Sensitive content

This media may contain sensitive content.

Загрузка видео...

Не удалось загрузить видео

На главную

Edging x ghostface chiller 🔥 A good edging session should be the suprise one. More hot videos➡️ #GayUK #GayLondon #GayMelbourne #GaySydney #GayOrlando #GayMiami #GayNewYork #GayParis #GayBerlin #GayChicago #GayToronto #GayMontreal

Комментарии: 0

Нет доступных комментариев

Здесь появятся комментарии из оригинального поста

Похожие видео

One of the biggest airdrops in Hedera history?👀🪂🌱 Hey! If you've made it to this tweet as fast as Hedera's TPS, bookmark it so you don't miss any details While $IVY skydives with some friends in the video, let's check out the conditions: 🔥First of all, let's talk about how it works🔥 The airdrop will have a tier system where you could get more or less IVY depending on your tier. There will be four different tiers, and we'll announce the conditions for each tier to move up. Here's how much you can get: ➡️Tier 1: 20,000 IVY tokens ➡️Tier 2: 40,000 IVY tokens ➡️Tier 3: 60,000 IVY tokens ➡️Tier 4: 80,000 IVY tokens 🧐How do you qualify for each tier? We can't spill all the beans now, but we'll give you the conditions on our X account. For now, IVY can give you a sneak peek: ✅Tier 1 Requirements: Hold all 3 NFTs ✅Tier 2 Requirements: Tier 1 + hold $100 worth of IVY tokens (at time of snapshot) ✅Tier 3 Requirements: Tier 1 + Tier 2 + ???? ✅Tier 4 Requirements: Tier 1 + Tier 2 + Tier 3 + ???? 📸Chill out! The snapshot hasn't been taken yet, so you'll know in due time what to do to aim for the higher tiers. And to wrap it up... we'll be giving away 3 NFT sets (1 set = NFT 1 + NFT 2 + NFT 3) to those who comment and retweet this tweet, tagging 3 friends 🌱🫂 Good luck! We'll announce the winners on Monday. 🚨Oh... one more IMPORTANT detail...🚨 If you have multiple NFT sets, your IVY amount multiplies. For example, if you have 3 complete sets of NFTs and qualify as Tier 3, your amount of IVY to receive in the airdrop will be: ➡️Tier 3 = 60,000 IVY tokens ✅NFT Sets = 3 Total airdrop amount = 60,000 IVY tokens x 3 sets = 180,000 IVY tokens The maximum multiplier will be x5 If you have any questions, you can hop into our Telegram channel to ask ❓ You'll find the link in the linktree on our X account See yaa, $IVY fam Built on Hedera.

IVY

33,771 просмотров • 1 год назад

🔥#VEVE "Where's Rhys?", "Why Are The Ecomi YouTube Videos Deleted?", and "What's Happening With OMI & OUP?" are 3 major concerns from the community, so we asked David Yu ⭕️ exactly that. 💎A couple takeaways: 👩‍💻 In the past when the team was smaller, Rhys as the community manager focusing on OMI might have been the go-to person for the token & OUP, however, now that they have a team dedicated to OMI & OUP, the implementations and communications will be handled in a more structured manner. Long story short, Rhys's still with the company, but keep in mind he's not the sole person for OMI. Ecomi/Veve will let us know if there's a new community manager. 🎛️ As all teams in VeVe/ECOMI grow (current in the phase of growing 70 to 300 employees, we should appreciate this fact because other NFT platforms are shutting down while VeVe's growing strong), everyone's tied to KPIs and deliverables in a corporate way & anyone can be replaced to make sure the company always have talent and capability to get things done. 🍎 Besides regulatory issues, the company has to respect Apple's restriction on in-app crypto transaction and hence they can't circumvent that and risk being delisted from the App Store. Therefore OMI transactions on the VeVe mobile app (and again, this is just OMI transactions in the mobile app) will have to wait. 🌎 My understanding is: because of that, the team that work on OMI & its utilities will focus more on a/ Non-transactional features for mobile app, for now, because of Apple's policy. I assume this might be staking and points, etc. The web app will obviously get more implementations due to more freedom. I hope Apple green lights crypto soon because that would certainly help. b/ Utilities for OMI in VeVeVerse. c/ Incorporating OUP to complement MCP to create an integrated loyalty program. My take: I really appreciate David's sharing these important notes on OMI and OUP and how the teams are growing, but we need to get more OMI updates more often. Example: VeVe ships new in-app updates, big or small, every 2 weeks, meanwhile we haven't heard anything from the Ecomi side for months. Also, as VeVe gets a dedicated blog site, Ecomi loses content (the YouTube videos). I'd be happy with just something on a monthly basis. We have seen a significant change in VeVe updates after Mitch and Nestor started, they also communicate frequently with the community, we need the new Mitch(s) and Nestor(s) on the OMI side, shipping utilities and talking about them. It was good to know there is a team working on utilities instead of just one or 2 people and a plan, and challenges including regulations and Apple's restriction on crypto transaction, but many of the VeVe fam (myself included) learned about OMI first and used that as a gateway for VeVe, so having some utilities for OMI would certainly help bringing awareness to VeVe and the whole ecosystem. What do you think, guys?

WillGoesMeta ⭕️

12,545 просмотров • 3 лет назад

**MH370x Breaking Update** My Letter to Congress Dear Congress, My name is Ashton Forbes and I am currently disclosing the most important videos in the history of the world. All of this information is publicly available. I would like to state that I have a Top Secret US Government clearance as part of my job as a contractor. My job has nothing to do with advanced technology, I am only stating this to establish my credibility. I am not bound by an NDA. This is not a hoax, disinformation, or misinformation. You don't need to believe me because everything is verifiable. I am requesting a public hearing. I am willing to testify in front of congress as to the authenticity of these videos and explain every aspect of them. I would also invite physics experts to validate the science on display. The videos in question are that of the true fate of Malaysian Airlines Flight 370, on March 7th, 2014 at 18:40UTC at the Nicobar Islands. One is of an MQ-1C Gray Eagle with a thermal layer added by the leaker, and the other is a 3D battlespace produced by the SBIRS (Space Based Infrared System), via SIGINT (Signals Intelligence) using data from Spy Satellite USA-229 which has a sister satellite next to it classified as debris. This allows for the proven 3D stereoscopic imagery we see in the Satellite video. The oldest archived versions of the videos we could find come from "RegicideAnon" a UFO video uploader, who uploaded unrelated videos previously, indicating they are not the source. Higher quality versions were released by other UFO uploaders on youtube later on, indicating neither is the original source. The dates are damning. Satellite Video (Received: March 12, 2014, Uploaded May 19, 2014) - MQ-1C Gray Eagle (Received: June 5, 2014, Uploaded June 13, 2014) - So why now, many ask? Because only in 2023 do we have the basis to understand these videos to be real. We needed the 2017 DoD Navy UAP videos to understand what FLIR footage looks like, the 2019 Trump satellite leak to understand those capabilities, 2020 scientific papers that show 'wormholes' are humanely traversable, LK-99 that shows the emergence of superconductivity and finally AI in daily use as ChatGPT. Without all these things the MH370 videos seem like magic. We know the location of the videos because the investigative group I started, MH370x, satellite experts used amateur historical trajectories to identify the correct satellite in the correct position to take the 3D stereoscopic video we see. We can see six sets of coordinates in the satellite video which we had incorrectly thought were in the South Indian Ocean, until we were able to realize the only possible location was the Nicobar Islands because the plane is turning left in both videos and due to the coordinate shifts. This means the plane is turning south and to the east. The satellite and witness (Katherine Tee) indicate the time is 18:40UTC, March 7th, 2014. Proof the Satellite video is 3D Stereoscopic - SBIRS - USA-229, the smoking gun - The Witness - I have been investigating and writing about these videos as a Citizen Journalist for the past 10 weeks. My X Corp (Twitter) following has gone from 30 followers to 8500+ of multidisciplinary backgrounds from the strength of the evidence alone. My handle is . We have definitively proved every aspect of the videos to be authentic. We know the assets, the time, the location, we have a witness, we know that there was a fire on the plane likely from the lithium ion batteries which broke containment, causing the Halon gas to permeate throughout the plane. Lithium Ion Battery Fire - There was no debris field, which is impossible for a 777 crashing into the ocean. The small amounts of debris found are consistent with the fire scenario, and some debris had burn marks. A fire suppression device from a B777 washed up in the Maldives and was not investigated despite having visible serial numbers. The Maldives were intentionally excluded from the search, despite witnesses on one of the small islands seeing the plane flying low and identifying the red/blue stripe of Malaysian Airlines early in the morning on March 8, 2014. All the Witnesses - We know that the 'official' narratives are a lie to cover up that this technology was deployed to either save the plane, or as espionage to prevent the 20 Freescale Semiconductor scientists onboard from going to China. I suspect they are integral to the technology we see. We know the plane didn't crash into the ocean because the SOSUS system didn't hear the acoustic sound. The same system that heard the Titan sub pop and the Navy lied about it for 5 days while oxygen counters were on every major news channel. The Diego Garcia hydrophones and Western Australia hydrophones also didn't hear it. Missing Hydrophone Data - I wish that this being MH370 was the most important part of these videos, because ultimately I'm doing this for the families of the victims, the witnesses, the leaker of these videos, and the world that has been lied to. However, the most important part of these videos is that they prove conclusively that the US Government is hiding Superconductivity, Teleportation, and 'Free Energy' from the world. Everything we see in these videos can be explained by science. This is not 'aliens' in these videos. This is our technology. The assets are filming the plane before the orbs even show up. The drone cannot catch a 777-200, it must have intercepted it. This is a US Government operation. I do not believe that we could be this secretly advanced without a reverse engineering program. The orbs in this video are ignoring gravity, being pulled forward by some 'gravity engine' indicated by the dark lines in front of them, and upon intercept are traveling at estimated Mach3 speeds. The explanation for their pattern is artificial intelligence, a computer program. Superconductive Harmonic Orbs - Traversable Wormholes - The videos do not show annihilation because E=MC^2 and the 'zap' would be much larger. It's not an explosion because it's cold in the thermal, not hot. It's a black hole. It's also not 'cloaking' because the smoke stops when the plane disappears. It has to be teleportation based on science. A wormhole. I found out, to my own surprise, that humanely traversable wormholes are theoretically possible. This singularity is causing a transitional phase state change in the plane where it reverts to a wave function and obtains a probabilistic nature. This is only possible with superconductivity and ‘free energy’ technology. Macroscopic Decoherence (how the plane was teleported) - I was also able to identify the leaker of the videos as being Lieutenant Commander Edward C. Lin. He checks every box to be the leaker. Our Government attempted to put him in prison for life as a traitor, but he is no spy. Edward C. Lin is a hero. He took a plea deal after he was convinced he damaged national security, but he never revealed this information to our enemies. He simply wanted to do the right thing and tell the world the truth of this technology and what happened to MH370. He was sentenced to 9 years in prison and likely is bound by his plea deal to never speak about the videos again. We can vindicate this man as well as everyone else who was lied to or discredited. Evidence that the leaker is Edward C. Lin - I also got a tip from a source that told me that the nephew of Retired General Joseph F. Dunford has seen the videos and indirectly confirmed their authenticity. He was likely in charge of the operation as the commander of the International Security Assistance Force in 2014. He then served as the 19th Chairman of the Joint Chiefs of Staff, the nation’s highest-ranking military officer, and the principal military advisor to the President, Secretary of Defense, and National Security Council from Oct. 1, 2015, through Sept. 30, 2019. He is now on the board of directors at Lockheed Martin. While the destination of the plane is speculative, the most likely place is Diego Garcia. The witnesses in the Maldives indicate that, as well as the American passenger Phillip Wood EXIF data photo, that points to Diego Garica where he claimed to be held prisoner. I'm not sure what happened to the passengers. It is scientifically possible that some survived. None of the families of the victims have reached out to me. I am operating under the assumption that they were returned to their various countries in exchange for their silence, and Phillip Wood may be in Witness Protection. Phillip Wood EXIF photo is not 'fake' - I know the videos seem impossible, but they are authentic. They are not CGI. We were able to show that the satellite video is a Citrix session logged into the actual spy satellite database due to the framerate discrepancy between the mouse we see, and the background. (24fps vs 6fps) Also, hundreds of community VFX experts have analyzed the footage frame by frame and not a single discrepancy can be found. The list of requirements to ‘hoax’ the videos is practically impossible. What it would take to 'hoax' the MH370 videos - It's not CGI (see replies) - These videos implicate the US Government in a black budget reverse engineering program alla whistleblower David Grusch's sworn testimony to congress. This information will shock you and I hope you will seek to expose the truth. This surpasses petty politics. Please help for the good of the country. This is a verifiable conspiracy, and while I believe that it is being done because the forces that be think that society will collapse if this technology is made publicly available, I disagree. We can handle this information and the technology has the capability to change the circumstances of millions if not billions of people. What matters in this world is the time we spend in it, with the people we care about. That will not change. The reason I am requesting a public congressional hearing is because I believe the weight of the evidence can convince enough people in congress that the true events of MH370 were covered up by our own government and that there is a black budget advanced technology program, most likely based on reversed engineered Unidentified Aerial Phenomenon (UAP). Sincerely, -Ashton Forbes #MH370x #MH370

