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[Eng Sub] Hye Yoon's guest appearance on Whenever Possible preview Show: Whenever Possible Ep7 Date: 4th June, 10.20 PM KST (available on VIU) #LovelyRunner #김혜윤 #KimHyeYoon #ByeonWooSeok

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니아 ⁷

9,837 subscribers

73,150 görüntüleme • 2 yıl önce •via X (Twitter)

#LovelyRunner#김혜윤#KimHyeYoon#ByeonWooSeok
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QueenLuna👑 profil fotoğrafı
QueenLuna👑2 yıl önce

this program looks so fun. can’t wait to watch it!

meeome profil fotoğrafı
meeome2 yıl önce

Love her so much 🥰

YanaSolJae (GD🐲,Ju_Ne🖖) profil fotoğrafı
YanaSolJae (GD🐲,Ju_Ne🖖)2 yıl önce

I can't wait for this..😍

🐈‍⬛ ㅁ ㄴ ㅊ profil fotoğrafı
🐈‍⬛ ㅁ ㄴ ㅊ2 yıl önce

Thanks so much!

ishu⁷ ᵇʸ ʲᵏ ⭐ profil fotoğrafı
ishu⁷ ᵇʸ ʲᵏ ⭐2 yıl önce

She's soo cute 🥰🥺

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Pams2 yıl önce

hyeyoon kamu gemesin banget anak kicik akuuuuu imutnya akuuuuhhhhh😭😭😭💜💜💜💜💜

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🍳2 yıl önce

Jimmy Yoo tuh kerja dimana aja dah. Laris bener. Duitnya kek mata air mesti

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Gemes bangett hyeyoon

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[Eng Sub] Jung Young Joo talking about Woo Seok & Hye Yoon liking eo on set to portray their characters & scenes for Lovely Runner 💛💙 #LovelyRunner #변우석 #김혜윤 #KimHyeYoon #ByeonWooSeok
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[Eng Sub] Jung Young Joo talking about Woo Seok & Hye Yoon liking eo on set to portray their characters & scenes for Lovely Runner 💛💙 #LovelyRunner #변우석 #김혜윤 #KimHyeYoon #ByeonWooSeok

니아 ⁷

458,916 görüntüleme • 2 yıl önce

Sana and Jihyo will appear as guests on 'Whenever Possible' next week! May 20th at 9:00 PM KST
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Sana and Jihyo will appear as guests on 'Whenever Possible' next week! May 20th at 9:00 PM KST

minaron

182,932 görüntüleme • 1 yıl önce

Haewon and Sullyoon will be guesting on "Whenever Possible" Season 4, a variety show hosted by Yoo Jae-suk and Yoo Yeon-seok, airing next week. January 20, 9PM KST
1:10

Haewon and Sullyoon will be guesting on "Whenever Possible" Season 4, a variety show hosted by Yoo Jae-suk and Yoo Yeon-seok, airing next week. January 20, 9PM KST

nmixx pics

75,854 görüntüleme • 8 ay önce

🚕are you cold? 💛i'm wearing a padding jacket so I'm not cold 🚕I was worried *searches for making cam* You got it on cam right? We are close, Sol-ah sorry you had to go through so much cause of me 💛 in reality our relationship is really good 🚕 yes it's really good, Sol-ah I'm sorry *pats her* 💛 he always takes care of us, he works so hard & whenever they say cut, he gives us a ride in the truck 🚕 that's right 💛 the white truck 🚕 she's really cool, she always take care of the staff, even gives us hot packs, gives things to the staff. Hye Yoonie fans please don't hate me too much. 💛 in reality our relationship is good love how actors who play killers or villains are the cutest & sweetest haha #LovelyRunner #변우석 #김혜윤 #KimHyeYoon #ByeonWooSeok
0:51

🚕are you cold? 💛i'm wearing a padding jacket so I'm not cold 🚕I was worried *searches for making cam* You got it on cam right? We are close, Sol-ah sorry you had to go through so much cause of me 💛 in reality our relationship is really good 🚕 yes it's really good, Sol-ah I'm sorry *pats her* 💛 he always takes care of us, he works so hard & whenever they say cut, he gives us a ride in the truck 🚕 that's right 💛 the white truck 🚕 she's really cool, she always take care of the staff, even gives us hot packs, gives things to the staff. Hye Yoonie fans please don't hate me too much. 💛 in reality our relationship is good love how actors who play killers or villains are the cutest & sweetest haha #LovelyRunner #변우석 #김혜윤 #KimHyeYoon #ByeonWooSeok

니아 ⁷

87,470 görüntüleme • 2 yıl önce

[Eng Sub] Hyeyoon's Dear My Character for Baeksang 💛 Sol-ah, annyeong, I’m sending you this video letter like this. Sol-ah, you’ve been doing well, right? Just as the many tears you’ve shed, I hope your days ahead will be filled with just as many days of smiles (days of happiness), no even more days filled with smiles. As someone who has been by your side watching you grow, I truly respect you and have learned so much from you. Thanks to you, this past year has been such a happy one. Wherever you are from now on, I’ll be praying that you and Sunjae will always smile and live happily together. Goodbye. #LovelyRunner #김혜윤 #KimHyeYoon #ByeonWooSeok #변우석
0:29

[Eng Sub] Hyeyoon's Dear My Character for Baeksang 💛 Sol-ah, annyeong, I’m sending you this video letter like this. Sol-ah, you’ve been doing well, right? Just as the many tears you’ve shed, I hope your days ahead will be filled with just as many days of smiles (days of happiness), no even more days filled with smiles. As someone who has been by your side watching you grow, I truly respect you and have learned so much from you. Thanks to you, this past year has been such a happy one. Wherever you are from now on, I’ll be praying that you and Sunjae will always smile and live happily together. Goodbye. #LovelyRunner #김혜윤 #KimHyeYoon #ByeonWooSeok #변우석

니아 ⁷

28,661 görüntüleme • 1 yıl önce

Lovely Runner is the definition of organic success purely based on talented, dedicated leads, cast, writer & crew 1. No variety show w the cast for promotions 2. No youtube or content for the drama promotions 3. Only 1 photoshoot w minimal amount of pictures released 4. Only getting RM, You Quiz, SD in the middle of the ongoing drama cause of the success & hype of the drama & Whenever Possible after the drama 5. No script reading video or pictures 6. Halting shoots due to director change 7. Reshooting for ep 1 to 3 + in harsh weather conditions 8. Had to portray 4 seasons, including summer & spring during one of the coldest winters in SK 9. Took 3 years to be finalized & produced 10. Put in Monday - Tuesday slot with no proper promotions or ads from tvN 11. Barely 1 character poster & main poster, remaining promos were scenes used from the drama (while other dramas have separate promotional posters & more than 1) 12. No PPLs throughout the entire show to a point they had to make or use their personal or own items This is what it means to achieve organic success. This is Kim Hye Yoon, Byeon Woo Seok, Writer Lee Si Eun & the cast & crew of Lovely Runner. Happy First Anniversary To Lovely Runner 💛💙 #LovelyRunner #변우석 #김혜윤 #KimHyeYoon #ByeonWooSeok
2:09

Lovely Runner is the definition of organic success purely based on talented, dedicated leads, cast, writer & crew 1. No variety show w the cast for promotions 2. No youtube or content for the drama promotions 3. Only 1 photoshoot w minimal amount of pictures released 4. Only getting RM, You Quiz, SD in the middle of the ongoing drama cause of the success & hype of the drama & Whenever Possible after the drama 5. No script reading video or pictures 6. Halting shoots due to director change 7. Reshooting for ep 1 to 3 + in harsh weather conditions 8. Had to portray 4 seasons, including summer & spring during one of the coldest winters in SK 9. Took 3 years to be finalized & produced 10. Put in Monday - Tuesday slot with no proper promotions or ads from tvN 11. Barely 1 character poster & main poster, remaining promos were scenes used from the drama (while other dramas have separate promotional posters & more than 1) 12. No PPLs throughout the entire show to a point they had to make or use their personal or own items This is what it means to achieve organic success. This is Kim Hye Yoon, Byeon Woo Seok, Writer Lee Si Eun & the cast & crew of Lovely Runner. Happy First Anniversary To Lovely Runner 💛💙 #LovelyRunner #변우석 #김혜윤 #KimHyeYoon #ByeonWooSeok

