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Elisabeth Moss on working with Ruben Östlund & how the scenes were improvised: "When I showed up in Sweden on my first day, I had read a script previously, and so I asked, “can I have the script?”, just so I could see of any revisions. And I was...

16,872 просмотров • 2 месяцев назад •via X (Twitter)

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This man was criticized for expecting a “thank you” for a good deed. He always saw the same man walking when he drove to work. He assumed the man was walking because he did not have any other means of transportation. He used his own money and bought the man an electric scooter, the man took the scooter and just silently walked away, no thank you or anything else at all. I don’t think that was too much to ask, a thank you goes a long way, otherwise it makes people look ungrateful. Back in college, I had a classmate that I always saw walking home after class. It didn’t matter whether it was raining or snowing, or hot out. Whenever I drove past him he always looked miserable and I could tell he didn’t like to walk all the time. In class I had asked him where he lived, and I found out it was on my way home so I offered to drop him off because it was really cold out and had snowed about a foot. He agreed and we chatted on the way home, nothing serious just pleasant conversation. I dropped him off and went on my way home. For me this was a one time thing, I only offered because how bad it was snowing. After class the next day, he walked with me and when I got to my car he got in. I didn’t agree or offer him a ride that day but he assumed that since I was ok with giving him a ride the day prior that I would be ok with it this day too. I didn’t say anything about it because at this point I didn’t care really. So the next day came and went, once again he walked with me to the car but that day was different. I wouldn’t be going his way because I had to work after class. So before I got to the car I said “I’ll see you tomorrow.” He looked dumbfounded and said aren’t you taking me home? I said no, I have to get to work. He then asked me how he would get home, and I told him the same way you always have. He then gave me excuses for why I was being a jerk because I was making him walk in the cold. I didn’t argue I just told him I helped him out when I could, but I wasn’t about to go out of my way because he didn’t have a car and besides I didn’t want to be late for work. He didn’t speak to me for the rest of the semester because of it, something tells me I was better off not offering to help in the first place.

SonnyBoy🇺🇸

37,380 просмотров • 1 месяц назад

On this day, 61 years ago, Sidney J. Furie's "The Ipcress File" (1965) was released in the U.K. On the first day of shooting, director Sidney J. Furie gathered the cast and said, "This is what I think of the script." He then set it on fire. Michael Caine on the incident: "The driver picked me up for the first day of shooting and asked me if I was an actor in the movie, and if I had read Len Deighton’s book. When I told him I was the lead in it, he told me, ‘The whole thing is a load of rubbish, isn’t it?’ Then, when I arrived on set, Sidney had everyone gather around. He asked if anyone had any matches, and I smoked at that time, so I handed mine over. Sidney took the script, lit the match, looked at everyone and said, ‘Here’s what I think of this script’ and set the match to it. That was his copy of the script, so he asked if anyone had another copy to consult after he had burned his own, so I gave him mine. But it was a gesture, an illustration. It was a hell of a way to be christened into being the lead in a film." Sidney J. Furie on the reason for the movie's peculiar style: "I was very depressed always when we started shooting, thinking that it was going to be really lousy and I didn’t know what to do, so I told myself I would come up with a style of shooting that is different. I put shoulders across the screen, I shot up at things, I shot down, just to make it different, to give it ambiance. It was done out of insecurity, with a little cognac spiked in my morning coffee to give me courage." ("Sidney J. Furie: Life and Films", Daniel Kremer, 2015)

DepressedBergman

55,961 просмотров • 6 месяцев назад

I remember when I was young, around 10-11 years old. My parents were both asleep as was my brother. I heard a knock on the back door which was weird because who uses the back door at a stranger’s house? The kitchen window was close by so I take a look. It looked like a teenager but hard to tell because they had a hoodie with the hood up. I didn’t open the door but I did crack the window and asked them what they wanted. They replied they were lost and wanted to come in to warm up and use the phone. Even when it’s daylight I know never to let anybody in period that I didn’t know, but a stranger after midnight was weird enough. I said no because I didn’t know them. Then they said that hey knew my dad and that’s why he came by. I said that’s fine and all but I’m not letting you use our phone. This was before cellphones were widely used, we had a landline like most people. The person wouldn’t take no for an answer and I could sense he was getting angry. I went and woke up my dad, I told him there was somebody at the back door and that he said they knew him. He walked to the door and looked out and said he didn’t know him. But he did talk through the door and told him that he was calling the police and that he should just leave. The person just stood there until the police finally came and even they asked him what he was doing knocking on the door at that hour. He told them he was lost and thought this was a house of a family friend. The police told him my dad didn’t know him and made him leave. So was this a case of wrong house or was he up to something. It makes me still wonder to this day but I’m still glad I never opened the door.

