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Digimon Source Code Mobile game New promotional video from Digimon Source Code “Digimon: Source Code” the upcoming mobile RPG by Bandai Namco Entertainment has revealed its gameplay at ChinaJoy 2023. The game features battle with turn-based gameplay. It seems like digimon source code will be released soon in China.... I hope we get a digimon game this year. I dont mind if its a gacha game at this point. Better then not having a digimon game at all. Share this around & tag a friend. #digimon #digimoncardgame #tradingcardgames #tcg #digimonvitalbracelet #digimonsurvive #digimoncon #onepiece #tokyorevengers #myheroacademia #demonslayer #jujutsukaisen #spyxfamily #agumon #omegamon #greymon #wargreymon #digimonadventure #yugioh #cardgames #zenintcg #singapore #japan #usa #tokyotoyshow2023 #vitalbraceletbe #anime #cardgame #cards #myheroacademiacosplayershow more

ZeninTCG

8,877 subscribers

24,787 views • 2 years ago •via X (Twitter)

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8 Comments

Gram2 years ago

What's with all the unrelated hashtags?

Dmaster2 years ago

Was does china get the mobile games ?

ミレン・アネッサー2 years ago

And half prepared it to be China exclusive, geez I'm really tired of this BS. It's a franchise from Japan and has worldwide fans, why are these games stuck in Chinese wall?

Ali Hussein2 years ago

Looks cool. Looking forward for seeing people play it and see more of the crispy animation. Might get new digimon later on.

Zapphy2 years ago

nice, also it's gonna stay online for a like an year or so and then they're gonna put down the servers

DOOFus2 years ago

Wow omegamon, who could have guessed…

Digi Perversion X2 years ago

I wonder if this one will actually last?

Natalie Nightfox2 years ago

Cool. Also, I predict later this month or Next month,Bandai Namco will reveal the release date,the trailer,the title and lots of Info for the next Digimon Story game. A fan can dream.

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ZeninTCG

66,104 views • 5 months ago

Major Throwback to 1999 Digimon world 1 Trailer Digimon world 1 was released in Japan back in January 1999 with an english release later on in May 2000. We are not approaching the 30th anniveesary of Digimon World yet however we are approaching the 30th anniversary of Digital Monster next year. Perfect time to release news about a new Digimon World game wont you say? What would you like to see in a new Digimon World game? #digimon #digimonworld #digimonworld1

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ZeninTCG

11,226 views • 4 months ago

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ZeninTCG

18,815 views • 27 days ago

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ZeninTCG

12,214 views • 1 month ago

What you see in 1st video was after a couple of hours of Astra porting. This is what it looks like now. Blender optimized assets, car physics, police pursuits, missions, cutscenes, audio dialogue and more behaviors. Still very imperfect, but way better than v1. Keep in mind this is not building it from existing source code. People pointed out the PC source code is online, which I wasn't aware of and kind of takes the fun out of seeing Astra pick the game apart and attempt to rebuild it for web. There are still more things missing from the game. But you're looking at in total, around 7-8 hours of Astra picking apart the PS2 game files and attempting to rebuild in an environment this game was never intended to run in. Would the result have been better and taken less time if I used the leaked PC source code? For sure. But it wouldn't have been nearly as fun seeing Astra dig in and try piecing things together from scratch without the source.

What you see in 1st video was after a couple of hours of Astra porting. This is what it looks like now. Blender optimized assets, car physics, police pursuits, missions, cutscenes, audio dialogue and more behaviors. Still very imperfect, but way better than v1. Keep in mind this is not building it from existing source code. People pointed out the PC source code is online, which I wasn't aware of and kind of takes the fun out of seeing Astra pick the game apart and attempt to rebuild it for web. There are still more things missing from the game. But you're looking at in total, around 7-8 hours of Astra picking apart the PS2 game files and attempting to rebuild in an environment this game was never intended to run in. Would the result have been better and taken less time if I used the leaked PC source code? For sure. But it wouldn't have been nearly as fun seeing Astra dig in and try piecing things together from scratch without the source.

Dwayne

21,360 views • 8 days ago

Indian developers are polluting everything this is what everyone will say, because of all these non-sense gitlab has conducted its hackathon and guess what all top 3 are indians, so naturally I was curious about the PRs that they have submitted and when i opened to see their contributions, all were just typo changes in the readme's, docu changes, docs, docs, docs, docs, docs only docs and grammatical fixes and not a single major code change or anything, not a real grade production code.. for these people a whole country will be ashamed ( let me put that on hold for a bit ) like... I mean, if they have to do this to add open source contributions to their CVs, then it's as good as you don't do open source at alI, it's a waste of time doing it like this

