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Drag Me to Hell (2009) is Sam Raimi in full sadistic playground mode. One small moral choice triggers an avalanche of curse logic, slapstick horror, and pure escalation. Few horror films have this much nerve.

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297,011 次观看 • 8 个月前 •via X (Twitter)

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This remains one of the best horror films till now!🧟 🎬 Drag me to Hell

This remains one of the best horror films till now!🧟 🎬 Drag me to Hell

Vonnie

632,195 次观看 • 8 个月前

16 years ago today Drag Me To Hell was released, giving us a sensational film and one of the most iconic endings in horror cinema

16 years ago today Drag Me To Hell was released, giving us a sensational film and one of the most iconic endings in horror cinema

𝚃𝙷𝙺

6,012,379 次观看 • 1 年前

This brings it home. The people of the world have no idea what is happening to us. Unprecedented in modern human history. The horror and suffering is going to be immense. We must go into emergency mode now but I fear we won’t and it will have to get much worse to wake us up 😢

This brings it home. The people of the world have no idea what is happening to us. Unprecedented in modern human history. The horror and suffering is going to be immense. We must go into emergency mode now but I fear we won’t and it will have to get much worse to wake us up 😢

Matthew Todd 🌏🔥

18,602 次观看 • 1 年前

Sam Raimi on the making of 'The Evil De@d' (1981) & how 'Halloween' (1978) & other films he watched at the drive-ins inspired him to make movies: "EMPIRE: 'The Evil De@d' (1981) was made for financial reasons, wasn't it? RAIMI: We were just trying to make a movie that would play in the drive-ins. It wasn't really driven by a love of horror. The movies that I'd made up until that point were comedies and dramas, but Rob Tapert said, "If we're going to do this, you've got to learn to make a horror movie." I said, "I don't like horror movies because they scare me!" I had some intense experiences as a kid watching horror movies and I didn't know how to make it fun for me. He said, "Well, let's go see if you can make a horror. I'm going to the theatre and you tell me if you can make a horror movie as good as this." So we went to the theatre and 'Halloween' (1978) was playing! We watched it and he goes, "Well, can you make a movie as good as that? That's a low-budget horror movie!" I said, "I don't think I can!" EMPIRE: That's like watching 'Apocalypse Now' (1979) before making a war movie! RAIMI: (Laughs) I didn't know how famous it was going to be. I was really depressed. But I learned how to make a horror movie. We started to sit through drive-ins. People would give us weird looks: three boys – Bruce Campbell, Rob and myself – sitting in the front seat of a car at the drive-in, which was a make-out place, and we were there, trying to see all the Italian and British and American horror films. We'd see what they would do and go, "Okay, we can't hear what they're doing in the other cars, but those people look like they're afraid!" Then we wrote the script for 'Evil De@d', and I made a Super-8 movie (Within The Woods, starring Campbell) that had some scares in it, and I started to understand what that was about. And then we went to shoot it." (Sam Raimii's interview with Chris Hewitt, Empire, 2009)

Sam Raimi on the making of 'The Evil De@d' (1981) & how 'Halloween' (1978) & other films he watched at the drive-ins inspired him to make movies: "EMPIRE: 'The Evil De@d' (1981) was made for financial reasons, wasn't it? RAIMI: We were just trying to make a movie that would play in the drive-ins. It wasn't really driven by a love of horror. The movies that I'd made up until that point were comedies and dramas, but Rob Tapert said, "If we're going to do this, you've got to learn to make a horror movie." I said, "I don't like horror movies because they scare me!" I had some intense experiences as a kid watching horror movies and I didn't know how to make it fun for me. He said, "Well, let's go see if you can make a horror. I'm going to the theatre and you tell me if you can make a horror movie as good as this." So we went to the theatre and 'Halloween' (1978) was playing! We watched it and he goes, "Well, can you make a movie as good as that? That's a low-budget horror movie!" I said, "I don't think I can!" EMPIRE: That's like watching 'Apocalypse Now' (1979) before making a war movie! RAIMI: (Laughs) I didn't know how famous it was going to be. I was really depressed. But I learned how to make a horror movie. We started to sit through drive-ins. People would give us weird looks: three boys – Bruce Campbell, Rob and myself – sitting in the front seat of a car at the drive-in, which was a make-out place, and we were there, trying to see all the Italian and British and American horror films. We'd see what they would do and go, "Okay, we can't hear what they're doing in the other cars, but those people look like they're afraid!" Then we wrote the script for 'Evil De@d', and I made a Super-8 movie (Within The Woods, starring Campbell) that had some scares in it, and I started to understand what that was about. And then we went to shoot it." (Sam Raimii's interview with Chris Hewitt, Empire, 2009)

