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🇨🇳Driving through Guangxi feels like stepping into a postcard. The karst mountains rise like ancient giants, and every turn reveals another stunning view. 🌄Nature’s masterpiece at its finest. 🏞✨#Guangxi #KarstMountains #TravelChina #roadTrip 📹 冬日焰阳 🎶 原声

61,323 просмотров • 1 год назад •via X (Twitter)

Комментарии: 11

Фото профиля ⭐️✨Tom Mann. Musician/Composer. ✨⭐️
⭐️✨Tom Mann. Musician/Composer. ✨⭐️1 год назад

Absolutely amazing. Stunning

Фото профиля Natie🇨🇳🇷🇺🇵🇸
Natie🇨🇳🇷🇺🇵🇸1 год назад

China welcomes you!

Фото профиля Gan Jing World
Gan Jing World1 год назад

🎥Yellowstone Journals Limited-Time Free Viewing on GJW+ Highlighting an entire year in the harsh wilderness of Yellowstone, this series gives you an intimate look into what it takes to survive in each of the four seasons in the world’s first national Park.

Фото профиля Muslimwife1992
Muslimwife19921 год назад

世界最美只有在中国。❤️🇨🇳

Фото профиля Sam
Sam1 год назад

Whoa, seems like the five elements mountain in the movie Journey to the West 😄

Фото профиля Amit G 🇮🇳
Amit G 🇮🇳1 год назад

Wow Amazing 🥰

Фото профиля shitpost offical
shitpost offical1 год назад

AI generated this is not a serious account

Фото профиля Aaron
Aaron1 год назад

Oh wow just like the paintings

Фото профиля العيـــد
العيـــد1 год назад

fantastic

Фото профиля Thor Ezby
Thor Ezby1 год назад

Man, what a view. Dreamy. Gotta take a road trip there. Or the HSR at least.

Фото профиля Dorothy
Dorothy1 год назад

Beutifuĺl

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Al Hashah village, nestled in the heart of Wadi Bani Hani in Al Rustaq, Oman, boasts a stunning geographical wonder—a colossal rock that rises majestically in the middle of the valley. During the rainy season, as the wadi fills with water, the village transforms into a breathtaking sight, appearing to float like a ship in a sea of shimmering waters. The Floating Village of Al Hashah.. Hidden deep within the embrace of Oman’s rugged mountains, where the winds whisper through narrow canyons and the sun casts golden hues over the land, lies the serene village of Al Hashah. Situated in Al Rustaq’s Wadi Bani Hani, Al Hashah is a place of quiet beauty, but its most captivating feature is the giant rock that stands at its heart, like a sentinel watching over the valley. This rock, larger than any house, is woven into the identity of the village. The villagers tell stories of how it has stood for centuries, unmovable through the harshest weather and time’s relentless passage. But it is during the rainy season that the true magic of Al Hashah reveals itself. When the clouds gather and release torrents of rain, the dry valley floor becomes a flowing river, transforming the landscape into a scene of wonder. The once-barren wadi fills to the brim, and the village appears to defy the natural world. As the waters rise and flow around the houses, Al Hashah seems to float, like a ship at sea. The giant rock stands firm amidst the waves, a steadfast anchor in a world momentarily taken over by water. In these moments, the villagers move about carefully, their lives adapting to the changing elements. Children peer out from windows, eyes wide in awe as their homes appear to drift. The elders smile, knowing that soon the waters will recede, and the village will return to its quiet, dry existence. Yet, every year, this spectacle reminds them of nature’s dual power—both a source of life and a force to be respected. The beauty of Al Hashah in the rainy season is not just a visual marvel, but a reminder of the delicate balance between people and their environment. The village, with its large rock and floating illusion, remains a symbol of resilience, harmony, and the timeless connection between land, water, and community. 🎥© r.n_49 (IG) #archaeohistories

Archaeo - Histories

69,748 просмотров • 1 год назад

✝️🇦🇲 May the Lord bless the Christian heritage of #Armenia, the first #Christian country in the world, which safeguards the ancient Akhtala Monastery, over a millennium old. Founded in the 10th century, this fortress-monastery was transformed two centuries later into a living Bible through its unique and breathtaking 13th-century Byzantine frescoes. Every surface bursts with frescoes depicting Old and New Testament miracles: the trial of Jesus before Pontius Pilate and Caiaphas, the sacred Communion, and saints in glory. So vivid they feel alive, they breathe faith into stone. Its main Church, St. Astvatsatsin, is a unique sanctuary and a masterpiece of synthesis, featuring a harmonious blend of Armenian, Georgian, and Byzantine elements. Scholarly analysis reveals the frescoes were likely the joint creation of eight master artists. The 13th-century frescoes of Akhtala Monastery are considered one of the finest examples of Byzantine art outside the empire, with inscriptions primarily in Greek. They represent a profound synthesis: while the coloring and technique are quintessentially Byzantine, the thematic narratives are distinctly Armenian, drawing parallels to earlier Armenian masterpieces like the 11th-century Mugni Gospels. The Akhtala Monastery was also a major center of manuscript writing, particularly from the 13th to the 14th centuries. In the 13th century, Simeon Pghndzahantsi worked here, and both Armenian and Georgian literature was studied.

Lianna

22,473 просмотров • 6 месяцев назад

I just press a button… and my Tesla takes me to my destination. No stress, no constant steering, no thinking about every little turn. It just drives me safely there. And honestly, it’s hard to explain this feeling to someone who hasn’t experienced the latest software yet. It’s freakin 2026... If your car isn’t electric and can’t take you from parking lot to parking lot by itself, it's like using a flip phone with a keyboard… or riding a horse in this era. That might sound dramatic, but once you see what’s actually happening behind the scenes, it starts to make sense. When I activate Tesla’s Full Self-Driving, the car is doing far more than simple cruise control that other car companies show off... it's really funny when I see them advertise it tbh. My Tesla is literally watching the world around it with eight cameras that give it a full 360° view. All that video feeds into the onboard AI computer inside the car, which is constantly analyzing everything around it like cars, lanes, pedestrians, traffic lights, construction zones, and making decisions in real time. Tesla has millions of cars on the road, and every single one is helping train the system. Even when people are driving manually, the AI is running quietly in the background predicting what it would do in that situation. And when something unusual happens, a weird intersection, a sudden obstacle, an unexpected move from another driver, that short clip gets sent back to Tesla’s data systems. Engineers then use those clips to train the next version of the driving AI. And that updated AI then gets pushed back to every Tesla through a software update. So literally overnight, your car wakes up smarter. This is what we call the Tesla’s AI flywheel. The more cars on the road, the more data the system learns from. The more it learns, the better the driving gets. The better the driving gets, the more people use it. And that cycle just keeps spinning faster. At this point the fleet has driven billions of miles using FSD, which means the system has already experienced situations that no single human driver could ever see in a lifetime. That’s why when you press that button, the car is running a massive neural network that learned from millions of real drivers and billions of miles on real roads. And the result is something that honestly feels like the future. You literally just press a button… then you arrive at your destination. I really don't know how anyone in their right mind would choose anything other than a Tesla.

Teslaconomics

18,932 просмотров • 4 месяцев назад

My son, One day, when you're older, you will come across this post and this video of the two of us walking up into the mountains. I hope you watch it more than once. We always begin the same way. You go bounding off ahead, certain the whole mountain belongs to you, and for a little while it does. Then the path gets steep. The air gets thinner and your legs get tired. You stop, you turn, and you look back at me and say: Dad, is the view really worth it? I will tell you a secret. I ask myself the same question. I'm climbing my own mountains you can't see yet, fighting things I hope you never have to fight, and some days the weight of it all feels like more than I can carry. Mom and I both put on a brave face, but it isn't always brave underneath. There are mornings I feel I am carrying the whole mountain rather than walking up it. But that's not a flaw in you or me, it just is what the journey is. You will meet climbs that burn your legs, there will be days when every step asks more than you think you have, and there will be MANY MANY times when turning back seems the only sensible thing thing to do ...don't be ashamed of wanting to. Everyone wants to turn back. But WANTING to turn back, and not doing it... well my son, that is the stuff strength is made of. There will be days when everything feels uphill. When the world feels unfair, and you’ll wonder why it has to be so hard. The summit will never stoop to meet you and the path cannot be talked into being shorter. What changes... what is changing in you even now while you're reading this, and especially on days that feel like nothing but insane amount of work and heartache... ...is YOU. You are the thing that grows. The world stays gloriously, stubbornly large, and you rise to meet it. So climb. Not because it is easy, but because you were made for the climbing. And when at last you stand in the high place with the wind in your face and the whole green country spread beneath you, you will understand something that cannot be told to a man but only shown to him: that every aching step was a kind of payment, and the view was the thing it had been buying all along. It will not feel like a reward. It will feel like coming home to a country you have never been to, and somehow always missed. I will be there. Lower on the trail by then, most likely. Slower. Catching my breath against a stone. But I will be watching you go up, and there will be no prouder man on the entire freaking mountain than me... the man who is proud of the boy who simply will not stop putting one foot in front of the other. Keep climbing, son. I am always on the trail. I love you, Dad

