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Every finished video starts long before the first render. Ideas evolve through research, planning, experimentation, and countless small revisions. TapNow 's Creative OS brings those stages together in one workspace, making the whole process feel much more connected. #TapTV #CreativeOS #TapNow

Natalia

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28,692 просмотров • 6 дней назад •via X (Twitter)

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Finally, AI video that actually respects how real creative work happens. TapNow creative OS isn’t just another prompt-to-clip tool, it’s a full workspace that holds your references, scripts, briefs, visual direction, and revisions all in one living canvas. It feels like the moment coding moved from scattered scripts into proper dev environments. This is the creative operating system we’ve been missing.

Finally, AI video that actually respects how real creative work happens. TapNow creative OS isn’t just another prompt-to-clip tool, it’s a full workspace that holds your references, scripts, briefs, visual direction, and revisions all in one living canvas. It feels like the moment coding moved from scattered scripts into proper dev environments. This is the creative operating system we’ve been missing.

Sharon Riley

32,615 просмотров • 6 дней назад

Introducing az8 studio — the Agentic Studio for AI video creation. AI video is no longer just about typing a prompt and hoping for the best. It is about creating in a workspace where your agent understands the whole project, remembers the context, and helps before you ask. Meet Zumi — your creative agent inside az8. Zumi sees your assets, prompts, scenes, results, and decisions in one visual studio. It can spot what is missing, suggest what to try next, and help turn vanilla ideas into finished videos.

Introducing az8 studio — the Agentic Studio for AI video creation. AI video is no longer just about typing a prompt and hoping for the best. It is about creating in a workspace where your agent understands the whole project, remembers the context, and helps before you ask. Meet Zumi — your creative agent inside az8. Zumi sees your assets, prompts, scenes, results, and decisions in one visual studio. It can spot what is missing, suggest what to try next, and help turn vanilla ideas into finished videos.

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Fuser launches today. Backed by a $2M pre-seed led by Collab+Currency, we’re carving a new path for how creatives interface with AI. Sometimes it feels like how we use AI — where it lives, what it’s for — has already been decided for us. But that isn’t true. In fact, it’s more in flux than ever. That’s why we built Fuser: a creative workspace where ideas and the experience of using AI evolve together. Every model. Every medium. One canvas.

Fuser launches today. Backed by a $2M pre-seed led by Collab+Currency, we’re carving a new path for how creatives interface with AI. Sometimes it feels like how we use AI — where it lives, what it’s for — has already been decided for us. But that isn’t true. In fact, it’s more in flux than ever. That’s why we built Fuser: a creative workspace where ideas and the experience of using AI evolve together. Every model. Every medium. One canvas.

Fuser

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[INSTAGRAM] 250412 @.instagram Instagram Update with ENHYPEN! “Coachella was one of the dream stages of our life, so it’s truly an honor.” — ENHYPEN OFFICIAL (ENHYPEN) For their debut Coachella performance, ENHYPEN’s creative process included countless hours of rehearsal in between touring. As this year’s only all-boy K-pop group, they’re making sure to be a certified “Blockbuster.” “All seven of us have different ideas, different personalities, and we are so different in every way — but we all have the same goal.” In this edition of The Creative Process, step into the rehearsal studio in the band’s hometown of Seoul to see how they prepared for the performance of a lifetime.” ENHYPEN #ENHYPEN #엔하이픈

[INSTAGRAM] 250412 @.instagram Instagram Update with ENHYPEN! “Coachella was one of the dream stages of our life, so it’s truly an honor.” — ENHYPEN OFFICIAL (ENHYPEN) For their debut Coachella performance, ENHYPEN’s creative process included countless hours of rehearsal in between touring. As this year’s only all-boy K-pop group, they’re making sure to be a certified “Blockbuster.” “All seven of us have different ideas, different personalities, and we are so different in every way — but we all have the same goal.” In this edition of The Creative Process, step into the rehearsal studio in the band’s hometown of Seoul to see how they prepared for the performance of a lifetime.” ENHYPEN #ENHYPEN #엔하이픈

ENHYPEN UPDATES

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I’ve long said it: Farm security IS national security. 🇺🇸 We’re fighting to keep America’s farms in family hands for generations. The OBBB just repealed the death tax for countless farmers — making it dramatically easier to pass the farm to the next generation. We’ve also opened brand-new markets with 18 trade deals in just ONE year. We are making changes like never before. Agriculture is the best of our national traditions and we are working every day for our agricultural producers and there is so much more to do! #FarmSecurity #NationalSecurity

