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Ever wondered how astrophotography magic happens? Astrophotography isn’t just snapping a picture — it’s an art of blending science and creativity. Images of breathtaking nebulae and galaxies often start as raw, faint data. Processing involves stacking multiple exposures, adjusting contrast, and revealing details our eyes can’t see. The result?...

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Star Walk

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12,208 просмотров • 1 год назад •via X (Twitter)

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Фото профиля Amit Gujjewar
Amit Gujjewar1 год назад

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This is a video of 3I/ATLAS taken by "Ray's Astrophotography" yesterday (shown on YouTube). I have zoomed in, slowed it down, and increased the contrast, so that we can see how the overall brightness of 3I/ATLAS varies by a factor of 3 to 10, over a period of just a few minutes. Ray did not show any mathematical analyses, but please fit his raw data to a Fourier curve, and you will find exact numbers! The most likely cause of such a fast, periodic variation in brightness would be RAPID SPIN. We might expect this for an alien mothership with artificial gravity, but it would be very rare for a natural comet. Should we call it "anomaly 14"? If Ray could provide his movie files to a calculating astronomer, we could get exact data easily. What everyone is waiting for? Ray has beaten NASA hands-down, or "9 and 8" in the language of golf match play! I do not know what filters he might have used in his telescope, so cannot say whether the colors shown in his nice movie are precise or not. Right in front of your eyes. Study and learn.
0:21

This is a video of 3I/ATLAS taken by "Ray's Astrophotography" yesterday (shown on YouTube). I have zoomed in, slowed it down, and increased the contrast, so that we can see how the overall brightness of 3I/ATLAS varies by a factor of 3 to 10, over a period of just a few minutes. Ray did not show any mathematical analyses, but please fit his raw data to a Fourier curve, and you will find exact numbers! The most likely cause of such a fast, periodic variation in brightness would be RAPID SPIN. We might expect this for an alien mothership with artificial gravity, but it would be very rare for a natural comet. Should we call it "anomaly 14"? If Ray could provide his movie files to a calculating astronomer, we could get exact data easily. What everyone is waiting for? Ray has beaten NASA hands-down, or "9 and 8" in the language of golf match play! I do not know what filters he might have used in his telescope, so cannot say whether the colors shown in his nice movie are precise or not. Right in front of your eyes. Study and learn.

Red Collie (Dr. Horace Drew) scientist/inventor

124,862 просмотров • 10 месяцев назад

Remotely tracking animals in their natural habitats has become a central pillar of wildlife research. But on land, the process often involves fitting a collar around an animal’s neck that contains a GPS tracker and various sensors. This requires capturing the animal, which isn’t just expensive—it’s also stressful and dangerous for everyone involved. But a biologist sees a better way forward for this field of study, known as wildlife telemetry. He’s now building and experimenting with devices, described in a recent preprint, that would allow researchers to apply collars on animals without needing to capture them. Rethinking how we put collars on animals, he argues, could bring many benefits to wildlife research, such as improving animal welfare and the quantity and quality of data collected at the same time. Learn more: News from Science
1:00

Remotely tracking animals in their natural habitats has become a central pillar of wildlife research. But on land, the process often involves fitting a collar around an animal’s neck that contains a GPS tracker and various sensors. This requires capturing the animal, which isn’t just expensive—it’s also stressful and dangerous for everyone involved. But a biologist sees a better way forward for this field of study, known as wildlife telemetry. He’s now building and experimenting with devices, described in a recent preprint, that would allow researchers to apply collars on animals without needing to capture them. Rethinking how we put collars on animals, he argues, could bring many benefits to wildlife research, such as improving animal welfare and the quantity and quality of data collected at the same time. Learn more: News from Science

