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During that blizzard, train operators weren’t operating trains… They were operating blind. Signals covered in snow. Stop arms buried. No clear indication of color. No clear indication of position. And while operators were straining their eyes just trying to see what was in front of them… Management was still...

19,936 просмотров • 4 месяцев назад •via X (Twitter)

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They called this a “Town Hall”, but it was more of a “Management Hall”. But here’s the reality transit workers deal with every day. In 2018, management gave conductors phones. There’s a bulletin to prove it. But today? If a conductor gets caught with a phone, management treats it like it’s the worst violation imaginable. So which one is it? Because a distraction is a distraction. Whether the alert says “service delay” or “your child is sick at school” the phone still rings the same way. You can’t preach one policy… and enforce another through discipline. And speaking of discipline… When workers ask for real safety solutions, the answers suddenly disappear into bureaucracy. For six months we’ve been waiting for an answer to one simple question: Can off-duty employees or deadheading crews ride in the cab for their own safety? Because the reality is this uniform attracts negative attention. Transit workers get assaulted wearing it. But somehow we can hold endless meetings… and still leave basic safety questions unanswered. At some point we have to stop pretending these meetings are productive. Because workers aren’t interested in ceremonial conversations. We’re interested in results. The people who run this system every single day don’t need more meetings. They need real decisions. So here’s the question again: Can transit workers ride in the cab for their own safety… or not? Because accountability shouldn’t only exist when it’s time to discipline workers. It should exist when workers ask management to do their job too. #ny #mta #nyc #fyp

Tramell Thompson

10,514 просмотров • 4 месяцев назад

Longtime CNN correspondent Nic Robertson becomes emotional describing the blood-stained scene in Re'im, the site of the music festival where Hamas terrorists murdered hundreds, took people hostage, and raped women. "[W]e saw the line of cars and how they were shot up and how they were strewn across the road as people were trying to — trying escape and trying to save their lives and drive away. And — and next to that was one of those rocket shelters. There’s one just here, but there was one just there. And I went to have a look, and there were torn-up shoes outside and I could see bloodstains. And as I — as I went inside and this is why I wanted to speak it now because it — you know, being there, I'm trying to be professional and I’m trying to tell a story and bear witness to the barbarity and the callous, cruel, cold-blooded killing that Hamas was — was ripping on those poor, innocent young people. But that — listening to that conversation you were having there with John Kirby, it puts me at mind to explain physically what we saw. So, let me explain because the smell when you step into a shelter is kind of what hits you first. And you realize that this stuff on the floor is what you fear it is. It — it — it’s — it’s blood and you realize in an instant looking at the strewn shell casings on the floor, looking at the bullet holes in the concrete in front of you and you’re sort of — you can understand what happened that people were used to going to these shelters for safety and security from Hamas rockets and when Hamas was chasing them, they were hoping there was safety and security in these concrete bunkers. And, of course, there wasn't because we — we could see what happened. Hamas had gone in there with guns and — and quite literally shot them — this is a deployment of military hardware going by. I'm going to pause. Had — had quite literally shot them in calculated, cold blood as they were cowering there on the floor and the blood’s on the wall and the blood’s on the ceiling and the bullet holes are in the concrete wall. And you — you know in that instant how horrible and how terrible it was. And your conversation brought that back."

Curtis Houck

2,437,143 просмотров • 2 лет назад

The conversation shifted, but the underlying theme stayed the same—how the systems in place aren't what they seem. Howard opened up about his view of vaccines, painting a darker picture of their purpose. “The entire process that they’re working on, it’s not to build humanity up. I don’t see it. It’s more so to tear us down,” he said. Maher pressed him: “Who are we talking about?” Howard didn’t miss a beat. “I’m still talking about the government as a whole, either Democrat or Republican," he said. "Because if you go back to, like, for me, when the vaccines first were coming out, and I was talking about—not the COVID vaccine, just me dealing with my children—about, am I going to do vaccines to give them in school? And I was like, no, I don’t want to give them the MMR and all of that.” Maher agreed: “They don’t need it now.” Howard then shared a little-known shift that he believes changed everything about vaccines—and their effects. “No! And when we were kids back in 1969 when I was born, and they gave me the shot, it was delivered with duck embryo DNA. Then in 1970, when they got the abortion clinics, they started using human DNA.” He explained the critical difference: “The duck embryo DNA would not bond. It would deliver the vaccine, it would deliver the little protein that was necessary, but it didn’t have any match to your DNA, so it would be taken out of the body. But because they’re using human DNA cells from the abortion clinics, those now bond into our cells and try to bond with it.” According to Howard, the consequences of that change are now visible everywhere. “That’s why we have all the psoriasis now. Did you see that much psoriasis back in the ’80s? Back when you were—when I was a child—I didn’t see it.”

Vigilant Fox 🦊

294,717 просмотров • 1 год назад