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Environmental storytelling

i like food

1,177,439 subscribers

263,834 次观看 • 8 个月前 •via X (Twitter)

艺术教育科学技术

Anya Rossi• Live Now

Private livecam show

15 条评论

Foodies 的头像

Foodies8 个月前

can't believe he got this in one take

WrestleWRLD 的头像

WrestleWRLD8 个月前

I dont care how many mistakes are on the floor that shit was impressive

Anti Memes 的头像

Anti Memes8 个月前

I'm really struggling to figure out how he does this without dropping a single thing ever at any point anywhere ever in all of time at all

ZoyuZays 的头像

ZoyuZays8 个月前

honestly thats not even that many mistakes on the floor, this is mad impressive this was only like his 3rd attempt judging by whats on the floor

Shit Post 的头像

Shit Post8 个月前

Unemployment final boss

vinicius 的头像

vinicius8 个月前

@tigrezawatizap

Baginda Ditto 的头像

Baginda Ditto8 个月前

jujur aku liatnya eman 🙏🏻

Micro Henry 的头像

Micro Henry8 个月前

Uneplyed final boss

CF | Phuzix 的头像

CF | Phuzix8 个月前

@bigswordgood

Niraj Kevat 的头像

Niraj Kevat8 个月前

Environment

Kyrex 的头像

Kyrex8 个月前

First try

Danny Ray 的头像

Danny Ray8 个月前

I hate every last second of this

Matt 的头像

Matt8 个月前

Based on the outfit I could also assume that’s just how their house looks and this was in fact the first try

Aeilosuy 的头像

Aeilosuy8 个月前

Americans are world champions at wasting food

⚝ 的头像

⚝8 个月前

Ya do know this is ai right..

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The Metro 2039 #gamescom2026 demo impressed us by balanceing brutal combat, dwindling resources, and tragic environmental storytelling.

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40,931 次观看 • 10 个月前

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the big example she pulled was “who do you want to make out with?” Jesus wept. this is the shit I’m talking about. the standards magically change depending on the aesthetic while everybody ignores what you actually do for 95% of the game. or better yet, the core gameplay loop is called a “mini-game” lmao Dispatch gets treated like some profound evolution of interactive storytelling for doing Telltale-style branching with office management menus and relationship meters. Mixtape shows skateboarding, exploration, music sequences, environmental interaction, and coming of age storytelling and somehow THAT is where people draw the “not really a game” line. be serious.

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that 🥷🏾 you love to hate

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Environmental storytelling in this zombie survival game reminds me of Project Zomboid. - The game just launched Wave 2 of its closed alpha, with 30k registered players waiting for access - According to the developers, "this build is not really about having fun yet," as it currently contains "very little content" compared to the version planned for October - The public playtest for Ardem is expected to launch on October 15, with 600k players signed up on Steam

Environmental storytelling in this zombie survival game reminds me of Project Zomboid. - The game just launched Wave 2 of its closed alpha, with 30k registered players waiting for access - According to the developers, "this build is not really about having fun yet," as it currently contains "very little content" compared to the version planned for October - The public playtest for Ardem is expected to launch on October 15, with 600k players signed up on Steam