Matt Van Swol

54,382 просмотров • 1 месяц назад

A forgotten kingdom waiting above the sky. Used Script to video skill on FlovaAI FlovaAI_Japan prompt Title: "The Castle Above the Clouds" Duration: 45 seconds Style: Grounded naturalistic photoreal cinematic adventure drama, live-action feature film quality, anamorphic 35mm film look, realistic medieval atmosphere, emotional performances, natural sound design, shallow depth of field, atmospheric lighting, epic scale, realistic geology, no fantasy exaggeration. Main Characters: ELIAN (32) — A medieval historian and explorer, calm and observant, wearing a weathered dark leather coat, linen shirt, travel boots, carrying an old leather journal. MARA (29) — A skilled mountain guide, intelligent and fearless, wearing a practical wool cloak, leather gloves, climbing gear, carrying a small lantern and ancient map. Scene 1 — The Fortress Above the World (0–10 seconds) EXTREME HIGH VANTAGE POINT — CASTLE BATTLEMENT TERRACE — MORNING A sweeping aerial establishing shot reveals a massive medieval castle standing on a sheer alpine cliff nearly 1000 meters above the valley floor. The camera slowly moves across the open stone battlement terrace. No people are visible at first. Foreground: Weathered pale sandstone parapets dominate the frame. Ancient crenellations line the edge. The stone is covered with realistic cracks, worn mortar, chipped corners, patches of moss and lichen. A castle tower rises on the left side of the frame with narrow arched windows glowing in warm sunlight. The camera slowly approaches the cliff edge. Beyond the parapet: A terrifying vertical drop disappears into clouds. Far below, the valley appears miniature: A turquoise river winds through green farmland. Tiny villages with red rooftops sit beside the water. A medieval town with walls and towers rests on a distant ridge. The enormous mountain range fills the horizon, glaciers glowing under sunlight. Clouds drift BELOW the castle terrace. Sound Design: Strong mountain wind. Distant bells from the valley. Soft orchestral strings begin. Scene 2 — The Forgotten Map (10–20 seconds) EXT. CASTLE COURTYARD — MORNING The camera moves through an ancient stone courtyard. Empty armor stands beside old wooden doors. Sunlight enters through towering arches. Elian walks slowly through the courtyard, studying carvings on the castle walls. Mara follows behind carrying an old rolled map. She opens it on a stone table. The map shows the surrounding mountains and a hidden route marked through the peaks. MARA "This path hasn't been walked in three hundred years." Elian touches the faded markings. ELIAN "Then why was it hidden instead of destroyed?" Mara looks toward the towering mountains outside. MARA "Because some places are forgotten for a reason." A strong wind blows through the courtyard. The castle bells ring once. Scene 3 — The Edge of the Unknown (20–32 seconds) EXT. CASTLE BATTLEMENT — AFTERNOON Elian and Mara stand on the highest terrace overlooking the impossible landscape. The camera circles them slowly. They look incredibly small against the mountains. The valley below glows with golden sunlight. Clouds move between the castle and the world below. Mara points toward a distant mountain ridge. MARA "Beyond those peaks is the old fortress of Aurelian." Elian looks through a small telescope. Far away, barely visible on a rocky summit, sits another ancient castle. ELIAN "No one could build there." Mara smiles slightly. MARA "Someone did." The camera pushes toward the distant fortress. Snow-covered peaks rise behind it. Thunder rolls softly in the distance. Scene 4 — The Storm Approaches (32–40 seconds) EXT. MOUNTAIN PATH BELOW THE CASTLE — LATE AFTERNOON Elian and Mara descend along a narrow stone path carved into the cliff. The castle towers above them. A dramatic weather shift begins. Massive clouds gather around the mountain peaks. Wind increases. Loose dust moves across the ancient path. Mara stops and looks upward. MARA "The mountain is changing." Elian looks back toward the castle. ELIAN "Then we move faster." The camera rises high above them. They become tiny figures against the massive landscape. Scene 5 — The Final View (40–45 seconds) EXT. ALPINE RIDGE — SUNSET A final cinematic wide shot. The camera rises above the mountains. The medieval castle stands alone on its cliff, surrounded by glowing clouds. The valley below reflects the orange sunset. The river shines like a ribbon of gold. Elian's voice echoes softly. ELIAN (V.O.) "Some kingdoms are remembered because they conquered the world..." A pause. The camera moves toward the endless mountains. ELIAN (V.O.) "Others are remembered because they dared to reach beyond it." Cut to black. END. Visual Notes: Realistic medieval architecture inspired by Alpine castles and mountain fortresses No magic, no fantasy creatures, no exaggerated landscapes True scale: humans remain tiny compared to nature Cinematic 35mm grain, anamorphic lens flares, realistic atmospheric depth Natural mountain wind, distant bells, footsteps on stone, subtle orchestral score. #Flovaai #Flovacpp

Sharon Riley

604,606 просмотров • 20 дней назад

🏔️ Hindu Kush, where landrace cannabis has thrived since time immemorial, the ancient craft unfolds like a living prayer. 🕊️ 🇦🇫 Behold the mountains — colossal piles of sun-dried, hand-beaten cannabis: whole plants, resinous flowers, sturdy stems — broken down with reverence and precision. This is no ordinary harvest. It is the body of the sacred plant, offered back to the earth’s wisdom. The guardians of tradition step forward, shovels gleaming. In powerful, rhythmic arcs, they hurl avalanche after avalanche onto vast silk screens. The sieving begins — a dance of motion and patience — as the finest trichomes cascade through the mesh like golden pollen from the gods themselves. This is Awal Gul — “First Flower,” the premier first-grade dry sift. The purest, most aromatic resin collected in that initial pass. No solvents. No shortcuts. Just the plant’s own intelligence, concentrated through generations of Afghan mastery. As Rumi, the poet of the East, taught us: “Let the beauty we love be what we do. There are hundreds of ways to kneel and kiss the ground.” Here, in these piles and screens, the landrace reveals its divine essence — uniting hands, hearts, and cultures in the timeless ritual of sacred plants. 🌱 This is preservation in action. This is heritage alive. This is how Awal Gul Hashish is born. 🌿 How it’s made (traditional dry-sieve method): • Mature landrace plants harvested at peak potency and sun-dried whole • Beaten and broken down to release trichomes • Shoveled onto fine silk screens • Sieved with skilled rhythm to capture the first-pass “Awal Gul” resin • Collected, pressed, and cured into premium, solventless hash. 🧱 Respect the craft. Honor the landrace. Let sacred plants continue to unite us. What ancient plant tradition moves you most? Drop it below — let’s grow this conversation and protect these legacies together. 🎥 afghanlandraceoperation ig #LandraceBureau #AwalGul #AfghanHashish #DrySift #FirstFlower #SacredPlants #LandraceCannabis #HashishHeritage #PlantWisdom #EasternWisdom #PreservationProject