Secretary Brooke Rollins

27,400 просмотров • 4 месяцев назад

CapCut Design Studio changed the way I think about creating with AI. For a long time, creating with AI felt less like creating and more like managing files—generate, export, switch tools, edit, re-upload, repeat. The ideas were flowing, but the workflow kept getting in the way. What's changing now isn't just image quality, it's the creative process itself. This video shows how I used CapCut Design Studio to build an autumn fashion poster from scratch. I started on the infinite canvas to explore styles, then used the pencil to easily remove unwanted elements and even swap out outfits to find the perfect look for my model. Also, I used the text editing feature to instantly translate my poster into multiple languages without losing the original aesthetic. If I ever need more options, the 'One More' feature automatically creates multiple creative variations with one click. Instead of switching between multiple tools, I was able to keep the entire creative process connected in one place. AI design is moving from "generate and download" to "create, refine, and scale"—and that's the shift I'm most excited about. What's the biggest bottleneck in your current design workflow? #capcutdesignstudio #capcut

CapCut Design Studio changed the way I think about creating with AI. For a long time, creating with AI felt less like creating and more like managing files—generate, export, switch tools, edit, re-upload, repeat. The ideas were flowing, but the workflow kept getting in the way. What's changing now isn't just image quality, it's the creative process itself. This video shows how I used CapCut Design Studio to build an autumn fashion poster from scratch. I started on the infinite canvas to explore styles, then used the pencil to easily remove unwanted elements and even swap out outfits to find the perfect look for my model. Also, I used the text editing feature to instantly translate my poster into multiple languages without losing the original aesthetic. If I ever need more options, the 'One More' feature automatically creates multiple creative variations with one click. Instead of switching between multiple tools, I was able to keep the entire creative process connected in one place. AI design is moving from "generate and download" to "create, refine, and scale"—and that's the shift I'm most excited about. What's the biggest bottleneck in your current design workflow? #capcutdesignstudio #capcut

Farlane

41,971 просмотров • 28 дней назад

Keeper Joseph takes charge of the camera to capture why the Keepers have christened her "our little frog." To her, it must feel like the whole world revolves around her whims. Keepers know to let her out of her stockade first in the morning, or there will be tantrums. At the mud bath, she waits until the boys have finished before taking her turn – wriggling in the mud, flopping like a fish, striking her signature frog pose with legs splayed in every direction. Only when she is well and ready does the herd head off together as one! Welcome Korbessa into your life through an adoption:

Keeper Joseph takes charge of the camera to capture why the Keepers have christened her "our little frog." To her, it must feel like the whole world revolves around her whims. Keepers know to let her out of her stockade first in the morning, or there will be tantrums. At the mud bath, she waits until the boys have finished before taking her turn – wriggling in the mud, flopping like a fish, striking her signature frog pose with legs splayed in every direction. Only when she is well and ready does the herd head off together as one! Welcome Korbessa into your life through an adoption:

Sheldrick Wildlife Trust

25,745 просмотров • 5 месяцев назад

Let this chocolate brown Countach heal your algorithm! This commercial started as nothing more than an idea. I wanted to create something that felt timeless a chocolate brown Lamborghini Countach, an old-money atmosphere, a powerful woman, a luxury mansion party, natural daylight, authentic human interactions, and a commercial so realistic it wouldn't feel AI-generated at all. So I sat down with ChatGPT and explained the vision in detail. First, we built the story. I described the world, the mood, the characters, the setting, and the feeling I wanted viewers to experience. From there, ChatGPT helped transform that vision into a complete narrative, turning scattered ideas into a cinematic concept. Next came the planning stage. The story was broken down into a professional commercial timeline, scene by scene, shot by shot, exactly how a luxury automotive campaign would be storyboarded by a creative director and videographer. Then we went even deeper. Every scene was translated into detailed prompts, camera directions, movement instructions, lighting setups, slow-motion sequences, environmental details, character positioning, and luxury automotive close-ups. Once the sequence felt perfect, those ideas were converted into structured JSON prompts to maintain consistency throughout the project. After that, I generated individual storyboard images for every scene. Each image became a visual reference frame representing a specific moment of the commercial the mansion, the audience, the old-money styling, the Countach hero shots, the interior reveals, the scissor doors, and the final cinematic departure. Those reference images were then brought into Yapper where I used Seedance 2.0 to generate the actual video sequences. Multiple generations. Multiple revisions. Multiple refinements. Frame by frame, the vision started becoming reality. Finally, I edited both video sequences together, refined the pacing, synchronized the transitions, selected the music, and shaped everything into one seamless luxury automotive commercial. What you're watching isn't just an AI video. It's the result of storytelling, creative direction, prompt engineering, shot planning, storyboard creation, image generation, video generation, editing, and countless creative decisions. A chocolate brown Lamborghini Countach. An old-money lifestyle. A cinematic luxury fantasy brought to life from a single idea. Built through imagination. Designed through collaboration. Created frame by frame.

