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Even a Jedi Master has needs, ya know? Please enjoy this Aayla Secura Twi'lek content from the Star Wars universe. Voices: 🔞 Midnight Datura - slowing down on comms Ivan E. Recshun 🔞 - Man of 1000 Voices - Adult VA Music: Manor Stories Animation/Edit: me Female only audio... show more

Chimera Fortysix

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23,419 次观看 • 9 个月前 •via X (Twitter)

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Commission for @wankelshark x Penny (Keith the Teddy Bear) 🔞 VA Female: 🍒 CherryRuby_VA🎙🔞 (COMMISSIONS OPEN) VA Male: Ivan E. Recshun 🔞 - Man of 1000 Voices - Adult VA <3 Sorry i've been drowning in work lately x.x I will try to post more ʕ•ᴥ•ʔ

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Commission for @wankelshark x Penny (Keith the Teddy Bear) 🔞 VA Female: 🍒 CherryRuby_VA🎙🔞 (COMMISSIONS OPEN) VA Male: Ivan E. Recshun 🔞 - Man of 1000 Voices - Adult VA <3 Sorry i've been drowning in work lately x.x I will try to post more ʕ•ᴥ•ʔ

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FFVII's Jessie's origin story: "I GOT THE PART!" 18+ minutes in length. Fully voiced acted by: MagicalMysticVA🎤💖 (NSFW Voice Actor & Streamer) Ivan E. Recshun 🔞 - Man of 1000 Voices - Adult VA Available now DM me a charity receipt of any donation and I'll give you access now Public release to follow

FFVII's Jessie's origin story: "I GOT THE PART!" 18+ minutes in length. Fully voiced acted by: MagicalMysticVA🎤💖 (NSFW Voice Actor & Streamer) Ivan E. Recshun 🔞 - Man of 1000 Voices - Adult VA Available now DM me a charity receipt of any donation and I'll give you access now Public release to follow

ThePartyWurm 🤙🏼

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Carrie Fisher on the character of Princess Leia in "Star Wars" & the depiction of real-life women in the movies: "Fisher: Leia has no friends, no family; her planet was blown up in seconds – along with her hairdresser – so all she has is a cause. From the first film, she was just a soldier, front line and center. The only way they knew to make the character strong was to make her angry. In "Star Wars: Episode VI - Return of the Jedi" (1983), she gets to be more feminine, more supportive, more affectionate. But let’s not forget that these movies are basically boys’ fantasies. So the other way they made her more female in this one was to have her take off her clothes. (...) Interviewer: Leia is a strong woman figure, but she’s a myth. She doesn’t operate in real life. And when they try to show real-life women in the movies. . . . Fisher: It doesn’t work, even in the Forties movies where it works the best, for me anyway. In stories like 'Adam’s Rib' (1949) and 'His Girl Friday' (1940), you’ve got two people competing as equals, but they love each other. It’s the classic Forties relationship, and the conflict is what makes it passionate. And no matter how much the woman might avoid the man in the beginning, she always softens up and marries him in the end. You don’t ever see what happens after the thrill of the chase is gone. I’m interested in what happens in the day-to-day business of living relationships, and that isn’t what movies are cut out to do." (Carrie Fisher's interview with Carol Caldwell, Rolling Stone, 1983) P.S: On this day, 43 years ago, "Star Wars: Episode VI - Return of the Jedi" (1983) premiered in New York City, USA.

Carrie Fisher on the character of Princess Leia in "Star Wars" & the depiction of real-life women in the movies: "Fisher: Leia has no friends, no family; her planet was blown up in seconds – along with her hairdresser – so all she has is a cause. From the first film, she was just a soldier, front line and center. The only way they knew to make the character strong was to make her angry. In "Star Wars: Episode VI - Return of the Jedi" (1983), she gets to be more feminine, more supportive, more affectionate. But let’s not forget that these movies are basically boys’ fantasies. So the other way they made her more female in this one was to have her take off her clothes. (...) Interviewer: Leia is a strong woman figure, but she’s a myth. She doesn’t operate in real life. And when they try to show real-life women in the movies. . . . Fisher: It doesn’t work, even in the Forties movies where it works the best, for me anyway. In stories like 'Adam’s Rib' (1949) and 'His Girl Friday' (1940), you’ve got two people competing as equals, but they love each other. It’s the classic Forties relationship, and the conflict is what makes it passionate. And no matter how much the woman might avoid the man in the beginning, she always softens up and marries him in the end. You don’t ever see what happens after the thrill of the chase is gone. I’m interested in what happens in the day-to-day business of living relationships, and that isn’t what movies are cut out to do." (Carrie Fisher's interview with Carol Caldwell, Rolling Stone, 1983) P.S: On this day, 43 years ago, "Star Wars: Episode VI - Return of the Jedi" (1983) premiered in New York City, USA.

DepressedBergman

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Me and Chris Janson drinking and singing one of our favorite songs, “Blues Man” from Hank Williams, Jr.. True story - Chris and I bonded years ago in a parking lot over our love for the Grand Ole Opry and classic Bocephus (Hank Jr) songs. We also have classic TootsiesOrchidLounge stories where when I was 15yrs old, living in Nashville, I had this dream (delusion) I was gonna become a country music star and I was hanging out on Lower Broad St trying to get into Tootsies so they’d let me sing. While Chris was starving and sleeping in his car, trying to get into Tootsies as well. Both of us had big country music dreams. One of us - thank God - goes on to become a big country music star and the other one goes on to become famous only for rocking a fanny pack and for singing in keys that don’t exist. Love ya brother and cheers to hard work and dreams that come true and an even bigger cheers to the dreams that don’t. 🥃 * Check out Chris’ new video - man we had FUN filming it! “Whatcha See Is Whatcha Get” OUT NOW🥃🍻🤜🏾🤛🏼

Me and Chris Janson drinking and singing one of our favorite songs, “Blues Man” from Hank Williams, Jr.. True story - Chris and I bonded years ago in a parking lot over our love for the Grand Ole Opry and classic Bocephus (Hank Jr) songs. We also have classic TootsiesOrchidLounge stories where when I was 15yrs old, living in Nashville, I had this dream (delusion) I was gonna become a country music star and I was hanging out on Lower Broad St trying to get into Tootsies so they’d let me sing. While Chris was starving and sleeping in his car, trying to get into Tootsies as well. Both of us had big country music dreams. One of us - thank God - goes on to become a big country music star and the other one goes on to become famous only for rocking a fanny pack and for singing in keys that don’t exist. Love ya brother and cheers to hard work and dreams that come true and an even bigger cheers to the dreams that don’t. 🥃 * Check out Chris’ new video - man we had FUN filming it! “Whatcha See Is Whatcha Get” OUT NOW🥃🍻🤜🏾🤛🏼

Dwayne Johnson

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Dear Jofri, The Content Creator of CUM 1 Productions Limited, I must say, I am grateful. After all these years of you insisting, both privately and publicly that I am somehow this powerful force behind your troubles, it is refreshing to finally see you agree with what I have always told you, mimi ni mtu mdogo sana. Because, let’s be honest, your life’s work around me has been fights, including that physical fight at Eldoret State Lodge and tireless efforts to have me removed from spaces I did not even know I occupied in your mind rent-free. I smile when I recall the many useless cases you brought before the President, touching on me, and such pettines, I must admit, takes the energy of a very big man. So yes, on this one, we are finally aligned. You are a very big man. And I am a very small one. Na hio ni sawa. After all, BIG MAN, you are running for 'president'. Me? I am only running in the GYM. In conclusion, dear BIG MAN, write down this somewhere.... THE TYRANNY OF SMALL NUMBERS. Yours sincerely, Small Man.

Dear Jofri, The Content Creator of CUM 1 Productions Limited, I must say, I am grateful. After all these years of you insisting, both privately and publicly that I am somehow this powerful force behind your troubles, it is refreshing to finally see you agree with what I have always told you, mimi ni mtu mdogo sana. Because, let’s be honest, your life’s work around me has been fights, including that physical fight at Eldoret State Lodge and tireless efforts to have me removed from spaces I did not even know I occupied in your mind rent-free. I smile when I recall the many useless cases you brought before the President, touching on me, and such pettines, I must admit, takes the energy of a very big man. So yes, on this one, we are finally aligned. You are a very big man. And I am a very small one. Na hio ni sawa. After all, BIG MAN, you are running for 'president'. Me? I am only running in the GYM. In conclusion, dear BIG MAN, write down this somewhere.... THE TYRANNY OF SMALL NUMBERS. Yours sincerely, Small Man.