니아 ⁷

21,002 görüntüleme • 1 yıl önce

MONSTIEZ, are you ready to 춤(CHOOM)? 🔥 Global K-pop force BABYMONSTER are bringing their full swagger to 2026–27 BABYMONSTER WORLD TOUR [춤 (CHOOM)] IN JAKARTA! Make sure to stay LOCKED IN and save the date for the show: 📆 Saturday, 17 October 2026 🕡 Show starts at 6:30 PM 📍 Indonesia Arena Weverse Fanclub Presale Purchase Period June 4th (THU) | 12PM - 11:59PM (Jakarta Local Time) General On Sale June 5th (FRI) | Starts from 12PM (Jakarta Local Time) 🎫 Tickets will be available exclusively at This show is organized by YG Entertainment and promoted by Live Nation and TEM Presents #BABYMONSTER #WORLD_TOUR #춤 #CHOOM #YG #BABYMONSTERINJAKARTA2026
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MONSTIEZ, are you ready to 춤(CHOOM)? 🔥 Global K-pop force BABYMONSTER are bringing their full swagger to 2026–27 BABYMONSTER WORLD TOUR [춤 (CHOOM)] IN JAKARTA! Make sure to stay LOCKED IN and save the date for the show: 📆 Saturday, 17 October 2026 🕡 Show starts at 6:30 PM 📍 Indonesia Arena Weverse Fanclub Presale Purchase Period June 4th (THU) | 12PM - 11:59PM (Jakarta Local Time) General On Sale June 5th (FRI) | Starts from 12PM (Jakarta Local Time) 🎫 Tickets will be available exclusively at This show is organized by YG Entertainment and promoted by Live Nation and TEM Presents #BABYMONSTER #WORLD_TOUR #춤 #CHOOM #YG #BABYMONSTERINJAKARTA2026

TEM PRESENTS

19,427 görüntüleme • 3 ay önce

[Eng Sub] Baeksang Arts Awards Judge & Film Critic Jung Deok Hyun Praising Kim Hye Yoon once again for her powerful, sincere & strong acting that elevates & brings out the best in scenes & her scene partners JDH: Like Kim Hye Yoon, she's a really powerful actor (with powerful acting skills) A really & truly powerful actor like her. She's truly amazing, the reason why she's amazing is that she does not try to stand out on her own with her acting skills, instead her elevates and makes Actors around her stand out & elevate as well. That's true strength ok! Being an Actor & acting is not about doing it alone but giving & receiving, that's how energy comes out in the ensemble (scene/among actors) & synergy is created. In some parts, you have to kill me, in some you have to go in & drag me but being able to portray & do that kind of acting at that age (Hye Yoon's age) so easily, I truly think she's an outstandingly amazing person. So if I had to choose an actor right now, only Kim Hye Yoon comes to my mind first & only her. She's very sincere as well, she's very sincere in acting so even if she enters or does variety shows, it's a new picture & side of her. Those kind of people are very attractive. Right now, it's not fun to watch people who get used to variety shows & have accustomed reactions to situations (the typical variety type reactions). But those who do not go on entertainment shows, the character the person has or is is just so lovely. Whatever they come out and do is good. Do not repost. #김혜윤 #KimHyeYoon #LovelyRunner
1:16

[Eng Sub] Baeksang Arts Awards Judge & Film Critic Jung Deok Hyun Praising Kim Hye Yoon once again for her powerful, sincere & strong acting that elevates & brings out the best in scenes & her scene partners JDH: Like Kim Hye Yoon, she's a really powerful actor (with powerful acting skills) A really & truly powerful actor like her. She's truly amazing, the reason why she's amazing is that she does not try to stand out on her own with her acting skills, instead her elevates and makes Actors around her stand out & elevate as well. That's true strength ok! Being an Actor & acting is not about doing it alone but giving & receiving, that's how energy comes out in the ensemble (scene/among actors) & synergy is created. In some parts, you have to kill me, in some you have to go in & drag me but being able to portray & do that kind of acting at that age (Hye Yoon's age) so easily, I truly think she's an outstandingly amazing person. So if I had to choose an actor right now, only Kim Hye Yoon comes to my mind first & only her. She's very sincere as well, she's very sincere in acting so even if she enters or does variety shows, it's a new picture & side of her. Those kind of people are very attractive. Right now, it's not fun to watch people who get used to variety shows & have accustomed reactions to situations (the typical variety type reactions). But those who do not go on entertainment shows, the character the person has or is is just so lovely. Whatever they come out and do is good. Do not repost. #김혜윤 #KimHyeYoon #LovelyRunner

니아 ⁷

155,851 görüntüleme • 1 yıl önce

“Ryuichi Sakamoto & Tin Drum | KAGAMI+” Makes Its Japan Premiere KAGAMI+, a work that captures Ryuichi Sakamoto’s piano performance in three dimensions and reconstructs it in a mixed reality (MR) space, arrives in Japan for the first time. The exhibition runs from June 27 to October 12, 2026, at VS., a cultural a cultural apparatus in Umekita, Osaka. Tickets are now on sale, and the full programme for the long-awaited Japan premiere has been announced. KAGAMI was conceived and developed over the final four years of Sakamoto’s life in collaboration with Todd Eckert and the creative studio Tin Drum. Since its world premiere at The Shed in 2023, the work has been presented internationally in cities including London, Manchester, Taipei, Singapore, Melbourne, Pesaro, and Hong Kong, receiving wide acclaim. Wearing optically transparent headsets, audiences encounter an authentic representation of Sakamoto at the grand piano, realized through a unique form of dimensional photographic capture. His performance at the grand piano emerges within the space alongside ethereal visuals that respond to the music, allowing audiences to experience the performance at a proximity not possible in a conventional concert setting. The experience extends beyond sound and image. Video, photography, and text are integrated throughout the space, alongside a natural scent personally blended by Sakamoto, creating a multilayered sensory environment. The work has been described by The Guardian as “a magical experience.” For its Japan presentation, an expanded version of the work, KAGAMI+, created specifically for this exhibition, will be unveiled. Two types of tickets will be available: RED and BLUE. RED TICKET holders will receive an exclusive 7-inch vinyl record, An edition for the KAGAMI+ RED 2026, as a special gift. Student discounts are available for BLUE tickets. In addition to the main KAGAMI experience, visitors can view related works that offer different perspectives on Sakamoto’s music, including TIME, TIME, a collaboration between Ryuichi Sakamoto and Shiro Takatani, as well as Ryuichi Sakamoto: Playing the Piano 2026 - D and new sound installations. To celebrate the Japan premiere, commmons will be releasing a special YouTube premiere of Ryuichi Sakamoto: PTP04022020 – YouTube Edit on the official channel. The premiere starts at (JST) on May 7. This is a one-time-only stream — watch live and enjoy a shared experience. Ryuichi Sakamoto & Tin Drum KAGAMI+ Exhibition Period: June 27, 2026 (Sat) – October 12, 2026 (Mon/National Holiday) Opening Hours: – (Timed entry tickets) Closed: Mondays (If a Monday falls on a national holiday or during a holiday weekend, the museum will be closed on the first weekday following the holiday period) RED TICKET（Date & Time Specified Ticket） Price: ¥15,000 (tax included) ・KAGAMI (MR Content) (approx. 60 min.) Open seating (seats are arranged in a circular layout, ensuring a comfortable viewing experience from every seat) ・Exclusive Visitor Gift: 7-inch Analog Record "An edition for the KAGAMI+ RED" ・Access to multiple exhibition works. BLUE TICKET (Date & Time Specified Ticket) General: ¥4,500 (tax included) / Student Discount: ¥2,500 (tax included) ・KAGAMI (MR Content) — ESSENCE (approx. 30 min. including waiting and preparation time) ・Access to multiple exhibition works. Ticket Sales Schedule: ・Tickets for dates from Saturday, June 27 through Monday, August 31 will go on sale on Friday, May 1. ・Tickets for dates from Tuesday, September 1 through Monday, October 12 will go on sale at PM on Saturday, August 1. Tickets (e+): RED TICKET: BLUE TICKET: Official Website: ‘Ryuichi Sakamoto & Tin Drum | KAGAMI+’ YouTube Premiere Screening “Ryuichi Sakamoto: PTP04022020 - YouTube Edit” Streaming on Thursday, May 7 at PM commmons YouTube Channel: #skmtnews #ryuichisakamoto #KAGAMI #坂本龍一 #MR Tin Drum
1:00

