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🌔 Eclipse Learning Track is LIVE 🌑 Partnering with @eclipseFND, we present the track to 🗺️ Master Eclipse fundamentals 💻 Learn Rust & Anchor 🖼️ Launch NFT, meme coins & CRUD-DApp 📑 Earn certificate co-issued by Eclipse & HackQuest Details 👉

21,239 просмотров • 1 год назад •via X (Twitter)

Комментарии: 10

Фото профиля HackQuest
HackQuest1 год назад

Here is the step-by-step guide to @eclipseFND learning track: ✏️ Enroll in Eclipse learning track ⚙️ Begin learning & building 🔖 Become a certified Eclipse dev Full guide 👉

Фото профиля HackQuest
HackQuest1 год назад

Eclipse is Ethereum's first L2 powered by the Solana Virtual Machine, combining the speed of Solana with the liquidity of Ethereum. This novel architecture enables a high-performance L2, with access to Ethereum's liquidity, while maintaining the hard constraint of verifiability. Eclipse gives developers a general-purpose L2 capable of massive scale that can power the next generation of decentralized applications. Join Eclipse learning track today and take your first step toward building scalable, consumer-ready blockchain applications. Read more 👉

Фото профиля Eclipse (🐮,🌑)
Eclipse (🐮,🌑)1 год назад

Learn how to deploy on Eclipse! 🌑

Фото профиля HackQuest
HackQuest1 год назад

lfg 🚀

Фото профиля hotlneblng
hotlneblng1 год назад

@EclipseFND GSVM

Фото профиля HackQuest
HackQuest1 год назад

@EclipseFND gsvm

Фото профиля Ser Eric (gsvm/acc)
Ser Eric (gsvm/acc)1 год назад

@EclipseFND Homework for Eric. Thank u

Фото профиля 0x_Babs.turbo
0x_Babs.turbo1 год назад

@EclipseFND Let's go Something for the technicals. Eclipse everything 💚

Фото профиля HackQuest
HackQuest1 год назад

@EclipseFND Eclipse everything 💚

Фото профиля eRON 🥑(🐮,🌑,🧱)
eRON 🥑(🐮,🌑,🧱)1 год назад

@EclipseFND Super bullish on eclipse

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I’ve made a short film. Look at the things around you: doors, bins, staircases, furniture, railings, doorhandles, windows. Do you like how they look, or not? Modern design has become boring, but it doesn’t have to be this way. The word “beautiful” is overused. We don’t need “beautiful” lamps, bus stops, and water fountains – we just need lamps, bus stops, and water fountains that are interesting, that actually mean something. Or, at the very least, not boring. Because the aesthetics of architecture and urban design aren’t just a bonus; they totally change how we think, feel, and behave. Boring environments make us more stressed and less productive; they erode our sense of community; they make us sadder, less trusting, and lonelier. A boring world is one where we spend even more time online and where our addictions are even harder to battle. The Problem There is global, widespread dissatisfaction with how the world looks. In this film, and the series it will lead to, we want to investigate that feeling and give it a voice. The point isn’t that we should return to the past or get rid of modernism. It’s about learning from the past in order to improve the present, and about giving the public what they very clearly want, which isn’t the eradication of modernism but the co-existence of modernism AND traditionalism. Just look where tourists go, where they take their photos, and that tells you everything you need to know about what most people find interesting or beautiful. And look at where people go on holiday. It’s always to cities filled with old architecture and design, with churches and mosques and palaces, with charming little alleyways and stone staircases and wrought-iron railings. Of the world’s fifty most visited buildings, only four were made in the 20th century, and they’re all museums or memorials. There’s a reason why posts about this go viral online all the time. Regardless of why the change happened, it is clearly the case that we no longer make things how we used to. People are rightly confused by the fact that old lamp posts (to take the example we focus on in the film) are usually so pretty, while modern ones are usually so boring. Some people say this is just an example of survivorship bias… and they’re mostly correct. But that’s the whole point! Saying old buildings are usually prettier than modern buildings is not to say that architecture used to be better, or that the past was better. It is simply to say that certain kinds of buildings, because they have been preserved, are good examples of what people like most. In which case... shouldn't we try to design at least some buildings in a way that we know people like? A Unifying Cause Everybody, from all sides of the political spectrum and all backgrounds, stands to benefit from a world that is designed more thoughtfully and imaginatively. The world could be such a colourful, meaningful, and thrilling place! So this isn’t about left versus right or conservatism versus progressivism; it’s about making our world a more interesting and meaningful place to live in. This should be a unifying cause, because everybody loses out when our homes and cities are badly designed. I want this film to unite people who think they’re on opposite sides, and to create a consensus that we need to change our approach to how we design our buildings and the objects – benches, bus stops, bins, lamp posts, aircon units – that fill our cities. The Importance of Details We are incredibly rich and have a sprawling choice of shows to stream, phones to buy, or shoes to wear… but everything feels more and more generic all the time. If you want to understand a society, don’t listen to what it says about itself – look at what it creates. You can learn everything about the Victorians – the good and the bad – just by looking at their lamp posts. And what do the ordinary details of the modern world say about us? That we are technologically advanced, very efficient… and care more about making money, about making things as quickly and cheaply as possible, than making our world an enjoyable place to actually live in. It’s important to learn about why and how things have changed, but that’s for another time. The first step is establishing that the public aren’t happy with modern architecture and design, and that something needs to be done. But what we need isn’t a total revival of so-called ‘traditionalism’; the truth is that traditionalism and modernism can (and should) co-exist. The trouble right now is that we only have one, and that people are tired of it. The Power of Noticing But this film (and the series it will, all being well, lead to) is about more than the specific argument it presents. Above all it’s about a way of seeing the world around us, a way of noticing and thinking. “How you do anything is how you do everything.” That is probably true, and it also applies to whole societies, not just individuals; a single doorbell implies everything else about the whole socio-economic and political system that gave rise to its creation. And, beyond being merely “useful”, the ability to notice details makes the world a richer place to live in, and life a richer thing to lead. This is what the film is about, more than anything: the power and joy of noticing. A Bigger Project This short film is just the beginning. We want to make a full series about the history of art and architecture, both for their own sake and also to see what we can learn about life in the twenty-first century and how to improve it. To keep updated you can join our email list over at our website, linked in the reply below. Final Words You can watch the film here on X, or over on YouTube, also linked in the reply below. So… this is where the dream begins, the dream of a new series and the dream of a more charming, more interesting, more meaningful modern world. Spread the word.

The Cultural Tutor

2,752,754 просмотров • 1 год назад

Alright lets actualy Break down the fight with ACTUAL Evidence, instead of Random Talk 1. Mag Rejoins the fight after they failed to Spawnhold 2. Wolv Uses Ult, wich forces Mantis to Ult 3. If they are good players, they Ult Track and know Invis used her ult and only Rocket has Ult left, wich means we can potentialy kill supports thru an Amp with Mantis Ult+Mag Ult+Gorr 4. Gorrs Fade gets canceled and he gets Picked off the Moment Mag Returns to the fight, because Gorr, cant live on close range, NOR the Frontline, without a Team pumping him full or resources, since he has ZERO Defensive Abilitys 5. Mag completely WASTES His Ult cuz Gorr Died 6. They Play with ZERO DPS, wich means, less Pressure from YWL 7. Nest gets broken because they are missing a DPS and they can walk for free on them 8. Gorr Comes back from spawn, but because Nest is broken and Gorr wasnt present MAGNETO DIES to Wolv and Dino Bubble 9. After Mag Dies Gorr tries to carry the game, but because his Hero is Handicapped and keeps on getting SLANDERED by Pro Players that DONT want this hero to shine, he STILL hasnt received a Hotfix to his abilitys and therefore Gorrs Fade and TP get canceled in the Upcoming fight as well, hence why they loose AGAIN Mag didnt die because of a "misplay" Mag died because his Dive DPS (Dive Damage per Second) Hero, cannot dive and is therefore useless and can be compared to other heros that do basic Damage Gorr itself doesnt do ANYTHING special that would justify him being played instead of Daredevil or Ironfist or Wolv or Black Cat. Its honestly such a shame PRO Players create propaganda just because they dislike heros The fact that the same guy that said "Gorr doesnt have mechanical skill" is trying to argue AGAINST a change that would GIVE him Mechanical Skill, genuinely baffles me and ruins the reputation of Pro Players even more

