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Donovan Mitchell on whether he shares Anthony Edwards’ view that Victor Wembanyama set the tone with his intensity today 🗣️ “I’m not gonna lie, I was working out when they were playing, so I didn’t watch as much of it. But I already knew just from last year being...

1,331,941 görüntüleme • 5 ay önce •via X (Twitter)

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Denzel Washington’s epic monologue towards the end of Training Day was largely improvised on set. Director Antoine Fuqua was so blown away by his performance, he says he thinks he "forgot to yell cut”. He explains… “That’s Denzel. He was just in his zone. I mean, that was one of those moment...people talk about AI. Those are the moments where you go...it's a great tool. It's gonna be a great tool, I think...but the emotion, and the moment that an actor can bring - you can't predict that. That's something that's just inside of Denzel. And when that came out, I was just like - I hope I got it. I just turned to my operator - who was shaking- I looked over at the guy - I was like, “please tell me you got that.” Because that was the take. That was it. There was no other take - I mean, how do you tell an actor like that, that that wasn't good enough? …He walked over to me, and he just had this look in his eyes. I was like, “you good?” He said, “you good?” I said, “Yeah…” Some of that was in the script, but he flipped it the way he did it. "Putting cases on all you." He kind of added some things in there. And then he just went into a whole other zone with the whole King Kong thing- with Pelican Bay - Denzel started that. That was Denzel. That was him, man. He just kind of lit up, and I think I forgot to yell cut. I was just watching it, because everybody started walking away, and I'm just watching him, and then he lights a cigarette - and he's talking - and I'm just watching him. I think at some point he probably looked at me like, you going to cut? And I'm like, “oh yeah, yeah, cut.” He was still in it. That's the thing with Denzel. He was so Alonso…I'm just watching him for a while because I didn't know what else he was going to do. It was just so magical. And then I think he looked up at me and I was like, “Okay, cut, cut.”

Gangster Cinema Central

42,262 görüntüleme • 26 gün önce

stefan van de graaff on what kit connor brought to the set of “one of us”: “so his agent had told me that he was the most professional person ever. and honestly, even that was a bit of an understatement. there’s a lot of signals that you can get from actors that sort of you perceive as the director, their level of commitment and passion for a project. and kit exhibited all of those in spades. as an example, you know, when you’re trying to get actors to come on set, and you have your ADs going to go fetch them, and they’ve been in the green room or whatever, waiting to kind of deliver their lines, sometimes it takes a while to usher them out. kit was, like, first guy on set every time, never had to be asked. he was just ready to go. and then the last guy, he was always the last one. he’d come to me and say, ‘do you want another one? do we do it again?’ you know, every time he was always the first and last. and that, on top of everything else, of just how kind he was, how he, i mean, he just ushered the set in so many respects of bringing the talent of everybody up to his level. and i think that everybody saw something almost superhuman happening when he would deliver those soliloquies after essentially memorizing them the night before flawlessly. i mean, literally, not asking for a line ever, rarely asking for a second take unless i was the one asking for it. i think that everybody was just kind of in awe of that, and that just elevated the production.” 🎥: mollyandanna_ on tiktok