Let this chocolate brown Countach heal your algorithm! This commercial started as nothing more than an idea. I wanted to create something that felt timeless a chocolate brown Lamborghini Countach, an old-money atmosphere, a powerful woman, a luxury mansion party, natural daylight, authentic human interactions, and a commercial so realistic it wouldn't feel AI-generated at all. So I sat down with ChatGPT and explained the vision in detail. First, we built the story. I described the world, the mood, the characters, the setting, and the feeling I wanted viewers to experience. From there, ChatGPT helped transform that vision into a complete narrative, turning scattered ideas into a cinematic concept. Next came the planning stage. The story was broken down into a professional commercial timeline, scene by scene, shot by shot, exactly how a luxury automotive campaign would be storyboarded by a creative director and videographer. Then we went even deeper. Every scene was translated into detailed prompts, camera directions, movement instructions, lighting setups, slow-motion sequences, environmental details, character positioning, and luxury automotive close-ups. Once the sequence felt perfect, those ideas were converted into structured JSON prompts to maintain consistency throughout the project. After that, I generated individual storyboard images for every scene. Each image became a visual reference frame representing a specific moment of the commercial the mansion, the audience, the old-money styling, the Countach hero shots, the interior reveals, the scissor doors, and the final cinematic departure. Those reference images were then brought into Yapper where I used Seedance 2.0 to generate the actual video sequences. Multiple generations. Multiple revisions. Multiple refinements. Frame by frame, the vision started becoming reality. Finally, I edited both video sequences together, refined the pacing, synchronized the transitions, selected the music, and shaped everything into one seamless luxury automotive commercial. What you're watching isn't just an AI video. It's the result of storytelling, creative direction, prompt engineering, shot planning, storyboard creation, image generation, video generation, editing, and countless creative decisions. A chocolate brown Lamborghini Countach. An old-money lifestyle. A cinematic luxury fantasy brought to life from a single idea. Built through imagination. Designed through collaboration. Created frame by frame.

Julia Clark

26,529 просмотров • 1 месяц назад

Claude Skills are a cheat code for DTC creative teams 🤯 One setup, reusable forever. Claude automatically follows your exact creative process — briefs, hooks, ad copy, research — without you explaining anything twice. Perfect for e-comm brands and agencies who are using Claude for creative work but wasting time re-explaining context every single conversation. Here's the problem: You open Claude: you paste in your brand guidelines, explain your brief format, write the copy, you close the chat. Next day, you do it all over again. Every conversation starts from zero. You're burning 20 minutes on setup before you even get to the actual work. Claude Skills fix this: → Write your creative process once as a Skill (a simple markdown file) → Claude reads it automatically whenever the task comes up → Skills compose — research triggers the research Skill, briefs trigger the brief Skill, copy triggers the copy Skill → All in one conversation, all building on each other → Share across your team so everyone gets the same quality output No re-explaining your brand voice. No pasting the same context every chat. No siloed projects that don't talk to each other. What's in the playbook: → The full architecture (how Skills trigger, chain, and compose) → 5 ready-to-use Skill templates built for DTC and agency creative teams → Step-by-step setup from zero to working Skills → How to write instructions that produce consistent output every time → The composability framework for running multi-step creative workflows in one conversation I put together the complete Claude Skills Playbook for DTC brands and creative agencies. Want it for free? >Like this post >Comment "SKILLS" And I'll send it over (must be following so I can DM)