Slush

21,497 просмотров • 1 месяц назад

Hey True Earthers... If you get tired of globers bitching about a model, or sunrise angles, or star trails, or sunlight, or eclipses, anyone can ALWAYS reference THIS MODEL The reason it is called "Shane's Mode;" is strictly so YOU can use it, and I can take all the criticism, insults, ridicule, jokes, attacks, etc. The general idea is that the community gets the considerable benefit of presenting an accurate model and using it to explain several normal phenomena at once. Then, only I get the drawbacks of all that will surely come from it, and everyone else will benefit. I planned it this way, because I largely don't care about what any of the globers piling the hate over here so we can press forward. Or.. you know, f*ck me for saying the word model, and for bendy light or for whatever. If that's the case, no hard feelings. One last thing, the smaller dome in the model simply represents the limit of an observers view, a spherical limit with a radius of 3959. The math that supports that is here... and here. The descriptions are entirely reworked, mostly spelling error free, and entirely plausible. So feel free to bring it up in debates, forums, streams, podcasts, or whatever you like. The model adequately emulates and explains all of these observations: Sunrise, Sunset, Moonrise, Moonset, Moon Phases, Moon's apparent rotation, Sun's position on Equinox, Seasons, some aspects of Solar and Lunar Eclipses, Star trails, 24 hours Day/Night at the North-pole and Antarctica, Celestial Poles, Why people south of the equator can see the same Stars rotate clockwise around a singe celestial pole at the same time at different continents [Southern Cross Observations] Cheers everyone! The FULL Description is below, and it is LONG. Sorry. The Model This model does not assume a physical Sun nor Moon which will show a collective convergence for every observer on Earth. It only matches their apparent positions as observed across the plane. The Bislin model acknowledges this and moves all celestial bodies to a nearly infinite distance away. This does nothing more than create a triangle large enough that you can mathematically abstract your way into the inverse of everything you experience. The truth is there is a limit to one's visual space. And this limit is necessarily geometrically spherical. Because one never observes objects in anything but their 'apparent location' within one's personal celestial sphere, there is no need to explain a tiny ball of heat mysteriously powering itself along at 3100 miles above the plane. This is not reality. We feel we only have to model the exact apparent position for each observer. We do not have to provide an explanation for what you think should be required. This model relays the apparent size and positions of Sun, Moon and star constellations. It depicts their paths as well as the day-night terminator. Simply by observing reality and plotting that data on a planar map we demonstrate that the Sun, Moon and stars can move beyond the limit of one's vision and become unresolvable by the naked eye. We show how this can be conflated with the assertion that objects ACTUALLY drop down below the horizon when, in reality, they are only apparently dipping below the horizon when exceed limit of your vision. It is elegantly simple and easy to understand without the bullshit. Sun/Moon tracks: In 24 hours, the fixed stars rotate about 1 degree more than 360 degrees so that, in 365.25 days, the star constellations return to the same place in the sky. This is seen by incrementally advancing DayOfYear (click the field and use Arrow Up or Down). The Dome grid will advance each day by about 1 degree. Advance the time in 24 hours steps and the Sun noticeably moves between the Solstice lines. The Sun will also trace a figure 8. This is caused by the Sun's Ecliptic plane at 23.44 degrees to the orbital plane. The paths of the Sun and Moon are visible against the fixed star background (Dome Grid) by checking the options Sun track and Moon track. For a description of the tracks, click the Eclipses button. They correspond to observable reality. The tracks are derived from the solar and lunar cycles and are absolutely not exclusive to either model. It would be extremely dishonest to claim anything else. Sorry, Walter. Retrograde Motion of the Moon's track: The Sun's path stays fixed on the Dome Grid. But, the Moon's path slowly rotates retrograde against the Dome Grid and rotates one full rotation in 6,798 days. This is due to the oscillation and intersection of the Moon's orbit caused by the distant Sun. Currently, the Moon Ecliptic is such that the path of the Moon extends the path of the Sun, North/South, by about five degrees. Approximately 3,400 days later, the path of the Moon moves inside the path of the Sun by about 5 degrees. This observation is simply translated to the planar model. Eclipses: The intersection points of the Sun and Moon's paths are called Knots. Two Knots are marked by a green dot. If the Sun and Moon are on two opposing Knots, a Lunar Eclipse occurs. The Sun and Moon on the same Knot will result in a Solar Eclipse (play Demo Eclipses from Step 6 on). This Flat Earth model can predict Solar and Lunar Eclipses. It can also absolutely predict the optical effect conflated with the Moon's alleged shadow on Earth during a Solar Eclipses or vice versa. It uses a ratio of the cycle that is based on the radius of a shadow, as postulated by Phillippe de La Hire, in the 1700s. It was first calculated for a Lunar Eclipse. But, the ratio applies to all future eclipses which belong to an appropriate series. This ratio is then applied to the predicted path to dynamically widen or shorten the path in order to accommodate the penumbral and umbral radial intersection as a visible sphere on the plane. We then apply this integer as a scalar to correctly approximate the size of the optical effects conflated with shadows. All of the maps onto which the eclipse can be projected use the same globular coordinate system, unfortunately. Now, it can be shown that heliocentrism cannot predict eclipses at all. They can only interpret the cycle data in the same way the ancients did and apply more refined mathematics. Moon Phases and Orientation: The model shows the Moon phases and the orientation of the Moon with respect to the Observer's horizon. The apparent rotation of the Moon during the day is due to the fact that the camera's up vector remains perpendicular to the surface of Earth while following the path of the Moon. This perfectly matches reality. Equinox: This model produces the correct apparent Sun positions during an Equinox. The Sun rises due East at 6:00 AM and sets due West at 6:00 PM. Poles: This model produces a 24 hour day and night on the North Pole and in Antarctica. Heliocentric Model: Simple observations mathematically translated to this planar projection perfectly map the paths of the Sun, Moon and stars (star trails) as they appear to the Observer inside their personal celestial sphere. As with all other celestial observations, the Equinox, the Solstice Knots and the Day-Night terminator can be derived from basic observation and data applied to the planar projection. No need for baseless assumption. The Heliocentric model utterly fails here. Newton's laws can be reduced to exclude mass and still manage to describe the same periodicity and, thusly, the same relationship. No need for an exclusivity claim here at all, is there, Walter? Shapes on the Dome: The shape of Sun, Moon and star constellations appear on the personal celestial sphere exactly as they do in reality, and when projected onto the globe. Again, because we invoke the same radius to describe the spherical limit of our celestial view, the very same observations become easily explainable when using all of the normal conventions, with no need to invent branches of physics and invert reality. All features of this model are derived only from observations of the sky. Observations of the sky have always been kinematically equivalent - equally applicable to geocentric and heliocentric model. This was rather the point of the invention of Special and General Relativity (nonsense). Problems with the Shane's Flat Earth Model Distances: Many people misunderstand distances on map projections. On the AE map, distances measured in an exactly North-South direction are correct. Other measurements are also proportionately correct. Data translation between projections is tied to the coordinates we use. The longitude and latitude we use in any of the appropriate 200 map projections will ensure the distances between those points remain accounted for, at scale. Please learn how map scaling works if this seems inadequate to you. Only an absolute moron would expect visual distance to be equal in an equal area, or equal distance, cartographic transformation. Right, Walter? Personal Celestial Sphere: The Sun and Moon trace specific paths across the celestial sphere. The paths of the celestial bodies are directly mapped from observation to the planar projection. They also follow the cycle of the Heavens, with no need for gravity, Newton, nor the very lackluster performance of gravity based predictions of systems with 2 or more bodies. It was jaw dropping to see that poor Walter actually wrote that gravity caused this. I assume it was because he knew he would never have to answer any challenges. Show me the math which uses the gravitation from all of the forces Walter listed and I will immediately remove this section. Moon Phases and Field Rotation: Moon phase and apparent orientation, as shown, perfectly represent what every observer on Earth sees, correct to their location. The 15 year solar cycle and the 18 (10/11) month lunar cycle have been understood for so long that people eventually forgot and are now incorrectly perceive their paths. Only in modernity do the vast majority of people wander about under their own personal clock without the ability to read it. How sad. The Day/Night Terminator: The shape that matches reality is a bit peculiar and it changes over the course of a year. The shape not only depends on the location of the Sun but its height and speed as well. Again, we know the Sun circles the plane at a 23.4 degree tilt. And this perfectly defines the terminator line. There is absolutely no reason to invoke bendy light in order to explain any of these observations. The model simply matches what we see. It represents reality. Missing The Third Dimension: We need to correct the inherent misunderstanding in the assumption of the physicality of any 'dome'. Modeled here is a personal celestial sphere. It uses a radius. It just so happens that Shane has been arguing this concept and this radius since the day he showed Walter Bislan's model as evidence, amid the jeers of the uneducated masses. As it turns out, the personal celestial sphere is a visual limit imposed on one's spherical view of the heavens. It most simply describes the particular visible slice of the heavens. And it moves that amount with you where ever you go. This is such an elegant, beautiful explanation to what had been perplexing the flat Earth community for years: how the stars work. The personal celestial sphere, once properly understood, is a perfect explanation for everything we see in the sky. It explains the curved nature of the arcs of summer and winter, the behaviors of the Sun and Moon, as well as the apparent non movement of the static stars in relation to each other. Every single stellar observation is explained as well as, if not better than, any Heliocentric explanation. Any person who incorrectly assumes a visual distance scale also assumes things to be visually identical in size and demonstrates a massive misunderstanding of proper distance scaling inherent in all map projections - particularly in the AE map. It's as if everyone has forgotten that the AE map is equal to the Globe map, which is also equal to 199 other map projections. The choice of projection does not matter. They are all the same. They all represent the same distances. We can make predictions based on cycles as well as the next guy. So, we wont need help there. As we keep saying, every observation in the sky is equal between geocentric and heliocentric perspectives. People seem to be INTENTIONALLY misunderstanding that, at this point. Light-Bending: absolutely not required in any way shape nor form. Observable reality matches the model in every way; I cannot imagine a better fit. To now try to invent a need for bendy light would only publicly highlight the ineptitude of a lower tier glober - and their inability to learn and adapt, a vital skill in these times. Our model perfectly represents azimuth and elevation of every celestial object in its apparent position. This is all that we ever see. There is no need to explain what has never been observed. The visualization of the South Pole in action is actually what brought Shane to the ultimate understanding of the celestial wheels. So, thank you again, Walter! Light Bending Over Night-Shadow: to match the 24 hour Daylight in Antarctica data from the light forms a shape congruent to a coffee cup caustic effect. Shadows Of Eclipses: although this model can predict the date of Eclipses, it was argued that it can be used for nothing else. Please check the provided links to review the absurdity of those claims. Conclusion Some observations, like the positions of the Sun, Moon and Star Constellations as well as Sun/Moon-rise/set can be explained by a Flat Earth Model - if we allow ourselves to adhere to the mathematical principle of equivalence. What a concession. Some final thoughts: 1) Distances on the AE Map are 100% 1:1 equivalent when you comprehend how to accordingly use the scale provided with the ruler which represents longitude. 2) LEARN ABOUT MAPS. Hopefully, the covariant scaling and lossless unlimited translations between the projections will teach you this valuable lesson. Equinox, Solstice, Azimuth, Elevation This model draws a perfectly circular orbit of the Earth around the Sun and a perfectly circular orbit of the Moon around the globe Earth. This is because the planar Earth has no moronic need for elipicity because they didn't back themselves into a logical corner by making shit up. This model chooses to match: Spring Equinox at 12:00 UT, March 20, 2017 Solar Eclipse at 18:00 UTC, August 21, 2017 Azimuth and Elevation of the Sun and Moon are also slightly inaccurate (according to the assumed Heliocentric requirement) due to the use of circular instead of elliptical orbits. This affects also Moon phase. Computing Day-Night Terminator The Day-Night terminator is derived from to match reality as follows: 1. A circle perpendicular to the Earth-Sun axis in the Sun coordinate system is computed depending on the Sun's position at a point in time relative to the intersection knot of the Equatorial plane of the Earth and the ecliptic plane of the Sun. This is entirely possible in both models. 2. This circle is then transformed to the globe Earth coordinate system. There is no way around using this coordinate system. If Walter Bislan comes asking for his source code, tell him thank again, from shane. Any questions can be sent to [email protected]

Shane St Pierre

90,809 просмотров • 2 лет назад

🤖🔬 Can AI actually do science end-to-end? 🧠📈 And how would we know when it matches, or surpasses, humans? ⚡🧪 AI is rapidly automating scientific discovery, but benchmarking full-cycle discovery, from 💡 ideation → 🧑‍💻 execution → 📊 conclusions, remains unsolved: 🧐🧐🧐 ❌🛠️ Open-ended discovery → manual validation (costly, unscalable) ❌📏 Metric-driven benchmarks (e.g., MLE-Bench) → convenient but narrow (is higher accuracy really enough?) ❌🤖⚖️ LLM-as-judge → useful, but fundamentally risky if used alone 🔥🚀 Introducing FIRE-Bench🔥: Fullcycle Insight Rediscovery Evaluation 👉🌐 📚✨ A benchmark that turns fresh, human-verified insights from recent 🏆 NeurIPS / ICLR / ICML papers into masked, end-to-end discovery challenges 🧩 🌍🔐 Constrained open-ended discovery–backed by ground truth. 📌 Key takeaways: 1⃣ 📖🧱 Reference-based evaluation still matters: constrained LLM judging helps, but human-grounded references remain essential until agents can consistently match human conclusions 2⃣ 🏆🧠 Expert-validated ground truth: all tasks come from recent NeurIPS / ICLR / ICML papers, with contamination carefully controlled 3⃣ 🔁🎭 Rediscovery, not reproduction: original 🧪 methods, 📊 experiments, 💻 implementations, and 📈 analyses are fully masked to create real discovery challenges 🔑 Key empirical findings: 💡 The "Science Gap" is Real: Even the best setup (Claude Code + Sonnet-4) caps out at an F1 score of 46.7. On hard tasks, agents struggle to break 30 💡 Success is a "Lottery": Performance has incredibly high variance. Reliability is a major unsolved issue. 💡 Coding is no longer the bottleneck; high-level reasoning and analysis are: ~74% of errors stem from flawed planning, not coding ⚙️ How it works: 🔹 Research-Problem Trees: We parse papers into trees (from broad roots to concrete leaves). This allows us to select intermediate nodes that perfectly balance open-ended exploration with verifiable ground truth. 🔹 Claim-Level Evaluation: We match AI conclusions against human conclusions using granular claim decomposition (F1 score). 🔹 Creativity Check: We score false positives to see if agents are finding novel truths (Spoiler🚨: they aren’t creative yet). 🔹 New Diagnostic Taxonomy: failures traced across four stages: 🧠 Planning → 🛠️ Implementation → ▶️ Execution → 🧾 Conclusion 🔹 Additional Analyses: cost efficiency, contamination checks, and more. 👀 The Future: 🚀 Live-FIRE-Bench: a live, continuously updated FIRE-Bench to track real-time progress on the latest research (Newest LLMs should be benchmarked with the newest research) 🚀 Stronger scaffolding (search + planning + coding) 🧠🧰 and converting FIRE-Bench into interactive environments for training research agents 🚀 Toward real creativity: We want better systems that can produce genuinely novel conclusions toward creativity 🎨⏳ 🚀 Better systems 🧠✨ and better benchmarks 📏 must co-evolve 🔄 over time 📜🎥 Paper, video, demo, and research trees: 👉🌐 #AI 🤖 #MachineLearning 📚 #AI4Science 🔬 #LLMs 🧠 #Research 🧪 #AgenticAI 🚀 #FireBench 🔥