Science Magazine

61,609 просмотров • 3 месяцев назад

#Roots Theyyam has been a mesmerizing part of my life since childhood. Visiting my hometown every year, I’ve always been captivated by the vibrant displays of dance, color, and spirituality. The performance isn’t just a spectacle, it’s a living connection to the divine, where performers embody gods and mythological figures. Their towering headgear, intricate makeup, and energetic movements create an atmosphere that feels both otherworldly and sacred. What makes Theyyam special to me is how it transcends mere performance —it’s a ritual that unites the community and tells stories of our ancestors, bravery, and spirituality. It’s a reminder of how culture can evolve yet remain deeply rooted in its core values. Over the years, as I’ve grown older, I’ve come to appreciate not just the grandeur of the performances but also the significance of the ritual itself—the dedication, the preparation, and the sacredness of the process. The devotion of the performers, the meticulous planning, and the countless hours spent perfecting the art form are a testament to the reverence with which it’s held. Beyond the visual beauty, Theyyam represents our identity, history, and faith, reminding me of the timeless nature of tradition. In a world that’s constantly changing, it’s comforting to know that this powerful art form endures, grounding us in our roots and connecting us to something greater ♥️ #theyyam #culture #identity
0:22

#Roots Theyyam has been a mesmerizing part of my life since childhood. Visiting my hometown every year, I’ve always been captivated by the vibrant displays of dance, color, and spirituality. The performance isn’t just a spectacle, it’s a living connection to the divine, where performers embody gods and mythological figures. Their towering headgear, intricate makeup, and energetic movements create an atmosphere that feels both otherworldly and sacred. What makes Theyyam special to me is how it transcends mere performance —it’s a ritual that unites the community and tells stories of our ancestors, bravery, and spirituality. It’s a reminder of how culture can evolve yet remain deeply rooted in its core values. Over the years, as I’ve grown older, I’ve come to appreciate not just the grandeur of the performances but also the significance of the ritual itself—the dedication, the preparation, and the sacredness of the process. The devotion of the performers, the meticulous planning, and the countless hours spent perfecting the art form are a testament to the reverence with which it’s held. Beyond the visual beauty, Theyyam represents our identity, history, and faith, reminding me of the timeless nature of tradition. In a world that’s constantly changing, it’s comforting to know that this powerful art form endures, grounding us in our roots and connecting us to something greater ♥️ #theyyam #culture #identity

Malavika Mohanan

74,061 просмотров • 1 год назад

Inspiring beyond words! 🇮🇱 This is a video of an IDF soldier who just finished her geirus (conversion) to join the Jewish People. Her genuine emotion while saying Shema is palpable, and it’s inspiring to see such love for Hashem, Torah, and the Jewish People. There’s no question that being Jewish is a responsibility; but it’s also the greatest gift and opportunity imaginable. As we approach Purim, it’s the time of the year when we re-experience the time in Jewish History where the Jewish People re-accepted the Torah. (Kimu V’Kiblu) So let’s try to experience the deeper meaning of our mission as Jews, and how lucky we are to live a life striving for ever greater levels of purpose and responsibility. Am Yisrael Chai!
0:34

Inspiring beyond words! 🇮🇱 This is a video of an IDF soldier who just finished her geirus (conversion) to join the Jewish People. Her genuine emotion while saying Shema is palpable, and it’s inspiring to see such love for Hashem, Torah, and the Jewish People. There’s no question that being Jewish is a responsibility; but it’s also the greatest gift and opportunity imaginable. As we approach Purim, it’s the time of the year when we re-experience the time in Jewish History where the Jewish People re-accepted the Torah. (Kimu V’Kiblu) So let’s try to experience the deeper meaning of our mission as Jews, and how lucky we are to live a life striving for ever greater levels of purpose and responsibility. Am Yisrael Chai!

