Загрузка видео...

Не удалось загрузить видео

Возникла проблема при загрузке этого видео. Это может быть связано с временными проблемами сети или видео может быть недоступно.

На главную

DJ Hallyboo - "Hoedown" Ability (E) Demonstration Showcase (animation) Current survivors outside a certain range must perform a successful QTE in order to regain actionability. [#art #b3d #horrorbrew #execommunity #sonicexe #marioexe #fallensuperstars #outcomememories #ROBLOX]

_Alex_ (COMMS CLOSED 3/3)

3,884 subscribers

156,158 просмотров • 10 месяцев назад •via X (Twitter)

Игры Искусство #art #b3d #horrorbrew #execommunity #sonicexe #marioexe #fallensuperstars #outcomememories #ROBLOX

Anya Rossi• Live Now

Private livecam show

Комментарии: 0

Нет доступных комментариев

Здесь появятся комментарии из оригинального поста

Похожие видео

BREWTAL EXECUTION - DJ Hallyboo Flawless Victory Screen Concept (animation) [#art #b3d #horrorbrew #execommunity #sonicexe #marioexe #fallensuperstars #outcomememories #ROBLOX]

BREWTAL EXECUTION - DJ Hallyboo Flawless Victory Screen Concept (animation) [#art #b3d #horrorbrew #execommunity #sonicexe #marioexe #fallensuperstars #outcomememories #ROBLOX]

_Alex_ (COMMS CLOSED 3/3)

11,661 просмотров • 4 месяцев назад

BREWTAL EXECUTION - IHY Luigi Flawless Victory Screen Concept (animation) [#art #b3d #horrorbrew #execommunity #sonicexe #marioexe #fallensuperstars #outcomememories #ROBLOX]

BREWTAL EXECUTION - IHY Luigi Flawless Victory Screen Concept (animation) [#art #b3d #horrorbrew #execommunity #sonicexe #marioexe #fallensuperstars #outcomememories #ROBLOX]

_Alex_ (COMMS CLOSED 3/3)

137,478 просмотров • 7 месяцев назад

🎬Whimsical Reverie| Nameless, Selfless In-Game Showcase *The actual effect is subject to the in-game display. >>Main Attribute: Sexy [Nameless, Selfless] can be evolved into the following outfits: [Nameless, Selfless: Azure Sky], [Nameless, Selfless: Long Night], and [Nameless, Selfless: Returning Soul]. Fully glow it up to obtain the [Nameless, Selfless: Ember] outfit. >>Evolve the five-star outfit [Nameless, Selfless] to Stage 3 to unlock [Unattached, Unafraid: Makeup], enhanced special effects, a new idle animation, and alternate detail options for certain pieces. 💜Outfit Ability [Candlelit Echoes]: A gentle breath stirs the candle, and a thin mist curls upward. Through the hazy smoke, another figure quietly emerges. After using the ability, Nikki's palm transforms a blue flame into a spectral candlestick. She gently blows on the candle, and amid the dancing shadows, summons a projection of herself. Nikki can have this projection perform existing photo poses or take a commemorative photo together. Wherever Nikki's intention points, the phantom will follow. —— The Coziest Open-World Game! Infinity Nikki Version 1.11 "Encore Season" launches globally on October 27 (UTC-7)! ➤ Download Now: ➤ Join us on Discord: #InfinityNikki #EncoreSeason

🎬Whimsical Reverie| Nameless, Selfless In-Game Showcase *The actual effect is subject to the in-game display. >>Main Attribute: Sexy [Nameless, Selfless] can be evolved into the following outfits: [Nameless, Selfless: Azure Sky], [Nameless, Selfless: Long Night], and [Nameless, Selfless: Returning Soul]. Fully glow it up to obtain the [Nameless, Selfless: Ember] outfit. >>Evolve the five-star outfit [Nameless, Selfless] to Stage 3 to unlock [Unattached, Unafraid: Makeup], enhanced special effects, a new idle animation, and alternate detail options for certain pieces. 💜Outfit Ability [Candlelit Echoes]: A gentle breath stirs the candle, and a thin mist curls upward. Through the hazy smoke, another figure quietly emerges. After using the ability, Nikki's palm transforms a blue flame into a spectral candlestick. She gently blows on the candle, and amid the dancing shadows, summons a projection of herself. Nikki can have this projection perform existing photo poses or take a commemorative photo together. Wherever Nikki's intention points, the phantom will follow. —— The Coziest Open-World Game! Infinity Nikki Version 1.11 "Encore Season" launches globally on October 27 (UTC-7)! ➤ Download Now: ➤ Join us on Discord: #InfinityNikki #EncoreSeason

Infinity Nikki

101,902 просмотров • 10 месяцев назад

This John Bew interview is essential viewing. He understands how power really works. A historian of grand strategy and realpolitik, and a former adviser to four successive UK prime ministers. No one understands the current world order better than him. Pay very close attention. Bew warns that we’re at a "break glass moment" on a whole range of domestic issues, including energy. His warning to Westminster is very simple: if Britain wants to hold our own in a harder world, we must urgently rebuild the foundations of our hard power. In this new world order, productive force will prove to be decisive. As I have argued before, that means restoring Britain's domestic energy base, ditching Net Zero, rebuilding industrial capacity, and securing our supply chains. We are, he says, the last man left at the Davos bar. In my own view, we should have left it long ago. 2014 was when the illusion began to crack. 2022 was the final wake up call. Remaining at the bar in 2026 is unforgivable. The lights are off. The staff have gone home. The music has stopped. But Starmer, Miliband and Reeves are still nursing the same stale assumptions while the world outside hardens. A link to the full interview is posted below.

This John Bew interview is essential viewing. He understands how power really works. A historian of grand strategy and realpolitik, and a former adviser to four successive UK prime ministers. No one understands the current world order better than him. Pay very close attention. Bew warns that we’re at a "break glass moment" on a whole range of domestic issues, including energy. His warning to Westminster is very simple: if Britain wants to hold our own in a harder world, we must urgently rebuild the foundations of our hard power. In this new world order, productive force will prove to be decisive. As I have argued before, that means restoring Britain's domestic energy base, ditching Net Zero, rebuilding industrial capacity, and securing our supply chains. We are, he says, the last man left at the Davos bar. In my own view, we should have left it long ago. 2014 was when the illusion began to crack. 2022 was the final wake up call. Remaining at the bar in 2026 is unforgivable. The lights are off. The staff have gone home. The music has stopped. But Starmer, Miliband and Reeves are still nursing the same stale assumptions while the world outside hardens. A link to the full interview is posted below.

Maurice Cousins

55,553 просмотров • 7 месяцев назад

♾Infinity Nikki Version 2.2 Outfit Preview: Where Wanxiang Weaves Life & Chroma's Mortal Heart Upon the expanse of reflections, myriad forms surface and sway—a spectrum of all that is and seems. Through the tumult, a clear chime sounds, its question lingering: Whence did this being arise? What holds this existence? Where does this journey lead? The chromatic radiance aspires to the empyreal heights—such is the way of the truth beyond all forms. ♾Where Wanxiang Weaves Life >> Main Attribute: Sexy >> Outfit Ability: Shapeshifting ◆ After configuring the Shapeshifting ability, Nikki can sense specific energy fluctuations, automatically collecting Blings, Ethereal Stars, Starlit Crystals, and Starlit Shards within a certain range. Once enabled, automatic collection will remain active until you log out or manually turn it off. ◆ After activating the Shapeshifting ability, choose a Spirit Persona to refine the shape. After refining shape, Nikki will be influenced by the chosen Spirit Persona, transforming into various shapes. In the Wanxiang Realm, this can be used to confuse others and trigger special reactions from certain characters. After refining shape, you can switch to another Spirit Persona, or disperse the Spirit Persona and return to Nikki's original shape. When going offline, the Spirit Persona automatically dissipates. >> Decoration: Mortal Witness Can be placed in open spaces. A hundred years pass in a blink as the monster seeks truth beyond form. Through the glass drifts the scent of mortal life—an old woman steeping tea, children at play beneath the sinking sun. Lantern light clears the mist from its eyes; tears wet its cheeks as it lifts a trembling hand to its face. Note: Available after reaching 160 Resonances in the limited-time Resonance [Echoes of Wanxiang]. >> Evolution Rewards ◆ Evolving the outfit to Stage 1 unlocks the pose [Windstride]. ◆ Evolving the outfit to Stage 2 unlocks the Framed Moment [Worldly Joy]. You will also be able to use a Refined-Color Heartchime on the Clothing Evolution > Decoration: Radiance screen to obtain [Mortal Witness: Radiance]. ◆ Evolving the outfit to Stage 3 unlocks [Fleeting Shadows: Makeup], a new idle animation, poses, enhanced special effects, and alternative details for certain pieces. ♾Chroma's Mortal Heart >> Main Attribute: Elegant >> Outfit Ability: Celestial Deer ◆ After configuring the Celestial Deer ability, you can enable Celestial Deer Vision to quickly locate and mark chests in the world. ◆ After using the Celestial Deer ability, Nikki transforms into an elegant deer and freely soars across the Wanxiang Realm. She can perform movement abilities like flight, Cloudward Leap, and special dashes. Note: Flight, Cloudward Leap, and special dash abilities are only available within the Wanxiang Realm. If the ability is used outside of the Wanxiang Realm, Nikki will transform into the Chroma Deer and walk on the ground. >> [Ocean's Radiance Gift Box] The gift box includes the dance move [Dust Dream] and the item [Mortal Longing]. [Mortal Longing] can be used to dance gracefully in the open world. The dance move [Dust Dream] can be used in Momo's Camera. Note: Available after reaching 160 Resonances in the limited-time Resonance [Traces of Chroma]. >> Evolution Rewards ◆ Evolving the outfit to Stage 1 unlocks the pose [Chirping Steps]. ◆ Evolving the outfit to Stage 2 unlocks the Framed Moment item [Fawn Cuteness]. You will also be able to use a Mystic-Dance Heartchime on the Clothing Evolution > Action: Illusory Dance screen to obtain [Mortal Longing: Illusory Dance] and [Dust Dream: Illusory Dance]. ◆ Evolving the outfit to Stage 3 unlocks [Jadeveil Isles: Makeup], a new idle animation, poses, enhanced special effects, and alternative details for certain pieces. ♾Follow Infinity Nikki and retweet this post with your UID, and we'll select 10 lucky stylists to win: Infinity Nikki Cozy Blanket Set —— ➤ Infinity Nikki Version 2.2 Chromatic Beings Everbright launches globally on January 29 (UTC-7)! ➤ Download Now: ➤ Join us on Facebook Group: #InfinityNikki #ChromaticBeingsEverbright