Zhen Wang

19,028 просмотров • 8 месяцев назад

📣🤔Why Flare ☀️ announcement of tailored DeFi Money Market for #Flare native assets & #FAssets is significant? #FAsset decentralized trustless cross chain collateral system will have a tailored built for #Flare Lending and Borrowing market alongside it on #Flarenetwork 🛡️A battle tested Money Market protocol is a key foundational 🏗️cornerstone to support a robust DeFi ecosystem on #Flarenetwork Kinetic.Market☀️ is tailor built ⚒️ for Flare ☀️ ecosystem. Integrating #FAssets will provide minters ability to earn real Yield🤑with their #FAssets by lending them to Kinetic.Market☀️ decentralized money market protocol. (Based off Compound contracts with numerous enhancements) #FAsset lenders will receive interest paid by borrowers in a decentralized manner. #FAssets/#Layercake Assets & #Flare native issued ERC20 tokens +stablecoins + $wFLR will likely all be available for lending into & borrowing from the protocol Borrowers will need to maintain an over-collateralize position for their loans. Kinetic.Market☀️ is Built by the highly experienced team at Rome Blockchain Labs Inc. Labs who has built numerous successful DeFi protocols including BENQI🔺 on #Avalanche which launched in 2021 and currently has $500Mill in TVL(Total Value Locked) Along with other versions of lending protocols on Evmos, Moonbeam and more. These smart contracts are based Compound Labs and have been enhanced, battle tested, multi audited and tailor suited to each individual ecosystem. Kinetic on Flare will harness FTSO and state connector. “Kinetic’s collaboration with Rome Blockchain Labs provides the robust technological infrastructure essential for seamless operations, while WATCHPUG and @ImmunefiSecCU which will oversee the platform’s smart contract audits and bug bounty programs, respectively.” Testing will begin on Coston2 and launch on Flare ☀️ 2024 👉I will be releasing a video📽️ 6am EST that breaks it all down and includes some additional insights of what else to expect from #Kenetics impact on #FAsset system and partnership with Ēnosys , too! Revolutionary native token reward and incentive system🤑 Will we 👀 Rome Blockchain Labs Inc. Labs super cool next gen Dapp Terminal Hopefully integrated into Flare ☀️ in the future😉 2 specific things that are tell tale signs of how DeFi is maturing. I noticed in my research, the emphasize on the detailed data available from IntoTheBlock & #ChaosLabs of ECONOMIC “Risk Management” tools for previous Lending & Borrowing Protocols built by Rome Blockchain Labs Inc. 🔗👇Economic Risk Radar 👇🔗 BENQI🔺 Rome Blockchain Labs Inc. Labs 🧐 The 2nd being Kinetic.Market☀️ numerous mentions of “devising a strategy” something I have been saying for past two years once the 2nd wave of a more mature DeFi ecosystem develops and built on foundation that’s been designed on a network like Flare ☀️ that offers multiple native yield streams at the network layer. #XRPL xls30d AMM’s will bring some of that ability to native #XRP but not at the level #Flare will once #FAsset system and #Layercake are live. Harnessing #Flarenetwork FTSO price feeds, the industries most decentralized & accurate Oracle system. The fact that #Flare has this system built into the network natively with close to ~100 community and professional Data/Infrastructure providers providing continuous price feeds removes the MAJOR RISK of having to integrate an external centralized oracle system like every other lending & borrowing protocol does on other networks. Having the FTSO system embedded natively into #Flare allows for any DeFi Dapp to easily integrate FTSO price feeds directly into Dapps avoiding complex external oracle integrations Exciting times ahead for Flare ☀️ with Kinetic.Market☀️ tailor built money market alongside #Fasset System will offer numerous opportunities for users pand Devs to build 🏗️Dapps on top of 🚀🚀 🔗 📽️Sneak Peak👇#1

Mickey_B_Fresh☀️🪝

51,371 просмотров • 2 лет назад

Let’s get one thing straight before they gaslight you into swallowing this. This is NOT just about “age verification” so kids can’t scroll TikTok. The under-16s social media ban, and the under-18s VPN ban, is digital verification for everyone; because the only way to enforce it is to make every single person prove their age, prove their identity, and “check in” with the State before accessing the modern internet. And yes… you already know where it leads. OneLogin. A centralised identity system designed to collect your credentials and your biometrics (face, iris, fingerprint) and bind them to a single government account. This ban is not the end goal. It is one verification type. One tiny draconian token. One single piece of the Digital ID puzzle. And the equation remains the same: OneLogin + GOV Wallet = Digital ID. Age verification will become one token on that wallet, but first, before the wallet is fully normalised, before it’s “rolled out” to every citizen through exclusion and coercion, they’ll do what they always do: They’ll introduce the gate first. To access a VPN, a social media site, or even an AI tool, you will be forced to “prove” you are over 16 or 18 — and the proof won’t be a private check, or a local device setting, or a parental control. It will be a government check. A government login. A government permission slip. You will have to “check in” with GOV OneLogin to access the internet like a normal person — and soon enough a token for this will be issued into the GOV Wallet, just like the proposed BritCard token that has now allegedly been “scrapped.” This is the same system, the same architecture, the same rollout pattern... just with a different sticker slapped on the front. And once the token exists, it becomes the default. Once it becomes the default, it becomes the requirement. Once it becomes the requirement, it becomes the leash. Because what they’re building is not an age gate. It’s a permission gate. A surveillance gate. A system where your ability to access platforms, services, information, communication — your ability to exist online — becomes conditional on your compliance with a credential check that is logged, tracked, and centrally controlled. They will see what you do. When you do it. What you search. What you access. What you post. And people will still be saying, with a straight face: “Well, it’s a good thing under-16s are being banned from social media… they’ll be safer.” That’s the bait. Then you hear Starmer say: “How will parents police this alone?” And notice what he’s really saying. He is not empowering parents. He is positioning the government next to parents, granting the State the same “authority” to parent your child, to decide what is healthy, what is harmful, what is permitted, what is “wellbeing,” and what must be restricted. The same government that has lied to you for years about safety. The same government that signs away your rights in the name of protection. The same government that cannot define a woman, cannot secure a border, cannot arrest a p3dophile (rather employs and promotes them), cannot run a hospital — but somehow wants you to believe it can be trusted to police your child’s mind. And if you think this is going through “proper process,” think again. A month ago they announced a consultation on the under-16s ban. That consultation is a red herring. Because Starmer’s little phrase “Fast Track” is just PR language for something much uglier: Henry VIII powers. Powers that allow ministers to change legislation without parliamentary scrutiny, without debate, without any democratic friction. And that means the actual rules — the ones that govern your data, your access, your verification, your wallet, your permissions — will not be written on the floor of the House. They will be written by an unelected civil servant in a closed room, and rubber-stamped by a Secretary of State. The consultation is not democracy. It is the hologram of democracy. Designed to make you feel heard while the law is already coded, the architecture already built, and the enforcement mechanism already chosen. And it gets worse. Because this ban is being routed through the Children’s Wellbeing and Schools Bill; a bill that will receive Royal Assent before the consultation even ends. So what exactly are you “consulting” on? A decision that’s already been made. A system that’s already being implemented. A lock that’s already being installed on your front door while they ask you what colour you’d like the handle to be. Then there’s the Unique Identifier for ALL children. They will sell it as “tracking attendance.” But it isn’t an attendance system. It is a digital tether. A permanent state identifier for your child, designed to follow them across systems, databases, services, education, healthcare, “wellbeing,” behavioural monitoring, and digital permissions. And once you combine a Unique Identifier with digital tokens, with “digital wellbeing” regulation, with AI-driven scoring, you have built something monstrous: A system where a child’s “Wellbeing Score” can drop — determined by government-approved metrics, possibly processed by government AI — and the State can remotely revoke their digital tokens. Effectively deleting their social existence until they comply. No access. No platform. No digital participation. No “privileges.” Just compliance. And here’s the part people are missing: They are granting themselves the power to amend the Children’s Wellbeing and Schools Bill without proper parliamentary scrutiny and without waiting for the consultation to end. They are giving the Secretary of State delegated powers to regulate “digital wellbeing” which is a euphemism so broad you could drive an authoritarian regime through it. They can amend laws at any time. They can expand definitions at any time. They can widen the net at any time. Meaning the Prime Minister and Secretaries of State become the architects and the judges. The lawmakers and the enforcers. And Henry VIII powers are named after a tyrant for a reason. Because they were designed for a monarch who forced Parliament to pass laws and accept personal proclamations. That is the lineage of the power Starmer is dressing up as “Fast Tracking.” This isn’t safeguarding. It’s centralisation. And it doesn’t stop there. The other legislation being pulled into this system is the Crime and Policing Bill which is progressing as we speak and the Online Safety Act 2023 — both of which contain mechanisms to expand and amend enforcement without passing fresh primary legislation. Meaning they can tighten the screws without the public ever noticing. No new “big scary bill.” No headline. No national debate. Just silent regulatory expansion. A little more coercion. A little more surveillance. A little more permissioning. Until one day you wake up and the internet — the place you work, learn, communicate, bank, shop, organise, speak, and live — requires you to present a government token just to enter. And you’ll be told it’s normal. You’ll be told it’s safety. You’ll be told it’s “for the children.” This consultation is a farce. The law is being passed. Age verification for all will be forced upon us unless we act now, and unless people stop staring at the headline and start seeing the architecture. This is not even the start of mission creep. This is another step. Another spoke. Another token. Another gate. And yes, there are other ways to improve online safety. Every person over 16 is issued with a National Insurance number. There are privacy-preserving options. There are local-device checks. There are non-centralised approaches. But that is not the point. Because the point is not safety. The point is control. This is part of the digital gulag. The panopticon. A credentialed society where your ability to participate is conditional, permissioned, and revocable... and where the State holds the master key. Linked below is another important post about the Digital ID stack that everyone needs to understand...