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46,350 次观看 • 1 个月前

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THE MOST COMPREHENSIVE AI VIDEO TUTORIAL (43 mins): how to use sora 2 + veo3 to turn 1 idea into 1M+ views (not AI slop, AI gold) 1/ start with the hook - before opening any tool, write 10 first lines that would stop someone mid-scroll. emotion, surprise, or curiosity. the first 3 seconds decide everything. 2/ script it in chatgpt - once you have the hook, prompt chatgpt to write a 30–45 second script with a clear setup, build, and twist. short, rhythmic sentences work best for retention. 3/ storyboard with reve or similar- drop the script in and visualize each moment. this keeps your pacing tight and your message clear before you hit generate. 4/ generate visuals with veo3 etc - turn the storyboard into scenes: cinematic lighting, expressive faces, fast transitions. keep a new image or motion every 2 seconds — pattern interrupts keep people watching. 5/ animate in sora 2- use sora 2 to bring everything to life. add subtle movement, dialogue sync, and environmental motion that feels handcrafted, not robotic. 6/ edit for rhythm and emotion - layer sound design and quick pacing. trim any fluff. test versions with different opening hooks or music cues. the most viral clips hit hard, then end fast. 7/ analyze and remix - post across shorts, reels, and tiktok. check retention graphs, rework the top 10% of performers, and double down on formats that hit. every viral creator has 10 quiet failures behind each success. MEGA thanks to PJ Ace for dropping the sauce on The Startup Ideas Podcast (SIP) 🧃 again PEOPLE CHARGE $$$ FOR THIS SORTA STUFF, IT'S FREE FOR YOU TO CRUSH IT I'd love to see him come back on, so please let us know if you enjoyed it AI slop is flooding every feed right now, which is exactly why great storytelling matters again. the people who use these tools with taste and intention will rise above the noise. this is the moment to build things that actually make people feel something. no one wants AI slop. everyone wants content that moves them, not just fills the feed.

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Let this chocolate brown Countach heal your algorithm! This commercial started as nothing more than an idea. I wanted to create something that felt timeless a chocolate brown Lamborghini Countach, an old-money atmosphere, a powerful woman, a luxury mansion party, natural daylight, authentic human interactions, and a commercial so realistic it wouldn't feel AI-generated at all. So I sat down with ChatGPT and explained the vision in detail. First, we built the story. I described the world, the mood, the characters, the setting, and the feeling I wanted viewers to experience. From there, ChatGPT helped transform that vision into a complete narrative, turning scattered ideas into a cinematic concept. Next came the planning stage. The story was broken down into a professional commercial timeline, scene by scene, shot by shot, exactly how a luxury automotive campaign would be storyboarded by a creative director and videographer. Then we went even deeper. Every scene was translated into detailed prompts, camera directions, movement instructions, lighting setups, slow-motion sequences, environmental details, character positioning, and luxury automotive close-ups. Once the sequence felt perfect, those ideas were converted into structured JSON prompts to maintain consistency throughout the project. After that, I generated individual storyboard images for every scene. Each image became a visual reference frame representing a specific moment of the commercial the mansion, the audience, the old-money styling, the Countach hero shots, the interior reveals, the scissor doors, and the final cinematic departure. Those reference images were then brought into Yapper where I used Seedance 2.0 to generate the actual video sequences. Multiple generations. Multiple revisions. Multiple refinements. Frame by frame, the vision started becoming reality. Finally, I edited both video sequences together, refined the pacing, synchronized the transitions, selected the music, and shaped everything into one seamless luxury automotive commercial. What you're watching isn't just an AI video. It's the result of storytelling, creative direction, prompt engineering, shot planning, storyboard creation, image generation, video generation, editing, and countless creative decisions. A chocolate brown Lamborghini Countach. An old-money lifestyle. A cinematic luxury fantasy brought to life from a single idea. Built through imagination. Designed through collaboration. Created frame by frame.