SonnyBoy🇺🇸

117,986 просмотров • 1 месяц назад

#SEONGHWA talking about watching his favorite musical, Les Misérables., for the first time in a theater in London! ⭐️: Anyway, as for what I did today, I’m talking in circles (not answering). Today… so yesterday after dinner I saw they were performing a musical. I’ve seen a lot of small‑theater musicals but I’ve never seen a really big musical live, like in person. So… and they happened to be performing my favorite! What could it be~? Oh, someone got it right. It's Les Misérables. When did it come out? I was in wlementary school? Wait, when did Les Misérables come out in Korea? When it first released I went to see it with my mom, just the two of us. (After researching it) Here it says it came out in 2012. Then how old was I? Was I in middle school? Yes, right. I went to see it with my mom, the two of us, and it was so fun. I think it was the first musical film I properly watched in a theater. Before that I watched Mamma Mia on DVD when I was in Australia, but I couldn’t understand it then so I didn’t know what was fun about it. Les Mis was the first musical film I properly saw in a theater. I loved it so much that I went to see it three or four more times. And then yesterday, when I came out after eating, I saw this huge billboard for it. So, since I’m the type who acts fast once I decide, I said “I’m going to watch it today,” and went with my manager. There were real session musicians there, like down below. I was shocked by that. From above, like slightly, youu could see the conductor. I didn’t know that, I thought they played MR... So I was like, “this is awesome.” I went and bought merch too. But I didn’t know which seats were good, so I just chose the seat in the back of the first floor. But because there’s a second floor, my view was blocked, my view of the stage looked like this (obstructed from the bottom and above), so I watched slouching on my chair like this. Now I know, the front row of the second floor is the best. Or the very front of the first floor so you can see the actors’ expressions well. But movies are better from the back so (I though was the same for musicals). Anyway. Yes, I think it was a “restricted view” seat... it was probably cheaper. Anyway, the show was 2 hours 50 minutes and since I know the movie so well I understood everything even without subtitles. It was so fun. I knew most of the songs too. It was my first time seeing a musical in such a big venue so it was really great. The actors too were amazing. There were about 40? And the set, there were at least 10 different ones. I don’t know how it works, because it’s was not people moving/changing sets. They just slid in and out and the stage transitions were so smooth. Who’s my favorite character? Oh, that's a hard question? First, I like Marius. Ah, actualyy, when I was younger I liked Cosette and Marius. But now I feel drawn to Éponine. Because she loves so... unconditionally. After watching it today, Éponine loves Marius but even while she’s in a one‑sided love, she tells him where the girl he loves lives and helps him escape. That's so sad. Fantine was really pitiful too. Kind of... unfairly treated? My favorite song is One Day More, of course. And today, there were songs that felt different listening now that I’m older. I don't know the titles so I’ll have to look them up. The lingering feeling was strong, it felt similar to when I first watched it. And after that act (One Day More), the audience clapped and cheered so loudly. You know, I thought musicals were supposed to be quiet? But everyone was cheering so loudly, so I clapped and shouted too. And right after it ended the lights suddenly turned on and I was like, "is it over?" but it was the intermission. There were Act 1 and Act 2. I was so confused, I really thought it was over. I asked myself, “Is this a half‑length movie?" I mean, "musical?” Everyone got up so naturally and I was just confused alone. Anyway, the orchestra was seriously so cool. I want to see it in Korea too.