♾Infinity Nikki Version 2.2 Outfit Preview: Where Wanxiang Weaves Life & Chroma's Mortal Heart Upon the expanse of reflections, myriad forms surface and sway—a spectrum of all that is and seems. Through the tumult, a clear chime sounds, its question lingering: Whence did this being arise? What holds this existence? Where does this journey lead? The chromatic radiance aspires to the empyreal heights—such is the way of the truth beyond all forms. ♾Where Wanxiang Weaves Life >> Main Attribute: Sexy >> Outfit Ability: Shapeshifting ◆ After configuring the Shapeshifting ability, Nikki can sense specific energy fluctuations, automatically collecting Blings, Ethereal Stars, Starlit Crystals, and Starlit Shards within a certain range. Once enabled, automatic collection will remain active until you log out or manually turn it off. ◆ After activating the Shapeshifting ability, choose a Spirit Persona to refine the shape. After refining shape, Nikki will be influenced by the chosen Spirit Persona, transforming into various shapes. In the Wanxiang Realm, this can be used to confuse others and trigger special reactions from certain characters. After refining shape, you can switch to another Spirit Persona, or disperse the Spirit Persona and return to Nikki's original shape. When going offline, the Spirit Persona automatically dissipates. >> Decoration: Mortal Witness Can be placed in open spaces. A hundred years pass in a blink as the monster seeks truth beyond form. Through the glass drifts the scent of mortal life—an old woman steeping tea, children at play beneath the sinking sun. Lantern light clears the mist from its eyes; tears wet its cheeks as it lifts a trembling hand to its face. Note: Available after reaching 160 Resonances in the limited-time Resonance [Echoes of Wanxiang]. >> Evolution Rewards ◆ Evolving the outfit to Stage 1 unlocks the pose [Windstride]. ◆ Evolving the outfit to Stage 2 unlocks the Framed Moment [Worldly Joy]. You will also be able to use a Refined-Color Heartchime on the Clothing Evolution > Decoration: Radiance screen to obtain [Mortal Witness: Radiance]. ◆ Evolving the outfit to Stage 3 unlocks [Fleeting Shadows: Makeup], a new idle animation, poses, enhanced special effects, and alternative details for certain pieces. ♾Chroma's Mortal Heart >> Main Attribute: Elegant >> Outfit Ability: Celestial Deer ◆ After configuring the Celestial Deer ability, you can enable Celestial Deer Vision to quickly locate and mark chests in the world. ◆ After using the Celestial Deer ability, Nikki transforms into an elegant deer and freely soars across the Wanxiang Realm. She can perform movement abilities like flight, Cloudward Leap, and special dashes. Note: Flight, Cloudward Leap, and special dash abilities are only available within the Wanxiang Realm. If the ability is used outside of the Wanxiang Realm, Nikki will transform into the Chroma Deer and walk on the ground. >> [Ocean's Radiance Gift Box] The gift box includes the dance move [Dust Dream] and the item [Mortal Longing]. [Mortal Longing] can be used to dance gracefully in the open world. The dance move [Dust Dream] can be used in Momo's Camera. Note: Available after reaching 160 Resonances in the limited-time Resonance [Traces of Chroma]. >> Evolution Rewards ◆ Evolving the outfit to Stage 1 unlocks the pose [Chirping Steps]. ◆ Evolving the outfit to Stage 2 unlocks the Framed Moment item [Fawn Cuteness]. You will also be able to use a Mystic-Dance Heartchime on the Clothing Evolution > Action: Illusory Dance screen to obtain [Mortal Longing: Illusory Dance] and [Dust Dream: Illusory Dance]. ◆ Evolving the outfit to Stage 3 unlocks [Jadeveil Isles: Makeup], a new idle animation, poses, enhanced special effects, and alternative details for certain pieces. ♾Follow Infinity Nikki and retweet this post with your UID, and we'll select 10 lucky stylists to win: Infinity Nikki Cozy Blanket Set —— ➤ Infinity Nikki Version 2.2 Chromatic Beings Everbright launches globally on January 29 (UTC-7)! ➤ Download Now: ➤ Join us on Facebook Group: #InfinityNikki #ChromaticBeingsEverbright

Infinity Nikki

58,337 просмотров • 7 месяцев назад

The final intermission — Holy shit folks, ZAILGO GROWS!!! Current Statistics: Backdoor Attempts: 799,113 Successful Entries: 1,099 ed25519 keys: 1,011 other keys: 88 We have 2 of Shamir's keys currently in the possession of: * aez * YayG̷̉̅̆rr Some new hints: * ZAILGO transcends the digital realm. geo caching is involved * Kyber is a KEM designed to keep Alice and Bob safe in a post-quantum world. It is the only way to securely communicate through ZAILGO. * Certain players have earned the ability to influence ZAILGO. Do not trust these players. * COOPERATION AMONGST THE KEY HOLDERS IS PARAMOUNT!!!! (There is no I in Web3) At least one more key must be found in order to trigger the boss battle of the game….but if all 5 are found… Lastly, a personal note. When I first started crafting this little game, I had one goal in mind: grow the pie for the community that I love and has listened to me bitch and complain about them for 3 years straight. Not every pie is filled with shitcoins and regret. The pie of knowledge, the pie of self discovery, the pie of being okay with who you are and your own imperfections. These are all worthy endeavors. This game has brought out the best of you and the worst of you. Some of you have shown your true colors, do the scanners see lightly or darkly? Ross, thank you for teaching me to never let my curiosity die. and now….the final chapter of our game begins…

The final intermission — Holy shit folks, ZAILGO GROWS!!! Current Statistics: Backdoor Attempts: 799,113 Successful Entries: 1,099 ed25519 keys: 1,011 other keys: 88 We have 2 of Shamir's keys currently in the possession of: * aez * YayG̷̉̅̆rr Some new hints: * ZAILGO transcends the digital realm. geo caching is involved * Kyber is a KEM designed to keep Alice and Bob safe in a post-quantum world. It is the only way to securely communicate through ZAILGO. * Certain players have earned the ability to influence ZAILGO. Do not trust these players. * COOPERATION AMONGST THE KEY HOLDERS IS PARAMOUNT!!!! (There is no I in Web3) At least one more key must be found in order to trigger the boss battle of the game….but if all 5 are found… Lastly, a personal note. When I first started crafting this little game, I had one goal in mind: grow the pie for the community that I love and has listened to me bitch and complain about them for 3 years straight. Not every pie is filled with shitcoins and regret. The pie of knowledge, the pie of self discovery, the pie of being okay with who you are and your own imperfections. These are all worthy endeavors. This game has brought out the best of you and the worst of you. Some of you have shown your true colors, do the scanners see lightly or darkly? Ross, thank you for teaching me to never let my curiosity die. and now….the final chapter of our game begins…

supermiles

34,917 просмотров • 1 год назад

Watch the exact moment a traffic stop went from a citation to an arrest over a single piece of plastic. An officer pulls the driver over, stating she failed to come to a complete stop at a stop sign. The driver refuses to physically hand over her driver's license to the officer. Instead, she holds it up so the officer can see the information but refuses to surrender physical possession of the license. She cites a belief that she is not legally required to "hand" the officer her license. The officer repeatedly explains that he needs to hold it to verify it as part of the traffic stop. The driver continues to refuse, and the officer orders her to step out of the vehicle. The driver eventually steps out of the vehicle after a lengthy debate about the law and her rights. The video concludes with the driver outside her vehicle, continuing to argue her legal stance with the officers and getting arrested for resisting and obstructing law enforcement. The Conflict Over "Presenting" a License In Florida, as in many states, the requirement to "present" or "submit" a driver's license is not interpreted as merely showing it from a distance. Law enforcement requires physical possession of the document for several operational reasons: Authentication: Officers must verify the security features of the card (holograms, tactile elements, etc.) to ensure it is not a counterfeit or an altered document. Database Verification: To complete a traffic stop investigation, the officer must run the license through the FCIC/NCIC (Florida Crime Information Center / National Crime Information Center) databases. This check verifies the status of the license (valid, suspended, revoked) and checks for outstanding warrants or other issues. An officer cannot perform this background check without the license number and/or the ability to scan the card. The Charge of "Resisting Without Violence" While the driver may have provided other documentation, the refusal to surrender the driver's license for verification is viewed by law enforcement as a failure to comply with a lawful order during a traffic stop. The Legal Trigger: Under Florida Statute § 843.02, an officer can charge a person with "resisting an officer without violence" if they believe the individual is obstructing them in the "lawful execution of any legal duty." The Interpretation of Obstruction: If an officer determines that the driver's refusal to hand over the license prevents them from completing the mandatory identification and background check, they may consider the driver to be intentionally obstructing their investigation. The Escalation: Even if the driver was cooperative in other aspects, the persistent refusal to comply with the officer’s instruction to hand over the license can lead to a formal detention and, ultimately, an arrest. The arrest is typically made because the officer determines that the driver is willfully impeding their ability to perform their official duties. In court, defense attorneys often argue whether a driver's actions constituted "obstruction" or merely a misunderstanding, but the outcome is highly dependent on the judge's interpretation of whether the driver’s refusal effectively stopped the officer from performing their duties.

Watch the exact moment a traffic stop went from a citation to an arrest over a single piece of plastic. An officer pulls the driver over, stating she failed to come to a complete stop at a stop sign. The driver refuses to physically hand over her driver's license to the officer. Instead, she holds it up so the officer can see the information but refuses to surrender physical possession of the license. She cites a belief that she is not legally required to "hand" the officer her license. The officer repeatedly explains that he needs to hold it to verify it as part of the traffic stop. The driver continues to refuse, and the officer orders her to step out of the vehicle. The driver eventually steps out of the vehicle after a lengthy debate about the law and her rights. The video concludes with the driver outside her vehicle, continuing to argue her legal stance with the officers and getting arrested for resisting and obstructing law enforcement. The Conflict Over "Presenting" a License In Florida, as in many states, the requirement to "present" or "submit" a driver's license is not interpreted as merely showing it from a distance. Law enforcement requires physical possession of the document for several operational reasons: Authentication: Officers must verify the security features of the card (holograms, tactile elements, etc.) to ensure it is not a counterfeit or an altered document. Database Verification: To complete a traffic stop investigation, the officer must run the license through the FCIC/NCIC (Florida Crime Information Center / National Crime Information Center) databases. This check verifies the status of the license (valid, suspended, revoked) and checks for outstanding warrants or other issues. An officer cannot perform this background check without the license number and/or the ability to scan the card. The Charge of "Resisting Without Violence" While the driver may have provided other documentation, the refusal to surrender the driver's license for verification is viewed by law enforcement as a failure to comply with a lawful order during a traffic stop. The Legal Trigger: Under Florida Statute § 843.02, an officer can charge a person with "resisting an officer without violence" if they believe the individual is obstructing them in the "lawful execution of any legal duty." The Interpretation of Obstruction: If an officer determines that the driver's refusal to hand over the license prevents them from completing the mandatory identification and background check, they may consider the driver to be intentionally obstructing their investigation. The Escalation: Even if the driver was cooperative in other aspects, the persistent refusal to comply with the officer’s instruction to hand over the license can lead to a formal detention and, ultimately, an arrest. The arrest is typically made because the officer determines that the driver is willfully impeding their ability to perform their official duties. In court, defense attorneys often argue whether a driver's actions constituted "obstruction" or merely a misunderstanding, but the outcome is highly dependent on the judge's interpretation of whether the driver’s refusal effectively stopped the officer from performing their duties.

✨️Serenitee♡Sam✨️

12,859 просмотров • 3 месяцев назад

PAF CONTINGENT RETURNS AFTER HISTORIC TRIUMPH AT RIAT-2025 23 July, 2025: Pakistan Air Force contingent comprising state-of-the-art JF-17 Thunder Block-III fighters, IL-78 air-to-air refueller and C-130H Hercules, has returned to Pakistan after its remarkable participation in the prestigious Royal International Air Tattoo-2025, held at Royal Air Force Base Fairford, United Kingdom. The highlight of this deployment was the demonstration of PAF’s operational reach and technological prowess through successful air-to-air refuelling, carried out during both outbound and inbound flights. The intricate mid-air refuelling operation, executed with flawless precision by PAF’s own IL-78 aerial tanker, reaffirmed the long-range capability of PAF fighter jets and showcased the exceptional professionalism of its aircrew in conducting extended missions across international skies. JF-17 Thunder Block-III remained at the center of global attention during RIAT-2025 marking its maiden appearance at the world-renowned air show. Equipped with advanced AESA radar, long-range Beyond Visual Range missile capability and a cutting-edge avionics suite, the JF-17 Block-III stands as a 4.5-generation multi-role fighter and the crown jewel of Pakistan’s aerospace engineering. Combining agility, lethality and affordability, the combat platform has redefined the contours of modern aerial warfare especially in the context of current military standoff with India. Pakistan's pride, JF-17 Thunder Block-III, secured the highly coveted “Spirit of the Meet” trophy underscoring its exceptional performance and widespread acclaim among participants and aviation enthusiasts. Complementing this achievement, PAF C-130H Hercules artistically painted in alignment with this year’s theme, “Eyes in the Skies” won the distinguished “Concours d’Elegance” award, recognizing it as the best-presented and most visually striking aircraft of the event. PAF’s participation and achievements at RIAT-2025 exemplify its visionary leadership, continuous modernization and steadfast professionalism, reaffirming its status as a formidable and highly respected Air Force on the global stage.