DepressedBergman

81,501 次观看 • 8 个月前

I'm a huge fan of director Damian McCarthy. The eerie atmosphere, visual storytelling, and slow-building dread he brought to films like Caveat, Oddity, and this one, Hokum, are exactly the kind of horror that pulls me in and makes me feel right at home.

I'm a huge fan of director Damian McCarthy. The eerie atmosphere, visual storytelling, and slow-building dread he brought to films like Caveat, Oddity, and this one, Hokum, are exactly the kind of horror that pulls me in and makes me feel right at home.

Carnival of Horror

17,633 次观看 • 2 个月前

The scene which William Friedkin considered to be "One of the greatest horror sequences ever filmed": Jacques Tourneur's "The Leopard Man" (1943) was one of William Friedkin's favourite movies. He praised it to be "much deeper than a B-picture" He stated that The film is actually many, many films in one adding that it's horror, it's a mystery/thriller, and it's a tale about fate. William Friedkin credits the film as being an inspiration towards Alfred Hitchcock's 'Psycho' (1960) and Quentin Tarantino's Pulp 'Fiction' (1994) He believed the below scene to be "One of the greatest horror sequences ever filmed" (Source: IMDb - Originally from William Friedkin's audio commentary for 2005 DVD of the movie)

The scene which William Friedkin considered to be "One of the greatest horror sequences ever filmed": Jacques Tourneur's "The Leopard Man" (1943) was one of William Friedkin's favourite movies. He praised it to be "much deeper than a B-picture" He stated that The film is actually many, many films in one adding that it's horror, it's a mystery/thriller, and it's a tale about fate. William Friedkin credits the film as being an inspiration towards Alfred Hitchcock's 'Psycho' (1960) and Quentin Tarantino's Pulp 'Fiction' (1994) He believed the below scene to be "One of the greatest horror sequences ever filmed" (Source: IMDb - Originally from William Friedkin's audio commentary for 2005 DVD of the movie)

DepressedBergman

138,263 次观看 • 4 个月前

Happy Tuesday, everyone! This week, I’m chatting with Horror Queen Kate Siegel! Alongside her husband Mike Flanagan, Kate has crafted some of the most chilling films and TV shows lately. Kate and Mike have a new film, Life of Chuck, adapted from a Stephen King novel, which strays from horror—I have seen this and you will definitely want to as well! Though she’s found her niche in horror, she’s an incredible actor and writer in every role. Our conversation also explores motherhood, addiction, sobriety, and the joys and challenges of working creatively with a partner. You’re gonna love this one! 🚀 🌟 #TheSackhoffShow 𝘞𝘢𝘵𝘤𝘩 𝘰𝘳 𝘭𝘪𝘴𝘵𝘦𝘯 𝘸𝘩𝘦𝘳𝘦𝘷𝘦𝘳 𝘺𝘰𝘶 𝘨𝘦𝘵 𝘺𝘰𝘶𝘳 𝘱𝘰𝘥𝘤𝘢𝘴𝘵𝘴 #katesiegel #thelifeofchuck #hush #thefallofthehouseofusher

