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Every great band has a song that changes everything. "Supersonic," the debut single from Definitely Maybe, was famously written and recorded in a single day, introducing Noel Gallagher's razor-sharp songwriting and Liam Gallagher's unmistakable swagger to the world. This performance from Familiar to Millions, recorded at Wembley Stadium in... show more

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"Supersonic" was written and recorded in a single day, with Noel Gallagher reportedly finishing the song while the rest of Oasis took a break from the studio. Released as their debut single and later featured on Definitely Maybe, it was the first glimpse of the sound and attitude that would define the band. Two years later, this performance at Maine Road in 1996 shows just how far Oasis had travelled, playing their first single to a huge hometown crowd.

"Supersonic" was written and recorded in a single day, with Noel Gallagher reportedly finishing the song while the rest of Oasis took a break from the studio. Released as their debut single and later featured on Definitely Maybe, it was the first glimpse of the sound and attitude that would define the band. Two years later, this performance at Maine Road in 1996 shows just how far Oasis had travelled, playing their first single to a huge hometown crowd.

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One song was enough to announce Oasis to the world. Performed on MTV in 1994, “Supersonic” introduced the band's swaggering sound and Liam Gallagher’s unmistakable vocal, helping build the momentum that would carry Definitely Maybe to become a landmark debut album.

One song was enough to announce Oasis to the world. Performed on MTV in 1994, “Supersonic” introduced the band's swaggering sound and Liam Gallagher’s unmistakable vocal, helping build the momentum that would carry Definitely Maybe to become a landmark debut album.

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Back in 1994, Oasis performed Bring It On Down live in Chicago, showcasing the raw aggression and swagger that defined their early years. Taken from their debut album, Definitely Maybe. The track became a live favourite, driven by Liam Gallagher’s snarling vocals and Noel Gallagher’s explosive guitar work. This performance captured Oasis before global fame hit — loud, fearless, and ready to take on the world. A true snapshot of Britpop in its purest, most defiant form.

Back in 1994, Oasis performed Bring It On Down live in Chicago, showcasing the raw aggression and swagger that defined their early years. Taken from their debut album, Definitely Maybe. The track became a live favourite, driven by Liam Gallagher’s snarling vocals and Noel Gallagher’s explosive guitar work. This performance captured Oasis before global fame hit — loud, fearless, and ready to take on the world. A true snapshot of Britpop in its purest, most defiant form.

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Written by Noel Gallagher, "Sunday Morning Call" revealed a more reflective side of Oasis, trading swagger for a thoughtful message about stepping back from chaos and excess. Released as the final single from Standing on the Shoulder of Giants, it marked a period of change as the band explored a broader sound at the turn of the millennium. This Top of the Pops performance from July 2000 captures Oasis during a new chapter in their evolution.

Written by Noel Gallagher, "Sunday Morning Call" revealed a more reflective side of Oasis, trading swagger for a thoughtful message about stepping back from chaos and excess. Released as the final single from Standing on the Shoulder of Giants, it marked a period of change as the band explored a broader sound at the turn of the millennium. This Top of the Pops performance from July 2000 captures Oasis during a new chapter in their evolution.

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Before Definitely Maybe was even recorded, "Columbia" had already become an important part of Oasis's early live identity. Built from a hypnotic groove developed during rehearsals, the song eventually became one of the album's longest and most psychedelic tracks. This performance in Southend in 1995 captures Oasis stretching out a song rooted in the days when they were still fighting to escape Manchester's club circuit.

Before Definitely Maybe was even recorded, "Columbia" had already become an important part of Oasis's early live identity. Built from a hypnotic groove developed during rehearsals, the song eventually became one of the album's longest and most psychedelic tracks. This performance in Southend in 1995 captures Oasis stretching out a song rooted in the days when they were still fighting to escape Manchester's club circuit.

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At Top of the Pops in 1994, Oasis deliver Shakermaker, the follow up single to Supersonic from their debut album Definitely Maybe. The track reached number 11 on the UK Singles Chart and helped establish the band’s early swagger, built around Liam Gallagher’s laid back vocal and Noel Gallagher’s melodic nods to 60s pop. Known for its loose groove and tongue in cheek references, it became a key part of their first era and later appeared in documentaries and retrospectives charting Oasis’s rise through the mid 90s Britpop scene. Shakermaker remains a fan favourite and an essential piece of their early catalogue.

At Top of the Pops in 1994, Oasis deliver Shakermaker, the follow up single to Supersonic from their debut album Definitely Maybe. The track reached number 11 on the UK Singles Chart and helped establish the band’s early swagger, built around Liam Gallagher’s laid back vocal and Noel Gallagher’s melodic nods to 60s pop. Known for its loose groove and tongue in cheek references, it became a key part of their first era and later appeared in documentaries and retrospectives charting Oasis’s rise through the mid 90s Britpop scene. Shakermaker remains a fan favourite and an essential piece of their early catalogue.