Łаηdrąćę Вureaմ

182,057 просмотров • 4 месяцев назад

Exploring Bach’s BWV 1065: When a Musical Machine Begins to Beat with Life Some creations inspire awe not because they contain countless details, but because every detail within them works according to a precise order. A finely crafted mechanical clock is one such example. From the outside, we see only the hands moving quietly through time. Inside, however, an entire world is at work. Tiny gears transmit energy to one another. Different components perform different tasks. Some generate motion. Some regulate the rhythm. Some keep the entire mechanism in balance. The beauty of the clock does not lie in any single part. It lies in the way all of those small movements come together to create one continuous pulse. Johann Sebastian Bach’s BWV 1065 possesses a similar kind of beauty. From its very first notes, listeners sense more than the beginning of a melody. They sense a musical mechanism coming to life. Four harpsichords enter the conversation. Lines of music emerge, answer one another, and pass ideas seamlessly from one voice to the next. Each instrument resembles a moving gear within a larger system, where every motion contributes to a single, unified current. The Invisible Blueprint Behind the Music A finely made clock cannot function simply by placing many parts side by side. Its true secret lies in the design. The clockmaker must understand the distance between every component. The speed of every movement. The path by which energy travels from one part to another. These underlying principles transform separate pieces into one living mechanism. In BWV 1065, Bach builds his music according to the same kind of logic. He does not allow the four harpsichords to move in separate directions. Every voice has a role within the larger musical flow. An idea may first appear in one instrument. It is then taken up by another. From there it is developed, expanded, and carried forward in a new direction. What listeners hear is not simply four instruments performing together. They hear a conversation organized with astonishing precision. Behind the constant movement lies an invisible architecture, where Bach carefully determines how every musical voice meets, supports, and completes the others. Four Voices Moving with a Single Pulse One of BWV 1065’s greatest achievements is the balance it creates between independence and unity. Each harpsichord possesses its own personality. When listening closely, each musical line reveals its own distinct character. Yet when stepping back to hear the entire work, everything merges into one continuous flow of energy. It is much like watching a group of dancers on stage. Each performer moves differently. One steps forward. Another turns behind. A third quietly maintains the rhythm of the entire performance. The audience does not perceive four separate dances. They see one living form in motion. This is the essence of Bach’s contrapuntal art. Its richness does not come from adding countless unrelated ideas. It comes from allowing many independent voices to exist together within a perfectly ordered whole. When Brief Plucked Sounds Become a Continuous Stream of Energy The harpsichord possesses a unique character. Its notes speak with remarkable clarity, yet they fade almost immediately. Each sound resembles a brief flash of light before disappearing into silence. Bach transforms this very limitation into one of the instrument's greatest strengths. He does not rely on sustained tones. Instead, he creates momentum by placing every note at precisely the right moment. Imagine a wheel spinning at great speed. The eye no longer distinguishes each individual spoke. It perceives only one smooth and continuous rotation. The harpsichord works in much the same way. Every note exists for only an instant. Yet when hundreds of those fleeting moments are linked together, they become something greater than the individual sounds themselves—a powerful, uninterrupted stream of musical energy. This is one of the most beautiful paradoxes in Bach’s music: The smallest musical events create the strongest sense of life and motion. Netherlands Bach Society and Revealing the Music's Inner Architecture In the Netherlands Bach Society's performance, the beauty of BWV 1065 emerges through the remarkable clarity of its individual voices. The four harpsichords never dissolve into a single block of sound. Each instrument preserves its own distinct color, allowing listeners to follow every layer of movement unfolding within the music. This approach reveals one of Bach’s most remarkable artistic achievements: Every individual part has its own purpose, yet every part serves something greater than itself. Rather than simply enjoying the brilliance on the surface, listeners are invited to hear how the entire work has been constructed from within. When Precision Gives Birth to Life BWV 1065 may first astonish listeners with its speed and technical brilliance. Yet those qualities are only the surface. Its deeper achievement lies in Bach's ability to transform an exceptionally disciplined structure into something vividly alive. A masterfully crafted mechanical clock is not extraordinary simply because it contains many intricate parts. It becomes extraordinary because every tiny movement contributes to one unified pulse. Bach's music follows the same principle. Order does not suppress freedom. On the contrary, it is the precision of the structure that allows the music to move with complete naturalness. BWV 1065 is therefore far more than a concerto for four harpsichords. It stands as a testament to an art in which every detail, when placed exactly where it belongs, helps create a world of sound that is at once precise and profoundly alive. A musical machine. Yet within it, a living heartbeat never ceases.

🎼🌺Music Love♥️

13,431 просмотров • 19 дней назад

Most people’s Switzerland itineraries are almost universally hijacked by the dramatic mountain peaks of Zermatt or the grand lakeside promenades of Lucerne. While those northern anchors are undeniable masterpieces of geography, the true, unfiltered romance of the country undergoes a staggering cultural transformation when you head south toward the Italian-speaking canton of Ticino. Here, the rigid alpine air trades places with a warm, Mediterranean breeze, and the mountain streams take on a deep, impossible emerald hue that looks completely surreal. Hidden deep within the dramatic rock walls of the Verzasca Valley lies a destination that will completely rewrite your definition of a summer holiday. Welcome to the Ponte dei Salti, a spectacular, 17th-century double-arched stone bridge that literally appears to give you wings, firmly earning its reputation as one of Europe’s most exhilarating and beautiful summer gathering places. The architecture of the Ponte dei Salti, which translates poetically to the "Bridge of Jumps" is a masterclass in ancient engineering and landscape harmony. Instead of cutting aggressively through the canyon, the bridge consists of two narrow, stone-paved loops that leap gracefully from the cliffside, anchoring onto a massive, natural stone island in the center of the torrent. Looking down from its highest crest feels less like standard sightseeing and far more like peering into a massive, open-air aquarium. The Verzasca River below is completely translucent, a swirling canvas of liquid diamond and vibrant green that lets you count every single pebble resting on the riverbed fathoms below. On a blazing hot July afternoon, the entire canyon sparks into a high-energy celebration of summer life. The giant, smooth grey boulders that line the banks are transformed into natural sun-loungers where travelers lay out towels, while the more adventurous climb onto the ancient parapets of the bridge to plunge fearlessly into the deep, icy glacial pools. It is a loud, joyful, and deeply visceral experience. But the secret to truly unlocking the magic of the valley is to adopt a beautifully slow, deliberate pace. Spend your morning wandering past the nearby rustic stone cottages (rustici) of Lavertezzo village, and your afternoon finding a quiet, secluded rock shelf further up the stream to dip your toes in the crisp water, concluding your journey at a local valley grotto restaurant to clink glasses of local Merlot over plates of polenta. It stands as a brilliant reminder that the planet's grandest summer adventures aren't written by artificial amusement parks, but by the wild, sun-kissed poetry of the mountains. 🎥 darlingarireid | IG

𝕏 Travels, Hotels and Resorts

154,284 просмотров • 24 дней назад

🚨 BREAKING NEWS: The Jews Have Been Painted as The Ultimate Puppet Masters for Generations, Controlling Banks, Media, and Global Finance 🚨 But what if that is the greatest misdirection in history? What if they are the perfect scapegoat, the visible target that keeps humanity from seeing the ancient bloodlines truly pulling every string from the shadows? Listen carefully. The Black Nobility, those ancient Roman and Italian aristocratic families dating back over a thousand years, sit at the apex of the predatory food chain. Families like the Orsini, Colonna, Farnese, and Aldobrandini never truly faded into history. They merged, adapted, and embedded themselves into the Vatican, European royalty, and global institutions while staying hidden. They are not Jewish. They predate modern banking families by centuries. They claim descent from the old Roman Empire and operate through papal bloodlines and secret societies that make the so called Illuminati look like a kindergarten club. Watch this video breakdown exposing the Orsini family specifically. It reveals how Nicholas the Third and connections to Pope Benedict the Thirteenth tie directly into their web. The Orsini crest, featuring that black bear and symbolic elements, links to Bohemian lords of Rosenberg. In 1937 Alan Rosenberg married Erna Rothschild, showing the intermarriages used to create layers of protection and confusion. Amshchel Meyer Rothschild himself was a Knight of Malta, an order tied to these very same noble houses. Why does Merck, the company that first synthesized MDMA back in 1912, connect into this? The video lays out documents and financial trails showing billions flowing through networks that touch these bloodlines, including massive COVID vaccine profits routed through entities with Orsini fingerprints. Jeffrey Epstein did not work for the Rothschilds alone. He admitted ties to the Rosschilds, the Arsenis, and higher powers above them. Even popes, presidents, and intelligence agencies appear in photos and agreements that point upward to the Black Nobility. The Pamphilj family, another Black Nobility pillar, gets exposed in related content from researchers like Maximilian Beedle. These lines control the Jesuits, the Knights of Malta, and vast real estate and financial trusts that dwarf anything attributed to any single ethnic or religious group. They orchestrate wars, economic crashes, and cultural shifts not for money alone but for power and a long term agenda rooted in ancient pagan and occult traditions masked as Christianity or democracy. Ask yourself these questions. If Jewish families were truly at the top, why do so many of their prominent members marry into or serve these older European nobilities? Why do Vatican archives and Maltese knighthoods keep surfacing in every major scandal from Epstein Island to global finance? Why does the narrative always stop at Soros or the Rothschilds while the Orsini coat of arms appears in papal heraldry and modern corporate boards? Who really owns the City of London, the Vatican, and the Washington D.C. corporation? The spiritual war is real. These Black Nobility bloodlines hide behind proxies, foundations, and NGOs. They fund both sides of every conflict. They infiltrate every major religion and ideology. They use symbols, numbers, and rituals passed down for over a millennium. The Word of God in the Bible calls out false prophets and hidden powers. Elijah confronted the prophets of Baal and brought them down. What are we waiting for? Read the documents. Follow the marriages. Trace the crests. Study the papal lineages back to the Orsini popes. Cross reference Epstein flight logs with Knight of Malta memberships. Look at the 1912 Merck patent and its descendants in Big Pharma. Connect the 1937 Rosenberg Rothschild union to post war power structures. Question why mainstream exposes never name the Black Nobility. This is not theory. This is pattern recognition across centuries of history, heraldry, finance, and leaked agreements. The Jews are not at the top. They never were. The Black Nobility sits above them in the shadows, directing the show while the world fights the wrong enemy. Share this if you want truth over comfort. Tag researchers. Ask your own questions in replies. Dig into the Orsini family history today. What family crest shows up in your own government buildings or central banks? How many popes came from these lines? Why does the bear symbol keep appearing? The veil is lifting. The real exposure begins now. What will you do with this knowledge? Don't forget to check out the attached thread. Let me know what you think, and SHARE THIS so that others may too And if you're not already following Noah B. Price... What the heck are you doing?!