Mike Futia

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Last week, we lowered the close to 2,100,000-pound Basemat into place — the foundation for the G7's first Small Modular Reactor and Canada's first new nuclear build in more than 30 years. One of the largest crawler cranes in the world lowered the Basemat module into the reactor shaft at the Darlington New Nuclear Project site — 35 metres below ground. It’s the first time in Canada a foundation for a reactor building was assembled modularly – putting the “M” in SMR – as the giant component was fabricated, welded, and put together in one piece before being lifted into place. This was a milestone months in the making, requiring significant attention to detail and safety, as well as the hard work of dedicated trades and project partners. Piece by piece, we're continuing to build one of the largest and most complex clean energy projects in Canada today. Learn more:

Last week, we lowered the close to 2,100,000-pound Basemat into place — the foundation for the G7's first Small Modular Reactor and Canada's first new nuclear build in more than 30 years. One of the largest crawler cranes in the world lowered the Basemat module into the reactor shaft at the Darlington New Nuclear Project site — 35 metres below ground. It’s the first time in Canada a foundation for a reactor building was assembled modularly – putting the “M” in SMR – as the giant component was fabricated, welded, and put together in one piece before being lifted into place. This was a milestone months in the making, requiring significant attention to detail and safety, as well as the hard work of dedicated trades and project partners. Piece by piece, we're continuing to build one of the largest and most complex clean energy projects in Canada today. Learn more:

Ontario Power Gen

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It’s a new week, and many people are considering starting their building projects. One thing I’ve observed is that most project challenges don’t begin during construction, they begin long before the brief is even properly defined. Questions like: Is the budget realistic? Am I truly prepared to start this project? Which professional competence can I rely on to guide me through it? When these are not clearly addressed at the outset, the project becomes much harder to control in terms of cost, time, and quality. Proper planning and early professional input make the entire process more predictable, structured, and efficient. And one key principle to always remember: the best way to save cost in construction is to do it right the first time.

It’s a new week, and many people are considering starting their building projects. One thing I’ve observed is that most project challenges don’t begin during construction, they begin long before the brief is even properly defined. Questions like: Is the budget realistic? Am I truly prepared to start this project? Which professional competence can I rely on to guide me through it? When these are not clearly addressed at the outset, the project becomes much harder to control in terms of cost, time, and quality. Proper planning and early professional input make the entire process more predictable, structured, and efficient. And one key principle to always remember: the best way to save cost in construction is to do it right the first time.

ConstructionPM🪖 ✨

20,417 просмотров • 3 месяцев назад

KILL YOUR DARLINGS One of the hardest skills to develop as a storyteller is learning to kill your darlings. Whether it’s a character, a design, a shot, or even an entire sequence, the fact that something works doesn’t necessarily mean it’s the best version of itself. I often see people using AI and falling in love with the first or second iteration because it’s already impressive. The tools have become so good that they make it incredibly tempting to stop there. I try to do the opposite. The Light Within has already gone through countless visual iterations, and I’m sure it will go through many more before it’s finished. Every new pass is an opportunity to ask a simple question: Is this really the version I want to spend years of my life bringing into the world? Sometimes the answer is yes. Quite often, it’s no. This is one of those earlier screen tests. Looking back at it reminds me how much the project has evolved, and why falling in love with the process is far more valuable than falling in love with the first idea. PS: also never say never.. as I rewatch this iteration there js a lot I still very much like.

KILL YOUR DARLINGS One of the hardest skills to develop as a storyteller is learning to kill your darlings. Whether it’s a character, a design, a shot, or even an entire sequence, the fact that something works doesn’t necessarily mean it’s the best version of itself. I often see people using AI and falling in love with the first or second iteration because it’s already impressive. The tools have become so good that they make it incredibly tempting to stop there. I try to do the opposite. The Light Within has already gone through countless visual iterations, and I’m sure it will go through many more before it’s finished. Every new pass is an opportunity to ask a simple question: Is this really the version I want to spend years of my life bringing into the world? Sometimes the answer is yes. Quite often, it’s no. This is one of those earlier screen tests. Looking back at it reminds me how much the project has evolved, and why falling in love with the process is far more valuable than falling in love with the first idea. PS: also never say never.. as I rewatch this iteration there js a lot I still very much like.