Indian developers are polluting everything this is what everyone will say, because of all these non-sense gitlab has conducted its hackathon and guess what all top 3 are indians, so naturally I was curious about the PRs that they have submitted and when i opened to see their contributions, all were just typo changes in the readme's, docu changes, docs, docs, docs, docs, docs only docs and grammatical fixes and not a single major code change or anything, not a real grade production code.. for these people a whole country will be ashamed ( let me put that on hold for a bit ) like... I mean, if they have to do this to add open source contributions to their CVs, then it's as good as you don't do open source at alI, it's a waste of time doing it like this

Humi

31,176 views • 4 months ago

I ditched Unreal for AI. Kaiju Engine is a completely AI written replacement. To prove it was ready for production, I tested it by recreating and porting my old game, Firefall, into Kaiju, purely from the Steam download, no source. And it worked. Real game code is messy, full of difficult details and compromises. If our engine could handle a commercially released game, it proves you can ship a game with it. We're developing 2 orders of magnitude faster (93x) by lines of code and features. We have fewer bugs, and iteration is super fast. Build times have gone from 30 mins (Unreal) to 36 seconds. Feature rate is through the roof, days instead of months. Our original engine for Firefall took 2-3 years and cost over 5M to build (adjusted). Our new engine was written in 5 months for a couple grand. We built only what we needed, with none of the Unreal bloat. And we added some features: - Modern meshlet based rendering with PBR. - Vis Buffer/Forward+ with clustered lighting. - Id Tech 5 style megatexture streaming. - Planetary sized renderer (entire solar systems possible). - Seamless flight from ground to orbit and space. - No loading screens. - Procedural planet generation with plate simulation. - Client/Server at all times. - Ozz for animation. Jolt for Physics. - Companion Blender plug-in for AI directed asset exports. - 140fps currently, 200-300 projected after optimizations. You can see Firefall's assets and levels ported over into our engine in the video. Texture resolution and pop-in are limitations of the original game (high rez CDN based textures were lost when game went offline, fog hid the original's pop-in). Our meshlet renderer will be able to do much better with LOD and already supports high rez textures. I used Grok/Codex/Claude to tag team the code. This is not just a boon for indie games, it's a real game changer for game preservation. The reaction to seeing this 10 year old discontinued game revived is very emotional for Firefall fans. But we're not just preserving Firefall, we're going beyond, creating an original game that is the spiritual successor, Em-8ER. Gliding, jumpjets... it's all coming back. Moving past Unreal let us move much faster, without the bloat, and with better performance. If you want to signup to follow news on the game, sign up is free at

I ditched Unreal for AI. Kaiju Engine is a completely AI written replacement. To prove it was ready for production, I tested it by recreating and porting my old game, Firefall, into Kaiju, purely from the Steam download, no source. And it worked. Real game code is messy, full of difficult details and compromises. If our engine could handle a commercially released game, it proves you can ship a game with it. We're developing 2 orders of magnitude faster (93x) by lines of code and features. We have fewer bugs, and iteration is super fast. Build times have gone from 30 mins (Unreal) to 36 seconds. Feature rate is through the roof, days instead of months. Our original engine for Firefall took 2-3 years and cost over 5M to build (adjusted). Our new engine was written in 5 months for a couple grand. We built only what we needed, with none of the Unreal bloat. And we added some features: - Modern meshlet based rendering with PBR. - Vis Buffer/Forward+ with clustered lighting. - Id Tech 5 style megatexture streaming. - Planetary sized renderer (entire solar systems possible). - Seamless flight from ground to orbit and space. - No loading screens. - Procedural planet generation with plate simulation. - Client/Server at all times. - Ozz for animation. Jolt for Physics. - Companion Blender plug-in for AI directed asset exports. - 140fps currently, 200-300 projected after optimizations. You can see Firefall's assets and levels ported over into our engine in the video. Texture resolution and pop-in are limitations of the original game (high rez CDN based textures were lost when game went offline, fog hid the original's pop-in). Our meshlet renderer will be able to do much better with LOD and already supports high rez textures. I used Grok/Codex/Claude to tag team the code. This is not just a boon for indie games, it's a real game changer for game preservation. The reaction to seeing this 10 year old discontinued game revived is very emotional for Firefall fans. But we're not just preserving Firefall, we're going beyond, creating an original game that is the spiritual successor, Em-8ER. Gliding, jumpjets... it's all coming back. Moving past Unreal let us move much faster, without the bloat, and with better performance. If you want to signup to follow news on the game, sign up is free at

Grummz

356,866 views • 1 month ago

Take a deep breath and listen to what I have to say because y'all are not catering to the want to be good at the game casuals compared to the ones who have been playing the game since we were kids and give y'all our money every year. More than what casuals have given you the last 5 fucking games put together. Don't forget why this game is made in the first place it's not warzone it's not cod mobile and its definitely not cdl. no because if I have to sit here and cry like casuals, I will take an L to get our shit back unpatch the snipers! I didn't play bo6 all year after I bought it because it was an aim assist galore game ur tryna make bo7 the same and i will not fucking stand for that. I didn't play bo6 all year after I bought it because it was an aim assist galore game ur tryna make bo7 the same and I will not fucking stand for that.