-Dennis Itumbi, CBS

68,086 次观看 • 3 个月前

ilembe. For my Debut set, I wanted to start with something that reflected who I am, why I’m making this Decision to Dj, and something that reflects where I am in my life rn. Ilembe, a Song about a Great leader And his wars. I feel like I’m at War. At War with self. At War with the Man I used to be. At War with the Man I’m becoming. At war with with my Demons At war with my Purpose. At War with necessary opposition for the fulfillment of my purpose. I realized that some of the Greatest Leaders didn’t Lead from the Back, But at the Fore front. My love for Music has led me down another path And this time it’s at the fore front of it. To Take the biggest bet I’ve ever Taken, and this time, it’s on myself. I’ve taken The Rear seat For the longest to shine light on artistes that I Truly love, And this season has Required something different from me. While i am Fully committed to Building the ecosystem I dreamt of that will Help African Creatives. I will be Taking myself as the ultimate Lab rat. I’m Opening up the doors to a part of myself that has existed for the longest, But I Didn’t Tap into. I don’t know where this leads, But I know it will be hella fun. Scared, Yes. Excited, Even more. One thing is for sure, I am Jemedafe Odafe Caleb. I am Light, And I am Greatness. PARTYBOY.

ilembe. For my Debut set, I wanted to start with something that reflected who I am, why I’m making this Decision to Dj, and something that reflects where I am in my life rn. Ilembe, a Song about a Great leader And his wars. I feel like I’m at War. At War with self. At War with the Man I used to be. At War with the Man I’m becoming. At war with with my Demons At war with my Purpose. At War with necessary opposition for the fulfillment of my purpose. I realized that some of the Greatest Leaders didn’t Lead from the Back, But at the Fore front. My love for Music has led me down another path And this time it’s at the fore front of it. To Take the biggest bet I’ve ever Taken, and this time, it’s on myself. I’ve taken The Rear seat For the longest to shine light on artistes that I Truly love, And this season has Required something different from me. While i am Fully committed to Building the ecosystem I dreamt of that will Help African Creatives. I will be Taking myself as the ultimate Lab rat. I’m Opening up the doors to a part of myself that has existed for the longest, But I Didn’t Tap into. I don’t know where this leads, But I know it will be hella fun. Scared, Yes. Excited, Even more. One thing is for sure, I am Jemedafe Odafe Caleb. I am Light, And I am Greatness. PARTYBOY.

Partyboy🌍

10,420 次观看 • 2 个月前

Anna Cody, Australia’s sex discrimination commissioner, intervened in a federal court case against women only spaces, the accurate definition of woman & biological sex, instead in favor of men who claim to be women. All while school aged girls are not drinking water at school to avoid having to use bathrooms with boys in them, while women are being charged with vilification for accurately calling men men, while women are being injured on sports fields by men who claim to be women, while lesbians are denied their own events, while women have their lives turned upside down & have to raise almost $2million to fight for women only spaces in court, she has sided specifically with men who claim to be women. She has attended “trans rights” speaking events but never “women’s rights” events. I know she has heard the voices of women who rely on women only spaces because we submitted affidavits from these women in the Tickle v Giggle court case. Women who have been abused, women who are in recovery, women whose faith relies on sex segregation, women with trauma, women whose day to day needs require woman only spaces, lesbian women denied lesbian only events. She has ignored it all in favor of men who claim to be women. In the Giggle v Tickle appeal, it’s Giggle saying that the law can serve everyone. Have your trans only spaces, have gay only spaces, have male only spaces, have women + men who claim to be women spaces if you want, just also have female only spaces. The sex discrimination commissioner is actively against this, in favor of whatever men who claim to be women want. When you allow school girls to go without adequate single sex bathrooms, lesbians to be denied to right of single sex association, every woman who needs woman only spaces to go without, you are discriminating against women, and you’re doing it on the basis of sex. Yes, the sex discrimination commissioner is discriminating against women on the basis of sex. So for her to stand on stage and say that she not only listens to women but centers women who have experienced discrimination in her work is a demonstrable lie. I know this because I have the receipts. The sex discrimination commissioner should be forced to resign because she is not accurately doing her job. She is welcome to be a trans rights activist elsewhere but it certainly shouldn’t be in the office of the SEX discrimination commission.

Anna Cody, Australia’s sex discrimination commissioner, intervened in a federal court case against women only spaces, the accurate definition of woman & biological sex, instead in favor of men who claim to be women. All while school aged girls are not drinking water at school to avoid having to use bathrooms with boys in them, while women are being charged with vilification for accurately calling men men, while women are being injured on sports fields by men who claim to be women, while lesbians are denied their own events, while women have their lives turned upside down & have to raise almost $2million to fight for women only spaces in court, she has sided specifically with men who claim to be women. She has attended “trans rights” speaking events but never “women’s rights” events. I know she has heard the voices of women who rely on women only spaces because we submitted affidavits from these women in the Tickle v Giggle court case. Women who have been abused, women who are in recovery, women whose faith relies on sex segregation, women with trauma, women whose day to day needs require woman only spaces, lesbian women denied lesbian only events. She has ignored it all in favor of men who claim to be women. In the Giggle v Tickle appeal, it’s Giggle saying that the law can serve everyone. Have your trans only spaces, have gay only spaces, have male only spaces, have women + men who claim to be women spaces if you want, just also have female only spaces. The sex discrimination commissioner is actively against this, in favor of whatever men who claim to be women want. When you allow school girls to go without adequate single sex bathrooms, lesbians to be denied to right of single sex association, every woman who needs woman only spaces to go without, you are discriminating against women, and you’re doing it on the basis of sex. Yes, the sex discrimination commissioner is discriminating against women on the basis of sex. So for her to stand on stage and say that she not only listens to women but centers women who have experienced discrimination in her work is a demonstrable lie. I know this because I have the receipts. The sex discrimination commissioner should be forced to resign because she is not accurately doing her job. She is welcome to be a trans rights activist elsewhere but it certainly shouldn’t be in the office of the SEX discrimination commission.

Sall Grover

90,143 次观看 • 10 个月前

This is probably the most complex workflow I’ve ever built, only with open-source tools. It took my 4 days. It takes four inputs: author, title, and style; and generates a full visual animated story in one click in ComfyUI . I worked on it for four days. There are still some bugs, but here’s the first preview. Here’s a quick breakdown: - The four inputs are sent to LLMs with precise instructions to generate: first, prompts for images and image modifications; second, prompts for animations; third, prompts for generating music. - All voices are generated from the text and timed precisely, as they determine the length of each animation segment. - The first image and video are generated to serve as the title, but also as the guide for all other images created for the video. - Titles and subtitles are also added automatically in Comfy. - I also developed a lot of custom nodes for minor frame calculations, mostly to match audio and video. - The full system is a large loop that, for each line of text, generates an image and then a video from that image. The loop was the hardest part to build in this workflow, so it can process either a 20-second video or a 2-minute video with the same input. - There are multiple combinations of LLMs that try to understand the text in the best way to provide the best prompts for images and video. - The final video is assembled entirely within ComfyUI. - The music is generated based on the LLM output and matches the exact timing of the full animation. - Done! For reference, this workflow uses a lot of models and only works on an RTX 6000 Pro with plenty of RAM. My goal is not to replace humans, as I’ll try to explain later, this workflow is highly controlled and can be adapted or reworked at any point by real artists! My aim was to create a tool that can animate text in one go, allowing the AI some freedom while keeping a strict flow. I don’t know yet how I’ll share this workflow with people, I still need to polish it properly, but maybe through Patreon. Anyway, I hope you enjoy my research, and let’s always keep pushing further! :)