Julia Clark

26,529 次观看 • 3 个月前

Wuthering Waves, and what's next... A visit to Kuro Games headquarters an exclusive interview with CEO Solon by YTN Team Full Video: Q: Looking back, what first motivated the team to take on such an ambitious project? A: From the very beginning, we realized something important: when a goal feels difficult but the result is exciting, people’s eyes light up. That moment tells us the challenge is worth pursuing. We genuinely enjoy tackling hard problems, because we believe meaningful achievements only come from doing things that are difficult but right. Q: Your early projects gained attention very quickly. How did that affect the team? A: When our first product launched, the response exceeded expectations. At the time, it almost made us believe we already had everything figured out. But that confidence was quickly tested. We lacked experience in long-term content planning, sustainable version updates, and large-scale operations. Many issues only became apparent after launch, forcing us to learn by solving problems in real time. Q: How did those early lessons shape Punishing: Gray Raven? A: In hindsight, many early versions of our games didn’t fully reach their potential. Those shortcomings became invaluable lessons. When developing Punishing: Gray Raven, we consciously avoided repeating those mistakes. We studied player ecosystems, observed how other successful titles operated, and anticipated feedback before it arrived. That preparation laid the groundwork for a project that has now sustained itself for nearly six years. Q: When did the concept for Wuthering Waves take shape? A: With Wuthering Waves, our goal was very clear from the start: to create something players had never experienced before. We drew inspiration from works like Death Stranding, Annihilation, and outstanding domestic animation. Themes such as resonance, abstract spaces, supernatural phenomena, and strong audiovisual expression naturally pointed us toward an open-world action game. Q: Sound and “resonance” play a major role in the worldbuilding. Why was that important? A: We wanted sound to be more than atmosphere, it needed to be a narrative force. The idea of a world-altering resonance, a low-frequency “lament” capable of reshaping reality, became the foundation of the setting. From there, the world, its conflicts, and its powers gradually took form. Kuro aims to create concepts players have never experienced before. Inspirations include: - Supernatural themes. - Strong mechanical and emotional imagery. - Music as a storytelling medium. Q: How do you ensure cohesion between story, gameplay, and world design? A: Alignment is critical. Story, environment, and gameplay must reinforce each other. That requires long-term planning, especially when multiple versions are developed in parallel. Early coordination allows level design, systems, and IP development to inspire one another, which improves both efficiency and creative momentum. The goal is to avoid disconnected content between versions and maintain narrative and gameplay cohesion. Q: What does Version 3.0 represent for Wuthering Waves? A: Version 3.0 is a major milestone. It introduces an entirely new region, new characters, upgraded combat systems, and a significantly improved open-world traversal experience. Every version aims to deliver the best experience possible while continuing to surprise players. Q: How does the team handle player feedback? A: We monitor feedback through community data, sentiment analysis, and post-version reviews. Both positive and negative responses are carefully analyzed and reflected in future updates. Continuous iteration is essential to long-term success. Q: Early story reception was mixed. How did the team respond? A: We recognized that narrative presentation needed improvement. By optimizing production pipelines and increasing investment, later versions achieved much stronger storytelling clarity and delivery. Players can now more clearly feel the depth, direction, and long-term potential of the world. Q: Kuro Games is known for polish. How central is that philosophy? A: We believe every visible part of the game must meet high internal standards, like - Visual effects - Skills - Environmental details -Music and audio design or promotional content must meet a high standard. We want players to feel the identity and power of Wuthering Waves both inside and outside the game. We know that early story reception was weaker, but significant effort has been invested in: - Clearer storytelling - Stronger presentation - More emotionally impactful performances and scenes. Q: How do community events factor into long-term development? A: Long-term IP growth depends on emotional connection. Community events, both online and offline, help us understand player expectations while strengthening that bond. It’s a two-way relationship. Q: Looking ahead, what is Kuro Games’ long-term vision? A: Our goal is to become a globally influential action-game developer. Upcoming projects (e.g., Nami, still in development) are focused on: - Delivering unique action combat experiences. - Creating something clearly distinct within the action game genre. The story of Wuthering Waves is planned years in advance, with major narrative arcs already outlined. Q: Finally, how would you describe Kuro Games’ current phase? A: From Zhuhai to Guangzhou, we’re in a strong upward phase. Our growth is driven by a commitment to meaningful, high-quality experiences. Staying true to that original intent is what will continue to guide us forward. #WutheringWaves #punishinggrayraven