Noah B. Price

72,520 просмотров • 1 месяц назад

🇸🇾 Aleppo is among the oldest continuously inhabited cities in the world, with a history spanning over 7,000 years. Archaeological evidence of human settlement in Aleppo dates back to the 6th millennium BC, making it a living testament to the resilience of civilization through centuries of change and conflict. In 1915, my grandparents fled the horrors of the Armenian Genocide and found safety in Aleppo. The city offered them a refuge, a place to rebuild their lives away from the persecution that devastated their homeland. This history is deeply personal for me because Aleppo was also where I was born and raised. I studied in its schools, wandered its historic streets, and absorbed its rich culture. Walking through Aleppo feels like stepping into a historic film. Its ancient walls and vibrant spirit breathe life into its remarkable story. However, the Aleppo I know has often been misrepresented. Much of what you hear about the war in Syria—especially regarding Aleppo—has been shaped by manipulative narratives designed to manufacture consent for foreign intervention. Since 2011, NATO countries and their allies have engaged in a concerted effort to destabilize Syria under the guise of promoting democracy and human rights. But the real motivations behind their actions tell a different story. In 2011, following the NATO-led intervention in Libya that resulted in the toppling of Muammar Qaddafi, Syria became the next target. Libya's descent into chaos, including the emergence of an open-air slave market, revealed the devastating consequences of such interventions. With Syria, the goals were strategic and multifaceted. The U.S. and its allies aimed to remove Bashar al-Assad to achieve several objectives: 🚨 Disrupt the "axis of resistance," in which Syria plays a crucial role. 🚨 Dislodge Russia’s presence in the Mediterranean by expelling its fleet. 🚨 Block China's Belt and Road Initiative from extending to the eastern Mediterranean. 🚨 Install a government in Damascus favourable to U.S. and Israeli interests while weakening Hezbollah. 🚨 Facilitate a Qatari pipeline through Syria to Turkey, undermining Russia's Nord Stream projects and securing Europe’s energy supply. To achieve these ends, NATO, along with Qatar and Saudi Arabia, funnelled military support to radical groups in Syria. Operations were coordinated through two joint military rooms—MOK in Jordan and MOM in Turkey. Tens of billions of dollars worth of weapons was supplied to extremist groups such as ISIS and al-Nusra Front, the same groups often labelled as global threats to peace. But Aleppo resisted. Unlike other regions, its people largely rejected joining the war against the government. The lessons of Iraq and Libya were fresh in their minds, and the residents of Aleppo recognized the foreign interference driving the conflict. They also had a reason to value stability: under Assad’s leadership, Aleppo had seen significant investment, particularly in advanced industrial cities that transformed the region into an economic powerhouse. This progress posed a threat to Turkey’s ambitions, and in response, Erdogan’s government opened the borders, allowing tens of thousands of foreign fighters to flood into northern Syria, including Aleppo. In mid-2012, terrorists launched a major offensive on Aleppo. They occupied its suburbs before advancing into the city. During the years of occupation from 2012 to 2016, these groups dismantled Aleppo's industrial infrastructure, smuggling entire factories into Turkey. In 2014, I personally witnessed the devastation in one of Aleppo's industrial zones. The terrorists also imposed a brutal siege on the city's western neighbourhoods, cutting off food, medicine, and even essentials for newborns. Their actions caused immense suffering, leaving families like mine to endure starvation and daily shelling. Funerals became a routine occurrence, as mortars, sniper fire, and "hell cannons" claimed countless lives. In 2016, the tide turned. The Syrian Army, supported by the Russian Air Force, Hezbollah, and Iranian commanders, broke the siege and liberated Aleppo. However, Western media portrayed this liberation as an “occupation by Assad’s militias” and framed the defeat of the extremist rebels as a loss for "democratic forces." Such narratives ignored the realities on the ground and the genuine relief felt by Aleppo’s people. After the city’s liberation, reconstruction efforts began, and Aleppo experienced a period of peace. However, new threats have emerged. On November 27, militants in Idlib launched a massive offensive against western Aleppo, coinciding with a ceasefire agreement in Lebanon. The timing of the attack, just hours after Netanyahu’s warning to Assad about “playing with fire” for supporting Palestinian and Lebanese armed struggle, suggests a broader geopolitical strategy at play. The goal of this offensive appears to be twofold: to overstretch Syrian forces geographically and pave the way for a potential Israeli incursion from the Golan Heights. In recent weeks, Israel has fortified its positions along the Syrian border, installing surveillance technology and mobilizing troops and tanks. While an outright invasion is uncertain, the pressure on Assad is clear. The demands are familiar: distance Syria from Iran, abandon Hezbollah, align with “moderate Arab” states, and normalize relations with Israel. Despite these challenges, one thing remains certain: Aleppo will not fall again. The resilience of its people and the strength of its defenders ensure that the city will withstand whatever comes next. Aleppo's history is one of survival, and its future will be no different. Video Credit: Syrian Girl

Kevork Almassian

147,898 просмотров • 1 год назад

Violin Concerto No. 4 in D major, K. 218 (Second Movement – Andante cantabile): When Every Voice is Allowed to be Itself The Violin Concerto No. 4 in D major, K. 218 is one of five violin concertos composed by Wolfgang Amadeus Mozart in 1775, when he was only nineteen years old. Though written in the early years of his career, the work already reveals the mature Mozartian voice: a perfect equilibrium between melodic beauty, crystalline clarity of structure, and an almost effortless art of dialogue between soloist and orchestra. The second movement, Andante cantabile, has long been regarded as one of the most exquisitely lyrical pages Mozart ever wrote for the violin. In this recording, the work is performed by the French violinist Zino Francescatti. With his pure, singing tone, refined technique, and an interpretative approach that always places the music above personal display, Francescatti proves ideally suited to Mozart’s artistic world — a realm in which beauty arises not from ostentation, but from the natural flowering of every musical line. What makes this movement truly exceptional is not merely the loveliness of its violin melodies — Mozart wrote many such melodies. Its enduring power lies in the way Mozart creates a musical universe in which no single voice needs to overpower another. The solo violin remains the central presence, yet the orchestra never degenerates into mere accompaniment. Each element retains its own character while contributing to a greater harmonious whole. To understand why this *Andante cantabile* continues to move listeners more than two centuries later, one must begin with this very relationship. The first impression is not created by the solo violin. It is the atmosphere established by the orchestra that captivates from the very opening bars. There is no grand rhetorical introduction, no imposing chords. Mozart allows the orchestra to unfold with gentle, balanced, and luminous phrases. The harmony moves with serene deliberation, the rhythm free of any sense of strain. Within a few bars, the listener is drawn into a tranquil musical space where every motion feels natural and unforced. Only once this world has been gently established does the violin enter. It does not appear as a protagonist stepping onto the stage to command attention. Rather, it emerges as a voice that already belongs to this space. Its melody flows with perfect naturalness from the orchestral texture, without any sense of opposition or conquest. The violin does not strive to rise above the orchestra; it simply continues and expands what the ensemble has already begun. Throughout the movement, Mozart sustains this delicate balance. At times the violin sings long, flowing cantilenas while the orchestra offers the simplest and most tender harmonic support. At other moments, the woodwinds engage in gentle dialogue with the soloist, adding new colours without ever interrupting the melodic line. Even in the more ornate passages, one never feels that the soloist has detached from the whole. Every flourish remains an organic part of the same musical breath. Remarkably, Mozart avoids stark contrasts in this movement. There are no explosive climaxes, no violent conflicts demanding resolution. Instead, each musical idea leads gracefully into the next, with transitions so subtle that the listener scarcely notices them. The entire movement feels like a living organism breathing — every motion connected to the next in perfect organic unity. By the close, the listener does not experience a triumphant conclusion or a dramatic release of tension. What remains is akin to the surface of a lake after the ripples have gently subsided: everything returns to its natural state of equilibrium, yet, having passed through this journey, the final serenity feels infinitely deeper and more profound. Thus, the listener’s experience gradually transforms. At first, one is captivated by the beauty of the violin itself — its crystalline tone, the exquisite smoothness of its phrasing, and the characteristic Mozartean elegance. Yet the more attentively one listens, the more the centre of perception shifts. One begins to realise that the true beauty does not reside in the violin alone. What lingers is the profound sense that every voice in the orchestra is permitted to exist according to its own nature. The violin does not dominate by overpowering the ensemble, nor does the orchestra diminish itself to serve the soloist. Each part speaks with just measure, and precisely because every element remains true to itself, the whole achieves an extraordinary harmony. At that moment, the listener ceases to hear individual instruments. What one perceives is no longer “the violin” or “the orchestra”, but the presence of a single living entity in which every constituent part is allowed to be fully itself — and it is this very authenticity that creates the work’s profound beauty. The principle revealed in this music extends far beyond the realm of art; it is one that resonates deeply in human life itself. We often suppose that for a community to be strong, its members must be alike, think alike, and act in the same manner. Yet the most enduring communities are rarely built upon such uniformity. In a family, father, mother, and children do not fulfil identical roles. Each loves in their own way, bears different responsibilities, and contributes according to their distinct abilities. It is precisely this diversity that makes the family whole. A hospital functions upon the same principle. The physician diagnoses and treats, the nurse tends to the patient, the technician performs the tests, and the support staff ensure the smooth running of the institution. No one can fully replace another, yet it is through each person’s faithful fulfilment of their own role that the entire system flourishes. Even a wise leader does not attempt to do everything himself. His true gift lies in creating an environment where each individual can realise their highest potential while working towards a common purpose. What lends lasting strength to such wholes is not uniformity, but the ability of each part to preserve its own character while contributing to a greater harmonious order. One finds this same principle throughout the natural world. A forest does not thrive through mighty trees alone. Among the great oaks stand saplings, climbing vines, wild grasses, fungi, birds, insects, and countless smaller creatures — each with its own manner of being and its own role within the ecosystem. It is this very diversity that sustains the vitality of the whole. A river is not formed merely by flowing water. It consists of the riverbed, the banks, the meanders, the silt, and the myriad living things that inhabit it. Each element retains its distinct nature, yet together they create a single, unified flow. Even the human body is constituted according to this law. The heart cannot replace the lungs, the eyes cannot perform the work of the ears, nor can the brain take the place of the hands. Each organ fulfils its own function while remaining in constant relation to the entire body, thereby sustaining life. The more closely one observes Nature, the more clearly one sees that true harmony is not achieved by making everything the same. On the contrary, it is when each element is allowed to develop according to its own essential nature that the greater whole attains balance and enduring vitality. Such is the profound truth one experiences when listening with an open heart to the Andante cantabile of Mozart’s Violin Concerto No. 4 in D major.