Rabbi Shmuel Reichman

79,765 просмотров • 2 лет назад

Introducing the Future of AI-Powered Sports Data with $FXI.⚡️ We’re not just talking about innovation, we’re building it. 🚀 From #AI-driven data capture to on-chain validation and data monetization, the FX1 ecosystem is rewriting the rules of the sports and data economy. Our platform empowers leagues, teams, and creators to unlock the full potential of their data with cutting-edge AI solutions. 🧠 Why FX1? ➡️ AI-Powered Precision: Transform raw sports data into actionable insights. ➡️ Data Validation on Chain: Building trust in the data economy through blockchain. ➡️ AI-Powered Revenue Streams: Use sports data to drive predictive analytics, odds modeling, and other high-value solutions that unlock new ways to monetize. FX1 is leading the charge in AI innovation, creating a seamless bridge between sports, blockchain, and the data economy. This isn’t just evolution - it’s a revolution. 💡 The future of sports is here. And it’s powered by AI. 🤖 Watch the full video and see how we’re turning vision into reality. 👇
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Introducing the Future of AI-Powered Sports Data with $FXI.⚡️ We’re not just talking about innovation, we’re building it. 🚀 From #AI-driven data capture to on-chain validation and data monetization, the FX1 ecosystem is rewriting the rules of the sports and data economy. Our platform empowers leagues, teams, and creators to unlock the full potential of their data with cutting-edge AI solutions. 🧠 Why FX1? ➡️ AI-Powered Precision: Transform raw sports data into actionable insights. ➡️ Data Validation on Chain: Building trust in the data economy through blockchain. ➡️ AI-Powered Revenue Streams: Use sports data to drive predictive analytics, odds modeling, and other high-value solutions that unlock new ways to monetize. FX1 is leading the charge in AI innovation, creating a seamless bridge between sports, blockchain, and the data economy. This isn’t just evolution - it’s a revolution. 💡 The future of sports is here. And it’s powered by AI. 🤖 Watch the full video and see how we’re turning vision into reality. 👇

FX1

23,913 просмотров • 1 год назад

I wasn’t planning to step into another world that day. But that’s exactly what happened when I stumbled upon Steampunk Transylvania, and let me tell you, it’s not just a museum, it’s a living, breathing art experience. From the very first step inside, everything changes. The air itself seems different, filled with the hum of creativity and the echoes of another era. This isn’t just a collection of artifacts: it’s a space where history meets imagination, where old objects tell new stories, and where young artists bring mechanical dreams to life. And the people? Oh, they don’t just work there, they pour their souls into every detail. The creators, the guides, the artists behind every piece, they make you feel like you’re stepping into their personal world of wonder. It’s the kind of place that reminds you why art is meant to be felt, not just seen. Every little mechanism, every sculpture, every carefully crafted contraption has a story, and I could’ve spent hours just soaking it all in. If you ever find yourself in Cluj, do yourself a favor: GO. Step through those doors, leave reality behind for a while, and get lost in the magic of this place. #SteampunkMuseumCluj #SteampunkTransylvania
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I wasn’t planning to step into another world that day. But that’s exactly what happened when I stumbled upon Steampunk Transylvania, and let me tell you, it’s not just a museum, it’s a living, breathing art experience. From the very first step inside, everything changes. The air itself seems different, filled with the hum of creativity and the echoes of another era. This isn’t just a collection of artifacts: it’s a space where history meets imagination, where old objects tell new stories, and where young artists bring mechanical dreams to life. And the people? Oh, they don’t just work there, they pour their souls into every detail. The creators, the guides, the artists behind every piece, they make you feel like you’re stepping into their personal world of wonder. It’s the kind of place that reminds you why art is meant to be felt, not just seen. Every little mechanism, every sculpture, every carefully crafted contraption has a story, and I could’ve spent hours just soaking it all in. If you ever find yourself in Cluj, do yourself a favor: GO. Step through those doors, leave reality behind for a while, and get lost in the magic of this place. #SteampunkMuseumCluj #SteampunkTransylvania

Ezada Sinn (safe to browse at work)

98,458 просмотров • 1 год назад

Simply beyond words! This is a video of Karen Abelman, an IDF soldier, who just finished her geirus (conversion) to join the Jewish People. Her genuine emotion while saying Shema is palpable, and it’s inspiring to see such love for Hashem, Torah, and Klal Yisrael. There’s no question that bring Jewish is a responsibility; but it’s also the greatest gift and opportunity imaginable. (Thank you so much to Rabbi Aryeh Cohen and Sparks of a Nation for sharing this video!) As we approach Pesach, it’s the time of the year when we re-experience the birth of the Jewish People as they left Egypt. Pesach represents the time in history where we ALL joined the Jewish nation; and every year, we get to personally tap into that experience. So this Pesach, let’s try to experience the deeper meaning and purpose of our mission as Jews, and how lucky we are to live a life of true freedom and truth. How amazing is it to be a Jew?!
0:31

Simply beyond words! This is a video of Karen Abelman, an IDF soldier, who just finished her geirus (conversion) to join the Jewish People. Her genuine emotion while saying Shema is palpable, and it’s inspiring to see such love for Hashem, Torah, and Klal Yisrael. There’s no question that bring Jewish is a responsibility; but it’s also the greatest gift and opportunity imaginable. (Thank you so much to Rabbi Aryeh Cohen and Sparks of a Nation for sharing this video!) As we approach Pesach, it’s the time of the year when we re-experience the birth of the Jewish People as they left Egypt. Pesach represents the time in history where we ALL joined the Jewish nation; and every year, we get to personally tap into that experience. So this Pesach, let’s try to experience the deeper meaning and purpose of our mission as Jews, and how lucky we are to live a life of true freedom and truth. How amazing is it to be a Jew?!