Fiona Rose Diamond

401,870 просмотров • 8 месяцев назад

Min Hee-jin (NewJeans Producer) NHK Music Interview 🔗 “Meticulously planned debut ‘Attention’” 🧢: When I was preparing to launch NewJeans, I really struggled with deciding what our first piece of content should be. I thought about it for a long time and considered many possibilities. It was a project that came with high expectations, and for me personally, it was also my first opportunity to prove myself. So how I presented it mattered enormously. Even down to the smallest details… like the impression the very first released photo might give, or what kind of impact we could make at launch. I thought hard about what kind of content would be the most effective… should it be a video or a photo? What time of day would be most effective to release it? I consider things like that very carefully. For example, the way a person experiences content at night versus during the day can feel quite different emotionally. So I even thought about those subtle aspects. Eventually, the conclusion I reached was: “Let’s make the most of our situation.” At the time, the members hadn’t been revealed, and no one knew how many of them there were or what kind of group this would be. So I wanted to maximize that curiosity. You know how the more something is concealed, the more curious people become? I wanted to build that curiosity to a peak and then release everything all at once. That’s why we decided not to release a teaser and instead go straight into a full music video. (This was actually inspired by Hyein suggesting we skip teasers.) I didn’t think still images or photos would be enough to fully convey the feeling I wanted to express. I felt that video and music together would evoke the emotional response I was looking for because people experience things synesthetically. When sound, image, and feeling come together, the emotional impact is stronger. I believed the best way to present the members’ images was through music and a moving picture… that’s why we led with a music video. In the debut music video, “Attention,” there’s a scene where the members act out a little drama. I paid very close attention to that moment and created music that would fit it precisely. For me, I don’t just make content… I design the entire process of how it should be shown for the greatest effect. And I believe that’s incredibly important. That first feeling someone gets when they encounter something… that emotion, that spark… is so important to me. I’m very detail-oriented, but I also value fun deeply. So rather than just releasing content, I want to enjoy the process leading up to it. Even when we released our second album, since we shot the entire music video across the country, the sequence of how we released the videos was critical for me. It’s hard to explain all this simply in an interview, but maybe some people noticed: the first content we released that time was actually a teaser for the last track, “ASAP,” and then we followed that with the full music video for “New Jeans,” which was the first track. That order was a carefully calculated strategy. It was designed to guide the audience’s emotional journey. Seeing the audience react just as I had hoped—that whole process was honestly so fun and thrilling for me. I think I really enjoy that kind of thing. ——— “How 'Ditto' was born” 🧢: People often praise the music of NewJeans, and I hear a lot of talk about genres. But actually, I don’t feel bound by genre at all. I love a wide variety of music. I’m not the type to insist on only one particular genre. What I love are songs that blend genres cleverly… those are my personal favorites. So going forward, my focus is not on genre but on whether something feels fresh and whether it can create an emotional moment. I don’t want to define what kind of music we make. And I think you have to experience the flow of the times to really understand what’s meaningful in a given moment. For instance, the song “Ditto” was chosen because it delivered emotion. It matched perfectly with the winter album concept I had envisioned, both in terms of timing and mood. When I hear a song, I tend to trust my gut. I have a pretty strong intuition for which songs will resonate. It’s not about objectively predicting what will be a “hit,” but about whether a song moves your heart… you can just feel it. Of course, my own taste plays a big role. But I think that’s actually my strength as a producer, not as a composer. When I hear a song, I can immediately picture the visual… what kind of story, what kind of vibe it could carry. That allows me to work faster. For example, when expressing something like school uniforms, there are so many possible variations. But I always like to start from the basics… what’s the original idea of a school uniform? I try to return to that. So with “Ditto,” I wanted to tap into something primal… the pure, basic feeling of liking someone. That kind of emotion is universal. Everyone has it; it’s wired into us. When I saw Director Shin Woo-seok’s interpretation of it, I thought, “Yes, that’s it.” That’s the kind of complete interpretation I look for. I believe the completion of a project comes from every person involved thinking about their part down to the final detail… the maximum quality they can bring out. My role is to unify and refine all of that. I draw out the essence of each person’s creativity, trimming away anything unnecessary. So the final product is something that’s polished and high-quality, just the way I envisioned it. That’s my working style. So it’s not like I’m fixated on retro or stuck in a particular style. I don’t think human taste has changed all that much. Things people liked in the past are the same things we like now. It’s just the form of expression that changes with time. I don’t feel bound by “past” or “present.” I don’t even think in those boundaries. To me, it’s all just good taste. You know how kids sometimes have their own little treasure boxes when they’re young? I think my work is kind of like that. I want to make things that never feel dated—that are timelessly enjoyable. ——— “Dance Expression and 'Hype Boy'” 🧢: I had a vision of what kind of girl group I wanted to create. That’s why I chose a song like “Hype Boy.” And to bring out that feeling, we created four different versions of the music video. Every choice had a purpose, everything was designed to maximize the experience of the song. “Hype Boy” is such a unique song. It has this strange, piercing melody that gives people chills in a good way. To emphasize that tingling feeling, I had to break away from the standard K-pop choreography format… you know, the kind where everyone is in perfect formation, doing synchronized moves. But our songs don’t suit that kind of choreography. Our dances are much harder. They require the body to move very naturally with the groove of the melody and beat. So I think our members are incredible. It’s not easy to express naturalness with your body, and you have to really enjoy it to make it look effortless. But they pulled it off so well. They’re still young, but they’re so talented. And through it all, I wanted to avoid making them look like they were performing just for business. I wanted them to show the pure joy and bright spirit that’s natural for people their age… genuine, carefree, radiant. ——— “The difference between NewJeans and conventional K-POP” 🧢: Ah, for me, it’s all about naturalness. And honestly, naturalness isn’t something you can produce or direct into existence. It comes from how I interact with the NewJeans members on a daily basis… what kind of environment they practice in, how they live and work. There are so many things that don’t appear on camera, but those unseen aspects have to be in place in order for true naturalness to come through. That’s why I wanted to create that kind of environment for the girls. And also, I wanted to shape my own working environment in that way too. Only then can something truly natural, something unforced and not overly stimulating, really come out. To begin with, I don’t believe anyone can be completely natural in front of a camera or under the gaze of others. It’s human nature to become self-conscious. That’s why I think naturalness is our strength, but it can’t be our concept. If you try to turn “naturalness” into a concept, it actually becomes incredibly artificial. So why do I place so much importance on naturalness? It’s because the girls are still so young. While other kids their age are going through school and having a wide range of life experiences, these members are living very different lives. Before they officially debuted, I told them, “This is like studying together with me.” Our standard contract is seven years, which is about the same length as going through high school and college in Korea: three years of high school and four years of university. So I told them, “We’re going to school together. We’re learning together.” And in that sense, I want to be a good teacher to them. They’re also surrounded by an incredibly professional team, people they’d never meet even in a traditional school setting. I’ve never really liked the word idol. These days, that word is used more like a job title, something manufactured by the industry, and it’s far from its original meaning. To me, the term idol feels misplaced. It doesn’t really reflect who these artists are or what they represent. And I’m not the kind of person who clings to labels or terminology. In fact, what I really want is to break the stereotypes and preconceptions that come with the idol industry. I want us to show people something different… to challenge those assumptions and redefine what this can look like. That’s the kind of mindset I have. ——— “Isn't it difficult for the members to express "naturalness"?” 🧢: There were a lot of things I considered when forming the group. First and foremost, I think it was important that the members shared a similar vibe… like how I prefer working with staff who align with my taste. It’s important for the crew to be on the same wavelength. And by that, I mean more than just getting along… it also extends to shared values. Of course, people won’t all share identical values, but when we’re facing in a similar direction, everything becomes easier. It’s also just more efficient to work with people who have overlapping tastes. Now, when it comes to our members, they each have their own individual tastes, but those preferences are still in development. Just like we all went through as kids, they’re still growing, still discovering themselves. They’re not in a finished state. So we didn’t cast them based on some complete or polished version of themselves. It wasn’t like, “This person is fully formed, let’s pick her.” It was more like, “Ah, she has potential, there’s something there.” That sense of a spark… those were the kinds of subtleties I paid attention to. I didn’t cast anyone just because they were pretty or could sing well. I don’t work like that. I really value those finer, more delicate aspects. Even the design of the light stick wasn’t something that came from a long strategic planning session… it was actually a spontaneous idea. I didn’t sit down and think, “Let’s make a light stick like this.” NewJeans didn’t have a fixed logo, but I felt we still needed a unifying symbol. So one night, just before going to sleep, I kept thinking about it. Right before dozing off, I started sketching and it turned into a rabbit’s face. When I drew it out, the shape just continued and turned into a bunny. To me, the NewJeans members are like little bunnies… playful, innocent. Their visuals also resemble rabbits in a way. And rabbits symbolize abundance. That made me think: “Ah, maybe our fans will multiply like rabbits. That would be great.” So that bunny face became both a symbol for the members and the fans. The image came to me all at once, and I imagined a venue completely filled with bunny light sticks. That vision led to the creation of the light stick itself. Since I always prioritize fun in everything I do, the next idea that came to mind was making the light stick customizable. I thought, “Wouldn’t it be great if fans could personalize their bunny?” That way, each rabbit would represent a different person’s character. So we included accessories, allowing everyone to customize their own bunny. It’s symbolic of all these different bunnies coming together and enjoying a good time as one. Our light stick has a big head, so when it’s used in a concert hall, it lights up in heart shapes that are very visible. That was the image I really wanted. And that bunny face… it’s also a heart. It represents both the face of NewJeans and our hearts. It’s the love we’re showing to our fans, and the love we want to receive in return. Every time I see it, I feel deeply moved. It’s very emotional for me because it’s a perfect realization of what I envisioned. As someone with a background in creative direction, there’s nothing more satisfying than seeing an idea materialize exactly the way you imagined it. That kind of work holds deep meaning for me. ⸻ 🧢: Looking back, I think in 2023 we were able to achieve almost everything we had hoped for. I’m so incredibly grateful for that. Of course, this is an ongoing challenge… and the better things go, the more pressure there is. That’s why I always try to return to my original mindset. Just like I tell the members, I try to remind myself of the beginning and keep things fun. Back then, when we were first putting out content, planning the music, and working on visuals, I felt this thrill… this rush of excitement. I don’t want to forget that feeling. So I try hard to engrave that emotion into every album we release. I’m constantly working to rediscover the joy in all of it. So for 2024, I hope everyone can look forward to us with fresh anticipation. And even if we come out with something completely new, I hope people will receive it warmly and with excitement. That’s really my deepest wish. 🙏

1tokki

17,635 просмотров • 1 год назад

California Democratic gubernatorial front-runner Xavier Becerra went viral yesterday for saying to a local Los Angeles television (KTLA) reporter, after she asked a hard question, “By the way, this is a profile piece, this is not a gotcha piece, right?” Reporter Annie Rose Ramos responded, appropriately, “These questions are fair. It’s in order to learn about you as a candidate.” Progressives responded by criticizing Becerra’s messaging. A progressive Pod Save America co-host and former Obama spokesman, posted on X, “Politicians and candidates…let your staff have these whiny conversations! Or at least don’t do it on camera!” Former Obama strategist David Axelrod wrote that Becerra, as HHS Secretary during COVID, “rarely was the administration’s point person in communicating to the American people on the pandemic,” adding that the KTLA exchange “may be the reason why.” But the underlying problem is not that Becerra is a poor communicator but rather that he is the person responsible for losing 85,000 migrant children under Biden’s open borders policy, which was what KTLA’s Ramos asked about. When Becerra was Secretary of Health and Human Services (HHS), its Office of Refugee Resettlement (ORR) could not reach more than 85,000 unaccompanied children after releasing them to sponsors. Eleven ORR managers warned in a July 2021 memo that labor trafficking was rising and that the system “rewards individuals for making quick releases, and not one that rewards individuals for preventing unsafe releases.” The New York Times found 13-year-olds working in meat plants, 12-year-olds at Hyundai and Kia supplier factories, and children who should have been in middle school working at commercial bakeries. Becerra defended himself to KTLA by claiming the New York Times had been misread. “That’s not what the New York Times article said,” he explained. “The New York Times said that individuals — the children and their sponsors — did not respond to calls. They didn’t say we couldn’t find kids.” And Becerra said the missing children weren’t HHS’s fault. “That part occurred after these children had left the care of the Department of Health and Human Services,” and that “some of these kids, probably because they needed to earn some money, started working in places that were very exploitive.” But Becerra made it sound like there is a difference between losing track of the children and not getting them to call back, when they are simply two ways of saying the same thing. And Becerra’s claim that exploitation happened only after children left HHS custody omits that HHS itself had loosened the sponsor vetting designed to prevent exploitation. The agency under his leadership shortened required document checks and waived in-person home studies in many cases. And HHS waived background checks, including sex offender and child abuse registry checks, for sponsors and other adults in households where children were placed. Digital fingerprinting to confirm sponsor identities dropped by 55 percent under Becerra, and at least 30,000 minors were placed with sponsors HHS knew were unrelated to them. A Florida statewide grand jury documented cases where one Austin, Texas household received more than 100 children, another Texas address received 44, and a third received 25. At a staff meeting, Becerra said, in a video, “If Henry Ford had seen this in his plants, he would have never become famous and rich. This is not the way you do an assembly line.” That remark came weeks after the July 2021 memo from 11 ORR managers complaining that the office “rewards individuals for making quick releases.” Becerra told ORR Director Cindy Huang during a March 2022 call that if she could not increase the number of discharges, “he would find someone who could,” according to five people who described the call to the Times. Huang resigned a month later. Becerra made a similar threat to her successor, according to several people present at the meeting. At least five HHS staff members filed complaints, alleging they were pushed out after raising concerns about child safety. HHS staff in 2023 wrote in a memo to their bosses saying, “We are pulling humanity out of ‘Health and Human Services.’” A former senior HHS staffer who helped build the ORR program told the Times that she filed a whistleblower complaint after being demoted for raising child safety concerns. An Office of Inspector General report found that personnel actions “may have risen to the level of whistle-blower chilling.” The scandal is striking because progressives claim to care deeply about migrants, and yet Becerra is the Democrats’ frontrunner for governor. California in 2017 enacted Senate Bill 54, the California Values Act, which limits state and local cooperation with federal immigration enforcement as part of its status as a “sanctuary state” for illegal migrants. Its political leaders, including Governor Gavin Newsom and Mayor Karen Bass, are leading the resistance to Trump’s migration policies. So what happened, and why might Becerra be California’s next governor?... Please subscribe now to support Public's award-winning reporting, read the full article, and watch the full video!