Henry Daubrez 🌸💀

13,856 просмотров • 17 дней назад

Let's compare the app opening and closing animations in iOS 27 Beta 1 and One UI 8.5. The app animations in iOS 27 are not significantly different from those in iOS 26, and some long-standing issues are still present. When you tap an app icon, the animation does not start instantly and still feels slightly delayed, making the system response appear less immediate. The same applies when returning to the home screen. There is still a brief hesitation at the very beginning of the animation before the full transition starts. One UI 8.5, on the other hand, delivers top-tier performance, especially after my own tuning and optimization. Whether opening an app or returning to the home screen, the animations feel almost perfectly synchronized with your finger movements. The response is immediate, the transitions are smoother, and the overall experience feels more natural and connected.

Let's compare the app opening and closing animations in iOS 27 Beta 1 and One UI 8.5. The app animations in iOS 27 are not significantly different from those in iOS 26, and some long-standing issues are still present. When you tap an app icon, the animation does not start instantly and still feels slightly delayed, making the system response appear less immediate. The same applies when returning to the home screen. There is still a brief hesitation at the very beginning of the animation before the full transition starts. One UI 8.5, on the other hand, delivers top-tier performance, especially after my own tuning and optimization. Whether opening an app or returning to the home screen, the animations feel almost perfectly synchronized with your finger movements. The response is immediate, the transitions are smoother, and the overall experience feels more natural and connected.

Ice Universe

246,383 просмотров • 1 месяц назад

Announcing Innovative Dreams, a new production company by Luma and Wonder Project built by filmmakers for filmmakers, and our first production — Moses starring Sir Ben Kingsley, coming this Spring on Prime Video. AI is a fundamental change to the craft and business of filmmaking, and through ID, we are building a new production process for this era — one that brings Humans and AI together to enable great storytelling. We call it Hybrid Production — actors, artists, and generative AI working together in Luma. In real time. Innovative Dreams is a production services company where seasoned filmmakers from Director Jon Erwin's team and Luma's creative technologists work with great studios and filmmakers to help them realize ambitious ideas. It's a liberating force. Hybrid Production enables actors, directors, and artists to work together in real time. Creative teams collaborate with Luma Agents live and make changes to sets, props, lighting, and bring in performance capture from human actors. This is a significant improvement over the current virtual production and performance capture processes where things come together only in post. This is the leverage of AI — not just faster or cheaper, but better than what came before. We have built the first Hybrid Filmmaking studio at Manhattan Beach Studios where Moses is being shot. ID is significantly oversubscribed with demand and is actively growing the team to extend its services to more studios and filmmakers. Read more:

Announcing Innovative Dreams, a new production company by Luma and Wonder Project built by filmmakers for filmmakers, and our first production — Moses starring Sir Ben Kingsley, coming this Spring on Prime Video. AI is a fundamental change to the craft and business of filmmaking, and through ID, we are building a new production process for this era — one that brings Humans and AI together to enable great storytelling. We call it Hybrid Production — actors, artists, and generative AI working together in Luma. In real time. Innovative Dreams is a production services company where seasoned filmmakers from Director Jon Erwin's team and Luma's creative technologists work with great studios and filmmakers to help them realize ambitious ideas. It's a liberating force. Hybrid Production enables actors, directors, and artists to work together in real time. Creative teams collaborate with Luma Agents live and make changes to sets, props, lighting, and bring in performance capture from human actors. This is a significant improvement over the current virtual production and performance capture processes where things come together only in post. This is the leverage of AI — not just faster or cheaper, but better than what came before. We have built the first Hybrid Filmmaking studio at Manhattan Beach Studios where Moses is being shot. ID is significantly oversubscribed with demand and is actively growing the team to extend its services to more studios and filmmakers. Read more:

Luma

94,580 просмотров • 3 месяцев назад

One guy is pulling in 500 dollars a day by posting AI generated baby videos on YouTube. His entire research consists of scrolling through YouTube Kids and copying whatever baby video is trending that week. He feeds the idea into Claude and gets back a complete creative package. Character descriptions, movement style, tone, and mood all perfectly laid out. He copies that straight into Kling 3.0. One prompt, one click, and a few minutes later he has a smooth, bright, high quality animated baby video ready to go. No downloads. No editing. No learning curves. He uploads it to YouTube. The algorithm catches on. Parents play it for their kids. The kids watch it on repeat. Watch time explodes and YouTube promotes it even more. The whole system runs on autopilot. 500 dollars a day from videos that take him just 20 minutes to create. He never shows his face, never records audio, and never leaves his apps. Just YouTube for research, Claude for the ideas, Kling 3.0 for the video, and the upload button. Four simple steps. Twenty minutes. 500 dollars. Save this before every parent with a smartphone figures it out.