PAF CONTINGENT RETURNS AFTER HISTORIC TRIUMPH AT RIAT-2025 23 July, 2025: Pakistan Air Force contingent comprising state-of-the-art JF-17 Thunder Block-III fighters, IL-78 air-to-air refueller and C-130H Hercules, has returned to Pakistan after its remarkable participation in the prestigious Royal International Air Tattoo-2025, held at Royal Air Force Base Fairford, United Kingdom. The highlight of this deployment was the demonstration of PAF’s operational reach and technological prowess through successful air-to-air refuelling, carried out during both outbound and inbound flights. The intricate mid-air refuelling operation, executed with flawless precision by PAF’s own IL-78 aerial tanker, reaffirmed the long-range capability of PAF fighter jets and showcased the exceptional professionalism of its aircrew in conducting extended missions across international skies. JF-17 Thunder Block-III remained at the center of global attention during RIAT-2025 marking its maiden appearance at the world-renowned air show. Equipped with advanced AESA radar, long-range Beyond Visual Range missile capability and a cutting-edge avionics suite, the JF-17 Block-III stands as a 4.5-generation multi-role fighter and the crown jewel of Pakistan’s aerospace engineering. Combining agility, lethality and affordability, the combat platform has redefined the contours of modern aerial warfare especially in the context of current military standoff with India. Pakistan's pride, JF-17 Thunder Block-III, secured the highly coveted “Spirit of the Meet” trophy underscoring its exceptional performance and widespread acclaim among participants and aviation enthusiasts. Complementing this achievement, PAF C-130H Hercules artistically painted in alignment with this year’s theme, “Eyes in the Skies” won the distinguished “Concours d’Elegance” award, recognizing it as the best-presented and most visually striking aircraft of the event. PAF’s participation and achievements at RIAT-2025 exemplify its visionary leadership, continuous modernization and steadfast professionalism, reaffirming its status as a formidable and highly respected Air Force on the global stage.

DGPR (AIR FORCE)

14,456 просмотров • 1 год назад

Dragon Age: Veilguard | High-Level Combat Overview Gameplay Full 10 Minute Video▶️ ▪️Warrior revolves around close range combat and defense ▪️The abilities you bring into battle is a strategic choice for each encounter, can be swapped out anytime outside of combat ▪️There are also three equippable Runes, these provide "a variety of control, utility, or additional damage to synergize with your build" ▪️Each class unique customizable abilities, for example warriors have certain abilities that deal fire damage ▪️There are then "Specializations" unique to each class that provide further abilities, including Ultimates ▪️Example: A Warrior specializing as a Grey Warden Champion will gain access to the devastating incendiary Warden’s Fire that launches a flurry of searing strikes that ignite foes like tinder ▪️Combat foundation: Each class has 4 core moves (jump, dodge, light attack, heavy attack) which can be chained together ▪️You can dodge mid-attack, light attacks do light damage and add small amounts of stagger, heavy attacks do more damage and build more stagger ▪️Enemies are more vulnerable fully staggered, Rook can perform takedown attacks ▪️Light and heavy attacks can be held down to deliver more potent versions, ex: a heavy attack can be charged while using a staff to unleash a magical wave of destructive energy ▪️Attacks can also be triggered while sprinting and/or jumping to add depth and fluidity to combat ▪️Each class has ranged attacks, blocks, and two distinct weapon sets that can be swapped seamlessly in battle ▪️Heavy attacks remove armor barriers faster, ranged attacks remove shield barriers faster ▪️You can pause with the ability wheel for more precise control, assign companions to attack specific enemies individually or together ▪️You can bound shortcut keys/buttons for abilities ▪️Different enemy types are weaker vs certain elements (darkspawn are weak to fire damage for example) ▪️You can apply buffs and debuffs (Davrin's "Heroic Strike" ability applies the "Overwhelmed" debuff to enemies which increases stagger) ▪️Area of Effect attacks are also necessary to defeat large groups of enemies, buffs/debuffs are important for crowd control ▪️Abilities require class resources to able to use (Mana, Momentum and Rage). You build these up by dealing damage as well as a secondary way (warriors by taking/dealing damage, rogues by dodging/parrying successfully, mages regain Mana passively over time) ▪️Sword and Shield warriors have access to the Shield Throw Volley: By landing a Heavy Attack on a Shield Throw return, the shield will ricochet, taking out multiple enemies. This sequence can repeat up to three times, causing a "devastating ring of damage around Rook" ▪️Warriors also have the Grappling Spear which can pull enemies closer (helps to dispatch specific enemies on higher difficulties) ▪️You coordinate specific attacks/abilities are primers to "prime" enemies and detonators to "detonate" for extra damage ▪️Ultimates are the most powerful abilities. Doing damage increases your Ultimate Meter and are unique to each class and specialization This looks fantastic, like a more fluid Inquisition. Goddamn I can't wait for this. #DragonAge #DragonAgeVeilguard

Dragon Age: Veilguard | High-Level Combat Overview Gameplay Full 10 Minute Video▶️ ▪️Warrior revolves around close range combat and defense ▪️The abilities you bring into battle is a strategic choice for each encounter, can be swapped out anytime outside of combat ▪️There are also three equippable Runes, these provide "a variety of control, utility, or additional damage to synergize with your build" ▪️Each class unique customizable abilities, for example warriors have certain abilities that deal fire damage ▪️There are then "Specializations" unique to each class that provide further abilities, including Ultimates ▪️Example: A Warrior specializing as a Grey Warden Champion will gain access to the devastating incendiary Warden’s Fire that launches a flurry of searing strikes that ignite foes like tinder ▪️Combat foundation: Each class has 4 core moves (jump, dodge, light attack, heavy attack) which can be chained together ▪️You can dodge mid-attack, light attacks do light damage and add small amounts of stagger, heavy attacks do more damage and build more stagger ▪️Enemies are more vulnerable fully staggered, Rook can perform takedown attacks ▪️Light and heavy attacks can be held down to deliver more potent versions, ex: a heavy attack can be charged while using a staff to unleash a magical wave of destructive energy ▪️Attacks can also be triggered while sprinting and/or jumping to add depth and fluidity to combat ▪️Each class has ranged attacks, blocks, and two distinct weapon sets that can be swapped seamlessly in battle ▪️Heavy attacks remove armor barriers faster, ranged attacks remove shield barriers faster ▪️You can pause with the ability wheel for more precise control, assign companions to attack specific enemies individually or together ▪️You can bound shortcut keys/buttons for abilities ▪️Different enemy types are weaker vs certain elements (darkspawn are weak to fire damage for example) ▪️You can apply buffs and debuffs (Davrin's "Heroic Strike" ability applies the "Overwhelmed" debuff to enemies which increases stagger) ▪️Area of Effect attacks are also necessary to defeat large groups of enemies, buffs/debuffs are important for crowd control ▪️Abilities require class resources to able to use (Mana, Momentum and Rage). You build these up by dealing damage as well as a secondary way (warriors by taking/dealing damage, rogues by dodging/parrying successfully, mages regain Mana passively over time) ▪️Sword and Shield warriors have access to the Shield Throw Volley: By landing a Heavy Attack on a Shield Throw return, the shield will ricochet, taking out multiple enemies. This sequence can repeat up to three times, causing a "devastating ring of damage around Rook" ▪️Warriors also have the Grappling Spear which can pull enemies closer (helps to dispatch specific enemies on higher difficulties) ▪️You coordinate specific attacks/abilities are primers to "prime" enemies and detonators to "detonate" for extra damage ▪️Ultimates are the most powerful abilities. Doing damage increases your Ultimate Meter and are unique to each class and specialization This looks fantastic, like a more fluid Inquisition. Goddamn I can't wait for this. #DragonAge #DragonAgeVeilguard

Shinobi602

197,972 просмотров • 2 лет назад

The Sleeping Beauty – Rose Adage: When a Moment of Balance Reveals the Order of Life In the story of The Sleeping Beauty, the Rose Adage takes place during Princess Aurora’s coming-of-age celebration. It is the first time she appears before the court after reaching maturity. Four princes approach her one by one and invite her to dance, creating a ceremonial moment that represents Aurora’s growth and her new place within the world around her. But the beauty of this scene does not lie only in the elegance of a royal ceremony. Throughout the dance, Aurora must receive the hand of each prince, moving from one partner to another while maintaining complete control of her body. She must stand on pointe shoes, sustain each position with stability, and yet preserve a sense of lightness and grace. Therefore, the technical challenge of ballet becomes more than a physical demand. It becomes an image of a significant transition in the character’s life. Aurora is not only learning how to stand firmly on the stage. She is entering a new world, where beauty does not come only from outward elegance, but also from the ability to maintain inner calm and balance. On stage, Princess Aurora appears in a magnificent palace setting. She does not captivate the audience through powerful movements or dramatic displays. Her beauty lies in subtle control: A hand extended with delicacy. A slow and measured step. A moment of stillness that appears fragile, yet contains strength. What moves the audience is not only the dancer’s technical ability. It is the feeling that everything is exactly where it should be. The body. The music. The space. And the emotion. Everything comes together in a state of balance. That is what makes the Rose Adage so special. If viewed only from the outside, it is a demanding challenge of classical ballet. But when we listen more carefully, we discover that this sense of balance was already built into Tchaikovsky’s music. The dancer is not simply moving along with the melody. She is giving physical form to an order that already exists within the music itself. So what makes this music so distinctive? Is it a single note? Perhaps not. A single note standing alone cannot create the beauty of the Rose Adage. The life of the work comes from the relationship between the sounds: the way they support, guide, and complete one another. From the very first sounds of the harp, Tchaikovsky creates a world of clarity and refinement. Its gentle tone feels like a door opening, inviting the listener into a space where every movement becomes more delicate. Then the melody gradually rises. But it does not rush toward drama. It develops step by step, always finding support before moving further. This controlled ascent creates a feeling of nobility and serenity, much like Aurora standing en pointe: graceful, yet grounded. Tchaikovsky’s harmony follows the same principle. He creates moments of anticipation that allow the listener to sense movement, and then guides the music back toward stability. The tension does not continue in order to create unease. Instead, it becomes part of the journey toward balance. The rhythm of the Rose Adage also resembles the natural rhythm of the human body. It neither pushes forward impatiently nor holds back unnecessarily. Each musical phrase opens, develops, reaches a point of emphasis, and gently settles, like a cycle of breathing: rising, holding, and returning. For this reason, the music and choreography of the Rose Adage do not feel like two separate elements. They are two expressions of the same principle. Outwardly, there is stillness. Inwardly, there is constant movement. This also reflects a familiar principle within the human body. When a dancer stands still on pointe, the audience sees only stability. Yet inside the body, the nervous system, vision, inner ear, and muscles are continuously adjusting to maintain balance. Stability does not come from the absence of movement. It comes from the ability to make continuous adjustments in order to remain balanced. Life itself works in a similar way. A tree does not grow through a rigid straight line. It reaches toward the light while constantly adapting to wind, gravity, and its surrounding environment. Human beings are the same. Every step we take involves small moments of imbalance followed by the search for balance again. We move forward through the body’s and mind’s ability to constantly adapt. Perhaps this is also why people often feel drawn to harmonious movements, steady rhythms, and balanced forms. In everyday life, these qualities are often associated with a sense of order, stability, and smooth interaction between different elements. Art does not create this way of feeling. It awakens and reorganizes something that human beings already recognize through life itself. When music, movement, space, and emotion operate together as one whole, the audience does not simply see a beautiful performance. They recognize a familiar pattern of existence: many different elements cooperating to create a state that is stable, yet still alive and moving. Perhaps this is why the Rose Adage continues to touch audiences across generations. Its beauty does not lie only in a beautiful melody or exceptional ballet technique. Its deeper meaning lies in revealing a principle that human beings continue to encounter within their own bodies and in the natural world: Harmony is not a state of complete stillness. It is the ability of many different elements to adjust together and form a unified whole. The Rose Adage is therefore more than a ballet scene. It is the image of a person learning how to stand firmly amid the changes of life, and at the same time, it reflects the nature of life itself: always moving, always adjusting, yet still finding its own balance.