Wuthering Waves, and what's next... A visit to Kuro Games headquarters an exclusive interview with CEO Solon by YTN Team Full Video: Q: Looking back, what first motivated the team to take on such an ambitious project? A: From the very beginning, we realized something important: when a goal feels difficult but the result is exciting, people’s eyes light up. That moment tells us the challenge is worth pursuing. We genuinely enjoy tackling hard problems, because we believe meaningful achievements only come from doing things that are difficult but right. Q: Your early projects gained attention very quickly. How did that affect the team? A: When our first product launched, the response exceeded expectations. At the time, it almost made us believe we already had everything figured out. But that confidence was quickly tested. We lacked experience in long-term content planning, sustainable version updates, and large-scale operations. Many issues only became apparent after launch, forcing us to learn by solving problems in real time. Q: How did those early lessons shape Punishing: Gray Raven? A: In hindsight, many early versions of our games didn’t fully reach their potential. Those shortcomings became invaluable lessons. When developing Punishing: Gray Raven, we consciously avoided repeating those mistakes. We studied player ecosystems, observed how other successful titles operated, and anticipated feedback before it arrived. That preparation laid the groundwork for a project that has now sustained itself for nearly six years. Q: When did the concept for Wuthering Waves take shape? A: With Wuthering Waves, our goal was very clear from the start: to create something players had never experienced before. We drew inspiration from works like Death Stranding, Annihilation, and outstanding domestic animation. Themes such as resonance, abstract spaces, supernatural phenomena, and strong audiovisual expression naturally pointed us toward an open-world action game. Q: Sound and “resonance” play a major role in the worldbuilding. Why was that important? A: We wanted sound to be more than atmosphere, it needed to be a narrative force. The idea of a world-altering resonance, a low-frequency “lament” capable of reshaping reality, became the foundation of the setting. From there, the world, its conflicts, and its powers gradually took form. Kuro aims to create concepts players have never experienced before. Inspirations include: - Supernatural themes. - Strong mechanical and emotional imagery. - Music as a storytelling medium. Q: How do you ensure cohesion between story, gameplay, and world design? A: Alignment is critical. Story, environment, and gameplay must reinforce each other. That requires long-term planning, especially when multiple versions are developed in parallel. Early coordination allows level design, systems, and IP development to inspire one another, which improves both efficiency and creative momentum. The goal is to avoid disconnected content between versions and maintain narrative and gameplay cohesion. Q: What does Version 3.0 represent for Wuthering Waves? A: Version 3.0 is a major milestone. It introduces an entirely new region, new characters, upgraded combat systems, and a significantly improved open-world traversal experience. Every version aims to deliver the best experience possible while continuing to surprise players. Q: How does the team handle player feedback? A: We monitor feedback through community data, sentiment analysis, and post-version reviews. Both positive and negative responses are carefully analyzed and reflected in future updates. Continuous iteration is essential to long-term success. Q: Early story reception was mixed. How did the team respond? A: We recognized that narrative presentation needed improvement. By optimizing production pipelines and increasing investment, later versions achieved much stronger storytelling clarity and delivery. Players can now more clearly feel the depth, direction, and long-term potential of the world. Q: Kuro Games is known for polish. How central is that philosophy? A: We believe every visible part of the game must meet high internal standards, like - Visual effects - Skills - Environmental details -Music and audio design or promotional content must meet a high standard. We want players to feel the identity and power of Wuthering Waves both inside and outside the game. We know that early story reception was weaker, but significant effort has been invested in: - Clearer storytelling - Stronger presentation - More emotionally impactful performances and scenes. Q: How do community events factor into long-term development? A: Long-term IP growth depends on emotional connection. Community events, both online and offline, help us understand player expectations while strengthening that bond. It’s a two-way relationship. Q: Looking ahead, what is Kuro Games’ long-term vision? A: Our goal is to become a globally influential action-game developer. Upcoming projects (e.g., Nami, still in development) are focused on: - Delivering unique action combat experiences. - Creating something clearly distinct within the action game genre. The story of Wuthering Waves is planned years in advance, with major narrative arcs already outlined. Q: Finally, how would you describe Kuro Games’ current phase? A: From Zhuhai to Guangzhou, we’re in a strong upward phase. Our growth is driven by a commitment to meaningful, high-quality experiences. Staying true to that original intent is what will continue to guide us forward. #WutheringWaves #punishinggrayraven

Naru

72,974 次观看 • 9 个月前