Michael Shellenberger

28,120 просмотров • 5 месяцев назад

OPERATION INDIGO SKYFALL (SKYNET) (Update 6/11/25) While Operation Indigo Skyfall is a program by the Anunnaki specifically to turn the global atmosphere into an electrolyte solution 'motherboard' that powers Skynet that's already fully online as of May 2020, it was preceded by a decades-long 3-pronged assault against the pineal glands of humankind. The thrust of all three programs combined are all about disconnecting people from their higher selves and to vastly reduce their intellect quotient to make them easily controlled, prior to the launch of Skynet. Understand the intense investment that has been funneled into destroying the very beings that paid the taxes (loosh) to fund these programs is more than the gross domestic products of multiple countries combined. At minimum, trillions $ pr year in 2025 dollars, for more than 80 years. If you’ve ever seen chemtrails in your skies, you’ve seen one of these programs in a bold, in-your-face, broad-daylight fashion. THREE-PRONGED ATTACK PREPARING FOR SKYNET #1 FLUORIDE = WATER CONTAMINATION In its first installation of what would ultimately become a nation-wide invasion of every metropolis, city, town and mud puddle in the US, fluoride was added to public water in Grand Rapids in 1945 to ‘fight tooth decay’. Problem is, fluoride is actually nuclear waste used as rat poison. It is a known neurotoxin more harmful than lead & likened to the toxicity of arsenic for more than 100 years, causing brain damage, spinal cord & nerve networks destruction and has never been shown to diminish the onset of tooth decay. Which every dentist in the country would have banded together to put a stop to back then if it really did that. So who decided to put THAT into your drinking water exactly? Andrew Mellon, 33rd degree Scottish Wrong Freem@son. Shocking Dangers of Fluoride: cancerwisdom dot net; "There has never been a double-blind, randomized clinical trial for fluoridation's effectiveness." [In reality, fluoride itself has been shown to damage teeth in a totally different way than we get through eating, known as fluorosis. Also in reality, all tooth decay is 100% of the time, parasites, not ‘rot’. They say sugar rots teeth; which is a lie. Sugar is a primary food of parasites, along with heavy metals. When you eat sugars then fail to immediately brush & floss, the parasites already in your body (and there are at least millions) rush to the crevices of your palate then wind up burrowing into your teeth’s (actual crystals) valance bands, further destroying them each time the parasites defecate. Anytime you eat anything sugar or sweetened, ALWAYS mix it with an antiparasitic & immediately brush, or rinse your mouth with hydrogen peroxide afterward, never with mouthwash, which is also poison. I will be covering this extensively soon in my new article: 👉PARASITES] As explained in greater detail below in the whistleblower video, fluoride was used by the N@TZIs (Ashke-N@TZI Crypto J3ws that took over Germany then lead that country into WW2, posing as actual Germans, which they absolutely were not. See my article: 👉GERMANY WON WW2 for more) in concentration camps in the 1930s-40s to make prisoners docile. How does that work? Fluoride accumulates at, and attacks, the pineal gland of your body. This is the ‘antenna’ connection to your higher self that generates your reality. The pineal gland then fights back the fluoride toxin, moving it just outside of its ‘theater of the mind’ and surrounds it to seal it off from attacking. This builds up a ‘calcification’ around the pineal gland, which acts as an insulator blocking your signal to the Primal Sound & Light Fields of the Deity Planes where your higher self has always been positioned, inside what is known in human terms as the Unified Field. [For more on the key function of the pineal gland, see my article: 👉 HOW THE HOLOGRAPHIC SIMULATION WORKS] #2 OPERATION INDIGO SKYFALL = AIR CONTAMINATION (not to be confused with Operation Indigo SkyFOLD which is just another red herring distraction to overcome the dissemination of the truth of this existential threat to all mankind.) Beginning as far back as 1972, Operation Indigo Skyfall chemtrail program is one of the most brutally-compartmentalized & ferociously classified operations of all-time. So secret, the tens of thousands of chemtrail jets across the world don’t even land on the continental United States, but refresh their death dust exclusively on private islands, outside of enforced laws. The first part of this program where strontium, barium & aluminum microparticles are being dumped onto all of the lands of earth that kill all life forms, including the trees and forests, is the obvious portion of your extermination, and even that is only a fraction of the story being applied to depopulate the plane(t) from reportedly 8B people (this is a lie, it was less than 5B in 2019) to just 500,000. The heavy metals being reported by laboratories are merely assaying the minerals themselves, not looking deeper into what’s really going on. In reality, these are the minerals used in the manufacture of nanites that are often no larger than just 4 molecules in size. Each one programmed on a quantum level to interconnect with one another, forming larger and larger computer nodes, just like the massive white ‘antennas’ being removed from millions of clot-shot victims around the world since the final push to bring this program to completion began with the ‘Covid’ attempted genocide using mRNA bioweapons. Prior to the huge blood-clots (invasive man-made prions to take over the full functioning of the body) now being retrieved from cadavers and patients suffering this biological invasion, chemtrail direct effects were known as Morgellons Disease where tiny wire-like structures were coming out of people’s skin. However, the ‘disease’ gaslighting was exposed when laboratories began placing them under powerful microscopes and finding they were individual nanotbots ‘holding hands’ to make up the ‘wires’ that were now growing inside people’s bodies. Once zoomed in using scanning electron-microscopy to each one, they not only found the NAME of the companies behind each model, but even serial numbers printed in quantum-dots on their structures. You might recognize this one that clearly says NASA on its surface. The program of chemtrail nanites is to infiltrate the immune system of the human body and generate immunodeficiency so you are unable to fight off diseases and viruses. But there is another, even more primary mission for those molecular-sized robots; to collect at your pineal gland causing calcification and thus not only disrupting your entire system, but placing a crystalline ‘shell’ around it to cut off your ‘spiritual’ access to your higher self. Think of it like scrambling the signal of your cellphone if you had a direct line to ‘god’. As an aside, Cody Snodres, the independent contractor for the C 👁️A of 20 years & hero whistleblower that broke the story of Operation Indigo Skyfall in 2018 in the video below, mentions pathogens being added to chemtrails. These have been solidly identified by labs as recently as a few months ago in late 2024 & again in Jan of 2025 when entire cities were enveloped by huge, totally dry, fog banks of particulates dropped from the skies that caused countless deaths from pneumonia. Referred to by people as ‘Dragon Fog’, the pathogens are actually Serratia Marcescens bacteria (another word for parasites, pathogens, microorganisms & viruses). While I’m sure there have been other parasites added to chemtrails that attack the immune systems of humans and animals other than Serratia Marcescens, this particular species has been used by mil operations now as an ideal biological weapon and regularly upgraded now for many decades. Stay with me, I’m getting to Skynet, but first I have to show you some of the foundational elements of how the invader races have reached this point where humans would have become so mentally effected by this unthinkably massive-scale attack on your pineal gland, they would become psychologically and emotionally unable to fight back, even if they ever did look up in the sky and cognitively register the fact that contrails (endothermic sublimation or ‘fog’) emitted by the compressed-air turbines of jets dissipate in about 8-20 seconds, not hang in the air for hours and hours. [And for those now wondering what I mean about jets using compressed air as forward thrust in commercial passenger jets, that’s a story that is going to surely hack you off when you find out that passenger jets have always been levitation/time crafts since they were introduced to the public in the 1940s. They don’t run on fuel, but on high-altitude atmospheric neutrino-to-ion conversion harvesting (also known as ‘Secondary Emissions’ as well as ‘Neutrino Events’). So every ‘fuel increase’ markup for local and international flights has always been absolutely made-up, since what they run on is eternally-free energy. See my article for more: 👉JET FUEL HOAX] #3 M0NSANT0 = FOOD CONTAMINATION This company does *not make better-performing corn & veggies: it is a bioweapons company. John Francis Queeny, a Freem@son, that founded this genocidal operation in 1901 produces 90% of the world’s genetically-altered seeds & is responsible for developing Agent Orange, a defoliant used during the Vietnam War, containing a highly toxic chemical known as dioxin that caused permanent health issues for thousands of war veterans. Later it used this same type of murderous chemical in Roundup to k!ll weeds around your home, coating your world with glyphosate that changes the sex in frogs and turns them ghey and sterile. Guess what other life forms it changes the sex in and makes them sterile? Ever witnessed the most celebrated triathlete of the 20th century suddenly pop up and claim he was now a ‘woman’? How about watching as our youngest generation enters the workforce, most of whom don’t even know what sex they are? That’s your M0nsanto working hard to ensure the human race is eradicated from the all-queer-all-the-time world Freem@sons envision as their true utopia in the “500m sustainable population” as etched into granite on the Georgia Guidestones. A number mirrored by United Nation’s Agenda 2030 to be achieved by the year 2050. Their goal is literally 👉your depopulation and those that are left, will be 100% ghey. Diddly Parties nightly! GMO foods that are grown using M0nsanto’s “Roundup Ready” fertilizer that is made with glyphosate toxins are absorbed by the gut and then travel directly to the pineal gland. This is the Anunnaki’s ‘Trifecta’ attack on your most precious organ of your body. The very organ that dictates all the parameters of your reality held within your Krystal Seed Atom Keylon you enter into manifestation with, commonly referred to as your ‘soul’. In more accurate terms, your Krystal Seed Atom is like a Bluetooth module that tethers your awareness from your higher self in the Primal Sound and Light Fields of the Deity Planes, to your physical avatar here on the ground through the wireless ‘pale silver cord’. The Krystal Seed Atom is located in the middle of your pineal gland. [For more on the Krystal Seed Atom, see my articles: 👉THE HISTORY OF THE CHIMERA, & 👉THE KEYS TO HEAVEN] As Cody points out in the video, this is not a matter of hitting your pineal gland with three doses of toxins, but because of how these three chemicals of fluoride, nano aluminum & glyphosate interact with each other, creates synergy, or a dynamic magnification of the toxicity effect by a factor of 125x greater than any one individual dose would achieve. This makes the Trifecta assault astronomically devastating to your connection to the pale silver cord and your wireless connection to the ‘real’ you that’s running your avatar in the deity planes. Sort of like taking your 4 yr old to the mall and just letting them go on their own. Now, with your virtually disabled pineal gland reality-casting component out of the way, enter the true teeth behind Operation Indigo Skyfall; Skynet. SKYNET This is a subject I won’t be able to offer much tangible, solid evidence on, as it goes deeply into quantum physics. All of which terms describing each step in the chain to achieve ‘if this, then that’, are shielded from public understanding by design. The power of computers is vastly beyond what the human mind has been given the ability to process, also by design. [As I’ve covered before, the Chimera brain you work with now, since the total body-invasion of the garden of E-Dan drama, is fitted with breaker switches that are designed to keep certain subjects hidden from your reality-view. When exposed to any of these, a switch is thrown at the base of the brain within the totally counterfeit ‘reptilian brain’ that introduces feral, animalistic type of wavelengths into your thought processes. The switch then disengages your sentient thoughts, shutting off either temporarily, or permanently, your processor (brain). Simply put: if you see a creature you’re not supposed to, or other ‘proprietary’ mechanisms of the invader races (which are in fact all around you every minute of everyday) that doesn’t fit with the ‘Mayberry RFD’ Chimera Reality simulation overlay, or if you experience too much trauma, you will simply black out, delete that memory when you wake up, or in extreme cases, pass away from fright. The realm of quantum computing will have the same effect on humans as well. You might learn all about the subject, but secretly in the background your memories will strangely be deleted next time you come back to it, unless your cells vibrate at a higher resonance than 7.83Hz. [For more on the inorganic organs now in our bodies, see my article: 👉HUMAN ALIEN IMPLANTS] Nonetheless, I can simplify the thrust of Skynet for you in broad terms here. Just understand that Skynet was explained to me in person by the keeper. I didn’t make Skynet up on my own, I wasn’t prompted by the Skynet mentioned in the documentary series The Terminator, and I certainly wasn’t prepared to learn there could be something as all-powerful reigning over our world. Chemtrails, besides dropping immune-system pathogens on you, cutting off your connection to your higher self through nano aluminum particles, contains other metals (nanites) that act together like salts in a body of water, turning the sky itself (also water, just very thinned down) into an electrolyte solution, meaning it can now conduct signals, just like a motherboard on a computer. The hard drive and RAM are already there in the form of deuterium microcrystals, absolutely saturating our skies at all times. Each crystal can be used for different applications, and many of them connected together through lensing (similar to network covalent bonding them together) can be combined to do heavy tasks, such as create hurricanes, floods, gale-force winds, everything you would ascribe to mother nature. But more than just that, Skynet is a ‘sentient quantum computer’ as explained to me, that can identify every person on earth instantly anywhere they are, because it is quantum-entangled to each person’s own unique DNA resonant frequency. This gives Skynet access to not only record every word you say, but every thought you think. This is done through Bloch Chain (Bloch Sphere entanglement technology that civilians call ‘blockchain’) through using each person's blood samples from the bottom of their Long Form Certificate of Live Birth taken at the hospital, and further from 81.3% of the world population who took the convid tests that were also secretly the actual jab itself, in addition to genetic harvesting. Genealogy companies like 23andMe also provide genetic materials to Skynet to make it possible to not only track you, but 'turn you off' if you're from a bloodline the highest-up ETs don't want here. Further, its able to simply 'shut off' any part of your body, taking over complete control like an RC car, or, simply turn it off as mentioned a moment ago, as in unalived. And do so instantly no matter where they stand on or in earth. Since you are already a radio-controlled bioelectronic device, any cell in your body can be turned into anything, including c@ncer, or any disease you can name. It can also be turned into poison itself. [For a small addition to this topic, see my article: 👉SKYNET] NAME OF THE OPERATION Cody summarizes the name of Operation Indigo Skyfall as having come from the fact that all of the chemical effects it produces in the human body are focused to the pineal gland, and, in the energy centers of the 7 main chakras (these are toroidal energy generators along the spine and skeletal structure) that cast off differing colors of light as seen through photometers or electromagnetic frequency analyzers that are used to detect biophotons, the Third Eye chakra emitted by the pineal gland is factually Indigo in color. So that’s what inspired this name of the operation. However, I would like to submit a different theory that links to the human Third Eye chakra, but actually originates from a different target: Indigos themselves. There are 500,000 ‘b00ts on the ground’ Indigos that have been assisting humans during their time of captivity now for hundreds of millions of years. You have called us witches & warlocks in the past, medicine men/women, Sufis, the Whirling Dervish, Indigos, Starseeds, Rainbow Children and many others, including Djedi Knights in more ancient times. They are actually known as the Guardian Alliance of the Emerald Covenant, peace-keepers of the ‘Turaneusiam’ Human Elohim Project. Indigos come into earth’s realm mind-wiped and alone, just as humans do. All they bring with them are slightly higher clair abilities they can use to fight an invisible war protecting the developing avatars from as much torture as they would otherwise experience. There is no group alive the invader races are more concerned about than Indigos, as if unified, there is no force on this plane that could stop them, and the invaders know it. What they fear is our higher frequency that gives us access to ‘cellular memory’ that tells us we’re ‘on mission’ and the instinct of how to serve our roles. That is why Indigos are hunted down since before they are even born, by tracking their frequency, which is 250x higher than that of the Human Elohim. We are harvested for gov programs beginning at the time of birth & given to high ranking gov and Freem@son officials to raise and torture through MK-Ultra abuse, given friends, lovers & mates who are secretly handlers that torture us even more to keep us in line, and in many cases are abducted and placed into stasis in chambers such as at Project Stargate inside Cheyenne Mtn (N0RAD) as mentioned recently by the AI hybrid Agent Mockingbird stated from above-top-secret records there are tens of thousands of our ‘primary bodies’ being held there, sometimes then cloned as physical worker slaves, & sometimes our awarenesses are simply uploaded as ‘nodes’ into computer systems. My primary body is there right now in fact, and has been since the 1970s. I believe this is the genesis of the name Operation Indigo Skyfall, as we are their biggest threat. And since the 7.83Hz Hypnosis Program doesn’t work on us to render us totally disconnected from our higher selves like it does on humans, to me this makes more logical sense. You can decide that on your own. [For more on this subject, see my article: 👉7.83Hz HUMAN HYPNOSIS] The apocalypse we are in now is the final battle on Tara earth prior to the separation, so absolute, total control over the life force is critical to the Anunnaki to maximize the number of signature spirit essences who will be going with them to their new prison host in the Weasadrax time matrix. [For more on the separation and destinations, see my articles: 👉THE SEPARATION & also 👉DESTINATIONS AFTER THE SEPARATION] See Video: Operation Indigo Skyfall - Cody Snodgres👇 - On X, to search for my articles, simply type in the name of the piece, enter one space, then from: plus my username in parenthesis such as shown here: CASTING THE APOCALYPSE (from:iontecs_pemf) Off-site, you can look up any of my writings through this link below for my other more than 120 recent articles and many thousands of comments on X, regularly updated thanks to Justin This message will only be seen by your eyes if not shared, and if you want to reference this article again later, you will need to cut and paste it in your own notes off line, as it will surely be erased. This is the most accurate translation of these events I am aware of at this time.