Ashton Forbes

7,909,644 просмотров • 2 лет назад

here's what most app founders don't tell you about scaling your app on tiktok here's the actual playbook, not the generic level "just post consistently" advice: accounts use personal/creator accounts, not business. business locks you out of trending sounds entirely, you get stuck with a library of 40 generic royalty-free tracks nobody's ear recognizes as "tiktok sound," and sound is half the algo's read on your content don't buy an aged account unless you can post from the exact location it was created in. mismatch the vpn/location and you'll watch views crater to single digits within days, tiktok resets your trust score fast pick one avatar, one template, one visual style. lock it in for at least 15-20 posts before you touch it. switching every few videos tells the algo you're a different account every time, you never build a consistent signal views aren't what you think they are 30-200 views is not a shadowban. shadowbanned means 0 views, full stop, nothing gets pushed. 30-200 means the hook, pacing, or format just isn't landing yet "i copied that viral video frame for frame" — you didn't. the millisecond pause before the reveal, the exact caption position (top third vs center), font size relative to screen, all of it is doing more work than the concept itself. people copy the idea and skip the 200 micro-decisions that made it work good content still won't always go viral. a 5:1 view-to-like ratio is genuinely strong signal, it just doesn't guarantee reach. the algo rewards volume of good attempts, not one perfect video cal ai didn't get one viral hit and coast. they ran hundreds of videos in the same format on repeat, and kept posting through videos that flopped at 1000 views. the winners paid for the losers views ≠ downloads, and this trips up everyone 1M views with almost no installs is extremely common. prank format, funny skit format, anything built for pure entertainment gets massive reach and contributes basically nothing to your install numbers because nobody's thinking about your product, they're thinking about the joke tutorial format does a fraction of the views and converts 10x better. screen recording of the actual app, green screen walkthrough, finger literally tracing where to tap. it's less entertaining and it's the format that pays your bills if you only chase views you'll optimize yourself into a wall of engagement with no revenue behind it content that doesn't scream "ad" don't slide the app into every single post, most of what you post should just be good standalone content bad: "here's why my app has 15 features your current app doesn't" good: "i saved $500 last month and used it to buy my kid a ps5" walks into walmart, grabs a ps5 off the shelf "had no idea i was burning $500/mo on subs i forgot to cancel" the app name/logo shows up after the value hit lands, never before. the viewer needs to feel the outcome first, the brand is just the explanation for how they get it too zero ideas? screenshot your competitors' top 20 tiktoks and study exactly what they're doing in the caption text, the hook, the pacing. copy the format, not the literal video. nobody's reinventing organic distribution from scratch, everyone's remixing what already works working with creators without torching your budget skip influencers at the start unless you've got real spend to burn. you'll pay a few hundred bucks, get 10k views, feel nothing happened, and quit the whole channel cheap ugc reaction clips ($2-5 for a 3-5 second reaction) stitched onto your own tutorial footage gets you dozens of usable videos in a day, this is the highest leverage move for a small budget pay per view if you can get creators to agree to it. rpm between $0.5-$2 depending on how "tutorial-ish" the content is, cap payout at $200-500 per video so you're not exposed. hard to find creators who'll take this deal but they exist, worth asking posting without tripping the flags skip the phone farm, skip the expensive 4g/5g proxy setup. you'll burn a month building infrastructure and still end up throttled a vpn is fine if you're targeting a country you're not in. tiktok can see the vpn, that alone doesn't flag you what actually gets you flagged: → reposting pinterest images hoping tiktok won't recognize them → posting 4+ times within an hour → random disconnected content with no pattern between posts → switching phones or vpn servers constantly → running more than 3 accounts from one setup → posting immediately on a brand new account with zero warmup batch a full month of content in one or two sessions. you already know you won't "post again tomorrow" once life gets in the way connect the vpn first, then open tiktok, so the algo resets to your target country before you touch anything. schedule max 2-3 posts a day with something like hootsuite, set it to drafts instead of auto-publish, review each one before it actually goes live link in bio is quietly killing your conversions tiktok's in-app browser doesn't carry the user's saved logins or cookies. they tap your link, hit "sign in with google," nothing autofills, nothing's remembered, they bail in 3 seconds fix: detect when your link is opened inside tiktok's in-app browser and show a quick prompt telling them to tap the three dots → open in browser. gets them into safari or chrome where their session actually persists, this single fix recovers conversions most people don't even know they're losing

Mufasa

17,518 просмотров • 20 дней назад

To whom it may concern and with all due respect: Ain’t it funny that you tell a joke at a sold out show about how you should be doing stadiums knowing that you do stadiums and big venues (and lil intimate joints too!) but people who think your career ended when they stopped listening back at LASERS or because of Obama or because of whatever try to take the joke serious and try to tell the world in the comments all the reasons you are not successful and that you have only yourself to blame for bad decision this or hot take that, too complex this not basic enough that, beats this, videos that etc etc and that gets everywhere but then when you do an actual stadium the very next week and perform multiple hit records in succession back to back some 20 plus years old with just a DJ and some lights for fans ranging from 5 to 75 in your hometown with 2 more back to back big ass sold out shows in the same town a couple weeks away THAT isn’t even considered message board post worthy? Ain’t that funny especially how I didn’t care about proper punctuation in this whole TLDR and you just gonna have to deal with? I been public enemy number one since I came into this business when I was 17 and ain’t nothing changed. And I don’t expect it too. Twisted narratives, tear downs for laughs, flat out lies, people super tough and chatty at a distance but smiles and handshakes when face to face or on the phone with me, click bait at the expense of the peace and happiness, para-social myth making etc etc. The receipts and resumes and fans and streaming numbers and ticket sales and awards and appointments speak for themselves….even if YOU ain’t listening. We good. Been good. Hopefully gonna stay good and honestly ain’t shit you can do about it. Now ain’t that funny. P.S. My main daily job is internal villain arc suppression. ❤️

“LIVE FROM MIAMI BEACH” OUT NOW!

11,692 просмотров • 3 месяцев назад

Attention , Data and Capital rule WEB3! Kaito AI 🌊 has primed itself as the ultimate distribution center of this three! Here’s how you can make the most of KAITO,a long form post! This guide is my personal strategy to earning yaps and building long term mindshare, ignoring follower count! Let’s get into it: ⸻ What Even Is Yapping? Yapping is posting and engaging on Crypto Twitter in a way that’s: •Web3 relevant •Genuine and thoughtful •Not spammy or low effort •Seen and engaged by high reputation users Yaps are the points you earn from posts and replies, but how you earn them is what I wanna talk about now. How do you Earn Yaps? As I read from the Kaito FAQ, applied, and gotten results from, there are three things that determine how many yaps you earn and when; 1.Reputation weighted engagement: the most important one! 2.Web3 relevance: your posts MUST be relevant in Web3! 3.Insightful and original content: focus on quality over quantity! What does that actually mean? If you post a great crypto thread and no one with a good reputation in CT interacts, you likely get 0 yaps. If you post a viral meme that’s unrelated to crypto, same thing, you get 0 yaps. You need both quality and engagement from strong accounts in the Kaito inner circle. Here’s where the idea of Smart followers comes in, these are accounts with the “Inner Circle Badge” on Twitter. Their interactions on your posts or replies earn you yaps! It’s also important for you to understand Mindshare. Mindshare is simply how much conversation and attention you are able to generate around a specific project. Yaps = fuel. Mindshare = dominance. To build mindshare,: •Focus on 1 to 2 projects MAX. •Post about them 1 to 2 times daily. •Reply often to other Yappers posting about the same project •Engage directly with the project account and their team. •Watch who’s leading the mindshare leaderboard on the KAITO website and learn from their style and content. Note: Early engagement gives you a higher chance to earn more yaps. That’s why I focus on fresh or recently added projects with active or pending leaderboards. Here’s how Pick Projects to Yap About: If you know me, I’m never chasing short term hype, and I focus on long term projects. Here’s how I pick: •Projects I understand or am testing/using myself •Ones that reward Yappers in meaningful ways (roles, cash, recognition) Here are some I’m looking at right now (do your own research too!): •Monad •Lombard •burner •Kaito AI 🌊 •Succinct •Infinex (massive rewards) •Allora •Humanity •OpenLedger (hot competition) What your daily KAITO schedule should look like: 1 to 2 solid tweets per project •No low effort “gm” posts, be intentional about every single post or reply you make! •Focus on your thoughts, project features, new updates 2.Reply to official project tweets, engage on founder and team member’s accounts too! 3.Engage other Yappers talking about the same project,be a good reply guy. 4.Retweet the project’s major posts. 5.Use project specific images. 6.Keep your posts insightful and project relevant! Also, clean up your profile (your bio, banner and pinned tweet must reflect clearly that you’re active in Web3. First impressions matter when people are deciding whether to interact with your profile or not! -Some tips to grow faster as a small account on KAITO. •Subscribe to X Premium (seriously helps with visibility) •Check the Discord of the projects you support for updates. •Track Kaito’s market page to see hot Inner Circle accounts. •Engage with leaderboard users in a genuine way -What Projects should you Yap about? There are 40+ Pre TGE projects you can yap about right now under different sectors AI & Data •Allora •OpenLedger 🔥 •Camp Network •Hyperbolic . Listen to KAITO founder 👇