One guy is pulling in 500 dollars a day by posting AI generated baby videos on YouTube. His entire research consists of scrolling through YouTube Kids and copying whatever baby video is trending that week. He feeds the idea into Claude and gets back a complete creative package. Character descriptions, movement style, tone, and mood all perfectly laid out. He copies that straight into Kling 3.0. One prompt, one click, and a few minutes later he has a smooth, bright, high quality animated baby video ready to go. No downloads. No editing. No learning curves. He uploads it to YouTube. The algorithm catches on. Parents play it for their kids. The kids watch it on repeat. Watch time explodes and YouTube promotes it even more. The whole system runs on autopilot. 500 dollars a day from videos that take him just 20 minutes to create. He never shows his face, never records audio, and never leaves his apps. Just YouTube for research, Claude for the ideas, Kling 3.0 for the video, and the upload button. Four simple steps. Twenty minutes. 500 dollars. Save this before every parent with a smartphone figures it out.

Ansh Bhatnagar

11,303 просмотров • 1 месяц назад

There’s something powerful about thousands of people coming together — for music, sports, ideas or community. Behind every event is a shared experience worth protecting. Axon’s Real-Time Event Protection brings together law enforcement, private security and event organizers in a connected platform built for proactive safety. From festivals and football games to cultural celebrations and community gatherings, it enables clear communication, real-time visibility and coordinated response without disrupting the experience. At the core of Real-Time Event Protection is Axon Fusus, which unifies live camera feeds, drone footage and data from across an event footprint — delivering a real-time view through a single pane of glass to all safety teams. With advanced mapping, video integration and situational awareness, responders can detect issues early, respond faster and make more informed decisions. This technology is built to protect the stories we carry with us long after the lights go down. Learn more about how Axon technology is working to make every event safer at #Axon #ProtectLife

There’s something powerful about thousands of people coming together — for music, sports, ideas or community. Behind every event is a shared experience worth protecting. Axon’s Real-Time Event Protection brings together law enforcement, private security and event organizers in a connected platform built for proactive safety. From festivals and football games to cultural celebrations and community gatherings, it enables clear communication, real-time visibility and coordinated response without disrupting the experience. At the core of Real-Time Event Protection is Axon Fusus, which unifies live camera feeds, drone footage and data from across an event footprint — delivering a real-time view through a single pane of glass to all safety teams. With advanced mapping, video integration and situational awareness, responders can detect issues early, respond faster and make more informed decisions. This technology is built to protect the stories we carry with us long after the lights go down. Learn more about how Axon technology is working to make every event safer at #Axon #ProtectLife

Axon

43,645 просмотров • 1 год назад

Excited to share a new product (and a new category for Adobe): Mood-boarding and concepting in the age of AI with Project Concept. Project Concept is an AI-first product for the early stages of every creative journey - designed for an era where we will spend LESS time on the mundane and repetitive parts of production, and MORE time exploring the full surface area of possibility and finding better ideas. It features the very latest capabilities from Adobe’s Firefly Generative AI models to help you rapidly explore potential artistic directions, mix images together, transform regions of an asset, and remix styles, backgrounds, and other ingredient assets. You can start a project using your own assets or other sources of inspiration. Project Concept then uses AI and collaborative tools to assist with both divergent thinking, illuminating the far-reaching possibilities of any creative project, and convergent thinking to bring ideas together, apply controls, and ultimately select the final direction to go with. Excited about this one. Project Concept goes into Private Beta today, now back to work… #AdobeMAX

Excited to share a new product (and a new category for Adobe): Mood-boarding and concepting in the age of AI with Project Concept. Project Concept is an AI-first product for the early stages of every creative journey - designed for an era where we will spend LESS time on the mundane and repetitive parts of production, and MORE time exploring the full surface area of possibility and finding better ideas. It features the very latest capabilities from Adobe’s Firefly Generative AI models to help you rapidly explore potential artistic directions, mix images together, transform regions of an asset, and remix styles, backgrounds, and other ingredient assets. You can start a project using your own assets or other sources of inspiration. Project Concept then uses AI and collaborative tools to assist with both divergent thinking, illuminating the far-reaching possibilities of any creative project, and convergent thinking to bring ideas together, apply controls, and ultimately select the final direction to go with. Excited about this one. Project Concept goes into Private Beta today, now back to work… #AdobeMAX

