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Digital Masterpieces: From Code to Canon, debuting at Art Basel's Zero 10, Basel (June 18 – 21, 2026). A comprehensive survey of the canonical history of digital art spanning 70+ years, tracing the rise of computation as medium through masterworks from the digital art canon. Frieder Nake on creating...

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10,980 просмотров • 21 дней назад •via X (Twitter)

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Trevor Paglen: "… I think digital art deserves serious attention. The artists in this presentation,.. have all challenged me to see the world differently. They’ve shown me… that the world was not quite the way I thought it was." Digital Masterpieces: From Code to Canon, debuting at Art Basel's Zero 10, Basel (June 16 – 21, 2026).
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Trevor Paglen: "… I think digital art deserves serious attention. The artists in this presentation,.. have all challenged me to see the world differently. They’ve shown me… that the world was not quite the way I thought it was." Digital Masterpieces: From Code to Canon, debuting at Art Basel's Zero 10, Basel (June 16 – 21, 2026).

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“It’s weirding people out… which I love to do” - beeple We caught up with Beeple to talk about his “Regular Animals” currently on view at Art Basel as part of Zero 10, the fair’s new platform for art of the digital age Follow along for more digital art conversations from ARTECHOUSE and Now Media

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We are thrilled to announce the appointment of Noah Bolanowski as Managing Director of 1OF1. Recognized as a passionate leader in the contextualization and education of digital art history, NB is uniquely positioned to steward 1OF1's collection of iconic 21st-century art, elevating digital artists' rightful recognition to the forefront of the art canon.
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We are thrilled to announce the appointment of Noah Bolanowski as Managing Director of 1OF1. Recognized as a passionate leader in the contextualization and education of digital art history, NB is uniquely positioned to steward 1OF1's collection of iconic 21st-century art, elevating digital artists' rightful recognition to the forefront of the art canon.

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Generative Photography: Rules, Rotations, and the Pre-Digital Algorithm The established canon of Digital Art often traces its generative origins to the computer — yet, in the late 1960s, a group of artists would prove the darkroom's capacity for rule-based creative expression.
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⚡️Zero 10 is Art Basel’s curated platform for art of the digital era, dedicated to artists, galleries, and innovators exploring the intersection of art, technology, and culture. Named in homage to 0,10 – Malevich’s revolutionary 1915 exhibition – Zero 10 brings vitality and fresh energy through emergent modes of authorship and exchange that amplify and complement the prevailing contemporary art market. Beginning at zero but looking forward, we draw inspiration from this pathbreaking legacy while addressing the realities of art today. Curated by Eli Scheinman, the inaugural presentation at Art Basel Miami Beach 2025 brings together works across generative systems, robotics, sculpture, light, sound, and code-based practices, exploring new models of authorship, exhibition, and exchange. Zero 10 is presented with the support of OpenSea, an Official Partner of Art Basel Miami Beach 2025. Learn more:
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⚡️Zero 10 is Art Basel’s curated platform for art of the digital era, dedicated to artists, galleries, and innovators exploring the intersection of art, technology, and culture. Named in homage to 0,10 – Malevich’s revolutionary 1915 exhibition – Zero 10 brings vitality and fresh energy through emergent modes of authorship and exchange that amplify and complement the prevailing contemporary art market. Beginning at zero but looking forward, we draw inspiration from this pathbreaking legacy while addressing the realities of art today. Curated by Eli Scheinman, the inaugural presentation at Art Basel Miami Beach 2025 brings together works across generative systems, robotics, sculpture, light, sound, and code-based practices, exploring new models of authorship, exhibition, and exchange. Zero 10 is presented with the support of OpenSea, an Official Partner of Art Basel Miami Beach 2025. Learn more:

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Digital Art Awards 2026​ - Call for Applications Following a successful inaugural year in London, the Digital Art Awards return​ in partnership with Phillips during Art Basel Hong Kong week. Celebrating artists working at the forefront of digital, computational, and blockchain-based practices, the awards bring together artists, collectors, curators, and cultural leaders shaping the future of contemporary art. Global visibility. International jury. Phillips Hong Kong 24 March 2026 Applications are now open!

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Digital Art Awards 2026 | In partnership with PhillipsX Proudly backed by Lightyear We are pleased to announce the 32 finalists for the Second Edition of the Digital Art Awards. This year’s selection reflects an exceptional range of practice in digital and generative art and includes several prominent figures in the field, such as Erick Calderon (Snowfro), Founder of Art Blocks, Botto, Sarah Meyohas, William Mapan, Sasha Stiles and Mario Klingemann. Chosen from over 200 applications representing more than 50 countries, the finalists exemplify the remarkable calibre of talent shaping the future of digital art today. We congratulate all selected artists and look forward to sharing their work with our global community. Phillips Hong Kong 24 March 2026
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Today in our Collector Focus, we're highlighting ᑎIᗯIᑎ, one of the key figures in the digital art community who operates under this pseudonym. His impressive collection features works from generative art, AI art, and crypto art.