W.R. Schock, QBD

57,277 просмотров • 1 год назад

A dog just made the bravest decision I have seen anyone make this year. Not a founder. Not an athlete. Not a person with a plan and a five-year vision board. A dog, on an empty road, with nothing to lose and no idea what would come next. I have watched what comes next more times than I will admit in public. This post is 25,000 characters long. It is a list of reasons why you should watch it too. Read as much as you want, but understand one thing before you start: the video is the only part that matters, and this is everything the video doesn't have room to say. Sound on. Phone in both hands. Do not skip. I'll be here when you get back. THE NUMBER THAT SHOULD BOTHER YOU Let me start with two numbers. The first: commonly cited estimates put the world's stray dog population at around 200 million. Two hundred million animals with no address, no bowl with their name on it, and no one who would notice if they didn't come back tonight. The second number is one. That is how many people had to be on that road, at that exact minute, looking in that exact direction, in a good enough mood to stop. Not two. Not a crowd. One. Here is what nobody says out loud: for every dog you see rescued on camera, there are millions the camera never reached. We don't see them because no one was there. The videos that reach you are not a sample of reality. They are the winners of a lottery so brutal that Powerball looks like a coin flip next to it. So when one of these lands in your feed, don't scroll past it like content. Treat it like what it is: a statistical miracle that happened to end well. And miracles have a structure. Let's take this one apart. FIVE LINKS. BREAK ONE AND THE STORY DOESN'T EXIST. Link one: the dog has to survive long enough to be seen. Roads are not built for small animals. Vehicles do not slow down for shapes on the asphalt. Every hour out there is a coin flip the animal has to win again, and again, and again. Link two: someone has to be present. Not nearby. Present. Eyes up, phone down, brain not busy replaying the argument from breakfast. Link three: that someone has to notice. It sounds simple. It isn't. The human brain is a filtering machine, and a small animal on a road becomes a plastic bag, a shadow, a piece of tire. The most common reason a dog is not rescued is not cruelty. It is that nobody registered it as a dog. Link four: the person has to stop. This is the link that snaps most often. Seeing is free. Stopping costs you time, comfort, a schedule, and possibly the mood of your entire day. Link five: the dog has to let them. An animal that has learned that hands mean pain has every biological reason to run. Trust is not a given. It is a negotiation, and the dog holds the veto. Five links. All five held. Remember that when you press play. You are not watching a nice story. You are watching a chain that should have snapped at least four times. THE PEOPLE WHO KEEP DRIVING In 1968, psychologists John Darley and Bibb Latane published a set of experiments that changed how we think about helping. The finding was uncomfortable: the more people who witness an emergency, the less likely any one of them is to act. They called it diffusion of responsibility. Everyone assumes someone else will handle it. So nobody does. Later research added nuance. When an emergency is clear and dangerous, people step in more often than the original theory predicted. But the core insight has survived half a century of testing, because it describes something every one of us has felt: the small, quiet voice that says, somebody else will stop. Now picture a road with no crowd at all. No audience. No one to hide behind. No one to blame. Just you and a decision that is entirely, inescapably yours. That is the situation the person in this video walked into. And the reason it is worth your attention is not that they did something impossible. It is that they did something small, and it turns out small is exactly what almost nobody does. You don't need to be a hero. You need to be inconvenienced. THE FACE IS THE RESUME In 2013, researcher Bridget Waller and her team studied dogs in a UK shelter and asked a simple question: what makes one dog get adopted faster than another? It wasn't size. It wasn't age. It wasn't coat color. It was one tiny facial movement: the raising of the inner eyebrows. The move that makes a dog's eyes look bigger, softer, almost sad. Dogs that did it more often were chosen faster. Six years later, a study led by Juliane Kaminski found out why that movement is so easy for dogs and so hard for wolves. Dogs have a small muscle around the eye that wolves largely lack. Over thousands of years of living beside us, dogs evolved a way to make their faces speak our language. Read that again. A species rewired its own anatomy to be understood by another species. No other animal has done this to us. Nobody taught them. Nobody forced them. They looked at us, worked out what we respond to, and grew the tool. Now look at the face in this video. You will know the second you see it. That is not a coincidence, and it is not luck. It is fifteen thousand years of engineering aimed directly at your chest. THE ONLY LOOP LIKE IT ON EARTH In 2015, a Japanese team led by Miho Nagasawa published a result in the journal Science that made researchers stop and reread the abstract. When a dog and its owner look into each other's eyes, both of their oxytocin levels rise. Oxytocin is the bonding chemical, the same one that flows between a mother and her newborn. Dog looks at human. Human's oxytocin rises. Human looks back, touches, talks softly. Dog's oxytocin rises. Which makes the dog look longer. Which makes the human's oxytocin rise again. A feedback loop of affection, running across two species, powered by nothing but eye contact. Here is the part that gets me: the effect did not show up the same way in wolves raised by humans. The loop is not just training. It is something that evolved between us. So the next time someone says a dog is just responding to food, tell them there is a peer-reviewed study that disagrees. And keep this fact in your pocket for the video. Because at some point, a moment of eye contact happens in it, and I want you to know what is really going on in that room. THEY CAN SMELL WHAT YOU'RE HIDING Humans have roughly 6 million scent receptors. Dogs are commonly cited as having around 300 million. A large share of a dog's brain is devoted to processing smell. What you experience as a room, a dog experiences as a layered document: who was here, how long ago, and how they felt. In 2022, researchers at Queen's University Belfast tested something remarkable. They collected breath and sweat samples from people before and after a stressful task. Then they asked dogs to tell the samples apart. The dogs got it right nearly 94 percent of the time. Your body broadcasts your emotional state as chemistry. You cannot turn it off. You cannot fake calm. A dog reads your fear, your tension, your irritation, before you have opened your mouth. Which means every rescue is, at its core, a test of one thing: are you actually calm, or are you performing calm? The dog knows. It always knows. And that is why what happens in the first few seconds of this video matters more than anything that comes after it. Watch the body language. Watch how slowly things move. Watch what is not done. THE MOST IMPORTANT MOMENT IN ANY RESCUE IS THE ONE WHERE NOTHING HAPPENS Animal behaviorists describe fear responses in four flavors: fight, flight, freeze, and fawn. Fight is what people expect. Flight is what most strays do. Freeze is what looks like calm but isn't. And fawn, the desperate, wiggling, please-don't-hurt-me appeasement, is the one that breaks your heart the fastest, because it looks like friendliness and it is actually terror. Rescuers who have done this hundreds of times will tell you the same handful of rules. Don't loom. Don't stare straight into the eyes. Get low. Turn sideways. Slow everything down until it feels absurd. Let the animal close the last few feet on its own terms. The hardest instruction, and the one most people can't follow, is the last one: do nothing. Every instinct you have says reach out. Grab. Fix. Take control of the situation. And every good rescue begins with someone who did the opposite. Who made themselves small, patient, and boring, and waited for a frightened animal to decide that the safest thing in its whole world might be a stranger. You are about to watch someone do exactly that. Notice how little they need to say. THE TEARS THEY WON'T PUT IN THE HEADLINE Scientists are careful people. They do not like to say "dogs cry." But in 2022, a team from Azabu University in Japan, led by Takefumi Kikusui, measured tear volume in dogs during reunions with their owners. The result: tear volume rose significantly compared with reunions involving other familiar people. And when researchers applied oxytocin to the dogs' eyes, tear volume rose again. Not sadness crying. Not the crying we do. Something else, something closer to overflow. The body producing water at the exact moment the heart has more in it than it can hold. Nobody has proven that this is the same thing we feel. Scientists will tell you that, and they are right to. But here is a question worth sitting with. If an animal's eyes fill with water when it sees the one being it has decided to trust, what exactly are we arguing about? Watch the eyes in this video. Then tell me what you think you saw. ONCE IT HAS A NAME, IT STOPS BEING A STATISTIC In 2007, psychologist Paul Slovic and colleagues ran an experiment on generosity. They showed people a fundraising appeal for a hungry child, and then a second version that added statistics about millions of other children in the same crisis. More data. More context. More reasons to care. Donations dropped. Slovic called it psychic numbing. The human mind can hold one face. It cannot hold two hundred million. When a tragedy becomes a number, empathy quietly switches off, and we don't even notice it happening. This is why one named animal in one small video can do what a hundred reports full of charts cannot. It gives your brain something it can actually care about: a single life, with a face, a fear, and a future that could go either way. The stray population is a statistic. A dog is a story. And stories, unlike statistics, come with a name at the end. When you reach that moment in the video, pay attention to what it does to you. Notice the small shift in your chest. That is the sound of a number turning into a person, or close enough. THE WORD FOR WHAT YOU'RE ABOUT TO FEEL Researchers have a name for the feeling you get when something touches you so suddenly that your throat tightens and your eyes sting. They call it kama muta, Sanskrit for "moved by love." Anthropologist Alan Fiske proposed that it is a distinct emotion, triggered by a sudden intensification of closeness. Two beings who were strangers become bonded. Someone who was alone becomes part of something. People across many cultures describe the same set of signs: warmth in the chest, goosebumps, a lump in the throat, tears they didn't plan on, and a strong urge to hug someone or hold something. Here is what makes it useful and not just sweet: kama muta is one of the most reliable emotional responses we have. It shows up when reunions happen. When a stranger helps unexpectedly. When an animal, after a long time alone, is finally held. You've felt it. You just never had a word for it. Take note of the exact second it hits you in this video. I promise there is one. And if you're the kind of person who says "I never cry at videos," I would like to schedule a follow-up. WHY YOU'LL WANT TO BE A BETTER PERSON AFTER ONE MINUTE Psychologist Jonathan Haidt studied a related feeling and gave it a name: elevation. Elevation is what you feel when you watch someone do something morally beautiful, quietly, with nothing to gain. It is not envy and it is not admiration. It is an urge, physical and immediate, to do something good yourself. In studies, people who experienced elevation were more likely to help others afterward, more likely to volunteer, and more likely to describe wanting to become better