Rabbi Shmuel Reichman

72,054 просмотров • 3 лет назад

The LVM (large vision model) revolution is coming a little after the LLM (large language model) one, and will transform how we process images. But there’s an important difference between LVMs and LLMs: - Internet text is similar enough to proprietary text documents that an LLM trained on internet text can understand your documents. - But internet images – such as Instagram pictures – contain a lot of pictures of people, pets, landmarks, and everyday objects. Many practical vision applications (manufacturing, aerial imagery, life sciences, etc.) use images that look nothing like most internet images. So a generic LVM trained on internet images fares poorly at picking out the most salient features of images in many specialized domains. That’s why domain specific LVMs – ones adapted to images of a particular domain (such as semiconductor manufacturing, or pathology) – do much better. At LandingAI , by using ~100K unlabeled images to adapt an LVM to a specific domain, we see significantly improved results, for example where only 10-30% as much labeled data is now needed to achieve a certain level of performance. For companies with large sets of images that look nothing like internet images, I think domain specific LVMs can be a way to unlock considerable value from their data. Dan Maloney and I share more details in the video.
3:55

The LVM (large vision model) revolution is coming a little after the LLM (large language model) one, and will transform how we process images. But there’s an important difference between LVMs and LLMs: - Internet text is similar enough to proprietary text documents that an LLM trained on internet text can understand your documents. - But internet images – such as Instagram pictures – contain a lot of pictures of people, pets, landmarks, and everyday objects. Many practical vision applications (manufacturing, aerial imagery, life sciences, etc.) use images that look nothing like most internet images. So a generic LVM trained on internet images fares poorly at picking out the most salient features of images in many specialized domains. That’s why domain specific LVMs – ones adapted to images of a particular domain (such as semiconductor manufacturing, or pathology) – do much better. At LandingAI , by using ~100K unlabeled images to adapt an LVM to a specific domain, we see significantly improved results, for example where only 10-30% as much labeled data is now needed to achieve a certain level of performance. For companies with large sets of images that look nothing like internet images, I think domain specific LVMs can be a way to unlock considerable value from their data. Dan Maloney and I share more details in the video.

Andrew Ng

685,054 просмотров • 2 лет назад

.Mark Cuban says he's not worried about AI doom scenarios related to robotics because AI "doesn't understand the consequences of its recommendations": "Right now, LLMs are basically bimodal: it’s almost all text and pictures, with some video. You can’t model the world with that." "AI, right now, doesn't understand the consequences of its recommendations. It has no idea what happens next. A 2-year-old in a highchair and a sippy cup knows if it pushes the sippy cup off the highchair, mom's coming running, and the kid's going to start laughing at mom. LLMs don't understand [that]." "So we have to evolve to models that can capture the world and physics, and deal with the latency of not having access to video that you can't see — you have to try to model that. And not only does that take up a lot of processing power, but it takes up a lot of bandwidth." "And so the Terminators taking over, I just don’t see how it’s going to happen."
1:58

.Mark Cuban says he's not worried about AI doom scenarios related to robotics because AI "doesn't understand the consequences of its recommendations": "Right now, LLMs are basically bimodal: it’s almost all text and pictures, with some video. You can’t model the world with that." "AI, right now, doesn't understand the consequences of its recommendations. It has no idea what happens next. A 2-year-old in a highchair and a sippy cup knows if it pushes the sippy cup off the highchair, mom's coming running, and the kid's going to start laughing at mom. LLMs don't understand [that]." "So we have to evolve to models that can capture the world and physics, and deal with the latency of not having access to video that you can't see — you have to try to model that. And not only does that take up a lot of processing power, but it takes up a lot of bandwidth." "And so the Terminators taking over, I just don’t see how it’s going to happen."