The Sleeping Beauty – Rose Adage: When a Moment of Balance Reveals the Order of Life In the story of The Sleeping Beauty, the Rose Adage takes place during Princess Aurora’s coming-of-age celebration. It is the first time she appears before the court after reaching maturity. Four princes approach her one by one and invite her to dance, creating a ceremonial moment that represents Aurora’s growth and her new place within the world around her. But the beauty of this scene does not lie only in the elegance of a royal ceremony. Throughout the dance, Aurora must receive the hand of each prince, moving from one partner to another while maintaining complete control of her body. She must stand on pointe shoes, sustain each position with stability, and yet preserve a sense of lightness and grace. Therefore, the technical challenge of ballet becomes more than a physical demand. It becomes an image of a significant transition in the character’s life. Aurora is not only learning how to stand firmly on the stage. She is entering a new world, where beauty does not come only from outward elegance, but also from the ability to maintain inner calm and balance. On stage, Princess Aurora appears in a magnificent palace setting. She does not captivate the audience through powerful movements or dramatic displays. Her beauty lies in subtle control: A hand extended with delicacy. A slow and measured step. A moment of stillness that appears fragile, yet contains strength. What moves the audience is not only the dancer’s technical ability. It is the feeling that everything is exactly where it should be. The body. The music. The space. And the emotion. Everything comes together in a state of balance. That is what makes the Rose Adage so special. If viewed only from the outside, it is a demanding challenge of classical ballet. But when we listen more carefully, we discover that this sense of balance was already built into Tchaikovsky’s music. The dancer is not simply moving along with the melody. She is giving physical form to an order that already exists within the music itself. So what makes this music so distinctive? Is it a single note? Perhaps not. A single note standing alone cannot create the beauty of the Rose Adage. The life of the work comes from the relationship between the sounds: the way they support, guide, and complete one another. From the very first sounds of the harp, Tchaikovsky creates a world of clarity and refinement. Its gentle tone feels like a door opening, inviting the listener into a space where every movement becomes more delicate. Then the melody gradually rises. But it does not rush toward drama. It develops step by step, always finding support before moving further. This controlled ascent creates a feeling of nobility and serenity, much like Aurora standing en pointe: graceful, yet grounded. Tchaikovsky’s harmony follows the same principle. He creates moments of anticipation that allow the listener to sense movement, and then guides the music back toward stability. The tension does not continue in order to create unease. Instead, it becomes part of the journey toward balance. The rhythm of the Rose Adage also resembles the natural rhythm of the human body. It neither pushes forward impatiently nor holds back unnecessarily. Each musical phrase opens, develops, reaches a point of emphasis, and gently settles, like a cycle of breathing: rising, holding, and returning. For this reason, the music and choreography of the Rose Adage do not feel like two separate elements. They are two expressions of the same principle. Outwardly, there is stillness. Inwardly, there is constant movement. This also reflects a familiar principle within the human body. When a dancer stands still on pointe, the audience sees only stability. Yet inside the body, the nervous system, vision, inner ear, and muscles are continuously adjusting to maintain balance. Stability does not come from the absence of movement. It comes from the ability to make continuous adjustments in order to remain balanced. Life itself works in a similar way. A tree does not grow through a rigid straight line. It reaches toward the light while constantly adapting to wind, gravity, and its surrounding environment. Human beings are the same. Every step we take involves small moments of imbalance followed by the search for balance again. We move forward through the body’s and mind’s ability to constantly adapt. Perhaps this is also why people often feel drawn to harmonious movements, steady rhythms, and balanced forms. In everyday life, these qualities are often associated with a sense of order, stability, and smooth interaction between different elements. Art does not create this way of feeling. It awakens and reorganizes something that human beings already recognize through life itself. When music, movement, space, and emotion operate together as one whole, the audience does not simply see a beautiful performance. They recognize a familiar pattern of existence: many different elements cooperating to create a state that is stable, yet still alive and moving. Perhaps this is why the Rose Adage continues to touch audiences across generations. Its beauty does not lie only in a beautiful melody or exceptional ballet technique. Its deeper meaning lies in revealing a principle that human beings continue to encounter within their own bodies and in the natural world: Harmony is not a state of complete stillness. It is the ability of many different elements to adjust together and form a unified whole. The Rose Adage is therefore more than a ballet scene. It is the image of a person learning how to stand firmly amid the changes of life, and at the same time, it reflects the nature of life itself: always moving, always adjusting, yet still finding its own balance.

🎼🌺Music Love♥️

12,400 просмотров • 1 месяц назад

Erika Frantzve mastered controlling Charlie by weaponizing God and religion. Charlie was controlled by a cult. Cult leaders do not simply "brainwash" people overnight. Instead, they use a systematic process of psychological manipulation—often called "undue influence" or "thought reform"—to gradually erode a person's independent identity and replace it with a group identity entirely dependent on the leader. Cult leaders typically exhibit strong traits of pathological narcissism and, in many cases, psychopathy. They are highly charismatic, lack empathy, and demand total surrender to mask their own psychological fragility. They create closed systems with no checks and balances, allowing them to exploit followers for power, money, or sexual gratification while convincing the followers it is for the "greater good". The Mechanics of Control: The BITE Model Authoritarian leaders systematically control four overlapping domains of a person's life: 1. Behavior Control The most visible layer of manipulation is controlling what a person does with their physical body, time, and money. By regulating daily habits, the leader makes it exhausting and practically impossible to exist outside the group's structure. •Dictating routines: Strict rules regarding diet, sleep schedules, clothing, and physical appearance. •Financial exploitation: Demanding heavy tithes, mandatory donations, or forcing members to hand over their assets. •Relationship control: Dictating who members can speak to, who they can marry, and regulating their sexual behavior. 2. Information Control An informed member is a dangerous member. To maintain power, cult leaders filter and distort the reality their followers consume. •Isolation: Discouraging or outright banning contact with non-members, including family and friends. •Censorship: Banning outside media, critical literature, or internet access that contradicts the group's teachings. •Controlling the narrative: Labeling former members as "apostates," "enemies," or "suppressive persons" so current members are too afraid to speak with them. 3. Thought Control Leaders require unquestioning obedience and must eliminate a follower's ability to think critically or independently. •Black-and-white thinking: Everything is framed as an epic battle between "us" (good, chosen, saved) and "them" (evil, lost, worldly). •Thought-stopping techniques: When a follower starts to have doubts, they are trained to shut down their own critical thinking through repetitive chanting, praying, speaking in tongues, or repeating key phrases. •Loaded language: Cults often create their own jargon. This creates a false sense of insider belonging while making it difficult for members to effectively communicate with the outside world. 4. Emotional Control Cult leaders manipulate a follower's emotional range to keep them off-balance, dependent, and terrified of leaving. •Love-bombing: New recruits are overwhelmed with intense affection, flattery, and a manufactured sense of belonging. Once they are hooked, this affection becomes conditional and is routinely withdrawn to punish the follower. •Manufacturing guilt and shame: Followers are taught they are inherently flawed, sinful, or broken, and that the leader or the group is the only cure. •Phobia indoctrination: Instilling an irrational, paralyzing fear of the outside world. Members are told that if they leave, they will go insane, be struck by disease, face divine judgment, or die. Ultimately, the goal of authoritarian control isn't just to force obedience—it is to make the member incapable of imagining an existence outside the group.

Erika Frantzve mastered controlling Charlie by weaponizing God and religion. Charlie was controlled by a cult. Cult leaders do not simply "brainwash" people overnight. Instead, they use a systematic process of psychological manipulation—often called "undue influence" or "thought reform"—to gradually erode a person's independent identity and replace it with a group identity entirely dependent on the leader. Cult leaders typically exhibit strong traits of pathological narcissism and, in many cases, psychopathy. They are highly charismatic, lack empathy, and demand total surrender to mask their own psychological fragility. They create closed systems with no checks and balances, allowing them to exploit followers for power, money, or sexual gratification while convincing the followers it is for the "greater good". The Mechanics of Control: The BITE Model Authoritarian leaders systematically control four overlapping domains of a person's life: 1. Behavior Control The most visible layer of manipulation is controlling what a person does with their physical body, time, and money. By regulating daily habits, the leader makes it exhausting and practically impossible to exist outside the group's structure. •Dictating routines: Strict rules regarding diet, sleep schedules, clothing, and physical appearance. •Financial exploitation: Demanding heavy tithes, mandatory donations, or forcing members to hand over their assets. •Relationship control: Dictating who members can speak to, who they can marry, and regulating their sexual behavior. 2. Information Control An informed member is a dangerous member. To maintain power, cult leaders filter and distort the reality their followers consume. •Isolation: Discouraging or outright banning contact with non-members, including family and friends. •Censorship: Banning outside media, critical literature, or internet access that contradicts the group's teachings. •Controlling the narrative: Labeling former members as "apostates," "enemies," or "suppressive persons" so current members are too afraid to speak with them. 3. Thought Control Leaders require unquestioning obedience and must eliminate a follower's ability to think critically or independently. •Black-and-white thinking: Everything is framed as an epic battle between "us" (good, chosen, saved) and "them" (evil, lost, worldly). •Thought-stopping techniques: When a follower starts to have doubts, they are trained to shut down their own critical thinking through repetitive chanting, praying, speaking in tongues, or repeating key phrases. •Loaded language: Cults often create their own jargon. This creates a false sense of insider belonging while making it difficult for members to effectively communicate with the outside world. 4. Emotional Control Cult leaders manipulate a follower's emotional range to keep them off-balance, dependent, and terrified of leaving. •Love-bombing: New recruits are overwhelmed with intense affection, flattery, and a manufactured sense of belonging. Once they are hooked, this affection becomes conditional and is routinely withdrawn to punish the follower. •Manufacturing guilt and shame: Followers are taught they are inherently flawed, sinful, or broken, and that the leader or the group is the only cure. •Phobia indoctrination: Instilling an irrational, paralyzing fear of the outside world. Members are told that if they leave, they will go insane, be struck by disease, face divine judgment, or die. Ultimately, the goal of authoritarian control isn't just to force obedience—it is to make the member incapable of imagining an existence outside the group.

Honest Ash

19,136 просмотров • 2 месяцев назад

🎬Whimsical Reverie | Outfit Preview: Chroma's Mortal Heart >> Main Attribute: Elegant 🦌Outfit Preview [Chroma's Mortal Heart] can be evolved into the following outfits: [Chroma's Mortal Heart: Seared] (Stage 1), [Chroma's Mortal Heart: Parting] (Stage 2), and [Chroma's Mortal Heart: Wanxiang] (Stage 3). Fully glow it up to obtain the [Chroma's Mortal Heart: Echoes] outfit. 🦌Outfit Ability Celestial Deer: After configuring the Celestial Deer ability, you can enable or disable Celestial Deer Vision to quickly locate and mark chests in the open world. While Celestial Deer Vision is active, chests are highlighted with rising light pillars, and their locations are also marked on the map. The Celestial Deer Vision will gradually fade over time, and the chest indicators both on the map and in the world will disappear. After activating the Celestial Deer ability in the Wanxiang Realm, Nikki transforms into an elegant deer and freely soars across the realm. She can perform movement abilities like flight, Cloudward Leap, and special dashes. Note: Flight, Cloudward Leap, and special dash abilities are only available within the Wanxiang Realm. If the ability is used outside of the Wanxiang Realm, Nikki will transform into the Chroma Deer and walk on the ground. 🦌Resonance Rewards Based on your number of Resonance attempts in [Traces of Chroma], you can earn rewards such as [Chroma's Mortal Heart: Makeup], [Momo's Cloak: Jade Deer], and an [Ocean's Radiance Gift Box], which includes the item [Mortal Longing] and the dance move [Dust Dream]. [Mortal Longing] can be used to dance gracefully in the open world. The dance move [Dust Dream] can be used in Momo's Camera. 🦌Evolution Rewards Reaching Evolution Stage 1 unlocks the pose [Chirping Steps]. Reaching Evolution Stage 2 unlocks [Fawn Cuteness] for Momo's Camera: Framed Moment, the item [Mortal Longing: Illusory Dance], and the dance move [Dust Dream: Illusory Dance], which features new music, special effects, and spectacular moments. Reaching Evolution Stage 3 unlocks [Jadeveil Isles: Makeup], a new idle animation, the poses [Rhythm Steps], [Soft Pace], and [Deer's Return], plus enhanced special effects and alternative details for certain pieces. —— ➤ Infinity Nikki Version 2.2 Chromatic Beings Everbright launches globally on January 29 (UTC-7)! ➤ Download Now: ➤ Join us on Facebook Group: #InfinityNikki #ChromaticBeingsEverbright