“Ryuichi Sakamoto & Tin Drum | KAGAMI+” Makes Its Japan Premiere KAGAMI+, a work that captures Ryuichi Sakamoto’s piano performance in three dimensions and reconstructs it in a mixed reality (MR) space, arrives in Japan for the first time. The exhibition runs from June 27 to October 12, 2026, at VS., a cultural a cultural apparatus in Umekita, Osaka. Tickets are now on sale, and the full programme for the long-awaited Japan premiere has been announced. KAGAMI was conceived and developed over the final four years of Sakamoto’s life in collaboration with Todd Eckert and the creative studio Tin Drum. Since its world premiere at The Shed in 2023, the work has been presented internationally in cities including London, Manchester, Taipei, Singapore, Melbourne, Pesaro, and Hong Kong, receiving wide acclaim. Wearing optically transparent headsets, audiences encounter an authentic representation of Sakamoto at the grand piano, realized through a unique form of dimensional photographic capture. His performance at the grand piano emerges within the space alongside ethereal visuals that respond to the music, allowing audiences to experience the performance at a proximity not possible in a conventional concert setting. The experience extends beyond sound and image. Video, photography, and text are integrated throughout the space, alongside a natural scent personally blended by Sakamoto, creating a multilayered sensory environment. The work has been described by The Guardian as “a magical experience.” For its Japan presentation, an expanded version of the work, KAGAMI+, created specifically for this exhibition, will be unveiled. Two types of tickets will be available: RED and BLUE. RED TICKET holders will receive an exclusive 7-inch vinyl record, An edition for the KAGAMI+ RED 2026, as a special gift. Student discounts are available for BLUE tickets. In addition to the main KAGAMI experience, visitors can view related works that offer different perspectives on Sakamoto’s music, including TIME, TIME, a collaboration between Ryuichi Sakamoto and Shiro Takatani, as well as Ryuichi Sakamoto: Playing the Piano 2026 - D and new sound installations. To celebrate the Japan premiere, commmons will be releasing a special YouTube premiere of Ryuichi Sakamoto: PTP04022020 – YouTube Edit on the official channel. The premiere starts at (JST) on May 7. This is a one-time-only stream — watch live and enjoy a shared experience. Ryuichi Sakamoto & Tin Drum KAGAMI+ Exhibition Period: June 27, 2026 (Sat) – October 12, 2026 (Mon/National Holiday) Opening Hours: – (Timed entry tickets) Closed: Mondays (If a Monday falls on a national holiday or during a holiday weekend, the museum will be closed on the first weekday following the holiday period) RED TICKET（Date & Time Specified Ticket） Price: ¥15,000 (tax included) ・KAGAMI (MR Content) (approx. 60 min.) Open seating (seats are arranged in a circular layout, ensuring a comfortable viewing experience from every seat) ・Exclusive Visitor Gift: 7-inch Analog Record "An edition for the KAGAMI+ RED" ・Access to multiple exhibition works. BLUE TICKET (Date & Time Specified Ticket) General: ¥4,500 (tax included) / Student Discount: ¥2,500 (tax included) ・KAGAMI (MR Content) — ESSENCE (approx. 30 min. including waiting and preparation time) ・Access to multiple exhibition works. Ticket Sales Schedule: ・Tickets for dates from Saturday, June 27 through Monday, August 31 will go on sale on Friday, May 1. ・Tickets for dates from Tuesday, September 1 through Monday, October 12 will go on sale at PM on Saturday, August 1. Tickets (e+): RED TICKET: BLUE TICKET: Official Website: ‘Ryuichi Sakamoto & Tin Drum | KAGAMI+’ YouTube Premiere Screening “Ryuichi Sakamoto: PTP04022020 - YouTube Edit” Streaming on Thursday, May 7 at PM commmons YouTube Channel: #skmtnews #ryuichisakamoto #KAGAMI #坂本龍一 #MR Tin Drum

ryuichi sakamoto

17,604 görüntüleme • 4 ay önce

🚨BREAKING: Alibi Anomalies in the Charlie Kirk Investigation? This CitiBank Receipt Raises SERIOUS Red Flags! 🔍🤯 Folks, let's talk facts: In a standard CitiBank mobile app or online receipt, the button for disputing a charge is ALWAYS "Dispute Charge" – both words capitalized. But in the screenshot provided as part of Cabot Phillips' alibi? It's "Dispute charge" with a lowercase 'c'. This is NOT standard. Multiple verified screenshots and app guides confirm the consistent capitalization. This irregularity could indicate an abnormality, such as a potential digital alteration or Photoshop edit – or perhaps an outdated app version/glitch. Either way, it's highly unusual and not what we'd expect from an authentic, current Citi receipt. Why does this matter? It ties directly into the timeline around Charlie Kirk's tragic death. Witness Mitch Snow's testimony places key figures – including Erika Kirk and Brian Harpool – at Fort Huachuca on Sept. 8, 2025, specifically at the Candlewood Suites hotel, followed by a suspicious high-level meeting on the morning of Sept. 9 where the witness places Cabot Philips in attendance. Cabot Phillips (Erika's ex) shared this receipt and a Publix photo as an alibi to show he was in Nashville buying balloons on Sept. 8, far from Arizona. If the alibi holds, great – but these inconsistencies cast doubt. And it's not just the receipt. The Publix photo has its own red flags: The magazine rack behind him shows out-of-date issues that don't align with a Sept. 8 snapshot. People Magazine: The visible issue is the Sept. 1, 2025, edition featuring Helen Mirren. But grocery stores like Publix update racks weekly – religiously, often stocking the next issue in advance. By Sept. 8, the Sept. 8 (or later) issue should have been out, meaning this older Sept. 1 copy is unusually outdated for that date. Time Magazine's Special Edition 50th Anniversary Jaws: This collector's issue was released on July 11, 2025 (tied to the documentary premiere), but investigations revealed it wasn't widely available in stores until after Aug. 29 (theater re-release date). Yet it's prominently displayed – another timing mismatch that suggests the photo might not be from Sept. 8 as claimed. Adding to the questions: Another photo shared by Cabot Phillips – a family snapshot with a balloon, purportedly taken in Nashville on Sept. 8 at 6:57 PM – shows signs of digital manipulation based on Error Level Analysis (ELA) from tools like FotoForensics. According to analysis by SCFactsOnly✝️🇬🇪, the ELA output reveals heavy pixelation, noise, and compression artifacts, especially in the semi-transparent date/location overlay ("Nashville September 8 6:57 PM"). This overlay stands out dramatically in ELA because text layers added digitally compress differently from the original photo content, making it a classic red flag for editing. The rest of the image shows more uniform compression, but varying noise patches suggest possible other adjustments. While there could be benign reasons (like app filters), this anomaly indicates the photo may have been altered – particularly the timestamp and location stamp – which could undermine its reliability as evidence of being in Nashville on that date. I'm not accusing anyone of faking anything – there could be innocent explanations, like a store with delayed stock, app variations, or photo editing for non-nefarious reasons. But based on the totality of circumstances – the non-standard capitalization on the receipt, the magazine date discrepancies, and now this ELA-detected irregularity in the family photo – these are irregular, highly unusual abnormalities that simply don't add up without more context. This warrants further investigation to get to the truth. Charlie's legacy deserves nothing less. If you're following the open-source probe, share this and demand answers. What do YOU think? 👇 Shoutout to Diligent Denizen 🇺🇸, SCFactsOnly✝️🇬🇪 and who has been steadfast in pointing out these inconsistencies and continuing the investigation on this matter. I would suggest everyone FOLLOW these guys. RT, Tag Candace Owens abd let me know your thoughts below.
1:19

