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Even a Jedi Master has needs, ya know? Please enjoy this Aayla Secura Twi'lek content from the Star Wars universe. Voices: 🔞 Midnight Datura - slowing down on comms Ivan E. Recshun 🔞 - Man of 1000 Voices - Adult VA Music: Manor Stories Animation/Edit: me Female only audio... show more

Chimera Fortysix

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23,419 görüntüleme • 11 ay önce •via X (Twitter)

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FFVII's Jessie's origin story: "I GOT THE PART!" 18+ minutes in length. Fully voiced acted by: MagicalMysticVA🎤💖 (NSFW Voice Actor & Streamer) Ivan E. Recshun 🔞 - Man of 1000 Voices - Adult VA Available now DM me a charity receipt of any donation and I'll give you access now Public release to follow

FFVII's Jessie's origin story: "I GOT THE PART!" 18+ minutes in length. Fully voiced acted by: MagicalMysticVA🎤💖 (NSFW Voice Actor & Streamer) Ivan E. Recshun 🔞 - Man of 1000 Voices - Adult VA Available now DM me a charity receipt of any donation and I'll give you access now Public release to follow

ThePartyWurm 🤙🏼

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Carrie Fisher on the character of Princess Leia in "Star Wars" & the depiction of real-life women in the movies: "Fisher: Leia has no friends, no family; her planet was blown up in seconds – along with her hairdresser – so all she has is a cause. From the first film, she was just a soldier, front line and center. The only way they knew to make the character strong was to make her angry. In "Star Wars: Episode VI - Return of the Jedi" (1983), she gets to be more feminine, more supportive, more affectionate. But let’s not forget that these movies are basically boys’ fantasies. So the other way they made her more female in this one was to have her take off her clothes. (...) Interviewer: Leia is a strong woman figure, but she’s a myth. She doesn’t operate in real life. And when they try to show real-life women in the movies. . . . Fisher: It doesn’t work, even in the Forties movies where it works the best, for me anyway. In stories like 'Adam’s Rib' (1949) and 'His Girl Friday' (1940), you’ve got two people competing as equals, but they love each other. It’s the classic Forties relationship, and the conflict is what makes it passionate. And no matter how much the woman might avoid the man in the beginning, she always softens up and marries him in the end. You don’t ever see what happens after the thrill of the chase is gone. I’m interested in what happens in the day-to-day business of living relationships, and that isn’t what movies are cut out to do." (Carrie Fisher's interview with Carol Caldwell, Rolling Stone, 1983) P.S: On this day, 43 years ago, "Star Wars: Episode VI - Return of the Jedi" (1983) premiered in New York City, USA.

Carrie Fisher on the character of Princess Leia in "Star Wars" & the depiction of real-life women in the movies: "Fisher: Leia has no friends, no family; her planet was blown up in seconds – along with her hairdresser – so all she has is a cause. From the first film, she was just a soldier, front line and center. The only way they knew to make the character strong was to make her angry. In "Star Wars: Episode VI - Return of the Jedi" (1983), she gets to be more feminine, more supportive, more affectionate. But let’s not forget that these movies are basically boys’ fantasies. So the other way they made her more female in this one was to have her take off her clothes. (...) Interviewer: Leia is a strong woman figure, but she’s a myth. She doesn’t operate in real life. And when they try to show real-life women in the movies. . . . Fisher: It doesn’t work, even in the Forties movies where it works the best, for me anyway. In stories like 'Adam’s Rib' (1949) and 'His Girl Friday' (1940), you’ve got two people competing as equals, but they love each other. It’s the classic Forties relationship, and the conflict is what makes it passionate. And no matter how much the woman might avoid the man in the beginning, she always softens up and marries him in the end. You don’t ever see what happens after the thrill of the chase is gone. I’m interested in what happens in the day-to-day business of living relationships, and that isn’t what movies are cut out to do." (Carrie Fisher's interview with Carol Caldwell, Rolling Stone, 1983) P.S: On this day, 43 years ago, "Star Wars: Episode VI - Return of the Jedi" (1983) premiered in New York City, USA.

DepressedBergman

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Three Voices, One Old Song, and a Nearly Perfect Moment In 1976, on a simple stage lit by warm golden lights, Dolly Parton, Linda Ronstadt, and Emmylou Harris sat side by side. Dolly held a guitar, her blonde hair glowing under the lights. The three of them began to sing “Bury Me Under The Weeping Willow” — a classic folk song by The Carter Family. There was no big orchestra. No special effects. Just three voices blending together so naturally that viewers almost forgot they were watching a performance. Dolly led the melody with her clear, pure tone that still carried the breath of the Appalachian mountains. Emmylou Harris added delicate high notes, while Linda Ronstadt brought depth and emotional weight. Together they created a harmony that made the already melancholic song feel both aching and graceful. The song tells of longing for someone who has passed, and of the wish to rest beneath a weeping willow. In their voices, that old story was no longer just lyrics. It became a quiet whisper about connection, about the deep roots of American country music — music born from the land, from loss, and from simple love. That moment was special because it showed Dolly Parton was not only the glittering star with big hair and sparkling outfits. Sitting there with a guitar, singing alongside two friends, she appeared as a keeper of tradition. She played with those signature long nails, yet the sound remained steady and true. There was no need for showmanship; talent simply shone on its own. Years later the three women would record the celebrated album Trio. But this 1976 performance still holds a beauty of its own: the innocence, the mutual respect, and the love for old songs. They did not try to reinvent the piece. They simply let it live again through their voices. Today, after Dolly Parton has left us, that footage feels even more precious. It reminds viewers of a genuine Dolly, an artist who always knew how to return to her roots. In the harmony of those three voices, one hears not only music, but also humility and reverence for those who came before. Some performances make audiences applaud for technical skill. Others leave people silent because of pure feeling. This clip belongs to the second kind. Three women sat there, sang an old song, and accidentally left behind a nearly perfect moment — simple, clear, and still echoing.

Three Voices, One Old Song, and a Nearly Perfect Moment In 1976, on a simple stage lit by warm golden lights, Dolly Parton, Linda Ronstadt, and Emmylou Harris sat side by side. Dolly held a guitar, her blonde hair glowing under the lights. The three of them began to sing “Bury Me Under The Weeping Willow” — a classic folk song by The Carter Family. There was no big orchestra. No special effects. Just three voices blending together so naturally that viewers almost forgot they were watching a performance. Dolly led the melody with her clear, pure tone that still carried the breath of the Appalachian mountains. Emmylou Harris added delicate high notes, while Linda Ronstadt brought depth and emotional weight. Together they created a harmony that made the already melancholic song feel both aching and graceful. The song tells of longing for someone who has passed, and of the wish to rest beneath a weeping willow. In their voices, that old story was no longer just lyrics. It became a quiet whisper about connection, about the deep roots of American country music — music born from the land, from loss, and from simple love. That moment was special because it showed Dolly Parton was not only the glittering star with big hair and sparkling outfits. Sitting there with a guitar, singing alongside two friends, she appeared as a keeper of tradition. She played with those signature long nails, yet the sound remained steady and true. There was no need for showmanship; talent simply shone on its own. Years later the three women would record the celebrated album Trio. But this 1976 performance still holds a beauty of its own: the innocence, the mutual respect, and the love for old songs. They did not try to reinvent the piece. They simply let it live again through their voices. Today, after Dolly Parton has left us, that footage feels even more precious. It reminds viewers of a genuine Dolly, an artist who always knew how to return to her roots. In the harmony of those three voices, one hears not only music, but also humility and reverence for those who came before. Some performances make audiences applaud for technical skill. Others leave people silent because of pure feeling. This clip belongs to the second kind. Three women sat there, sang an old song, and accidentally left behind a nearly perfect moment — simple, clear, and still echoing.