🎬Whimsical Reverie | Outfit Preview: Chroma's Mortal Heart >> Main Attribute: Elegant 🦌Outfit Preview [Chroma's Mortal Heart] can be evolved into the following outfits: [Chroma's Mortal Heart: Seared] (Stage 1), [Chroma's Mortal Heart: Parting] (Stage 2), and [Chroma's Mortal Heart: Wanxiang] (Stage 3). Fully glow it up to obtain the [Chroma's Mortal Heart: Echoes] outfit. 🦌Outfit Ability Celestial Deer: After configuring the Celestial Deer ability, you can enable or disable Celestial Deer Vision to quickly locate and mark chests in the open world. While Celestial Deer Vision is active, chests are highlighted with rising light pillars, and their locations are also marked on the map. The Celestial Deer Vision will gradually fade over time, and the chest indicators both on the map and in the world will disappear. After activating the Celestial Deer ability in the Wanxiang Realm, Nikki transforms into an elegant deer and freely soars across the realm. She can perform movement abilities like flight, Cloudward Leap, and special dashes. Note: Flight, Cloudward Leap, and special dash abilities are only available within the Wanxiang Realm. If the ability is used outside of the Wanxiang Realm, Nikki will transform into the Chroma Deer and walk on the ground. 🦌Resonance Rewards Based on your number of Resonance attempts in [Traces of Chroma], you can earn rewards such as [Chroma's Mortal Heart: Makeup], [Momo's Cloak: Jade Deer], and an [Ocean's Radiance Gift Box], which includes the item [Mortal Longing] and the dance move [Dust Dream]. [Mortal Longing] can be used to dance gracefully in the open world. The dance move [Dust Dream] can be used in Momo's Camera. 🦌Evolution Rewards Reaching Evolution Stage 1 unlocks the pose [Chirping Steps]. Reaching Evolution Stage 2 unlocks [Fawn Cuteness] for Momo's Camera: Framed Moment, the item [Mortal Longing: Illusory Dance], and the dance move [Dust Dream: Illusory Dance], which features new music, special effects, and spectacular moments. Reaching Evolution Stage 3 unlocks [Jadeveil Isles: Makeup], a new idle animation, the poses [Rhythm Steps], [Soft Pace], and [Deer's Return], plus enhanced special effects and alternative details for certain pieces. —— ➤ Infinity Nikki Version 2.2 Chromatic Beings Everbright launches globally on January 29 (UTC-7)! ➤ Download Now: ➤ Join us on Facebook Group: #InfinityNikki #ChromaticBeingsEverbright

Infinity Nikki

132,871 просмотров • 7 месяцев назад

$We live in an increasingly fractured, polarised world where principles and values we once took for granted in Australia are being undermined. Today the Albanese Labor government gets away with doing things that would simply not have been acceptable in Australia a generation or two ago. Labor may have won the 2025 election with only 35% of the primary vote, but that hasn’t made the problems Labor created go away. We still have a cost-of-living crisis. We still have a housing crisis. We still have record immigration, increasing debt, huge budget deficits and declining economic productivity. The Prime Minister’s so-called productivity roundtable of his sycophants won’t change things at all unless it includes people who understand productivity and business: people like Gina Rhinehart, Solomon Lew, Gerry Harvey and Dick Smith. Taxpayers are still forced to foot the bill for subsidising renewable projects in the pursuit of net zero, coupled with rises in our electricity bills of more than 300% over the past 20 years or so. And more recently, Labor has gambled with our national security. For decades, Australia’s defence has mainly been funded by American taxpayers. America’s nuclear deterrence has prevented global war between major powers, America supplies us with our military platforms and our advanced weapons, and under AUKUS America will hand over to Australia the most closely-guarded military technology on the planet: nuclear propulsion. Yet our current Labor government is publicly appearing less than grateful for this generous support from the ‘arsenal of democracy’. Labor is ghosting our most important ally – the United States – and to all appearances is sucking up to communist China, Australia’s most potent adversary. China routinely commits acts of aggression against Australia as if it’s entitled to do so, and is not hiding its intentions to militarily and economically dominate our region. America simply wants the countries with which it shares close alliances and democratic values to step up and do some of the heavy lifting by increasing their defence spending. It’s called growing a back bone and taking responsibility to defend yourself instead of relying on Americans to fund your battles with their money and lives. The Prime Minister is gambling that he won’t have to, and that is a big mistake. It’s a purely political mistake based on arrogance. It’s not principled. Labor hates everything about Trump and Republicans. Labor has failed to appreciate the importance of America to our security, and that our relationship with the world’s most powerful nation must endure beyond the current occupants of the Lodge and the White House. It’s impossible to imagine Bob Hawke – Labor’s most successful and longest-serving Prime Minister – supporting this. He was a noted champion of the US alliance despite the very conservative Reagan and Bush administrations being in the White House. Hawke was also a vocal critic of communist China, especially after the Tiananmen Square massacre in 1989. Hawke understood Australian principles. Prime Minister Albanese never got the memo, and now our relations with America are declining when we can least afford it. This is not in our best interests. Australia needs a statement of binding principles to govern how we conduct ourselves on the world stage, and to ensure petty politics does not risk important international relationships that must last well beyond every three-year Parliamentary term. This statement needs to say who we are, what Australia stands for, and who we stand with: · democracies like the US and Israel, not communist dictatorships or terrorist regimes; · we stand for the rule of law, self-determination and freedom; and · international peace and order, reinforced by a strong military to deter those who – like China – would disrupt that peace and order. These are One Nation’s principles. They should be Australia’s principles. They used to be. They were principles that didn’t even need stating a generation ago, but Australia is heading down a path under Labor where we cannot be certain of them any longer.$

We live in an increasingly fractured, polarised world where principles and values we once took for granted in Australia are being undermined. Today the Albanese Labor government gets away with doing things that would simply not have been acceptable in Australia a generation or two ago. Labor may have won the 2025 election with only 35% of the primary vote, but that hasn’t made the problems Labor created go away. We still have a cost-of-living crisis. We still have a housing crisis. We still have record immigration, increasing debt, huge budget deficits and declining economic productivity. The Prime Minister’s so-called productivity roundtable of his sycophants won’t change things at all unless it includes people who understand productivity and business: people like Gina Rhinehart, Solomon Lew, Gerry Harvey and Dick Smith. Taxpayers are still forced to foot the bill for subsidising renewable projects in the pursuit of net zero, coupled with rises in our electricity bills of more than 300% over the past 20 years or so. And more recently, Labor has gambled with our national security. For decades, Australia’s defence has mainly been funded by American taxpayers. America’s nuclear deterrence has prevented global war between major powers, America supplies us with our military platforms and our advanced weapons, and under AUKUS America will hand over to Australia the most closely-guarded military technology on the planet: nuclear propulsion. Yet our current Labor government is publicly appearing less than grateful for this generous support from the ‘arsenal of democracy’. Labor is ghosting our most important ally – the United States – and to all appearances is sucking up to communist China, Australia’s most potent adversary. China routinely commits acts of aggression against Australia as if it’s entitled to do so, and is not hiding its intentions to militarily and economically dominate our region. America simply wants the countries with which it shares close alliances and democratic values to step up and do some of the heavy lifting by increasing their defence spending. It’s called growing a back bone and taking responsibility to defend yourself instead of relying on Americans to fund your battles with their money and lives. The Prime Minister is gambling that he won’t have to, and that is a big mistake. It’s a purely political mistake based on arrogance. It’s not principled. Labor hates everything about Trump and Republicans. Labor has failed to appreciate the importance of America to our security, and that our relationship with the world’s most powerful nation must endure beyond the current occupants of the Lodge and the White House. It’s impossible to imagine Bob Hawke – Labor’s most successful and longest-serving Prime Minister – supporting this. He was a noted champion of the US alliance despite the very conservative Reagan and Bush administrations being in the White House. Hawke was also a vocal critic of communist China, especially after the Tiananmen Square massacre in 1989. Hawke understood Australian principles. Prime Minister Albanese never got the memo, and now our relations with America are declining when we can least afford it. This is not in our best interests. Australia needs a statement of binding principles to govern how we conduct ourselves on the world stage, and to ensure petty politics does not risk important international relationships that must last well beyond every three-year Parliamentary term. This statement needs to say who we are, what Australia stands for, and who we stand with: · democracies like the US and Israel, not communist dictatorships or terrorist regimes; · we stand for the rule of law, self-determination and freedom; and · international peace and order, reinforced by a strong military to deter those who – like China – would disrupt that peace and order. These are One Nation’s principles. They should be Australia’s principles. They used to be. They were principles that didn’t even need stating a generation ago, but Australia is heading down a path under Labor where we cannot be certain of them any longer.

Pauline Hanson 🇦🇺

52,109 просмотров • 1 год назад

Exploring Bach’s BWV 1065: When a Musical Machine Begins to Beat with Life Some creations inspire awe not because they contain countless details, but because every detail within them works according to a precise order. A finely crafted mechanical clock is one such example. From the outside, we see only the hands moving quietly through time. Inside, however, an entire world is at work. Tiny gears transmit energy to one another. Different components perform different tasks. Some generate motion. Some regulate the rhythm. Some keep the entire mechanism in balance. The beauty of the clock does not lie in any single part. It lies in the way all of those small movements come together to create one continuous pulse. Johann Sebastian Bach’s BWV 1065 possesses a similar kind of beauty. From its very first notes, listeners sense more than the beginning of a melody. They sense a musical mechanism coming to life. Four harpsichords enter the conversation. Lines of music emerge, answer one another, and pass ideas seamlessly from one voice to the next. Each instrument resembles a moving gear within a larger system, where every motion contributes to a single, unified current. The Invisible Blueprint Behind the Music A finely made clock cannot function simply by placing many parts side by side. Its true secret lies in the design. The clockmaker must understand the distance between every component. The speed of every movement. The path by which energy travels from one part to another. These underlying principles transform separate pieces into one living mechanism. In BWV 1065, Bach builds his music according to the same kind of logic. He does not allow the four harpsichords to move in separate directions. Every voice has a role within the larger musical flow. An idea may first appear in one instrument. It is then taken up by another. From there it is developed, expanded, and carried forward in a new direction. What listeners hear is not simply four instruments performing together. They hear a conversation organized with astonishing precision. Behind the constant movement lies an invisible architecture, where Bach carefully determines how every musical voice meets, supports, and completes the others. Four Voices Moving with a Single Pulse One of BWV 1065’s greatest achievements is the balance it creates between independence and unity. Each harpsichord possesses its own personality. When listening closely, each musical line reveals its own distinct character. Yet when stepping back to hear the entire work, everything merges into one continuous flow of energy. It is much like watching a group of dancers on stage. Each performer moves differently. One steps forward. Another turns behind. A third quietly maintains the rhythm of the entire performance. The audience does not perceive four separate dances. They see one living form in motion. This is the essence of Bach’s contrapuntal art. Its richness does not come from adding countless unrelated ideas. It comes from allowing many independent voices to exist together within a perfectly ordered whole. When Brief Plucked Sounds Become a Continuous Stream of Energy The harpsichord possesses a unique character. Its notes speak with remarkable clarity, yet they fade almost immediately. Each sound resembles a brief flash of light before disappearing into silence. Bach transforms this very limitation into one of the instrument's greatest strengths. He does not rely on sustained tones. Instead, he creates momentum by placing every note at precisely the right moment. Imagine a wheel spinning at great speed. The eye no longer distinguishes each individual spoke. It perceives only one smooth and continuous rotation. The harpsichord works in much the same way. Every note exists for only an instant. Yet when hundreds of those fleeting moments are linked together, they become something greater than the individual sounds themselves—a powerful, uninterrupted stream of musical energy. This is one of the most beautiful paradoxes in Bach’s music: The smallest musical events create the strongest sense of life and motion. Netherlands Bach Society and Revealing the Music's Inner Architecture In the Netherlands Bach Society's performance, the beauty of BWV 1065 emerges through the remarkable clarity of its individual voices. The four harpsichords never dissolve into a single block of sound. Each instrument preserves its own distinct color, allowing listeners to follow every layer of movement unfolding within the music. This approach reveals one of Bach’s most remarkable artistic achievements: Every individual part has its own purpose, yet every part serves something greater than itself. Rather than simply enjoying the brilliance on the surface, listeners are invited to hear how the entire work has been constructed from within. When Precision Gives Birth to Life BWV 1065 may first astonish listeners with its speed and technical brilliance. Yet those qualities are only the surface. Its deeper achievement lies in Bach's ability to transform an exceptionally disciplined structure into something vividly alive. A masterfully crafted mechanical clock is not extraordinary simply because it contains many intricate parts. It becomes extraordinary because every tiny movement contributes to one unified pulse. Bach's music follows the same principle. Order does not suppress freedom. On the contrary, it is the precision of the structure that allows the music to move with complete naturalness. BWV 1065 is therefore far more than a concerto for four harpsichords. It stands as a testament to an art in which every detail, when placed exactly where it belongs, helps create a world of sound that is at once precise and profoundly alive. A musical machine. Yet within it, a living heartbeat never ceases.