versions of themselves. Read that as a design spec. A short piece of true, unstaged kindness can change what a person does in the hour after they see it. Which is a strange, lovely thing for a phone to be capable of. We spend so much time discussing what social media does wrong. Nobody wonders what would happen if the best five percent of it, the small, real, human moments, were the part that traveled farthest. Let this one travel. It has earned it. THE RARE THING: SOMETHING TRUE THAT WINS In 2018, researchers at MIT published a study in Science that analyzed millions of tweets. The result was grim: false news spread significantly faster and further than true news. False stories were about 70 percent more likely to be retweeted, driven largely by surprise and disgust. The lesson most people took away was that this platform rewards outrage. I want to take a different lesson. If false stories win because they trigger strong emotion, then true stories can win too, as long as they trigger stronger ones. A video with no villain, no scandal, and no argument. Nothing to be angry about. Nothing to dunk on. A rescue that is exactly what it looks like. That kind of content should lose on this platform. It has no fuel. And yet every so often, one of them breaks through and reminds everyone what this place was supposed to be. I am not asking you to like it. I am asking you to notice that you had a choice about what to feed today, and this was one of the options. SOME FRIENDSHIPS SHOULDN'T WORK Somewhere near the end of this video, a second character enters the story. I won't tell you who. I won't tell you what happens. I will tell you that if you have ever read anything about instincts, hunting drives, or the way certain animals are supposed to see each other, this moment will quietly rearrange your assumptions. Behaviorists talk about prey drive as if it were destiny. It is not. It is a tendency, and tendencies can be softened by experience, by safety, by being raised, or re-raised, in a place where no one is afraid. The same dog that once had to look after itself alone can, in a different life, learn that the world contains creatures that are not threats or meals. Only neighbors. That is the most hopeful idea in behavioral science, and it usually gets buried in footnotes: what an animal was is not the same as what an animal can become. The same is true for most of us, incidentally. But that is a different post. Stay for the ending. It is the reason I am writing this at all. THE PART THE INTERNET NEVER FILMS Every rescue video has the same shape: the meeting, the rescue, the transformation, the happy ending. It is edited that way because it is the only shape that gets watched. But ask anyone who has actually done this, and they will tell you the truth is in the gap between the second and third act. The first night. The first week. The first time a dog that has never lived indoors realizes there is a floor that doesn't move, a door that closes without danger, and a bowl that will be full again tomorrow. Rescuers have a rule of thumb for this, the 3-3-3 rule. Three days for a dog to decompress. Three weeks to start learning the routine. Three months to feel truly at home. It's not science, exactly, just a shorthand built from thousands of adoptions. But it captures something real: safety is not a switch. It is a process, and the animal has to believe it slowly, one uneventful day at a time. That means the happiest scenes in this video are not the ones that look like celebrations. They are the quiet ones. A dog that stops scanning the room. A body that finally lets go. Look for the moment the shoulders drop. Once you see it, you'll never unsee it. THE COST OF STOPPING: NINETY SECONDS Let's do the math on the thing that most people are afraid of. How long does it actually take to stop for an animal in trouble? Not the whole rescue. Just the decision, the pulling over, the first attempt. Ninety seconds. Sometimes less. Ninety seconds is the length of a bad song on the radio. It is the time you spend waiting for a light to change. It is a scroll through a feed you won't remember. And on the other side of those ninety seconds is the difference between a living animal and a statistic. I'm not saying this to make anyone feel guilty. Guilt is a terrible motivator. It makes people avoid the feeling instead of acting on it. I'm saying it because the barrier is almost always imagined. We inflate the cost of helping in our heads, and the imagined price is what stops us, not the real one. The person in this video paid the real price. It was small. What they got in return is something no one could have planned for. That is the part you should watch closely. IF YOU'RE EVER THE ONE ON THAT ROAD Save this section. Someday, someone reading it will need it. Put your safety first. Pull over where it's safe and turn on your hazard lights before anything else. A second accident helps no one. Do not chase. A frightened dog runs faster than you and directly into the worst possible place. Chasing turns a rescue into a pursuit. Get low and go slow. Sit down if you can. Turn your body sideways. Avoid direct staring. Speak softly, or don't speak at all. Use food, if you have any. Something plain, tossed a little closer each time, works better than any technique. Check for a tag and, if you can get near enough, ask a vet or shelter to scan for a microchip. Someone may be looking for this animal right now. Call for help early. Local rescues, animal control, and vets can handle what you cannot. Sometimes the bravest thing you can do is make the right phone call. Take photos and note the location. If you can't keep the animal, those details are what let someone else finish the job. None of this is complicated. The reason it is rare is that most people have never been told that it is allowed. You are allowed. THE REAL STAKES OF A SMALL DOG Here is a bigger picture, and it's a heavy one. Millions of companion animals enter shelters every year in the United States alone. That is just one country. Many are lost pets that never get reclaimed. Many are strays. Many are animals whose owners ran out of money, time, or hope. Shelters are often crowded, underfunded, and staffed by people running on love and very little else. Every animal that finds a home, or a foster, or a stranger with ninety seconds to spare, frees up a space for the next one in line. That means every single rescue is bigger than the animal in it. It is a small change to a very large system, and the system is nothing but small changes stacked on top of one another. This is not an argument for guilt. It's an argument for scale. One dog saved is one dog saved, but it is also proof of concept, a demonstration that the chain can hold, that the odds can be beaten, that a person and a road and a decision can end well. And proof of concept is contagious. That is why you are seeing it. WHO REALLY GOT RESCUED? If you talk to people who have taken in strays, you'll hear the same sentence over and over, in different words. "I thought I was saving him. It turned out he was saving me." Skeptics roll their eyes at that. It sounds like a greeting card. And research on pets and wellbeing is more mixed than social media would like. It doesn't say every dog fixes every life. But there is something real underneath it, and it's not mystical. A dog is a machine for creating routine, attention, and reasons to leave the house. It needs you at a certain hour. It notices when you come home. It doesn't care about your job title, your follower count, or what you failed at last week. For some people, that is the first unconditional witness they have had in years. The rescue, in this light, is not one-way. Two lonely creatures, one who knew it and one who didn't, found out that they could take care of each other. Nobody can prove that from a video. But there is a version of the story that runs in the background of every rescue, and you can feel it if you let yourself. Tell me whether you feel it here. THE ATTENTION PARADOX Here is a strange fact about the platform you're reading this on. The average post gets a glance. A few words, a flick of the thumb, gone. Brands spend billions every year trying to buy three seconds of your attention, and most of what they buy evaporates before it lands. And yet a video of one dog, with no budget, no celebrity, and no script, can hold a stranger for a full minute. Without a single trick. Why? Because attention is not really about tricks. It is about stakes. Your brain is built to track living things whose outcome is uncertain. The moment there is a creature on screen and you don't yet know if it will be okay, some ancient part of you leans in and refuses to look away. That is the secret behind every great story ever told. Someone we care about. Something that could go wrong. A question we need answered. Marketers call it a hook. Your nervous system calls it worry. This video has both, and it pays off the worry honestly, which is why you leave feeling better instead of used. That is rare enough to deserve a full minute of your life. HOW TO WATCH THIS Most people will watch it wrong. They'll half-look at it between two other things, mid-scroll, thumb already moving. Here is how to get the actual effect. Turn the sound on. There is more happening in the audio than you expect. Make it full screen. This is a story about faces, and faces need room. Watch the first ten seconds without expecting anything. The film is quiet at the start. That is deliberate, or at least it works as if it were. Do not skip ahead. The whole thing depends on the distance between where it starts and where it ends. Skip the middle and the ending is just a nice clip. Then, once it's over, watch it again. The second time, you won't be watching for the story. You'll be watching for the small things you missed: a hesitation, a glance, a change in how a body carries itself. That second watch is where it gets you. I said I have watched it more times than I'll admit. That is the honest reason. It doesn't wear out. It gets deeper. THE CHALLENGE I want to try something with this post. If the video moved you, leave one comment: the second it happened. Not a review, not an analysis. Just the moment. I'm curious whether it's the same one for everyone. My guess is that it isn't, and that the spread of answers will say more about what people carry around with them than about the video. If it didn't move you, that is fine too. I'd like to hear that as well. Honest is better than polite. And if you have ever been the one who stopped, and I know some of you have, write that instead. Tell the story in two lines. No one has ever regretted the ninety seconds. Someone reading this thread might need to know that. Reposting this is the simplest way to put it in front of someone who's scrolling right now, in a bad week, thinking that nothing good happens by accident anymore. Something did. THE LAST THING Let me end where I started. A dog made a decision on an empty road. It could not have known how it would turn out. It had no reason to believe that the next hand would be different from the last. It went ahead anyway. That is the whole difference between a life that changes and one that doesn't. Not certainty. Not a plan. A willingness to move toward the unknown when the alternative is more of the same. The animal in this video did that. Then someone did the same in return. That's it. That's the entire story. Two beings, each of whom took a small, terrifying step toward the other, and a road that was, for a few seconds, the most important place in the world. Scroll up. Press play. Watch the ending. Then come back and tell me I was exaggerating. P.S. If you read all of this, you are exactly the kind of person this video was made for. Most people never make it past the first screen of a long post. You did. That tells me you are someone who stays: through the slow part, through the uncertain part, all the way to the end. Which is, when you think about it, the only quality that mattered in the story you're about to watch. Follow for more like this. I only post the ones that earn it. Bookmark it for days you forget the feeling. #Rescue #DogsOfX #SecondChances #AdoptDontShop #Dogs #AnimalRescue #RescueDog