TBPN

93,718 просмотров • 6 месяцев назад

Elon Musk said the most important thing anyone has said this century. Musk: “I think we need to assume that life and consciousness is extremely rare, and it might only be us.” 13.8 billion years. Trillions of galaxies. Billions of trillions of stars. Not one signal from any of them. That silence is the loudest data point in human history. Musk: “The image in my mind is of a tiny candle in a vast darkness. A tiny candle of consciousness that could easily go out.” That is not poetry. That is a threat assessment from the only person on Earth building the response. Stars don’t know they burn. Black holes don’t know they consume. The universe has been running for 13.8 billion years with no awareness of itself. We are the only known point in all of that time and all of that space where matter woke up and understood what it was looking at. Every law of nature ran in complete silence for billions of years. Gravity pulled. Light traveled. Elements fused. None of it meant anything. Because meaning requires a mind. And there might only be one. Musk is not building rockets because he likes engineering. He is building an escape route for the only thing in the universe that knows the universe exists. If consciousness disappears, the stars keep burning. The physics keeps running. But the universe is no longer a universe. It is just matter moving through space with nothing to call it that. The most profound thing Musk said is not that the candle is small. It is that without the candle, there is no such thing as light or darkness. Just physics performing to an empty room for the rest of eternity. One man looked at that and said no.
0:33

Elon Musk said the most important thing anyone has said this century. Musk: “I think we need to assume that life and consciousness is extremely rare, and it might only be us.” 13.8 billion years. Trillions of galaxies. Billions of trillions of stars. Not one signal from any of them. That silence is the loudest data point in human history. Musk: “The image in my mind is of a tiny candle in a vast darkness. A tiny candle of consciousness that could easily go out.” That is not poetry. That is a threat assessment from the only person on Earth building the response. Stars don’t know they burn. Black holes don’t know they consume. The universe has been running for 13.8 billion years with no awareness of itself. We are the only known point in all of that time and all of that space where matter woke up and understood what it was looking at. Every law of nature ran in complete silence for billions of years. Gravity pulled. Light traveled. Elements fused. None of it meant anything. Because meaning requires a mind. And there might only be one. Musk is not building rockets because he likes engineering. He is building an escape route for the only thing in the universe that knows the universe exists. If consciousness disappears, the stars keep burning. The physics keeps running. But the universe is no longer a universe. It is just matter moving through space with nothing to call it that. The most profound thing Musk said is not that the candle is small. It is that without the candle, there is no such thing as light or darkness. Just physics performing to an empty room for the rest of eternity. One man looked at that and said no.

Dustin

61,320 просмотров • 2 месяцев назад

The work of the South Korean 🇰🇷 painter Han Haedong 🧑‍🎨 #JUNGKOOK’S acrylic portrait on a 600×269 canvas, this isn’t a portrait in the traditional sense, but more of an emotional whirlwind, where his gaze, energy and inner depth are revealed through color and texture. It’s surprising that his face isn’t shown in full frontal view and his eyes aren’t directed straight at the viewer and yet the sense of presence is still incredibly strong 🔥 There’s something almost tangible in this image... a silence where character seems to speak and a space where destiny can be read. As we all know, Jungkook’s birth flower is the Tiger lily ⚜️, a symbol of strength, confidence and inner freedom, but also of a delicate, almost proud kind of beauty. I remember my painting teacher once said during class: "Colors can convey tone, but only an painter can bring them to life". And here, that feels especially true. It’s just so beautiful 😍
0:50

The work of the South Korean 🇰🇷 painter Han Haedong 🧑‍🎨 #JUNGKOOK’S acrylic portrait on a 600×269 canvas, this isn’t a portrait in the traditional sense, but more of an emotional whirlwind, where his gaze, energy and inner depth are revealed through color and texture. It’s surprising that his face isn’t shown in full frontal view and his eyes aren’t directed straight at the viewer and yet the sense of presence is still incredibly strong 🔥 There’s something almost tangible in this image... a silence where character seems to speak and a space where destiny can be read. As we all know, Jungkook’s birth flower is the Tiger lily ⚜️, a symbol of strength, confidence and inner freedom, but also of a delicate, almost proud kind of beauty. I remember my painting teacher once said during class: "Colors can convey tone, but only an painter can bring them to life". And here, that feels especially true. It’s just so beautiful 😍