Music over time🎻

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Me and Chris Janson drinking and singing one of our favorite songs, “Blues Man” from Hank Williams, Jr.. True story - Chris and I bonded years ago in a parking lot over our love for the Grand Ole Opry and classic Bocephus (Hank Jr) songs. We also have classic TootsiesOrchidLounge stories where when I was 15yrs old, living in Nashville, I had this dream (delusion) I was gonna become a country music star and I was hanging out on Lower Broad St trying to get into Tootsies so they’d let me sing. While Chris was starving and sleeping in his car, trying to get into Tootsies as well. Both of us had big country music dreams. One of us - thank God - goes on to become a big country music star and the other one goes on to become famous only for rocking a fanny pack and for singing in keys that don’t exist. Love ya brother and cheers to hard work and dreams that come true and an even bigger cheers to the dreams that don’t. 🥃 * Check out Chris’ new video - man we had FUN filming it! “Whatcha See Is Whatcha Get” OUT NOW🥃🍻🤜🏾🤛🏼

Me and Chris Janson drinking and singing one of our favorite songs, “Blues Man” from Hank Williams, Jr.. True story - Chris and I bonded years ago in a parking lot over our love for the Grand Ole Opry and classic Bocephus (Hank Jr) songs. We also have classic TootsiesOrchidLounge stories where when I was 15yrs old, living in Nashville, I had this dream (delusion) I was gonna become a country music star and I was hanging out on Lower Broad St trying to get into Tootsies so they’d let me sing. While Chris was starving and sleeping in his car, trying to get into Tootsies as well. Both of us had big country music dreams. One of us - thank God - goes on to become a big country music star and the other one goes on to become famous only for rocking a fanny pack and for singing in keys that don’t exist. Love ya brother and cheers to hard work and dreams that come true and an even bigger cheers to the dreams that don’t. 🥃 * Check out Chris’ new video - man we had FUN filming it! “Whatcha See Is Whatcha Get” OUT NOW🥃🍻🤜🏾🤛🏼

Dwayne Johnson

372,303 görüntüleme • 2 yıl önce

Dear Jofri, The Content Creator of CUM 1 Productions Limited, I must say, I am grateful. After all these years of you insisting, both privately and publicly that I am somehow this powerful force behind your troubles, it is refreshing to finally see you agree with what I have always told you, mimi ni mtu mdogo sana. Because, let’s be honest, your life’s work around me has been fights, including that physical fight at Eldoret State Lodge and tireless efforts to have me removed from spaces I did not even know I occupied in your mind rent-free. I smile when I recall the many useless cases you brought before the President, touching on me, and such pettines, I must admit, takes the energy of a very big man. So yes, on this one, we are finally aligned. You are a very big man. And I am a very small one. Na hio ni sawa. After all, BIG MAN, you are running for 'president'. Me? I am only running in the GYM. In conclusion, dear BIG MAN, write down this somewhere.... THE TYRANNY OF SMALL NUMBERS. Yours sincerely, Small Man.

Dear Jofri, The Content Creator of CUM 1 Productions Limited, I must say, I am grateful. After all these years of you insisting, both privately and publicly that I am somehow this powerful force behind your troubles, it is refreshing to finally see you agree with what I have always told you, mimi ni mtu mdogo sana. Because, let’s be honest, your life’s work around me has been fights, including that physical fight at Eldoret State Lodge and tireless efforts to have me removed from spaces I did not even know I occupied in your mind rent-free. I smile when I recall the many useless cases you brought before the President, touching on me, and such pettines, I must admit, takes the energy of a very big man. So yes, on this one, we are finally aligned. You are a very big man. And I am a very small one. Na hio ni sawa. After all, BIG MAN, you are running for 'president'. Me? I am only running in the GYM. In conclusion, dear BIG MAN, write down this somewhere.... THE TYRANNY OF SMALL NUMBERS. Yours sincerely, Small Man.

-Dennis Itumbi, CBS

68,295 görüntüleme • 6 ay önce

Kid Buu Destroys Planet Earth [HD]💥1080Pee🔥 Original Funimation w/ Bruce Faulconer🐦‍⬛ Audio✅ (BEST! Version)💯 (Not KAI)🤮 #DragonBallZ🐉🟠 🚨Copyrights ©️Akira Toriyama, Toei Animation, and Bruce Faulconer.⚠️🔫👮 All 291 episodes of DragonBall Z are available to stream in [HD] quality on Crunchyroll.🐉🟠 / Subscriptions start at $9.99/mo 💻🖱️ Visit for more details 🖥️ Bruce Faulconer's #DBZ discography is available on Spotify. 🎵🟢 (on Mobile, it may bring to a screen to hit play, then 'Get App'. If Spotify is Installed, 'Get App' should automatically load both for you.) 📱 ⚠️This is a FANMADE re-imagination of what our childhood 'could be' today. 🤔 See Pinned Post for "Pee Universe Explained by Pee" #PeeU🌎 See Bruce's Gooses📋below to find out if joining the Pee Warriors is for You. 🚫 (I'm just a fan like you, NO Affiliations!) 🛑🛑🛑 Now that's out of the way. Thanks for being here this evening! I'll be excited to bring you guys another ✨NEW Edit!💫 tomorrow around this same time. I'm trying a few new things out with my content, to reduce posts / and overall reposts down by including everything for the day in the last post of the day. (aka this) I have been doing Goku vs Cell over the past week. (Parts 1-4) are in the comments if you would like to watch that! Lastly, let me know in the comments some of your favorite DBZ moments you would like to see in the future in HD w/ Bruce Faulconer! Thanks again for being here, and just a reminder if you enjoy my edits please give them a like! It means a lot.❤️ -Pee

Kid Buu Destroys Planet Earth [HD]💥1080Pee🔥 Original Funimation w/ Bruce Faulconer🐦‍⬛ Audio✅ (BEST! Version)💯 (Not KAI)🤮 #DragonBallZ🐉🟠 🚨Copyrights ©️Akira Toriyama, Toei Animation, and Bruce Faulconer.⚠️🔫👮 All 291 episodes of DragonBall Z are available to stream in [HD] quality on Crunchyroll.🐉🟠 / Subscriptions start at $9.99/mo 💻🖱️ Visit for more details 🖥️ Bruce Faulconer's #DBZ discography is available on Spotify. 🎵🟢 (on Mobile, it may bring to a screen to hit play, then 'Get App'. If Spotify is Installed, 'Get App' should automatically load both for you.) 📱 ⚠️This is a FANMADE re-imagination of what our childhood 'could be' today. 🤔 See Pinned Post for "Pee Universe Explained by Pee" #PeeU🌎 See Bruce's Gooses📋below to find out if joining the Pee Warriors is for You. 🚫 (I'm just a fan like you, NO Affiliations!) 🛑🛑🛑 Now that's out of the way. Thanks for being here this evening! I'll be excited to bring you guys another ✨NEW Edit!💫 tomorrow around this same time. I'm trying a few new things out with my content, to reduce posts / and overall reposts down by including everything for the day in the last post of the day. (aka this) I have been doing Goku vs Cell over the past week. (Parts 1-4) are in the comments if you would like to watch that! Lastly, let me know in the comments some of your favorite DBZ moments you would like to see in the future in HD w/ Bruce Faulconer! Thanks again for being here, and just a reminder if you enjoy my edits please give them a like! It means a lot.❤️ -Pee

DragonBallPee

23,425 görüntüleme • 17 gün önce

ilembe. For my Debut set, I wanted to start with something that reflected who I am, why I’m making this Decision to Dj, and something that reflects where I am in my life rn. Ilembe, a Song about a Great leader And his wars. I feel like I’m at War. At War with self. At War with the Man I used to be. At War with the Man I’m becoming. At war with with my Demons At war with my Purpose. At War with necessary opposition for the fulfillment of my purpose. I realized that some of the Greatest Leaders didn’t Lead from the Back, But at the Fore front. My love for Music has led me down another path And this time it’s at the fore front of it. To Take the biggest bet I’ve ever Taken, and this time, it’s on myself. I’ve taken The Rear seat For the longest to shine light on artistes that I Truly love, And this season has Required something different from me. While i am Fully committed to Building the ecosystem I dreamt of that will Help African Creatives. I will be Taking myself as the ultimate Lab rat. I’m Opening up the doors to a part of myself that has existed for the longest, But I Didn’t Tap into. I don’t know where this leads, But I know it will be hella fun. Scared, Yes. Excited, Even more. One thing is for sure, I am Jemedafe Odafe Caleb. I am Light, And I am Greatness. PARTYBOY.

ilembe. For my Debut set, I wanted to start with something that reflected who I am, why I’m making this Decision to Dj, and something that reflects where I am in my life rn. Ilembe, a Song about a Great leader And his wars. I feel like I’m at War. At War with self. At War with the Man I used to be. At War with the Man I’m becoming. At war with with my Demons At war with my Purpose. At War with necessary opposition for the fulfillment of my purpose. I realized that some of the Greatest Leaders didn’t Lead from the Back, But at the Fore front. My love for Music has led me down another path And this time it’s at the fore front of it. To Take the biggest bet I’ve ever Taken, and this time, it’s on myself. I’ve taken The Rear seat For the longest to shine light on artistes that I Truly love, And this season has Required something different from me. While i am Fully committed to Building the ecosystem I dreamt of that will Help African Creatives. I will be Taking myself as the ultimate Lab rat. I’m Opening up the doors to a part of myself that has existed for the longest, But I Didn’t Tap into. I don’t know where this leads, But I know it will be hella fun. Scared, Yes. Excited, Even more. One thing is for sure, I am Jemedafe Odafe Caleb. I am Light, And I am Greatness. PARTYBOY.