DUKE 🇲🇾

92,426 просмотров • 1 год назад

#Mohbad is trending because today makes it One yesr since Ilerioluwa Oladimeji Aloba's death. A year later his family is still seeking Justice. [Full Story, Events by Time & Date] Sam Larry x Naira Marley x Wunmi x Primeboy. Yesterday, his parents asked Nigerians to not be extra with the remembrance, as it is not a celebration. But some core fans still hit the streets to demand Justice in their own way. And many are throwing in digital tributes to the young star. According to Lagos police, Mohbad died after having a fight with his childhood friend, Primeboy and declared him wanted. But according to him , he wasn't with Mohbad because he and his wife Wunmi were having a misunderstanding. Later rumors suggested he was hit with a deadly charm by Primeboy at an ikorodu show, also, he died of ear infection and later it was alleged that his doctor (nurse) killed him. So fans pushed for an autopsy to properly determine the cause of Imole's death. As the story developed, his former label boss Naira Marley was accused of bullying him after he refused to continue with him, which allegedly forced Mohbad into depression. Later, Sam Larry was fingered as the chief whip, who did the physical bullying that led Mohbad into depression. Then, video of SL bullying Mohbad during a music shoot with Zlatan went viral further nailing SL to the allegations. Yet, NM didn't react to Ileri's passing until fans pressured him, then he reacted about 24hrs later. With a "💔". Barely 48hrs into his death, Mohbad was burried at Ikorodu, squeezed into an undersized casket, which forced his neck to break. Davido donated 2Million to assist in the burial. On the burial, CuteAbiola, OGB and a few people who tried to go to for the funeral were ambushed by hungry ikorodu touts, which they live streamed, convicing other stars to avoid the event. Bella Smhurda was equally absent, which fans didn't take likely. Later, Gistlover alleged that Mohbad was betrayed by Zinoleesky, because Mohbad refused to move dru/gs for NM, left their cult, so they tried to cancel him in the industry. Allegedly. Again, this time Abu Abel was alleged as a member of the dru/g syndicate. As the death and bullying of Mohbad was a hot topic, a document dating back to 27th June, showed where Mohbad wrote a petition to the police complaining about threat of his life from SamLarry Elegushi, Elele, Obele and Others, where he stated that SL jumped him with 15boys carrying weapons, assaulted him and destroyed equipments of over 8million. Yet, SL wasn't invited, allegedly. On the 14th of September 2023, Sam Larry deleted his Instagram page due to the heavy backlash from fans. On September 13th, Elegushi Royal family were forced to release a statement that Sam Larry is in no way affiliated to their family. On 15th of September Ben Hundeyin of Lagos police said they will exhume the body to begin investigation and autopsy. On same 15th, The Air Lords (Alora) published a statement distancing themselves from SL and NM with their established role in Mohbad's death. Recall, it was alleged that Mohbad refused to join them in the cult but favored Eyé, instead. Later that day. SL made a video stating that he loves Mohbad and denied both the club and set harrassment videos. Oh 19th, Daddy Mohbad shared his own side and understanding of the saga. Claimed that his son had been living on the edge for a long time. Later more videos leaked by Gistlover showed where Mohbad was saying that they overdosed him with drugs and called NDLEA on him, and they still poisoned him. That if anything should happen to him, SL should be held. Out of nowhere, on the 17th Madam Kemi Olunloyo accused Bella Shmurda of klling Mohbad. Poco Lee, Ebuka, Rema all shared their condolences on 17th, 5 days later. Salo teased that he had secrets that will put SL & NM behind bars for a long time. Both were later arrested, granted bail in November. After Spending 44 & 50 days in detention, respectively. Cont 1/2

Trending Explained

64,815 просмотров • 1 год назад

I made this product launch video over the weekend with just prompts It's all vibe coded There's something you should know, though: Like everyone else, a few days ago my timeline started getting full of videos like this when Remotion launched their Claude skill, so I decided to give it a go I was captivated by all the examples, so I started like everyone was saying: "just write a prompt" I typed the prompt, and it created an extremely bland, untasteful, stock-looking video 10 prompts in and it was not getting better. It was very, very bland. But at least it was something, so I kept going at it I ended up spending my entire weekend on this, 2-3 days of work. Only to realize my original reference videos that inspired me to get started were all fake Everyone was outright lying about their results. They all claimed "I made this with just one prompt", but it was just bait, they didn't really use Remotion or code at all, it was just a normal, human-made motion video Then you expand the X post and read the replies and they're all like "haha joke" in the comments, but their main post already got 1.5 million views and bamboozled everyone who didn't read further And this is a problem: when a viral trend happens, these posts flood your timeline, and you only realize that they're all noise and bait (and that they haven't even used the tools they claim) when you click through the post and read its comments. But 90% of people (like me, initially) just see the post on their timeline while scrolling, and assume it's all real. You don't go in to check every single post you see: you just like it, or save it for later, and carry on with your day, thinking what you saw was the real thing, and that it's all outstanding results, and that motion designers are really done And it's so anxiety inducing, because everyone is hyping their results, but most of it is just not true. I have stopped reading X lately because going in makes me so anxious, everyone is claiming extraordinary outlier results just for the views and clicks, and you feel like you're lagging behind and you're not good enough because you don't get those results So for this video I decided to actually take the tech out for a spin, and see what results I could really get out of it I used Remotion and Claude Code 4.5, but contrary to what everyone was claiming, this video was not "just a prompt". It was fully vibe coded, but it required much more than a prompt. It was multiple days worth of work Here's what I learned: - Making vibe coded videos with Remotion is ~10-20x slower than building app code. I've been wasting my Claude limits on this video - Everything takes a lot of manual work and reprompting. You often need to go frame by frame correcting tiny things - It makes very silly mistakes - Even Opus 4.5 has very very limited knowledge of spatial / visual things. It doesn't understand well z-indexes, layers, compositions, proportions, temporal coherence, etc. Claude Code feels extremely dumb when creating code for Remotion videos, which surprised me a lot, beacuse I had been mind blown by how incredibly well it worked with my Ruby on Rails SaaS codebases - You need to have some design knowledge to adjust things manually, you need to ask for exactly what you want, in the technical jargon it expects. You can't just say "make this more beautiful" or "animate this better" because it just creates slop - Right now vibe coded videos are promising, but I think I could have done this video faster just by doing it manually in After Effects. It really took that much work - If you have a creative idea for something you want to animate, it takes multiple hours of back and forth prompting to create just one or two seconds worth of **good** animation - Tip: PARAMETERIZE everything! It tends to hardcode magic numbers everywhere in the code, so if you change something earlier in the video timeline, everything else breaks. You want to essentially be creating "key frames" with code by telling it to parameterize every frame where something important happens, and calculate the rest of the keyframes based off that. This comes in handy when you need, for example, to adjust keyframes to match the music So in summary: vibe coded videos are promising, but right now it only works for very stock-looking videos unless you put in a ton of effort Maybe actually useful for 1-2 second web animations though, I'll try that next It will obviously get better, this feels like the quality of code generation in 2023-2024, you need to hold its hand and correct it at every step along the way. But even if video code generation was better, you would still need someone with motion design knowledge to at least set the creative direction, lay out the overall script and composition, etc. It's not completely hands-off unless you want slop And a word on caution: especially here on X, there's 90% hype and 10% reality, nothing is what it seems. Do not believe what you see online, people are constantly baiting and then just laughing it off in the comments

