Video yükleniyor...

Video Yüklenemedi

Ana Sayfaya Dön

Edward Yang on his Filmmaking Style: "Interviewer: Do you have a specific visual or editing style that you feel communicates your viewpoint on a story? Yang: Not really. My philosophy is that everything is decided by the subject matter. If the subject matter needs to be tense, restless, upsetting,...

44,059 görüntüleme • 10 ay önce •via X (Twitter)

0 Yorum

Yorum bulunmuyor

Orijinal gönderinin yorumları burada görünecek

Benzer Videolar

Martin Lewis, founder of MoneySavingExpert. com, on the four things it takes to be really successful, and why the most important one isn't what you'd expect: He opens with a clear framework: "It takes four things to be really successful. Talent, you've all got it, as do many more people than you think. Hard work. If you want to be really successful, you're going to have to work hard. Focus. Zone in on what you're good at." On focus, he pushes back against the idea that you need to be exceptional at everything: "Understand, none of us are unfailingly brilliant at everything. So, find the thing that you're good at and zone in on that. And that is what will create your success." But the fourth factor is where his message turns unexpected: "The most important thing is luck. You can do everything right, but it still not work for you. And you need to know that now." This reframes how he wants people to think about setbacks: "Failing does not make you a failure. Do not judge yourself. See it as a way to learn and to give yourself a better opportunity the next time." Martin Lewis then challenges a common assumption about what success actually delivers: "Success can be stressful. Success is not a synonym for happiness. As you go through your working careers, at sometimes you may want to make a call. Do I continue to push that hard or do I smile at what I've got and enjoy happiness and the other things that life starts to give me?" He closes with a message aimed at those who do make it big: "One or two of you in here will make it really big. If that's you, remember of those four things, the most important one is luck. And that means if you're that super successful one in the room, you have a moral duty to give back."

Big Brain Business

292,025 görüntüleme • 3 ay önce

Jordan Peterson: "If you can't fix your room, you can't fix your life" "Why should you even bother improving yourself? The answer is something like: so you don't suffer anymore stupidly than you have to. And maybe so others don't have to either. It's not some casual self-help doctrine. If you don't organize yourself properly, you'll pay for it. In a big way. And so will the people around you." Peterson continues: "You can say, 'Well, I don't care about that.' But that's actually not true, you do care about it. Because if you're in pain, you will care about it. It's very rare that you can find someone in excruciating pain who would say, 'Well, it would be no better if I was out of this.' Pain brings the idea that it would be better if it didn't exist along with it. It's incontrovertible." On how to start: "Look around for something that bothers you and see if you can fix it. You can do this in a room. Sit in your bedroom and think: 'If I wanted to spend ten minutes making this room better, what would I have to do?' You have to ask yourself that, it's a genuine question. And things will pop out. There's a stack of papers bugging you. Some rubbish behind your computer monitor you haven't attended to for six months. Cables tangled up." He explains why this matters: "If you were coming to see me for psychotherapy, the easiest thing would be to get you to organize your room. You think, is that psychotherapy? It depends on how you conceive the limits of your being. Start where you can start. If something announces itself as in need of repair that you could repair, fix it. Fix a hundred things like that, your life will be a lot different." On fixing what you repeat every day: "People tend to think of their daily routines as trivial. You get up, brush your teeth, have breakfast. Those probably constitute 50% of your life. People think, they're mundane, I don't need to pay attention to them. No, that's exactly wrong. The things you do every day are the most important things you do. Hands down. Just do the arithmetic." On staying within your competence: "Sometimes you don't know how to fix something. Imagine you're walking down the street and there's a guy who's alcoholic and schizophrenic and has been homeless for ten years. That's a problem. It would be good if you could fix it, but you haven't got a clue. You walk around that and go find something you could fix. Just because something announces itself as in need of repair doesn't mean it's you, right then and there, who should repair it. You have to have some humility. You don't walk up to a helicopter that isn't working and just start tinkering away." Peterson shares the key insight: "As soon as you give your mind a genuine aim, it'll reconfigure the world in keeping with that aim. That's actually how you see to begin with. You've all seen the video where you watch basketballs being tossed back and forth, and while you're doing that, a gorilla walks into the middle of the video and you don't see it. If you thought about that experiment for five years, that would be about the right amount of time to spend thinking about it." He explains what it reveals: "What it shows you is that you see what you aim at. If you can get one thing through your head, that would be a good one. You see what you aim at. One inference you might draw from that is: be careful what you aim at. What you aim at determines the way the world manifests itself to you. So if the world is manifesting itself in a very negative way, one thing to ask is: are you aiming at the right thing?"