Take a deep breath and listen to what I have to say because y'all are not catering to the want to be good at the game casuals compared to the ones who have been playing the game since we were kids and give y'all our money every year. More than what casuals have given you the last 5 fucking games put together. Don't forget why this game is made in the first place it's not warzone it's not cod mobile and its definitely not cdl. no because if I have to sit here and cry like casuals, I will take an L to get our shit back unpatch the snipers! I didn't play bo6 all year after I bought it because it was an aim assist galore game ur tryna make bo7 the same and i will not fucking stand for that. I didn't play bo6 all year after I bought it because it was an aim assist galore game ur tryna make bo7 the same and I will not fucking stand for that.

RealArtemis

34,298 views • 7 months ago

SOMEONE MADE A FULL GAME WITH CLAUDE CODE, THE ART, THE ANIMATIONS, THE MECHANICS, EVEN THE TRAILER most vibe coded games pull free sprites off the internet or generate images, but this guy had claude design every single asset from scratch, art, sound, animation, cutscenes, all of it > its a 2d pixel art roguelike where you play as a little slime slingshotting knives at ghosts, going deeper into an increasingly violent world > you move around top down, fight enemies, take damage, collect loot, it plays like a real game not a demo > its a revival of a game he originally made back in middle school > claude designed every asset, and the sprites are generated in code, not image files > the entire trailer was made by claude too, he didnt touch the process at all > he ran hundreds of claude terminals in parallel to split the workload across fable agents, because generating that many sprites eats context fast he steered the general game design and feel, then let claude do the heavy lifting on everything else the reason most of these games look identical is everyone is pulling from the same asset packs but when the art is written instead of downloaded, it actually has its own style

SOMEONE MADE A FULL GAME WITH CLAUDE CODE, THE ART, THE ANIMATIONS, THE MECHANICS, EVEN THE TRAILER most vibe coded games pull free sprites off the internet or generate images, but this guy had claude design every single asset from scratch, art, sound, animation, cutscenes, all of it > its a 2d pixel art roguelike where you play as a little slime slingshotting knives at ghosts, going deeper into an increasingly violent world > you move around top down, fight enemies, take damage, collect loot, it plays like a real game not a demo > its a revival of a game he originally made back in middle school > claude designed every asset, and the sprites are generated in code, not image files > the entire trailer was made by claude too, he didnt touch the process at all > he ran hundreds of claude terminals in parallel to split the workload across fable agents, because generating that many sprites eats context fast he steered the general game design and feel, then let claude do the heavy lifting on everything else the reason most of these games look identical is everyone is pulling from the same asset packs but when the art is written instead of downloaded, it actually has its own style

Om Patel

11,239 views • 1 month ago

Epoch AI researcher, Greg Burnham on the board game his team is using to prove AI still can't learn from experience like humans do: "We used the board game Earthborne Rangers as a test case for, if we give AI something unfamiliar, can it get better than its starting point?" "We chose a board game that can be played in solo mode, has relatively little spatial or visual reasoning. This game is based on building a deck and playing through cards, and you're exploring a wilderness landscape. Our benchmark covers five days of this game." "Out of the box, AI comes out pretty strong. It's probably playing better than a human would on a human's first try. But then we say, okay, keep playing. Take notes as you go. You're going to try to get better." "We basically just see flat performance. They don't make friends with the board game and figure out how it works and get better at it over time." "There's 21 objectives. Our best human run ever hits 20 out of 21. The AI systems can get 10, 11, 12 on an early run, but we let them play like 30 times, and they don't get any better than that." "This is a result more generally about learning on the fly. People call this continual learning. It's a very strong capability. If AI ever develops it, it kind of really upends a lot of assumptions we have. But so far this seems to not be a capability that we're observing." Greg Burnham Epoch AI

Epoch AI researcher, Greg Burnham on the board game his team is using to prove AI still can't learn from experience like humans do: "We used the board game Earthborne Rangers as a test case for, if we give AI something unfamiliar, can it get better than its starting point?" "We chose a board game that can be played in solo mode, has relatively little spatial or visual reasoning. This game is based on building a deck and playing through cards, and you're exploring a wilderness landscape. Our benchmark covers five days of this game." "Out of the box, AI comes out pretty strong. It's probably playing better than a human would on a human's first try. But then we say, okay, keep playing. Take notes as you go. You're going to try to get better." "We basically just see flat performance. They don't make friends with the board game and figure out how it works and get better at it over time." "There's 21 objectives. Our best human run ever hits 20 out of 21. The AI systems can get 10, 11, 12 on an early run, but we let them play like 30 times, and they don't get any better than that." "This is a result more generally about learning on the fly. People call this continual learning. It's a very strong capability. If AI ever develops it, it kind of really upends a lot of assumptions we have. But so far this seems to not be a capability that we're observing." Greg Burnham Epoch AI