🚨BREAKING: Alibi Anomalies in the Charlie Kirk Investigation? This CitiBank Receipt Raises SERIOUS Red Flags! 🔍🤯 Folks, let's talk facts: In a standard CitiBank mobile app or online receipt, the button for disputing a charge is ALWAYS "Dispute Charge" – both words capitalized. But in the screenshot provided as part of Cabot Phillips' alibi? It's "Dispute charge" with a lowercase 'c'. This is NOT standard. Multiple verified screenshots and app guides confirm the consistent capitalization. This irregularity could indicate an abnormality, such as a potential digital alteration or Photoshop edit – or perhaps an outdated app version/glitch. Either way, it's highly unusual and not what we'd expect from an authentic, current Citi receipt. Why does this matter? It ties directly into the timeline around Charlie Kirk's tragic death. Witness Mitch Snow's testimony places key figures – including Erika Kirk and Brian Harpool – at Fort Huachuca on Sept. 8, 2025, specifically at the Candlewood Suites hotel, followed by a suspicious high-level meeting on the morning of Sept. 9 where the witness places Cabot Philips in attendance. Cabot Phillips (Erika's ex) shared this receipt and a Publix photo as an alibi to show he was in Nashville buying balloons on Sept. 8, far from Arizona. If the alibi holds, great – but these inconsistencies cast doubt. And it's not just the receipt. The Publix photo has its own red flags: The magazine rack behind him shows out-of-date issues that don't align with a Sept. 8 snapshot. People Magazine: The visible issue is the Sept. 1, 2025, edition featuring Helen Mirren. But grocery stores like Publix update racks weekly – religiously, often stocking the next issue in advance. By Sept. 8, the Sept. 8 (or later) issue should have been out, meaning this older Sept. 1 copy is unusually outdated for that date. Time Magazine's Special Edition 50th Anniversary Jaws: This collector's issue was released on July 11, 2025 (tied to the documentary premiere), but investigations revealed it wasn't widely available in stores until after Aug. 29 (theater re-release date). Yet it's prominently displayed – another timing mismatch that suggests the photo might not be from Sept. 8 as claimed. Adding to the questions: Another photo shared by Cabot Phillips – a family snapshot with a balloon, purportedly taken in Nashville on Sept. 8 at 6:57 PM – shows signs of digital manipulation based on Error Level Analysis (ELA) from tools like FotoForensics. According to analysis by SCFactsOnly✝️🇬🇪, the ELA output reveals heavy pixelation, noise, and compression artifacts, especially in the semi-transparent date/location overlay ("Nashville September 8 6:57 PM"). This overlay stands out dramatically in ELA because text layers added digitally compress differently from the original photo content, making it a classic red flag for editing. The rest of the image shows more uniform compression, but varying noise patches suggest possible other adjustments. While there could be benign reasons (like app filters), this anomaly indicates the photo may have been altered – particularly the timestamp and location stamp – which could undermine its reliability as evidence of being in Nashville on that date. I'm not accusing anyone of faking anything – there could be innocent explanations, like a store with delayed stock, app variations, or photo editing for non-nefarious reasons. But based on the totality of circumstances – the non-standard capitalization on the receipt, the magazine date discrepancies, and now this ELA-detected irregularity in the family photo – these are irregular, highly unusual abnormalities that simply don't add up without more context. This warrants further investigation to get to the truth. Charlie's legacy deserves nothing less. If you're following the open-source probe, share this and demand answers. What do YOU think? 👇 Shoutout to Diligent Denizen 🇺🇸, SCFactsOnly✝️🇬🇪 and who has been steadfast in pointing out these inconsistencies and continuing the investigation on this matter. I would suggest everyone FOLLOW these guys. RT, Tag Candace Owens abd let me know your thoughts below.

Project Constitution

462,794 görüntüleme • 8 ay önce

🎉 Tailkit 4.0 is here, and I couldn't be more excited! 🙌🥳 But first - Giveaway Alert! Want to get a free Tailkit Developer license? Just drop a reply and give a like or repost (totally optional, but super appreciated). The lucky winner will be announced next Tuesday (October 8th) – good luck! Can you believe it’s already been 4 years since Tailkit’s journey started? ❤️ It feels like just yesterday I launched Tailkit 1.0 as an offline standalone web app back on October 1st, 2020. I'm really attached to this project because it was launched just a few days before I became a dad 👶😍 Fast forward to today, and Tailkit has grown into a fully customizable, feature-packed online app that gives you access to: - 550+ Tailwind CSS components (fully responsive + dark mode support) - 1,750+ Code snippets for HTML, React, Vue.js, and Alpine.js - 7 Marketing & Application Templates for HTML, React, Vue.js, and Laravel (fully responsive + dark mode support) - 10 Starter Kits for HTML, HTML with Vite, React, Vue.js, Laravel, Next.js, Nuxt, Astro, Svelte and Angular - 30 Days of Unlimited Design Service with every new Team license - Exclusive deals on third-party tools and projects - Handy helper tools like Button Builder, Color Palette, and Icon Finder - 3,700+ SVG Icons from Bootstrap and Heroicons - Free lifetime updates - Email support whenever you need it And the 4.0 update is packed with even more awesome features and upgrades: - 6 new UI components (Notifications) were added in Application UI package - 20 new UI components (Image/Content Sliders++) were added in Marketing package - React version (uses Vite) is introduced for all Templates - React code snippets were improved in all packages - Astro Starter Kit was added - Remove Dark Classes (from code snippets) option was added in App - Universal Dark Mode (preview pane can default to global dark mode) option was added in App - New preview colors (fuchsia, gray) were added in App - Heroicons v2 icons were updated to v2.1.5 adding 28+ brand new icons in App - 3 new exclusive deals are now available - UI design improvements in App - Various improvements and fixes in App - All dependencies were updated in Starter Kits - All dependencies were updated in Templates - Marketing website redesigned - Color Palette tool was made available to all I’ve put over 200 hours into this update alone, and I’m beyond excited to finally share it with you. Your continued support has made this journey possible, and I’m so grateful to have you along for the ride. 🙏 Wishing you an amazing day – remember, YOU ARE AWESOME! Go build something incredible! 🚀
1:17

🎉 Tailkit 4.0 is here, and I couldn't be more excited! 🙌🥳 But first - Giveaway Alert! Want to get a free Tailkit Developer license? Just drop a reply and give a like or repost (totally optional, but super appreciated). The lucky winner will be announced next Tuesday (October 8th) – good luck! Can you believe it’s already been 4 years since Tailkit’s journey started? ❤️ It feels like just yesterday I launched Tailkit 1.0 as an offline standalone web app back on October 1st, 2020. I'm really attached to this project because it was launched just a few days before I became a dad 👶😍 Fast forward to today, and Tailkit has grown into a fully customizable, feature-packed online app that gives you access to: - 550+ Tailwind CSS components (fully responsive + dark mode support) - 1,750+ Code snippets for HTML, React, Vue.js, and Alpine.js - 7 Marketing & Application Templates for HTML, React, Vue.js, and Laravel (fully responsive + dark mode support) - 10 Starter Kits for HTML, HTML with Vite, React, Vue.js, Laravel, Next.js, Nuxt, Astro, Svelte and Angular - 30 Days of Unlimited Design Service with every new Team license - Exclusive deals on third-party tools and projects - Handy helper tools like Button Builder, Color Palette, and Icon Finder - 3,700+ SVG Icons from Bootstrap and Heroicons - Free lifetime updates - Email support whenever you need it And the 4.0 update is packed with even more awesome features and upgrades: - 6 new UI components (Notifications) were added in Application UI package - 20 new UI components (Image/Content Sliders++) were added in Marketing package - React version (uses Vite) is introduced for all Templates - React code snippets were improved in all packages - Astro Starter Kit was added - Remove Dark Classes (from code snippets) option was added in App - Universal Dark Mode (preview pane can default to global dark mode) option was added in App - New preview colors (fuchsia, gray) were added in App - Heroicons v2 icons were updated to v2.1.5 adding 28+ brand new icons in App - 3 new exclusive deals are now available - UI design improvements in App - Various improvements and fixes in App - All dependencies were updated in Starter Kits - All dependencies were updated in Templates - Marketing website redesigned - Color Palette tool was made available to all I’ve put over 200 hours into this update alone, and I’m beyond excited to finally share it with you. Your continued support has made this journey possible, and I’m so grateful to have you along for the ride. 🙏 Wishing you an amazing day – remember, YOU ARE AWESOME! Go build something incredible! 🚀