ＴｏｍｉＦｏｒＪＫ

37,726 просмотров • 5 месяцев назад

A Plea for Difficult Images (A small rant about what I think art is today) Why does the contemporary art world embrace the ugly, the every day, the absurd, the nonsensical, and the visually and conceptually challenging? Why is that? You know this is the case because, 5 out 10 times, you come out of a contemporary art museum asking: What just happened!? What the f*** is this? Why is this art? Well, it is a long story, but let's start with something basic, like, pretty, beautiful images have been done ad infinitum up until the 20th century. Every pretty sunset, cityscape, landscape, still life, and portrait has been done before to perfection. You just need to open up a history of art book, and you will find hundreds of examples of pretty images. The challenge for artists after the invention of the photographic camera, which rendered things so perfectly, was to see other things. The challenge for artists today is to see the world differently: ugly, weird, absurd, unrecognizable. The artist´s mission suddenly became to ask questions and to think and represent differently: art is the place where we can have no certainty; where it is ok to make no sense and just present questions. Beautiful things still get made. Cute is still a thing in 21st-century art, But for completely different reasons. Beauty is not done for beauty's sake, but to challenge why we would, after thousands of years, still want to see beautiful images. Abstract art was once a f*** you to the establishment. But ever since the world tamed it, abstract art has become decorative at best. The last moment or revival of this form was called "Zombie Formalism" for it´s complacent visuals with "modernist and expressionistic styles,” which worked perfectly to please collectors interested in flipping works of art they did not understand from emerging artists who essentially crafted hundreds of generic images indistinguishable from one another. Contemporary art has moved into a space where artists tend to challenge art and beauty. They´ve become philosophers of the image, and in doing so, they have left many viewers perplexed and confused as to what exactly it is that they are witnessing or supposed to connect with. It seems that art today asks viewers and collectors to go on the same trip that the artist has gone through: understand thousands of years of art, read all the books that questioned why that was all made, and experiment with them in what can be considered art today. For those curious about art and collecting, they usually come to art with a blank slate and arrive at pretty pictures and, as many viewers for thousands of years, enjoy what they are looking at. The creators of those pretty pictures call themselves artists, and so it seems the system works. But when those pretty pictures escape the niche they are produced in and try to mingle with the contemporary art world, rarely do they become accepted, because, the museums, the informed collectors and the contemporary art market ask the questions of why pretty pictures again? Why today? How is this advancing our understanding of art? How is this commenting on all we know about art? What are these poster-looking, perfectly designed illustrations proposing to the art world that we have not considered before? And so those questions need to be answered for pretty images to be seen as art. And pretty is not only an aesthetic concept, but it is also about the intentions and the way the artist is capable of expressing his artistic intent. You can have “pretty intentions,” and that, too will be challenged. Simple themes, simple concepts without historical and conceptual rigor, are torn down and debunked because why do we need pretty artistic intentions anymore? Why do we need to see images based on explorations of color or form, self-portraits as an exploration of self, the line between reality and fiction, and the list goes on... These ideas have already been explored to the depths of their possibilities and those explorations became movement in the past. To go down that path again is a matter of practicing or studying to be an artist, but the contemporary art world rarely could see this as a proposal to move forward the world of art. So, you see, a plea for difficult images is a plea to be committed, respectful, thoughtful, and innovative. We cannot move forward, as in all practices that thrive on “the new,” without committing to understanding and challenging what came before. Science asks this of us, technology asks this, literature asks this, and cinema, too. We need pretty images, but they should only be a path to something way more profound. To do and understand art takes time, vulnerability, and a willingness to change… not everyone is willing to take that path. (Healed by Jess Mac)
0:42