Partyboy🌍

10,703 görüntüleme • 4 ay önce

Anna Cody, Australia’s sex discrimination commissioner, intervened in a federal court case against women only spaces, the accurate definition of woman & biological sex, instead in favor of men who claim to be women. All while school aged girls are not drinking water at school to avoid having to use bathrooms with boys in them, while women are being charged with vilification for accurately calling men men, while women are being injured on sports fields by men who claim to be women, while lesbians are denied their own events, while women have their lives turned upside down & have to raise almost $2million to fight for women only spaces in court, she has sided specifically with men who claim to be women. She has attended “trans rights” speaking events but never “women’s rights” events. I know she has heard the voices of women who rely on women only spaces because we submitted affidavits from these women in the Tickle v Giggle court case. Women who have been abused, women who are in recovery, women whose faith relies on sex segregation, women with trauma, women whose day to day needs require woman only spaces, lesbian women denied lesbian only events. She has ignored it all in favor of men who claim to be women. In the Giggle v Tickle appeal, it’s Giggle saying that the law can serve everyone. Have your trans only spaces, have gay only spaces, have male only spaces, have women + men who claim to be women spaces if you want, just also have female only spaces. The sex discrimination commissioner is actively against this, in favor of whatever men who claim to be women want. When you allow school girls to go without adequate single sex bathrooms, lesbians to be denied to right of single sex association, every woman who needs woman only spaces to go without, you are discriminating against women, and you’re doing it on the basis of sex. Yes, the sex discrimination commissioner is discriminating against women on the basis of sex. So for her to stand on stage and say that she not only listens to women but centers women who have experienced discrimination in her work is a demonstrable lie. I know this because I have the receipts. The sex discrimination commissioner should be forced to resign because she is not accurately doing her job. She is welcome to be a trans rights activist elsewhere but it certainly shouldn’t be in the office of the SEX discrimination commission.

Anna Cody, Australia’s sex discrimination commissioner, intervened in a federal court case against women only spaces, the accurate definition of woman & biological sex, instead in favor of men who claim to be women. All while school aged girls are not drinking water at school to avoid having to use bathrooms with boys in them, while women are being charged with vilification for accurately calling men men, while women are being injured on sports fields by men who claim to be women, while lesbians are denied their own events, while women have their lives turned upside down & have to raise almost $2million to fight for women only spaces in court, she has sided specifically with men who claim to be women. She has attended “trans rights” speaking events but never “women’s rights” events. I know she has heard the voices of women who rely on women only spaces because we submitted affidavits from these women in the Tickle v Giggle court case. Women who have been abused, women who are in recovery, women whose faith relies on sex segregation, women with trauma, women whose day to day needs require woman only spaces, lesbian women denied lesbian only events. She has ignored it all in favor of men who claim to be women. In the Giggle v Tickle appeal, it’s Giggle saying that the law can serve everyone. Have your trans only spaces, have gay only spaces, have male only spaces, have women + men who claim to be women spaces if you want, just also have female only spaces. The sex discrimination commissioner is actively against this, in favor of whatever men who claim to be women want. When you allow school girls to go without adequate single sex bathrooms, lesbians to be denied to right of single sex association, every woman who needs woman only spaces to go without, you are discriminating against women, and you’re doing it on the basis of sex. Yes, the sex discrimination commissioner is discriminating against women on the basis of sex. So for her to stand on stage and say that she not only listens to women but centers women who have experienced discrimination in her work is a demonstrable lie. I know this because I have the receipts. The sex discrimination commissioner should be forced to resign because she is not accurately doing her job. She is welcome to be a trans rights activist elsewhere but it certainly shouldn’t be in the office of the SEX discrimination commission.

Sall Grover

90,143 görüntüleme • 1 yıl önce

This is probably the most complex workflow I’ve ever built, only with open-source tools. It took my 4 days. It takes four inputs: author, title, and style; and generates a full visual animated story in one click in ComfyUI . I worked on it for four days. There are still some bugs, but here’s the first preview. Here’s a quick breakdown: - The four inputs are sent to LLMs with precise instructions to generate: first, prompts for images and image modifications; second, prompts for animations; third, prompts for generating music. - All voices are generated from the text and timed precisely, as they determine the length of each animation segment. - The first image and video are generated to serve as the title, but also as the guide for all other images created for the video. - Titles and subtitles are also added automatically in Comfy. - I also developed a lot of custom nodes for minor frame calculations, mostly to match audio and video. - The full system is a large loop that, for each line of text, generates an image and then a video from that image. The loop was the hardest part to build in this workflow, so it can process either a 20-second video or a 2-minute video with the same input. - There are multiple combinations of LLMs that try to understand the text in the best way to provide the best prompts for images and video. - The final video is assembled entirely within ComfyUI. - The music is generated based on the LLM output and matches the exact timing of the full animation. - Done! For reference, this workflow uses a lot of models and only works on an RTX 6000 Pro with plenty of RAM. My goal is not to replace humans, as I’ll try to explain later, this workflow is highly controlled and can be adapted or reworked at any point by real artists! My aim was to create a tool that can animate text in one go, allowing the AI some freedom while keeping a strict flow. I don’t know yet how I’ll share this workflow with people, I still need to polish it properly, but maybe through Patreon. Anyway, I hope you enjoy my research, and let’s always keep pushing further! :)

This is probably the most complex workflow I’ve ever built, only with open-source tools. It took my 4 days. It takes four inputs: author, title, and style; and generates a full visual animated story in one click in ComfyUI . I worked on it for four days. There are still some bugs, but here’s the first preview. Here’s a quick breakdown: - The four inputs are sent to LLMs with precise instructions to generate: first, prompts for images and image modifications; second, prompts for animations; third, prompts for generating music. - All voices are generated from the text and timed precisely, as they determine the length of each animation segment. - The first image and video are generated to serve as the title, but also as the guide for all other images created for the video. - Titles and subtitles are also added automatically in Comfy. - I also developed a lot of custom nodes for minor frame calculations, mostly to match audio and video. - The full system is a large loop that, for each line of text, generates an image and then a video from that image. The loop was the hardest part to build in this workflow, so it can process either a 20-second video or a 2-minute video with the same input. - There are multiple combinations of LLMs that try to understand the text in the best way to provide the best prompts for images and video. - The final video is assembled entirely within ComfyUI. - The music is generated based on the LLM output and matches the exact timing of the full animation. - Done! For reference, this workflow uses a lot of models and only works on an RTX 6000 Pro with plenty of RAM. My goal is not to replace humans, as I’ll try to explain later, this workflow is highly controlled and can be adapted or reworked at any point by real artists! My aim was to create a tool that can animate text in one go, allowing the AI some freedom while keeping a strict flow. I don’t know yet how I’ll share this workflow with people, I still need to polish it properly, but maybe through Patreon. Anyway, I hope you enjoy my research, and let’s always keep pushing further! :)

Lovis Odin

58,841 görüntüleme • 1 yıl önce

There are some stories you will hear that will make you start crying, even if you don’t know the person. Talk more of someone you know personally. 💔 There’s a lady who lived in my former area. She is a very beautiful, light-skinned woman. She has a 2-year-old son who is autistic. He can’t sit on his own, he can’t stand, he still wears diapers, and he needs a lot of care. Sadly, her husband said he couldn’t be a father to such a child and even called the boy a bastard. The woman said she got pregnant again just to please her husband, hoping things would get better. She gave birth to a baby girl, but the man said he didn’t want a girl child. Recently, he sent her and the children away from the house and said he no longer wanted the marriage. Now, she is stranded with her two children, while the man is busy following other women. She reached out to me yesterday, and when I saw her on video call, I cried. I remembered how beautiful she looked when I knew her before, and seeing how stressed and tired she looks now really broke my heart. I know some people will say stories like this are made up, so I asked her to make a video herself as proof. I don’t normally do this, but please 🙏🏽 let’s support her in any way we can. No amount is too small. Let’s help her get a place of her own and start a small business so she can take care of her children. Account Name: Abe Funto Grace Bank: Guaranty Trust Bank Account Number: 0256313568 For verification: that’s her number 08164428022 If you can’t donate, please share this post. You never know who might see it and be able to help. 🙏🏽 Sir Dickson