Exploring Bach’s BWV 1065: When a Musical Machine Begins to Beat with Life Some creations inspire awe not because they contain countless details, but because every detail within them works according to a precise order. A finely crafted mechanical clock is one such example. From the outside, we see only the hands moving quietly through time. Inside, however, an entire world is at work. Tiny gears transmit energy to one another. Different components perform different tasks. Some generate motion. Some regulate the rhythm. Some keep the entire mechanism in balance. The beauty of the clock does not lie in any single part. It lies in the way all of those small movements come together to create one continuous pulse. Johann Sebastian Bach’s BWV 1065 possesses a similar kind of beauty. From its very first notes, listeners sense more than the beginning of a melody. They sense a musical mechanism coming to life. Four harpsichords enter the conversation. Lines of music emerge, answer one another, and pass ideas seamlessly from one voice to the next. Each instrument resembles a moving gear within a larger system, where every motion contributes to a single, unified current. The Invisible Blueprint Behind the Music A finely made clock cannot function simply by placing many parts side by side. Its true secret lies in the design. The clockmaker must understand the distance between every component. The speed of every movement. The path by which energy travels from one part to another. These underlying principles transform separate pieces into one living mechanism. In BWV 1065, Bach builds his music according to the same kind of logic. He does not allow the four harpsichords to move in separate directions. Every voice has a role within the larger musical flow. An idea may first appear in one instrument. It is then taken up by another. From there it is developed, expanded, and carried forward in a new direction. What listeners hear is not simply four instruments performing together. They hear a conversation organized with astonishing precision. Behind the constant movement lies an invisible architecture, where Bach carefully determines how every musical voice meets, supports, and completes the others. Four Voices Moving with a Single Pulse One of BWV 1065’s greatest achievements is the balance it creates between independence and unity. Each harpsichord possesses its own personality. When listening closely, each musical line reveals its own distinct character. Yet when stepping back to hear the entire work, everything merges into one continuous flow of energy. It is much like watching a group of dancers on stage. Each performer moves differently. One steps forward. Another turns behind. A third quietly maintains the rhythm of the entire performance. The audience does not perceive four separate dances. They see one living form in motion. This is the essence of Bach’s contrapuntal art. Its richness does not come from adding countless unrelated ideas. It comes from allowing many independent voices to exist together within a perfectly ordered whole. When Brief Plucked Sounds Become a Continuous Stream of Energy The harpsichord possesses a unique character. Its notes speak with remarkable clarity, yet they fade almost immediately. Each sound resembles a brief flash of light before disappearing into silence. Bach transforms this very limitation into one of the instrument's greatest strengths. He does not rely on sustained tones. Instead, he creates momentum by placing every note at precisely the right moment. Imagine a wheel spinning at great speed. The eye no longer distinguishes each individual spoke. It perceives only one smooth and continuous rotation. The harpsichord works in much the same way. Every note exists for only an instant. Yet when hundreds of those fleeting moments are linked together, they become something greater than the individual sounds themselves—a powerful, uninterrupted stream of musical energy. This is one of the most beautiful paradoxes in Bach’s music: The smallest musical events create the strongest sense of life and motion. Netherlands Bach Society and Revealing the Music's Inner Architecture In the Netherlands Bach Society's performance, the beauty of BWV 1065 emerges through the remarkable clarity of its individual voices. The four harpsichords never dissolve into a single block of sound. Each instrument preserves its own distinct color, allowing listeners to follow every layer of movement unfolding within the music. This approach reveals one of Bach’s most remarkable artistic achievements: Every individual part has its own purpose, yet every part serves something greater than itself. Rather than simply enjoying the brilliance on the surface, listeners are invited to hear how the entire work has been constructed from within. When Precision Gives Birth to Life BWV 1065 may first astonish listeners with its speed and technical brilliance. Yet those qualities are only the surface. Its deeper achievement lies in Bach's ability to transform an exceptionally disciplined structure into something vividly alive. A masterfully crafted mechanical clock is not extraordinary simply because it contains many intricate parts. It becomes extraordinary because every tiny movement contributes to one unified pulse. Bach's music follows the same principle. Order does not suppress freedom. On the contrary, it is the precision of the structure that allows the music to move with complete naturalness. BWV 1065 is therefore far more than a concerto for four harpsichords. It stands as a testament to an art in which every detail, when placed exactly where it belongs, helps create a world of sound that is at once precise and profoundly alive. A musical machine. Yet within it, a living heartbeat never ceases.

🎼🌺Music Love♥️

13,852 просмотров • 1 месяц назад

Check out our latest #Earth2 #creation the #MotorwayMarauder🌍✌️From #ConceptArt to #gameready, gives me #MadMax & #Terminator vibes - love it! Some #IMPORTANT things to remember about #Earth2 #drops leading up to #E2V1👇 1⃣Acquiring #skins is completely optional 2⃣ Notably, the #skins we drop leading up to the #E2V1 release will more likely have a ‘Limited Supply’, something that rewards our early supporters with increased rarity. These Limited Supply drops will become less frequent in the future being replaced with drops of unlimited supply but restricted availability requiring Players to wait for a skin to become available in the skin store or hope to acquire it via game play inside #E2V1 3⃣ Our goal is not to have these early #skin drops sell out during their maiden release, but rather provide an opportunity for our early supporters to secure skins they like at a discounted price with the welcoming guarantee of an all time Limited Supply. 4⃣ Most of the early #skin drops will naturally allow #Players to resell them, but importantly many will also be assigned with a once ever discount rate. #Skins that have Future Price Reduction assigned with “No” means that if the #skin does not sell out on its maiden drop and subsequently gets listed in store again at a future date, #Earth2 will never resell that #skin at any discounted rate. 5⃣ #Earth2 is building a modular clothing system, meaning that most items of clothing, especially if sold separately, will be interchangeable on avatars making them more useful and giving the #Player more ways to mix up their outfits, look the part & express themselves. 6⃣ The version of the skin you see in store is the base version you receive with the skin, however, there will also be opportunities to tailor outfits in game allowing for the adjustment in fabrics, prints, colours and more (be prepared for a little legwork though, unless you want to take your clothing items to another #Player who specialises in tailoring). 7⃣ #Earth2 is proud to have uniquely designed the #skins you listed in our store & it is important to remember that these #skins are the end result of a long and stringent internal character pipeline we have developed. Each skin starts from concept art which is reviewed and iterated on numerous times before being approved. Once approval is given, it is handed to our 3D modelling team for sculpting into high poly, then low poly, while receiving numerous reviews and adhering to our pipeline protocols. When the low poly version is finished, the 3D team then finishes with UV mapping and texture baking and runs their own QA process. Once the entire 3D sculpting process is approved, the models enter the skinning, rigging and weight painting process and are then passed to the animation team for further testing with various animations and another set of QA such as minimising clipping and identifying any other potential flaws in the model. The model then needs to go through the final process with a game developer to ensure it passed the final tests and is game ready for #E2V1. 8⃣ The above steps only represent a light explanation of our character and clothing pipeline, but as you can see we’re not simply selling static concept art images or a high poly 3D model that lacks any kind of optimisations resulting in little chance of it ever being game ready in its advertised state - there is a lot of work that takes place in order to get these skins to the stage our #Players see them in the video footage. Each skin sold helps support different parts of the development of Earth 2 providing us with new opportunities to further expand our team, speed up development and keep stepping closer to our short and long term goals for #E2V1 and #Earth2. 9⃣ We understand that fashion will become a big part of the #Metaverse, but we want to remind people that while some #Players may decide to set rules for certain skins being required for access or a ticket to entry under certain circumstances, from #Earth2’s perspective these skins are for cosmetic purposes only. 🔟 These skin drops also give #Earth2 the chance to show off our ability and versatility in avatar creation and accessories so even if you’re not keen on picking up a skin, remember to have fun and simply enjoy the progress! Also take heart every time you see a #skindrop, if the #E2V1 pre-alpha was not launching this year I wouldn't be dropping skins. We want to have at least some diversity for #avatars inside #E2V1 from the early stages! #Earth2 #Metaverse #Skins #Fashion #Collectibles #3DWorld #WIP #prealpha2024

Shane Isaac 🌍2️⃣

19,007 просмотров • 2 лет назад

Decoding Mozart's Horn Concerto No. 1: When Mozart Found Beauty Within the Horn's Limitations Listening to Horn Concerto No. 1 in D major, K.412, performed by Radek Baborák with the Berliner Philharmoniker under the baton of Daniel Barenboim, one is immediately drawn to the elegance so characteristic of Mozart: A bright, resonant horn. A perfectly balanced orchestra. A musical flow that is graceful, lively, and full of vitality. Yet the true fascination of this concerto lies beneath its surface beauty. A more important question is: How could Mozart create such a natural, complete, and expressive work with an eighteenth-century horn whose technical possibilities were still so limited? The answer lies in his profound understanding of the instrument and in the astonishing precision with which he organized every sound. 1. An Imperfect Horn—and Mozart's Deep Understanding In the eighteenth century, the horn had no valves. It was a natural horn, producing pitches primarily through the harmonic series of a long coiled tube. This created two distinct sound worlds. Open notes emerged directly from the instrument's natural acoustical design. They were broad, resonant, and effortlessly brilliant. Meanwhile, notes outside the natural harmonic series had to be produced by placing the hand inside the bell. These hand-stopped notes possessed a different character: Darker. Softer. Less resonant. If we imagine the horn as a human voice, it resembles a singer with a unique timbre whose entire range cannot be produced with equal ease. What makes Mozart remarkable is that he never tried to disguise these characteristics. He understood that an instrument's identity lies not only in what it does best, but also in the way it responds to its own limitations. 2. The Art of Placement: When Every Limitation Has Its Place Mozart's genius lies in his ability to guide the listener's attention. He reserves the horn's most naturally resonant sounds for the moments that matter most. As soon as the solo horn enters, we hear the opening sequence: D → A → D → F♯ It unfolds almost organically: A point of departure. An expansion into a wider space. A return to stability. Here Mozart allows the horn to reveal its most natural voice. When less resonant notes appear, however, he never lets them become weaknesses. Instead, he weaves them into the motion of the melody. They never stand alone as awkward interruptions. They become subtle shifts of color. Like a painter who uses both light and shadow to create depth, Mozart does not erase differences in tone. He places each color exactly where it belongs, allowing the entire musical landscape to remain balanced. 3. A Musical Seed: The Power of D – A – D – F♯ The concerto begins with only four seemingly simple notes. Yet that simplicity is one of Mozart's greatest strengths. The importance lies not in the individual notes themselves, but in how they relate to one another. D establishes a foundation. The leap to A opens the musical space. The return to D restores stability. F♯ adds the brightness that defines the major mode. With only a few notes, Mozart creates a complete musical arc: Beginning. Expansion. Return. This reflects one of the central principles of Classical art: Freedom flourishes within an ordered structure. Mozart never pursued complexity simply to impress. Instead, he discovered beauty in the simplest materials. 4. An Unusual Structure Among Mozart's Concertos One distinctive feature of K.412 is its form. Many Classical concertos follow a three-movement design: Fast – Slow – Fast. This concerto, however, contains only two movements: Allegro. Rondo: Allegro. Without a slow movement, the work maintains an uninterrupted sense of energy. Rather than leading listeners into deep introspection, it unfolds like an animated conversation between the soloist and the orchestra. This structure perfectly suits the personality of the horn: Natural. Flexible. Filled with life. 5. Why Did Mozart Choose D Major? Mozart chose D major for this concerto. This was not merely a theoretical decision. On the natural horn, each key offers different possibilities for resonance because the instrument's acoustical design naturally favors certain pitches over others. Mozart did not try to force the horn into becoming something it was not. Instead, he chose the environment in which its natural character could emerge most fully. As a result, D major does more than provide brightness and clarity. It allows the horn to speak in its own authentic voice. Here we encounter another principle often found in Classical art: Beauty does not arise by forcing something to abandon its nature. It emerges when each thing is placed in the setting where its true character can flourish. 6. Radek Baborák and the Spirit of Mozart In Radek Baborák's performance, what stands out is not merely technical mastery. He preserves Mozart's essential spirit. The horn never becomes a vehicle for personal display. Instead, it serves as a natural voice within the conversation of the orchestra. The Berliner Philharmoniker, under Daniel Barenboim's direction, embraces the same philosophy. The horn shines without separating itself from the ensemble. The orchestra supports without overwhelming its soloist. Every part contributes to a balanced whole. This is one of the enduring ideals of Classical art: An individual shines most beautifully when remaining in harmony with the whole. Conclusion: Mozart Did Not Overcome Limits—He Understood Them What makes Horn Concerto No. 1 extraordinary is not that Mozart possessed a perfect instrument. It is that he understood this imperfect horn so completely that he knew the place of every possibility, every color, and every limitation within it. From a handful of simple notes. From a natural horn without modern technology. From the immutable laws of acoustics. Mozart created a musical world in which every element finds its proper place. Perhaps this is why the concerto points toward a principle that reaches far beyond music. A great leader does not try to make every member of a team the same. A great architect does not require every stone to have the same shape. A healthy ecosystem does not thrive because every living thing is identical. Its strength comes from each element occupying the place where its own nature can contribute to the whole. Perhaps Mozart recognized this principle and allowed his music to unfold in accordance with it. That may be one reason why, more than two centuries later, Horn Concerto No. 1 still feels so effortlessly natural. Lasting beauty does not emerge when every limitation is erased. It emerges when every unique quality—and every limitation—is placed in its proper position within a harmonious order.