Javi

313,364 просмотров • 7 месяцев назад

"Expecting rebuttals to remain confined to journals, while misinformation spreads freely online, is neither realism nor appropriate. If something is promoted in public, it must be corrected in public." ~Proctor's Response to Coulthart (Why am I spending more time on this? American Alchemy's video on the mummies has 904,000 views. @incredhistory's video has 5,500 views. The original, sensationalistic claims always do MUCH better than any evidence that is presented later that throws cold water on said claims. That's always been an issue. That could change if Jesse makes a short video on his YT channel right now, linked to the @incredhistory video, and implores his viewers to watch it with an open mind. And/or if he pins a tweet linking his X followers to the "Incredible History" analysis.) "At one point in time, I was truly wondering if these [mummies] were a new species." ~Accused Debunker, Will Brown 🙂 "It's just too early, yet, for me to make any kind of definitive statement about what I think about these objects." ~Ross Coulthart (After watching the new video by "Incredible History" and the interview done on "Weaponized," it's not too early for me (and MANY other people) to say I believe they're fake. Others felt they were fake right from the start but I wanted to wait for more evidence. We have that now. From yesterday's "Reality Check" with Coulthart and Meagan Medick.) Coulthart: "I think (the new @incredhistory video) is important. It raises... I've actually been in touch with the gentleman who made it, Will (Brown), and I'm hoping to some stage, talk to him. And I'd like to include what he says in any analysis that we do on NewsNation about the tridactals." (Who are the experts featured in the new "Incredible History" video segments that I clipped below? Dr. Daniel Proctor (Galaxopithecus), "has a PhD in bio-anthropology. Specifically, his area of focus is the hands and the feet. He has published papers on the evolution of the hands and the feet, including focusing of the ability to grasp." Dr. Joseph A.P. Wilson (Joseph A P Wilson), "earned his doctorate in anthropology from the University of Florida. he's current lecturer in archeology at the University of Massachusetts Amherst, and part time lecturer in anthropology at Fairfield University. And more importantly., before academia, he worked as a molecular genetic technologist at Greenwood Genetic Center in South Carolina." Michele - Mrs Anthrope (Radiographer) - Mrs. Anthrope The descriptions of their credentials is from the "Incredible History" video which I clipped a few segments from and included below.) ~More from Reality Check~ Coulthart: "We've filmed in Peru, and we've spoken directly with the doctors there. As I said in social media commentary that was posted before I left Peru, it's just too early, yet, for me to make any kind of definitive statement about what I think about these objects. I'm very careful not to even say, beings." (Again, after the seeing the "Incredible History" video, it shouldn't be too early to offer up a new opinion.) Coulthart: "I certainly got the impression from the CT tomography scans that they seemed like intact beings of some kind. But frankly, I'm not an anatomist. I'm not an anthropologist or anyone with any kind of experience in a scientific analysis of these beings. And I think we'll have to go with what good science says. And all the way through in this, what the scientists in Peru have told me, and what the scientists in America and indeed in Mexico have told me, is they want independent review. They want independent assessment. "And I guess what I'm a little worried about is the partisan way, the way that on UFO, UAP, Twitter, social media, people take their positions and adopt in a definitive position once and for all. This is a hoax, or this is real. Frankly, I just don't think we know enough right now. I don't think you can base a final conclusion on an analysis of a couple of bones in one alleged being's scans. I've heard arguments two and for." (With the new information, it's NOT "partisan" and I am NOT saying "once and for all." But I think the arguments for fraud put forth by "Incredible History" are pretty damning and are enough to show anybody with an open mind that there are massive problems with the hypothesis that these are non-human beings or...hybrids of humans and non-humans. It appears to be a done deal: aka Fake.) Coulthart: "What I think will be definitive, and I'm aware that there is a DNA analysis underway at the moment. I don't know the name of the institution in the United States that's doing it, but there is some kind of DNA analysis underway, which will hopefully provide us with more answers as to the genetic origins of whatever these objects are. And that should be coming out sometime this year, hopefully fairly early up. "Until then, yes, I do think that we should acknowledge that there's been some great work done to raise, I think, serious questions about the legitimacy or the authenticity of the beings or the objects, but let's keep an open mind and let's reward and applaud good science where it's done. "This isn't like some kind of wrestling bout. You know, there's not a winner or a loser." (The credibility of the non-human subject is in danger of being set back because so many people in this community want to believe so hard and will ignore anything that goes against those beliefs. If these, apparent, hoaxes are not called out and done so, forcefully, we're all going to lose.) Coulthart: "Science is an iterative process where people basically do an analysis and make an assessment. Let's make those assessments, do the independent work, make sure that independent scientists with rigor get peer reviewed and checked and assessed, and then we can come up with a judgment. "I think the real tragedy would be if these are, potentially, if they are significantly important objects that have, basically, been procured as part of Peru's natural, cultural, significant history, it would be really tragic if, because of a sweeping assertion that these are a hoax, that the entire thing is not taken seriously. I'm not so sure I can dismiss it out of hand just because of this latest debunk, but I'm very, very happy to let independent, rigorous science do the do the guesswork and do the analysis." ~ (Will Brown (@incredhistory) responded to Coulthart's take via a reply to Meagan Medick's post.) Will Brown: "Curious why you all didn’t give the same reaction to Jesse Michel's (Jesse Michels) bold proclamations in a video that received 200x the views mine did on YouTube? "Similar question for Jay Anderson’s (Jay Anderson) 'scientific proof' video which has 10X the views? "Perhaps it’s because those videos don’t throw a wrench in whatever it is you are working on? "…any and all documentaries and books moving forward should include Steve Mera's testimony about what’s actually going on in Palpa." ~ Will Brown: "Hey Ross Coulthart, I’m hoping you’ll correct yourself here. In this video you stated we only looked at scans for one of the 'beings.' That is false. The video covers Maria and Monseratt. The Podcast with Jeremy Kenyon Lockyer Corbell and George Knapp adds Paloma in addition to Maria and Monseratt... All of which have multiple signs of manipulation on hands and feet. "You told me you watched my video…you even said you thought it was excellent and that it brought up legitimate concerns. "Did you actually watch the video? "Your statements today make me believe that you didn’t watch at all." ~ (And here's Dr. Daniel Proctor's (Galaxopithecus) response to Coulthart, and others, who are holding out hope for new DNA analysis.) Proctor: "I want to respond to Ross Coulthart’s recent caution that we should be careful calling the Nazca mummies a 'hoax' because they might represent cultural heritage, and to his claim that DNA should be more definitive than anatomy. "Respectfully, this framing gets the issue backwards. "First, there is nothing new here. 'Maria' was introduced nearly a decade ago. She did not appear last year, or this year, or as some sudden scientific revelation. She has been circulating since roughly 2015–2016, and in that entire span she has never been properly documented in reputable osteological, archaeological, or forensic journals. There is no provenience, as they allegedly come from a cave from an undisclosed location. No controlled excavation, no chain of custody, no standard reports of any nature, and anonymous discoverer. "What we are actually seeing is a slow drip of bodies, which are always sensational, always just beyond proper access, always promoted as revolutionary, and always somehow unable to withstand normal scientific scrutiny. That pattern is not accidental. "Second, anatomy is not secondary evidence. "The idea that DNA should be privileged over gross anatomy in evaluating human remains is baffling. Anatomy is primary data. Bones do not lie about how they articulate. Hand bones do not mysteriously relocate into feet. Developmental biology places hard constraints on what a viable organism can look like. "DNA can tell you what tissue something came from, within the strict parameters for which the tests have been designed. No mainstream lab has tests for some hypothetical 'alien' DNA. "Anatomy tells you whether the body ever existed as a coherent organism. In this case, the anatomy alone demonstrates fabrication. That is not speculative. It is observable. "Third, the cultural-heritage argument is deeply ironic. "The Nazca mummy trade, because that is what this is, destroys real cultural heritage. Looting graves, ghoulishly disarticulating bodies, recombining bones, and fabricating specimens for sale and spectacle is the opposite of preservation. Calling attention to that destruction is not disrespectful, on the contrary, it is necessary. "We have seen this playbook before. The commercialization of mummies, the alienization of cranial modification, and the recycling of colonial myths about 'non-human' ancient peoples. 'None of this is new. 'What is new is the social-media amplification. "Which brings me to Ross’s discomfort with debunking (or defending) these claims on social media rather than in scientific venues. "Here’s the problem: this hoax does not live in scientific venues. "It never has. "It lives on YouTube, on X, on press conferences, in podcasts, and in staged congressional spectacles. It is an argument of persuasion, not evidence. Expecting rebuttals to remain confined to journals, while misinformation spreads freely online, is neither realism nor appropriate. If something is promoted in public, it must be corrected in public. "Finally, caution cuts both ways. Being 'diplomatic' toward a hoax that incentivizes grave robbery, fuels pseudoscience, and misrepresents Indigenous pasts does not protect heritage. It only enables its continued destruction."

Joe Murgia

44,343 просмотров • 7 месяцев назад

🦕💬 • 260611 [01:03 AM KST] 41 voice notes transcripted/translated in order: hi how did you like made by riize? you’re asking if i ate dinner? i didn’t eat. i ate lunch kind of late, but i ate a hearty lunch. i also wanted to do a live as i finished work, but while wondering if i should do a live or not, something new to do popped up. and while i was doing it, it got too late. so i'll do a live later. go knicks! lately, the NBA's a hot topic lately. knicks. crazy. i don't know, you know... basketball that well, but i remember growing up they were sort of *the team* that people, yk cheered on. but i don't remember anyone saying that they were doing great, or anything. but apparently they're in the finals rn and they're doing rly well, so also can't forget the world cup. world cup season rn, so... just sports season.. sports season, crazy, yeah? [singing dyd] how is it? riize's challenge. easy, right? do it lots, please~ these days, a lot of short-form [videos] are coming up, as you've probably seen. I thought it might be fun if everyone did that together... what do you think? live... there's a way to turn it on, but even if i turned it on, i'm not sure if i could do it well. i don't have confidence rn so i'm talking like this wa, but there's only 4 days left for our comeback.. only 4 days left... how is it? are you guys looking forward to it? are u guys excited? we're going to ulsan the 15th, and wonbin hyung, said he's buying us lunch... not really. but it's our first time going to ulsan all together. we'll have our comeback there. i think it'll be fun. also, the 15th we're doing a comeback live.. we've been doing it every comeback... and at the live stream we'll be high school students.. but it could honestly be university students too.. or really just do it without a concept, but i think it'll be fun... just... it'll be fun... so, while doing that we'll talk about the comeback whatever happens i want us all to just create fun memories together, and since it’s summer, how about you all enjoy summer together with riize... how does that feel? how's this pfp? i like it ㅎㅎ engddongi, eng, engddon ah, right. also with taro hyung, we'll appear at salon drip... i also think that will be fun when it comes out. the recording was also fun, with doyeon nuna.. please watch it ah... you guys can hear the dryer? i won't tell you who's clothes it's drying, it's a secret~ since you could look at this as something im trying out instead of doing a live stream i won't be able to do it super often or every single day, but I think it wouldn't be bad to use this feature again sometime what do you think? ah, but languages are difficult it's not easy to unify into just one language now, but on the other hand, it's really fun. somehow, this chat room..? is that right? realizing that this place is totally global and international is in a way pretty cool. haha anyway, after a long time i rode a bike again.. there was a lot of sunlight... sunlight.. did lots of photosynthesis but what was a real mistake was first of all the bicycle didnt have a basket, and I didnt wear a comfortable backpack. i came out carrying a somewhat awkward/uncomfortable bag, so i really messed up on top of that the bicycle was incredibly heavy, but then the battery completely died... so I almost cried. without even realizing it I had gone so far away so I suffered a bit. that’s the story i also have the feeling i bruised my butt a bit... ㅎㅎ but that will also become a funny memory, right? how's riizing summer vacation? i think there were really a lot of funny moments... sungchan hyung was so funny... sungchan hyung said somewhere he hasn't eaten ramyeon in a year ㅎㅎ and sungchan hyung honestly isn't the type to eat ramen alone, he's on the not eating it side... but he's always like 'one bite, one bite'... so if we put all that together, wouldn't it be a plate of ramen?ㅎㅎ for me, at the beginning of our debut, it was a bit... you know how while filming content, i ended up grilling meat and all? but now, grilling meat... well, i don't think it's that bad also, back when we went to japan to shoot our album jacket photos and the trailer, we visited a lot of vinyl (LP) shops... and that was actually the first time in my life buying an LP with my own money when i was young i went to la to play, and then there was this famous 'amoeba music' store. i looked around and everything, but honestly back then i really wasn't that much interested in LPs. so i bought things like a lot of stickers and used them to decorate my laptop. somehow, after that time, [it was like] I truly spent time in a vinyl shop? but visiting now that I'm a bit older, it was so much fun there are so many songs I don’t know, and tons of songs that aren't even famous so back then in japan, duran duran is a really famous band, but I bought duran duran's Notorious LP and then I also bought Barry Finnertys,, barrynims NY City LP. what was so surprising was that as soon as I listened to the LP, the sound and quality were so good that I was like, 'wow, what is this?' but when I looked it up on the internet, it only had like 3,000 views on YouTube? I think it was 3,000, so because it was so good, I bought it. and after that yesterday too while wandering around here and there, i happened to walk into a cafe and they had LPs there too so yesterday, I bought one or two ㅎㅎ lp's no mater how you look it they have a vibe... its true that nowadays you can just look up and listen to everything on your phone, but another good thing about it (lps) is that I think it’s really great for finding songs you don't know so when going to the lp shop you get to learn a lot of new songs that you didn't know before. even if you don't go with the sole purpose of buying an LP, it's just... really great for discovering things... should I say? a riize lp would also be good... back then, during boom boom bass, we even went there and did all that stuff with our LP too... how was the video editing? back then when i went to school when doing things like presentations, together with other students we would edit videos.. i did lowkey find that kind of stuff pretty fun though because it was pretty much my first time [doing that] since back during those days... but really i think it was fun like... yeah.. i want to try to do it again when i was young i did draw. i drew for fun but it had been such a long time since i last properly sat down and tried to draw something properly with a pencil.. i think it's been such a long time i'm probably the worst at drawing in my family? ㅎㅎ my dad's good, my mom's also good.. my grandpa also draws reaññu well. but it was fun drawing again, so i also want to try that again... why is there so many things i want to do? really why is it? and above all, i want to work really hard on music so that someday i can show you even more. now, like from the trailer to the full version that was uploaded to our site... those kinds of things are a bit different from just being a song, though.. now everyone, let's try meditating together with me sorry.. anyways.. i have to leave in a couple hours actually, so.. time to hit the hay, yeehaw i can't fall asleep right away ㅎㅎ this.. seems like it might be a bit difficult to interpret/translate.. (yes anton, it is,,,) next time it might be better to just turn on a live stream instead ㅎㅎ sorry wow... sleep is really not coming... [1 video] [1 picture] ok jinja gn