There are some stories you will hear that will make you start crying, even if you don’t know the person. Talk more of someone you know personally. 💔 There’s a lady who lived in my former area. She is a very beautiful, light-skinned woman. She has a 2-year-old son who is autistic. He can’t sit on his own, he can’t stand, he still wears diapers, and he needs a lot of care. Sadly, her husband said he couldn’t be a father to such a child and even called the boy a bastard. The woman said she got pregnant again just to please her husband, hoping things would get better. She gave birth to a baby girl, but the man said he didn’t want a girl child. Recently, he sent her and the children away from the house and said he no longer wanted the marriage. Now, she is stranded with her two children, while the man is busy following other women. She reached out to me yesterday, and when I saw her on video call, I cried. I remembered how beautiful she looked when I knew her before, and seeing how stressed and tired she looks now really broke my heart. I know some people will say stories like this are made up, so I asked her to make a video herself as proof. I don’t normally do this, but please 🙏🏽 let’s support her in any way we can. No amount is too small. Let’s help her get a place of her own and start a small business so she can take care of her children. Account Name: Abe Funto Grace Bank: Guaranty Trust Bank Account Number: 0256313568 For verification: that’s her number 08164428022 If you can’t donate, please share this post. You never know who might see it and be able to help. 🙏🏽 Sir Dickson

DEE ❤

69,510 görüntüleme • 1 ay önce

This is what will matter 1000 years from now. Not your politics. Not your stupid tantrums about who platformed who on some website. Not your incomprehensible desire to send NASA's entire budget to the third world. This guy reignited the Space Age. He spent his own money, hired a bunch of dudes, and reignited the Space Age. And together, they underbid and outdid NASA and its pet dinosaur corporations on every conceivable level. This is history happening before you. If you are a puddlefish, if you think this is a wasteful showpiece or science project, then you don't understand physics, economics, astronomy, or in fact the basic layout of the universe you live in. We live in a tiny puddle at the bottom of a well. Out there is an entire universe, full not only of stuff to explore, but full of stuff to build things out of. Big things. Wonderful things. Things that are going to make all of the cool stuff you have today, all of human civilization to date look like early Assyrians writing stuff down on wet clay with a reed. Infinite resources. Infinite energy. Infinite space. Instead of fighting over little patches of land, we will have an infinite 3d volume. Enclose it in steel, pump it full of air, spin it, and it's a habitat. Instead of scratching tiny scraps of metal out of the crust of one planet, we will break down entire asteroids and smelt them. Instead of drilling for hydrocarbons and turning water wheels, we will harness entire suns, split the atom, and eventually draw our fuel from the substance that makes up 99% of the entire universe. None of your local, temporal Earth politics matter compared to this. This is more important than pride parades and abortions, more important than tribal conflicts in eastern Europe and southwest Asia, more important than tensions with Russia and China. More important, in the long run, than the United States of America. America's most important function, its one most vital purpose, is to serve as an incubator for this. Because this changes everything. All of our arguments about conditions on this planet become obsolete, because the whole planet becomes just one suburban neighborhood. All of our wars over resources and territory become obsolete, because no one has time to brawl when we're all sitting on top of a dragon horde with sacks and shovels. Everyone who was alive at the time remembers where they were when Kennedy died in Dallas. When the towers fell. When the Eagle landed. When the Wall came down. But this... this is the real moment, one of the first of many. They are what every child will know about a thousand years from now, even if they have four arms and are genetically engineered for zero-g, or are sentient blocks of code running on a sphere of computronium enclosing an entire star. You may not live to see that, depending on what we do or don't invent, and when. But it will happen, and you will live to see wonderful things. If the puddlefish don't get in the way. Don't be a puddlefish.

This is what will matter 1000 years from now. Not your politics. Not your stupid tantrums about who platformed who on some website. Not your incomprehensible desire to send NASA's entire budget to the third world. This guy reignited the Space Age. He spent his own money, hired a bunch of dudes, and reignited the Space Age. And together, they underbid and outdid NASA and its pet dinosaur corporations on every conceivable level. This is history happening before you. If you are a puddlefish, if you think this is a wasteful showpiece or science project, then you don't understand physics, economics, astronomy, or in fact the basic layout of the universe you live in. We live in a tiny puddle at the bottom of a well. Out there is an entire universe, full not only of stuff to explore, but full of stuff to build things out of. Big things. Wonderful things. Things that are going to make all of the cool stuff you have today, all of human civilization to date look like early Assyrians writing stuff down on wet clay with a reed. Infinite resources. Infinite energy. Infinite space. Instead of fighting over little patches of land, we will have an infinite 3d volume. Enclose it in steel, pump it full of air, spin it, and it's a habitat. Instead of scratching tiny scraps of metal out of the crust of one planet, we will break down entire asteroids and smelt them. Instead of drilling for hydrocarbons and turning water wheels, we will harness entire suns, split the atom, and eventually draw our fuel from the substance that makes up 99% of the entire universe. None of your local, temporal Earth politics matter compared to this. This is more important than pride parades and abortions, more important than tribal conflicts in eastern Europe and southwest Asia, more important than tensions with Russia and China. More important, in the long run, than the United States of America. America's most important function, its one most vital purpose, is to serve as an incubator for this. Because this changes everything. All of our arguments about conditions on this planet become obsolete, because the whole planet becomes just one suburban neighborhood. All of our wars over resources and territory become obsolete, because no one has time to brawl when we're all sitting on top of a dragon horde with sacks and shovels. Everyone who was alive at the time remembers where they were when Kennedy died in Dallas. When the towers fell. When the Eagle landed. When the Wall came down. But this... this is the real moment, one of the first of many. They are what every child will know about a thousand years from now, even if they have four arms and are genetically engineered for zero-g, or are sentient blocks of code running on a sphere of computronium enclosing an entire star. You may not live to see that, depending on what we do or don't invent, and when. But it will happen, and you will live to see wonderful things. If the puddlefish don't get in the way. Don't be a puddlefish.

Devon Eriksen

3,442,714 görüntüleme • 1 yıl önce

#EkBharatSherBharat 🇮🇳 एक भारत , शेर भारत The first song of my life, dedicated to the nation. And what better occasion could there be than presenting this song to the country on the first anniversary of #OperationSindoor. This is even more special for me because my father, along with all his five brothers, and almost everyone in my family, have either served in the armed forces or are still serving the nation at the borders. This song was created in just 9 days .. from writing to completion and this miracle was possible only because of extraordinary teamwork. The moment Sukhwinder Singh Paaji read the lyrics, he agreed to record it. #BiswadeepChaterjee , who has designed sound for all of Rajkumar Hirani sir’s films and recently for “Dhurandhar,” said yes without a second thought. #SuveerNath, who edited #OMG, worked day and night on the edit. #AmanPant, who composed music for films like #JollyLLB, created the music within 24 hours. And my dearest #ArindraChaudhary handled the entire post-production tirelessly, almost without sleep. I am deeply grateful to all three wings of the Indian Armed Forces — ADG PI - INDIAN ARMY, Indian Air Force and SpokespersonNavy — for providing several rare visuals/videos related to Operation Sindoor without delay. A special thanks to Chief of Defence Staff General Anil Chauhan HQ IDS for his constant encouragement. I am also extremely thankful to RTV, IBC24 News FelixHealthCare Manjeet Negi for supporting this effort. From today, this song belongs to all of you. To every citizen of this country. Please listen to it and share it across the nation. And if there are any shortcomings, kindly forgive them as the work of a first time lyricist.

#EkBharatSherBharat 🇮🇳 एक भारत , शेर भारत The first song of my life, dedicated to the nation. And what better occasion could there be than presenting this song to the country on the first anniversary of #OperationSindoor. This is even more special for me because my father, along with all his five brothers, and almost everyone in my family, have either served in the armed forces or are still serving the nation at the borders. This song was created in just 9 days .. from writing to completion and this miracle was possible only because of extraordinary teamwork. The moment Sukhwinder Singh Paaji read the lyrics, he agreed to record it. #BiswadeepChaterjee , who has designed sound for all of Rajkumar Hirani sir’s films and recently for “Dhurandhar,” said yes without a second thought. #SuveerNath, who edited #OMG, worked day and night on the edit. #AmanPant, who composed music for films like #JollyLLB, created the music within 24 hours. And my dearest #ArindraChaudhary handled the entire post-production tirelessly, almost without sleep. I am deeply grateful to all three wings of the Indian Armed Forces — ADG PI - INDIAN ARMY, Indian Air Force and SpokespersonNavy — for providing several rare visuals/videos related to Operation Sindoor without delay. A special thanks to Chief of Defence Staff General Anil Chauhan HQ IDS for his constant encouragement. I am also extremely thankful to RTV, IBC24 News FelixHealthCare Manjeet Negi for supporting this effort. From today, this song belongs to all of you. To every citizen of this country. Please listen to it and share it across the nation. And if there are any shortcomings, kindly forgive them as the work of a first time lyricist.

