you do with that noticing. Everything else — the outcome, the emotion, the ending that's got everyone talking — flows directly out of that one, incredibly small, incredibly human decision. And if I'm honest, that's what makes content like this so much more valuable than almost anything else competing for your attention today. It doesn't sell you anything. It doesn't want you to buy a product, follow a brand, join a movement, or believe a particular opinion about a particular issue. It just quietly asks you to notice something you might otherwise have scrolled past, the same way the person in this video almost could have too, and didn't. A few things people keep asking in the comments under this video, worth addressing directly: Was this real, or staged? Watch closely and you'll answer that question yourself within the first several seconds — nothing about the pacing, the urgency, or the imperfection of how it unfolds reads like something blocked out in advance. Staged content has a rhythm to it. This doesn't have that rhythm. It has the rhythm of something happening for the first and only time, exactly once, exactly as it happened. Was the animal okay afterward? That's exactly the question this video answers — and it's the reason the final stretch of footage matters so much. I won't spoil it. I'll just say: pay close attention to the very end, because that's the payoff the entire rest of the video has been building toward, whether you consciously noticed the build or not. Why does a video like this get more engagement than videos with way bigger production value, bigger creators, bigger budgets behind them? Because production value has never been what actually moves people. Truth does. A shaky, imperfect, unscripted two minutes of someone doing the right thing at the right moment will outperform a polished, professionally shot piece of content nine times out of ten, because audiences aren't actually asking to be impressed. They're asking to be moved. Those are two very different things, and only one of them is genuinely rare. Here's something else worth sitting with. Somewhere, right now, there's a version of this exact situation playing out with no witness at all. No phone rolling. No person who happens to notice. No intervention. It's happening constantly, everywhere, completely unrecorded, completely unremarked upon, because most of the time, nobody's there, or the person who's there keeps walking. This video isn't rare because the situation itself is rare. The situation is common — heartbreakingly, quietly common. What's rare is the outcome. What's rare is someone actually being there, actually noticing, actually choosing to act, and someone else actually catching it on camera so the rest of us get to witness what usually happens completely out of view. That's the real reason this deserves your two minutes more than almost anything else you'll see in your feed today. Not because it's rare that an animal needed help. Because it's rare that help actually showed up in time, and rarer still that any of us get to see it. So go watch it. Not the summary. Not somebody's recap in the replies. The actual footage, start to finish, full screen, sound on. Let the moment build the way it's supposed to build. Let yourself not know how it ends until it ends. That uncertainty — that genuine not-knowing — is exactly what makes the resolution land the way it's supposed to land. And when you get to the end, and you feel whatever you're about to feel, do one more thing: send it to somebody. Not because it needs the views. Because somebody in your life probably needs the reminder, just as much as you did, that this is still what people are capable of when nobody's asking them to be. That's the whole point. That's why it's everywhere. That's why you should watch it right now, before you scroll past one more thing today without actually seeing it. #AnimalRescue #WildlifeRescue #GooseRescue #AnimalsOfTwitter #RescueStory #ActOfKindness #HumanityRestored #WildlifeConservation #UrbanWildlife #ViralVideo #EmotionalStory #DoGood #AnimalLovers #NatureRescue #HeroesAmongUs #WeLoveAnimals #RescueMission #CompassionInAction #FaithInHumanity #WatchTillTheEnd

Earth Unveiled

37,357 görüntüleme • 14 gün önce