𝗖𝗹𝗮𝘀𝘀𝗶𝗰𝗮𝗹 𝗠𝗲𝗹𝗼𝗱𝗶𝗲𝘀

13,580 просмотров • 1 месяц назад

Just in $AMD Anush "Speed is the moat"|ROCm🎙️ In the race to define the future of AI, what's the one advantage that truly lasts? It's not proprietary tech, argues Anush Elangovan Elangovan, VP of AI Software at AMD , but the sustainable speed of innovation. He explains why AMD is rejecting the "walled garden" model for its open source ROCm stack, betting that an open community flywheel is the key to victory. Listen to understand how this open strategy is designed to out-innovate closed systems by empowering developers to solve everything from frontier-model challenges to the mundane, everyday problems that define the "last mile" of AI. AMD ROCm Software: Part 1 Transcript [00:00:00] Andrew Zigler: Joining me is Anush Elangovan, VP of AI software at AMD. And when people talk about AI compute, the conversation often stops at hardware specs, but it's more than just physical chips that win the game. It's also the software ecosystems supporting them. [00:00:18] Andrew Zigler: The prevailing strategy in the industry has been to build something like a walled garden. You know, something closed, proprietary locks, developers in. But AMD is betting on an entirely different play, open source acceleration, and with rock, their open source AI software stack. AMD is building not just hardware parity, but an innovation flywheel that's powered by the community with interoperability and the freedom to scale without all of that pesky lockin. [00:00:48] Andrew Zigler: And in this world, speed is your moat and how fast you can innovate while your platform remains open, flexible, and standardize across all of its applications. That's what we're gonna explore [00:01:00] today. So Anush, I'm really excited to have you here. Welcome to Dev Interrupted. [00:01:04] Anush Elangovan: Thanks for having me. Uh, super excited to chat about it. [00:01:07] Andrew Zigler: Amazing. Well, let's go ahead and dive right in with kind of what I laid it out with in the beginning, the idea of the moat and it being about speed. I wanna unpack that a bit because that came from you when you and I first spoke. And I, and I want to know, you know, how do you define speed inside of AMD beyond just things like hardware, benchmarks. [00:01:27] Anush Elangovan: Yeah, that's a very good question. So when we typically talk about speed, everyone's like, Hey, hardware benchmark specs, right? Like, uh, memory bandwidth or, or flops. And that is one important part of it, uh, AMD does very well. With that, we do have, a, a very good history of executing on that axis. [00:01:47] Anush Elangovan: But when I say speed is the moat, it is about, uh, how we prepare, how we build the muscle to run the race for a long time and run it fast. And it is [00:02:00] not about a single point in time that you've, you've beat some you know, benchmark and, and you declare victory. It's about building the ability to consistently develop and deliver. [00:02:13] Anush Elangovan: Both hardware and software innovation at scale and do it fast, right? Like, you know, we we're increasingly getting to a point where models come out and they're, uh, you know, a year or two ago it was like, Hey, they work on AMD on day zero, which is great, but now they are performing on AMD the day it releases, right? [00:02:32] Anush Elangovan: So, what does it take to Prefetch where the industry is going? Be prepared to intercept. At that point is what you know, I, I refer to as you know, the, the speed factor in, in creating this mode, right? And the mode is just shed all things that hold you back and run as fast as you can. [00:02:53] Anush Elangovan: Uh, because the pace of innovation that is, uh, being seen in, in AI [00:03:00] industries is just. Amazing. Right? And it's like, it's transformational at at how you generate electricity. It's transformational as at how you build data centers. It's transformational at how you deploy compute, networking. It's transformational at what kind of use cases you, you know, uh, use AI for. [00:03:17] Anush Elangovan: Uh, and for that, you need to be prepared to, see what comes tomorrow and be prepared to run the race tomorrow. [00:03:23] Andrew Zigler: Yeah, it's a really great perspective because it highlights that it's not just like a checkpoint that you run through. I like how you called out, like it's not just hitting that benchmark or being the best in class at that moment, in that snapshot, it's about having a. The throughput and about having that dedication to the idea and continuing to deliver on it. [00:03:43] Andrew Zigler: It's not just crossing the threshold, but it's also being the engine. And that's what, that's what protects a business. That is the moat, because the moat is that innovation layer, the faster and more, uh, future forward. That you can work and think, [00:04:00] you know, the better. Uh, we, we talk a lot about like future forward work styles. [00:04:04] Andrew Zigler: Like what are the things I could be doing right now today that are gonna be like, way more useful tomorrow? Let, let's abandon those, workflows that are older and that kind of like, that translates into. An advantage when you work that way. You know, what kind of things have you learned working with, uh, like across all spectrums of people who would use ROCm, right? [00:04:23] Andrew Zigler: You have like the developers, but then you also have the enterprises and you have this large span of adoptees, right? So what is the, what does that look like that you learn? [00:04:32] Anush Elangovan: Yeah, so, so the way I look at it is there are gonna be pockets of different, uh, you know, cadences, right? Like, so people who are deploying in enterprises, for example, right? The validation and how long it takes for them to deploy an LLM that's secure. It's, with guardrails, et cetera, maybe longer. [00:04:52] Anush Elangovan: but you still have to go through the process and you have to be prepared to like, walk that walk to deploy an enterprises. That doesn't mean it's [00:05:00] not fast, that's as fast as you can do for that industry, right? And if you are deploying AI in healthcare, right, it's, it's got its own, uh, cycle. [00:05:07] Anush Elangovan: but in each one of these, you want to see how, like, go down to the essence of what is it that you actually have to do. And, you know, I, I, I like how you framed it. It's like it's, you shed your prior assumptions of how things are done, right. And, and you kind of build up from a, uh, first principles, uh, approach to say, this is how I could use AI to unlock, whatever I'm doing. [00:05:33] Anush Elangovan: And, and, some of it, you know, it's good to really step back and look at. Just question every part of it, right? Like right now you're getting chat GPT and, Gemini competing for like, math, olympiads and, and, uh, college, uh, reasoning, uh, tests. Right? And, and those are like that, that is amazing and increasingly like complex tasks that they're trying to do. [00:05:58] Anush Elangovan: But there may also be like. [00:06:00] More mundane things that AI could, could get applied to. Right? And, and so when we think about shedding old ways, you wanna shed it not just in like the tip of the spear. It's like, you know, I'm gonna see what's the frontier model. It's also, it could be something as simple as. [00:06:18] Anush Elangovan: How do you choose a, a movie, uh, you know, like a recommendation system, right? Or, or, uh, an automated, uh, flight, uh, rebooking system. So the moment, you know, your flight is late, uh, right now it's a notification, right? It's like, oh, you got a text message saying your flight's late. And I got that like three times this week. [00:06:38] Anush Elangovan: But anyway, uh, and, and, and, and, I was just like, okay, so if I were to rethink this. All this MCPs that we have that should be hooked up into an MCP that says, your flight's delayed. Here are your options. If you want, you know, these are the paid options. Yeah. Here are the free options. This will get you back into your you know, Toronto airport [00:07:00] tonight. [00:07:00] Anush Elangovan: Or if you stay, here's a hotel plus this, plus this, plus. It's just like, go ahead is all I should say. Versus now I'm like, okay, can someone, you know, can I call a travel agent? Can I do this? Can I go online and log into And you know, so we gotta fundamentally rethink even those like small, nuances of, things that we do that can be automated out and AI is really, really good at doing something like this, right? Maybe I just explained an AI startup idea right now. Somebody should just start that. [00:07:29] Andrew Zigler: I think you did. Yeah, you definitely did. Someone, one of our listeners is definitely going to lift that off of you. I, I, I, you know, I hate being on the receiving end of those. You feel a little helpless and then you have to like, follow the whole flow. So I know what you mean. Like I, I like how you called out that the build and this like. [00:07:45] Andrew Zigler: Where speed is your moat and the innovation layer is protecting you, is what makes you better than your competitors. How you scale that and you bring that to market. So by understanding the problems that you're solving, uh, throwing away those older assumptions, but also [00:08:00] recognizing that like. We're building every single day, new things and new ways of using stuff that we're still figuring out the implications of. [00:08:08] Andrew Zigler: And so when you have a lot of velocity and you're introducing a lot of new ideas, and maybe you have that workflow now that automatically rebook your flight off of your late flight text message, and uh, I know I would certainly use it, but you know, what kind of philosophies guide the way that y'all think about building this ecosystem to manage that stability while letting folks. [00:08:29] Andrew Zigler: Play with the speed and the assumptions and the airplane re bookings. [00:08:34] Anush Elangovan: so, so I think, you know, we need to peel one layer down, right? and the philosophy is, Hey, we, we just discovered electricity, right? And you know what we're gonna do? We are gonna make motors, uh, or dynamos, right? Like engines. Uh, sure. We don't know if it's gonna be a Ferrari that you're gonna make, or it's a a a a dump truck. [00:08:57] Anush Elangovan: That's good for doing this. But let's [00:09:00] let, which is also required, right? You need a dump truck. You need a garbage truck. And, [00:09:04] Andrew Zigler: Yeah. You need the [00:09:04] Anush Elangovan: course you need, uh, a Ferrari for a midlife crisis, right? So, [00:09:09] Andrew Zigler: precisely. [00:09:10] Anush Elangovan: But, but my, uh, point is what do we build next? And, uh, and this is what I meant by like, okay, let's, let's take those baby steps to build the. [00:09:20] Anush Elangovan: Infrastructure that's required that we know we'll have to use, right? So, so if I just discovered electricity, okay, great. Now one, how do I save this electricity and how do I use it? So there's battery technology, so you need to do something like that, right? Like so. But then you also want to make it into an actionable thing. [00:09:37] Anush Elangovan: You want to make it for like automobiles, or you wanna use it for, you know, powering, uh, entire cities. So it is that transformational. So, uh, AI is that transformational. So, if you distill down, it'll, it'll come down to how do we think about, what we can do with this this fundamental technology that, We may not be aware of what it [00:10:00] is gonna unlock next, but at least you know the next step is clear, right? It's like a dense fog, you know, it's gonna be like, it, it's the right path. You see the light, but it's kind of like out there and, and the steps you're taking are concrete and you're like, okay, this is good. [00:10:16] Anush Elangovan: I, this is better than where I was or where we were. So we are moving forward. So you can build with the. Intuition from what you see in the short term and a tactical view, but towards what you think the future is gonna be. [00:10:28] Andrew Zigler: Right. You almost like we're all in this like fog of war, right? And like you said, you're reaching out and you're trying to step through it. You