Vinod Kapri

58,646 görüntüleme • 4 ay önce

2. Teasers / MV / Live presentations We believe all the content should include all members. Not some content, but all of it. We see some people excusing the exclusion of Lee Know in some content because "he will appear in other content", we don't understand why he would be excluded out of any content when the group includes 8 members. There isn't an excuse for this to happen all the time. We will only talk about recent releases and God's Menu to not make this even longer. a) Gods Menu - A title track where they gave him zero lines and screen time (song that they continue to sing, so the company could have made a redistribution of the lines). b) Megaverse - They gave him lines in the initial release, but then they cut his part to 3 seconds, and decided to delete his center part leaving him with half of a line. c) Hall Of Fame - Every live presentation they would cut Lee Know on his own part recording from below all of the other members and only listening to Lee Know's voice without being able to look at him. d) S-Class - They stopped recording the kick he does and instead they record the other members, Lee Know sings there. e) JJAM - When it was dance racha time, Lee Know got almost no time, during the life presentation the moment he goes to the center he says his line "I know..." and while he says it, the screen gets black, so he doesn't have that time on screen, later he is placed at the back covered during the dance break. He is the dance leader. f) Walkin on Water' - During the live presentation, they decided to record everyone on his part, and cut it from his own fancam. g) Recent teasers - He was completely excluded from the first teaser and only included in the second one, he got no solo recording on the MV like the other members. h) Giant - There is a part on the video where all the members are shown, Lee Know is covered and the lights are lowered where he is, making him invisible. During the live presentation, they record other members on his part, they put the dance focus on others, being the only part he has where he sings alone. i) YOUTH - After the release of the MV, the company decided to edit the video causing views to freeze and deleting a very important part where it thanked the people involved. The time from when the video was finished to when it was published was enough to arrange all the details, and the part deleted was so big, it was impossible to miss it. This happened before with his other individual work “Dawn”, which was deleted after some time, and re-uploaded, deleting all the views it had accumulated. This means one of two things, the company puts less interest and effort in Lee Know's work, or the company is purposefully hindering Lee Know's work. Either of the two is unacceptable by a company with so many resources and that claims to be a leader in the industry. This only shows a lack of professionalism and care. j) Dance leader - We know he is the dance leader, and K-stays and the members have talked a lot about how involved he is and how hard he works in that position, but the company refuses to include any footage of him doing it, and even cuts the parts where he gives his all. Just recently K-Stays were raving about how hard Lee Know worked as the dance leader and how much effort it took, One Label cut all of that footage from the Talker. It appears they don't want stays to look at anything he does, or to not give him recognition for anything.

2. Teasers / MV / Live presentations We believe all the content should include all members. Not some content, but all of it. We see some people excusing the exclusion of Lee Know in some content because "he will appear in other content", we don't understand why he would be excluded out of any content when the group includes 8 members. There isn't an excuse for this to happen all the time. We will only talk about recent releases and God's Menu to not make this even longer. a) Gods Menu - A title track where they gave him zero lines and screen time (song that they continue to sing, so the company could have made a redistribution of the lines). b) Megaverse - They gave him lines in the initial release, but then they cut his part to 3 seconds, and decided to delete his center part leaving him with half of a line. c) Hall Of Fame - Every live presentation they would cut Lee Know on his own part recording from below all of the other members and only listening to Lee Know's voice without being able to look at him. d) S-Class - They stopped recording the kick he does and instead they record the other members, Lee Know sings there. e) JJAM - When it was dance racha time, Lee Know got almost no time, during the life presentation the moment he goes to the center he says his line "I know..." and while he says it, the screen gets black, so he doesn't have that time on screen, later he is placed at the back covered during the dance break. He is the dance leader. f) Walkin on Water' - During the live presentation, they decided to record everyone on his part, and cut it from his own fancam. g) Recent teasers - He was completely excluded from the first teaser and only included in the second one, he got no solo recording on the MV like the other members. h) Giant - There is a part on the video where all the members are shown, Lee Know is covered and the lights are lowered where he is, making him invisible. During the live presentation, they record other members on his part, they put the dance focus on others, being the only part he has where he sings alone. i) YOUTH - After the release of the MV, the company decided to edit the video causing views to freeze and deleting a very important part where it thanked the people involved. The time from when the video was finished to when it was published was enough to arrange all the details, and the part deleted was so big, it was impossible to miss it. This happened before with his other individual work “Dawn”, which was deleted after some time, and re-uploaded, deleting all the views it had accumulated. This means one of two things, the company puts less interest and effort in Lee Know's work, or the company is purposefully hindering Lee Know's work. Either of the two is unacceptable by a company with so many resources and that claims to be a leader in the industry. This only shows a lack of professionalism and care. j) Dance leader - We know he is the dance leader, and K-stays and the members have talked a lot about how involved he is and how hard he works in that position, but the company refuses to include any footage of him doing it, and even cuts the parts where he gives his all. Just recently K-Stays were raving about how hard Lee Know worked as the dance leader and how much effort it took, One Label cut all of that footage from the Talker. It appears they don't want stays to look at anything he does, or to not give him recognition for anything.

LEE KNOW 리노 GLOBAL ★

21,011 görüntüleme • 1 yıl önce

This is my first and last time commenting on the Oliver Mtukudzi saga. I knew Tuku for decades, from his days at Radio and Tape Promotions in the early 1990s when I was in journalism school. He was a normal human being like all of us, a musical genius, but like all human beings, he had his flaws, nobody doesn’t. We all agree that he gave so much to this country’s well-being, and for that, he deserves our respect. All of us have made mistakes in our private lives that we wish we hadn’t made, nobody is perfect. Every documentary film I ever made had a Tuku soundtrack. He did that for me at no cost. The only documentary film I made without Oliver’s soundtrack was A Violent Response; the soundtrack was laid by his son, Sam. Again, Sam refused to take money from me. They were good people, but like all of us, Tuku had his flaws. I think enough has been said about this great musician’s private and family life. Let us respect him and now move on from his private life. I respectfully hope that his family can resolve their issues privately too and not make a spectacle of it, as it is tarnishing his memory. We all have family issues, but we resolve them away from the public gaze. There is so much that Tuku told me about people in politics, the music industry, and business, but it would be disrespectful to share that. I wish others would feel the same way and let the legend rest in peace. Nothing Tuku did can be undone, we can only learn from such lessons. Let the old man rest, please! His children and wife have a right to talk about their experiences with their father and husband, respectively, but let us help them heal by not fuelling the rift. They are hurting. What they need are voices that help them become a happy family, not voices of polarity. We can be compassionate without inciting them, there is nothing that has been said that he didn’t address in his music. Let us not find joy in sharing this family’s pain and misery. Let us pray for them to heal their painful rift and bridge the gap. I have decided to speak not only because I knew Tuku personally but because I also feel that part of my success as a journalist was because of him. He was in my first-ever documentary film, Pain in my Heart, talking about how HIV and AIDS affected him when his band members were dying, including his brother Robert. That film won the African Journalist of the Year Award in 2007. I took the trophy to Pakare Paye for him to see it, he was super happy for me. Ndapota hangu, chisiyayi Samanyanga vazorore murugare. Below are two performances I recorded of Tuku at his base at Pakare Paye a few months before he died, and of his son Sam Mtukudzi in 2007. Let us enjoy their music and not dwell on gossip that erodes their great work.