*** Test Your 9/11 Knowledge: The Explosive Evidence at the 3 WTC Towers The 50 Questions NIST Should Have Asked 20 Years Ago! WTC Building 7 Free-fall 1. How is it possible that 47-story Building 7 fell suddenly, symmetrically in free-fall acceleration, without any resistance from any of its 81 columns? 2. Why did NIST deny its free-fall for 7 years, only to be proven wrong and be forced to officially admit that it did collapse in free-fall? Symmetry 3. How, if Building 7 was damaged asymmetrically in the north-east corner on floor twelve, as per the NIST report, could it fall symmetrically downward? Shouldn’t the building have tilted toward its damaged side – and not fall straight down through the path of what was the greatest resistance? Fires 4. How could a few, small, and scattered ordinary office fires have brought this Type-1 fire-protected steel-frame skyscraper down, when several dozen examples of much hotter, much larger, and longer-lasting fires have never in history brought down such a building? 5. How could normal office fires take out all the columns in the building sequentially floor by floor, in 7 seconds? 6. Why did NIST claim that the fires were still burning, up until the time of the collapse, when the photos show that they were burnt out more than an hour before the collapse? 7. Why aren’t all the firefighters concerned, in the wake of the NIST report during the last 24 years, that such ordinary fightable fires can now bring skyscrapers down on top of them, and on top of the public who are told to “defend in place” in the building (and not obstruct access by firefighters)? 8. Why are many of these same firefighters calling for a new investigation of the NIST report itself? Controlled Demolition 9. Since the collapse of Building 7 looks exactly like a controlled demolition, why did NIST avoid any serious consideration of this hypothesis? 10. How could a 40,000-ton moment-resisting and X-braced structural steel frame collapse like a house of cards in 7 seconds, with most of its columns and beams severed – one from another? 11. Why does WTC 7 have all of the key features of typical controlled demolition, and none of the features of collapse by fire? Explosions 12. Why didn’t NIST include in its report on WTC 7 the half-dozen witnesses of explosions prior to its collapse, and even claim that there were no witnesses? 13. What could have caused an elevator cab to be “blown 30 feet out of its hoistway,” as Deputy Director of NY-Office of Emergency Management, Richard Rotanz, reported at Noon, when the building didn’t collapse for another 5 hours. 14. What caused Barry Jennings and Michael Hess to be injured by explosions and subsequently trapped in the building before either Twin Tower collapsed? Foreknowledge 15. Why did Fire Chief Nick Visconti declare, “We’re moving the command post over this way, that building’s coming down!”? 16. How could Fire Chief Hayden’s engineer declare, upon being asked, “how long until the building comes down?” – then accurately state, “In its current state you have about 5 hours,” when no steel-frame fire-protected high-rise had ever come down due to fire alone? 17. Why did construction workers, while walking away from Building 7 and upon hearing an explosion from the building, look straight into the CNN camera saying, “You hear that? Keep your eye on that building. That thing’s coming down. The building is about to blow up, flame and debris coming down”? 18. Why did former Air Force medic Kevin McPadden hear a “3-2-1” countdown on the radio, and subsequently hear explosions before Building 7 collapsed? 19. How could the BBC have announced, live on TV, the collapse of WTC 7 20 minutes before it collapsed? 20. Why did CNN announce, 7 hours early, the 10:45 AM collapse of a 50-story building (obviously referring to Building 7)? Expert Statements 21. Why have more than 3,600 Architects & Engineers signed onto the petition at demanding a new 9/11 WTC investigation? 22. Why are dozens of structural engineers making statements such as: “A localized failure in a steel-framed building like WTC 7 cannot cause a catastrophic collapse like a house of cards, without a simultaneous and patterned loss of several of its columns at key locations within the building”? 23. Why did the top European controlled demolition expert declare: “That is controlled demolition. It’s been imploded. It’s a hired job. A team of experts did this? 24. Why did top forensic structural engineer, Prof. Leroy Hulsey from the University of Alaska, following a 4-year study of WTC 7, declare: “The collapse of WTC 7 was a global failure involving the near-simultaneous failure of all columns in the building and not a progressive collapse, as claimed by NIST. Extreme Heat Molten Metal 25. What does it mean that FEMA, in its 2002 Report, including a metallurgical examination of the WTC 7 steel, revealed “a phenomenon never before observed in building fires….a liquid eutectic mixture containing primarily iron, oxygen, and sulfur formed during this hot corrosion attack on the steel...” Why did NIST eliminate this metallurgical report from their final report? 