kit connor updates

13,057 görüntüleme • 3 ay önce

Jenny Racicot describes in detail how Graham Platner allegedly forced his way into her home while “heavily intoxicated” and ignored her repeated refusals. She says he jumped on top of her with clear sexual intentions despite her saying no multiple times. RACICOT: “It was a night where him and I were texting back and forth and he had taken something that I said as, as an invitation, and that’s not how I meant it.” “And I quickly clarified, and he sent a message back indicating that he would come over.” “And I said, no, don’t come over. Like I’m not in the mood. Don’t come over. And I was more stern with that message.” “And then I didn’t hear back from him. So I thought that that meant he got the message or gave up on it or whatnot.” “And so um, like half an hour later, I heard a noise outside my door and, um, then he, he came in, he just came into my house. It was unlocked. I live in an area where you don’t usually have to lock your doors. Um, I do now.” “So, um, he came in and I realized, okay, he didn’t listen. He’s in my home and I was laying on the couch.” “And so he had kind of like jumped on top of me and indicated that he had intentions that were sexual in nature.” “And I remember just at first being like, hey, I’m not into this. Like, don’t, I’m not in the mood. Like, don’t whatever.” “Um, and it got to the point where I was like, okay, I feel like I’ve said this enough times. Like he’s not listening to me or he’s not hearing me.” “And I looked at him and I remember this very specific look in his eyes, and I could smell alcohol.” “And I was like, this is different. He is heavily intoxicated, like, and that blank stare was kind of like a photographic memory that, that I still have of that night.” “That was me recognizing what the situation was. And this wasn’t just like, oh, hey, somebody showed up and I’m going to tell him to go home. Like he was heavily intoxicated and had intentions with me and wasn’t listening when I said no.”
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Jenny Racicot describes in detail how Graham Platner allegedly forced his way into her home while “heavily intoxicated” and ignored her repeated refusals. She says he jumped on top of her with clear sexual intentions despite her saying no multiple times. RACICOT: “It was a night where him and I were texting back and forth and he had taken something that I said as, as an invitation, and that’s not how I meant it.” “And I quickly clarified, and he sent a message back indicating that he would come over.” “And I said, no, don’t come over. Like I’m not in the mood. Don’t come over. And I was more stern with that message.” “And then I didn’t hear back from him. So I thought that that meant he got the message or gave up on it or whatnot.” “And so um, like half an hour later, I heard a noise outside my door and, um, then he, he came in, he just came into my house. It was unlocked. I live in an area where you don’t usually have to lock your doors. Um, I do now.” “So, um, he came in and I realized, okay, he didn’t listen. He’s in my home and I was laying on the couch.” “And so he had kind of like jumped on top of me and indicated that he had intentions that were sexual in nature.” “And I remember just at first being like, hey, I’m not into this. Like, don’t, I’m not in the mood. Like, don’t whatever.” “Um, and it got to the point where I was like, okay, I feel like I’ve said this enough times. Like he’s not listening to me or he’s not hearing me.” “And I looked at him and I remember this very specific look in his eyes, and I could smell alcohol.” “And I was like, this is different. He is heavily intoxicated, like, and that blank stare was kind of like a photographic memory that, that I still have of that night.” “That was me recognizing what the situation was. And this wasn’t just like, oh, hey, somebody showed up and I’m going to tell him to go home. Like he was heavily intoxicated and had intentions with me and wasn’t listening when I said no.”

Overton

23,767 görüntüleme • 11 gün önce

Paul London explained why Vince McMahon was angry at him during the 'who killed Vince McMahon: the limo exploded segment' “We were in Hershey, Pennsylvania. We were coming off of a house show, and I had been pulled into the office right as I got there. I still had my bags, and, you know, I was already in trouble for another before-mentioned hillbilly backyard wrestler from North Carolina, who sabotaged me by putting out online that I had leaked a magazine reveal to a fan. I had revealed Ashley being on Playboy; I had revealed that online, so that had been put out there that I talked to a fan. So I was getting reprimanded for that. I was like, you know who did this. You know who’s behind this. ‘I know, we still have to talk to you.’ Why? If you know who did it. So I was already in trouble for that.” “Then they called everybody over that they didn’t have any plans for. Just okay, the rest of you, this was going to be going on here. Okay, we have this segment going on the ring now. Vince is going to be acting very queer, okay, very odd, unusual, very, very queer. They kept saying queer, I don’t know why, okay, I think they mean odd. That has to be what they mean, right? ‘He’s gonna come back here and we’re gonna line you all up, and he’s gonna just walk along acting very queer, very odd and just very bizarre and very queer.’ I was like, Okay, I get it. Now, if he looks at you, just play off of it. The best part of that segment is watching everybody else in that thing, their faces. That’s my favorite kind of part of that scene, because they were really trying. I’m like, What are y’all doing? So that was the only description. They filmed the limousine explosion the night before. Didn’t tell any of us that was what was happening. Didn’t tell us anything other than he was bizarre, odd and queer. So every take he looked in my face. I’m sitting here thinking, whatever is up this guy’s ass is making him so bizarre.” “I did that every time. We did it nine times, every time he [looked at me]. All right, thanks, everybody. And then it was that Oompa Loompa that used to walk Khali to the ring, who was in the office, and I’m not talking about Davari, because I love Davari, but the non-athletic Oompa Loompa guy who used to walk Khali out to the ring, he’s like, ‘Hold on, sir. Do you think anyone’s gonna notice this’? He pulls out like a stencil and points out my smile. I don’t know if you’re familiar with Mekaneck from He-Man or a periscope in a submarine. His head, literally, he power walked over to me. ‘Why were you smiling?!’ Because you’re like, acting bizarre, and I don’t know? Don’t kill the messenger. I don’t get that.” (Chris Van Vliet)

J O H N

30,309 görüntüleme • 5 ay önce