John Champ

10,940 görüntüleme • 1 yıl önce

A study proved that $40 million was extracted from Polymarket in one year using a single mathematical formula I found a wallet that is using it right now on Iran war markets and made $1.4M in one week. Most people on Polymarket try to predict the future. Will there be a war. Who will win the election. What will happen next. I spent months doing the same thing. Reading news. Watching debates. Building my little models of what I thought should happen. And losing money. Not because I was wrong about events. Because I was wrong about the game itself. The game is not about predictions. And the wallet I'm about to show you is living proof. Three weeks ago I pulled the full trade history of this wallet: What I saw at first didn't make sense. He was opening the same market more than 30 times. US strikes Iran by January 11. US strikes Iran by January 12. January 13. January 14. January 15. January 16. January 17. The same event. Different dates. Over and over. First thought: this person is obsessed with Iran. Second thought: this person doesn't care about Iran at all. Here's what he's actually doing. Polymarket creates separate markets for the same event with different deadlines. Will the US strike Iran by March. By April. By June. These are not independent questions. If the strike happens in March then April and June automatically resolve to YES as well. But Polymarket prices each market separately. And the crowd prices them emotionally. Fear spikes on Tuesday night because someone tweeted something. One market jumps. The others lag behind. For a few minutes and sometimes hours prices on related markets stop converging. When you buy NO across multiple dates and the total cost is 94 cents and the guaranteed payout is $1 regardless of what happens you're not betting. You're collecting a 6% return on mathematical inevitability. That's the entire strategy. He buys dollars for 94 cents. I checked his numbers. On the Iran series alone he pulled $247,000 in realized profit across seven markets with different dates. Average purchase price of NO positions from 72 to 95 cents. Each one resolved at $1. The biggest hit was the government shutdown market. $88,000 in profit. Same logic. Buy both sides when the total cost is less than a dollar. One side pays. Math does the rest. 85% of his capital is in political markets. Wars. Elections. Geopolitics. Not because he has strong geopolitical convictions. Because political markets on Polymarket are where the math breaks most often. Why political markets specifically? Because they generate the most emotion. When CNN runs breaking news about Iran at 11 PM thousands of people rush to buy YES on the nearest date. They overbid the price. They panic. They push one market out of line with the rest. That panic is his paycheck. And now the part that actually matters. I dug deeper into how this type of arbitrage works at scale and found a study that made everything click. A team analyzed every trade on Polymarket over 12 months. They found 17,218 market conditions. 41% of them had an exploitable pricing error. And the total profit extracted by arbitrageurs was $40 million. The top single wallet made $2 million using one algorithm. The Frank-Wolfe method. I'll explain without math because the concept is simple even if the calculations aren't. Imagine you walk into a store that sells lottery tickets for 7 different drawings. Each ticket is priced separately. The store doesn't coordinate prices between drawings. You notice that if you buy a certain combination of tickets across all 7 drawings the total cost is $94 but you're guaranteed to win exactly $100 no matter which drawing hits. You don't need to predict which drawing will win. You just need to notice that the store mispriced the tickets. Here's Frank-Wolfe in one sentence. It scans thousands of related markets simultaneously and finds combinations where the total price is less than the guaranteed payout. Then it calculates the exact amounts to buy on each side to maximize the spread. The reason a human can't do this manually is scale. There are hundreds of active markets on Polymarket. Many are connected by logic. If event A happens then event B must also happen. If candidate X wins state Y then the national result shifts. The number of possible combinations grows exponentially. While you're checking 10 markets by hand the algorithm has scanned 17,000. What anoin123 does is a manual version of this. He picks one cluster of related markets like the Iran date series and runs the logic in his head. Buy NO across seven dates. Total cost less than a dollar. Wait. Collect. The automated version does the same thing but across all markets on the platform simultaneously. My personal takeaway after three weeks of studying this. I spent months trying to be smarter than the crowd. Reading polls. Watching news. Forming opinions. And the whole time there was a category of traders who had zero opinions about anything. They just waited for the crowd to misprice related markets and collected the difference. The uncomfortable realization is that prediction markets are not actually about predictions for those who make the most money. They're about math. And the math breaks every day because people trade on emotions and the platform prices markets independently of each other. I don't have the infrastructure to run Frank-Wolfe at scale. But I don't need to. Wallets like anoin123 do this in plain sight. Every trade on the blockchain. Every entry price. Every exit. Every timestamp. I stopped trying to predict events. I started watching wallets that make money regardless of what happens. The difference in my results is so stark it's uncomfortable to think about. If you want to understand the full math behind this the study is publicly available. Search for Arbitrage in Prediction Markets on arXiv. But the short version is this. Every time the crowd panics about a war or an election and pushes one market out of line with its related markets someone on the other side quietly buys dollars for 94 cents. The question is not whether they'll strike Iran. The question is whether you noticed that seven markets about the same event are priced as if they have nothing to do with each other. That gap is where the money lives.
0:55

A study proved that $40 million was extracted from Polymarket in one year using a single mathematical formula I found a wallet that is using it right now on Iran war markets and made $1.4M in one week. Most people on Polymarket try to predict the future. Will there be a war. Who will win the election. What will happen next. I spent months doing the same thing. Reading news. Watching debates. Building my little models of what I thought should happen. And losing money. Not because I was wrong about events. Because I was wrong about the game itself. The game is not about predictions. And the wallet I'm about to show you is living proof. Three weeks ago I pulled the full trade history of this wallet: What I saw at first didn't make sense. He was opening the same market more than 30 times. US strikes Iran by January 11. US strikes Iran by January 12. January 13. January 14. January 15. January 16. January 17. The same event. Different dates. Over and over. First thought: this person is obsessed with Iran. Second thought: this person doesn't care about Iran at all. Here's what he's actually doing. Polymarket creates separate markets for the same event with different deadlines. Will the US strike Iran by March. By April. By June. These are not independent questions. If the strike happens in March then April and June automatically resolve to YES as well. But Polymarket prices each market separately. And the crowd prices them emotionally. Fear spikes on Tuesday night because someone tweeted something. One market jumps. The others lag behind. For a few minutes and sometimes hours prices on related markets stop converging. When you buy NO across multiple dates and the total cost is 94 cents and the guaranteed payout is $1 regardless of what happens you're not betting. You're collecting a 6% return on mathematical inevitability. That's the entire strategy. He buys dollars for 94 cents. I checked his numbers. On the Iran series alone he pulled $247,000 in realized profit across seven markets with different dates. Average purchase price of NO positions from 72 to 95 cents. Each one resolved at $1. The biggest hit was the government shutdown market. $88,000 in profit. Same logic. Buy both sides when the total cost is less than a dollar. One side pays. Math does the rest. 85% of his capital is in political markets. Wars. Elections. Geopolitics. Not because he has strong geopolitical convictions. Because political markets on Polymarket are where the math breaks most often. Why political markets specifically? Because they generate the most emotion. When CNN runs breaking news about Iran at 11 PM thousands of people rush to buy YES on the nearest date. They overbid the price. They panic. They push one market out of line with the rest. That panic is his paycheck. And now the part that actually matters. I dug deeper into how this type of arbitrage works at scale and found a study that made everything click. A team analyzed every trade on Polymarket over 12 months. They found 17,218 market conditions. 41% of them had an exploitable pricing error. And the total profit extracted by arbitrageurs was $40 million. The top single wallet made $2 million using one algorithm. The Frank-Wolfe method. I'll explain without math because the concept is simple even if the calculations aren't. Imagine you walk into a store that sells lottery tickets for 7 different drawings. Each ticket is priced separately. The store doesn't coordinate prices between drawings. You notice that if you buy a certain combination of tickets across all 7 drawings the total cost is $94 but you're guaranteed to win exactly $100 no matter which drawing hits. You don't need to predict which drawing will win. You just need to notice that the store mispriced the tickets. Here's Frank-Wolfe in one sentence. It scans thousands of related markets simultaneously and finds combinations where the total price is less than the guaranteed payout. Then it calculates the exact amounts to buy on each side to maximize the spread. The reason a human can't do this manually is scale. There are hundreds of active markets on Polymarket. Many are connected by logic. If event A happens then event B must also happen. If candidate X wins state Y then the national result shifts. The number of possible combinations grows exponentially. While you're checking 10 markets by hand the algorithm has scanned 17,000. What anoin123 does is a manual version of this. He picks one cluster of related markets like the Iran date series and runs the logic in his head. Buy NO across seven dates. Total cost less than a dollar. Wait. Collect. The automated version does the same thing but across all markets on the platform simultaneously. My personal takeaway after three weeks of studying this. I spent months trying to be smarter than the crowd. Reading polls. Watching news. Forming opinions. And the whole time there was a category of traders who had zero opinions about anything. They just waited for the crowd to misprice related markets and collected the difference. The uncomfortable realization is that prediction markets are not actually about predictions for those who make the most money. They're about math. And the math breaks every day because people trade on emotions and the platform prices markets independently of each other. I don't have the infrastructure to run Frank-Wolfe at scale. But I don't need to. Wallets like anoin123 do this in plain sight. Every trade on the blockchain. Every entry price. Every exit. Every timestamp. I stopped trying to predict events. I started watching wallets that make money regardless of what happens. The difference in my results is so stark it's uncomfortable to think about. If you want to understand the full math behind this the study is publicly available. Search for Arbitrage in Prediction Markets on arXiv. But the short version is this. Every time the crowd panics about a war or an election and pushes one market out of line with its related markets someone on the other side quietly buys dollars for 94 cents. The question is not whether they'll strike Iran. The question is whether you noticed that seven markets about the same event are priced as if they have nothing to do with each other. That gap is where the money lives.