26. Did Fire Protection Engineer Jonathan Barnett know, when he said, “steel members in the debris pile that appear to have been partly evaporated,” that it takes 4,000°F to evaporate steel? And that jet fuel and office fires don’t even rise to a third of that temperature? 27. Why is there bright yellow molten steel or iron pouring out of the crab claw excavators in the WTC pit? And out of the South Tower just minutes before its collapse. 28. Why did the first responders in the pit report, “you get down in the pile, and you see molten steel – flowing down the channel rails, like lava from a volcano”? Did they know that it takes 3,000°F to melt steel, and that office fires and jet fuel can only achieve half of this temperature? 29. What can explain the well-documented 3,000°F temperatures that are well-documented in the WTC Twin Towers collapse aftermath? Why is there evidence of ignited thermite found by so many first responders in the WTC pile? Previously Molten Iron Microspheres 30. What does it mean that the US Geological Survey and RJ Lee Group independently documented billions of previously molten iron-rich microspheres in ALL of the WTC dust samples? Where would the required 3,000°F come from? Could the ignited thermite have created those molten iron microspheres? 31. Why is bright yellow molten steel or iron pouring out of the South Tower just minutes prior to its collapse? 32. What explains the 2009 peer-reviewed findings from the Niels Harrit research team of dual-layered red-gray chips of nano-thermite in all the independently-collected dust samples they analyzed? Why do they ignite at the same temperature as military grade “super-thermite”? Why do they produce molten iron-rich microspheres when ignited? 33. What does it mean that Harrit’s international research team found that the “red layer of the red/gray chips in all of their WTC dust samples is active unreacted thermitic material, incorporating nanotechnology, and is a highly energetic pyrotechnic or explosive material”? The Twin Towers Official Explanation 34. How can the official explanation of the Twin Towers’ collapse be true (that an intact top section drove down the rest of the building after weakening of some of the structural steel in the impact zone) when this top section had already been destroyed in the first 3 seconds of the collapse (telescoping in on itself) and so was not even available to drive anything down to the ground? NIST claims that the top part of the building drove the rest of the building down to the ground. Why then do none of the photos or videos show such a top part driving anything down? And why didn’t that top “pile driver” drive down the 800-foot-tall group of columns standing for 6 seconds after the overall collapse? 35. Why did Zdenek Bazant, in his calculations for his controversial paper submitted to the Journal of Engineering Mechanics on 9/13/01( only two days after 9/11) use twice the actual mass of the upper section of the North Tower above the impact floors and only one third of the actual column strength of the larger building section beneath it in his support for NIST collapse theory? a. Why is this paper still today the key theoretical basis of NIST’s column failure theory? 36. Why does the destruction of the towers look more like a volcanic eruption (than a straight-down gravitational collapse) with upward and outward arching streamers, a geometry of fireworks, freely flying solid molten objects trailing thick white smoke clouds? Witnesses of Explosions 37. Why are there 156 First Responder witnesses of explosions – seeing, hearing, and feeling explosions – many of them BEFORE the towers ever came down? 38. Why did NIST claim that there were “no witnesses of explosions” when there were as many as 200 publicly recorded testimonies – many before the collapse? What could explain Fire Chief Frank Cruthers’ testimony that, “… an explosion… appeared at the very top, simultaneously from all four sides, materials shot out horizontally. And then there seemed to be a momentary delay, before you could see the beginning of the collapse”? 39. Why did 36 reporters on the day of 9/11 report the WTC destruction as an explosion-based event, most of them actual witnesses of explosions? a. Why did the mainstream national media change the story the next day from explosion-based collapses to “fire-induced collapses”? 