could think of it too, as like you're in the dark and your hands are up in front of you and you know that. You're, you're not gonna run your face into a wall because your hands are out in front of you, but you're not gonna maybe do much better than that. [00:10:45] Andrew Zigler: So that's kind of like, I think the eco, the, the industry, the world that we find ourselves in, uh, and we all have to, then this becomes the power of an ecosystem, of a group of people working together to create that layer of, [00:11:00] uh, of establishing the [00:11:01] Anush Elangovan: exactly. And I, I, I just, instead of, you know, saying fog of war I describe it as like, you're in this. Beautiful valley with like a morning, uh, fog that's in. You can smell the flowers. You, you hear the birds. You are like, okay, it's, we are in like, uh, utopian paradise and yes, I just need to like, continue the walk, right? [00:11:24] Anush Elangovan: and then move forward with that, conviction that you're in the right spot. [00:11:27] Andrew Zigler: Yeah. So let's talk about that ecosystem world. This nice, I love how you describe it, this grassy side of a hill in the morning that's covered in some mist and maybe we can't see 30 feet in one direction, but it sure is a beautiful hill and it smells nice. And so we're all here. And why is, in that world, why is. [00:11:44] Andrew Zigler: You know, open source, their strategic advantage that y'all are going for in the AI hardware market. And, and then how does like ROCm turn that into wins for people within that ecosystem? [00:11:56] Anush Elangovan: you know, the, the way we look at it is this, is kind of like how I view [00:12:00] AI and the ecosystem, right? But, but it is for everyone to enjoy. Uh, and so we do want to make sure that. You know, it is, uh, beneficial for everyone. [00:12:09] Anush Elangovan: The ecosystem can come in and, and innovate. It's an open innovation engine. and uh, it is very different from, you know, having a walled garden with, Hey, only I know how to do this and I'm gonna do it and throw it over the fence and you can use it or keep walking, right? So we'd like to be good citizens that way, but also. [00:12:30] Anush Elangovan: Uh, it is self-fulfilling in a way, right? Like it, the, the pace at which we innovate with open source is unmatched. Like, you know, our serving engines are like VLLM and, and sg l. Those things, uh, those frameworks are like super, super aggressive in terms of how fast they come out with features and how fast they can you know, get performant models out. [00:12:52] Anush Elangovan: And that compared with what, uh, you'd get from, you know, the likes of like T-R-T-L-L-M or something is always lagging, right? Because you [00:13:00] just can't keep up with you know, 200 commits a week just on one particular model to get that model really performant [00:13:06] Andrew Zigler: And, and, and in that world where, you know, everyone can enjoy the winds of this, what kind of customer stories or innovation stories have really stood out to you and excite you about building and creating this place for developers? [00:13:19] Anush Elangovan: Yeah. So I think the parts that are super exciting for me are when when we get to see a customer that is first skeptical. Then they start a little like, okay, fine, we'll give you a chance. Uh, we do a simple, uh, POC and then they're like, huh, this seems to work. Yeah, we told you it works. [00:13:42] Anush Elangovan: You don't have to change one line of code. Really? Yes, no need to change one line of code. Okay, let's try a production workload. So then they try it. Oh, you're more performant than the competition. Yes. We're more performant than, than the competition. So how much does it cost? And we're like, oh, it's your TCO is better with, uh, [00:14:00] AMD. [00:14:00] Anush Elangovan: So again, they're like, wow, okay, good. So now how do we deploy at scale? And then we go deploy it at scale. And when they give a thumbs up on that and they say, this is good, right? That's when you know, you, you see it go full circle from like, oh, we, we've never heard about AMD to like actually deploy to tens of thousands of GPUs In the order of a few months, right? It, it, it really is fascinating to see and very exciting and invigorating to [00:14:28] Andrew Zigler: Yeah. At like a great exposure to a lot of interesting problems. And, and then people using the infrastructure, the, the technology available to solve those problems. Really specific problems by the way, that's often why they're bringing their data and AI to it, uh, is because it is really specific and important for them. [00:14:45] Andrew Zigler: And there's a, a lot I think that other engineering orgs can learn and even emulate from AMD's success and, and having this open source ecosystem and it causing this acceleration within. You [00:15:00] know, uh, customers and enterprises that use and adopt the tools and, and, and that creates an advantage. And that goes back to why we're talking and like the real thesis of our conversation today. [00:15:10] Andrew Zigler: So how do you think engineering leaders that are listening to this and obviously tapping into this great success AMD has from an open source flywheel, how do you think other, other folks building in the same space can foster that open, first, that open source oriented culture in order to, you know, accelerate their innovation goals? [00:15:29] Anush Elangovan: Yeah, that's a very good question. So the startup that um, was acquired by AMD we, we built, I mean, we started off doing iot stuff and you know, smart ring and all that, right? But in the, the end of like, uh, and not the end, the last six years of the company was building ML compilers. [00:15:47] Anush Elangovan: And ml, ML compilers are like super, uh, complicated, sophisticated, advanced algorithms, dah, dah, dah. but it was all open source, right? So our VCs were like, wait, what do you mean your core [00:16:00] IP is open source? And um, the speed is the moat applied even then, right? It was just like, yes, if you have an idea that. [00:16:08] Anush Elangovan: Because someone saw this idea that you are, they're gonna be able to catch up, then you probably have the wrong idea anyway. But if they are, you know, you execute and they're gonna catch up, that you should assume they're gonna catch up. Right? So you gotta move forward. So keeping it open source is super important. [00:16:25] Anush Elangovan: But also to your question on like, you know, the learnings from an AMD standpoint, right? If there are, hard problems, I'd say dig in and work through it, right? Like there's no way but through it, right? That should be the simple mentality. And more, uh, frequently than not. you'll see that you'll just make it through in a, in, in good form. [00:16:52] Anush Elangovan: But if you doubt it and you're like, oh, I don't know if I should commit, if I'm, I, you know, what should just commit to do the right thing [00:17:00] every step, right? Every step, and just keep taking one step in front of the other. And in no time you'll see that you'll be running. Right. And, and yes, the first few steps will be like, yeah, everyone's complaining about your software quality. [00:17:15] Anush Elangovan: Everyone's complaining about this and that, and it doesn't work. And, and a few steps in, you know, you get, you get the hang of all the complaints that are coming in. You get the feedback loop. You're like, okay, what, what are you prioritizing again? One step in front of the other, right? You just keep knocking that out and then you get to a point where you're, it just becomes second nature, right? To do the, to do the right thing. And, and then yes, if someone gives you two options, you'll be like, fine. This is, uh, you know, there's always the resource trade off. There's always a human capital trade off, but what's the right thing to do? of course, I, I'm pragmatic about what we choose, but, but if the right thing for your long-term success is dig in, go first, principles, make it [00:18:00] happen. [00:18:00] Anush Elangovan: Well. Then just go for that. There's, there is no shortcut to [00:18:04] Andrew Zigler: acknowledging, you know, how it aligns with your mission, your core company goals, and what you're looking to achieve. And, and I, I love how you rightfully called out that in the open source world and you know, you have your technology that you've built, what you think is your moat upon, right? [00:18:22] Andrew Zigler: It's your code and, and to open source that, or to just make it where anyone could peer in is, you know. Scary in one regard, but two, it just kind of feels like you're handing away your throne room in some kind of sense, a very direct feeling sense. But the ultimately, you were really right to call out, and this is something I think about all the time, that the real power there is still the speed This the speed. [00:18:42] Andrew Zigler: That was the moat at the beginning of our conversation. It's the speed in combination with your. Very specific domain understanding of what you're building and what you're creating, and your new role as the steward of that world and how people plug into it, which [00:19:00] has frankly, a lot more influence and power than lording over a closed. [00:19:04] Andrew Zigler: You know, repository or an ecosystem, and like you said, like throwing things over the wall. Sure. There, there might be people always on the other side of that wall, but you're not gonna have a great connection with them. You're not gonna be able to really clearly understand them. I, I like your metaphor of the side of the field of the mountain a lot more. [00:19:23] Andrew Zigler: But, but in the, in this world, you know, where. That speed is, is the power and, and open source is just one way that you can harness that speed to get really far ahead and to innovate. , There's other parts of this equation that you can be experimenting with too, and I'd love to pick your brain about them as a software leader and, and, and one of them is about looking forward and kind of understanding that future that we're all building towards and beyond today's models and hardware. [00:19:48] Andrew Zigler: You know, what do you see as the next major bottleneck or opportunity in the AI compute space? As, as you know, enterprises and folks start to get a little more mature about what's available to [00:20:00] them. [00:20:00] Anush Elangovan: Yeah, I think, the bottleneck and opportunity is, uh, what I'd call, call walking the last mile of ai. Right. Uh, and like I I, I gave you an example, uh, previously, but, but it's similar to that. It's like there are cases where Humans have so many, uh, things to do in your day. You know, like the, if we sit down and actually had a customer focus like, okay, these customers lives, I'm gonna save four hours of this customer's life. And if you actually sit down and look at all of that, it'll be. Easily automatable, easily you know, uh, applicable, uh, for ai, right? [00:20:39] Anush Elangovan: Like, but then making it happen is gonna take a little bit, right? It's like maybe it's, uh, paying your utility bill, right? Or something like that, right? Or, or, your healthcare explanation of benefits. Uh, like, I'm sure you get an explanation of benefits, and I'm like, I, I don't even know what that thing is. [00:20:55] Anush Elangovan: It's just like EOB and like. [00:20:57] Andrew Zigler: it's a big, a big old PDF. Yeah, [00:21:00] exactly. [00:21:01] Anush Elangovan: Like, like, I'm like great straight to the, uh, shredder, right? And but that could be, you know, automated with the ai, right? It, it, it'd be like, Hey, the summary of this thing is you went and visited this day. Everything is okay. Everything is paid for, so don't worry, it's not a bill. [00:21:17] Anush Elangovan: That again, the same, uh, thing, but the sense of what that information overload is could be. Digested by ai, uh, accumulated over time and retrieved when you need it. Like, I don't, I actually don't even need to know this EOB right now, unless of course, whenever I need to know it, that maybe, you know, like for some benefits I need to figure out what do, what did I do over the past year and how do I apply it? Source:

