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Elvis and Ann-Margret. See more photos:

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Once the press tagged ANN-MARGRET — “the female Elvis," their pairing VIVA LAS VEGAS (1964) was simply inevitable and of course rapturously received.
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Ann-Margret shines brilliantly in *Viva Las Vegas* (1964),✨🎬showcasing her exceptional singing, dazzling dance moves, and magnetic charm, perfectly complementing Elvis Presley!💞
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Ann-Margret and Elvis Presley dancing to “C'mon Everybody” in Viva Las Vegas (1964), directed by George Sidney. The film is regarded by Elvis fans and film critics as one of Presley's best films, and it's noted for the real-life on-screen chemistry between Presley and Ann-Margret. Presley and Ann-Margret began an affair, which received considerable attention from film and music gossip columnists, and reportedly led to a showdown with Presley's worried girlfriend Priscilla Beaulieu. (Elvis and Priscilla married in 1967.) In her 1985 book Elvis and Me, Priscilla Presley describes the difficulties that she experienced when the gossip columnists erroneously “announced” that Ann-Margret and Presley had become engaged to be married. In her memoirs, Ann-Margret refers to Elvis Presley as her “soulmate” and stated: “We felt there was a need in 'The Industry' for a female Elvis Presley.” In addition, the filming of Viva Las Vegas reportedly produced unusually heated exchanges between the director, film veteran George Sidney, and Presley's manager, Colonel Tom Parker, who was not credited as a “Technical Advisor” in the film's credits. The arguments reportedly concerned the amount of time and effort allotted by the cinematographer, Joseph Biroc, to the song and dance numbers that featured Ann-Margret, ostensibly on the orders of the director. These scenes include views of Ann-Margret's dancing taken from many different camera angles, the use of multiple cameras for each scene, and several retakes of each of her song-and-dance scenes. David Winters, the film's choreographer, was recommended for the job by Ann-Margret, who was his dance student at the time. This was Winters's first job as a choreographer.
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Ann-Margret and Elvis Presley dancing to “C'mon Everybody” in Viva Las Vegas (1964), directed by George Sidney. The film is regarded by Elvis fans and film critics as one of Presley's best films, and it's noted for the real-life on-screen chemistry between Presley and Ann-Margret. Presley and Ann-Margret began an affair, which received considerable attention from film and music gossip columnists, and reportedly led to a showdown with Presley's worried girlfriend Priscilla Beaulieu. (Elvis and Priscilla married in 1967.) In her 1985 book Elvis and Me, Priscilla Presley describes the difficulties that she experienced when the gossip columnists erroneously “announced” that Ann-Margret and Presley had become engaged to be married. In her memoirs, Ann-Margret refers to Elvis Presley as her “soulmate” and stated: “We felt there was a need in 'The Industry' for a female Elvis Presley.” In addition, the filming of Viva Las Vegas reportedly produced unusually heated exchanges between the director, film veteran George Sidney, and Presley's manager, Colonel Tom Parker, who was not credited as a “Technical Advisor” in the film's credits. The arguments reportedly concerned the amount of time and effort allotted by the cinematographer, Joseph Biroc, to the song and dance numbers that featured Ann-Margret, ostensibly on the orders of the director. These scenes include views of Ann-Margret's dancing taken from many different camera angles, the use of multiple cameras for each scene, and several retakes of each of her song-and-dance scenes. David Winters, the film's choreographer, was recommended for the job by Ann-Margret, who was his dance student at the time. This was Winters's first job as a choreographer.

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