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Emilia Clarke describes the six-step memory palace method she used to learn Russian for Ponies "I had this amazing language tutor called Fabian, who was incredible. We did this very complicated, six-step process that involved a memory palace and making stories out of the individual sounds of the words"...

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US Secretary of State Marco Rubio: It is in my personal view that we've had probably the most productive and meaningful meeting so far in this entire process since we've been involved in it from the beginning. So I think the takeaway from it is I think this is a very, very meaningful, I would say probably best meeting and day we've had so far in this entire process going back to when we first came into office in January. We have a very good work product that was already built on a foundation of input from all the relative parties involved here, and we were able to go through some of those items now point by point, and I think we've made good progress. And then obviously there's the Russian side of the equation, but again, we think we have some pretty substantial insights over the last nine months into some of the things that are really important to them.

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When travis kalanick was fundraising Uber's round that valued it at $70B, he ran four rooms simultaneously out of their New York office for an entire week, each booked in 90-minute slots across 12-hour days: "This is how we'd fundraise: we had four rooms in our New York office booked for a week with an hour-and-a-half slot on each. So for 12 hours in a day, four rooms going in parallel." "I'm in the $250M-and-over club, that's one room. Then there are these other rooms, down to the fourth room, which is like $25M checks. There's a guy who works for a guy, who works for a guy, who works for me who's doing that room." "But we're oversubscribed. So we started putting multiple investors in the same room. We were like, 'We're just out of slots dude. Let's go.'" "The storytelling we did, anybody on my team could tell that story and make it happen. And that was a big part. It was the story... then there is making it scalable so that there are 10 different people in a company that can pitch it at any given time. And that’s when you take it all the way."

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Steve Jobs on storytelling lessons he learned at Pixar. Says "no amount of tech will turn a bad story into a good story" and Pixar's early films (Toy Story, A Bug’s Life, Monsters Inc) had to prioritize a good story because animating so expensive: ◻️ "In a live action movie, the director goes out and shoots a lot of film — typically 10x to 100x more footage than will end up on the screen. Then they take it all into the editing room and that's why sometimes you see a movie and you go 'that stunk, didn't they know?' Well, the answer is 'yes' but they knew it too late in the editing room and...by the time they knew it, the actors were gone and the sets were down and they were out of money.” "In animation, it is so expensive that you can't afford to animate more than a few % more than it's going to end up on screen. You could never afford to animate 10x more. Walt Disney solved the problem decades ago and the way he solved it was to edit films before making them: you get your story team together and you do storyboards." "In Hollywood, one of the most popular sayings is 'story is King' but it turns out it really isn't. Because when push comes to shove...when a movie is in production and there's a lot of mouths to feed — and they're waiting for stuff to make and the story is not working — almost everybody says 'we will just have to make the movie'. And one of the things that I'm proudest of about Pixar is we have a story crisis on every movie...and we stop [everything to] fix the story." ▫️ *** D3 Conference in 2005:

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