This is probably the most complex workflow I’ve ever built, only with open-source tools. It took my 4 days. It takes four inputs: author, title, and style; and generates a full visual animated story in one click in ComfyUI . I worked on it for four days. There are still some bugs, but here’s the first preview. Here’s a quick breakdown: - The four inputs are sent to LLMs with precise instructions to generate: first, prompts for images and image modifications; second, prompts for animations; third, prompts for generating music. - All voices are generated from the text and timed precisely, as they determine the length of each animation segment. - The first image and video are generated to serve as the title, but also as the guide for all other images created for the video. - Titles and subtitles are also added automatically in Comfy. - I also developed a lot of custom nodes for minor frame calculations, mostly to match audio and video. - The full system is a large loop that, for each line of text, generates an image and then a video from that image. The loop was the hardest part to build in this workflow, so it can process either a 20-second video or a 2-minute video with the same input. - There are multiple combinations of LLMs that try to understand the text in the best way to provide the best prompts for images and video. - The final video is assembled entirely within ComfyUI. - The music is generated based on the LLM output and matches the exact timing of the full animation. - Done! For reference, this workflow uses a lot of models and only works on an RTX 6000 Pro with plenty of RAM. My goal is not to replace humans, as I’ll try to explain later, this workflow is highly controlled and can be adapted or reworked at any point by real artists! My aim was to create a tool that can animate text in one go, allowing the AI some freedom while keeping a strict flow. I don’t know yet how I’ll share this workflow with people, I still need to polish it properly, but maybe through Patreon. Anyway, I hope you enjoy my research, and let’s always keep pushing further! :)

Lovis Odin

58,769 次观看 • 10 个月前

This is what will matter 1000 years from now. Not your politics. Not your stupid tantrums about who platformed who on some website. Not your incomprehensible desire to send NASA's entire budget to the third world. This guy reignited the Space Age. He spent his own money, hired a bunch of dudes, and reignited the Space Age. And together, they underbid and outdid NASA and its pet dinosaur corporations on every conceivable level. This is history happening before you. If you are a puddlefish, if you think this is a wasteful showpiece or science project, then you don't understand physics, economics, astronomy, or in fact the basic layout of the universe you live in. We live in a tiny puddle at the bottom of a well. Out there is an entire universe, full not only of stuff to explore, but full of stuff to build things out of. Big things. Wonderful things. Things that are going to make all of the cool stuff you have today, all of human civilization to date look like early Assyrians writing stuff down on wet clay with a reed. Infinite resources. Infinite energy. Infinite space. Instead of fighting over little patches of land, we will have an infinite 3d volume. Enclose it in steel, pump it full of air, spin it, and it's a habitat. Instead of scratching tiny scraps of metal out of the crust of one planet, we will break down entire asteroids and smelt them. Instead of drilling for hydrocarbons and turning water wheels, we will harness entire suns, split the atom, and eventually draw our fuel from the substance that makes up 99% of the entire universe. None of your local, temporal Earth politics matter compared to this. This is more important than pride parades and abortions, more important than tribal conflicts in eastern Europe and southwest Asia, more important than tensions with Russia and China. More important, in the long run, than the United States of America. America's most important function, its one most vital purpose, is to serve as an incubator for this. Because this changes everything. All of our arguments about conditions on this planet become obsolete, because the whole planet becomes just one suburban neighborhood. All of our wars over resources and territory become obsolete, because no one has time to brawl when we're all sitting on top of a dragon horde with sacks and shovels. Everyone who was alive at the time remembers where they were when Kennedy died in Dallas. When the towers fell. When the Eagle landed. When the Wall came down. But this... this is the real moment, one of the first of many. They are what every child will know about a thousand years from now, even if they have four arms and are genetically engineered for zero-g, or are sentient blocks of code running on a sphere of computronium enclosing an entire star. You may not live to see that, depending on what we do or don't invent, and when. But it will happen, and you will live to see wonderful things. If the puddlefish don't get in the way. Don't be a puddlefish.

This is what will matter 1000 years from now. Not your politics. Not your stupid tantrums about who platformed who on some website. Not your incomprehensible desire to send NASA's entire budget to the third world. This guy reignited the Space Age. He spent his own money, hired a bunch of dudes, and reignited the Space Age. And together, they underbid and outdid NASA and its pet dinosaur corporations on every conceivable level. This is history happening before you. If you are a puddlefish, if you think this is a wasteful showpiece or science project, then you don't understand physics, economics, astronomy, or in fact the basic layout of the universe you live in. We live in a tiny puddle at the bottom of a well. Out there is an entire universe, full not only of stuff to explore, but full of stuff to build things out of. Big things. Wonderful things. Things that are going to make all of the cool stuff you have today, all of human civilization to date look like early Assyrians writing stuff down on wet clay with a reed. Infinite resources. Infinite energy. Infinite space. Instead of fighting over little patches of land, we will have an infinite 3d volume. Enclose it in steel, pump it full of air, spin it, and it's a habitat. Instead of scratching tiny scraps of metal out of the crust of one planet, we will break down entire asteroids and smelt them. Instead of drilling for hydrocarbons and turning water wheels, we will harness entire suns, split the atom, and eventually draw our fuel from the substance that makes up 99% of the entire universe. None of your local, temporal Earth politics matter compared to this. This is more important than pride parades and abortions, more important than tribal conflicts in eastern Europe and southwest Asia, more important than tensions with Russia and China. More important, in the long run, than the United States of America. America's most important function, its one most vital purpose, is to serve as an incubator for this. Because this changes everything. All of our arguments about conditions on this planet become obsolete, because the whole planet becomes just one suburban neighborhood. All of our wars over resources and territory become obsolete, because no one has time to brawl when we're all sitting on top of a dragon horde with sacks and shovels. Everyone who was alive at the time remembers where they were when Kennedy died in Dallas. When the towers fell. When the Eagle landed. When the Wall came down. But this... this is the real moment, one of the first of many. They are what every child will know about a thousand years from now, even if they have four arms and are genetically engineered for zero-g, or are sentient blocks of code running on a sphere of computronium enclosing an entire star. You may not live to see that, depending on what we do or don't invent, and when. But it will happen, and you will live to see wonderful things. If the puddlefish don't get in the way. Don't be a puddlefish.

Devon Eriksen

3,440,395 次观看 • 1 年前

#EkBharatSherBharat 🇮🇳 एक भारत , शेर भारत The first song of my life, dedicated to the nation. And what better occasion could there be than presenting this song to the country on the first anniversary of #OperationSindoor. This is even more special for me because my father, along with all his five brothers, and almost everyone in my family, have either served in the armed forces or are still serving the nation at the borders. This song was created in just 9 days .. from writing to completion and this miracle was possible only because of extraordinary teamwork. The moment Sukhwinder Singh Paaji read the lyrics, he agreed to record it. #BiswadeepChaterjee , who has designed sound for all of Rajkumar Hirani sir’s films and recently for “Dhurandhar,” said yes without a second thought. #SuveerNath, who edited #OMG, worked day and night on the edit. #AmanPant, who composed music for films like #JollyLLB, created the music within 24 hours. And my dearest #ArindraChaudhary handled the entire post-production tirelessly, almost without sleep. I am deeply grateful to all three wings of the Indian Armed Forces — ADG PI - INDIAN ARMY, Indian Air Force and SpokespersonNavy — for providing several rare visuals/videos related to Operation Sindoor without delay. A special thanks to Chief of Defence Staff General Anil Chauhan HQ IDS for his constant encouragement. I am also extremely thankful to RTV, IBC24 News FelixHealthCare Manjeet Negi for supporting this effort. From today, this song belongs to all of you. To every citizen of this country. Please listen to it and share it across the nation. And if there are any shortcomings, kindly forgive them as the work of a first time lyricist.