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Some debut singles announce a band; "Mr. Brightside" launched a phenomenon. First released in 2003 before being reissued in 2004, the song appeared on Hot Fuss and became The Killers' signature anthem, with Brandon Flowers turning jealousy and obsession into one of the most enduring indie rock singalongs of the 21st century. This live performance from 2004 captures the band just as their remarkable rise was beginning, delivering the song that would define their career.

Some debut singles announce a band; "Mr. Brightside" launched a phenomenon. First released in 2003 before being reissued in 2004, the song appeared on Hot Fuss and became The Killers' signature anthem, with Brandon Flowers turning jealousy and obsession into one of the most enduring indie rock singalongs of the 21st century. This live performance from 2004 captures the band just as their remarkable rise was beginning, delivering the song that would define their career.

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#OnThisDay 1994: The hotly tipped Oasis released their debut album Definitely Maybe. A couple of months on, The O Zone's Zoe Ball met Noel and Liam Gallagher to discuss hotel hijinks, their road to making it, and who really is the best band in the world at that moment.

#OnThisDay 1994: The hotly tipped Oasis released their debut album Definitely Maybe. A couple of months on, The O Zone's Zoe Ball met Noel and Liam Gallagher to discuss hotel hijinks, their road to making it, and who really is the best band in the world at that moment.

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With its infectious chorus and razor-sharp pop hooks, "In Your Car" showcased Kenickie's knack for blending indie attitude with chart-friendly melodies. Featured on their debut album At the Club, the song reflected the colourful, confident spirit that made the Sunderland band one of the most distinctive acts of the late Britpop era. This Top of the Pops appearance from 1997 captures Kenickie at the height of their brief but memorable rise.

With its infectious chorus and razor-sharp pop hooks, "In Your Car" showcased Kenickie's knack for blending indie attitude with chart-friendly melodies. Featured on their debut album At the Club, the song reflected the colourful, confident spirit that made the Sunderland band one of the most distinctive acts of the late Britpop era. This Top of the Pops appearance from 1997 captures Kenickie at the height of their brief but memorable rise.

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Formed by former Stone Roses guitarist John Squire, The Seahorses made an immediate impact with "Love Is the Law", a soaring debut single that blended Britpop with classic rock influences. The song showcased Squire's unmistakable guitar work while introducing a confident new chapter after the end of The Stone Roses. This performance on TFI Friday captures the band at the height of the excitement surrounding their debut.

Formed by former Stone Roses guitarist John Squire, The Seahorses made an immediate impact with "Love Is the Law", a soaring debut single that blended Britpop with classic rock influences. The song showcased Squire's unmistakable guitar work while introducing a confident new chapter after the end of The Stone Roses. This performance on TFI Friday captures the band at the height of the excitement surrounding their debut.

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Dave Grohl wrote "Monkey Wrench" about the breakdown of his marriage, turning the frustration of a failing relationship into one of Foo Fighters' most explosive songs. Its famous breathless bridge was deliberately recorded in a single take, adding to the track's frantic intensity. This live performance from 1997 captures the band as The Colour and the Shape began transforming Foo Fighters from Grohl's solo project into a major rock band.

Dave Grohl wrote "Monkey Wrench" about the breakdown of his marriage, turning the frustration of a failing relationship into one of Foo Fighters' most explosive songs. Its famous breathless bridge was deliberately recorded in a single take, adding to the track's frantic intensity. This live performance from 1997 captures the band as The Colour and the Shape began transforming Foo Fighters from Grohl's solo project into a major rock band.

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In 1996, Oasis performed My Big Mouth live at Knebworth, delivering one of the most explosive sets in British rock history. Taken from their 1997 album Be Here Now. The song’s swaggering energy and roaring guitars perfectly matched the scale of the record-breaking shows, played to over 250,000 fans across two nights. This performance captured Oasis at their loudest and most confident — a defining moment of Britpop and a snapshot of a band ruling the world.

In 1996, Oasis performed My Big Mouth live at Knebworth, delivering one of the most explosive sets in British rock history. Taken from their 1997 album Be Here Now. The song’s swaggering energy and roaring guitars perfectly matched the scale of the record-breaking shows, played to over 250,000 fans across two nights. This performance captured Oasis at their loudest and most confident — a defining moment of Britpop and a snapshot of a band ruling the world.

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Long before Britpop dominated the charts, Carter the Unstoppable Sex Machine proved that two musicians could make as much noise as a full band. "Sheriff Fatman," released in 1989, became their breakthrough single, pairing biting social satire with punk energy and samples in a way that felt unlike anything else in British indie music. This live performance at Brixton Academy in 1991 captures Carter USM at the height of their early success, with the crowd responding to the song that helped define their career.

Long before Britpop dominated the charts, Carter the Unstoppable Sex Machine proved that two musicians could make as much noise as a full band. "Sheriff Fatman," released in 1989, became their breakthrough single, pairing biting social satire with punk energy and samples in a way that felt unlike anything else in British indie music. This live performance at Brixton Academy in 1991 captures Carter USM at the height of their early success, with the crowd responding to the song that helped define their career.