MTS

13,061 views • 1 month ago

At the end of the day, as I discussed with Jordan Peterson, there are just two games to be played, one real, one Woke. The real game is called civilization. The false game is called power. A long post/🧵: The real divide between Woke and not Woke is in power. The Woke game is the power game, and it is a parasite on the real game, which is civilization. Here's roughly how Jordan described the foundation of this idea. There are various rules, norms, etc., in the game society ultimately plays, and these create a hierarchy that is based upon competence, mostly organically, obviously imperfectly. If the rules of the game are good enough, the imperfections (natural corruptions) are minor and society thrives. If they are not, you'll have problems. This is the real game of building society, and it ultimately has to favor competence. This game must be called "civilization" because that's not just its goal but it is also what it does. It civilizes us beyond our base instincts and impulses so we can work together productively in a healthy manner that generates prosperity. As Jordan put it, this game is also a reservoir of value, and reservoirs of value create parasites. What are these civilizational parasites? They’re parallel games organized by and around malignant psychopathological modes like Dark Tetrad traits, psychopathy, and Cluster-B disorders: histrionic, borderline, antisocial, and narcissistic. These malignant pathologies render people incompetent except at manipulation, so they cannot rise far in a healthy civilizational hierarchy. What do they do, then, to gain power and status in life in a game they cannot actually play? They define a parasitic parallel game and rope people into playing it. It is parasitic in that it draws off the real game (civilization) and mimics its form so that the hosts (people in society) are less likely to realize it’s there, but it doesn’t build or create of its own. It siphons and tears down. What drives this game is failing to see what makes the civilizational game and the hierarchy it produces legitimate in the first place. This is characteristic of the psychopathologies at its heart. The narcissist imagines the world should be serving himself at the top, but it isn’t. The problem can’t be himself, so it must be that the game is illegitimate. Otherwise, he’d be at the top, but he isn’t. Therefore, the game is corrupt. His histrionic nature makes him a victim of the real game, preying upon emotions like empathy and righteous indignation to recruit followers. Because of his Dark Tetrad alignment, his game is not only illegitimate but toxic. It’s inherently sadistic, cruel to its recruits in the way typical of all cults—alternating punishment and leniency or even love-bombing. It’s dishonest. It’s psychologically broken from reality. It’s also a Machiavellian game, which means it has no interest in moral or ethical behavior but only in power. Thus, this rival game to the game of civilization is the game of power. The parasitic game—that is, the power game—is based on a fundamental failure to understand the legitimacy of the civilizational game or the approximately legitimate hierarchy it produces. This is a result of its narcissism, mostly. The game cannot be legitimate because the psychopath isn’t on top of it, where he sees himself constantly as a projection from his frail ego. It sees power in the real hierarchy, though, which it can perceive and understand, and for which it blames most of its troubles. What this means is that the (Woke) power game develops a critical theory of the existing legitimate civilization game. That’s why Woke means “using critical theory (and activism).” A critical theory exists not to articulate a vision—at least not beyond a Utopia after the cult power game holds power to enforce its power game long enough—but to “criticize those aspects of the existing society we wish to change,” as Max Horkheimer, creator of the Critical Theory, put it. The critical theory of the power game exists to recruit by delegitimizing the civilization game in the minds of some of its players, usually ones who aren’t succeeding as well. It picks at “contradictions,” failures, and imperfections while casting the whole civilization game as corrupt and unjust. It offers itself as the only alternative to civilization game while pulling at the threads of the civilization game that allow people to believe in it. It all proceeds from the Woke failure to understand the legitimacy of the hierarchy of the civilization game as it proceeds from its set of rules. Misunderstanding legitimacy leads it to conclude that all hierarchies are actually based in power, and all power is fundamentally arbitrary. That is, they do not believe all power is illegitimate. They believe power is the only legitimate thing in any hierarchy, but they also believe that power is located in persons like themselves through their narcissism and projection. Think of Voldemort as an icon of this mode of thinking: “there is no good or evil, only power and those too weak to seek it.” Of course, that quintessential Dark Tetrad perspective is what ensures the psychopathological power game will be rigged to make sure the psychopaths are attracted to it and rise to its top. This belief is what we call Woke. The Woke game is the power game, and it is a parasitic competitor to the civilization game. There is no overlap between these two games. To adopt the power game is to abandon the civilization game entirely and, in fact, to become its enemy. But James, you might ask, isn’t there power in civilization? Yes, there is, and necessarily, but it isn’t what defines the civilization game. It’s a byproduct of the game, not the game itself. The civilization game is fundamentally the building out of an organic and dynamic hierarchy based on a set of rules, or what some people call “muh principles,” that will succeed or fail for that civilization in direct proportion to three things. 1) How aligned with the truth are the rules of the civilization game? 2) How aligned with justice are the rules of the civilization game? 3) How willing are the participants of the civilization game to defend their principles and their game, including against socio-parasitical perversion? The more aligned with truth and justice a civilization game is, the more successful it will be, and the more legitimate its hierarchy. The power that results as a byproduct is extremely legitimate in a highly aligned civilization where people haven’t forgotten their charge to defend the game itself, which is what we call responsibility. A civilization game strongly aligned with truth and justice filled with a preponderance of responsible people will produce a thriving, prosperous society. It only works this way every time. Not everyone is responsible, though. Some are also incompetent because of various pathologies (not talking about for other reasons). Those pathological players may, under certain circumstances, create a parasitic side game with themselves on top through a variety of strategies that mimic the values and principles of the real game while distorting them into power plays because their game is power, as discussed above. They will recruit into that game primarily from those who are resentful of the real game for any variety of reasons, and getting recruited into the power game from the civilization game is called “going Woke.”