🧼

37,315 просмотров • 2 месяцев назад

🤬 Burlison: Putting Lacatski Under Oath in a Hearing Wasn't a Top Priority Because He Wouldn't Say Anything New 🤬 (I can't believe I just heard that.) Jeremy Kenyon Lockyer Corbell: "Dr. James Lacatski came on our show. He ran the UFO program for the Defense Intelligence Agency, and he admitted on our show that they breached the hull of a UFO in government possession." Burlison at the Last Hearing: "You reported [that] James Lacatski came to you with government possession of NHI craft and how they ultimately gained entry. Can you testify to the veracity of that claim?" George Knapp at the Last Hearing: "Dr. Lacatski is an honorable man who served most of his career with the DIA. A very trusted, high-level rocket scientist and intelligence analyst who inspired the AAWSAP program, as I said earlier. He said this craft, we had managed to get inside of it. It had no wings, no rotor, no tail, it had no fuel, no fuel tanks. They didn't know how it flew or how it was operated. It clearly looked like it was aerodynamic, but he would not go further. He's a by-the-book guy, and until he gets clearance to say more about that, I don't think we're going to hear much more. "But, it's not ours. It wasn't ours. We didn't make it. We didn't know who made it and how it was built and how it operated. We've got at least one, and I don't know, I think that's enough confirmation that we do have recovered discs and material." (What is written in "Initial Revelations" about that alleged craft, and Lacatski standing by what was written when he was on "Weaponized" is one of the most important claims we've ever had in this field. I don't see it as confirmation that we have craft but we're getting closer. Lacatski saying that he saw it with his own eyes would take it up a notch, but I still wanna see it for myself, and not just in photos and videos. AI is just too good to accept that as proof.) Corbell: "So, and you put that in congressional record. Do you have a way that you can, you know, find out, where is it? He can't tell us, but maybe he can tell you? Where is that craft? Can you go hunt it down? Can you go see it?" Burlison: "You know, that's an interesting question. When it came to Lacatski - and I watched his interview that he did with you guys - and here's what my response to him is. Because he was frustrated that we hadn't reached out to him, but he also kind of, he also admitted that - which is what I was told, and the reason why we haven't reached out to him - is that he's not gonna tell us anything that's not in his books." (Most people on this planet have not read his books!) Corbell: "Well, hold on, hold on. You did reach out to him. There have been three hearings. I reached out to him on behalf of Congress, officially, twice, to say..." Burlison: "You did, that's right, you did." Corbell: "And I had congressional members talk with him the hearing before the last one. He just forgot. But the point is, is that maybe with you guys, in the correct environment, with the right clearances, he can tell you where it is, and you can just put this to bed and go find it." (I'm not against Congress talking to Lacatski in a SCIF, but, IMO, the chances that he tells members of the Secrets Task Force the location of this alleged craft are ZERO. Maybe Rubio would get an answer but he may already know. And if he (Rubio) does know, he's not telling us. At least not yet, and probably, IMO, never.) Burlison: "Yeah. And I remember that. I remember that he was one of the people that we had tasked you to go to reach out to. And for those people that are kind of asking how did that relationship work? Look, we don't have all the contact information for all these people. Why repeat the work that you two have done in building these contacts in your networks? And so, you, basically, patriotically dedicated your time, for free, helping us make contact and kind of coordinate some of those witnesses. (That was an awesome thing for Corbell and Knapp to do and it was for a great cause. The truth!) Burlison: "And I had been told Lacatski is probably not gonna reveal anything that he hasn't already revealed. When I've talked to people, it seemed like it wasn't gonna be new information. And therefore, to me, he wasn't as high of a priority." (He should have been THE priority, as far as witnesses for the hearing. With Lacatski, you have a respected rocket scientist, physicist and intelligence analyst, who has confirmed that this passage from Initial Revelations is accurate: “At the conclusion of a 2011 meeting in the Capitol building with a U.S. Senator and an agency Under Secretary, Lacatski, the only one of this book’s authors present, posed a question. He stated that the United States was in possession of a craft of unknown origin and had successfully gained access to its interior. This craft had a streamlined configuration suitable for aerodynamic flight but no intakes, exhaust, wings, or control surfaces. In fact, it appeared not to have an engine, fuel tanks, or fuel. Lacatski asked: What was the purpose of this craft? Was it a life-support craft useful only for atmospheric reentry or what? If it was a spacecraft, then how did it operate”? And, Lacatski may have seen the craft with his own eyes and entered it. But Burlison (or anybody else on the Task Force) didn't see it as a priority to bring him in, UNDER OATH, and have him repeat what is said in that book, and other important claims from the other two books, and his interviews with Knapp and Corbell? I'm shaking my head as I type this. You know what percentage of the world has read those books and/or watched the, limited, interviews Lacatski has given? Maybe 0.0000000000001% of the population? You had (and still do) a chance to get that man under oath and it wasn't a priority? WTAF? He's getting older and we don't know how much longer he will be around. If, as Rep. Andy Ogles told Matt Laslo, another hearing is coming in January, Lacatski, if he agrees, MUST be part of that. You can ask him about the craft, the alleged paranormal connection, and people getting sick and injured if they get too close to a UAP. And, he can be asked about the hitchhiker effect and claims of contagion. It doesn't matter if he won't add anything new or different than what's in his books or interviews. Put him under oath for the world to see and hear and, hopefully, the mainstream media picks up the story: Rocket Scientist: The USG Has an Otherworldly Craft in its Possession and Have Breached the Hull And maybe, if he's in a Disclosure mood, he'll offer up some surprise like he did in his last interview on Weaponized when he said we have made progress on back engineering these craft but, "it hasn't been achieved to its full extent." That's a MASSIVE claim! Push him to offer up more. And if his answers to many questions are: "It's all in my book"? Make him read from his book so the world can be informed about his claims and what was allegedly discovered in AAWSAP. David Grusch didn't say much more than what he said in his interview with Ross Coulthart and article in The Debrief, but was there ever any thought that he shouldn't have been put under oath and brought in as a witness for that congressional hearing? Of course not!) Burlison: "But to your point, I think getting him in a SCIF and seeing if there's maybe any additional room for him to talk, it might be worthwhile to do that." Knapp: "I think he might. I mean, the last conversations that we've had, it seems like he's edging closer to the idea that, under the right circumstances, he would be willing to share information with Congress, which would be great." (Again, I'm all for putting him the SCIF, too.)