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"Love Me and Leave Me" carried an unexpected piece of Britpop history. Released in 1997 from The Seahorses' only studio album Do It Yourself, the song was co-written by John Squire and Liam Gallagher, giving the Oasis frontman his first official songwriting credit. This Top of the Pops performance captures The Seahorses during their short-lived success, with one of the band's most intriguing collaborations taking centre stage.

"Love Me and Leave Me" carried an unexpected piece of Britpop history. Released in 1997 from The Seahorses' only studio album Do It Yourself, the song was co-written by John Squire and Liam Gallagher, giving the Oasis frontman his first official songwriting credit. This Top of the Pops performance captures The Seahorses during their short-lived success, with one of the band's most intriguing collaborations taking centre stage.

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Captured in 1994, Blur stripped back their Britpop anthem “Parklife” for a rare acoustic performance. Originally released the same year on Parklife, the song became a defining moment of the era, pairing Damon Albarn’s wry social storytelling with Phil Daniels’ unmistakable narration. The performance showcased the band’s charm and sharp musicianship at the peak of their 90s dominance.

Captured in 1994, Blur stripped back their Britpop anthem “Parklife” for a rare acoustic performance. Originally released the same year on Parklife, the song became a defining moment of the era, pairing Damon Albarn’s wry social storytelling with Phil Daniels’ unmistakable narration. The performance showcased the band’s charm and sharp musicianship at the peak of their 90s dominance.

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Inspired by Damon Albarn's reflections on heroin use and the people around him, "Beetlebum" revealed a darker, more introspective side of Blur. Released as the lead single from the self-titled album Blur, it became the band's second UK number-one single while marking a clear move away from the sound that had defined Britpop. This live performance from 1997 captures Blur at a turning point in their career.

Inspired by Damon Albarn's reflections on heroin use and the people around him, "Beetlebum" revealed a darker, more introspective side of Blur. Released as the lead single from the self-titled album Blur, it became the band's second UK number-one single while marking a clear move away from the sound that had defined Britpop. This live performance from 1997 captures Blur at a turning point in their career.

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At Wembley in 2000, Oasis perform Who Feels Love, the psychedelic leaning single from their 2000 album Standing on the Shoulder of Giants. The track reached number 4 on the UK Singles Chart and highlighted the band’s shift toward a more atmospheric, Eastern influenced sound at the turn of the decade. It later appeared in live recordings, documentaries and retrospectives exploring Oasis’s post Britpop era, and remains one of the standout moments from their early 2000s catalogue.

At Wembley in 2000, Oasis perform Who Feels Love, the psychedelic leaning single from their 2000 album Standing on the Shoulder of Giants. The track reached number 4 on the UK Singles Chart and highlighted the band’s shift toward a more atmospheric, Eastern influenced sound at the turn of the decade. It later appeared in live recordings, documentaries and retrospectives exploring Oasis’s post Britpop era, and remains one of the standout moments from their early 2000s catalogue.

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Although never included on a studio album, "Whatever" became one of Oasis's most beloved songs after its release in 1994, with Noel Gallagher pairing soaring melodies and orchestral flourishes to create one of the band's biggest singalong anthems. Performed in Tokyo in 2002, this version captures Oasis during the Heathen Chemistry era, proving the song had lost none of its power with live audiences.

Although never included on a studio album, "Whatever" became one of Oasis's most beloved songs after its release in 1994, with Noel Gallagher pairing soaring melodies and orchestral flourishes to create one of the band's biggest singalong anthems. Performed in Tokyo in 2002, this version captures Oasis during the Heathen Chemistry era, proving the song had lost none of its power with live audiences.

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'Don't Go Away say that you'll stay forever and a day' #Oasis live on David Letterman Show 1997 This song gets me every time I hear it. Very powerful and the emotion in Liam Gallagher's vocals is beautiful + amazing 👏🏻

'Don't Go Away say that you'll stay forever and a day' #Oasis live on David Letterman Show 1997 This song gets me every time I hear it. Very powerful and the emotion in Liam Gallagher's vocals is beautiful + amazing 👏🏻

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Recorded in 1993, “Cannonball” was released as the lead single from Last Splash and became The Breeders’ breakthrough hit. The song peaked at number 40 on the US Billboard Hot 100 and topped the US Modern Rock Tracks chart, driven by its instantly recognisable bass intro and Kim Deal’s loose, playful delivery. Live performances around this era, including MTV 120 Minutes, captured the band at their raw, offbeat peak, helping cement “Cannonball” as one of the defining alternative anthems of the 1990s.

Recorded in 1993, “Cannonball” was released as the lead single from Last Splash and became The Breeders’ breakthrough hit. The song peaked at number 40 on the US Billboard Hot 100 and topped the US Modern Rock Tracks chart, driven by its instantly recognisable bass intro and Kim Deal’s loose, playful delivery. Live performances around this era, including MTV 120 Minutes, captured the band at their raw, offbeat peak, helping cement “Cannonball” as one of the defining alternative anthems of the 1990s.

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