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Easy way to make outline with compositing. Depth+Sobel → factor, Diffuse Direct+Overlay → color of line. If your Shader is effective by light's color, overlay color could be just black. Use another mix node's clamp to solve color problem. #blender #compositing

龍の宴

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56,498 görüntüleme • 4 ay önce •via X (Twitter)

Sanat Eğitim Bilim & Teknoloji #blender #compositing

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I like style between NPR and PBR Why I mix base color : 1.Make shade color lighter → Result become flatter 2. It keeps all BSDF effects as half 3. One factor to control style For Soft&Hard Shadow : Just Use Light Angle this is just a simple good start #blender

I like style between NPR and PBR Why I mix base color : 1.Make shade color lighter → Result become flatter 2. It keeps all BSDF effects as half 3. One factor to control style For Soft&Hard Shadow : Just Use Light Angle this is just a simple good start #blender

龍の宴

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These are underfill layers! They are a solid color layer underneath another color layer, but they are slightly bigger, making it look like the outline of the layer above. This method will make it easier for riggers to give the model more range, as the underfill is easy to adjust

These are underfill layers! They are a solid color layer underneath another color layer, but they are slightly bigger, making it look like the outline of the layer above. This method will make it easier for riggers to give the model more range, as the underfill is easy to adjust

Suiika Customizable Model OUT NOW!

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While contrast-color() only returns black or white, there are workarounds! If you register a new custom property, you can use style queries for full color palette customization (but make sure to test the contrast yourself!) Another technique is using the contrast-color() value inside of color-mix() to provide a tint variant. This demo shows method 1 where you can get warmer light colors and blue-tinted darks instead of pure black and white. Cons: Firefox doesn't support style queries yet so browser support is limited for now (though it is an Interop 2026 feature!).

While contrast-color() only returns black or white, there are workarounds! If you register a new custom property, you can use style queries for full color palette customization (but make sure to test the contrast yourself!) Another technique is using the contrast-color() value inside of color-mix() to provide a tint variant. This demo shows method 1 where you can get warmer light colors and blue-tinted darks instead of pure black and white. Cons: Firefox doesn't support style queries yet so browser support is limited for now (though it is an Interop 2026 feature!).

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Create compositing mattes in seconds with Aleph 2.0 Mattes let you isolate a subject from its background so you can composite, color or apply effects to just one part of your shot. 1. Upload your video 2. Prompt for a white silhouette on black 3. Review your preview 4. Hit generate 5. Set your matte clip as a luma matte in your editor Clean mattes, ready for compositing. No rotoscoping required.

Create compositing mattes in seconds with Aleph 2.0 Mattes let you isolate a subject from its background so you can composite, color or apply effects to just one part of your shot. 1. Upload your video 2. Prompt for a white silhouette on black 3. Review your preview 4. Hit generate 5. Set your matte clip as a luma matte in your editor Clean mattes, ready for compositing. No rotoscoping required.

Runway

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Exploring a visual style is one of the most exciting parts of the creative process. Color grading is a powerful way to define the atmosphere and give your story its own signature. #FindYourFlow A simple way to maintain your color grading throughout your story is by… 1️⃣ Including “match the color grading” in your prompt when generating your first or last frames with Nano Banana Pro in Flow. 2️⃣ Then, explore new settings and scenes while maintaining your look across clips. 3️⃣ Finally, use Frames to Video to animate your scenes. Here’s a look at the workflow:

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Google Flow

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What if you could see how accessible your color palette is before you use it? 🎨 The piechart shows a breakdown of all the colors in this palette that meet contrast WCAG standards. Wdyt? Is this easy to understand?

What if you could see how accessible your color palette is before you use it? 🎨 The piechart shows a breakdown of all the colors in this palette that meet contrast WCAG standards. Wdyt? Is this easy to understand?