Joe Murgia

30,311 просмотров • 8 месяцев назад

Min Hee-jin (NewJeans Producer) NHK Music Interview 🔗 “Meticulously planned debut ‘Attention’” 🧢: When I was preparing to launch NewJeans, I really struggled with deciding what our first piece of content should be. I thought about it for a long time and considered many possibilities. It was a project that came with high expectations, and for me personally, it was also my first opportunity to prove myself. So how I presented it mattered enormously. Even down to the smallest details… like the impression the very first released photo might give, or what kind of impact we could make at launch. I thought hard about what kind of content would be the most effective… should it be a video or a photo? What time of day would be most effective to release it? I consider things like that very carefully. For example, the way a person experiences content at night versus during the day can feel quite different emotionally. So I even thought about those subtle aspects. Eventually, the conclusion I reached was: “Let’s make the most of our situation.” At the time, the members hadn’t been revealed, and no one knew how many of them there were or what kind of group this would be. So I wanted to maximize that curiosity. You know how the more something is concealed, the more curious people become? I wanted to build that curiosity to a peak and then release everything all at once. That’s why we decided not to release a teaser and instead go straight into a full music video. (This was actually inspired by Hyein suggesting we skip teasers.) I didn’t think still images or photos would be enough to fully convey the feeling I wanted to express. I felt that video and music together would evoke the emotional response I was looking for because people experience things synesthetically. When sound, image, and feeling come together, the emotional impact is stronger. I believed the best way to present the members’ images was through music and a moving picture… that’s why we led with a music video. In the debut music video, “Attention,” there’s a scene where the members act out a little drama. I paid very close attention to that moment and created music that would fit it precisely. For me, I don’t just make content… I design the entire process of how it should be shown for the greatest effect. And I believe that’s incredibly important. That first feeling someone gets when they encounter something… that emotion, that spark… is so important to me. I’m very detail-oriented, but I also value fun deeply. So rather than just releasing content, I want to enjoy the process leading up to it. Even when we released our second album, since we shot the entire music video across the country, the sequence of how we released the videos was critical for me. It’s hard to explain all this simply in an interview, but maybe some people noticed: the first content we released that time was actually a teaser for the last track, “ASAP,” and then we followed that with the full music video for “New Jeans,” which was the first track. That order was a carefully calculated strategy. It was designed to guide the audience’s emotional journey. Seeing the audience react just as I had hoped—that whole process was honestly so fun and thrilling for me. I think I really enjoy that kind of thing. ——— “How 'Ditto' was born” 🧢: People often praise the music of NewJeans, and I hear a lot of talk about genres. But actually, I don’t feel bound by genre at all. I love a wide variety of music. I’m not the type to insist on only one particular genre. What I love are songs that blend genres cleverly… those are my personal favorites. So going forward, my focus is not on genre but on whether something feels fresh and whether it can create an emotional moment. I don’t want to define what kind of music we make. And I think you have to experience the flow of the times to really understand what’s meaningful in a given moment. For instance, the song “Ditto” was chosen because it delivered emotion. It matched perfectly with the winter album concept I had envisioned, both in terms of timing and mood. When I hear a song, I tend to trust my gut. I have a pretty strong intuition for which songs will resonate. It’s not about objectively predicting what will be a “hit,” but about whether a song moves your heart… you can just feel it. Of course, my own taste plays a big role. But I think that’s actually my strength as a producer, not as a composer. When I hear a song, I can immediately picture the visual… what kind of story, what kind of vibe it could carry. That allows me to work faster. For example, when expressing something like school uniforms, there are so many possible variations. But I always like to start from the basics… what’s the original idea of a school uniform? I try to return to that. So with “Ditto,” I wanted to tap into something primal… the pure, basic feeling of liking someone. That kind of emotion is universal. Everyone has it; it’s wired into us. When I saw Director Shin Woo-seok’s interpretation of it, I thought, “Yes, that’s it.” That’s the kind of complete interpretation I look for. I believe the completion of a project comes from every person involved thinking about their part down to the final detail… the maximum quality they can bring out. My role is to unify and refine all of that. I draw out the essence of each person’s creativity, trimming away anything unnecessary. So the final product is something that’s polished and high-quality, just the way I envisioned it. That’s my working style. So it’s not like I’m fixated on retro or stuck in a particular style. I don’t think human taste has changed all that much. Things people liked in the past are the same things we like now. It’s just the form of expression that changes with time. I don’t feel bound by “past” or “present.” I don’t even think in those boundaries. To me, it’s all just good taste. You know how kids sometimes have their own little treasure boxes when they’re young? I think my work is kind of like that. I want to make things that never feel dated—that are timelessly enjoyable. ——— “Dance Expression and 'Hype Boy'” 🧢: I had a vision of what kind of girl group I wanted to create. That’s why I chose a song like “Hype Boy.” And to bring out that feeling, we created four different versions of the music video. Every choice had a purpose, everything was designed to maximize the experience of the song. “Hype Boy” is such a unique song. It has this strange, piercing melody that gives people chills in a good way. To emphasize that tingling feeling, I had to break away from the standard K-pop choreography format… you know, the kind where everyone is in perfect formation, doing synchronized moves. But our songs don’t suit that kind of choreography. Our dances are much harder. They require the body to move very naturally with the groove of the melody and beat. So I think our members are incredible. It’s not easy to express naturalness with your body, and you have to really enjoy it to make it look effortless. But they pulled it off so well. They’re still young, but they’re so talented. And through it all, I wanted to avoid making them look like they were performing just for business. I wanted them to show the pure joy and bright spirit that’s natural for people their age… genuine, carefree, radiant. ——— “The difference between NewJeans and conventional K-POP” 🧢: Ah, for me, it’s all about naturalness. And honestly, naturalness isn’t something you can produce or direct into existence. It comes from how I interact with the NewJeans members on a daily basis… what kind of environment they practice in, how they live and work. There are so many things that don’t appear on camera, but those unseen aspects have to be in place in order for true naturalness to come through. That’s why I wanted to create that kind of environment for the girls. And also, I wanted to shape my own working environment in that way too. Only then can something truly natural, something unforced and not overly stimulating, really come out. To begin with, I don’t believe anyone can be completely natural in front of a camera or under the gaze of others. It’s human nature to become self-conscious. That’s why I think naturalness is our strength, but it can’t be our concept. If you try to turn “naturalness” into a concept, it actually becomes incredibly artificial. So why do I place so much importance on naturalness? It’s because the girls are still so young. While other kids their age are going through school and having a wide range of life experiences, these members are living very different lives. Before they officially debuted, I told them, “This is like studying together with me.” Our standard contract is seven years, which is about the same length as going through high school and college in Korea: three years of high school and four years of university. So I told them, “We’re going to school together. We’re learning together.” And in that sense, I want to be a good teacher to them. They’re also surrounded by an incredibly professional team, people they’d never meet even in a traditional school setting. I’ve never really liked the word idol. These days, that word is used more like a job title, something manufactured by the industry, and it’s far from its original meaning. To me, the term idol feels misplaced. It doesn’t really reflect who these artists are or what they represent. And I’m not the kind of person who clings to labels or terminology. In fact, what I really want is to break the stereotypes and preconceptions that come with the idol industry. I want us to show people something different… to challenge those assumptions and redefine what this can look like. That’s the kind of mindset I have. ——— “Isn't it difficult for the members to express "naturalness"?” 🧢: There were a lot of things I considered when forming the group. First and foremost, I think it was important that the members shared a similar vibe… like how I prefer working with staff who align with my taste. It’s important for the crew to be on the same wavelength. And by that, I mean more than just getting along… it also extends to shared values. Of course, people won’t all share identical values, but when we’re facing in a similar direction, everything becomes easier. It’s also just more efficient to work with people who have overlapping tastes. Now, when it comes to our members, they each have their own individual tastes, but those preferences are still in development. Just like we all went through as kids, they’re still growing, still discovering themselves. They’re not in a finished state. So we didn’t cast them based on some complete or polished version of themselves. It wasn’t like, “This person is fully formed, let’s pick her.” It was more like, “Ah, she has potential, there’s something there.” That sense of a spark… those were the kinds of subtleties I paid attention to. I didn’t cast anyone just because they were pretty or could sing well. I don’t work like that. I really value those finer, more delicate aspects. Even the design of the light stick wasn’t something that came from a long strategic planning session… it was actually a spontaneous idea. I didn’t sit down and think, “Let’s make a light stick like this.” NewJeans didn’t have a fixed logo, but I felt we still needed a unifying symbol. So one night, just before going to sleep, I kept thinking about it. Right before dozing off, I started sketching and it turned into a rabbit’s face. When I drew it out, the shape just continued and turned into a bunny. To me, the NewJeans members are like little bunnies… playful, innocent. Their visuals also resemble rabbits in a way. And rabbits symbolize abundance. That made me think: “Ah, maybe our fans will multiply like rabbits. That would be great.” So that bunny face became both a symbol for the members and the fans. The image came to me all at once, and I imagined a venue completely filled with bunny light sticks. That vision led to the creation of the light stick itself. Since I always prioritize fun in everything I do, the next idea that came to mind was making the light stick customizable. I thought, “Wouldn’t it be great if fans could personalize their bunny?” That way, each rabbit would represent a different person’s character. So we included accessories, allowing everyone to customize their own bunny. It’s symbolic of all these different bunnies coming together and enjoying a good time as one. Our light stick has a big head, so when it’s used in a concert hall, it lights up in heart shapes that are very visible. That was the image I really wanted. And that bunny face… it’s also a heart. It represents both the face of NewJeans and our hearts. It’s the love we’re showing to our fans, and the love we want to receive in return. Every time I see it, I feel deeply moved. It’s very emotional for me because it’s a perfect realization of what I envisioned. As someone with a background in creative direction, there’s nothing more satisfying than seeing an idea materialize exactly the way you imagined it. That kind of work holds deep meaning for me. ⸻ 🧢: Looking back, I think in 2023 we were able to achieve almost everything we had hoped for. I’m so incredibly grateful for that. Of course, this is an ongoing challenge… and the better things go, the more pressure there is. That’s why I always try to return to my original mindset. Just like I tell the members, I try to remind myself of the beginning and keep things fun. Back then, when we were first putting out content, planning the music, and working on visuals, I felt this thrill… this rush of excitement. I don’t want to forget that feeling. So I try hard to engrave that emotion into every album we release. I’m constantly working to rediscover the joy in all of it. So for 2024, I hope everyone can look forward to us with fresh anticipation. And even if we come out with something completely new, I hope people will receive it warmly and with excitement. That’s really my deepest wish. 🙏

1tokki

17,635 просмотров • 1 год назад

🎉 new skill unlocked: 20s uninterrupted, unstitched, single render from our new ai video engine: Nami. This is my birb (#7531) from the Moonbirds collection, idling in the library. patent: "Intra-Latent Semantic Injection via Cross-Spatial Encoding and Decoding during Multi-Pass Inference for Generative AI Video Creation" At Scrypted we've been quietly working on an agentic generative AI stack for two years: • integrating and testing w/ partners across the games & entertainment sectors • stealthily building a community of early believers through AVB • showcasing some of what we're doing with amazing projects like H011yw00d Agent. -- about Nami -- Nami is an agentic orchestration layer for AI video models: it unlocks their inner superpowers without making them rely on custom LoRAs or fine-tunings. Instead of throwing raw training power and tens of millions of dollars at training yet another ai video model: we figured out new ways to use what we have. Nami harnesses a multi-agent system to perform the work needed in taking a simple prompt or image and turning it into something bigger - much bigger. The agentic steps are allowed to manipulate latent space, digging into tensors, yet doing so in semantically aware chunks - meaning that Nami inherently supports video generation of arbitrary length, though it's bound to O(n) rendering time. (We do have some cool sharding tech that allows us to cut the generative time in half for a reference pose idle-animation like this demo). It's also fairly agnostic, picking and choosing the right tools for the job, and plays really well with emerging tech like FLUX Kontext, FramePack, or <- without being limited by any of them. -- use cases -- Even just a year or two ago the 20 second render below would cost a company, paying an agency, around $10k start-to-finish. This one cost me $6.25 on our dev hardware in an unoptimized environment. There's something mind-blowing about the state-of-the-art when we reduce costs to 0.0625% - less than 1% - of what we used to pay. It's also empowering. For creators. Game developers. Content influencers: you name it. -- superpowers -- 1. it does the things you ask for, in the order you asked for it 2. consistency is king 3. single-shot text or image-to-video 4. future videos can reference previous ones to seamlessly maintain style 5. semantic stitching: can't wait to showcase this -- gtm -- We think Generative AI Video, like image generation, like text, like games, should be a publicly accessible common good. We believe democratizing access to Nami in web3, via x402 payments proposed by Drew Coffman, or in World's mini-apps, is a bold step forward for digital freedom. Permissionless, decentralized, generative ai video. Naturally, we'll also soon release a web platform for using Nami in a traditionally SaaSy way: bring your own images, videos, or prompts and we'll take care of the rest. In the mid-term, Scrypted is building a stack of agentic skills (we call it AVB) and making them available to projects like H011yw00d Agent on Virtuals Protocol and other platforms. -- long-term vision -- Scrypted's mission is to decentralize the things that can't be decentralized. We participated in a16z crypto's CSX (London 2024) during our pre-seed specifically to research a new consensus protocol for hard things like AI video and AI agents: where there's no "one right answer". When Zero-Knowledge Proofs (ZKP) can't secure it, and Trusted Execution Environments (TEEs) are too small, we've got you covered with our upcoming Inori Network. -- how you can help -- 1. Are you a GPU farm? We're gonna need more flops. 2. Do you represent an L1 or L2? We want to build bridges. 3. Do you represent a Wallet or App creator? Let's get an endpoint exposed. 4. Are you an investor? Let's chat. 5. Like, repost, share! -- team background -- We come from a background of AI in the Video Game industry with each founder having over 20 years of experience at companies like Electronic Arts & Square Enix. -- contact -- DMs are open, reach out if you want to be an early tester for your site, game, collection, or project! -- try it out -- Go anywhere on X and tag H011yw00d Agent with a prompt and she'll give you a free 2 second render. Have fun making cinematic shorts or meme videos! -- thanks -- AWS Startups has been an incredible help scaling our prototypes. Also, shout out to all loyal beans 🫘 in the Autonomous Virtuals Beings (AVB) community. Nami has a very important role in the upcoming XP agent platform, can't wait to show you all. AVbeings