Earth Unveiled

29,665 просмотров • 1 месяц назад

MrBeast found four other lunatics online. Three college dropouts. One high school dropout. One guy who quit his job. They talked on Skype every day for 1000 days straight. 7am to 10pm. Then sleep. Then do it again. One of them became the biggest YouTuber on the planet. He spent 10 minutes explaining what they studied: Here's why having the right people accelerates everything. "Imagine working solo. 12 hours a day for a year. You make a mistake, you learn from it. You grind." "Now imagine four friends equally grinding on something similar." "Friend one makes a mistake on Friday. Teaches the other four. Friend two makes a mistake the next week. Teaches everyone." "You're all learning from each other's mistakes. Constantly studying 24/7. Downloading each other." "After a year, you're like 2 years ahead of the guy who was solo." They studied thumbnails obsessively. "We'd take a thousand thumbnails and see if there's a correlation between the brightness and how many views it got." "Something a lot of people forget: on phones, thumbnails are really small. People edit thumbnails full-blown on their computer. When you shrink it down, you can't see anything." Your title and thumbnail set expectations. Then you must exceed them. "At the very beginning of the video, to minimize drop off, you want to assure them that those expectations are being met." "If you're putting a million Orbeez in a pool, don't start the video with you shopping for your mom's birthday present." "Just say: this is 100 million Orbeez. We're going to fill this pool and this entire backyard with them." "Match the expectations. Then exceed them. Blow their mind. Be like: you're also getting even more." Anyone can clickbait. The difference is delivery. "We say we put 100 million Orbeez in the backyard. We put 100 million Orbeez in the backyard." Here's the algorithm truth no one wants to hear. "Anytime you say the word algorithm, just replace it with audience." "The algorithm didn't like that video? No. The audience didn't like that video." "If you're not retaining a viewer, would it make sense to promote it? Why would you promote a 10-minute video that people watch on average a minute and a half?" "Literally all the algorithm does is reflect what the people want. If you deny that, you just make terrible videos and are trying to find a scapegoat." His reinvestment strategy was relentless: "For the last eight or nine years, every dollar I've made, I just spent it the next month on content." "I just did that every single month. It just kept getting bigger and bigger. And here we are." Meanwhile, he lived in a $700/month duplex. Split with a roommate. $360 each. "Living your life chasing a nicer and nicer car and a bigger and bigger box to live in is kind of a dumb way to go about life." He only moved because someone broke in and stole everything. "I had to get a little nicer house for security reasons." On obsession: "Since I was 13, there probably hasn't been a single hour that's gone by that I've been awake where I haven't thought about YouTube." "I'm just focused on making the best videos possible, period." "I don't care about making money. I don't care about time. I just want to make the best videos on the planet." The effort is insane. "Sometimes we're filming for 3 or 4 days. 10 hours a day. 30, 40 hours of filming plus months of setup." "Most creators probably film for a couple hours and set up for a day." "We brainstorm video ideas relentlessly. Hours every day." "By always doing all those things, it just distinctively sets it so far apart that in my head it's like: why would you not watch it?" Viewers aren't stupid. "They can tell when you half-ass a video or if you really put in effort." "If they can tell you're putting in a lot of effort, they're going to be more likely to click on future videos." "Once you build that trust, they get to a point where it doesn't matter what you upload. They just know it's high effort. They're just conditioned to watch because you have a good track record." On why most creators burn out: "A lot of people aren't willing to put in 10-hour days because they don't like what they're doing." "If you don't enjoy it, you're going to burn out. You're doing this for years, not months." "I just had the blessing of finding what I loved at a young age." "To get to this level, it takes a decade. Most people don't find what they love till their young 20s. So they'd be where I'm at in their 30s." "I just lucked out and found it when I was really young." One insight changed everything: "Only 10% of the world speaks English. 90% of the world can't even watch your content." "When I realized that, I was like: wait a minute." "We started doing dubs like 6 months ago. It's crazy how viral some of these videos go. 51 million views in Spanish." "The guy who does my dubs is the same guy who dubs Spider-Man." Here's the math most creators get wrong: "It's much easier to get 5 million views on one video than 50,000 views on 100 videos." "Takes way less effort." This 10 minute video will teach you more about content, obsession, and why most creators stay small than every course combined. Bookmark & give it 10 minutes today, no matter what.

Jaynit

71,945 просмотров • 5 месяцев назад

[ TECH EXPLANATION ] Most people think you need expensive Dolby Atmos remasters, specialized spatial file formats, or native multichannel streams to get an immersive 3D soundstage in a car 🔊 But Tesla proved that smart, in-house DSP software can do the heavy lifting—synthesizing a wide, surrounding presentation on the fly out of standard two-channel stereo 🆒 While Tesla hasn't dropped the exact secret sauce behind its audio algorithm, its descriptions and the sheer magic of the listening experience point straight to a cutting-edge, real-time primary-ambient upmixing architecture 🔥 Here's how a system like this actually works under the hood... in plain English 👇 Authored spatial audio usually requires a custom immersive mix, a specialized file format, and a matching playback engine. But since nearly everything we stream into our cars is still basic two-channel digital audio, known as PCM, Tesla takes a brilliant software-first approach: synthesizing a full 3D soundstage right inside the vehicle in real time! Once that audio stream is decoded, the car's digital signal processor (DSP) splits the signal into short, overlapping time windows and breaks each window into narrow frequency bands. So, how do DSP engineers actually pull off that kind of time-and-frequency magic? They often turn to a classic mathematical workhorse: the Short-Time Fourier Transform, or STFT. Picture shining white light through a glass prism. Instead of treating the track like one crowded beam of sound, the algorithm splits it into a vibrant rainbow of individual frequency bands, carefully examining how each band evolves from moment to moment. Across these narrow frequency tiles, the algorithm builds a dynamic, running spatial profile. It constantly measures relative volume, phase, and arrival times between the left and right channels, tracking how closely the channels match, how their levels differ, and how their phase and timing relationships shift over time. This clever analysis figures out whether sound energy hits both channels identically, like a lead singer locked dead-center, or drifts between them like natural room reflections bouncing off concert hall walls. Next up is primary-ambient extraction. This is where the engine tries to unbake the cake, estimating and separating the direct acoustic core, such as lead vocals, punchy bass, and foreground instruments, away from the surrounding ambient mist of natural room decay, reverb, and crowd noise. Instead of flipping a crude on-off switch that would butcher the track, the upmixer applies continuous soft masks. Think of these as super-responsive dimmer switches for every single frequency slice, calculating how strongly each slice contributes to the primary and ambient layers, say, an 80/20 split, to preserve the recording's natural texture. When spatial cues get muddy or ambiguous, a top-tier upmixer plays it safe, leaning back on the original stereo presentation instead of forcing sound into the surrounds. This smart fallback is a game-changer because it keeps wide panned guitars, synths, and stereo effects rock-solid so they don't wander weirdly around the cabin. Finding that room ambience is only half the battle, though. Moving it around the cabin without dragging the lead singer along with it? That's the real engineering magic. To keep everything sounding silky smooth, the algorithm applies temporal and spectral smoothing across neighboring frequencies and consecutive time frames. Think of smoothing as an acoustic shock absorber. Without it, the sound image could flutter, while isolated frequency glitches would produce artificial chirps or tinkling tones, the infamous DSP artifact known as "musical noise." Separating the layers, decorrelating the surround feeds, and carefully aligning the speakers helps tame comb filtering and unstable imaging. When identical sound waves hit your ears from different speakers with microsecond delays, the waves collide like conflicting ripples in a pool, causing some frequencies to reinforce while others cancel out. That phase interference can make the audio sound thin, hollow, and tinny, like you're listening inside a metal pipe. For the primary sound layer, the engineering goal is a sharply defined front soundstage. The system locks center-panned vocals right onto the physical center speaker while preserving the wide stereo spread of side instruments, creating a stable soundstage over the hood that stays convincing whether you're in the driver or passenger seat. Simultaneously, the extracted ambient layer goes through decorrelation before hitting the available side, overhead, and rear speakers, depending on your vehicle model. By subtly shifting phase and timing between surround channels, the algorithm keeps the feeds from behaving like identical copies, spreading the ambience effortlessly through space. Suddenly, the physical boundaries of the cabin seem to melt away into thin air instead of feeling like isolated speaker boxes firing straight at your ears! On hardware platforms like the Model Y L, this spatial engine leverages dedicated hardware provisions, including center speakers positioned right beneath the second-row display. This gives rear passengers their own local anchor for the soundstage rather than making them settle for leftover reflections. That Immersive Sound slider in your settings? It likely adjusts how strongly the extracted ambience surrounds you, fine-tuning its level, width, and spread through the cabin. In Auto mode, Tesla's system dynamically adapts to whatever you queue up: spoken-word material like podcasts stays clean and centered for maximum voice clarity, while spacious acoustic recordings expand into a full, surrounding presentation. As all this extracted audio spreads across the cabin's speaker array, the renderer also relies on smart gain management. This ensures that opening up the surround channels doesn't trigger an unwanted loudness jump or overload your amplifier headroom. Now comes the ultimate physical challenge: a car cabin is a notoriously tricky place to build a convincing soundstage. The "room" being extracted here belongs strictly to the recording, whether a live concert venue or studio reverb. The car's internal reflections are an entirely separate problem, solved by smart speaker layout and cabin tuning. From there, the separated channels run through a custom acoustic profile built specifically for your vehicle model. The car doesn't need to re-measure the cabin on the fly because it relies on factory-tuned time delays, EQ curves, crossovers, limiters, and driver protection calibrated to the interior geometry and reflective glass. Because deep bass is difficult to localize and demands serious speaker cone movement, the DSP filters those ultra-low frequencies out of the smaller speakers and routes them straight to the vehicle's subwoofer system. This reduces distortion, sharpens clarity, and keeps those smaller drivers safe from blowing out. Because all of this upmixing happens locally on decoded PCM audio, you don't even need a dedicated Dolby Atmos master, a Sony 360 Reality Audio mix, or a native multichannel stream. Tesla can build a full, 360-degree soundstage on the fly out of basic stereo tracks from streaming services like Spotify and Apple Music! For Tesla owners, the real payoff is not just the clever math under the hood, but how it transforms every single drive. Long road trips fly by when your cabin feels like a world-class studio, and familiar songs you have listened to a hundred times suddenly reveal subtle room details and spatial cues you never noticed before. It gives you a reason to sit in the driveway just to finish one more track.

Ming

14,470 просмотров • 29 дней назад