At the end of the day, as I discussed with Jordan Peterson, there are just two games to be played, one real, one Woke. The real game is called civilization. The false game is called power. A long post/🧵: The real divide between Woke and not Woke is in power. The Woke game is the power game, and it is a parasite on the real game, which is civilization. Here's roughly how Jordan described the foundation of this idea. There are various rules, norms, etc., in the game society ultimately plays, and these create a hierarchy that is based upon competence, mostly organically, obviously imperfectly. If the rules of the game are good enough, the imperfections (natural corruptions) are minor and society thrives. If they are not, you'll have problems. This is the real game of building society, and it ultimately has to favor competence. This game must be called "civilization" because that's not just its goal but it is also what it does. It civilizes us beyond our base instincts and impulses so we can work together productively in a healthy manner that generates prosperity. As Jordan put it, this game is also a reservoir of value, and reservoirs of value create parasites. What are these civilizational parasites? They’re parallel games organized by and around malignant psychopathological modes like Dark Tetrad traits, psychopathy, and Cluster-B disorders: histrionic, borderline, antisocial, and narcissistic. These malignant pathologies render people incompetent except at manipulation, so they cannot rise far in a healthy civilizational hierarchy. What do they do, then, to gain power and status in life in a game they cannot actually play? They define a parasitic parallel game and rope people into playing it. It is parasitic in that it draws off the real game (civilization) and mimics its form so that the hosts (people in society) are less likely to realize it’s there, but it doesn’t build or create of its own. It siphons and tears down. What drives this game is failing to see what makes the civilizational game and the hierarchy it produces legitimate in the first place. This is characteristic of the psychopathologies at its heart. The narcissist imagines the world should be serving himself at the top, but it isn’t. The problem can’t be himself, so it must be that the game is illegitimate. Otherwise, he’d be at the top, but he isn’t. Therefore, the game is corrupt. His histrionic nature makes him a victim of the real game, preying upon emotions like empathy and righteous indignation to recruit followers. Because of his Dark Tetrad alignment, his game is not only illegitimate but toxic. It’s inherently sadistic, cruel to its recruits in the way typical of all cults—alternating punishment and leniency or even love-bombing. It’s dishonest. It’s psychologically broken from reality. It’s also a Machiavellian game, which means it has no interest in moral or ethical behavior but only in power. Thus, this rival game to the game of civilization is the game of power. The parasitic game—that is, the power game—is based on a fundamental failure to understand the legitimacy of the civilizational game or the approximately legitimate hierarchy it produces. This is a result of its narcissism, mostly. The game cannot be legitimate because the psychopath isn’t on top of it, where he sees himself constantly as a projection from his frail ego. It sees power in the real hierarchy, though, which it can perceive and understand, and for which it blames most of its troubles. What this means is that the (Woke) power game develops a critical theory of the existing legitimate civilization game. That’s why Woke means “using critical theory (and activism).” A critical theory exists not to articulate a vision—at least not beyond a Utopia after the cult power game holds power to enforce its power game long enough—but to “criticize those aspects of the existing society we wish to change,” as Max Horkheimer, creator of the Critical Theory, put it. The critical theory of the power game exists to recruit by delegitimizing the civilization game in the minds of some of its players, usually ones who aren’t succeeding as well. It picks at “contradictions,” failures, and imperfections while casting the whole civilization game as corrupt and unjust. It offers itself as the only alternative to civilization game while pulling at the threads of the civilization game that allow people to believe in it. It all proceeds from the Woke failure to understand the legitimacy of the hierarchy of the civilization game as it proceeds from its set of rules. Misunderstanding legitimacy leads it to conclude that all hierarchies are actually based in power, and all power is fundamentally arbitrary. That is, they do not believe all power is illegitimate. They believe power is the only legitimate thing in any hierarchy, but they also believe that power is located in persons like themselves through their narcissism and projection. Think of Voldemort as an icon of this mode of thinking: “there is no good or evil, only power and those too weak to seek it.” Of course, that quintessential Dark Tetrad perspective is what ensures the psychopathological power game will be rigged to make sure the psychopaths are attracted to it and rise to its top. This belief is what we call Woke. The Woke game is the power game, and it is a parasitic competitor to the civilization game. There is no overlap between these two games. To adopt the power game is to abandon the civilization game entirely and, in fact, to become its enemy. But James, you might ask, isn’t there power in civilization? Yes, there is, and necessarily, but it isn’t what defines the civilization game. It’s a byproduct of the game, not the game itself. The civilization game is fundamentally the building out of an organic and dynamic hierarchy based on a set of rules, or what some people call “muh principles,” that will succeed or fail for that civilization in direct proportion to three things. 1) How aligned with the truth are the rules of the civilization game? 2) How aligned with justice are the rules of the civilization game? 3) How willing are the participants of the civilization game to defend their principles and their game, including against socio-parasitical perversion? The more aligned with truth and justice a civilization game is, the more successful it will be, and the more legitimate its hierarchy. The power that results as a byproduct is extremely legitimate in a highly aligned civilization where people haven’t forgotten their charge to defend the game itself, which is what we call responsibility. A civilization game strongly aligned with truth and justice filled with a preponderance of responsible people will produce a thriving, prosperous society. It only works this way every time. Not everyone is responsible, though. Some are also incompetent because of various pathologies (not talking about for other reasons). Those pathological players may, under certain circumstances, create a parasitic side game with themselves on top through a variety of strategies that mimic the values and principles of the real game while distorting them into power plays because their game is power, as discussed above. They will recruit into that game primarily from those who are resentful of the real game for any variety of reasons, and getting recruited into the power game from the civilization game is called “going Woke.”

