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Ebro challenges Drake's claim that 'Not Like Us' popularity was artificially inflated by bots and reveals he never accepted payola to play artists’ songs on the radio. (🎥Apple Music/YouTube)

224,796 просмотров • 1 год назад •via X (Twitter)

Комментарии: 10

Фото профиля BLA$$$IC 💿✌🏿
BLA$$$IC 💿✌🏿1 год назад

COMPANY EMPLOYEE DENIES COMMITTING A CRIME

Фото профиля Flawdzilla
Flawdzilla1 год назад

Why would he admit a crime? Of course he'll say he never took money

Фото профиля Kameo Williams
Kameo Williams1 год назад

You don’t take that money, which you admit that there is money to be taken though.

Фото профиля Persy
Persy1 год назад

Ebro lying, you can see it on his face….

Фото профиля DEACON LEE
DEACON LEE1 год назад

KTHOTS can't handle the truth!

Фото профиля brody🇩🇴
brody🇩🇴1 год назад

The hate for drake inflated not like us

Фото профиля Twon95
Twon951 год назад

When it comes to Drake u know Ebro and friends are always going to be against him in every way shape or form. I’m not even gonna listen and I can bet it’s negative

Фото профиля ddp540
ddp5401 год назад

Notice his choice of words...just because you havent been caught, doesnt mean you arent accepting money for plays/post' undisclosed

Фото профиля The Vision
The Vision1 год назад

Ebro is literally the KING 👑 of Industry plants 🪴

Фото профиля Angela
Angela1 год назад

They are saying this for 'credibility.' Flex was looking good, so they realized they wanted to say that as well.

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🧐🎙️Last Night DJ Akademiks Went Off on Ebro & the Ebro in the Morning Crew After Hot 97 officially ended Ebro in the Morning a show that ran for 19+ years DJ Akademiks delivered a long, pointed breakdown of why he believes the station (and NYC radio) declined under Ebro’s leadership. Here’s the structured breakdown 👇 📉 The Core Claim Akademiks echoed a long-standing criticism once made by 50 Cent: Ebro was a major factor in the decline of New York hip hop radio. According to Ak, Ebro lacked foresight, resisted change, and clung to outdated industry thinking especially during the shift from physical sales to digital and streaming. 💿 Music Industry Missed the Wave Ak explained how: •Labels panicked when Napster, Limewire, and Kazaa disrupted physical music sales •Instead of adapting, the industry pushed for arrests and shutdowns (ex: DJ Drama mixtape case) •Tech companies and streaming platforms ultimately saved the music business •Radio executives who couldn’t anticipate change were left behind Ak’s point: Adapt or become irrelevant. 🚫 Gatekeeping & Control Ak accused Ebro of: •Acting like a gatekeeper instead of a curator •Treating Hot 97 like he owned it •Deciding what was “real hip hop” and what wasn’t •Blocking younger artists he believed were “ruining the culture” Ironically, Ak notes the artists Ebro dismissed YoungBoy, Playboi Carti, Lil Uzi Vert, etc. now dominate the culture and fill arenas. 🧠 Akademiks’ Personal Story Ak shared his early journey: •College radio at Rutgers University •No industry connects •Degrees in biomathematics and sociology •Self taught DJing, producing, and broadcasting He emphasized that instead of begging for access or approval, he chose to: •Bet on himself •Focus on analysis, commentary, and personality •Stop chasing interviews and build his own platform That decision, he says, changed everything. ⚔️ Radio Wars & Industry Beef Ak revisited the infamous Hot 97 vs Power 105 era: •DJs and staff beefing like rival gangs •Loyalty to corporations they didn’t own •Gatekeeping based on station politics, not talent He claims Hot 97 rejected working with him simply because of his association with Charlamagne. 🎭 “Employee Acting Like the Boss” One of Ak’s strongest critiques: •Ebro was Program Director AND on-air talent •Constantly reminded artists he “allowed” their success •Spoke like a CEO while being an employee Ak compared this mindset to executives who forget their position until the rug gets pulled. 📻 The Morning Show Problem Ak closed by pointing out: •Ebro in the Morning couldn’t compete with The Breakfast Club •Charlamagne’s star power was undeniable •The show never recovered culturally or competitively 🧾 Final Take Akademiks’ message was clear: Gatekeeping, ego, and resistance to change cost NYC radio its dominance. And in the end, the culture and the audience moved on. 💭 What do you think? Was Ak right?

Cousin Tino ™️

30,330 просмотров • 8 месяцев назад