Everything Seonghwa

11,434 просмотров • 3 месяцев назад

Al Pacino says Francis Ford Coppola sat him down a few weeks into filming The Godfather and showed him footages of his performance saying he wasn’t impressed and he was sure he was about to be fired Al Pacino: “Because when I walked in there, again, that was a big thing for me to walk into Gingerman. Because I didn’t go there because I didn’t have money to buy the drinks.” “So I went in there, and Francis was eating with his family, and I was standing there, and he says, ‘We had a talk.’” “So I thought, well, here we go, you know? We’re not going to go anywhere.” “He tells me, ‘You know, I had faith in you. I believed in you.’” “I said, ‘Yeah, I know,’ but it’s—well, you’re not— I don’t know what to do now. What do I say now?” “He says, ‘Well, I only show you the rushes, the footage that we had shot already, and that was going to see something.’” “So I went and saw the rushes, and I’m looking at the screen, and I’m seeing mistakes.” “I was hoping that I could blend in with the scenery and not be seen specifically, or, you know, spotted.” “I just wanted to just blend and just be natural.” “And I thought, well, I know this, the way it looks now, but that’s part of what is going to turn into Michael Corleone.” “So, of course, like I said, two friends, naturally, the actor’s instinct, I just said, ‘Yeah, I see what you mean. That always quiets everybody down. I see, I see what you’re saying.’” “Yes. Sure, yeah, yeah, I’ll work on that.” “I thought, well. Then I thought I was out. And I sort of wanted to be out.”

agim𓍯

61,868 просмотров • 1 месяц назад

Here’s Rivers’ full confession from tonight’s LUX TOUR Confessional with ROSALÍA: “When I was in high school, there was a boy I really liked. We talked, but we were ‘just friends,’ and as time went by, we got to know each other more. He would ask me out, and it started becoming something more. Then, one day, he told me he liked me and felt the same way. I was so excited, so hopeful. His birthday was coming up, and there was going to be Pal Norte, a festival here. I spent months saving money to take him to the festival. I even did raffles and everything, because I was 13 or 14 years old. When his birthday finally came, I had prepared a surprise for him, organized everything, and planned a special moment. When I gave him the gift, he saw what it was and got kind of weird. Then he told me, ‘Oh, it’s just that I have a family commitment,’ or whatever. Something like that. But he had been saying for months that he wanted to go, so it didn’t make any sense. I said, ‘Okay, fine, nothing happened.’ Since I had the extra tickets, I told a friend, ‘This is your opportunity, come with me.’ She was going to the festival too, so we went together. We were about to leave when, guess who I ran into at the festival? Him. With someone else, all cuddled up, and I think they were holding hands. And the worst part? Do you know who it was? A classmate. After that, I didn’t want anything to do with ‘Nati’ and I hated everyone for a long time. I spent several years not trusting anyone and not wanting to meet people in that way. But it was an experience, and eventually I realized it didn’t have to be that way.”

ROSALÍA UPDATE

795,129 просмотров • 1 месяц назад

William Lustig on how Larry Cohen & he got the idea for "Maniac Cop" (1988) & how he got Bruce Campbell to star in the movie: "Larry Cohen was in New York shooting a movie – I think it starred Billy Dee Williams – and he had a falling out with the producers. So he left the project before it was finished. It was a snowy February in 1987, I’ll never forget it, and I was closing my apartment in New York. I had sublet it for a couple of years and now I was emptying it out. He calls me and says: let’s have lunch. And during that lunch the idea of 'Maniac Cop' came up. Larry asked me how come I never did a sequel to 'Maniac' (1980). And I told him I didn’t think it could be sequalized. At the time you had all these movies with COP in the title: 'Beverly Hills Cop' (1984), 'RoboCop' (1987), so Larry asked me: what about 'Maniac Cop'? So I said: Oooh, that sounds good! Then with that title and the copy line – You have the right to remain silent… forever! – but without a script or anything I started shooting the St. Patrick’s Day Parade the next month. I called Bruce and told him: Look, I’m doing a movie called 'Maniac Cop'. I’d like you to star in it. I don’t have script, but I would like for you to fly to New York and I wanna shoot some footage of you against the St. Patrick’s Day Parade. And I said: bring clothes that we can later duplicate. And that’s how it worked. While Larry wrote the script I put together the financing and everything. We shot the rest of the movie in August." (William Lustig's interview with Roel Haanen, 2019)

DepressedBergman

21,573 просмотров • 6 месяцев назад