James Lindsay, anti-Communist

154,373 views • 1 year ago

Is a provably fair game actually fair? How would a player know? "Provably fair" has become a badge casinos award themselves. Almost every casino claims it. Almost none can prove it. Today we're launching ProvablyFair.org Certification An independent open-source audit standard for casino built games. Here's why it exists: The casino builds the game. The casino builds the verifier. Then they tell you to use that verifier as proof the game is fair. Of course it matches. That only proves the casino is consistent with itself. It doesn't prove the game is fair. And the gap is real. Every one of these surfaced in the last 6 months. All marketed provably fair, all passing the casino's own verification: -Pay table quietly swapped to lower RTP, the verifier updated to match - A client seed accepted but never used. Decoration - Server seed rotated every bet, nonce stuck at zero, discarding unfavorable seeds - A committed hash swapped after the player locked their seed. Defeats commit-reveal entirely - A verifier running different code from the live game None of these were caught by the casinos own protocols, because a self-verification system can't catch a problem its own author built into both sides. And none of them are things a normal player can realistically detect. So here's how we built it. The method rests on one decision: we rebuild each game from its published rules, not the casino's code. Re-running a casino's own code only proves it's consistent with itself. Rebuilding it independently tests whether the live game does what the casino publicly claims. From that rebuild, for every game we: - Capture and recompute thousands of real bets independently - Run the entire provably fair chain, every cryptographic rule in order - Derive the true RTP from first principles, never trusting the casino's own number - Confirm it across millions of simulated rounds Break even one core rule and the game can be rigged. Pass them all, with the RTP holding up, and it's provably fair. It's binary. It's math, not opinion. That's the standard we think provably fair gaming should be held to. Not a black box audit. Not a trust-us bro PDF. Every audit is public, every verifier is public, every repository is open source. Anyone can clone the code and reproduce the findings themselves. Self-verification proves a casino is consistent with itself. Independent verification proves it's consistent with what it publicly claims. Only the second tells you whether the games are actually fair.

Is a provably fair game actually fair? How would a player know? "Provably fair" has become a badge casinos award themselves. Almost every casino claims it. Almost none can prove it. Today we're launching ProvablyFair.org Certification An independent open-source audit standard for casino built games. Here's why it exists: The casino builds the game. The casino builds the verifier. Then they tell you to use that verifier as proof the game is fair. Of course it matches. That only proves the casino is consistent with itself. It doesn't prove the game is fair. And the gap is real. Every one of these surfaced in the last 6 months. All marketed provably fair, all passing the casino's own verification: -Pay table quietly swapped to lower RTP, the verifier updated to match - A client seed accepted but never used. Decoration - Server seed rotated every bet, nonce stuck at zero, discarding unfavorable seeds - A committed hash swapped after the player locked their seed. Defeats commit-reveal entirely - A verifier running different code from the live game None of these were caught by the casinos own protocols, because a self-verification system can't catch a problem its own author built into both sides. And none of them are things a normal player can realistically detect. So here's how we built it. The method rests on one decision: we rebuild each game from its published rules, not the casino's code. Re-running a casino's own code only proves it's consistent with itself. Rebuilding it independently tests whether the live game does what the casino publicly claims. From that rebuild, for every game we: - Capture and recompute thousands of real bets independently - Run the entire provably fair chain, every cryptographic rule in order - Derive the true RTP from first principles, never trusting the casino's own number - Confirm it across millions of simulated rounds Break even one core rule and the game can be rigged. Pass them all, with the RTP holding up, and it's provably fair. It's binary. It's math, not opinion. That's the standard we think provably fair gaming should be held to. Not a black box audit. Not a trust-us bro PDF. Every audit is public, every verifier is public, every repository is open source. Anyone can clone the code and reproduce the findings themselves. Self-verification proves a casino is consistent with itself. Independent verification proves it's consistent with what it publicly claims. Only the second tells you whether the games are actually fair.