#EkBharatSherBharat 🇮🇳 एक भारत , शेर भारत The first song of my life, dedicated to the nation. And what better occasion could there be than presenting this song to the country on the first anniversary of #OperationSindoor. This is even more special for me because my father, along with all his five brothers, and almost everyone in my family, have either served in the armed forces or are still serving the nation at the borders. This song was created in just 9 days .. from writing to completion and this miracle was possible only because of extraordinary teamwork. The moment Sukhwinder Singh Paaji read the lyrics, he agreed to record it. #BiswadeepChaterjee , who has designed sound for all of Rajkumar Hirani sir’s films and recently for “Dhurandhar,” said yes without a second thought. #SuveerNath, who edited #OMG, worked day and night on the edit. #AmanPant, who composed music for films like #JollyLLB, created the music within 24 hours. And my dearest #ArindraChaudhary handled the entire post-production tirelessly, almost without sleep. I am deeply grateful to all three wings of the Indian Armed Forces — ADG PI - INDIAN ARMY, Indian Air Force and SpokespersonNavy — for providing several rare visuals/videos related to Operation Sindoor without delay. A special thanks to Chief of Defence Staff General Anil Chauhan HQ IDS for his constant encouragement. I am also extremely thankful to RTV, IBC24 News FelixHealthCare Manjeet Negi for supporting this effort. From today, this song belongs to all of you. To every citizen of this country. Please listen to it and share it across the nation. And if there are any shortcomings, kindly forgive them as the work of a first time lyricist.

Vinod Kapri

57,753 次观看 • 2 个月前

2. Teasers / MV / Live presentations We believe all the content should include all members. Not some content, but all of it. We see some people excusing the exclusion of Lee Know in some content because "he will appear in other content", we don't understand why he would be excluded out of any content when the group includes 8 members. There isn't an excuse for this to happen all the time. We will only talk about recent releases and God's Menu to not make this even longer. a) Gods Menu - A title track where they gave him zero lines and screen time (song that they continue to sing, so the company could have made a redistribution of the lines). b) Megaverse - They gave him lines in the initial release, but then they cut his part to 3 seconds, and decided to delete his center part leaving him with half of a line. c) Hall Of Fame - Every live presentation they would cut Lee Know on his own part recording from below all of the other members and only listening to Lee Know's voice without being able to look at him. d) S-Class - They stopped recording the kick he does and instead they record the other members, Lee Know sings there. e) JJAM - When it was dance racha time, Lee Know got almost no time, during the life presentation the moment he goes to the center he says his line "I know..." and while he says it, the screen gets black, so he doesn't have that time on screen, later he is placed at the back covered during the dance break. He is the dance leader. f) Walkin on Water' - During the live presentation, they decided to record everyone on his part, and cut it from his own fancam. g) Recent teasers - He was completely excluded from the first teaser and only included in the second one, he got no solo recording on the MV like the other members. h) Giant - There is a part on the video where all the members are shown, Lee Know is covered and the lights are lowered where he is, making him invisible. During the live presentation, they record other members on his part, they put the dance focus on others, being the only part he has where he sings alone. i) YOUTH - After the release of the MV, the company decided to edit the video causing views to freeze and deleting a very important part where it thanked the people involved. The time from when the video was finished to when it was published was enough to arrange all the details, and the part deleted was so big, it was impossible to miss it. This happened before with his other individual work “Dawn”, which was deleted after some time, and re-uploaded, deleting all the views it had accumulated. This means one of two things, the company puts less interest and effort in Lee Know's work, or the company is purposefully hindering Lee Know's work. Either of the two is unacceptable by a company with so many resources and that claims to be a leader in the industry. This only shows a lack of professionalism and care. j) Dance leader - We know he is the dance leader, and K-stays and the members have talked a lot about how involved he is and how hard he works in that position, but the company refuses to include any footage of him doing it, and even cuts the parts where he gives his all. Just recently K-Stays were raving about how hard Lee Know worked as the dance leader and how much effort it took, One Label cut all of that footage from the Talker. It appears they don't want stays to look at anything he does, or to not give him recognition for anything.

2. Teasers / MV / Live presentations We believe all the content should include all members. Not some content, but all of it. We see some people excusing the exclusion of Lee Know in some content because "he will appear in other content", we don't understand why he would be excluded out of any content when the group includes 8 members. There isn't an excuse for this to happen all the time. We will only talk about recent releases and God's Menu to not make this even longer. a) Gods Menu - A title track where they gave him zero lines and screen time (song that they continue to sing, so the company could have made a redistribution of the lines). b) Megaverse - They gave him lines in the initial release, but then they cut his part to 3 seconds, and decided to delete his center part leaving him with half of a line. c) Hall Of Fame - Every live presentation they would cut Lee Know on his own part recording from below all of the other members and only listening to Lee Know's voice without being able to look at him. d) S-Class - They stopped recording the kick he does and instead they record the other members, Lee Know sings there. e) JJAM - When it was dance racha time, Lee Know got almost no time, during the life presentation the moment he goes to the center he says his line "I know..." and while he says it, the screen gets black, so he doesn't have that time on screen, later he is placed at the back covered during the dance break. He is the dance leader. f) Walkin on Water' - During the live presentation, they decided to record everyone on his part, and cut it from his own fancam. g) Recent teasers - He was completely excluded from the first teaser and only included in the second one, he got no solo recording on the MV like the other members. h) Giant - There is a part on the video where all the members are shown, Lee Know is covered and the lights are lowered where he is, making him invisible. During the live presentation, they record other members on his part, they put the dance focus on others, being the only part he has where he sings alone. i) YOUTH - After the release of the MV, the company decided to edit the video causing views to freeze and deleting a very important part where it thanked the people involved. The time from when the video was finished to when it was published was enough to arrange all the details, and the part deleted was so big, it was impossible to miss it. This happened before with his other individual work “Dawn”, which was deleted after some time, and re-uploaded, deleting all the views it had accumulated. This means one of two things, the company puts less interest and effort in Lee Know's work, or the company is purposefully hindering Lee Know's work. Either of the two is unacceptable by a company with so many resources and that claims to be a leader in the industry. This only shows a lack of professionalism and care. j) Dance leader - We know he is the dance leader, and K-stays and the members have talked a lot about how involved he is and how hard he works in that position, but the company refuses to include any footage of him doing it, and even cuts the parts where he gives his all. Just recently K-Stays were raving about how hard Lee Know worked as the dance leader and how much effort it took, One Label cut all of that footage from the Talker. It appears they don't want stays to look at anything he does, or to not give him recognition for anything.

LEE KNOW 리노 GLOBAL ★

21,011 次观看 • 1 年前

This is my first and last time commenting on the Oliver Mtukudzi saga. I knew Tuku for decades, from his days at Radio and Tape Promotions in the early 1990s when I was in journalism school. He was a normal human being like all of us, a musical genius, but like all human beings, he had his flaws, nobody doesn’t. We all agree that he gave so much to this country’s well-being, and for that, he deserves our respect. All of us have made mistakes in our private lives that we wish we hadn’t made, nobody is perfect. Every documentary film I ever made had a Tuku soundtrack. He did that for me at no cost. The only documentary film I made without Oliver’s soundtrack was A Violent Response; the soundtrack was laid by his son, Sam. Again, Sam refused to take money from me. They were good people, but like all of us, Tuku had his flaws. I think enough has been said about this great musician’s private and family life. Let us respect him and now move on from his private life. I respectfully hope that his family can resolve their issues privately too and not make a spectacle of it, as it is tarnishing his memory. We all have family issues, but we resolve them away from the public gaze. There is so much that Tuku told me about people in politics, the music industry, and business, but it would be disrespectful to share that. I wish others would feel the same way and let the legend rest in peace. Nothing Tuku did can be undone, we can only learn from such lessons. Let the old man rest, please! His children and wife have a right to talk about their experiences with their father and husband, respectively, but let us help them heal by not fuelling the rift. They are hurting. What they need are voices that help them become a happy family, not voices of polarity. We can be compassionate without inciting them, there is nothing that has been said that he didn’t address in his music. Let us not find joy in sharing this family’s pain and misery. Let us pray for them to heal their painful rift and bridge the gap. I have decided to speak not only because I knew Tuku personally but because I also feel that part of my success as a journalist was because of him. He was in my first-ever documentary film, Pain in my Heart, talking about how HIV and AIDS affected him when his band members were dying, including his brother Robert. That film won the African Journalist of the Year Award in 2007. I took the trophy to Pakare Paye for him to see it, he was super happy for me. Ndapota hangu, chisiyayi Samanyanga vazorore murugare. Below are two performances I recorded of Tuku at his base at Pakare Paye a few months before he died, and of his son Sam Mtukudzi in 2007. Let us enjoy their music and not dwell on gossip that erodes their great work.