David Aerne

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Eric Rohmer on the use of Colour in "La Collectionneuse" (1967) and "Claire's Knee" (1970): "I didn't use color as a dramatic element, as some filmmakers have done. For me it's something inherent in the film as a whole. I think that in 'La Collectionneuse' (1967) color above all heightens the sense of reality and increases the immediacy of the settings. In this film color acts in an indirect way; it's not direct and there aren't any color effects, as there are for example in Bergman's most recent film, his second one in color, where the color is very deliberately worked out and he gets his effects mainly by the way he uses red. I've never tried for dramatic effects of this kind, but. for example, the sense of time-evening, morning, and so on-can be rendered in a much more precise way through color. Color can also give a stronger sense of warmth, of heat, for when the film is in black-and-white you get less of a feeling of the different moments of the day, and there is less of what you might call a tactile impression about it. In 'Claire's Knee' (1970), I think it works in the same way: the presence of the lake and the mountains is stronger in color than in black-and-white. It's a film I couldn't imagine in black-and-white. The color green seems to me essential in that film, I couldn't imagine it without the green in it. And the blue too-the cold color as a whole. This film mould have no value for me in black-and-white. It's a very difficult thing to explain. It's more a feeling I have that can't be reasoned out logically." (Eric Rohmer's interview with Graham Petrie, Film Quarterly, 1971)

Eric Rohmer on the use of Colour in "La Collectionneuse" (1967) and "Claire's Knee" (1970): "I didn't use color as a dramatic element, as some filmmakers have done. For me it's something inherent in the film as a whole. I think that in 'La Collectionneuse' (1967) color above all heightens the sense of reality and increases the immediacy of the settings. In this film color acts in an indirect way; it's not direct and there aren't any color effects, as there are for example in Bergman's most recent film, his second one in color, where the color is very deliberately worked out and he gets his effects mainly by the way he uses red. I've never tried for dramatic effects of this kind, but. for example, the sense of time-evening, morning, and so on-can be rendered in a much more precise way through color. Color can also give a stronger sense of warmth, of heat, for when the film is in black-and-white you get less of a feeling of the different moments of the day, and there is less of what you might call a tactile impression about it. In 'Claire's Knee' (1970), I think it works in the same way: the presence of the lake and the mountains is stronger in color than in black-and-white. It's a film I couldn't imagine in black-and-white. The color green seems to me essential in that film, I couldn't imagine it without the green in it. And the blue too-the cold color as a whole. This film mould have no value for me in black-and-white. It's a very difficult thing to explain. It's more a feeling I have that can't be reasoned out logically." (Eric Rohmer's interview with Graham Petrie, Film Quarterly, 1971)

DepressedBergman

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As Boston College's first Black captain, Marshall Warren is trying to make the path to hockey as easy as possible for People of Color. Watch his full story here: | Black History Month My Stories Presented by: @BerkshireBank

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NESN

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Nice presentation how a depth of field effect could be adjusted with visual representation by color using part of the viewport to render useful data - here used in the project by Igor Suntsev: #MadeWithDefold #gamedev #indiedev #rendering #shaders #programming

Nice presentation how a depth of field effect could be adjusted with visual representation by color using part of the viewport to render useful data - here used in the project by Igor Suntsev: #MadeWithDefold #gamedev #indiedev #rendering #shaders #programming

Defold Engine

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Texas AG Ken Paxton Eviscerates Democrat Senate Opponent James Talarico’s Repeated Attacks Calling Whiteness a ‘Virus’ and Claiming White Men are the Greatest Threat to the Nation: “If he believes that, why the Hell is he running? He just disqualified himself. I couldn’t disagree with him more. I don’t think skin color should be a measure of character… Any of our great leaders would have disagreed no matter their skin color, it’s not based on skin color or hair color or eye color, it’s based on character. It’s based on how you treat people. It’s based on your belief system and how you implement that. I could not disagree with him more.”

Texas AG Ken Paxton Eviscerates Democrat Senate Opponent James Talarico’s Repeated Attacks Calling Whiteness a ‘Virus’ and Claiming White Men are the Greatest Threat to the Nation: “If he believes that, why the Hell is he running? He just disqualified himself. I couldn’t disagree with him more. I don’t think skin color should be a measure of character… Any of our great leaders would have disagreed no matter their skin color, it’s not based on skin color or hair color or eye color, it’s based on character. It’s based on how you treat people. It’s based on your belief system and how you implement that. I could not disagree with him more.”