A Plea for Difficult Images (A small rant about what I think art is today) Why does the contemporary art world embrace the ugly, the every day, the absurd, the nonsensical, and the visually and conceptually challenging? Why is that? You know this is the case because, 5 out 10 times, you come out of a contemporary art museum asking: What just happened!? What the f*** is this? Why is this art? Well, it is a long story, but let's start with something basic, like, pretty, beautiful images have been done ad infinitum up until the 20th century. Every pretty sunset, cityscape, landscape, still life, and portrait has been done before to perfection. You just need to open up a history of art book, and you will find hundreds of examples of pretty images. The challenge for artists after the invention of the photographic camera, which rendered things so perfectly, was to see other things. The challenge for artists today is to see the world differently: ugly, weird, absurd, unrecognizable. The artist´s mission suddenly became to ask questions and to think and represent differently: art is the place where we can have no certainty; where it is ok to make no sense and just present questions. Beautiful things still get made. Cute is still a thing in 21st-century art, But for completely different reasons. Beauty is not done for beauty's sake, but to challenge why we would, after thousands of years, still want to see beautiful images. Abstract art was once a f*** you to the establishment. But ever since the world tamed it, abstract art has become decorative at best. The last moment or revival of this form was called "Zombie Formalism" for it´s complacent visuals with "modernist and expressionistic styles,” which worked perfectly to please collectors interested in flipping works of art they did not understand from emerging artists who essentially crafted hundreds of generic images indistinguishable from one another. Contemporary art has moved into a space where artists tend to challenge art and beauty. They´ve become philosophers of the image, and in doing so, they have left many viewers perplexed and confused as to what exactly it is that they are witnessing or supposed to connect with. It seems that art today asks viewers and collectors to go on the same trip that the artist has gone through: understand thousands of years of art, read all the books that questioned why that was all made, and experiment with them in what can be considered art today. For those curious about art and collecting, they usually come to art with a blank slate and arrive at pretty pictures and, as many viewers for thousands of years, enjoy what they are looking at. The creators of those pretty pictures call themselves artists, and so it seems the system works. But when those pretty pictures escape the niche they are produced in and try to mingle with the contemporary art world, rarely do they become accepted, because, the museums, the informed collectors and the contemporary art market ask the questions of why pretty pictures again? Why today? How is this advancing our understanding of art? How is this commenting on all we know about art? What are these poster-looking, perfectly designed illustrations proposing to the art world that we have not considered before? And so those questions need to be answered for pretty images to be seen as art. And pretty is not only an aesthetic concept, but it is also about the intentions and the way the artist is capable of expressing his artistic intent. You can have “pretty intentions,” and that, too will be challenged. Simple themes, simple concepts without historical and conceptual rigor, are torn down and debunked because why do we need pretty artistic intentions anymore? Why do we need to see images based on explorations of color or form, self-portraits as an exploration of self, the line between reality and fiction, and the list goes on... These ideas have already been explored to the depths of their possibilities and those explorations became movement in the past. To go down that path again is a matter of practicing or studying to be an artist, but the contemporary art world rarely could see this as a proposal to move forward the world of art. So, you see, a plea for difficult images is a plea to be committed, respectful, thoughtful, and innovative. We cannot move forward, as in all practices that thrive on “the new,” without committing to understanding and challenging what came before. Science asks this of us, technology asks this, literature asks this, and cinema, too. We need pretty images, but they should only be a path to something way more profound. To do and understand art takes time, vulnerability, and a willingness to change… not everyone is willing to take that path. (Healed by Jess Mac)

alejandro cartagena

41,396 просмотров • 2 лет назад

Elon Musk looked at the only known instance of consciousness in the observable universe and saw what any engineer would. Single point of failure. No redundancy. No backup. Unacceptable. Musk: “To the best of our knowledge, we don’t know of life anywhere else.” 93 billion light years. Trillions of galaxies. Septillions of stars. Every telescope, every probe, every signal sweep humanity has ever aimed outward. Silence. Total silence. This planet might be the only place in the entire cosmos where anything has ever opened its eyes and understood it exists. Musk: “I think we should always view consciousness, life as we know it, as precarious and delicate.” He didn’t say rare. He said precarious. As in one event from gone. One asteroid. One supervolcano. One miscalculation. And consciousness disappears from the observable universe like it never happened. Every language ever spoken. Every theorem ever proven. Every memory ever held. All of it on one rock. No copy. Musk: “SpaceX is about advancing rocket technology to the point where we can extend life and consciousness beyond Earth. To the Moon. To Mars. Eventually to other star systems.” One person on the entire planet looked at this and decided it was an engineering problem with a deadline. Not a philosophy debate. Not a thought experiment. A problem that requires rockets and a window that won’t stay open forever. The public sees the rockets and thinks ego. They’re staring at the only lifeboat and calling it a vanity project. Civilizations don’t build forever. They peak. They fracture. They lose the stomach for hard things. The gap between “able to leave” and “no longer willing to try” could be one generation. Maybe less. The universe spent 13.8 billion years producing one species capable of knowing it exists. It did that once. You are not in the universe. You are the universe becoming aware of itself. If we go dark, the universe doesn’t lose a species. It loses the only thing that ever knew it was here. Not because something forgets. Because there’s nothing left that can.
0:29