Mike

14,195 просмотров • 8 месяцев назад

Created With Grok Imagine. ●. The Ring World - Stillness, silence 1. Nebula Birthplace - Star formation 2. The Pillars - Birth, creation 3. The Storm - Isolation, turbulence 4. The Wanderer - Eternal journey 5. The Threshold - Edge of reality 6. The Collision - Time meaningless 7. The Abyss - Forever stares back 8. The Pale Blue Dot - Home grok imagine prompts used: [ { "id": 0, "title": "The Ring World", "prompt": "A gas giant's rings stretching to infinity, seen edge-on as razor-thin lines of pale gold and silver ice extending beyond comprehension into the void. The planet itself is a massive sphere of muted amber and slate grey storms, half in shadow, half catching distant starlight. The rings cast a whisper-thin shadow band across the planet's face. Everything floats in absolute silence and stillness against crushing black emptiness. A single moon, small and pale, drifts in the middle distance. The scale is vertigo-inducing - the rings could wrap around everything you've ever known. Cinematic composition, extreme wide shot, deep atmospheric blacks, soft diffused lighting, melancholic and vast, jewel-tone highlights on ring particles catching light, 8K, anamorphic lens, cosmic sublime aesthetic." }, { "id": 1, "title": "Nebula Birthplace", "prompt": "A breathtaking view of the Carina Nebula's star-forming pillars, towering columns of cosmic dust and hydrogen gas illuminated by the fierce ultraviolet radiation of newborn blue-white stars. The pillars rise like ancient cathedral spires against a backdrop of deep crimson and burnt orange gas clouds, with delicate tendrils of teal and magenta plasma curling at their edges. Thousands of pinpoint stars scatter across the scene like diamond dust, while a brilliant central cluster of young O-type stars blazes with intense blue-white light, casting dramatic shadows through the translucent dust lanes. Wispy shock fronts of superheated gas glow in electric blue where stellar winds collide with denser material. Ultra high resolution, photorealistic astrophotography style, Hubble Space Telescope quality." }, { "id": 2, "title": "The Pillars", "prompt": "Colossal pillars of cosmic dust rising from an infinite void, monolithic towers of deep indigo and midnight blue stretching impossibly tall against the blackness of space. Edges glow with ethereal bioluminescent teal and soft magenta where newborn stars ignite within, light bleeding through translucent layers of gas like lanterns behind silk. Thousands of stars scattered like crushed diamonds across absolute darkness. Scale is incomprehensible - each pillar contains worlds. Soft god rays pierce through gaps in the dust. Cinematic wide shot, extreme depth, atmospheric haze creating layers of distance, moody dramatic lighting, deep blacks crushing into the void, jewel-tone luminosity, 8K, anamorphic lens quality, awe-inspiring cosmic sublime aesthetic." }, { "id": 3, "title": "The Storm", "prompt": "A massive planetary storm seen from orbit, a swirling vortex of deep sapphire blue and electric teal gases spinning slowly in the darkness. The eye of the storm reveals darker layers beneath - navy, cobalt, almost black. High altitude cloud wisps of pale white ice crystals streak across the surface at impossible speeds, frozen in this moment. The planet's limb curves away into shadow, a thin bright arc of atmospheric haze glowing where day meets night. Everything else is void - pure crushing blackness surrounding this lonely turbulent world. Cinematic close orbit view, moody and isolated, deep rich blues against absolute black, soft diffused lighting from distant sun, atmospheric and melancholic, 8K, anamorphic lens quality, cosmic sublime aesthetic." }, { "id": 4, "title": "The Wanderer", "prompt": "A comet drifting through the inner solar system, its ancient dark nucleus trailing twin tails that stretch across the entire frame and beyond. The dust tail sweeps in a graceful arc of pale gold and cream, while the ion tail streams straight back in ghostly electric blue, both dissolving into the infinite black. The nucleus itself is a small dark heart of primordial ice, barely visible, jets of sublimating gas creating a soft teal-white coma glow around it. It has traveled for billions of years through absolute nothing to reach this moment. Loneliness incarnate. Cinematic composition, sense of vast journey and isolation, soft ethereal glow against crushing void, muted jewel tones, atmospheric and melancholic, 8K, anamorphic lens, cosmic sublime aesthetic." }, { "id": 5, "title": "The Threshold", "prompt": "The event horizon of a supermassive black hole, reality distorting at the edge of existence. A thin brilliant ring of superheated gas - white-hot fading to deep amber and crimson - orbits at nearly light speed, smeared into a perfect glowing halo by gravitational lensing. Behind it, stars are warped and duplicated, stretched into arcs and rings around the perfect circular darkness at the center. The black hole itself is absence - not black but nothing, a hole in the universe where light falls forever. The accretion disk reflects faintly in the gravitationally mirrored space above and below. Staring into infinity. Cinematic composition, reality-bending distortion, warm accretion glow against absolute crushing void, terrifying and beautiful, 8K, anamorphic lens, cosmic sublime aesthetic." }, { "id": 6, "title": "The Collision", "prompt": "Two galaxies passing through each other in slow gravitational embrace, their spiral arms stretched and distorted into sweeping tidal ribbons of light. Stars by the billions flow like luminous rivers between the merging cores - streams of pale gold, soft blue, and distant white pulling across hundreds of thousands of light-years of void. Where the cores approach, intense knots of newborn stars blaze in clusters of soft cyan and magenta. Dark dust lanes create dramatic silhouettes against the glowing stellar streams. The interaction has been happening for millions of years and will continue for millions more. Time is meaningless at this scale. Cinematic extreme wide shot, incomprehensible scale, soft ethereal luminosity, jewel tones against absolute black void, 8K, anamorphic, cosmic sublime aesthetic." }, { "id": 7, "title": "The Abyss", "prompt": "A vast cosmic void stretching infinitely in all directions, an endless expanse of deep black punctuated by distant pinpricks of starlight. In the foreground, a swirling nebula of ethereal gas and dust glows softly in shades of violet, indigo, and midnight blue, illuminated from within by the faint light of newborn stars. Wisps of iridescent teal and magenta drift through the darkness like ghostly tendrils, creating a sense of depth and mystery. The scale is incomprehensible - this is a place where entire galaxies could fit within the frame. You are small. You are nothing. You are staring into forever and forever stares back. Cinematic wide shot, extreme depth, atmospheric haze creating layers of distance, moody dramatic lighting, deep blacks crushing into infinite void, soft ethereal bioluminescence, jewel-tone nebula glow against absolute darkness, 8K, anamorphic lens, cosmic sublime aesthetic." }, { "id": 8, "title": "The Pale Blue Dot", "prompt": "Earth seen from four billion miles away, a tiny pale blue-white speck barely visible against the absolute black void of deep space. No detail, no continents, no clouds - just a faint luminous point of soft cyan light, smaller than a grain of sand, floating in endless nothing. The frame is almost entirely pure black emptiness with the tiny distant Earth off-center, barely there, almost lost. A subtle scattered band of faint light crosses the frame diagonally - ancient sunlight diffused through interplanetary dust. The loneliness is overwhelming. The fragility is heartbreaking. Everything that ever lived, loved, or mattered exists on that barely-visible point of light. Minimalist composition, extreme negative space, 90% pure black void, tiny distant pale blue dot, Voyager 1 perspective, melancholic and profound, 8K, anamorphic lens, cosmic sublime aesthetic." } ]