Happy Tuesday, everyone! This week, I’m chatting with Horror Queen Kate Siegel! Alongside her husband Mike Flanagan, Kate has crafted some of the most chilling films and TV shows lately. Kate and Mike have a new film, Life of Chuck, adapted from a Stephen King novel, which strays from horror—I have seen this and you will definitely want to as well! Though she’s found her niche in horror, she’s an incredible actor and writer in every role. Our conversation also explores motherhood, addiction, sobriety, and the joys and challenges of working creatively with a partner. You’re gonna love this one! 🚀 🌟 #TheSackhoffShow 𝘞𝘢𝘵𝘤𝘩 𝘰𝘳 𝘭𝘪𝘴𝘵𝘦𝘯 𝘸𝘩𝘦𝘳𝘦𝘷𝘦𝘳 𝘺𝘰𝘶 𝘨𝘦𝘵 𝘺𝘰𝘶𝘳 𝘱𝘰𝘥𝘤𝘢𝘴𝘵𝘴 #katesiegel #thelifeofchuck #hush #thefallofthehouseofusher

Katee Sackhoff

20,562 次观看 • 1 年前

"For me, 'Audition' (1999) is not horror. At least, there is no monster, it's not supernatural. It's a story about a girl who has just slightly strange emotions, so it's not impossible to understand her." --- Takashi Miike Full Excerpt: "Interviewer: 'Audition' (1999) is one of your very few horror films, one could say. Yet your television work is mainly in the horror genre, why this difference? Miike: For me, 'Audition' (1999) is not horror. At least, there is no monster, it's not supernatural. It's a story about a girl who has just slightly strange emotions, so it's not impossible to understand her. She just wants the person she loves to stay by her side. She doesn't commit a big crime, she just cuts the guy's foot off. But when I read the novel, I was really scared. I felt it was so realistic. Between the two characters there is no conflict. They met briefly at the audition, but such really small incidents can change a person's life completely. Such kinds of things I enjoy putting on film. I accentuated the aspect of horror a bit more. In horror films, we think the horrific element is a special thing that doesn't exist in real life and that's why we can enjoy it. But there are terrifying things in life too and they are all made by human beings. Everybody has those things inside themselves. So by filming human beings, it naturally becomes a horror movie." (Takashi Miike's interview with Kuriko Sato & Tom Mes, Midnight Eye, 2001)

"For me, 'Audition' (1999) is not horror. At least, there is no monster, it's not supernatural. It's a story about a girl who has just slightly strange emotions, so it's not impossible to understand her." --- Takashi Miike Full Excerpt: "Interviewer: 'Audition' (1999) is one of your very few horror films, one could say. Yet your television work is mainly in the horror genre, why this difference? Miike: For me, 'Audition' (1999) is not horror. At least, there is no monster, it's not supernatural. It's a story about a girl who has just slightly strange emotions, so it's not impossible to understand her. She just wants the person she loves to stay by her side. She doesn't commit a big crime, she just cuts the guy's foot off. But when I read the novel, I was really scared. I felt it was so realistic. Between the two characters there is no conflict. They met briefly at the audition, but such really small incidents can change a person's life completely. Such kinds of things I enjoy putting on film. I accentuated the aspect of horror a bit more. In horror films, we think the horrific element is a special thing that doesn't exist in real life and that's why we can enjoy it. But there are terrifying things in life too and they are all made by human beings. Everybody has those things inside themselves. So by filming human beings, it naturally becomes a horror movie." (Takashi Miike's interview with Kuriko Sato & Tom Mes, Midnight Eye, 2001)

DepressedBergman

76,555 次观看 • 8 个月前

Evening viewing recommendation? On Criterion Channel, watch Jane Schoenbrun's WE'RE ALL GOING TO THE WORLD'S FAIR (2021) in our Tramps, Troublemakers, and Trailblazers: Trans Filmmakers collection! One of the few films to truly capture the uncanny texture and existential dread of the online void, Schoenbrun's debut feature blends horror, psychodrama, and an experimental video-art aesthetic into a truly visionary coming-of-age nightmare.