Benny Johnson

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Black woman called me disgusting after my reaction to Karmelo Anthony supporters saying they would defend him regardless of the facts. I get told I shouldn’t criticize Black people because I’m Black. Sit with how strange that is. The same person calling me a sellout just handed me a set of required opinions based on nothing but my skin color and then called me the problem. The bottom line is it’s not the skin color that’s the problem it’s the culture.

Black woman called me disgusting after my reaction to Karmelo Anthony supporters saying they would defend him regardless of the facts. I get told I shouldn’t criticize Black people because I’m Black. Sit with how strange that is. The same person calling me a sellout just handed me a set of required opinions based on nothing but my skin color and then called me the problem. The bottom line is it’s not the skin color that’s the problem it’s the culture.

DeVory Darkins

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What if we could edit our gradients right inside the color space? The dashed line is the intended path, and the solid line is how it's mapped to the sRGB gamut. In LCH/OKLCH gradients it's easy to fall out of sRGB, even if starting points are valid colors.

What if we could edit our gradients right inside the color space? The dashed line is the intended path, and the solid line is how it's mapped to the sRGB gamut. In LCH/OKLCH gradients it's easy to fall out of sRGB, even if starting points are valid colors.

Alexey Ardov

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🦌 i think burgundy/wine color suits me too. wine color just… seems to go well with everything. colors in the red family are a bit… well red is such a strong and intense color the moment you see it right. 🦌 so when you dye your hair that color, it feels like it might make your image even more intense. 🦌 i don’t think my face looks that strong or sharp so it kind of balances things out. (*he’s saying his features are softer so the strong hair color ends up balancing his overall look instead of making him look overly intense)

🦌 i think burgundy/wine color suits me too. wine color just… seems to go well with everything. colors in the red family are a bit… well red is such a strong and intense color the moment you see it right. 🦌 so when you dye your hair that color, it feels like it might make your image even more intense. 🦌 i don’t think my face looks that strong or sharp so it kind of balances things out. (*he’s saying his features are softer so the strong hair color ends up balancing his overall look instead of making him look overly intense)

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250131 YZY FS #MINGYU #민규 #세븐틴 🐶 what color should i dye my hair next? 💎 me or you? 🐶 me 💎 just... black is good! i like black the best 🐶 but i think i'll have to try [another] color, a month from now? 💎 ...is your solo coming out? 🐶 no nothing like that, but should i go with red? 💎 no please no it's fine like this

250131 YZY FS #MINGYU #민규 #세븐틴 🐶 what color should i dye my hair next? 💎 me or you? 🐶 me 💎 just... black is good! i like black the best 🐶 but i think i'll have to try [another] color, a month from now? 💎 ...is your solo coming out? 🐶 no nothing like that, but should i go with red? 💎 no please no it's fine like this

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The hair color is now adjustable! We're working hard to make her movable. This Live2D model has an extremely detailed split with a large number of parts, so you have plenty of room to mix and match to create your favorite hairstyle!!! #LizMetaCustomizableVtuber #CustomizableVtuber #vtuber #live2d

The hair color is now adjustable! We're working hard to make her movable. This Live2D model has an extremely detailed split with a large number of parts, so you have plenty of room to mix and match to create your favorite hairstyle!!! #LizMetaCustomizableVtuber #CustomizableVtuber #vtuber #live2d

茶粒子kokoda

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Jerod Mayo is the 1st Black Head Coach of the New England Patriots and he doesn’t shy away from it or any issues about race in our country. “I do see color because I believe if you don’t see color, you can’t see racism…I want you to be able to go up to those people and understand those people….Whatever it is Black, White, Yellow it really doesn’t matter, but it does matter so we can try to fix the problem that we all know we have.” He isn’t scared to say it with his chest. He is STANDING ON BUSINESS.

Jerod Mayo is the 1st Black Head Coach of the New England Patriots and he doesn’t shy away from it or any issues about race in our country. “I do see color because I believe if you don’t see color, you can’t see racism…I want you to be able to go up to those people and understand those people….Whatever it is Black, White, Yellow it really doesn’t matter, but it does matter so we can try to fix the problem that we all know we have.” He isn’t scared to say it with his chest. He is STANDING ON BUSINESS.

Robert Griffin III

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