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Every day I'm looking for an arbitrage, something that is underpriced or misunderstood or not known yet, that gives me and my companies and my friends and most of all this community of people that consume my content a leg up, an advantage. It is very clear to me...

43,196 views • 19 days ago •via X (Twitter)

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I asked Garry Tan how to use meta prompting to get better at AI: "My partners at YC Jared Friedman and Pete Koomen showed me how to do this. You can take almost anything that you do all the time and just drop it into a context window. And then say, “Here’s a bunch of inputs and outputs." And maybe you also add a bunch of notes. And then you tell it, “Write me a prompt that can act as an agent that takes this input and makes this output over here.” You can do this for almost any type of knowledge work. And you can even introspect. "What are things you notice that I did to convert this from the input to the output?”. And then you can just start using the prompt. Initially, it’s going to suck. Because it’s just not that smart yet. But what’s funny is now, I also use it to Iterate my writing. You can be very direct, "I would never say that", "Don’t say it like this", or "Oh, you used the long word there, use the short word". Just speak to it conversationally. And then when you're happy with the output, you can use that new output to make a new prompt. "Based on this conversation, give me a better initial prompt that incorporates all the things we talked about." And you can do this with literally everything. And in theory, there’s so much it applies to that people do day-to-day. You could use it for tweets. You could use it for editing podcasts. You can use it for pretty much everything. I have a folder of prompts that I use all the time. My YouTube prompt is on v27 or something. I'll go through this process with all the different max models. I'll use GPT 5.2 Pro. I’ll use Grok. I'll use Claude. Then, I’ll take all the outputs from all the models and put them into Claude and say "Here’s my prompt, here’s the output from four LLMs, including yourself. Rate each response and tell me what the pros and cons of each approach are." And I usually say "give it to me in numbered form". And then you can agree with one, disagree with two, tell it three is this or that. And then after that, you say given all of this, synthesize it."

The Peel

51,632 views • 4 months ago

Lemme clue you in on something... I have been an Entertainment Commentator for a long time. I built Phil Mphela with intention and purpose. There are lots of commentators now. In a pool of many doing the same thing, you have to be strategic. My brand of content is about standard. That's why I have never done gossip content. Also... I don't just post about every show, person or brand. I don't attend every event I'm invited to and give them SPOTTED for free. It's not everyone who will end up on my SPOTTED feature. I spot stars. It has to mean something to be spotted by this page. That is why lots of people in the industry will say "I can't wait for Phil Mphela to mention me on his page." "I can't wait to be on Phil Mphela's CASTING NEWS." My ratecard also reflects that. Im not cheap to hire. 😂 When you hire Phil Mphela, you get cross pollination visibility and/or engagement. My clients don't care whether I post and the tweets get only 5 comments because they know that if I post it, other platforms will pick it up. I post, it lives beyond #KgopoloReports. I am covering BBMzansi a lot now because I am working. I didn't watch or comment on Season 5 as I wasn't working on it. My job is to give my honest commentary and get the conversation going. Plus a lot of people told me they missed my commentary on Season 5. There is a reason why people come and go trying to do what I do and I'm still here making a decent living doing this. It's not a hobby but a well planned out career tool for me. ❤️

Kgopolo

19,392 views • 5 months ago

We’re All Thinking It, It Needed To Be Said “You know what I am just sick and f**king tired of is all of this liberal f**king nonsense being shoved in my face, and then people trying to say that you're this phobic and that phobic if you don't agree with it. I'm pretty in the middle politically, and I think that the government should stay out of our sh*t and just let people live how they want to. But it is whenever the government and these big corporations force their ideologies and their way of thinking into my life that it starts to annoy the sh*t out of me. Like, I was watching the show The Witcher recently, and there's a character named the Oscar. He's one of the main characters, and he ended up being gay in the show. ‌ In the books, he is not gay. Like, why is that f**king necessary? Just make a good TV show and good movies. But I will tell you right now why it is necessary. Go look at the Oscar nomination requirements. ‌ Like, I saw an article one time on Snapchat, and it was called 5 signs you might be gay and not know it. Like, what are you what are you trying to do with that? Are you trying to convince young impressionable kids, maybe a young kid that's a little bit more feminine that he's gay? Let him figure out his shit on his own. It's like, I personally do not give a f**k you are gay or trans or think you're a dog or a platypus or some sh*t. ‌ They are literally creating their own enemies by doing this because they take people like me that are just neutral and don't give a f**k. They get sick and tired of all this sh*t being shoved down their throat every second, and then they take out their anger on the groups of people, which is also wrong. And on the other hand, people that do not want to be constantly exposed to that shit every time they open up their damn phone shouldn't have to either. Some people call it inclusion. I call it creating more division between people.”

Wall Street Apes

1,166,027 views • 2 years ago

Jack Dorsey on becoming a better storyteller: "I found myself very early on thinking about something like thinking about this early idea for Twitter and saying to myself, I could build this awesome. You have those shower-like moments, or you're walking at midnight in some town in New York City, and you've got these amazing brand ideas. And then you start thinking, well, I could really start doing this if only X and if I had this person or if this technology existed or if this happened or this happened. And what I realized was that I was constantly making excuses for not working on it. And then the window had passed, and then I couldn't do anything. So I think it's really, really important to write it out or to draw it out or to code it. But you need to get it out of your head. And the reason you have to get it out of your head is that you need to be able to see it on a surface that is not in your mind. And once you can see it, and once you can step back from it, then you can also decide this passes my filter, my constraints, so maybe I can show it and share it with some other people. And then they will be like that's the stupidest idea ever and or that's somewhat interesting, but maybe this and this and this. So the sooner you can do that, then you have a lot of momentum around it, and you can really decide if you want to commit to it and work on it more or put it on the shelf for a later date. And the realization that I think everyone needs to have about that latter option, putting it on the shelf, is that you can come back to it and it will surface back up in another piece of work or another idea at some point in your life. So having that ability to close off a chapter and move on is really, really important. You can't have all these open threads, and that's what I realized I was doing. And that also encouraged me to really write more and to really think about what's the story? How are people coming to this? And like when I show my friends this, how are they going to react and I would write it down. I would actually treat it like a play. And when I realized that I was writing plays, I read a lot more plays for style and for substance and for technique and I think it's really good. I think there is another company that I have always looked towards for inspiration and I know a number of people in this room probably have a similar company in mind, which is Apple. Apple, I think, is run like a theater company. It has a great sense of pacing, has a great sense of story and has a great sense of execution and it's all about event-driven, it's all stage-driven, the stage being a billboard or the stage being a keynote or the stage being a product launch. All of it has a very, very cohesive end-to-end story. I mean you think about what happened when Steve Jobs came back to the company. The first thing he did was kill every product line the company was working on. And for two years,rs they had no product on the market whatsoever. All they had were a bunch of posters all around the world with Steve Jobs' heroes, and it said, think different. And it was just focused on bringing up the brand and making people aware of the brand again and how the brand is aligning to this particular feeling and story. And then they came out with the iMac and then built iTunes and then the iPod, and they realized that, wait a minute, people are carrying music on their phones now, so we better build a phone, an iPhone. And so this unfolding of the plot and the epic story has been very, very interesting to watch, especially if you look back to that time when he came back to the company. So I've learned a lot from that company and other companies that operate in a similar fashion."

Founder Mode

107,213 views • 6 months ago