This is my first and last time commenting on the Oliver Mtukudzi saga. I knew Tuku for decades, from his days at Radio and Tape Promotions in the early 1990s when I was in journalism school. He was a normal human being like all of us, a musical genius, but like all human beings, he had his flaws, nobody doesn’t. We all agree that he gave so much to this country’s well-being, and for that, he deserves our respect. All of us have made mistakes in our private lives that we wish we hadn’t made, nobody is perfect. Every documentary film I ever made had a Tuku soundtrack. He did that for me at no cost. The only documentary film I made without Oliver’s soundtrack was A Violent Response; the soundtrack was laid by his son, Sam. Again, Sam refused to take money from me. They were good people, but like all of us, Tuku had his flaws. I think enough has been said about this great musician’s private and family life. Let us respect him and now move on from his private life. I respectfully hope that his family can resolve their issues privately too and not make a spectacle of it, as it is tarnishing his memory. We all have family issues, but we resolve them away from the public gaze. There is so much that Tuku told me about people in politics, the music industry, and business, but it would be disrespectful to share that. I wish others would feel the same way and let the legend rest in peace. Nothing Tuku did can be undone, we can only learn from such lessons. Let the old man rest, please! His children and wife have a right to talk about their experiences with their father and husband, respectively, but let us help them heal by not fuelling the rift. They are hurting. What they need are voices that help them become a happy family, not voices of polarity. We can be compassionate without inciting them, there is nothing that has been said that he didn’t address in his music. Let us not find joy in sharing this family’s pain and misery. Let us pray for them to heal their painful rift and bridge the gap. I have decided to speak not only because I knew Tuku personally but because I also feel that part of my success as a journalist was because of him. He was in my first-ever documentary film, Pain in my Heart, talking about how HIV and AIDS affected him when his band members were dying, including his brother Robert. That film won the African Journalist of the Year Award in 2007. I took the trophy to Pakare Paye for him to see it, he was super happy for me. Ndapota hangu, chisiyayi Samanyanga vazorore murugare. Below are two performances I recorded of Tuku at his base at Pakare Paye a few months before he died, and of his son Sam Mtukudzi in 2007. Let us enjoy their music and not dwell on gossip that erodes their great work.

Hopewell Chin’ono

84,550 görüntüleme • 1 yıl önce

⚡️SSJ2 Goku vs SSJ2 Majin Vegeta (Part 2) [HD]💥1080Pee🔥 Original Funimation w/ Bruce Faulconer Audio ✅ (Good Version) ✅ (Not KAI) 🤮FANMADE EDIT 🎬 🚨 Copyrights ©️Akira Toriyama, Toei Animation, and Bruce Faulconer. ⚠️ 🔫👮 All 291 episodes of DragonBall Z are available to stream in [HD] quality on Crunchyroll.🐉🟠 / Subscriptions start at $9.99/mo 💻🖱️ Visit for more details. 🖥️ Bruce Faulconer's #DBZ discography is available on Spotify. 🎵🟢 (on Mobile, it may bring to a screen to hit play, then 'Get the App'. If Spotify is Installed, 'Get the App' should automatically load both for you.) 📱 ⚠️These [HD]💥1080Pee🔥 edits as they are presented are not available for Television currently.🚫📺 This is a FANMADE re-imagination of what our childhood 'could be' today. 🤔 Our 'DragonBall Z' has not existed for almost 20 years, we are forced to rely on old physical media and internet archives to watch it.😭 👈 In the Pee Universe, #DBZ never peaked, it's still going strong in 2026 too! 🏁 Bruce Faulconer officially became canon in the Pee Universe on 08/08/2026. See The Daily Juice of Bruce 🥃 below if joining the Pee Warriors, might be for You. 👊 I'm just a fan like you are. 🫵 (🚫NO AFFILIATIONS🚫) 🛑NEW! [HD]💥1080Pee🔥! Here's the final conclusion to one of if not the most hyped fights in ALL of DBZ. I took the last bit with "Hyperbolic Time Chamber" from (Part 1) and felt it 100% necessary to include it to set the mood for (Part 2). I tried to edit it where it the story feels cohesive. This one took probably 4x the usual editing time, so if you enjoyed these . Please give me a like 😭 Just wanted to say thanks again everyone for being here, and showing your love and support for the Golden Era of DragonBall Z! Let me know in the comments what iconic moments you would like to see! I typically won't upload a video in 2 parts like this. I am curious to anybody who saw (Part 1) already. Did me trying to promote it generate any hype for you? Did it leave you craving more at all or genuinely gave you something to push forward through to look forward to today? I suspect even some might have wanted to wait for both parts to release. I know that sounds cheesy, but if it's a way to successfully capture nostalgia I'd like to try to advertise what's coming more, albeit not spammy. Whenever you see something from me, I hope you can also escape back to your younger self, and just enjoy bein the kid u once were, and forget about real life for a few moments. Love you guys again. -Pee ❤️ This is the only exception that I am doing a full fight that isn't involving minor characters. 🚨IF YOU MISSED (PART 1) 🚨 I have added it in the comments below for you also. I hope ya'll enjoy the hell out of this and your weekends! The current schedule is 2 edits per day. One before Noon EST, the other around 7PM EST. 12 replays - 2 new. *NEW* edits are on Tuesdays / Fridays at 5:00PM EST, a little earlier because you might not have as much time as free time as when you were 12. This is the DragonBall Z we grew up with. ✅💯

⚡️SSJ2 Goku vs SSJ2 Majin Vegeta (Part 2) [HD]💥1080Pee🔥 Original Funimation w/ Bruce Faulconer Audio ✅ (Good Version) ✅ (Not KAI) 🤮FANMADE EDIT 🎬 🚨 Copyrights ©️Akira Toriyama, Toei Animation, and Bruce Faulconer. ⚠️ 🔫👮 All 291 episodes of DragonBall Z are available to stream in [HD] quality on Crunchyroll.🐉🟠 / Subscriptions start at $9.99/mo 💻🖱️ Visit for more details. 🖥️ Bruce Faulconer's #DBZ discography is available on Spotify. 🎵🟢 (on Mobile, it may bring to a screen to hit play, then 'Get the App'. If Spotify is Installed, 'Get the App' should automatically load both for you.) 📱 ⚠️These [HD]💥1080Pee🔥 edits as they are presented are not available for Television currently.🚫📺 This is a FANMADE re-imagination of what our childhood 'could be' today. 🤔 Our 'DragonBall Z' has not existed for almost 20 years, we are forced to rely on old physical media and internet archives to watch it.😭 👈 In the Pee Universe, #DBZ never peaked, it's still going strong in 2026 too! 🏁 Bruce Faulconer officially became canon in the Pee Universe on 08/08/2026. See The Daily Juice of Bruce 🥃 below if joining the Pee Warriors, might be for You. 👊 I'm just a fan like you are. 🫵 (🚫NO AFFILIATIONS🚫) 🛑NEW! [HD]💥1080Pee🔥! Here's the final conclusion to one of if not the most hyped fights in ALL of DBZ. I took the last bit with "Hyperbolic Time Chamber" from (Part 1) and felt it 100% necessary to include it to set the mood for (Part 2). I tried to edit it where it the story feels cohesive. This one took probably 4x the usual editing time, so if you enjoyed these . Please give me a like 😭 Just wanted to say thanks again everyone for being here, and showing your love and support for the Golden Era of DragonBall Z! Let me know in the comments what iconic moments you would like to see! I typically won't upload a video in 2 parts like this. I am curious to anybody who saw (Part 1) already. Did me trying to promote it generate any hype for you? Did it leave you craving more at all or genuinely gave you something to push forward through to look forward to today? I suspect even some might have wanted to wait for both parts to release. I know that sounds cheesy, but if it's a way to successfully capture nostalgia I'd like to try to advertise what's coming more, albeit not spammy. Whenever you see something from me, I hope you can also escape back to your younger self, and just enjoy bein the kid u once were, and forget about real life for a few moments. Love you guys again. -Pee ❤️ This is the only exception that I am doing a full fight that isn't involving minor characters. 🚨IF YOU MISSED (PART 1) 🚨 I have added it in the comments below for you also. I hope ya'll enjoy the hell out of this and your weekends! The current schedule is 2 edits per day. One before Noon EST, the other around 7PM EST. 12 replays - 2 new. NEW edits are on Tuesdays / Fridays at 5:00PM EST, a little earlier because you might not have as much time as free time as when you were 12. This is the DragonBall Z we grew up with. ✅💯

DragonBallPee

10,498 görüntüleme • 1 ay önce

The Scottie Barnes revenge tour is gonna feed families. Scott Barnes Be Great 4 Scottie Barnes is a 24-year-old former Rookie of the Year, All-Star and general swiss-army-knife. But is he a superstar or a franchise player? What inspired this video is what inspired by initial fandom for Scottie Barnes to begin with—his passion, fire, grit and resilience. It takes more than talent to make a champion and Scottie has shown for over a decade that counting him out is always a bad bet. I remember back to not only one of my favorite films (Man on Fire by Tony Scott) but also one of my favorite basketball mixes from 2005 by Expired Pineapples (Kobe Bryant - A Man On Fire). To date it's the most artistic, creative and inspiring mix I've ever seen and I spent 18 hours setting out to create the internet's best Scottie Barnes mix tape. SUPPORT PENSARE BASKETBALL: e-transfers to pensarefilms@gmail.com FOLLOW US on IG : / pensarebasketball FOLLOW US on X: Back in the 90s and early 2000s, before twitter and social media, we got to meet stars through mix tapes. From LeBron James to Carmelo Anthony to Allen Iverson and Vince Carter. To me the best mix tapes were much more than just a sequence of dunks—they were deeply layered and thoughtful stories. So I present our community a story about a man...a man named Scott. Based on the film by Tony Scott (2004) Inspired by Kobe Bryant : Man On Fire by ExpiredPineapples (2005) Music by Harry Gregson-Williams #Raptors #WeTheNorth #nba #scottiebarnes