Evening viewing recommendation? On Criterion Channel, watch Jane Schoenbrun's WE'RE ALL GOING TO THE WORLD'S FAIR (2021) in our Tramps, Troublemakers, and Trailblazers: Trans Filmmakers collection! One of the few films to truly capture the uncanny texture and existential dread of the online void, Schoenbrun's debut feature blends horror, psychodrama, and an experimental video-art aesthetic into a truly visionary coming-of-age nightmare.

Criterion Collection

29,632 次观看 • 4 个月前

Few scenes have touched me and stuck with me as much as Harry’s New Year’s monologue, and what Rob Reiner and Nora Ephron captured in this film, in that scene, is just pure magic; a longing so raw and internal expressed so vulnerably yet so open and ardent. One of the best ever.

Few scenes have touched me and stuck with me as much as Harry’s New Year’s monologue, and what Rob Reiner and Nora Ephron captured in this film, in that scene, is just pure magic; a longing so raw and internal expressed so vulnerably yet so open and ardent. One of the best ever.

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How to create dual dialogue in Runway Act One 🤯 I created this short thriller scene, "Safe," inspired by one of my favorite horror films, "It Follows," in the spirit of Halloween. I wanted to have a male and female character disagree about something to create tension, but I tried to edit it with traditional dualing dialogue. Learn how I did it in the steps below:

How to create dual dialogue in Runway Act One 🤯 I created this short thriller scene, "Safe," inspired by one of my favorite horror films, "It Follows," in the spirit of Halloween. I wanted to have a male and female character disagree about something to create tension, but I tried to edit it with traditional dualing dialogue. Learn how I did it in the steps below:

Dave Clark

42,592 次观看 • 1 年前

SEC. RUBIO: "I think that's one of the dynamics that's changed in this war over the last few months, and that is that the Russians are finding it more difficult to defend their own airspace—and what we hope that means is that's going to create the space now to negotiate the end of this war." PRESIDENT TRUMP: "It's an escalation—but it's also an escalation that can help lead to an end."

SEC. RUBIO: "I think that's one of the dynamics that's changed in this war over the last few months, and that is that the Russians are finding it more difficult to defend their own airspace—and what we hope that means is that's going to create the space now to negotiate the end of this war." PRESIDENT TRUMP: "It's an escalation—but it's also an escalation that can help lead to an end."

Breaking911

18,657 次观看 • 1 个月前

Hezbollah just struck and apparently destroyed much of the Birnit Israeli military site near the Lebanese borders. This is a major escalation. Israel will respond, no doubt, and we will be one giant step closer to a regional war. A senior Biden official is in Israel to counsel against an escalation with Lebanon. But the real measure that can put an end to all of this is a ceasefire.

Hezbollah just struck and apparently destroyed much of the Birnit Israeli military site near the Lebanese borders. This is a major escalation. Israel will respond, no doubt, and we will be one giant step closer to a regional war. A senior Biden official is in Israel to counsel against an escalation with Lebanon. But the real measure that can put an end to all of this is a ceasefire.

Trita Parsi

1,797,264 次观看 • 2 年前

Introducing... FRIGHT FIGHTERS!!! A game me and some friends have been working on for the past 9 months about internet horror icons beating each other up! Here's a small teaser, this is a huge passion project of mine and I can't wait to share it with you soon! #RobloxDev

Introducing... FRIGHT FIGHTERS!!! A game me and some friends have been working on for the past 9 months about internet horror icons beating each other up! Here's a small teaser, this is a huge passion project of mine and I can't wait to share it with you soon! #RobloxDev

Anderson

12,764 次观看 • 1 年前

.Secretary Marco Rubio: "I think that's one of the dynamics that's changed in this war over the last few months, and that is that the Russians are finding it more difficult to defend their own airspace—and what we hope that means is that's going to create the space now to negotiate the end of this war." President Donald J. Trump: "It's an escalation—but it's also an escalation that can help lead to an end."