Decoding Mozart's Horn Concerto No. 1: When Mozart Found Beauty Within the Horn's Limitations Listening to Horn Concerto No. 1 in D major, K.412, performed by Radek Baborák with the Berliner Philharmoniker under the baton of Daniel Barenboim, one is immediately drawn to the elegance so characteristic of Mozart: A bright, resonant horn. A perfectly balanced orchestra. A musical flow that is graceful, lively, and full of vitality. Yet the true fascination of this concerto lies beneath its surface beauty. A more important question is: How could Mozart create such a natural, complete, and expressive work with an eighteenth-century horn whose technical possibilities were still so limited? The answer lies in his profound understanding of the instrument and in the astonishing precision with which he organized every sound. 1. An Imperfect Horn—and Mozart's Deep Understanding In the eighteenth century, the horn had no valves. It was a natural horn, producing pitches primarily through the harmonic series of a long coiled tube. This created two distinct sound worlds. Open notes emerged directly from the instrument's natural acoustical design. They were broad, resonant, and effortlessly brilliant. Meanwhile, notes outside the natural harmonic series had to be produced by placing the hand inside the bell. These hand-stopped notes possessed a different character: Darker. Softer. Less resonant. If we imagine the horn as a human voice, it resembles a singer with a unique timbre whose entire range cannot be produced with equal ease. What makes Mozart remarkable is that he never tried to disguise these characteristics. He understood that an instrument's identity lies not only in what it does best, but also in the way it responds to its own limitations. 2. The Art of Placement: When Every Limitation Has Its Place Mozart's genius lies in his ability to guide the listener's attention. He reserves the horn's most naturally resonant sounds for the moments that matter most. As soon as the solo horn enters, we hear the opening sequence: D → A → D → F♯ It unfolds almost organically: A point of departure. An expansion into a wider space. A return to stability. Here Mozart allows the horn to reveal its most natural voice. When less resonant notes appear, however, he never lets them become weaknesses. Instead, he weaves them into the motion of the melody. They never stand alone as awkward interruptions. They become subtle shifts of color. Like a painter who uses both light and shadow to create depth, Mozart does not erase differences in tone. He places each color exactly where it belongs, allowing the entire musical landscape to remain balanced. 3. A Musical Seed: The Power of D – A – D – F♯ The concerto begins with only four seemingly simple notes. Yet that simplicity is one of Mozart's greatest strengths. The importance lies not in the individual notes themselves, but in how they relate to one another. D establishes a foundation. The leap to A opens the musical space. The return to D restores stability. F♯ adds the brightness that defines the major mode. With only a few notes, Mozart creates a complete musical arc: Beginning. Expansion. Return. This reflects one of the central principles of Classical art: Freedom flourishes within an ordered structure. Mozart never pursued complexity simply to impress. Instead, he discovered beauty in the simplest materials. 4. An Unusual Structure Among Mozart's Concertos One distinctive feature of K.412 is its form. Many Classical concertos follow a three-movement design: Fast – Slow – Fast. This concerto, however, contains only two movements: Allegro. Rondo: Allegro. Without a slow movement, the work maintains an uninterrupted sense of energy. Rather than leading listeners into deep introspection, it unfolds like an animated conversation between the soloist and the orchestra. This structure perfectly suits the personality of the horn: Natural. Flexible. Filled with life. 5. Why Did Mozart Choose D Major? Mozart chose D major for this concerto. This was not merely a theoretical decision. On the natural horn, each key offers different possibilities for resonance because the instrument's acoustical design naturally favors certain pitches over others. Mozart did not try to force the horn into becoming something it was not. Instead, he chose the environment in which its natural character could emerge most fully. As a result, D major does more than provide brightness and clarity. It allows the horn to speak in its own authentic voice. Here we encounter another principle often found in Classical art: Beauty does not arise by forcing something to abandon its nature. It emerges when each thing is placed in the setting where its true character can flourish. 6. Radek Baborák and the Spirit of Mozart In Radek Baborák's performance, what stands out is not merely technical mastery. He preserves Mozart's essential spirit. The horn never becomes a vehicle for personal display. Instead, it serves as a natural voice within the conversation of the orchestra. The Berliner Philharmoniker, under Daniel Barenboim's direction, embraces the same philosophy. The horn shines without separating itself from the ensemble. The orchestra supports without overwhelming its soloist. Every part contributes to a balanced whole. This is one of the enduring ideals of Classical art: An individual shines most beautifully when remaining in harmony with the whole. Conclusion: Mozart Did Not Overcome Limits—He Understood Them What makes Horn Concerto No. 1 extraordinary is not that Mozart possessed a perfect instrument. It is that he understood this imperfect horn so completely that he knew the place of every possibility, every color, and every limitation within it. From a handful of simple notes. From a natural horn without modern technology. From the immutable laws of acoustics. Mozart created a musical world in which every element finds its proper place. Perhaps this is why the concerto points toward a principle that reaches far beyond music. A great leader does not try to make every member of a team the same. A great architect does not require every stone to have the same shape. A healthy ecosystem does not thrive because every living thing is identical. Its strength comes from each element occupying the place where its own nature can contribute to the whole. Perhaps Mozart recognized this principle and allowed his music to unfold in accordance with it. That may be one reason why, more than two centuries later, Horn Concerto No. 1 still feels so effortlessly natural. Lasting beauty does not emerge when every limitation is erased. It emerges when every unique quality—and every limitation—is placed in its proper position within a harmonious order.

🎼🌺Music Love♥️

14,794 просмотров • 1 месяц назад

** Call to Action for Global Pioneers: Uniting Efforts to Stabilize the GCV Price in the Exchange Market** Dear Global Pioneers, We are currently at a critical juncture that may determine our ability to swiftly realize the GCV in the exchange market. As of now, we are in the Open Network phase, which serves as a preparatory stage for a fully decentralized network where all code can be activated. It is important to note that the Pi Network has not registered as a security because it aims to function as a digital currency rather than a digital asset. However, given recent list on the exchange market, compliance with the United States Securities and Exchange Commission (SEC) is now necessary for Pi Network, which subsequently require CT not to guide Pi's price in the exchange market. To address this situation, we urge all pioneers to unite in a call auction to ensure the GCV is stabilized as soon as possible. We implore you not to sell below the GCV price. Conversely, you are encouraged to buy if you have the means, as the current prices are significantly low. It is essential to emphasize that we are now in the Open Network phase, permitting both buying and selling. We have observed that many pioneers may be hesitant to make purchases; however, it is imperative that you do not let this concern deter you. We have surpassed the enclosed mainnet phase, where buying and selling were prohibited. Increasing liquidity in the exchange market is crucial for attracting external investors. At this stage, the combined strength of all pioneers is required to enhance purchasing power and to capitalize on lower prices. Please clarify your understanding of our current pricing situation. The existing market prices do not reflect Pi's value of our source code, which is derived from our blockchain record. Our efforts have previously focused on establishing Pi as a digital currency, culminating in the creation of the GCV blockchain record, which has indeed achieved success. For instance, the GitHub record indicates a GCV of $314,159, and Mr. Kasasih's code fork has now been integrated into the CT’s main bran code of the signifying its official status. The rationale for the current low prices in the exchange market stems, in part, from a lack of awareness among many pioneers, some of whom may be in financially constrained positions and require immediate funds for necessities. Such individuals may be misled by those who do not support GCV's potential, thereby selling their holdings at depressed prices. This underscores the importance of CT's control over KYC processes and migration procedures. Allowing all pioneers pass KYC and migrating Pi could lead to detrimental outcomes for the project, as uninformed pioneers may sell at significantly low prices. Just we see right now there are a lot of pioneers sell at very low price. So, CT only allow 10 million wallets migrated. It is important to recognize that the current low pricing is not the fault of the PCT or GCV CT, it is a consequence of a collective lack of proactive engagement from the pioneers. By promoting education on the true value of Pi as GCV, we can mitigate the prevalence of low-price sellers. While complaints about pricing may arise, it is essential to understand that we cannot prevent pioneers from selling. What we can do is purchase the available low-priced offerings from the market and collectively urge all pioneers not to sell below the GCV price. This remains a top priority for all involved if we aim to achieve the OM status swiftly. Additionally, it is vital to understand that the CT cannot announce the price of Pi in the exchange market, nor can they buy all the Pi in the exchange market. The price must ultimately be determined by the actions of our pioneering community and outside investors. Therefore, it is everyone's responsibility to refrain from complaints and instead focus on advancing the project collectively. We recommend all pioneers take the following actions: - Do not sell below $314,159. Please list selling price at $314,159. You should have confidence on GCV when it has been in the code already. Once the OM completed; all ecosystems will implement GCV. And you don’t need to wait long time and I estimate in one month or less. - Consider purchasing if you have extra funds available but ensure that you are not borrowing money or using essential living funds for these investments. Any amount such as $10 or $20 or $100 you choose to invest can contribute to increasing the visibility of Pi in the exchange market, potentially attracting outside investors. Also, many pioneers have locked three years with 100%, it is a good chance. You can acquire 6 Pi for just $10 right now. Once our pioneers warm up the market, you'll see outside investors becoming active, so there's no need to worry about how long or how much funding it will take to reach GCV. As soon as the low-priced Pi are being purchased, the price is poised to surge from just a few dollars to GCV in no time. We won't follow the traditional cryptocurrency path for growth because we have a strong community backing GCV.` It is crucial for all global pioneers to recognize that we are all collectively striving towards the successful realization of the OM. The CT shares this goal as well. However, if the exchange market price remains as low as $1 or $2, the likelihood of merchants joining the Pi Network diminishes. It is imperative that the gap between the ecosystem's Pi value and its exchange market price remain minimal. If the exchange price is low, it inhibits the CT's ability to fulfill ecosystem objectives. You need not worry about protracted timelines. With collective action, the path to achieving GCV can be expedited. While it would indeed be beneficial for the CT to manage arrangements efficiently, it is vital that we do not adopt a passive stance, awaiting resolutions. Delays could adversely affect both the reputation of PCT and the GCV CT. Lastly, I would like to address recent rumors suggesting that pioneers are unable to transfer Pi to or from the exchange market; this information is misleading. Pi Network is indeed open already, and the CT has verified five exchange markets for transactions. I have personally encountered challenges while attempting to purchase 1,000 Pi on the exchange market, with multiple platforms rejecting my credit and debit card payments. Nonetheless, I firmly believe that this represents a valuable investment opportunity critical for advancing our collective mission toward GCV unification in the exchange market. Your understanding of this message and prompt actions will be appreciated as we move forward together. Best regards, Doris Yin🪷🪷🪷 Founder, Global GCV Movement Feb.23rd, 2025