The Scottie Barnes revenge tour is gonna feed families. Scott Barnes Be Great 4 Scottie Barnes is a 24-year-old former Rookie of the Year, All-Star and general swiss-army-knife. But is he a superstar or a franchise player? What inspired this video is what inspired by initial fandom for Scottie Barnes to begin with—his passion, fire, grit and resilience. It takes more than talent to make a champion and Scottie has shown for over a decade that counting him out is always a bad bet. I remember back to not only one of my favorite films (Man on Fire by Tony Scott) but also one of my favorite basketball mixes from 2005 by Expired Pineapples (Kobe Bryant - A Man On Fire). To date it's the most artistic, creative and inspiring mix I've ever seen and I spent 18 hours setting out to create the internet's best Scottie Barnes mix tape. SUPPORT PENSARE BASKETBALL: e-transfers to [email protected] FOLLOW US on IG : / pensarebasketball FOLLOW US on X: Back in the 90s and early 2000s, before twitter and social media, we got to meet stars through mix tapes. From LeBron James to Carmelo Anthony to Allen Iverson and Vince Carter. To me the best mix tapes were much more than just a sequence of dunks—they were deeply layered and thoughtful stories. So I present our community a story about a man...a man named Scott. Based on the film by Tony Scott (2004) Inspired by Kobe Bryant : Man On Fire by ExpiredPineapples (2005) Music by Harry Gregson-Williams #Raptors #WeTheNorth #nba #scottiebarnes

Pensare Basketball

22,375 görüntüleme • 1 yıl önce

Dear Human Rights / Women Rights organizations of the World..! I want to draw your attention towards the extreme violence and fascism going on by the goverment of Pakistan on the women and workers of PTI which is the largest political party of Pakistan. 1000s of illegal abductions and 100s of killings of citizens including men, women and kids are being carried out. Women are being harassed, dragged on roads and beaten violently, whereas straight fires are shot on peaceful people, all being done by police and rangers of Pakistan. This is done only because these innocent people wanted to use their fundamental right of doing peaceful protests, because they want free and fair elections in Pakistan, which yet again is also a fundamental and constitutional right of every citizen. Its been more than a year people of Pakistan are facing this extreme cruelty from the state of Pakistan but during last fews weeks this has been multiplied 1000 times. Most of the electronic media has been forced not to report this fascism and the internet has been shut down throughout the country so that the world, through social media, should not know what is happening in Pakistan. Even journalists who wanted to speak up agaist this state cruelty are being harassed, illegaly arrested or abducted. I urge all the organizations, known world-wide for their services to protect human rights, especially the rights of women, to raise this issue in the world so that these activities in Pakistan must stop. Today it's Pakistan, the other day, these human right violations can occur in any other country, therefore this fascism and violence of human rights must be probed once and for all. Looking very much forward to your response in terms of raising your strong voices against this. United Nations hwr BBC News (World) United NationsWatch Volker Türk Human Rights Watch United NationsHumanRights Amnesty International South Asia, Regional Office António Guterres International Center for Journalists Michael Kugelman EU Fundamental Rights ➡️ #HumanRights Imran Khan @MrsImranRiaz Shehr Bano Official @SABAZAHID99 Tehreek-e-Insaf Jibran Ilyas Azhar Mashwani Hammad Azhar Hammad Azhar Barrister Abuzar Salman Niazi Sahibzada Hamid Raza Agha Muhammad Saleh 🌐🎙📚 Naeem Zubair Naeem Haider Panjutha Obaid Bhatti Siddique Jan Javeria Siddique #PakistanUnderFascism

Dear Human Rights / Women Rights organizations of the World..! I want to draw your attention towards the extreme violence and fascism going on by the goverment of Pakistan on the women and workers of PTI which is the largest political party of Pakistan. 1000s of illegal abductions and 100s of killings of citizens including men, women and kids are being carried out. Women are being harassed, dragged on roads and beaten violently, whereas straight fires are shot on peaceful people, all being done by police and rangers of Pakistan. This is done only because these innocent people wanted to use their fundamental right of doing peaceful protests, because they want free and fair elections in Pakistan, which yet again is also a fundamental and constitutional right of every citizen. Its been more than a year people of Pakistan are facing this extreme cruelty from the state of Pakistan but during last fews weeks this has been multiplied 1000 times. Most of the electronic media has been forced not to report this fascism and the internet has been shut down throughout the country so that the world, through social media, should not know what is happening in Pakistan. Even journalists who wanted to speak up agaist this state cruelty are being harassed, illegaly arrested or abducted. I urge all the organizations, known world-wide for their services to protect human rights, especially the rights of women, to raise this issue in the world so that these activities in Pakistan must stop. Today it's Pakistan, the other day, these human right violations can occur in any other country, therefore this fascism and violence of human rights must be probed once and for all. Looking very much forward to your response in terms of raising your strong voices against this. United Nations hwr BBC News (World) United NationsWatch Volker Türk Human Rights Watch United NationsHumanRights Amnesty International South Asia, Regional Office António Guterres International Center for Journalists Michael Kugelman EU Fundamental Rights ➡️ #HumanRights Imran Khan @MrsImranRiaz Shehr Bano Official @SABAZAHID99 Tehreek-e-Insaf Jibran Ilyas Azhar Mashwani Hammad Azhar Hammad Azhar Barrister Abuzar Salman Niazi Sahibzada Hamid Raza Agha Muhammad Saleh 🌐🎙📚 Naeem Zubair Naeem Haider Panjutha Obaid Bhatti Siddique Jan Javeria Siddique #PakistanUnderFascism

Syeda Rabia Batool

582,844 görüntüleme • 3 yıl önce

I effing love Tucker Carlson, like a trusted family member. Honestly. I came across his show on Rumble during Covid. Most people only vaguely know who he is in the UK. We can’t get Fox, etc. I knew something was up with Covid more or less straight away Not just because hiding from it didn’t make any sense (rule always been, if it’s not a killer, you spread it to kill it off) nor because the instructions were ridiculous (in the UK we were told to wash our hands for 20 seconds, or two rounds of the song, “happy birthday to you” - like we were retarded and neither knew how to wash our or how long 20 seconds was). But because I was looking at the people on the TV who had died of COVID early on and they were all overweight or old. Every one of them were. No one on any media here (mainstream or otherwise) was talking about it, so I looked to the US and found Tucker. He was a life line early on. A voice of sanity in a world that was clearly going around the bend. I came to X for the first time ever (any social media actually) when he was fired from Fox. And waited for news. The minute he launched TCN I subscribed. Even though I only ever watch TCN on Wednesdays because all the other shows are out on Spotify quite quick. But I’m happy to support people I appreciate (we all should if we can to be fair). This is Tucker talking about a couple of Antony Faucci’s personal diary entries. And it’s pure TV gold. There are no airs and graces with Tucker. He says it exactly how he sees it, unless (and this is an important quality I unfortunately do not possess) tact and good manners dictate otherwise. This is authenticity. That’s why so many people love him, and also why so many terrible people hate him. Bad people, low, deceitful, treacherous people, fake people, hate nothing more than honesty. And they hate no honesty more than honesty that comes from a place of decency, morality or love for your fellow man. You can’t imitate what Tucker has, and you can’t beat it either. He’s like Obi Wan Kenobi in the first Star Wars (I’m not a Star Wars, or sci-fi nut, just of that age) when Darth Vader strikes him down; if they were to destroy him they would only make him stronger. And they know it. Same can be said for Candace Owens. As much as the demons among us would love to destroy all dissenting voices, there are some that they know they can’t. Note on the clip: Watch the genuine feeling, the glasses come on and off in indignation and disbelief of what he’s reading. Absolutely priceless. Tucker Carlson is not just an American treasure. He’s way bigger than that. Tucker Carlson.