This is my first and last time commenting on the Oliver Mtukudzi saga. I knew Tuku for decades, from his days at Radio and Tape Promotions in the early 1990s when I was in journalism school. He was a normal human being like all of us, a musical genius, but like all human beings, he had his flaws, nobody doesn’t. We all agree that he gave so much to this country’s well-being, and for that, he deserves our respect. All of us have made mistakes in our private lives that we wish we hadn’t made, nobody is perfect. Every documentary film I ever made had a Tuku soundtrack. He did that for me at no cost. The only documentary film I made without Oliver’s soundtrack was A Violent Response; the soundtrack was laid by his son, Sam. Again, Sam refused to take money from me. They were good people, but like all of us, Tuku had his flaws. I think enough has been said about this great musician’s private and family life. Let us respect him and now move on from his private life. I respectfully hope that his family can resolve their issues privately too and not make a spectacle of it, as it is tarnishing his memory. We all have family issues, but we resolve them away from the public gaze. There is so much that Tuku told me about people in politics, the music industry, and business, but it would be disrespectful to share that. I wish others would feel the same way and let the legend rest in peace. Nothing Tuku did can be undone, we can only learn from such lessons. Let the old man rest, please! His children and wife have a right to talk about their experiences with their father and husband, respectively, but let us help them heal by not fuelling the rift. They are hurting. What they need are voices that help them become a happy family, not voices of polarity. We can be compassionate without inciting them, there is nothing that has been said that he didn’t address in his music. Let us not find joy in sharing this family’s pain and misery. Let us pray for them to heal their painful rift and bridge the gap. I have decided to speak not only because I knew Tuku personally but because I also feel that part of my success as a journalist was because of him. He was in my first-ever documentary film, Pain in my Heart, talking about how HIV and AIDS affected him when his band members were dying, including his brother Robert. That film won the African Journalist of the Year Award in 2007. I took the trophy to Pakare Paye for him to see it, he was super happy for me. Ndapota hangu, chisiyayi Samanyanga vazorore murugare. Below are two performances I recorded of Tuku at his base at Pakare Paye a few months before he died, and of his son Sam Mtukudzi in 2007. Let us enjoy their music and not dwell on gossip that erodes their great work.

Hopewell Chin’ono

84,550 次观看 • 1 年前

In the last four years, I have reported on no fewer than 300 cases of s*xual abuse occurring within Texas public schools. This is only a drop in the bucket compared to the thousands of cases of children abused by school staff over decades. Some of these cases were mentioned in this Senate hearing, including one where a four-year-old child was sod0mized by school staff. Very few of the cases I have reported on ended with positive outcomes. Schools were emboldened to sweep many of these cases under the rug, turning off comments to prevent people from voicing their opinions, shutting down parents, silencing them, holding secret board meetings, and making covert decisions. Some schools were even caught in the act of erasing/hiding evidence, deleting footage and shredding documents. Many of the offenders were either kept on paid leave and allowed to return, or were passed from district to district with no accountability. Why? Because they are protected by immunity laws in the state of Texas. Some of this testimony is incredibly difficult to hear, but we owe it to these parents to ensure their voices are heard after being silenced by the very schools meant to protect their children. Thankfully, HB 4624, which will remove this immunity to hold public schools liable for these egregious cases, passed committee 11-0. The next step is to have this bill placed on the Senate intent calendar. Sadly, If it is not heard by the end of the day on Wednesday, it will be over. These parents deserve better. As a survivor myself and a parent of a child who has suffered this form of abuse, my heart breaks for them all. Please call your Texas Senator and urge them to support this bill and push to have it placed on the calendar. I ask that you like, share, and spread these testimonies. The more exposure, the more pressure we place on the Texas Senate. We all know this legislature has been disappointing for many so far. Let’s ensure something good comes out of this!

In the last four years, I have reported on no fewer than 300 cases of s*xual abuse occurring within Texas public schools. This is only a drop in the bucket compared to the thousands of cases of children abused by school staff over decades. Some of these cases were mentioned in this Senate hearing, including one where a four-year-old child was sod0mized by school staff. Very few of the cases I have reported on ended with positive outcomes. Schools were emboldened to sweep many of these cases under the rug, turning off comments to prevent people from voicing their opinions, shutting down parents, silencing them, holding secret board meetings, and making covert decisions. Some schools were even caught in the act of erasing/hiding evidence, deleting footage and shredding documents. Many of the offenders were either kept on paid leave and allowed to return, or were passed from district to district with no accountability. Why? Because they are protected by immunity laws in the state of Texas. Some of this testimony is incredibly difficult to hear, but we owe it to these parents to ensure their voices are heard after being silenced by the very schools meant to protect their children. Thankfully, HB 4624, which will remove this immunity to hold public schools liable for these egregious cases, passed committee 11-0. The next step is to have this bill placed on the Senate intent calendar. Sadly, If it is not heard by the end of the day on Wednesday, it will be over. These parents deserve better. As a survivor myself and a parent of a child who has suffered this form of abuse, my heart breaks for them all. Please call your Texas Senator and urge them to support this bill and push to have it placed on the calendar. I ask that you like, share, and spread these testimonies. The more exposure, the more pressure we place on the Texas Senate. We all know this legislature has been disappointing for many so far. Let’s ensure something good comes out of this!

Sarah Fields

237,442 次观看 • 1 年前

The Scottie Barnes revenge tour is gonna feed families. Scott Barnes Be Great 4 Scottie Barnes is a 24-year-old former Rookie of the Year, All-Star and general swiss-army-knife. But is he a superstar or a franchise player? What inspired this video is what inspired by initial fandom for Scottie Barnes to begin with—his passion, fire, grit and resilience. It takes more than talent to make a champion and Scottie has shown for over a decade that counting him out is always a bad bet. I remember back to not only one of my favorite films (Man on Fire by Tony Scott) but also one of my favorite basketball mixes from 2005 by Expired Pineapples (Kobe Bryant - A Man On Fire). To date it's the most artistic, creative and inspiring mix I've ever seen and I spent 18 hours setting out to create the internet's best Scottie Barnes mix tape. SUPPORT PENSARE BASKETBALL: e-transfers to pensarefilms@gmail.com FOLLOW US on IG : / pensarebasketball FOLLOW US on X: Back in the 90s and early 2000s, before twitter and social media, we got to meet stars through mix tapes. From LeBron James to Carmelo Anthony to Allen Iverson and Vince Carter. To me the best mix tapes were much more than just a sequence of dunks—they were deeply layered and thoughtful stories. So I present our community a story about a man...a man named Scott. Based on the film by Tony Scott (2004) Inspired by Kobe Bryant : Man On Fire by ExpiredPineapples (2005) Music by Harry Gregson-Williams #Raptors #WeTheNorth #nba #scottiebarnes

The Scottie Barnes revenge tour is gonna feed families. Scott Barnes Be Great 4 Scottie Barnes is a 24-year-old former Rookie of the Year, All-Star and general swiss-army-knife. But is he a superstar or a franchise player? What inspired this video is what inspired by initial fandom for Scottie Barnes to begin with—his passion, fire, grit and resilience. It takes more than talent to make a champion and Scottie has shown for over a decade that counting him out is always a bad bet. I remember back to not only one of my favorite films (Man on Fire by Tony Scott) but also one of my favorite basketball mixes from 2005 by Expired Pineapples (Kobe Bryant - A Man On Fire). To date it's the most artistic, creative and inspiring mix I've ever seen and I spent 18 hours setting out to create the internet's best Scottie Barnes mix tape. SUPPORT PENSARE BASKETBALL: e-transfers to [email protected] FOLLOW US on IG : / pensarebasketball FOLLOW US on X: Back in the 90s and early 2000s, before twitter and social media, we got to meet stars through mix tapes. From LeBron James to Carmelo Anthony to Allen Iverson and Vince Carter. To me the best mix tapes were much more than just a sequence of dunks—they were deeply layered and thoughtful stories. So I present our community a story about a man...a man named Scott. Based on the film by Tony Scott (2004) Inspired by Kobe Bryant : Man On Fire by ExpiredPineapples (2005) Music by Harry Gregson-Williams #Raptors #WeTheNorth #nba #scottiebarnes

