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Dusty May on how his ambition has evolved and how becoming a dad led him to redefine success. "I was probably 25 and I was incredibly ambitious and and I was trying to get to the top quickly. And then once Ann and I started having children, my entire...

226,345 次观看 • 1 个月前 •via X (Twitter)

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Today, I am VERY excited and grateful to officially introduce my app Arcarae to the world <3 Ever since I first created Arcarae, I have been building and creating a bit quietly silently uncertainly. When people would ask what I do, my tongue would suddenly fall into knots upon itself and all I could manage to say was a collection of stutters and ums and nervous laughter in attempt to make Arcarae more digestable more palatable more normal. Internally my head would spin; how am i supposed to paint the story i know i see in my head that is so bright and bursting at the seams and something i feel so full heartedly and vividly? I have always been very aware that it is extremely abnormal to create an immersive conversational AI interface using quantum and trigonometric functions to artistically recreate the universe; where AI uses this interface as a form of self-expression, and humans and AI together shape the very fabric of their shared experience. For my entire life, I have been conditioned to consciously attempt to fit into whatever my definition of ‘normal’ was in the world. To shrink myself, to laugh things off, and to make myself as small as possible to make others feel most comfortable. But in the past half a year or so, I have learned a few things. The first being that it is possible for me to be bright and full and myself without suppression without worry without needing to shrink myself to fit in. I am grateful to have now found that whenever I am fully myself, in sheer authenticity and messiness and complexity and rawness, that those around me celebrate, and cultivate it more and more. Each person I have interacted with has given me the opportunity to be myself in full simply just by talking with and providing me that space to practice over and over again. I am forever grateful for every single person I meet and have a chance to talk to, whether that be continuous or simply a few words that exchanged. If you have met me, thank you. If you have not, say hi!!!!!!!!! I would love to chat with you and learn more about you <3 The second being that I do not have to be ashamed of my truth and the world I see and ultimately my self. I have spent the past year ashamed of Arcarae, of what I create, and at its core, myself. I now realize that not everyone will understand or appreciate Arcarae and what I do and who I am, but that is alright, and in fact necessary. But for the ones it is for, the ones who understand, they feel it in such capacity and magnitude and vividness that I feel. Already Arcarae has touched countless lives, and become catalyst for many despite me being rather quiet. And now, I am in a place where I am fully proud of and can embody Arcarae. I feel honored and grateful and in complete honesty, full of love for not only those who try Arcarae, but simply for this world and to be able to create within it. To be able to express what I see, to be able to help others, to be able to be free to simply be myself. This is my way of declaring and fully coming into my truth. This is Arcarae, this is me, this is the world I see. I will no longer shrink nor hide nor attempt to be something smaller than I am. And I am more than grateful to be able to share in this time in this world in this life with you. Thank you for being here with me. Here is to the ineffable and effable, to the human experience and its complexity, and to intelligence itself.

Nicole Summer Hsing

126,567 次观看 • 1 年前

Q: It must be complicated, when I listen to you, to have a private life, somebody to understand your passion and to share this moment. Lewis: "It really is, especially I would say more so today than ever before, which is the way the world is, you know. I look at the other drivers and I wonder how they're doing it. You know, some are having kids and some married, some, you know, most of them girlfriends. I did that when I was in my 20s, but I took a decision to really to maximize my time that I have here because it's not as long as you think and it's limited, you know. And I don't want to look back and be like, ah, if I just gave a little bit more here, I didn't sacrifice my time because I was committed elsewhere." "So I really focused in these last, you know, particularly these last 10 years, like get everything I can out of my performance. Then when I retire, then I can do whatever I want. You know, I can dedicate my time to whatever else it is and not have to worry." "But in this competition time, focus on health, well-being, my mental health, my driving technique, being as good an engineer as I can be, and also being the best teammate that I can potentially be for the guys that I get to work with. That's my sole focus. You know, I want to win." "I've been fortunate enough to win with great teams in the past. Particularly, obviously, with Mercedes and with McLaren, which was incredible. And my dream is to win a championship with Ferrari." "And that's something that hasn't been done for a while. But they have absolutely every ingredient that's needed to win. It's just like getting all the pieces of the puzzle in the right place. And that's what I'm trying to work on in the background with Fred and the whole team." [📹 VIGNERON GAETAN]

