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Easy way to make outline with compositing. Depth+Sobel → factor, Diffuse Direct+Overlay → color of line. If your Shader is effective by light's color, overlay color could be just black. Use another mix node's clamp to solve color problem. #blender #compositing

龍の宴

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56,498 просмотров • 4 месяцев назад •via X (Twitter)

Искусство Образование Наука и технологии #blender #compositing

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Eric Rohmer on the use of Colour in "La Collectionneuse" (1967) and "Claire's Knee" (1970): "I didn't use color as a dramatic element, as some filmmakers have done. For me it's something inherent in the film as a whole. I think that in 'La Collectionneuse' (1967) color above all heightens the sense of reality and increases the immediacy of the settings. In this film color acts in an indirect way; it's not direct and there aren't any color effects, as there are for example in Bergman's most recent film, his second one in color, where the color is very deliberately worked out and he gets his effects mainly by the way he uses red. I've never tried for dramatic effects of this kind, but. for example, the sense of time-evening, morning, and so on-can be rendered in a much more precise way through color. Color can also give a stronger sense of warmth, of heat, for when the film is in black-and-white you get less of a feeling of the different moments of the day, and there is less of what you might call a tactile impression about it. In 'Claire's Knee' (1970), I think it works in the same way: the presence of the lake and the mountains is stronger in color than in black-and-white. It's a film I couldn't imagine in black-and-white. The color green seems to me essential in that film, I couldn't imagine it without the green in it. And the blue too-the cold color as a whole. This film mould have no value for me in black-and-white. It's a very difficult thing to explain. It's more a feeling I have that can't be reasoned out logically." (Eric Rohmer's interview with Graham Petrie, Film Quarterly, 1971)

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DepressedBergman

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Black woman called me disgusting after my reaction to Karmelo Anthony supporters saying they would defend him regardless of the facts. I get told I shouldn’t criticize Black people because I’m Black. Sit with how strange that is. The same person calling me a sellout just handed me a set of required opinions based on nothing but my skin color and then called me the problem. The bottom line is it’s not the skin color that’s the problem it’s the culture.

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DeVory Darkins

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Alexey Ardov

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Robert Griffin III

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