Pensare Basketball

22,375 次观看 • 11 个月前

Dear Human Rights / Women Rights organizations of the World..! I want to draw your attention towards the extreme violence and fascism going on by the goverment of Pakistan on the women and workers of PTI which is the largest political party of Pakistan. 1000s of illegal abductions and 100s of killings of citizens including men, women and kids are being carried out. Women are being harassed, dragged on roads and beaten violently, whereas straight fires are shot on peaceful people, all being done by police and rangers of Pakistan. This is done only because these innocent people wanted to use their fundamental right of doing peaceful protests, because they want free and fair elections in Pakistan, which yet again is also a fundamental and constitutional right of every citizen. Its been more than a year people of Pakistan are facing this extreme cruelty from the state of Pakistan but during last fews weeks this has been multiplied 1000 times. Most of the electronic media has been forced not to report this fascism and the internet has been shut down throughout the country so that the world, through social media, should not know what is happening in Pakistan. Even journalists who wanted to speak up agaist this state cruelty are being harassed, illegaly arrested or abducted. I urge all the organizations, known world-wide for their services to protect human rights, especially the rights of women, to raise this issue in the world so that these activities in Pakistan must stop. Today it's Pakistan, the other day, these human right violations can occur in any other country, therefore this fascism and violence of human rights must be probed once and for all. Looking very much forward to your response in terms of raising your strong voices against this. United Nations hwr BBC News (World) United NationsWatch Volker Türk Human Rights Watch United NationsHumanRights Amnesty International South Asia, Regional Office António Guterres International Center for Journalists Michael Kugelman EU Fundamental Rights ➡️ #HumanRights Imran Khan @MrsImranRiaz Shehr Bano Official @SABAZAHID99 Tehreek-e-Insaf Jibran Ilyas Azhar Mashwani Hammad Azhar Hammad Azhar Barrister Abuzar Salman Niazi Sahibzada Hamid Raza Agha Muhammad Saleh 🌐🎙📚 Naeem Zubair Naeem Haider Panjutha Obaid Bhatti Siddique Jan Javeria Siddique #PakistanUnderFascism

Dear Human Rights / Women Rights organizations of the World..! I want to draw your attention towards the extreme violence and fascism going on by the goverment of Pakistan on the women and workers of PTI which is the largest political party of Pakistan. 1000s of illegal abductions and 100s of killings of citizens including men, women and kids are being carried out. Women are being harassed, dragged on roads and beaten violently, whereas straight fires are shot on peaceful people, all being done by police and rangers of Pakistan. This is done only because these innocent people wanted to use their fundamental right of doing peaceful protests, because they want free and fair elections in Pakistan, which yet again is also a fundamental and constitutional right of every citizen. Its been more than a year people of Pakistan are facing this extreme cruelty from the state of Pakistan but during last fews weeks this has been multiplied 1000 times. Most of the electronic media has been forced not to report this fascism and the internet has been shut down throughout the country so that the world, through social media, should not know what is happening in Pakistan. Even journalists who wanted to speak up agaist this state cruelty are being harassed, illegaly arrested or abducted. I urge all the organizations, known world-wide for their services to protect human rights, especially the rights of women, to raise this issue in the world so that these activities in Pakistan must stop. Today it's Pakistan, the other day, these human right violations can occur in any other country, therefore this fascism and violence of human rights must be probed once and for all. Looking very much forward to your response in terms of raising your strong voices against this. United Nations hwr BBC News (World) United NationsWatch Volker Türk Human Rights Watch United NationsHumanRights Amnesty International South Asia, Regional Office António Guterres International Center for Journalists Michael Kugelman EU Fundamental Rights ➡️ #HumanRights Imran Khan @MrsImranRiaz Shehr Bano Official @SABAZAHID99 Tehreek-e-Insaf Jibran Ilyas Azhar Mashwani Hammad Azhar Hammad Azhar Barrister Abuzar Salman Niazi Sahibzada Hamid Raza Agha Muhammad Saleh 🌐🎙📚 Naeem Zubair Naeem Haider Panjutha Obaid Bhatti Siddique Jan Javeria Siddique #PakistanUnderFascism

Syeda Rabia Batool

582,722 次观看 • 3 年前

🚨 Last night, an audio file was discovered in the Epstein Files that appears to be an FBI wiretap recording of what people are claiming is Erika Kirk procuring young girls for Epstein. Here is what I know and the questions I have: 🔻 The Phone Call The recording features a phone discussion involving a youthful-sounding female—portrayed as cooperating with federal authorities (DOJ)—speaking with someone who sounds like Erika Kirk. Background voices suggest law enforcement personnel guiding or debriefing the young woman before and after the conversation. 🔻 The Most Important Question — Is It Really Her? Does it sound like her? Absolutely… but audio can be tricky, and I’m leaning more toward no. Let me tell you why: First, this audio recording did not come with a date—of course. That detail is vitally important. All I know is that this audio comes from Dataset 9, page 661 of the Epstein Files. — Document The FBI/DOJ should take the time to address this. I’m sure an official statement could clarify who these people are… the cooperating victim (if legally permissible), but more importantly, the recruiter. With that said, I did some digging in the documents on my own. This audio recording contains specific keywords that, if it was an FBI call, should have a paper trail, right? —— Key words I searched for: “The more you do, the more you make” or the shorter version, “The more you do.” Sure enough, there are quite a few documents mentioning this. Here is one example: Within the Epstein files, a victim by the name of Haley Robson is identified as someone who was both a victim and later became a recruiter for Epstein. This court document is an excerpt from her deposition in a 2008–2009 civil lawsuit (Jane Doe v. Jeffrey Epstein, Haley Robson, and Sarah Kellen, filed in Florida federal court). The documents refer to events from around 2002 in the Jeffrey Epstein case (specifically tied to his Palm Beach, Florida operations and documented in 2005 police/prosecution materials and the 2009 civil deposition). Robson, then a 16-year-old high school student in West Palm Beach, Florida, was approached at school and recruited. She has stated in interviews and deposition excerpts that she was told the phrase “the more you do, the more you make” in connection with the arrangement and payments. She eventually resisted further sexual acts but was then offered $200 per girl she recruited from her school. She ultimately brought at least eight others (young as 14), earning more based on the level of acts involved. The recruiter who initially approached her and told her the quote is consistently described in all public sources only as “a classmate,” “a friend,” or “a girl in her class” from Royal Palm Beach Community High School. Erika Kirk (Frantzve) did not attend Royal Palm Beach Community High School. She grew up in Scottsdale, Arizona, and graduated in 2007 from Notre Dame Preparatory High School, a private Catholic school in Scottsdale. Erika Kirk is 37 years old today and would have been 13 years old (if this audio recording is from 2002). There’s no way that’s her if this is the case. Haley Robson is 40 years old and was reportedly 16 when she first met Jeffrey Epstein (around 2002). The timeline seems to match, assuming this is the correct year. I’ve listened and compared Haley Robson’s voice, and there are some similarities to the voice heard on this recording. Also consider that 24 years can change a voice significantly. Regardless, this is also something Haley Robson could easily dispel or confirm. If she has an X account, please tag her and ask directly if that is her in the audio. She appears frequently on television, so I don’t think she would mind clarifying whether this recruiter in the audio is her or not. That should be straightforward So as of right now, based on the evidence—at least for me—going with my gut, this is not Erika Kirk.