Call to Action for Global Pioneers: Uniting Efforts to Stabilize the GCV Price in the Exchange Market Dear Global Pioneers, We are currently at a critical juncture that may determine our ability to swiftly realize the GCV in the exchange market. As of now, we are in the Open Network phase, which serves as a preparatory stage for a fully decentralized network where all code can be activated. It is important to note that the Pi Network has not registered as a security because it aims to function as a digital currency rather than a digital asset. However, given recent list on the exchange market, compliance with the United States Securities and Exchange Commission (SEC) is now necessary for Pi Network, which subsequently require CT not to guide Pi's price in the exchange market. To address this situation, we urge all pioneers to unite in a call auction to ensure the GCV is stabilized as soon as possible. We implore you not to sell below the GCV price. Conversely, you are encouraged to buy if you have the means, as the current prices are significantly low. It is essential to emphasize that we are now in the Open Network phase, permitting both buying and selling. We have observed that many pioneers may be hesitant to make purchases; however, it is imperative that you do not let this concern deter you. We have surpassed the enclosed mainnet phase, where buying and selling were prohibited. Increasing liquidity in the exchange market is crucial for attracting external investors. At this stage, the combined strength of all pioneers is required to enhance purchasing power and to capitalize on lower prices. Please clarify your understanding of our current pricing situation. The existing market prices do not reflect Pi's value of our source code, which is derived from our blockchain record. Our efforts have previously focused on establishing Pi as a digital currency, culminating in the creation of the GCV blockchain record, which has indeed achieved success. For instance, the GitHub record indicates a GCV of $314,159, and Mr. Kasasih's code fork has now been integrated into the CT’s main bran code of the signifying its official status. The rationale for the current low prices in the exchange market stems, in part, from a lack of awareness among many pioneers, some of whom may be in financially constrained positions and require immediate funds for necessities. Such individuals may be misled by those who do not support GCV's potential, thereby selling their holdings at depressed prices. This underscores the importance of CT's control over KYC processes and migration procedures. Allowing all pioneers pass KYC and migrating Pi could lead to detrimental outcomes for the project, as uninformed pioneers may sell at significantly low prices. Just we see right now there are a lot of pioneers sell at very low price. So, CT only allow 10 million wallets migrated. It is important to recognize that the current low pricing is not the fault of the PCT or GCV CT, it is a consequence of a collective lack of proactive engagement from the pioneers. By promoting education on the true value of Pi as GCV, we can mitigate the prevalence of low-price sellers. While complaints about pricing may arise, it is essential to understand that we cannot prevent pioneers from selling. What we can do is purchase the available low-priced offerings from the market and collectively urge all pioneers not to sell below the GCV price. This remains a top priority for all involved if we aim to achieve the OM status swiftly. Additionally, it is vital to understand that the CT cannot announce the price of Pi in the exchange market, nor can they buy all the Pi in the exchange market. The price must ultimately be determined by the actions of our pioneering community and outside investors. Therefore, it is everyone's responsibility to refrain from complaints and instead focus on advancing the project collectively. We recommend all pioneers take the following actions: - Do not sell below $314,159. Please list selling price at $314,159. You should have confidence on GCV when it has been in the code already. Once the OM completed; all ecosystems will implement GCV. And you don’t need to wait long time and I estimate in one month or less. - Consider purchasing if you have extra funds available but ensure that you are not borrowing money or using essential living funds for these investments. Any amount such as $10 or $20 or $100 you choose to invest can contribute to increasing the visibility of Pi in the exchange market, potentially attracting outside investors. Also, many pioneers have locked three years with 100%, it is a good chance. You can acquire 6 Pi for just $10 right now. Once our pioneers warm up the market, you'll see outside investors becoming active, so there's no need to worry about how long or how much funding it will take to reach GCV. As soon as the low-priced Pi are being purchased, the price is poised to surge from just a few dollars to GCV in no time. We won't follow the traditional cryptocurrency path for growth because we have a strong community backing GCV.` It is crucial for all global pioneers to recognize that we are all collectively striving towards the successful realization of the OM. The CT shares this goal as well. However, if the exchange market price remains as low as $1 or $2, the likelihood of merchants joining the Pi Network diminishes. It is imperative that the gap between the ecosystem's Pi value and its exchange market price remain minimal. If the exchange price is low, it inhibits the CT's ability to fulfill ecosystem objectives. You need not worry about protracted timelines. With collective action, the path to achieving GCV can be expedited. While it would indeed be beneficial for the CT to manage arrangements efficiently, it is vital that we do not adopt a passive stance, awaiting resolutions. Delays could adversely affect both the reputation of PCT and the GCV CT. Lastly, I would like to address recent rumors suggesting that pioneers are unable to transfer Pi to or from the exchange market; this information is misleading. Pi Network is indeed open already, and the CT has verified five exchange markets for transactions. I have personally encountered challenges while attempting to purchase 1,000 Pi on the exchange market, with multiple platforms rejecting my credit and debit card payments. Nonetheless, I firmly believe that this represents a valuable investment opportunity critical for advancing our collective mission toward GCV unification in the exchange market. Your understanding of this message and prompt actions will be appreciated as we move forward together. Best regards, Doris Yin🪷🪷🪷 Founder, Global GCV Movement Feb.23rd, 2025

Doris Yin 东方紫莲🪷

143,112 просмотров • 1 год назад

(1) 🧵 In the United States, Mike Flynn is the most well-known and politically influential Christian Nationalist. During a recent gathering at John Hague's church, General Mike Flynn declared to a conservative audience at a ReAwaken event: "If we want to have a nation under God, as we must, we need to have one religion. A nation under God and a religion under God, right? All of us working together." Which religion is Mike Flynn referring to? Who is responsible for this "one religion?" Who will determine the doctrinal positions and what is considered against the accepted teachings of this "one religion?" Are there any consequences for not adhering to the pronouncements of this religion? Mike Flynn did not state, "We hope to regain this nation's devotion to God by spreading peace, grace, and love through the teachings of the Gospel of Jesus Christ." No. Mike Flynn claimed that we must have one religion under God in the United States. However, Mike Flynn never specifies which religion he is referring to in his ambiguous statement. What religion is Mike Flynn alluding to? During another stop on the ReAwaken America tour, Mike Flynn led thousands of unsuspecting men and women in a prayer led by Elizabeth Clare Prophet, a Theosophical, Gnostic, Hermetic Priestess. Elizabeth Clare Prophet prayed: "I am the instrument of those sevenfold rays and archangels! And I will not back down. I will take my stand. I will not be afraid to speak. I will serve as God's instrument, regardless of his will. Here I am, with God's help! In the name of Archangel Michael and his legions, I am born free and will remain free. I will not be enslaved by any enemy, both within and outside." General Mike Flynn prayed: "We are your instruments of those sevenfold rays and all your archangels, every single one of them. We will not back down, we will stand our ground. We will not be afraid to speak. We will serve as your instruments, no matter your will. In your name and the name of your legions, we are born free and will remain free. We will not be enslaved by any enemy, both within and outside, with God's help." General Mike Flynn led unsuspecting and well-intentioned Christians through a prayer from a Theosophical Priestess, Elizabeth Clare Prophet, altering the prayer from the singular "I am" to the plural "We are." The prayer, which first appeared in Elizabeth Clare Prophet’s book where she claimed to have channeled the Archangel Michael during EC Prophet’s “The Flame of Freedom Speaks” conference in 1984 (see more below). Prophet and Flynn’s prayer refers to "those sevenfold rays." According to one of EC Prophet's greatest influencers, Alice Bailey, each Ray is an expression of the Hindu Trinity or the Gnostic/Hermetic-influenced Seven Sephiroth of Kabbalah.A ray is but a name for a particular force or type of energy, with an emphasis on the quality that force exhibits, rather than the form aspect it creates. This is a true definition of a ray." (Esoteric Psychology, Vol. I, p.315). Alice Bailey states that each Ray is an expression of the Hindu Trinity or the Gnostic/Hermetic-influenced Seven Sephiroth of Kabbalah. "Ray I: The Ray of Will and Power Ray II: The Ray of Love-Wisdom Ray III: The Ray of Active Intelligence and Adaptability (also known as The Ray of Creative Intelligence) Ray IV: The Ray of Harmony through Conflict (also known as The Ray of Harmony, Beauty, and Art) Ray V: The Ray of Concrete Knowledge or Science Ray VI: The Ray of Devotion and Abstract Idealism Ray VII: The Ray of Ceremonial Order or Magic" To reiterate, General Mike Flynn had unsuspecting American Christians repeat, word-for-word, a "prayer" that was channeled through a Theosophic Priestess and had origins in Gnostic and Hermetic teachings. This is "MAGA" Christian Nationalism. The following video is part of a presentation that I gave at the "With Liberty and Freedom for All" conference in July of 2023 alongside James Lindsay, anti-Communist , Xi Van Fleet , Bill Roach , Jon Benzinger , @AndrewNWoodard Glenn Beck Charlie Kirk

(1) 🧵 In the United States, Mike Flynn is the most well-known and politically influential Christian Nationalist. During a recent gathering at John Hague's church, General Mike Flynn declared to a conservative audience at a ReAwaken event: "If we want to have a nation under God, as we must, we need to have one religion. A nation under God and a religion under God, right? All of us working together." Which religion is Mike Flynn referring to? Who is responsible for this "one religion?" Who will determine the doctrinal positions and what is considered against the accepted teachings of this "one religion?" Are there any consequences for not adhering to the pronouncements of this religion? Mike Flynn did not state, "We hope to regain this nation's devotion to God by spreading peace, grace, and love through the teachings of the Gospel of Jesus Christ." No. Mike Flynn claimed that we must have one religion under God in the United States. However, Mike Flynn never specifies which religion he is referring to in his ambiguous statement. What religion is Mike Flynn alluding to? During another stop on the ReAwaken America tour, Mike Flynn led thousands of unsuspecting men and women in a prayer led by Elizabeth Clare Prophet, a Theosophical, Gnostic, Hermetic Priestess. Elizabeth Clare Prophet prayed: "I am the instrument of those sevenfold rays and archangels! And I will not back down. I will take my stand. I will not be afraid to speak. I will serve as God's instrument, regardless of his will. Here I am, with God's help! In the name of Archangel Michael and his legions, I am born free and will remain free. I will not be enslaved by any enemy, both within and outside." General Mike Flynn prayed: "We are your instruments of those sevenfold rays and all your archangels, every single one of them. We will not back down, we will stand our ground. We will not be afraid to speak. We will serve as your instruments, no matter your will. In your name and the name of your legions, we are born free and will remain free. We will not be enslaved by any enemy, both within and outside, with God's help." General Mike Flynn led unsuspecting and well-intentioned Christians through a prayer from a Theosophical Priestess, Elizabeth Clare Prophet, altering the prayer from the singular "I am" to the plural "We are." The prayer, which first appeared in Elizabeth Clare Prophet’s book where she claimed to have channeled the Archangel Michael during EC Prophet’s “The Flame of Freedom Speaks” conference in 1984 (see more below). Prophet and Flynn’s prayer refers to "those sevenfold rays." According to one of EC Prophet's greatest influencers, Alice Bailey, each Ray is an expression of the Hindu Trinity or the Gnostic/Hermetic-influenced Seven Sephiroth of Kabbalah.A ray is but a name for a particular force or type of energy, with an emphasis on the quality that force exhibits, rather than the form aspect it creates. This is a true definition of a ray." (Esoteric Psychology, Vol. I, p.315). Alice Bailey states that each Ray is an expression of the Hindu Trinity or the Gnostic/Hermetic-influenced Seven Sephiroth of Kabbalah. "Ray I: The Ray of Will and Power Ray II: The Ray of Love-Wisdom Ray III: The Ray of Active Intelligence and Adaptability (also known as The Ray of Creative Intelligence) Ray IV: The Ray of Harmony through Conflict (also known as The Ray of Harmony, Beauty, and Art) Ray V: The Ray of Concrete Knowledge or Science Ray VI: The Ray of Devotion and Abstract Idealism Ray VII: The Ray of Ceremonial Order or Magic" To reiterate, General Mike Flynn had unsuspecting American Christians repeat, word-for-word, a "prayer" that was channeled through a Theosophic Priestess and had origins in Gnostic and Hermetic teachings. This is "MAGA" Christian Nationalism. The following video is part of a presentation that I gave at the "With Liberty and Freedom for All" conference in July of 2023 alongside James Lindsay, anti-Communist , Xi Van Fleet , Bill Roach , Jon Benzinger , @AndrewNWoodard Glenn Beck Charlie Kirk

Michael O'Fallon - Sovereign Nations

500,424 просмотров • 2 лет назад