Blaze

31,373 görüntüleme • 7 ay önce

Just pulled up Olipop's landing page after seeing their ads everywhere lately and I need to break this down because this is one of the cleaner DTC pages I've seen in a while. Here's what's actually happening when you land on this page and why it converts cold Facebook traffic better than 90% of ecom brands right now: 1) The first 3 seconds Before you read a single word, there's a video of the product being poured, fizzing, bubbling and condensation on the can with no voiceover or text overlay. Your brain processes that faster than any headline ever could. You can almost hear the fizz. That's intentional. They're triggering a sensory response before your logical brain even wakes up. Then the headline hits. "A New Kind of Soda." Now that's a category repositioning. They're not saying "healthy soda" or "better soda." They're saying the entire category you grew up with needs a new version and this is it. Sub-headline says high fiber, less sugar. Targets exactly the person who clicked the health-focused ad on Instagram. Message match is perfect. The person who clicked the ad lands here and immediately feels like the page was made for them. 2) The product carousel Most brands mess this up by showing you the product and making you go through three more pages to add it to your cart. Olipop lets you hover over any flavor and an "Add 12 Pack" button appears right there. One click. Done. You never leave the homepage. That little micro-interaction is doing serious conversion work because every extra click you require is a percentage of buyers you lose. They basically short-circuited the whole buying process and most people don't even notice it's happening. Star ratings under every flavor. Smart. You're not waiting until the reviews section at the bottom to see social proof. It's right there next to the product at the exact moment you're deciding what to buy. Then there's the "Limited" and "Out of Stock" tags on certain flavors. This is a psychological move that a lot of brands either don't use or use badly. When you see Shirley Temple is sold out your brain immediately thinks this must be good enough that people are actually buying it. And now you're looking at everything else thinking you better grab it before it's gone too. 3) The retention play At this point you haven't bought yet and they already know some people won't on the first visit. So right here they drop the rewards program section. Trade your email for perks and points. They're not letting you leave empty handed. Either you buy today or you give them your email so they can bring you back. Both outcomes work for them. Then comes the subscription nudge. 15% off. Free shipping. Cancel anytime. Three objections handled in one sentence. 1. Too expensive? 15% off. 2. Annoying to reorder? Free shipping straight to your door. 3. Scared of being locked in? Cancel whenever you want. That's a complete objection removal stack built into what looks like a simple banner. The people who weren't ready to buy a 12-pack today are looking at that and doing the math. 4) The press section Bloomberg. Forbes. BuzzFeed. Mindbody. This section exists for one reason. You clicked an ad from a brand you'd maybe seen once or twice before. You don't fully trust them yet. These logos close that gap in about half a second. It's institutional validation. You don't need to read the articles. Just seeing the logos tells your brain people with real credibility have looked at this and thought it was worth covering. Background behind this section is a high-res macro shot of condensation on the can. Cold. Refreshing. Premium. Even the section design is doing sensory work. 5) The overall lesson What Olipop figured out is that a landing page for Facebook traffic has one job. Close the trust gap between the ad and the purchase as fast as possible without losing the energy the ad created. Every section of this page does exactly that. Sensory hook gets you in. Category positioning tells you what it is. Carousel with inline add to cart removes friction. Social proof and scarcity show demand. Subscription offer removes price and convenience objections. Press section provides institutional trust. By the time you hit the footer you either already bought or you gave them your email. That's not a landing page. That's a conversion machine. If your page isn't doing all of this right now, that's where your revenue is leaking. Not in the ads. In what happens after the click. DM me ‘FUNNEL’ and I'll show you exactly how to build something like this for your brand.
0:45

Just pulled up Olipop's landing page after seeing their ads everywhere lately and I need to break this down because this is one of the cleaner DTC pages I've seen in a while. Here's what's actually happening when you land on this page and why it converts cold Facebook traffic better than 90% of ecom brands right now: 1) The first 3 seconds Before you read a single word, there's a video of the product being poured, fizzing, bubbling and condensation on the can with no voiceover or text overlay. Your brain processes that faster than any headline ever could. You can almost hear the fizz. That's intentional. They're triggering a sensory response before your logical brain even wakes up. Then the headline hits. "A New Kind of Soda." Now that's a category repositioning. They're not saying "healthy soda" or "better soda." They're saying the entire category you grew up with needs a new version and this is it. Sub-headline says high fiber, less sugar. Targets exactly the person who clicked the health-focused ad on Instagram. Message match is perfect. The person who clicked the ad lands here and immediately feels like the page was made for them. 2) The product carousel Most brands mess this up by showing you the product and making you go through three more pages to add it to your cart. Olipop lets you hover over any flavor and an "Add 12 Pack" button appears right there. One click. Done. You never leave the homepage. That little micro-interaction is doing serious conversion work because every extra click you require is a percentage of buyers you lose. They basically short-circuited the whole buying process and most people don't even notice it's happening. Star ratings under every flavor. Smart. You're not waiting until the reviews section at the bottom to see social proof. It's right there next to the product at the exact moment you're deciding what to buy. Then there's the "Limited" and "Out of Stock" tags on certain flavors. This is a psychological move that a lot of brands either don't use or use badly. When you see Shirley Temple is sold out your brain immediately thinks this must be good enough that people are actually buying it. And now you're looking at everything else thinking you better grab it before it's gone too. 3) The retention play At this point you haven't bought yet and they already know some people won't on the first visit. So right here they drop the rewards program section. Trade your email for perks and points. They're not letting you leave empty handed. Either you buy today or you give them your email so they can bring you back. Both outcomes work for them. Then comes the subscription nudge. 15% off. Free shipping. Cancel anytime. Three objections handled in one sentence. 1. Too expensive? 15% off. 2. Annoying to reorder? Free shipping straight to your door. 3. Scared of being locked in? Cancel whenever you want. That's a complete objection removal stack built into what looks like a simple banner. The people who weren't ready to buy a 12-pack today are looking at that and doing the math. 4) The press section Bloomberg. Forbes. BuzzFeed. Mindbody. This section exists for one reason. You clicked an ad from a brand you'd maybe seen once or twice before. You don't fully trust them yet. These logos close that gap in about half a second. It's institutional validation. You don't need to read the articles. Just seeing the logos tells your brain people with real credibility have looked at this and thought it was worth covering. Background behind this section is a high-res macro shot of condensation on the can. Cold. Refreshing. Premium. Even the section design is doing sensory work. 5) The overall lesson What Olipop figured out is that a landing page for Facebook traffic has one job. Close the trust gap between the ad and the purchase as fast as possible without losing the energy the ad created. Every section of this page does exactly that. Sensory hook gets you in. Category positioning tells you what it is. Carousel with inline add to cart removes friction. Social proof and scarcity show demand. Subscription offer removes price and convenience objections. Press section provides institutional trust. By the time you hit the footer you either already bought or you gave them your email. That's not a landing page. That's a conversion machine. If your page isn't doing all of this right now, that's where your revenue is leaking. Not in the ads. In what happens after the click. DM me ‘FUNNEL’ and I'll show you exactly how to build something like this for your brand.