Tim Cotten

12,708 просмотров • 1 год назад

Like seemingly everyone on this app I have plenty of opinions about Twitter > X and figure now is a good time to open up a bit about my experience at the company. I tweeted for years into the void for the love of it like many of you, but after selling my startup to Twitter in 2020 I finally got to see it from the inside. Up close it was both amazing and terrible, like so many other companies and things in life. As someone with a maniacal sense of urgency built into me, Twitter often felt siloed and bureaucratic. Dumb power plays, reorgs and team name changes for the sake of someone’s ego were distractions that occurred too regularly. You couldn’t just be a builder — you also needed to be a politician. I was shocked by how old and bespoke the infrastructure was, but there was little will to think beyond quarterly earnings calls because we were all beholden to the masters of mDAU and revenue growth as a public company. It often felt like things were held together with duct tape and glue, and that many people had just accepted that a small product change could take months or quarters to build. Management had become bloated to accommodate career growth and the company culture felt too soft and entitled for my own taste. Healthy debate and criticism was replaced by a default refrain of “no, that can’t be done” or “another team owns that so don’t touch it”. Teams could spend months building a feature and then some last-minute kerfuffle meant it’d get killed for being too risky. Just talking directly to customers could turn into a turf war and create deadlocks between functions. I recall one such episode where a teammate spent a month trying to get clearance to reach out to some creators. He went through 3 layers of management and 6 different functional teams. In the end 4 executives were involved in the approval. It was insanity, and unfortunately I saw several top performers get burnt out and demoralized after exhausting experiences like that. Most people were good at their jobs but it was nearly impossible to fire poor performers — instead they got shuffled around to other teams because few managers had the will or resources to figure out how to get them out. A high performance culture pulls everyone up, but the opposite weighs everyone down. Twitter often felt like a place that kept squandering its own potential, which was sad and frustrating to see. The person who was best at cutting through the BS and inspiring a vision during my tenure was Kayvon Beykpour, but he wasn’t fully empowered to run the company since he wasn’t the CEO. Despite those real issues, I was lucky enough to work with some of the most talented people in the business at Twitter in product, design, engineering, research, legal, BD, trust & safety, marketing, PR and more. Often it was a small cross-functional team of intrinsically motivated people who made the biggest impact by challenging some core assumption. Those teams were very fun to be on but they felt like the exception rather than the rule. The months of waiting for the deal to close in 2022 were particularly slow and painful; it felt like leadership hid behind lawyers and legal language as all answers about the company’s future notoriously included the phrase “fiduciary duty”. Colleagues openly talked about how Twitter was being sold because leadership didn’t have conviction in their own plan or ability to fix longstanding problems. Although I didn’t know much about Elon I was cautiously optimistic – I saw him as the guy who built incredible and enduring companies like Tesla and SpaceX, so perhaps his private ownership could shake things up and breathe new life into the company. My take on what’s happened since then is full of lived nuance. When people ask why I stayed it’s easy to answer: optimism, curiosity, personal growth and money. From the beginning I saw that some changes Elon was going to make were smart and others were stupid, but when I’m on a team I uphold the philosophy of “praise in public and criticize in private”. I was far from a silent wallflower. I shared my opinions openly and pushed back often, both before and after the acquisition. I made peace with the fact that I didn’t have psychological safety at Twitter 2.0 and that meant I could be fired at any moment, and for no reason at all. I watched it happen repeatedly and saw how negatively it impacted team morale. Although I couldn’t change the situation I did my best to shine a light on folks who were doing important work while being an emotionally supportive leader for those who were struggling to adapt to the more brutalist and hardcore culture. In person Elon is oddly charming and he’s genuinely funny. He also has personality quirks like telling the same stories and jokes over and over. The challenge is his personality and demeanor can turn on a dime going from excited to angry. Since it was hard to read what mood he might be in and what his reaction would be to any given thing, people quickly became afraid of being called into meetings or having to share negative news with him. At times it felt like the inner circle was too zealous and fanatical in their unwavering support of everything he said. When individuals encouraged me to be careful about what I said I politely thanked them and said I would not be taking their advice. I had no interest in adding to a culture of fear or walking on eggshells around Elon. Either he would respect me for being real or he could fire me. Either outcome was okay. I quickly learned that product and business decisions were nearly always the result of him following his gut instinct, and he didn’t seem compelled to seek out or rely on a lot of data or expertise to inform it. That was particularly frustrating for me since I believed I had useful institutional knowledge that could help him make better decisions. Instead he'd poll Twitter, ask a friend, or even ask his biographer for product advice. At times it seemed he trusted random feedback more than the people in the room who spent their lives dedicated to tackling the problem at hand. I never figured out why and remain puzzled by it. I don’t think things had to be as difficult or dramatic as they turned out to be but I can’t say I’d bet against Elon or count him out. He’s smart and has enough money to make a lot of mistakes and then course correct when things go awry. As the largest shareholder he can tank the value in the short-term, but eventually he’ll need things to turn around. His focus on speed is incredible and he’s obviously not afraid of blowing things up, but now the real measure will be how it get reconstructed and if enough people want the new everything app he is building. I learned a ton from watching Elon up close – the good, the bad and the ugly. His boldness, passion and storytelling is inspiring, but his lack of process and empathy is painful. Elon has an exceptional talent for tackling hard physics-based problems but products that facilitate human connection and communication require a different type of social-emotional intelligence. Social networks are hard to kill but they’re not immune from death spirals. Only time will tell what the outcome will be but I hope X finds its footing because competition is good for consumers. In the meantime, I have a lot of empathy for the employees who are working tirelessly behind the scenes, the advertisers who want a stable platform to sell their stuff on, and the customers who are experiencing chaotic updates. It’s been a madhouse. Twitter moved at the speed of molasses and suffered from bureaucracy but now X is run by a mercurial leader whose instinct is driven by the unique and undoubtedly weird experience of being the biggest voice on the platform. Many of you know me from the sleeping bag incident where I slept on a conference room floor, so I figure, let’s talk about that too. Going viral was an odd and interesting experience. I was attacked by people on the left and called a billionaire bootlicker, while simultaneously being attacked by people on the right for being a working mom who was demonized as an example of a woman choosing her career over her family. Thankfully I can laugh at myself and I don’t take armchair keyboard ideologues too seriously. Being the main character on the timeline, even for a few minutes, requires a thick skin and a strong sense of self. The real story is pretty simple. I was given a nearly impossible deadline for his first project and as the product lead I would never ask anyone to do anything I wasn’t willing to do myself. So I worked round the clock alongside an amazing team spanning many timezones, and we delivered it on schedule – truly against the odds. It was intense but also fun. Those first few months were wildly crazy but I wanted to be there and I have no regrets. Showing up and giving it your all should, in most cases, be celebrated. Obviously you can’t work at that pace forever but there are moments where bursts are mission critical. I’ve pulled many all-nighters in my career and also when I was a student for something that mattered to me. I don’t regret putting in long hours or being ambitious, and feel proud of how far I’ve come from where I started thanks in part to that type of work ethic. I think of life as a game, and being at Twitter after the acquisition was like playing life at Level 10 on Hard Mode. Since I like taking on difficult challenges I found it interesting and rewarding because I was growing and learning so rapidly. I realize our society today trends toward polarization but when it comes to this app, its owner, and its future, I am neither a fangirl nor a hater — I’m an optimistic pragmatist. This may really irritate the internet but you cannot pigeonhole me into some radical position of either loving or hating every change that’s occurred. I escaped my fundamentalist upbringing and am a free thinker these days. Everyone can be seen as both a hero or a villain, depending on who is telling what angle of the story. Elon doesn’t deserve to be venerated or vilified. He’s a complicated person with an unfathomable amount of financial and geopolitical power which is why humanity needs him to err on the side of goodness, rather than political divisiveness and pettiness. I disagree with many of his decisions and am surprised by his willingness to burn so much down, but with enough money and time, something new & innovative may emerge. I hope it does. Sometimes I get asked about how I felt when I got laid off, and the truth is it was the best gift I’ve ever received. Sure the headlines and punchlines wrote themselves but I was battle hardened by then. I knew that I’d worked in a way where I could walk out with my head held high. I have no bitterness about the Product Management team being dismantled, and it made sense for me to exit as nearly all of the remaining PMs were let go. Going on a sabbatical afterward has been exactly what I needed to decompress and I’m finally feeling rested and relaxed. I’m a creative and a builder, so sooner than later I’ll jump back into a high intensity company but I’m grateful for this season of thinking, reading, traveling and being with people I love. After having time to reflect I believe more than ever that the very best outcomes flow from great leadership that combines the head and the heart. I’d be remiss if I didn’t note that in all of this there is also a cautionary tale for anyone who succeeds at something — which is that the higher you climb, the smaller your world becomes. It’s a strange paradox but the richest and most powerful people are also some of the most isolated. I found myself frequently looking at Elon and seeing a person who seemed quite alone because his time and energy was so purely devoted to work, which is not the model of a life I want to live. Money and fame can create psychological prisons which may worsen mental health conditions. We’ve all seen high profile cases of celebrities who end up with some combination of depression, paranoia, delusions of grandeur, mania and/or erratic behavior. Living in an echo chamber is dangerous and being at the top makes a person even more susceptible to being surrounded by yes people when nearly everyone around you is on the payroll and somehow stands to benefit from being in your orbit. Figuring out how to keep “better angels” around in the form of family, friends, and teammates is critical to staying on the rails and enduring intense ups and downs. Everyone needs to hear hard truths sometimes and if you fire all the people who speak up then the reality distortion field may just turn into a vortex. I was drawn to Twitter because I’m obsessed with the problem of loneliness and connection between people. I find it fascinating & troubling that humans are getting lonelier as we simultaneously create a world that’s both safer and wealthier. I don’t believe that trade-off has to exist, which is why I keep returning to that theme in my personal and professional life. I realize this is too long of a tweet but Twitter was a weird and special place on the internet, and I’m grateful to have played a teeny tiny role in its story and evolution. I’m here for whatever comes next — on this app and in new places. Consumer social is very much alive and at a fascinating juncture, so I’ll be watching and participating and sharing hot takes because I don’t want to, and probably can’t, turn that part of me off. Perhaps X becomes a resounding success. Or it fails epically. Either way, I expect it will continue to be a very entertaining ride. 🫡