40. Why did the FBI, NYPD, and FDNY on the day of 9/11 all state that they suspected that explosives were used to bring down the towers, but change their story in the following week to fire-induced collapse? Seismic Evidence 41. Why did the Richter Scale recordings from Lamont Doherty Earth Observatory document significant seismic events for both towers, more than a dozen seconds before the planes hit either tower – corroborating the explosive testimony of William Rodriguez and others of massive explosions in the basement prior to the plane hitting the buildings? 42. Why did the seismic evidence from Lamont Doherty Earth Observatory document significant seismic events, in the North Tower, 5 seconds before the heaviest debris from each tower struck the ground? And in the South Tower, 7 seconds before any debris struck the ground? Wouldn’t this seismic evidence corroborate the testimony of the first responders that saw, heard, and/or felt explosions before the towers fell? 43. Why did at least 3 of the tripod-mounted cameras (two on the ground and one on the rooftop) “shake” 3 to 10 seconds before each of the towers fell? Would the camera evidence corroborate the seismic evidence and the first responder's explosive testimony? Explosive Evidence 44. Since the damage from the planes and fires was so asymmetrical, why was the destruction itself so precisely symmetrical – all the way down each face of each tower? Why do the videos show precise rows of individual explosions progressing down the towers – floor by floor? 45. Why do we see in the videos isolated pin-point explosive ejections occurring 20, 40, and even 60 stories down below the downward-traveling zone of destruction in each tower? Descent Profile and Speed 46. Why did the top sections of each tower descend suddenly, smoothly, down with no stoppage or “jolt” upon impact with the cold, hard, intact steel columns below the floors of the plane impacts? 47. How was it possible that the top section of each Tower descended without slowing at all, but instead accelerated, as if 80,000 tons of steel beneath wasn’t even there? What happened to the steel? Lateral Ejection of Steel 48. Why do we see in the videos the lateral ejection out of both of the Towers of hundreds of freely flying structural steel sections each weighing 4 to 8 tons, at 80mph, landing up to 600 feet in every direction, impaling all of the surrounding skyscrapers? Why are they trailing thick white smoke clouds when steel is not flammable in office fires, or under jet fuel conditions? Could this be due to the other byproduct of thermite – aluminum oxide ash? 49. Since FEMA officially documented a 1200-foot diameter zone of flying, fallen, and impaled structural steel beyond the footprints of both Towers, how could that steel, which comprised 1/3 of the weight of the falling section of each building, have still been available to crush the lower part as NIST claimed? Missing Floors 50. Since there were 110 concrete floors, each an acre in size, and since they were not stacked up in pile of “pancakes” at the bottom, and since a third of the WTC dust in the 3” thick blanket across Lower Manhattan from river to river is powdered concrete, then how could the concrete floors (also 1/3 of the weight of each Tower) be available to crush the building below? 51. What extreme-high temperature could have reduced 90,000 tons of concrete in each Tower back to its original aggregate, sand, and cement powder? Demolition Access 52. How could the perpetrators have gained access to the Towers to plant high energy explosives and incendiaries? Could a massive fireproofing upgrade project in the months and years prior to 9/11 have provided access to the underside of the floor systems to apply sprayed-on nano-thermite? Is it a coincidence that the WTC fireproofing upgrades occurred mostly on the floors that were hit by the planes on 9/11? Could the largest elevator modernization in the world in the 9 months prior to 9/11 have provided access to the core columns and beams? Is it just a coincidence that Ace Elevator employees were pulled out of the Towers on 9/11 for “union meeting”? Destruction of Evidence 53. Why was 99% of the WTC structural steel crime scene evidence loaded onto barges starting just 2 weeks after 9/11 and shipped to China for recycling before structural engineers and metallurgists could get their hands on it to do a proper forensic investigation? We encougage you to ask these questions of your elected representatives and the media. We address most of these questions in our presentations and podcast and radio interviews. So get is in front of them! Who do you know that might interview RichardGage911 about the explosive destruction of the 3 World Trade Center Skyscrapers on 9/11?

Richard Gage, AIA, Architect

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