scott belsky

106,858 просмотров • 1 год назад

The Fed talks about soft data. Surveys. How people feel. Danielle DiMartino Booth says, "Do not ignore what is in the hard data." There are more than 7 million unemployed Americans. But only about one in four is collecting unemployment benefits. Why? "When I was born, unemployment benefits covered 66% of what you needed just to get by. Today, they cover 33%." For many households, benefits no longer cover basic expenses. More people take on multiple jobs. More people participate in the gig economy. More Americans continue working later in life. And that 1.8 million continuing claimants number that looks so clean every week? "That's only a quarter of the unemployed. And it's only 14% of the broader universe of those who would take a job if they could get one." The BLS revisions tell the rest of the story. Every month in Q2 2025 was revised lower. By Q3, the revised data showed the labor market was weaker than headline numbers initially suggested. "A monkey could tell you that you were in a recession." Yet recession calls are rarely straightforward. Policymakers must weigh conflicting economic signals, revisions, and uncertainty before making definitive statements about the state of the economy.

The Fed talks about soft data. Surveys. How people feel. Danielle DiMartino Booth says, "Do not ignore what is in the hard data." There are more than 7 million unemployed Americans. But only about one in four is collecting unemployment benefits. Why? "When I was born, unemployment benefits covered 66% of what you needed just to get by. Today, they cover 33%." For many households, benefits no longer cover basic expenses. More people take on multiple jobs. More people participate in the gig economy. More Americans continue working later in life. And that 1.8 million continuing claimants number that looks so clean every week? "That's only a quarter of the unemployed. And it's only 14% of the broader universe of those who would take a job if they could get one." The BLS revisions tell the rest of the story. Every month in Q2 2025 was revised lower. By Q3, the revised data showed the labor market was weaker than headline numbers initially suggested. "A monkey could tell you that you were in a recession." Yet recession calls are rarely straightforward. Policymakers must weigh conflicting economic signals, revisions, and uncertainty before making definitive statements about the state of the economy.

Monetary Metals

10,912 просмотров • 1 месяц назад

OUR MAIN PAGE IS FINALLY BACK! And with that, we’re excited to share a major update for AHOF 1st Tour: The First Sparks in Manila! AHOF FIRST SPARKS IN MANILA PROJECTS UPDATE FOHAs, it’s official! Take a look at the approved projects for AHOF 1st Tour: The First Sparks in Manila! Photo Op Hand Banners — 12.68% Funded LED Bracelets — 0% Funded Fan Zone — 0% Funded Cakes & Balloons — 100% Sponsored We’re incredibly grateful to everyone who has donated and supported our projects so far. But we still have a long way to go, and we need the power of Filipino FOHAs to make these plans come to life! Let’s light up the venue together. Let’s create unforgettable memories. Let’s show AHOF the love and passion of Filipino FOHAs! Every donation, no matter how small, brings us one step closer to making these projects a reality. 🔗 Donation Form: Together, let’s make The First Spark in Manila brighter, louder, and more unforgettable than ever! #AHOF #아홉 #THE_FIRST_SPARK #THE_FIRST_SPARK_IN_MANILA #UnitedForAHOF

OUR MAIN PAGE IS FINALLY BACK! And with that, we’re excited to share a major update for AHOF 1st Tour: The First Sparks in Manila! AHOF FIRST SPARKS IN MANILA PROJECTS UPDATE FOHAs, it’s official! Take a look at the approved projects for AHOF 1st Tour: The First Sparks in Manila! Photo Op Hand Banners — 12.68% Funded LED Bracelets — 0% Funded Fan Zone — 0% Funded Cakes & Balloons — 100% Sponsored We’re incredibly grateful to everyone who has donated and supported our projects so far. But we still have a long way to go, and we need the power of Filipino FOHAs to make these plans come to life! Let’s light up the venue together. Let’s create unforgettable memories. Let’s show AHOF the love and passion of Filipino FOHAs! Every donation, no matter how small, brings us one step closer to making these projects a reality. 🔗 Donation Form: Together, let’s make The First Spark in Manila brighter, louder, and more unforgettable than ever! #AHOF #아홉 #THE_FIRST_SPARK #THE_FIRST_SPARK_IN_MANILA #UnitedForAHOF

AH9PE PROJECTS

17,718 просмотров • 1 месяц назад