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Erroll Garner couldn’t read music and critics tore into him for it. His response was ice cold and perfect: “No one comes to watch me read.”

Melodies & Masterpieces

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84,326 views • 2 months ago •via X (Twitter)

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“i believe music has no restrictions when it comes to expression. even if it doesn’t seem to have a deeper meaning for you, it may for others. that’s the beauty of music. you can read something into it..” — jennie

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Remembering the great Erroll Garner who was born on this day in 1921. One of the most original, intuitive and exciting pianists to emerge during the modern jazz era, Garner was one of the most well known and influential pianists in the world during his lifetime. By all accounts self-taught, Garner never studied music formally and never learned to read music. Nevertheless, he possessed dazzling technique and a totally unique playing style, including his trademark “strumming” of the chords he played with his right hand. He was an outstanding improviser who made full use of the piano keyboard, imparting a lush, orchestral feel to his interpretations of popular songs. Garner’s own jazz piano compositions include Blues Garni, Erroll’s Bounce, and his most famous piece, Misty, which became a jazz standard. He released music on over 40 labels, received multiple Grammy nominations, and recorded one of the greatest selling jazz albums of all time, Concert By The Sea which was released in 1955. Here, he is performing “Afinidad” live in France, 1972.

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op apologized for her korean pronunciation but still read their letter to him and look how cute his reaction was 🥹

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The detectives couldn’t believe that young thug was ready to snitch🐀🧀, they made sure they read those rights to him and made him read them again many times but bro was 10000% sure he wanted to rat 🐀😂 Young Thug ひ

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Erroll Garner performing “Penthouse Serenade” with Eddie Calhoun on bass and Kelly Martin on drums live on Jazz 625. From his earliest years, Erroll Garner’s relationship with music was defined by an intuitive genius. By four, he was recreating melodies on the piano by ear, soon revealing a photographic memory for sound. He could absorb a lengthy and intricate piece after a single hearing, later performing it with flawless recall. This innate ability meant he never learned to read music, building a vast mental repertoire of thousands of songs. Garner’s playing was characterized by a revolutionary harmonic sense, weaving the innovations of French impressionism into his own style. A virtuoso of key and tonality, he would often take a tune on a journey through all twelve keys mid-performance. Though his style transcended simple categorization, he collaborated with bebop pioneers like Parker and Gillespie, and cemented his own legacy by composing timeless classics, most notably “Misty.”

Erroll Garner performing “Penthouse Serenade” with Eddie Calhoun on bass and Kelly Martin on drums live on Jazz 625. From his earliest years, Erroll Garner’s relationship with music was defined by an intuitive genius. By four, he was recreating melodies on the piano by ear, soon revealing a photographic memory for sound. He could absorb a lengthy and intricate piece after a single hearing, later performing it with flawless recall. This innate ability meant he never learned to read music, building a vast mental repertoire of thousands of songs. Garner’s playing was characterized by a revolutionary harmonic sense, weaving the innovations of French impressionism into his own style. A virtuoso of key and tonality, he would often take a tune on a journey through all twelve keys mid-performance. Though his style transcended simple categorization, he collaborated with bebop pioneers like Parker and Gillespie, and cemented his own legacy by composing timeless classics, most notably “Misty.”

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Akademiks started FRYING sneako and questioned the quaran for being poorly written 😭 👀 “Your boy couldn’t read, he could see everything but couldn’t read” “He didn’t even know his abc’s.”

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