Jaynit

68,550 görüntüleme • 3 ay önce

“What did you think of Lando being booed at race because people and I've seen it online as well say he doesn't deserve the title because McLaren favored him over his teammate. Do you think that's total nonsense?” Jacques Villeneuve: “That's a little bit ridiculous. When there was some booing in some races, that was embarrassing. You should never boo a driver that's clean, doesn't do anything dirty, on track is respectful, and on top of it is super fast. What's wrong with people? That was embarrassing. And, had it been that Piastri was a second a lap faster than him and somehow Lando was winning because a lot of things were happening, his car breaking down every time, then you could start thinking, okay, that's really not cool. That's not fair. But that wasn't the case. And in the second half, Norris has been faster right at the beginning as well, last year as well. So there's this whole middle of the season where Piastri was driving a lot better than Norris and was getting the points. Norris had an engine blowing up, not Piastri. And so those fans, they don't look at that either. You have to look at the whole picture, at the whole season. And suddenly if your favorite is starting to go backwards, you just got to bite the bullet and accept it. Your favorite is just going backwards. That doesn't mean that the other one is treated better or the other one is undeserving just because the one you're a fan of is not winning right now. That’s really wrong. If you're a fan of the sport, then you have to be a fan of the sport and understand when your driver is maybe not cutting it at this point in time, even though he was before and he will in the future again. It's all a question of timing. But that's the price we have to pay now with social media and how big F1 has become. It's very passionate. The people are passionate and once, you know, fans come from fanatism, you stop thinking, when you get in that mindset and it happens to all of us. You want something so much that you get attached and you cannot - it's hard to start seeing reality. So you will try to mold the reality to your thought process and if your champion is not winning then it cannot be his fault. It has to be something from the outside. It has to be the team destroying his chance or not favoring and so on and so on and so on. But there's nothing concrete behind those comments. It's pure fandom and it'll always be like this. And ultimately it's not a bad thing. You know drivers at that - sportsman at that level have to grow a thick skin. If not, you don't deserve to be there. You just have to have a thick skin because they're all very happy to get the compliments. They love it when it's just positive, but it gets balanced out with negatives and you need to be able to take and accept the negatives as well. It goes both ways. You cannot have the good. You just have to be a thick skin and know that it's part and parcels of what's going on. And in one month, it will be forgotten and maybe everything will change and it be the other driver that suddenly will be criticized and so on. So, it's just that's just the way it is.”

naenia ¹ ⁶³

29,833 görüntüleme • 7 ay önce

why jordan peterson believes people choose a meaningless life on purpose: "nihilists suffer dreadfully, because there's no meaning in their life. but the advantage is, they have no responsibility. so that's the payoff, and i actually think that's the motivation." "maybe you've just allowed your belief systems to collapse, because it's a hell of a lot easier than acting them out." "the price you pay is a meaningless suffering, but you can always whine about that and people will feel sorry for you, and you have the option of taking the pathway of the martyr. so that's a pretty good deal, all things considered." "perhaps the reason that you're suffering unbearably can be left at your feet, because you're not everything you could be, and you know it." "my experience is with people, that we're probably running at about 51% of our capacity." "if you're wasting 20 hours a week, you're wasting $50,000 a year. and you are doing that right now." "the conscience is this feeling or voice you have in your head, just before you do something you know is stupid, telling you that probably you shouldn't do that stupid thing. you don't have to listen to it, strangely enough." "what would happen if you abided by your conscience for 5 years, or for 10 years? what sort of position might you be in? what sort of relationship might you be able to forge?" "you're at the center of a network. you'll know a thousand people at least over the course of your life. and they'll know a thousand people each. and that puts you one person away from a million. and two persons away from a billion." "the things you do, they're like dropping a stone in a pond. the ripples move outward, and they affect things in ways that you can't fully comprehend." "if you live a pathological life, you pathologize your society. and if enough people do that, then it's hell, really." "you can read the gulag archipelago, and you'll see exactly what hell is like. and then you can decide if that's a place you'd like to visit and take all your family and friends."

Johan

50,453 görüntüleme • 6 gün önce

Richard Fleischer on how he directs a movie: "Interviewer: How do you work once you’re on the set? Do you have a specific approach? Fleischer: When you’re a director, you’re not only dealing with the actors, but everything needs your full attention at the same time, and that’s what I do for a living: I give a hundred and ten percent of my time and energy and have thought about the things that I am working on, and hopefully, there’s a way to cope with every element you have to deal with. After coming home from the studio in the evening, I plan the next day’s work and layout a plan of action for the blocking of the scenes. I try to block them in my mind before I get to the stage, the position of the actors and where will the camera be. However, when I get to the set, I try not to let the actors know that I have already planned it, I let them feel their way around, and by making slight suggestions, it comes out the way I want it to come out. But the actors feel they have contributed to the direction of the scene, which is what I want. So I am helping them find their way, that’s one of the things. Suppose you’re working on a scene that has already been blocked, or partly shot or well-rehearsed, then I have to figure out the order of shooting: what do I shoot first, second, third… and make a list of every setup I have to make in the order of shooting, not necessarily in the order of continuity. You try to find the most economical way to shoot a picture; for instance, if you got a scene where people are making a lot of entrances and exits through a door, but they’re separated in different parts of the film, you work it out so you shoot all of those doorway scenes one after the other and you save a lot of time. You don’t have to take down the lighting and everything else. However, if it interrupts the flow, if the actors kind of get lost in the scene they’re doing, then I stop that, and I’d have to do it the other way. But mostly, it’s a matter of deciding what you want to shoot the next day and in what order." (Richard Fleischer: “Orson Welles changed everything for everybody”, Film Talk, 2003) Clip from: See No Evil (1971) Director: Richard Fleischer

DepressedBergman

142,398 görüntüleme • 7 ay önce