🚨 Last night, an audio file was discovered in the Epstein Files that appears to be an FBI wiretap recording of what people are claiming is Erika Kirk procuring young girls for Epstein. Here is what I know and the questions I have: 🔻 The Phone Call The recording features a phone discussion involving a youthful-sounding female—portrayed as cooperating with federal authorities (DOJ)—speaking with someone who sounds like Erika Kirk. Background voices suggest law enforcement personnel guiding or debriefing the young woman before and after the conversation. 🔻 The Most Important Question — Is It Really Her? Does it sound like her? Absolutely… but audio can be tricky, and I’m leaning more toward no. Let me tell you why: First, this audio recording did not come with a date—of course. That detail is vitally important. All I know is that this audio comes from Dataset 9, page 661 of the Epstein Files. — Document The FBI/DOJ should take the time to address this. I’m sure an official statement could clarify who these people are… the cooperating victim (if legally permissible), but more importantly, the recruiter. With that said, I did some digging in the documents on my own. This audio recording contains specific keywords that, if it was an FBI call, should have a paper trail, right? —— Key words I searched for: “The more you do, the more you make” or the shorter version, “The more you do.” Sure enough, there are quite a few documents mentioning this. Here is one example: Within the Epstein files, a victim by the name of Haley Robson is identified as someone who was both a victim and later became a recruiter for Epstein. This court document is an excerpt from her deposition in a 2008–2009 civil lawsuit (Jane Doe v. Jeffrey Epstein, Haley Robson, and Sarah Kellen, filed in Florida federal court). The documents refer to events from around 2002 in the Jeffrey Epstein case (specifically tied to his Palm Beach, Florida operations and documented in 2005 police/prosecution materials and the 2009 civil deposition). Robson, then a 16-year-old high school student in West Palm Beach, Florida, was approached at school and recruited. She has stated in interviews and deposition excerpts that she was told the phrase “the more you do, the more you make” in connection with the arrangement and payments. She eventually resisted further sexual acts but was then offered $200 per girl she recruited from her school. She ultimately brought at least eight others (young as 14), earning more based on the level of acts involved. The recruiter who initially approached her and told her the quote is consistently described in all public sources only as “a classmate,” “a friend,” or “a girl in her class” from Royal Palm Beach Community High School. Erika Kirk (Frantzve) did not attend Royal Palm Beach Community High School. She grew up in Scottsdale, Arizona, and graduated in 2007 from Notre Dame Preparatory High School, a private Catholic school in Scottsdale. Erika Kirk is 37 years old today and would have been 13 years old (if this audio recording is from 2002). There’s no way that’s her if this is the case. Haley Robson is 40 years old and was reportedly 16 when she first met Jeffrey Epstein (around 2002). The timeline seems to match, assuming this is the correct year. I’ve listened and compared Haley Robson’s voice, and there are some similarities to the voice heard on this recording. Also consider that 24 years can change a voice significantly. Regardless, this is also something Haley Robson could easily dispel or confirm. If she has an X account, please tag her and ask directly if that is her in the audio. She appears frequently on television, so I don’t think she would mind clarifying whether this recruiter in the audio is her or not. That should be straightforward So as of right now, based on the evidence—at least for me—going with my gut, this is not Erika Kirk.

MJTruthUltra

147,775 次观看 • 4 个月前

🔴 Look, my entire theory is based on the following: 1. We know that Alex Bruesewitz (and his team) controls the Trump accounts. 2. Trump is being lied to. We already know he was misbriefed about Tucker Carlson (Laura Loomer corrected that), and I believe the same thing is happening again. That's why, in his Truth Social posts, Trump keeps arguing against straw men that completely miss the actual political debate. Trump seems to think that: - opposition to the deal is coming only from "Dumocrats", - that critical voices are merely claiming he lost the war (that's not what this is about), - that critics are upset about taxpayer money going to the regime (not true, only MTG said that, and her account is/was run by Bruesewitz), - that America doesn't have the stomach to see it through, even though he wanted to move forward (most critics are opposing the deal), etc. Trump's Truth Social posts read like those of someone who does not know who is opposing the deal or why they are opposing it. 3. Bruesewitz is an obvious liar, master manipulator, and professional political gaslighter. He and his friends (Anna Paulina Luna, Donald Trump Jr., and Jack Posobiec) invented an Israeli bot campaign without presenting any evidence and continue to push it relentlessly - simply to discredit anyone critical of Vance and the deal. Bruesewitz goes as far as using questionable polls, smearing accounts as Israeli bots, and may even have played a role in a large number of them being suspended all at once. 4. And then there's this: in an interview from last year, Bruesewitz explained that during the election campaign, it was his job to monitor reactions and comments under Trump's posts and brief the president on the political mood at the time. If Alex is still the one doing that, then my conclusion is simple: he is almost certainly misrepresenting the real opposition to Vance and this deal when briefing Trump. Someone, please, needs to get to the bottom of this.

🔴 Look, my entire theory is based on the following: 1. We know that Alex Bruesewitz (and his team) controls the Trump accounts. 2. Trump is being lied to. We already know he was misbriefed about Tucker Carlson (Laura Loomer corrected that), and I believe the same thing is happening again. That's why, in his Truth Social posts, Trump keeps arguing against straw men that completely miss the actual political debate. Trump seems to think that: - opposition to the deal is coming only from "Dumocrats", - that critical voices are merely claiming he lost the war (that's not what this is about), - that critics are upset about taxpayer money going to the regime (not true, only MTG said that, and her account is/was run by Bruesewitz), - that America doesn't have the stomach to see it through, even though he wanted to move forward (most critics are opposing the deal), etc. Trump's Truth Social posts read like those of someone who does not know who is opposing the deal or why they are opposing it. 3. Bruesewitz is an obvious liar, master manipulator, and professional political gaslighter. He and his friends (Anna Paulina Luna, Donald Trump Jr., and Jack Posobiec) invented an Israeli bot campaign without presenting any evidence and continue to push it relentlessly - simply to discredit anyone critical of Vance and the deal. Bruesewitz goes as far as using questionable polls, smearing accounts as Israeli bots, and may even have played a role in a large number of them being suspended all at once. 4. And then there's this: in an interview from last year, Bruesewitz explained that during the election campaign, it was his job to monitor reactions and comments under Trump's posts and brief the president on the political mood at the time. If Alex is still the one doing that, then my conclusion is simple: he is almost certainly misrepresenting the real opposition to Vance and this deal when briefing Trump. Someone, please, needs to get to the bottom of this.

diana bloom

75,740 次观看 • 1 个月前

Hold up, what the fvck did I do now? People come with their private life on public social media platforms & expect everyone to give opinions they only agree with? At her old age she should know nothing good ever comes from airing out dirty linen about your family on social media She may feel she has achieved something by the attention she's getting. But all she's done is drag her father's name in the mud. The very same name she seeks to benefit from. Now disrespect will be coming from every corner aimed at her father's legacy And as for that emotional cursing nonsense, about how I'll end up in the same situation, back to sender. If anything I have always made it a point, avoid women with daddy issues (like her), they're damaged psychologically But even so, it doesn't justify all this drama, being damaged may not be your fault, but healing is your responsibility. Can't go on, being a victim, wanting public sympathy and all And that's just her side of the story, they're other 2 sides to the story, the step mom & the late man himself. But we all know dead men tell no tales, the late man isn't there to defend himself As for the stepmom it's of no use as well, nobody likes a stepmother, they have bad PR. So whatever evil thing they're accused of, we believe it In the end, the winners of this whole charade are Dj Ollah, he gets his views and smiling all the way to the bank Me & other bloggers as well, free content to create memes & write think pieces, also smiling straight to the bank The loser is the Mtukudzi legacy, due to her theatrics & stories she has managed to destroy a name that took 5 decades to build for 2 hours of attention Learn OR perish!!!

Sensitive content

Hold up, what the fvck did I do now? People come with their private life on public social media platforms & expect everyone to give opinions they only agree with? At her old age she should know nothing good ever comes from airing out dirty linen about your family on social media She may feel she has achieved something by the attention she's getting. But all she's done is drag her father's name in the mud. The very same name she seeks to benefit from. Now disrespect will be coming from every corner aimed at her father's legacy And as for that emotional cursing nonsense, about how I'll end up in the same situation, back to sender. If anything I have always made it a point, avoid women with daddy issues (like her), they're damaged psychologically But even so, it doesn't justify all this drama, being damaged may not be your fault, but healing is your responsibility. Can't go on, being a victim, wanting public sympathy and all And that's just her side of the story, they're other 2 sides to the story, the step mom & the late man himself. But we all know dead men tell no tales, the late man isn't there to defend himself As for the stepmom it's of no use as well, nobody likes a stepmother, they have bad PR. So whatever evil thing they're accused of, we believe it In the end, the winners of this whole charade are Dj Ollah, he gets his views and smiling all the way to the bank Me & other bloggers as well, free content to create memes & write think pieces, also smiling straight to the bank The loser is the Mtukudzi legacy, due to her theatrics & stories she has managed to destroy a name that took 5 decades to build for 2 hours of attention Learn OR perish!!!