Nick Theriot

26,389 görüntüleme • 6 ay önce

**MH370x Breaking Update** My Letter to Congress Dear Congress, My name is Ashton Forbes and I am currently disclosing the most important videos in the history of the world. All of this information is publicly available. I would like to state that I have a Top Secret US Government clearance as part of my job as a contractor. My job has nothing to do with advanced technology, I am only stating this to establish my credibility. I am not bound by an NDA. This is not a hoax, disinformation, or misinformation. You don't need to believe me because everything is verifiable. I am requesting a public hearing. I am willing to testify in front of congress as to the authenticity of these videos and explain every aspect of them. I would also invite physics experts to validate the science on display. The videos in question are that of the true fate of Malaysian Airlines Flight 370, on March 7th, 2014 at 18:40UTC at the Nicobar Islands. One is of an MQ-1C Gray Eagle with a thermal layer added by the leaker, and the other is a 3D battlespace produced by the SBIRS (Space Based Infrared System), via SIGINT (Signals Intelligence) using data from Spy Satellite USA-229 which has a sister satellite next to it classified as debris. This allows for the proven 3D stereoscopic imagery we see in the Satellite video. The oldest archived versions of the videos we could find come from "RegicideAnon" a UFO video uploader, who uploaded unrelated videos previously, indicating they are not the source. Higher quality versions were released by other UFO uploaders on youtube later on, indicating neither is the original source. The dates are damning. Satellite Video (Received: March 12, 2014, Uploaded May 19, 2014) - MQ-1C Gray Eagle (Received: June 5, 2014, Uploaded June 13, 2014) - So why now, many ask? Because only in 2023 do we have the basis to understand these videos to be real. We needed the 2017 DoD Navy UAP videos to understand what FLIR footage looks like, the 2019 Trump satellite leak to understand those capabilities, 2020 scientific papers that show 'wormholes' are humanely traversable, LK-99 that shows the emergence of superconductivity and finally AI in daily use as ChatGPT. Without all these things the MH370 videos seem like magic. We know the location of the videos because the investigative group I started, MH370x, satellite experts used amateur historical trajectories to identify the correct satellite in the correct position to take the 3D stereoscopic video we see. We can see six sets of coordinates in the satellite video which we had incorrectly thought were in the South Indian Ocean, until we were able to realize the only possible location was the Nicobar Islands because the plane is turning left in both videos and due to the coordinate shifts. This means the plane is turning south and to the east. The satellite and witness (Katherine Tee) indicate the time is 18:40UTC, March 7th, 2014. Proof the Satellite video is 3D Stereoscopic - SBIRS - USA-229, the smoking gun - The Witness - I have been investigating and writing about these videos as a Citizen Journalist for the past 10 weeks. My X Corp (Twitter) following has gone from 30 followers to 8500+ of multidisciplinary backgrounds from the strength of the evidence alone. My handle is . We have definitively proved every aspect of the videos to be authentic. We know the assets, the time, the location, we have a witness, we know that there was a fire on the plane likely from the lithium ion batteries which broke containment, causing the Halon gas to permeate throughout the plane. Lithium Ion Battery Fire - There was no debris field, which is impossible for a 777 crashing into the ocean. The small amounts of debris found are consistent with the fire scenario, and some debris had burn marks. A fire suppression device from a B777 washed up in the Maldives and was not investigated despite having visible serial numbers. The Maldives were intentionally excluded from the search, despite witnesses on one of the small islands seeing the plane flying low and identifying the red/blue stripe of Malaysian Airlines early in the morning on March 8, 2014. All the Witnesses - We know that the 'official' narratives are a lie to cover up that this technology was deployed to either save the plane, or as espionage to prevent the 20 Freescale Semiconductor scientists onboard from going to China. I suspect they are integral to the technology we see. We know the plane didn't crash into the ocean because the SOSUS system didn't hear the acoustic sound. The same system that heard the Titan sub pop and the Navy lied about it for 5 days while oxygen counters were on every major news channel. The Diego Garcia hydrophones and Western Australia hydrophones also didn't hear it. Missing Hydrophone Data - I wish that this being MH370 was the most important part of these videos, because ultimately I'm doing this for the families of the victims, the witnesses, the leaker of these videos, and the world that has been lied to. However, the most important part of these videos is that they prove conclusively that the US Government is hiding Superconductivity, Teleportation, and 'Free Energy' from the world. Everything we see in these videos can be explained by science. This is not 'aliens' in these videos. This is our technology. The assets are filming the plane before the orbs even show up. The drone cannot catch a 777-200, it must have intercepted it. This is a US Government operation. I do not believe that we could be this secretly advanced without a reverse engineering program. The orbs in this video are ignoring gravity, being pulled forward by some 'gravity engine' indicated by the dark lines in front of them, and upon intercept are traveling at estimated Mach3 speeds. The explanation for their pattern is artificial intelligence, a computer program. Superconductive Harmonic Orbs - Traversable Wormholes - The videos do not show annihilation because E=MC^2 and the 'zap' would be much larger. It's not an explosion because it's cold in the thermal, not hot. It's a black hole. It's also not 'cloaking' because the smoke stops when the plane disappears. It has to be teleportation based on science. A wormhole. I found out, to my own surprise, that humanely traversable wormholes are theoretically possible. This singularity is causing a transitional phase state change in the plane where it reverts to a wave function and obtains a probabilistic nature. This is only possible with superconductivity and ‘free energy’ technology. Macroscopic Decoherence (how the plane was teleported) - I was also able to identify the leaker of the videos as being Lieutenant Commander Edward C. Lin. He checks every box to be the leaker. Our Government attempted to put him in prison for life as a traitor, but he is no spy. Edward C. Lin is a hero. He took a plea deal after he was convinced he damaged national security, but he never revealed this information to our enemies. He simply wanted to do the right thing and tell the world the truth of this technology and what happened to MH370. He was sentenced to 9 years in prison and likely is bound by his plea deal to never speak about the videos again. We can vindicate this man as well as everyone else who was lied to or discredited. Evidence that the leaker is Edward C. Lin - I also got a tip from a source that told me that the nephew of Retired General Joseph F. Dunford has seen the videos and indirectly confirmed their authenticity. He was likely in charge of the operation as the commander of the International Security Assistance Force in 2014. He then served as the 19th Chairman of the Joint Chiefs of Staff, the nation’s highest-ranking military officer, and the principal military advisor to the President, Secretary of Defense, and National Security Council from Oct. 1, 2015, through Sept. 30, 2019. He is now on the board of directors at Lockheed Martin. While the destination of the plane is speculative, the most likely place is Diego Garcia. The witnesses in the Maldives indicate that, as well as the American passenger Phillip Wood EXIF data photo, that points to Diego Garica where he claimed to be held prisoner. I'm not sure what happened to the passengers. It is scientifically possible that some survived. None of the families of the victims have reached out to me. I am operating under the assumption that they were returned to their various countries in exchange for their silence, and Phillip Wood may be in Witness Protection. Phillip Wood EXIF photo is not 'fake' - I know the videos seem impossible, but they are authentic. They are not CGI. We were able to show that the satellite video is a Citrix session logged into the actual spy satellite database due to the framerate discrepancy between the mouse we see, and the background. (24fps vs 6fps) Also, hundreds of community VFX experts have analyzed the footage frame by frame and not a single discrepancy can be found. The list of requirements to ‘hoax’ the videos is practically impossible. What it would take to 'hoax' the MH370 videos - It's not CGI (see replies) - These videos implicate the US Government in a black budget reverse engineering program alla whistleblower David Grusch's sworn testimony to congress. This information will shock you and I hope you will seek to expose the truth. This surpasses petty politics. Please help for the good of the country. This is a verifiable conspiracy, and while I believe that it is being done because the forces that be think that society will collapse if this technology is made publicly available, I disagree. We can handle this information and the technology has the capability to change the circumstances of millions if not billions of people. What matters in this world is the time we spend in it, with the people we care about. That will not change. The reason I am requesting a public congressional hearing is because I believe the weight of the evidence can convince enough people in congress that the true events of MH370 were covered up by our own government and that there is a black budget advanced technology program, most likely based on reversed engineered Unidentified Aerial Phenomenon (UAP). Sincerely, -Ashton Forbes #MH370x #MH370
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**MH370x