Esther Crawford ✨

5,501,971 просмотров • 3 лет назад

Apple’s iPad “Crush” Ad Is Bleak, Ominous and Threatening I don’t know if you’ve seen Apple’s just-released commercial for the “New” iPad Pro, but it’s pretty awful. It is dark, humorless, and feels like a not-so-thinly veiled threat to writers, musicians, game makers, developers, and artists of all kinds. …and children, even. I’ve watched it at least five times today alone, and I’m left with one big question. “Who on earth approved this?” It’s absolutely baffling that the world’s largest technology company, with the world’s biggest marketing budget, thought this would be a good idea. What kind of idiot—or idiots, since dozens or hundreds of people had to be involved in the writing, staging, producing, recording, and editing—felt this kind of ad would somehow create a positive emotional connection with consumers? Seriously, it’s terrifying. In a dank, cold warehouse, devoid of all life and humanity, an industrial crusher comes to life, and slowly starts destroying a collection of musical, philosophical, and artistic devices and instruments. For no apparent reason, everything starts getting smashed: first, a trumpet, then an arcade video game, then cans of paint, a piano, a globe, a metronome, a guitar… on and on it goes, obliterating everything in sight into a colorful, gooey, explosive mess. Books, camera lenses, lamps, a guitar, a sculpture, and a typewriter—all tools of the liberal arts—get mangled into a garbage heap as Sonny & Cher cheerfully sing, “All I ever need is you.” In the penultimate moment, a goofy yellow smiley emoji becomes a bug-eyed scary-clown freak as it, too, is crushed to death. Worse, if you enable closed captions like I do by default, the video says: “[POPPING] [SPLAT]” right as its eyeballs pop out of its head when Cher sings, “Give me a reason to build my world around you.” It’s enough to make a child cry. It has all the comforting vibes of the burnt pink teddy bear floating in the swimming pool on Breaking Bad after two planes crash in mid-air. I have so many questions (aside from simply wondering the names of the soon-to-be ex-employees who greenlit this abomination). First of all, as a trumpet player myself, I am personally offended that they made me watch a perfectly good trumpet get smashed to smithereens like it’s no big deal. Why would they torture me like this? Second of all, what is the message here? No, not that “the most powerful iPad ever is also the thinnest,” as the voiceover artist states in the last few seconds of the clip. I mean: what is the message? Ostensibly, pulverizing children’s toys, arcade games, architectural models, and ceramic Angry Birds into a paste implies something like “We’re taking all the best of humanity; all the collective works of Western Civilization, smashing it into pieces and putting it inside this remarkably thin device so you can have all of it in the palm of your hand.” But my oh my, is there an elephant in this room… he’s hiding behind the monstrous destroying machine. Did anyone inside Apple realize that everyone outside Apple will recognize this imagery in a metaphorical sense, but not the one Apple intended? We don’t see a crushing machine gently consolidating the greatest output of all our artistic endeavors, simply reformatted for a digital age and consumed by everyone with instant, fingertip access. We see what is painstakingly obvious to us, and the timing couldn’t possibly be worse. We see a giant, soulless machine consuming our work in a very different way. Right now, AI models are training themselves on our intellectual property and even our very own personally-identifying data. We aren’t the ones doing the consuming. We’re the ones being consumed. The tech industry has become one massive gaping maw, opening wide and swallowing everything in sight, chewing it up into little bits and pieces of comminuted waste, like a paper shredder or a garbage disposal. It’s destruction in its most literal form. And for what? For a newer version of the iPad that is only slightly thinner than its predecessor? For an only marginally improved version of Apple’s tablet device that has been around for 14 years? For increased profits? This is a terrible look for Apple. They may as well be saying: “All your work are belong to us.” Personally, I am a fan of artificial intelligence. I am eagerly embracing our robot overlords and I welcome our new CSV god (as the actual developers of AI models like to say). I look forward to the freedom and innovation that will come as a result of humanity augmenting our intelligence with AI like a force multiplier on a battlefield. But if Apple has the same perspective I do, they’re selling it in the worst possible way. When I see this video, I see that Apple is definitely crushing something… but I’m not sure what. -Crushing small companies that develop apps for the extremely heavy-handed App Store, which imposes byzantine restrictions on what they can and can’t do with their own apps? -Crushing competitors by limiting what they can do on the iOS and MacOS platforms with arbitrary and capricious rules about enabling functionalities that Apple doesn’t like, even if users do? -Crushing publishers and content creators with a punitive 30% fee on all subscriptions and in-app purchases? -Crushing choice and competition by not allowing app makers to make apps and programs that do the same thing that native apps already do, even if they do it better? -Crushing all human creativity and innovation by automating and systematizing everything? In the early days of the “Google vs. Apple” fight over the web and app stores, I was really concerned that Google was becoming way, way too powerful. Specifically, in 2015, when Google came up with “app streaming,” they announced a desire to form a “web of apps.” This was concerning. Especially when coupled with Google’s efforts to steal content from other websites and provide it to users via the “knowledge graph” results, ending up with the creation of “zero-click” search results pages, which absolutely punished website owners and content creators. By taking the most valuable content off a website and showing it to Google users without them needing to click through to the website itself, Google had essentially stolen everybody’s intellectual property with only the most minimal attribution possible (to fend off lawsuits no doubt, but with no intention of users actually visiting the website in question anymore). “Google is eating the internet,” I thought, and said out loud, (although I probably wasn’t the first person to use that phrase) But what I meant was purely an analogy. It was vague and ambiguous, almost silly. Maybe I was wrong, though: maybe it’s Apple that’s doing the eating. Maybe Apple is not only gobbling up everyone else’s work, but also homogenizing it—and us—and forcing us to use their platform, pay their fees, abide by their rules, and constantly keep upgrading, upgrading, upgrading, to an ever-thinner iPad in order to use it. Watch the video again. This is the stuff of nightmares. To be perfectly fair, even if I were to take the commercial at face value and ignore it’s off-the-charts creepiness and just stick to its one stated claim—that the new iPad Pro is thinner—it still fails as a commercial. Why? Because nobody cares how thin an iPad is. Seriously. I’ve owned an iPad since 2010: that means I’ve carried around a version of Apple’s already-thin tablet every day for over a dozen years. Never once have I said to myself: “You know what improvement I’d really like to see in this thing? I wish it were thinner.” Never. That thought has never crossed my mind, even once. You know what has? -Better battery life. -I’d like my iPad to not get hot to the touch when I use the Apple Pencil to take notes. -I wish it wasn’t so fragile: I dropped my brand-new iPad 2 back in the day when it slipped out of the arm-hold I was carrying it in, it bounced on the pavement, and the screen shattered into a thousand pieces, making it unusable. -I wish it had more storage. -I wish Apple would stop changing the type of cable connector it uses: I’ve gone from the original 30-pin connector to the Lightning connector, and now to the current USB-C/Thunderbolt connector. -I wish I could view the screen in direct sunlight. -I wish it wouldn’t overheat and turn off automatically when I use it outdoors in the summertime. Those are announcements I would welcome in a new iPad Pro commercial. None of this “now even thinner” nonsense nobody needs or cares about. So, back to the commercial. In my opinion, whoever made this ad should be fired. I almost never say that about other companies, especially for good-faith marketing efforts gone wrong… those of us who work in marketing make mistakes sometimes, and we learn from them. But cases like this warrant a special exception. Marketing and advertising are designed to make people want to buy your products. This commercial doesn’t just not make me want to buy Apple’s products. It makes me not want to buy Apple’s products, which is something altogether different. It turns me from someone who likes iPads into someone who is almost rethinking iPads entirely. That’s not just a bad advertisement; it’s a harmful advertisement. Apple’s usually known for great commercials. The legendary 1984 Super Bowl commercial was, of course, their best. I thought “Hello, I’m a Mac” was absolutely brilliant. They have made some missteps along the way, but this one is really bad. Not even their nauseatingly preachy and woke “Mother Nature” ad from a few years ago was this bad. Steve Jobs once said, “Technology alone is not enough—it’s technology married with liberal arts, married with the humanities, that yields us the results that make our heart sing.” My goodness, that last line alone is poetry itself! This ad seems to be Apple signaling that they don’t believe in that anymore. And I don’t think all this handwringing is an overreaction to where you could say “Oh, c’mon, it’s just a commercial! What’s the big deal?” It is a big deal. It tells you about the values of the company, and what they intend to communicate. Really, how is this the same company that used to sell iPhones by showing grandmas using FaceTime to connect with their baby grandchildren from afar during the holidays? Everything about it is wrong: even the thumbnail they chose for it (the bulging-eyed smiley face) and the fact that they gave it the title “Crush!” It was fun to see the reactions to the video online today. I find it fascinating that Apple shared it on YouTube but turned off the comments. On X, Tim Cook shared it Tuesday, and the video, which so richly deserves to be mocked, is getting it in spades. Some people are calling it “anti-art.” One user called it “soul-crushing,” which was about as literal and logical a response as you’d expect. It turns out Apple actually made an announcement about the commercial. In response to the (apparently unexpected) poor welcome it got, Apple wrote: “We missed the mark with this video, and we’re sorry.” Lame response from a tone-deaf tech behemoth, but still, they hopefully got the message. C’mon, Apple. I have seen the future, and this ain’t it.

Ron Stauffer

19,249 просмотров • 2 лет назад