tetsuo

714,269 просмотров • 6 месяцев назад

🇯🇵 When mapping out a culinary tour of Tokyo, most travelers flock to the high-energy sushi stalls of the Tsukiji Outer Market or the neon-lit dining rooms of Ginza. Yet, if you take a short five-minute walk away from the chaotic market stalls into the quiet streets of Akashi-cho, you will discover a hidden portal to a completely different era. Welcome to Tsukiji Jisaku, a legendary, high-end ryotei that offers what is arguably the most authentic, old-world Japanese dining experience in the modern capital. Crossing the threshold of this estate is nothing short of theatrical. Visitors are immediately greeted by "SUMIIKE" (Ink Pond), a spectacular, immersive digital art entrance of light and sound designed to celebrate the venue's 95th anniversary. Walking directly through this glowing digital koi pond serves as a brilliant sensory bridge, moving you from the 21st-century city streets into a historic sanctuary. After removing your shoes at the genkan, kimono-clad staff escort you down polished wooden corridors to your own completely private tatami room. The entire estate, originally constructed in 1899 as a luxurious vacation villa for the Iwasaki family, the legendary founders of the Mitsubishi conglomerate, is engineered around a breathtaking, 2,645-square-meter central garden. Sliding open your room's shoji screens reveals an unobstructed view of ancient stone lanterns, maple trees, and a sprawling pond where over 150 vibrant, living koi fish swim. The dining experience itself is a masterclass in culinary poetry. Tsukiji Jisaku serves elite kaiseki-ryori, a traditional multi-course feast where every single ingredient is sourced at its absolute peak from across Japan, resulting in dishes that are plated to look exactly like vibrant landscape art. Alongside the delicate kaiseki plates, you can sample their ultimate house specialty: tori-no-mizutaki, a rich, comforting chicken hotpot simmered in a secret, multi-generational broth whose execution has been fiercely guarded by a singular designated hotpot chef since 1931. It is a rare, spectacular opportunity to slow down and experience a living piece of Japanese heritage that escaped the air raids of World War II, proving that true, unfiltered tranquility is still beautifully alive in the heart of Tokyo. 🎥 realsushipotato | IG

𝕏 Travels, Hotels and Resorts

24,049 просмотров • 1 месяц назад

🇪🇺🪩 “90 Billion Later: How the EU Signed Its Own Death Warrant While Talking About Peace” By Brainless Partisans 🏴‍☠️☢️☣️🪆 “We all share a clear objective: a just and lasting peace for Ukraine.” — The Brussels motto engraved on a budgetary vault With the enthusiasm of a conductor convinced he has just found the perfect final note, the President of the European Commission, Ursula von der Leyen, recited her litany: just peace, clear objectives, urgent financing, and… resounding success. A kind of institutional mantra, hammered out through press releases and conferences, straight from a strategic marketing workshop. And what did we get? A €90 billion financing plan for Ukraine over two years, approved by a majority of Member States around a somewhat wobbly, pyramid-shaped agreement. --- 💸 1. Borrowing: the EU’s latest epic ballad Rather than directly using the €210 billion in frozen Russian assets as a source of funding, the chosen solution was a joint borrowing operation on capital markets—in other words, more European debt. Here is the logic: ▫️ Brussels says “peace,” ▫️ then borrows massively, ▫️ in order to lend to a country at war that is not yet a member of the Union, ▫️ hoping that someone, someday, will foot the bill. It’s a bit like a hotel offering rooms without a deposit, hoping the guest will pay after checkout… and after organizing a collective meditation session to “clarify objectives.” And make no mistake: when we say borrowing, it is European taxpayers who guarantee the bonds—meaning the debt will sooner or later end up in national budgets like a pebble in a shoe. --- 🧱 2. A financial Tower of Babel This €90 billion looks more like a financing tower than a peace strategy. At the very heart of the debate, four major fault lines: ▫️ The initial idea: use frozen Russian billions to finance the aid. ▫️ The Belgian obstacle: Brussels refuses to risk legal action or a loss of financial credibility should Moscow challenge the move in court. ▫️ The chosen alternative: borrowing on the markets with the blessing of a majority, but against the opposition of several states. The shaky compromise: Zelensky can repay if—and only if—Russia first pays war reparations, a condition that sounds like a promise made to a ghost. The outcome of this summit looks less like a strategic resolution than the assembly of a bridge whose pillars barely speak to one another. --- 🪦 3. Why this aid signs the EU’s death warrant (within 3 years) As the EU plunges deeper into ever more complex financial mechanisms, three realities—too often scrubbed from official statements—become glaringly obvious: 🔹 A. Unsustainable debt The EU is turning away from any strict budgetary discipline and committing to even more ambitious collective debt. The ultimate responsibility for repaying debt incurred for a non-member country implicitly falls on the Member States. This risks triggering fiscal tensions, austerity plans, and the rise of populist parties ready to shout: Why should our children pay for a war that isn’t ours? 🔹 B. A fractured Union Political consensus is eroding. Belgian mistrust, hesitation from certain countries, and opposition from eurosceptic governments reveal a stark reality: the EU is no longer a united bloc with a coherent common project. Every major decision now resembles a negotiation worthy of a banana republic, where no one truly agrees on the rules of the game. 🔹 C. Dependence on debt instead of reforms This financing solution does not address the geopolitical and economic roots of the problem. It neither resolves Europe’s energy dependence on Russia nor the fragility of its economic model. It merely prints money to “maintain peace,” while pushing the bill onto future generations. --- 📉 4. The final paradox: just peace, unjust debts Ursula von der Leyen sells us a future of lasting peace with a solemn smile and colorful charts. But behind the façade: ✔ debt is rising; ✔ disagreements are widening; ✔ European solidarity is eroding; ✔ and the Union’s already fragile economic engine is being overloaded. This €90 billion plan looks very much like a desperate gamble, hoping that something—reconciliation, war reparations, sudden peace—will magically appear on the horizon. At this pace, in three years, the European Union may look less like a beacon of international cooperation and more like a financial Tower of Babel, whose upper floors collapse under the weight of their own contradictions. 💭 And in this tragicomic play, the just and lasting peace may well turn into… infinite debt and lasting disunity.

Brainless Partisans 🏴‍☠️☢️☣️🪆

11,035 просмотров • 7 месяцев назад