𝑻𝒉𝒆 𝑺𝒂𝒍𝒕 𝑶𝒇 𝑻𝒉𝒆 𝑬𝒂𝒓𝒕𝒉

283,694 次观看 • 1 年前

🙏GRATEFUL🙏 The journey I started back in 2022 with just a concept has matured into Rwanda's most popular weekly podcast, 'The Long Form'. The conversation's that I've had are my attempt to better inform Rwandans, friends of Rwanda, East Africans and Africans as a whole about the Rwanda (and world) they live in. To survive and thrive in these times, information is key. This is my view The dream of a united Africa cannot come to pass unless we talk to each other and learn from each other's experience. That is why over the last two years, I've travelled to Uganda and Kenya to speak with though leaders, journalists, artists and politicians. We CANNOT wait for foreign voices to define how we see each other as Africans. Unfortunately, since independence, Africans have only seen, and heard, from each other through the lenses of the BBC, CNN, CCTV, Al Jazeera and Deutsche Welle. SABC's attempt to create a Pan-African news organisation sadly came to nought. Why? Because it was too expensive! Only external media could afford to pay foreign correspondent, buy expensive camera and operate global satellite systems. But that isnt the case today. With two microphones, a mixer, three cameras, two lights and editing software, you can create content that used to be the preserve of major media. And with Youtube, you can literally reach billions of people globally. You just need content and an internet connection. Partnership is Key! One of the things that I've learnt living in Rwanda and working alongside other Rwandans to build the country, is the power of collaboration. You go much further when you work with like-minded partners. That is why I've chosen to partner with Next Media. Next Media created the AfroMobile app, a one-stop space for live television, radio and podcasts. All geared towards the African audience. On it you shall find East African tv channels like NBS TV, Rwanda TV and K24. You shall also be able to enjoy live radio and exclusive music content. And you shall find The Form Podcast! By partnering with Next Media, I am partnering with an organization that not only believes in highlighting African voices, it believes that Africa's best days are coming. What should the Long Form audience expect from this partnership? More conversations with more Africans. The aim is for The Long Form to become a space where Africans (and friends of Africa) can share their stories. The Long Form Podcast AfroMobile Next Media LF Media

🙏GRATEFUL🙏 The journey I started back in 2022 with just a concept has matured into Rwanda's most popular weekly podcast, 'The Long Form'. The conversation's that I've had are my attempt to better inform Rwandans, friends of Rwanda, East Africans and Africans as a whole about the Rwanda (and world) they live in. To survive and thrive in these times, information is key. This is my view The dream of a united Africa cannot come to pass unless we talk to each other and learn from each other's experience. That is why over the last two years, I've travelled to Uganda and Kenya to speak with though leaders, journalists, artists and politicians. We CANNOT wait for foreign voices to define how we see each other as Africans. Unfortunately, since independence, Africans have only seen, and heard, from each other through the lenses of the BBC, CNN, CCTV, Al Jazeera and Deutsche Welle. SABC's attempt to create a Pan-African news organisation sadly came to nought. Why? Because it was too expensive! Only external media could afford to pay foreign correspondent, buy expensive camera and operate global satellite systems. But that isnt the case today. With two microphones, a mixer, three cameras, two lights and editing software, you can create content that used to be the preserve of major media. And with Youtube, you can literally reach billions of people globally. You just need content and an internet connection. Partnership is Key! One of the things that I've learnt living in Rwanda and working alongside other Rwandans to build the country, is the power of collaboration. You go much further when you work with like-minded partners. That is why I've chosen to partner with Next Media. Next Media created the AfroMobile app, a one-stop space for live television, radio and podcasts. All geared towards the African audience. On it you shall find East African tv channels like NBS TV, Rwanda TV and K24. You shall also be able to enjoy live radio and exclusive music content. And you shall find The Form Podcast! By partnering with Next Media, I am partnering with an organization that not only believes in highlighting African voices, it believes that Africa's best days are coming. What should the Long Form audience expect from this partnership? More conversations with more Africans. The aim is for The Long Form to become a space where Africans (and friends of Africa) can share their stories. The Long Form Podcast AfroMobile Next Media LF Media

Sanny Ntayombya

20,553 次观看 • 3 个月前

Robert Jenrick wants to know why Rachel Reeves, the Chancellor of the Exchequer, is friends with a fanatic called Arshad Khatana and why she has been going round his house for lunch. Khatana's fanaticism is not subtle. He shared a military video glorifying terrorists. He hosted preachers with vile views at his Leeds mosque. He called for revenge against India. He hates Jews. He attacks anyone who defies his version of Islam. Reeves is not the only senior Labour politician who has found herself in bed with such men. Across the country, Labour is now held ransom to Pakistani men like this. They deliver the bloc Muslim vote, and in return they expect compliance, reward and protection. Every Labour politician knows exactly what happens if they step out of line. So here is the question for Robert Jenrick and his Reform colleagues. What are you actually going to do about the infiltration of our democracy by Pakistani sectarians and Islamists? What specific actions will you take to protect our democracy from Islamists and the biraderi networks that prop them up? I know what I'd do. I'd go after the biraderi in the same way as the Americans went after the Mafia. _________ I am Raja Miah. For the past seven years, I led the campaign that exposed how Labour Party politicians protected the rape gangs. For most of this time, both politicians and the police have tried and failed to have me imprisoned. I will never work again because I refused to look the other way to the gang rape of children. Before that, I spent over twenty years protecting children and safeguarding communities from extremists. Queen Elizabeth II put a medal on my chest for the work I did. My work is free because truth must circulate. But truth without scale is easy to ignore. Power fears numbers. If you believe in accountability, please stand with me. The work I do is only possible with your support. The campaign will only succeed with us working in the open. This is why there are no paywalls to access any of my work. If you are one of the hundreds of thousands that regularly take value from my content, and can afford to do so, please support me with a paid subscription. 👉 A few supporters can be ignored. Thousands cannot.This is how this campaign survive. This is how we see this through. This is how voices like ours stops being managed and starts being feared. 🔴 Prefer a one-off contribution? 👉 👉 No sponsors. No parties. No institutions to lean on. Just numbers. Growing fast enough that shutting this down becomes impossible. We don’t need everyone. We need enough. We need you. Raja 🙏

Robert Jenrick wants to know why Rachel Reeves, the Chancellor of the Exchequer, is friends with a fanatic called Arshad Khatana and why she has been going round his house for lunch. Khatana's fanaticism is not subtle. He shared a military video glorifying terrorists. He hosted preachers with vile views at his Leeds mosque. He called for revenge against India. He hates Jews. He attacks anyone who defies his version of Islam. Reeves is not the only senior Labour politician who has found herself in bed with such men. Across the country, Labour is now held ransom to Pakistani men like this. They deliver the bloc Muslim vote, and in return they expect compliance, reward and protection. Every Labour politician knows exactly what happens if they step out of line. So here is the question for Robert Jenrick and his Reform colleagues. What are you actually going to do about the infiltration of our democracy by Pakistani sectarians and Islamists? What specific actions will you take to protect our democracy from Islamists and the biraderi networks that prop them up? I know what I'd do. I'd go after the biraderi in the same way as the Americans went after the Mafia. _________ I am Raja Miah. For the past seven years, I led the campaign that exposed how Labour Party politicians protected the rape gangs. For most of this time, both politicians and the police have tried and failed to have me imprisoned. I will never work again because I refused to look the other way to the gang rape of children. Before that, I spent over twenty years protecting children and safeguarding communities from extremists. Queen Elizabeth II put a medal on my chest for the work I did. My work is free because truth must circulate. But truth without scale is easy to ignore. Power fears numbers. If you believe in accountability, please stand with me. The work I do is only possible with your support. The campaign will only succeed with us working in the open. This is why there are no paywalls to access any of my work. If you are one of the hundreds of thousands that regularly take value from my content, and can afford to do so, please support me with a paid subscription. 👉 A few supporters can be ignored. Thousands cannot.This is how this campaign survive. This is how we see this through. This is how voices like ours stops being managed and starts being feared. 🔴 Prefer a one-off contribution? 👉 👉 No sponsors. No parties. No institutions to lean on. Just numbers. Growing fast enough that shutting this down becomes impossible. We don’t need everyone. We need enough. We need you. Raja 🙏

Raja Miah

40,384 次观看 • 4 个月前