Elon Musk looked at the only known instance of consciousness in the observable universe and saw what any engineer would. Single point of failure. No redundancy. No backup. Unacceptable. Musk: “To the best of our knowledge, we don’t know of life anywhere else.” 93 billion light years. Trillions of galaxies. Septillions of stars. Every telescope, every probe, every signal sweep humanity has ever aimed outward. Silence. Total silence. This planet might be the only place in the entire cosmos where anything has ever opened its eyes and understood it exists. Musk: “I think we should always view consciousness, life as we know it, as precarious and delicate.” He didn’t say rare. He said precarious. As in one event from gone. One asteroid. One supervolcano. One miscalculation. And consciousness disappears from the observable universe like it never happened. Every language ever spoken. Every theorem ever proven. Every memory ever held. All of it on one rock. No copy. Musk: “SpaceX is about advancing rocket technology to the point where we can extend life and consciousness beyond Earth. To the Moon. To Mars. Eventually to other star systems.” One person on the entire planet looked at this and decided it was an engineering problem with a deadline. Not a philosophy debate. Not a thought experiment. A problem that requires rockets and a window that won’t stay open forever. The public sees the rockets and thinks ego. They’re staring at the only lifeboat and calling it a vanity project. Civilizations don’t build forever. They peak. They fracture. They lose the stomach for hard things. The gap between “able to leave” and “no longer willing to try” could be one generation. Maybe less. The universe spent 13.8 billion years producing one species capable of knowing it exists. It did that once. You are not in the universe. You are the universe becoming aware of itself. If we go dark, the universe doesn’t lose a species. It loses the only thing that ever knew it was here. Not because something forgets. Because there’s nothing left that can.

Dustin

21,363 просмотров • 2 месяцев назад

The Art of the "Unlikely" Transformation There is something deeply satisfying about watching raw materials transform into a piece of art. Most people see a simple bolt and see a utility part—but a true artisan sees a foundation for something timeless. This process is a masterclass in patience and precision: The Blueprint: Every great creation starts with a vision, often sketched out and carefully applied to the metal. Meticulous Crafting: From the initial drilling to the delicate soldering of vine-like details and tiny floral accents, every movement is intentional. The Setting: Notice the steady hand required to set the halo of diamonds and that stunning emerald centerpiece. One wrong move and the entire aesthetic is compromised. The Finish: The transition from a rough, industrial look to a polished, high-shine gold finish never gets old. We live in an age of fast fashion and mass production, but pieces like this remind us why handmade hits different. It’s not just a ring; it’s hours of focus, years of learned technique, and a lot of heart. I’m curious: Do you prefer bold, industrial-inspired jewelry or delicate, nature-themed designs like this one?
2:36

The Art of the "Unlikely" Transformation There is something deeply satisfying about watching raw materials transform into a piece of art. Most people see a simple bolt and see a utility part—but a true artisan sees a foundation for something timeless. This process is a masterclass in patience and precision: The Blueprint: Every great creation starts with a vision, often sketched out and carefully applied to the metal. Meticulous Crafting: From the initial drilling to the delicate soldering of vine-like details and tiny floral accents, every movement is intentional. The Setting: Notice the steady hand required to set the halo of diamonds and that stunning emerald centerpiece. One wrong move and the entire aesthetic is compromised. The Finish: The transition from a rough, industrial look to a polished, high-shine gold finish never gets old. We live in an age of fast fashion and mass production, but pieces like this remind us why handmade hits different. It’s not just a ring; it’s hours of focus, years of learned technique, and a lot of heart. I’m curious: Do you prefer bold, industrial-inspired jewelry or delicate, nature-themed designs like this one?

PeachProof

171,269 просмотров • 4 месяцев назад