ProvablyFair.org

18,033 views • 3 months ago

AMD's Anush Elangovan explains why he thinks his company's open source ethos combined with agentic AI superpowers their leverage as a company: Because AMD publishes a lot of technical details about its hardware, when engineers use AI tools, the models already “understand” AMD’s systems and can help write code for them, debug them, or even generate new tools. And that makes developers more productive on AMD hardware without AMD having to do all the work internally. "AMD has had this ethos of open source, which really plays to our advantage. Every frontier model that I use has already seen every bit of AMD source code." "It'll rewrite my spec for me because it's already in the training data. Which you can't get from closed ecosystems." "In fact I built a virtual GPU simulator just based off our public specs, and now I'm running it on the GPU. So now I can run cross-generational GPU simulations on existing hardware." "We have that advantage. And we've run a Dev Day contest where we generated more tokens on AMD — Triton kernels and HIP kernels — than existed on the internet at the time." "So now that's all part of the pre-training data. It's a superpower because now you're open source, and you're agentically accelerating this process."

AMD's Anush Elangovan explains why he thinks his company's open source ethos combined with agentic AI superpowers their leverage as a company: Because AMD publishes a lot of technical details about its hardware, when engineers use AI tools, the models already “understand” AMD’s systems and can help write code for them, debug them, or even generate new tools. And that makes developers more productive on AMD hardware without AMD having to do all the work internally. "AMD has had this ethos of open source, which really plays to our advantage. Every frontier model that I use has already seen every bit of AMD source code." "It'll rewrite my spec for me because it's already in the training data. Which you can't get from closed ecosystems." "In fact I built a virtual GPU simulator just based off our public specs, and now I'm running it on the GPU. So now I can run cross-generational GPU simulations on existing hardware." "We have that advantage. And we've run a Dev Day contest where we generated more tokens on AMD — Triton kernels and HIP kernels — than existed on the internet at the time." "So now that's all part of the pre-training data. It's a superpower because now you're open source, and you're agentically accelerating this process."

TBPN

34,469 views • 4 months ago

For months I have delt with a barrage of harassment, stream sniping, griefing, and deliberate throwing when said stream snipers match on my team. I have followed all code of conduct guidelines to prevent this from happening, but nothing I do has had a positive outcome. In game reports are empty, and blocking them does nothing long term. I do not instigate nor antagonize anyone that is involved with this on-going harassment. They have been promptly removed from all things pertaining to my community, but continuously make alt accounts to bypass bans, timeouts, removals of all sorts. At every turn they break your Code of Conduct, and get away with it. Even with multiple legitimate reports from not only myself, but my teammates when these things do happen to me, and my team. On a more personal note; this if actively affecting the game for not only me. We're not the only ones that suffer from this, and it has gone on for to long for something to not be done about it. I've put my heart, and soul into this game, and content creation for 5 years. I will no matter how frustrated I get, and how many negative things I say pertaining to devs, and community managers. Always want what is best for this game, and this type of behavior is not acceptable under any standard. Destiny 2 Team dmg04

For months I have delt with a barrage of harassment, stream sniping, griefing, and deliberate throwing when said stream snipers match on my team. I have followed all code of conduct guidelines to prevent this from happening, but nothing I do has had a positive outcome. In game reports are empty, and blocking them does nothing long term. I do not instigate nor antagonize anyone that is involved with this on-going harassment. They have been promptly removed from all things pertaining to my community, but continuously make alt accounts to bypass bans, timeouts, removals of all sorts. At every turn they break your Code of Conduct, and get away with it. Even with multiple legitimate reports from not only myself, but my teammates when these things do happen to me, and my team. On a more personal note; this if actively affecting the game for not only me. We're not the only ones that suffer from this, and it has gone on for to long for something to not be done about it. I've put my heart, and soul into this game, and content creation for 5 years. I will no matter how frustrated I get, and how many negative things I say pertaining to devs, and community managers. Always want what is best for this game, and this type of behavior is not acceptable under any standard. Destiny 2 Team dmg04

E1iteDeath

82,816 views • 1 year ago

Today I realized something absolutely with BitRobot Network You dont need to own a robot… to actually control one I was just sitting at my laptop and somehow I was moving a real robotic arm in real time At first I thought it would feel like a video game It didnt Theres a completely different feeling when you know this is happening in the real world not just on a screen Every movement matters. Every action generates data And then it hit me… This is how AI is learning to interact with the real world Not from code alone but from people like us Platforms like BitRobot are opening this to everyone No setup No cost No experience Just curiosity and the internet Someone sitting at home can now help train the next generation of robotics. The future isnt coming its happening right now. If you could control a robot right now what would you try first? 🤖👇