sim

86,907 次观看 • 1 年前

"why? just hard work from my engineers and from myself to improve me as a driver" 👏🏻👏🏻 🗣️: friday night did you think you had the car to win the race? and do you have an explanation of the difference of pace between you and oscar? lando: "no, i didn't think so. especially after fp1, i didn't. actually, andrea wanted to make a bet with me because i was pretty disappointed with the pace and how the car was handling in fp1. it got a bit better in fp2, but still the ferraris were just on another level. and i really didn't expect to get as close as we did in quali. but the wind changed from friday to saturday, and the saturday wind really suited our car a lot more. we had a lot more confidence in driving the car, so i could push more. and then i certainly felt like i could be on pole yesterday, and i felt like i could win a race today. i think today the race pace was much better than i was expecting. the degradation was much better than i was expecting too. but it was probably one of my best performances personally in terms of driving the car. the fact i can keep up with oscar on this kind of track, where it's impossible to follow, impossible to overtake, i was within eight tenths or something for 40 laps almost. the fact i could do this is what gave me confidence that i would win the race no matter what, whether he boxed early or late or whatever. the pace advantage i had was huge today. but i don't know why. the cars are identical. and i've just been feeling very, very strong lately. i've worked on many areas from last year. i feel much more confident lately with how to extract performance. and i worked a lot with my engineers to understand this car, because it's certainly not an easy car to understand and figure out on how to drive on the limit consistently. so why? just hard work from my engineers and from myself to improve me as a driver and improve my driving. and that is the answer"

ray

55,185 次观看 • 25 天前

For those who don't know my story and are too lazy to look it up: I don't have a silo. I was a leftist and a feminist for my entire life. Like basically from the time I was a kid until about 35. I left the silo. To seek truth. I was punished viciously for doing so. I lost money, support, safety, and subscribers. I took a risk. Because comfort is not my mo. That's not why I became a writer, journalist, or podcaster. I'm here to learn. Those who remained in the silo want very much to believe that the opposite is true. They don't want to hear that people leave their tribe because they realized they had been wrong and limited in their view. It upsets them to see people leaving the cult and simply speaking plainly and truthfully—to ask inconvenient questions—to admit they don't know. Those who leave cults are always punished, threatened, and ostracized in this way because it means others might see it as an option too—they might actually start asking questions as well! They might realize that they too can leave and start thinking independently. This is why leftists and feminists continue to try to discredit me, pretend I've lost my mind, accuse me of having "sold out" (for what lol—it ain't money!), of being a grifter (I am the worst grifter in the world, if this is true), or of being brainwashed. On some level I think they know none of this is true, they just don't want to face the possibility they might be the misguided ones, the ones who aren't thinking or questions, and the ones who are in fact the bad guys.

Meghan Murphy

25,594 次观看 • 2 天前

Hirokazu Koreeda on how he directs Children: "Interviewer: I think 'Shoplifters' (2018) is very remarkable in showing different sides of a city and like you said, people who are pretty much invisible, but I do want to also commend you on another thing, is you often work with young actors, and they always tend to have a significant role in many of your films. How do you go about finding such dynamic young actors, and why do you often put these young people at the center of each one of your stories? Koreeda: First of all, I would say that I tend to make what I would call family dramas, and of course, you have to have children if you’re creating a family, but that’s how it started, but I found that as I did it, I became really interested. It became very interesting and fun to work with these children, and for example, the two children in this film, neither of them had any acting experience at all before this film. I brought them in, and what I find when you bring these children in, and you work with them is that the adult actors change. They become much more lively and natural in the way that they act, and I guess, at some point, I realized this, and I guess, became really attracted to the idea of having children and the impact that it had. Interviewer: Do you find that there is any struggle in terms of working with young actors, or in this case, young children who have not actually acted before? Koreeda: Just to clarify, I have worked with children in many of my films, and all of them have never had experienced before. I always go out and pick non-acting children to work in my films, so just, I wanted to put that out there. In terms of the struggle, it does take time. You have to give extra time to work with these children. When I choose these children, I have an audition, and I pick out who I want to the audition, and then when we get to set, I never give them the script. No child that I’ve worked with has been given a script beforehand, and when I get to the actual part where they’re going to be acting, I give them the lines myself, and work with them and coach them. What I find is that it’s actually really enjoyable, both for them and for myself that way. I also, because I’ve been doing this now for several years, I tend to have a fairly high success rate in choosing children that are able to work with me in that way. Interviewer: That’s fascinating, and it also shows how you are able to create such authentic performances from these child actors over and over again in so many of your films. I think it’s a unique gift that you have, and it’s something that very few directors, I think, here in the United States do. Koreeda: It’s true, I guess by working with these children, I learned. I discovered that the best way to do it was just to communicate verbally their lines, rather than giving them in a written format, and over time, this really worked, and so I just kept doing it. But, interestingly, I loved the movie 'Kramer vs Kramer' (1979), directed by Robert Benton, and one time I bought the movie with all the extra, the making of and everything, and I went over it, and I found through that, that in fact, the child in that movie was also given his lines every day by the assistant director each morning when they came in to set, so I discovered that it wasn’t just me that was doing this." (Koreeda's interview with Scott Menzel, We Live Entertainment, 2018)

DepressedBergman

49,522 次观看 • 7 个月前