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Previous years art, attempting to emulate previous eras art. In the past I've spent a lot of time to create digital workflows to (attempt to) recreate traditional 'period style art' from the early days of concept design. Sometimes the best way to learn is just use the old techniques.

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soo soo insanely impressed by the Toledo Museum of Art new execution of digital art. Amazingly executed in a way that really highlights and elevates the work. Putting together a massive survey of this new movement is no small feat, huge congrats to all!!!

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the hiring manager pulling out my selfship art from all of these years stored in my digital footprint the moment i try to get a job
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Sensitive content

the hiring manager pulling out my selfship art from all of these years stored in my digital footprint the moment i try to get a job

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With immense joy and a profound sense of honor, I announce the acquisition of Refik Anadol ‘s — Machine Hallucinations — MoMA' by MoMA The Museum of Modern Art. This pivotal moment has been made possible through the generous contribution by the #RFCCollection, led by Desiree Casoni and myself, alongside 1OF1 , spearheaded by Ryan Zurrer. This acquisition not only marks a grand milestone in Refik's remarkable journey but also inscribes a historic chapter in modern art, as MoMA welcomes the first tokenized artwork into its esteemed permanent collection. 'Unsupervised' transcends a digital installation; it's a visionary expedition into the core of artistic evolution, employing generative artificial intelligence to reinterpret and reimagine over two centuries of MoMA’s rich artistic archive. Through this pioneering venture, Refik orchestrates a mesmerizing dance of data aesthetics with emotive narratives, creating a living tapestry of art that breathes and evolves with environmental stimuli on a grand media wall, unveiling new visual forms and narrating a captivating tale of art's dynamic journey. The exhibition has resonated across the global art scene, captivating audiences of diverse backgrounds and elevating digital art into broader realms of recognition. 'Unsupervised' unfolds into a profound reflection on technology's role in augmenting the creative process, resonating deeply with today’s global audience. The blockchain tokenization of 'Unsupervised' exemplifies a harmonious blend of the digital and traditional realms of artistry. It underscores the evolving tale of digital ownership, ushering in a new era where digital art finds a venerable home amidst iconic traditional art collections. This venture, gracefully facilitated by the #RFCCollection and #1OF1, not only elevates the stature of digital art but also paves the path for future generations of artists and collectors, broadening the horizon for the acceptance and recognition of tokenized digital art within traditional art institutions. Refik Anadol's journey in digital artistry stands out as a reference of innovation and exploration. His visionary approach, coupled with an enduring dedication, marks him as a trailblazer truly deserving of leading the charge in this novel artistic frontier. Each artistic endeavor by Refik resonates through the wider digital art landscape, igniting a spark of inspiration among the community and welcoming a bright and promising future for digital artistry on a global stage
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With immense joy and a profound sense of honor, I announce the acquisition of Refik Anadol ‘s — Machine Hallucinations — MoMA' by MoMA The Museum of Modern Art. This pivotal moment has been made possible through the generous contribution by the #RFCCollection, led by Desiree Casoni and myself, alongside 1OF1 , spearheaded by Ryan Zurrer. This acquisition not only marks a grand milestone in Refik's remarkable journey but also inscribes a historic chapter in modern art, as MoMA welcomes the first tokenized artwork into its esteemed permanent collection. 'Unsupervised' transcends a digital installation; it's a visionary expedition into the core of artistic evolution, employing generative artificial intelligence to reinterpret and reimagine over two centuries of MoMA’s rich artistic archive. Through this pioneering venture, Refik orchestrates a mesmerizing dance of data aesthetics with emotive narratives, creating a living tapestry of art that breathes and evolves with environmental stimuli on a grand media wall, unveiling new visual forms and narrating a captivating tale of art's dynamic journey. The exhibition has resonated across the global art scene, captivating audiences of diverse backgrounds and elevating digital art into broader realms of recognition. 'Unsupervised' unfolds into a profound reflection on technology's role in augmenting the creative process, resonating deeply with today’s global audience. The blockchain tokenization of 'Unsupervised' exemplifies a harmonious blend of the digital and traditional realms of artistry. It underscores the evolving tale of digital ownership, ushering in a new era where digital art finds a venerable home amidst iconic traditional art collections. This venture, gracefully facilitated by the #RFCCollection and #1OF1, not only elevates the stature of digital art but also paves the path for future generations of artists and collectors, broadening the horizon for the acceptance and recognition of tokenized digital art within traditional art institutions. Refik Anadol's journey in digital artistry stands out as a reference of innovation and exploration. His visionary approach, coupled with an enduring dedication, marks him as a trailblazer truly deserving of leading the charge in this novel artistic frontier. Each artistic endeavor by Refik resonates through the wider digital art landscape, igniting a spark of inspiration among the community and welcoming a bright and promising future for digital artistry on a global stage

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