I effing love Tucker Carlson, like a trusted family member. Honestly. I came across his show on Rumble during Covid. Most people only vaguely know who he is in the UK. We can’t get Fox, etc. I knew something was up with Covid more or less straight away Not just because hiding from it didn’t make any sense (rule always been, if it’s not a killer, you spread it to kill it off) nor because the instructions were ridiculous (in the UK we were told to wash our hands for 20 seconds, or two rounds of the song, “happy birthday to you” - like we were retarded and neither knew how to wash our or how long 20 seconds was). But because I was looking at the people on the TV who had died of COVID early on and they were all overweight or old. Every one of them were. No one on any media here (mainstream or otherwise) was talking about it, so I looked to the US and found Tucker. He was a life line early on. A voice of sanity in a world that was clearly going around the bend. I came to X for the first time ever (any social media actually) when he was fired from Fox. And waited for news. The minute he launched TCN I subscribed. Even though I only ever watch TCN on Wednesdays because all the other shows are out on Spotify quite quick. But I’m happy to support people I appreciate (we all should if we can to be fair). This is Tucker talking about a couple of Antony Faucci’s personal diary entries. And it’s pure TV gold. There are no airs and graces with Tucker. He says it exactly how he sees it, unless (and this is an important quality I unfortunately do not possess) tact and good manners dictate otherwise. This is authenticity. That’s why so many people love him, and also why so many terrible people hate him. Bad people, low, deceitful, treacherous people, fake people, hate nothing more than honesty. And they hate no honesty more than honesty that comes from a place of decency, morality or love for your fellow man. You can’t imitate what Tucker has, and you can’t beat it either. He’s like Obi Wan Kenobi in the first Star Wars (I’m not a Star Wars, or sci-fi nut, just of that age) when Darth Vader strikes him down; if they were to destroy him they would only make him stronger. And they know it. Same can be said for Candace Owens. As much as the demons among us would love to destroy all dissenting voices, there are some that they know they can’t. Note on the clip: Watch the genuine feeling, the glasses come on and off in indignation and disbelief of what he’s reading. Absolutely priceless. Tucker Carlson is not just an American treasure. He’s way bigger than that. Tucker Carlson.

John Galt

74,510 görüntüleme • 1 ay önce

🚨 Last night, an audio file was discovered in the Epstein Files that appears to be an FBI wiretap recording of what people are claiming is Erika Kirk procuring young girls for Epstein. Here is what I know and the questions I have: 🔻 The Phone Call The recording features a phone discussion involving a youthful-sounding female—portrayed as cooperating with federal authorities (DOJ)—speaking with someone who sounds like Erika Kirk. Background voices suggest law enforcement personnel guiding or debriefing the young woman before and after the conversation. 🔻 The Most Important Question — Is It Really Her? Does it sound like her? Absolutely… but audio can be tricky, and I’m leaning more toward no. Let me tell you why: First, this audio recording did not come with a date—of course. That detail is vitally important. All I know is that this audio comes from Dataset 9, page 661 of the Epstein Files. — Document The FBI/DOJ should take the time to address this. I’m sure an official statement could clarify who these people are… the cooperating victim (if legally permissible), but more importantly, the recruiter. With that said, I did some digging in the documents on my own. This audio recording contains specific keywords that, if it was an FBI call, should have a paper trail, right? —— Key words I searched for: “The more you do, the more you make” or the shorter version, “The more you do.” Sure enough, there are quite a few documents mentioning this. Here is one example: Within the Epstein files, a victim by the name of Haley Robson is identified as someone who was both a victim and later became a recruiter for Epstein. This court document is an excerpt from her deposition in a 2008–2009 civil lawsuit (Jane Doe v. Jeffrey Epstein, Haley Robson, and Sarah Kellen, filed in Florida federal court). The documents refer to events from around 2002 in the Jeffrey Epstein case (specifically tied to his Palm Beach, Florida operations and documented in 2005 police/prosecution materials and the 2009 civil deposition). Robson, then a 16-year-old high school student in West Palm Beach, Florida, was approached at school and recruited. She has stated in interviews and deposition excerpts that she was told the phrase “the more you do, the more you make” in connection with the arrangement and payments. She eventually resisted further sexual acts but was then offered $200 per girl she recruited from her school. She ultimately brought at least eight others (young as 14), earning more based on the level of acts involved. The recruiter who initially approached her and told her the quote is consistently described in all public sources only as “a classmate,” “a friend,” or “a girl in her class” from Royal Palm Beach Community High School. Erika Kirk (Frantzve) did not attend Royal Palm Beach Community High School. She grew up in Scottsdale, Arizona, and graduated in 2007 from Notre Dame Preparatory High School, a private Catholic school in Scottsdale. Erika Kirk is 37 years old today and would have been 13 years old (if this audio recording is from 2002). There’s no way that’s her if this is the case. Haley Robson is 40 years old and was reportedly 16 when she first met Jeffrey Epstein (around 2002). The timeline seems to match, assuming this is the correct year. I’ve listened and compared Haley Robson’s voice, and there are some similarities to the voice heard on this recording. Also consider that 24 years can change a voice significantly. Regardless, this is also something Haley Robson could easily dispel or confirm. If she has an X account, please tag her and ask directly if that is her in the audio. She appears frequently on television, so I don’t think she would mind clarifying whether this recruiter in the audio is her or not. That should be straightforward So as of right now, based on the evidence—at least for me—going with my gut, this is not Erika Kirk.

🚨 Last night, an audio file was discovered in the Epstein Files that appears to be an FBI wiretap recording of what people are claiming is Erika Kirk procuring young girls for Epstein. Here is what I know and the questions I have: 🔻 The Phone Call The recording features a phone discussion involving a youthful-sounding female—portrayed as cooperating with federal authorities (DOJ)—speaking with someone who sounds like Erika Kirk. Background voices suggest law enforcement personnel guiding or debriefing the young woman before and after the conversation. 🔻 The Most Important Question — Is It Really Her? Does it sound like her? Absolutely… but audio can be tricky, and I’m leaning more toward no. Let me tell you why: First, this audio recording did not come with a date—of course. That detail is vitally important. All I know is that this audio comes from Dataset 9, page 661 of the Epstein Files. — Document The FBI/DOJ should take the time to address this. I’m sure an official statement could clarify who these people are… the cooperating victim (if legally permissible), but more importantly, the recruiter. With that said, I did some digging in the documents on my own. This audio recording contains specific keywords that, if it was an FBI call, should have a paper trail, right? —— Key words I searched for: “The more you do, the more you make” or the shorter version, “The more you do.” Sure enough, there are quite a few documents mentioning this. Here is one example: Within the Epstein files, a victim by the name of Haley Robson is identified as someone who was both a victim and later became a recruiter for Epstein. This court document is an excerpt from her deposition in a 2008–2009 civil lawsuit (Jane Doe v. Jeffrey Epstein, Haley Robson, and Sarah Kellen, filed in Florida federal court). The documents refer to events from around 2002 in the Jeffrey Epstein case (specifically tied to his Palm Beach, Florida operations and documented in 2005 police/prosecution materials and the 2009 civil deposition). Robson, then a 16-year-old high school student in West Palm Beach, Florida, was approached at school and recruited. She has stated in interviews and deposition excerpts that she was told the phrase “the more you do, the more you make” in connection with the arrangement and payments. She eventually resisted further sexual acts but was then offered $200 per girl she recruited from her school. She ultimately brought at least eight others (young as 14), earning more based on the level of acts involved. The recruiter who initially approached her and told her the quote is consistently described in all public sources only as “a classmate,” “a friend,” or “a girl in her class” from Royal Palm Beach Community High School. Erika Kirk (Frantzve) did not attend Royal Palm Beach Community High School. She grew up in Scottsdale, Arizona, and graduated in 2007 from Notre Dame Preparatory High School, a private Catholic school in Scottsdale. Erika Kirk is 37 years old today and would have been 13 years old (if this audio recording is from 2002). There’s no way that’s her if this is the case. Haley Robson is 40 years old and was reportedly 16 when she first met Jeffrey Epstein (around 2002). The timeline seems to match, assuming this is the correct year. I’ve listened and compared Haley Robson’s voice, and there are some similarities to the voice heard on this recording. Also consider that 24 years can change a voice significantly. Regardless, this is also something Haley Robson could easily dispel or confirm. If she has an X account, please tag her and ask directly if that is her in the audio. She appears frequently on television, so I don’t think she would mind clarifying whether this recruiter in the audio is her or not. That should be straightforward So as of right now, based on the evidence—at least for me—going with my gut, this is not Erika Kirk.

MJTruthUltra

147,775 görüntüleme • 6 ay önce