Breaking Update** My Letter to Congress Dear Congress, My name is Ashton Forbes and I am currently disclosing the most important videos in the history of the world. All of this information is publicly available. I would like to state that I have a Top Secret US Government clearance as part of my job as a contractor. My job has nothing to do with advanced technology, I am only stating this to establish my credibility. I am not bound by an NDA. This is not a hoax, disinformation, or misinformation. You don't need to believe me because everything is verifiable. I am requesting a public hearing. I am willing to testify in front of congress as to the authenticity of these videos and explain every aspect of them. I would also invite physics experts to validate the science on display. The videos in question are that of the true fate of Malaysian Airlines Flight 370, on March 7th, 2014 at 18:40UTC at the Nicobar Islands. One is of an MQ-1C Gray Eagle with a thermal layer added by the leaker, and the other is a 3D battlespace produced by the SBIRS (Space Based Infrared System), via SIGINT (Signals Intelligence) using data from Spy Satellite USA-229 which has a sister satellite next to it classified as debris. This allows for the proven 3D stereoscopic imagery we see in the Satellite video. The oldest archived versions of the videos we could find come from "RegicideAnon" a UFO video uploader, who uploaded unrelated videos previously, indicating they are not the source. Higher quality versions were released by other UFO uploaders on youtube later on, indicating neither is the original source. The dates are damning. Satellite Video (Received: March 12, 2014, Uploaded May 19, 2014) - MQ-1C Gray Eagle (Received: June 5, 2014, Uploaded June 13, 2014) - So why now, many ask? Because only in 2023 do we have the basis to understand these videos to be real. We needed the 2017 DoD Navy UAP videos to understand what FLIR footage looks like, the 2019 Trump satellite leak to understand those capabilities, 2020 scientific papers that show 'wormholes' are humanely traversable, LK-99 that shows the emergence of superconductivity and finally AI in daily use as ChatGPT. Without all these things the MH370 videos seem like magic. We know the location of the videos because the investigative group I started, MH370x, satellite experts used amateur historical trajectories to identify the correct satellite in the correct position to take the 3D stereoscopic video we see. We can see six sets of coordinates in the satellite video which we had incorrectly thought were in the South Indian Ocean, until we were able to realize the only possible location was the Nicobar Islands because the plane is turning left in both videos and due to the coordinate shifts. This means the plane is turning south and to the east. The satellite and witness (Katherine Tee) indicate the time is 18:40UTC, March 7th, 2014. Proof the Satellite video is 3D Stereoscopic - SBIRS - USA-229, the smoking gun - The Witness - I have been investigating and writing about these videos as a Citizen Journalist for the past 10 weeks. My X Corp (Twitter) following has gone from 30 followers to 8500+ of multidisciplinary backgrounds from the strength of the evidence alone. My handle is . We have definitively proved every aspect of the videos to be authentic. We know the assets, the time, the location, we have a witness, we know that there was a fire on the plane likely from the lithium ion batteries which broke containment, causing the Halon gas to permeate throughout the plane. Lithium Ion Battery Fire - There was no debris field, which is impossible for a 777 crashing into the ocean. The small amounts of debris found are consistent with the fire scenario, and some debris had burn marks. A fire suppression device from a B777 washed up in the Maldives and was not investigated despite having visible serial numbers. The Maldives were intentionally excluded from the search, despite witnesses on one of the small islands seeing the plane flying low and identifying the red/blue stripe of Malaysian Airlines early in the morning on March 8, 2014. All the Witnesses - We know that the 'official' narratives are a lie to cover up that this technology was deployed to either save the plane, or as espionage to prevent the 20 Freescale Semiconductor scientists onboard from going to China. I suspect they are integral to the technology we see. We know the plane didn't crash into the ocean because the SOSUS system didn't hear the acoustic sound. The same system that heard the Titan sub pop and the Navy lied about it for 5 days while oxygen counters were on every major news channel. The Diego Garcia hydrophones and Western Australia hydrophones also didn't hear it. Missing Hydrophone Data - I wish that this being MH370 was the most important part of these videos, because ultimately I'm doing this for the families of the victims, the witnesses, the leaker of these videos, and the world that has been lied to. However, the most important part of these videos is that they prove conclusively that the US Government is hiding Superconductivity, Teleportation, and 'Free Energy' from the world. Everything we see in these videos can be explained by science. This is not 'aliens' in these videos. This is our technology. The assets are filming the plane before the orbs even show up. The drone cannot catch a 777-200, it must have intercepted it. This is a US Government operation. I do not believe that we could be this secretly advanced without a reverse engineering program. The orbs in this video are ignoring gravity, being pulled forward by some 'gravity engine' indicated by the dark lines in front of them, and upon intercept are traveling at estimated Mach3 speeds. The explanation for their pattern is artificial intelligence, a computer program. Superconductive Harmonic Orbs - Traversable Wormholes - The videos do not show annihilation because E=MC^2 and the 'zap' would be much larger. It's not an explosion because it's cold in the thermal, not hot. It's a black hole. It's also not 'cloaking' because the smoke stops when the plane disappears. It has to be teleportation based on science. A wormhole. I found out, to my own surprise, that humanely traversable wormholes are theoretically possible. This singularity is causing a transitional phase state change in the plane where it reverts to a wave function and obtains a probabilistic nature. This is only possible with superconductivity and ‘free energy’ technology. Macroscopic Decoherence (how the plane was teleported) - I was also able to identify the leaker of the videos as being Lieutenant Commander Edward C. Lin. He checks every box to be the leaker. Our Government attempted to put him in prison for life as a traitor, but he is no spy. Edward C. Lin is a hero. He took a plea deal after he was convinced he damaged national security, but he never revealed this information to our enemies. He simply wanted to do the right thing and tell the world the truth of this technology and what happened to MH370. He was sentenced to 9 years in prison and likely is bound by his plea deal to never speak about the videos again. We can vindicate this man as well as everyone else who was lied to or discredited. Evidence that the leaker is Edward C. Lin - I also got a tip from a source that told me that the nephew of Retired General Joseph F. Dunford has seen the videos and indirectly confirmed their authenticity. He was likely in charge of the operation as the commander of the International Security Assistance Force in 2014. He then served as the 19th Chairman of the Joint Chiefs of Staff, the nation’s highest-ranking military officer, and the principal military advisor to the President, Secretary of Defense, and National Security Council from Oct. 1, 2015, through Sept. 30, 2019. He is now on the board of directors at Lockheed Martin. While the destination of the plane is speculative, the most likely place is Diego Garcia. The witnesses in the Maldives indicate that, as well as the American passenger Phillip Wood EXIF data photo, that points to Diego Garica where he claimed to be held prisoner. I'm not sure what happened to the passengers. It is scientifically possible that some survived. None of the families of the victims have reached out to me. I am operating under the assumption that they were returned to their various countries in exchange for their silence, and Phillip Wood may be in Witness Protection. Phillip Wood EXIF photo is not 'fake' - I know the videos seem impossible, but they are authentic. They are not CGI. We were able to show that the satellite video is a Citrix session logged into the actual spy satellite database due to the framerate discrepancy between the mouse we see, and the background. (24fps vs 6fps) Also, hundreds of community VFX experts have analyzed the footage frame by frame and not a single discrepancy can be found. The list of requirements to ‘hoax’ the videos is practically impossible. What it would take to 'hoax' the MH370 videos - It's not CGI (see replies) - These videos implicate the US Government in a black budget reverse engineering program alla whistleblower David Grusch's sworn testimony to congress. This information will shock you and I hope you will seek to expose the truth. This surpasses petty politics. Please help for the good of the country. This is a verifiable conspiracy, and while I believe that it is being done because the forces that be think that society will collapse if this technology is made publicly available, I disagree. We can handle this information and the technology has the capability to change the circumstances of millions if not billions of people. What matters in this world is the time we spend in it, with the people we care about. That will not change. The reason I am requesting a public congressional hearing is because I believe the weight of the evidence can convince enough people in congress that the true events of MH370 were covered up by our own government and that there is a black budget advanced technology program, most likely based on reversed engineered Unidentified Aerial Phenomenon (UAP). Sincerely, -Ashton Forbes #MH370x #MH370

Ashton Forbes

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