.Secretary Marco Rubio: "I think that's one of the dynamics that's changed in this war over the last few months, and that is that the Russians are finding it more difficult to defend their own airspace—and what we hope that means is that's going to create the space now to negotiate the end of this war." President Donald J. Trump: "It's an escalation—but it's also an escalation that can help lead to an end."

Rapid Response 47

151,408 次观看 • 1 个月前

Have to really commend Jacob and/or Jackson's storyboarding and framing in this scene, because the amount of first-time watchers/reactors I've seen who felt *immediate* dread before they ever see David's silhouette is impressive The one true horror-genre jumpscare of the series

Have to really commend Jacob and/or Jackson's storyboarding and framing in this scene, because the amount of first-time watchers/reactors I've seen who felt immediate dread before they ever see David's silhouette is impressive The one true horror-genre jumpscare of the series

Mika (ﾉ◕ヮ◕)ﾉ*:･ﾟ✧ | In a Heated Rivalry

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Absolute bastardly act of evil in London. These Hatzalah Jewish volunteer ambulances have one mission and one mission only - to save lives. This is pure cowardice and hatred; an inevitable result of when relentless antisemitism continues to go unchecked and normalized.

Absolute bastardly act of evil in London. These Hatzalah Jewish volunteer ambulances have one mission and one mission only - to save lives. This is pure cowardice and hatred; an inevitable result of when relentless antisemitism continues to go unchecked and normalized.

Arsen Ostrovsky

18,757 次观看 • 5 个月前

Thirty-one years ago today, in Waco, Texas, the world watched in horror as 76 women & children were burned to death by ATF and FBI agents hell-bent on capturing one man. In the aftermath of the destruction, they flew their flag in pride & posed for photos over the ashes of the dead. Make no mistake: they are willing to go this far for every small rule and law. That is why we relentlessly pursue lawfare against these jackboots and their handlers. The lives of peaceable people depend on it.

Thirty-one years ago today, in Waco, Texas, the world watched in horror as 76 women & children were burned to death by ATF and FBI agents hell-bent on capturing one man. In the aftermath of the destruction, they flew their flag in pride & posed for photos over the ashes of the dead. Make no mistake: they are willing to go this far for every small rule and law. That is why we relentlessly pursue lawfare against these jackboots and their handlers. The lives of peaceable people depend on it.

Firearms Policy Coalition

253,813 次观看 • 2 年前

CTHULU TREK: I absolutely adore high concept horror. Which, to be fair, Star Trek damn near qualifies as. Imagine occupying the same reality as a *known* being, one you could walk up to and say shake hands with, who could extinguish your entire species in the blink of an eye because you upset him. And there was a race of him. "In an instant of grief, I destroyed the Husnock." Few people on hearing that line immediately understood the depth of it, the horror. The entire species collectively and instantly died and for years nobody knew why. Worse, Uxbridge was, or at least tried to be, good. His was an action of reflexive grief. I can think of no Lovecraftian horror more terrifying than that... and this sort of thing was a weekly occurrence on that show. "Good tea... Nice house."

CTHULU TREK: I absolutely adore high concept horror. Which, to be fair, Star Trek damn near qualifies as. Imagine occupying the same reality as a known being, one you could walk up to and say shake hands with, who could extinguish your entire species in the blink of an eye because you upset him. And there was a race of him. "In an instant of grief, I destroyed the Husnock." Few people on hearing that line immediately understood the depth of it, the horror. The entire species collectively and instantly died and for years nobody knew why. Worse, Uxbridge was, or at least tried to be, good. His was an action of reflexive grief. I can think of no Lovecraftian horror more terrifying than that... and this sort of thing was a weekly occurrence on that show. "Good tea... Nice house."

BLACK DUMPLING™

81,992 次观看 • 8 个月前