Today I realized something absolutely with BitRobot Network You dont need to own a robot… to actually control one I was just sitting at my laptop and somehow I was moving a real robotic arm in real time At first I thought it would feel like a video game It didnt Theres a completely different feeling when you know this is happening in the real world not just on a screen Every movement matters. Every action generates data And then it hit me… This is how AI is learning to interact with the real world Not from code alone but from people like us Platforms like BitRobot are opening this to everyone No setup No cost No experience Just curiosity and the internet Someone sitting at home can now help train the next generation of robotics. The future isnt coming its happening right now. If you could control a robot right now what would you try first? 🤖👇

RAJU

40,141 views • 5 months ago

One criticism I always see towards games like Red Dead Redemption 2 and Grand Theft Auto VI recently is the topic of small details. "Why does a game need so many details, it doesn't make the experience any better and takes longer to develop" While I do agree with the fact that Rockstar Games development schedules in between each release keep getting longer, the fact is that when you aim for such a high level of realism in a video-game, its not about graphics anymore, its about immersion. I'm sure that if you played RDR2, you know that your horse sweating or its balls shrinking in the cold don't add much to the gameplay itself, but it makes the game feel like its real. This is precisely what sets apart Rockstar Games from other game studios, the level of immersion you get in those games is unbeaten. RDR2, a game designed for the PS4 console has a level of fluidity and immersion that I have yet to see in a video-game from any other game studio, each game mechanic seems to work flawlessly that it feels like a living and breathing open world game. Hell, sometimes you feel bad for shooting an NPC which never happened to me in a video-game before. When you're playing it, hours can go by and you don't even. In other open-world games, sometimes you can notice limitations, for example the same NPCs appearing in one object or the same scripted conversations. RDR2 manages to make that gap of a video-game and reality feel thinner, not get rid of it entirely of course. Making such a massive game filled with tons of details means that it can be can be played for multiple years after its release and not feel outdated. Its not all about details of course, when a game takes so long to develop, the stakes get higher each time and Rockstar Games has to make sure that they deliver on the story that is being told too, hence the reason why their games have always been historically good in terms of writing. Now to address the elephant int he room, the main issue is that as the complexity increases for each new release and optimizing all of these systems to work in tandem, the development time increases and we get longer periods of waiting. Is all of this worth it? In my opinion, yes. Its Rockstar Games after all, they have the budget necessary and the talent to achieve this kind of feat. Not only does it raise the bar for what is possible to do in a video-game, but it also is highly rewarding when you play the game for the first time and its unlike anything you've seen these past couple of years. When I finished playing Red Dead Redemption 2 for the first time, every new game that came out felt outdated for me. Just as technology keeps going forward, the same applies here with open world games too. What are your thoughts on this topic?

One criticism I always see towards games like Red Dead Redemption 2 and Grand Theft Auto VI recently is the topic of small details. "Why does a game need so many details, it doesn't make the experience any better and takes longer to develop" While I do agree with the fact that Rockstar Games development schedules in between each release keep getting longer, the fact is that when you aim for such a high level of realism in a video-game, its not about graphics anymore, its about immersion. I'm sure that if you played RDR2, you know that your horse sweating or its balls shrinking in the cold don't add much to the gameplay itself, but it makes the game feel like its real. This is precisely what sets apart Rockstar Games from other game studios, the level of immersion you get in those games is unbeaten. RDR2, a game designed for the PS4 console has a level of fluidity and immersion that I have yet to see in a video-game from any other game studio, each game mechanic seems to work flawlessly that it feels like a living and breathing open world game. Hell, sometimes you feel bad for shooting an NPC which never happened to me in a video-game before. When you're playing it, hours can go by and you don't even. In other open-world games, sometimes you can notice limitations, for example the same NPCs appearing in one object or the same scripted conversations. RDR2 manages to make that gap of a video-game and reality feel thinner, not get rid of it entirely of course. Making such a massive game filled with tons of details means that it can be can be played for multiple years after its release and not feel outdated. Its not all about details of course, when a game takes so long to develop, the stakes get higher each time and Rockstar Games has to make sure that they deliver on the story that is being told too, hence the reason why their games have always been historically good in terms of writing. Now to address the elephant int he room, the main issue is that as the complexity increases for each new release and optimizing all of these systems to work in tandem, the development time increases and we get longer periods of waiting. Is all of this worth it? In my opinion, yes. Its Rockstar Games after all, they have the budget necessary and the talent to achieve this kind of feat. Not only does it raise the bar for what is possible to do in a video-game, but it also is highly rewarding when you play the game for the first time and its unlike anything you've seen these past couple of years. When I finished playing Red Dead Redemption 2 for the first time, every new game that came out felt outdated for me. Just as technology keeps going forward, the same applies here with open world games too. What are your thoughts on this topic?

NikTek

29,842 views • 1 month ago