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EVERYONE SAYS AI CANNOT INVENT A VISUAL METAPHOR i asked Seedance 2.5 for "a person in a desert catches a small cloud in a plastic bag." one sentence. one generate. went to refill my water. 00:00 – a desert. flat sand. tire tracks. a small white cloud hovers a...

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Ridark

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56,610 Aufrufe • vor 8 Tagen •via X (Twitter)

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EVERYONE SAYS AI CANNOT DO REAL HUMAN EMOTION i asked Seedance 2.5 for a goodbye between a girl and her boyfriend. one paragraph, hit generate, went to do the dishes. 00:00 - she is already crying, camera sitting behind his shoulder 00:05 - she looks up at him and keeps talking through it 00:09 - the smile arrives before the tears stop 00:14 - she leans back and the street comes into focus behind her i watched it 6 times before i thought to look for the glitch. a week of casting used to end here. now the whole feed ships the same goodbye with a new pair of people. outlier math sits in the article above

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Red Bull's legal team woke up to a nightmare: a 14-second dashcam clip of a Red Bull tanker truck cracking open on a highway and a man standing in a flood of energy drink with his arms spread. Except the truck never crashed. The highway doesn't exist. And the man bathing in Red Bull was rendered on a $25 AI setup. Total setup cost: $25. Render speed: 4 minutes. Red Bull spilled: 0 liters. 83 million views in 9 hours. Half the comments are tagging Red Bull demanding a sponsorship. The other half are calling it the best ad that was never paid for. Here is why your brain falls for this visual magic: 1. Fluid Viscosity: the liquid pouring from the tanker has the correct viscosity for a carbonated beverage. thinner than oil, thicker than water. slight foam at the edges. 2. Dashboard Instrument Accuracy: the speedometer reads 60 km/h. the tachometer sits at 2,800 RPM. the ratio is correct for 3rd gear in a compact sedan. 3. Brand Typography: the Red Bull logo on the tanker is stretched across a cylindrical surface with correct distortion for a tank that radius. not a flat paste. The dynamic next-gen AI stack operating under the hood: -> Claude Fable 5.1 for writing the crash sequence, fluid viscosity model, highway geometry, and crowd reaction timing -> Kling 3.0 Omni for generating the tanker rupture animation, fluid dynamics, and man-in-flood body physics in 4K -> Veo 3.1 for rendering the highway environment with native audio: metal tearing, liquid splash, car horn, and the man laughing -> Seedance 2.5 for locking the dashcam POV, brand typography distortion, and instrument cluster consistency -> CapCut Pro for dashcam compression, time stamp overlay, and windshield glare Red Bull's actual marketing team spends $2B a year crafting their brand around extreme stunts. This kid made the most viral Red Bull moment of the year and it cost him nothing. the brand got the exposure. the kid got the views. nobody signed a contract. save this before they take it down

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If you are struggling with a small shoe that is not fitting properly put water in a plastic and leave it it in the deep freezer for 3 days you will thank me later
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If you are struggling with a small shoe that is not fitting properly put water in a plastic and leave it it in the deep freezer for 3 days you will thank me later

Chalton Hwende MP

111,609 Aufrufe • vor 1 Jahr

MiniMax H3 MiniMax Design (H3) just dropped, and I tested it with this 15-second prompt. The results were more interesting than I expected. The character movement, physical interactions, and shot continuity are all impressive. At first glance, it already feels very close to Seedance 2.0. Watch the final video and find the full prompt below 👇 15-second, 16:9 vertical, continuous single-take video that looks like authentic smartphone footage accidentally captured by a passerby in a city park. Overcast natural daylight, subtle handheld shake, limited phone stabilization, occasional autofocus adjustment, and realistic smartphone compression. The absurd event is filmed with a completely serious, unscripted documentary feeling. 0–3s: [Handheld medium shot] A middle-aged man wearing a dark business suit and tie crouches beside the stone edge of a pond. With a completely serious expression, he slowly scatters pieces of bread from a paper bag to several ordinary koi. Small ripples spread across the water as the fish gather in front of him. 3–7s: [Camera instinctively moves closer] An abnormally huge orange-and-white koi suddenly surges out of the murky water, briefly lifting its upper body above the surface and biting down on the entire bread bag in the man’s left hand. He freezes for half a second, then grips the bag with both hands and leans backward. Startled, the person filming steps back. The image briefly loses focus before locking onto the man and the giant fish again. 7–11s: [Close handheld action shot] The giant koi pulls violently toward the deeper part of the pond. The wet paper bag stretches, the man’s arms tense, and his leather shoes slide repeatedly across the wet stone. His knee strikes the edge of the pond. He tries to brace himself with his right foot, but the sole loses traction and his center of gravity moves past the edge. Water, pieces of bread, and fallen leaves scatter from the force as the camera operator hurriedly moves sideways. 11–15s: [Impact and final hold] The paper bag suddenly tears. The man loses all support and pitches forward into the pond, creating one heavy, realistic splash. The camera quickly tilts downward while keeping the center of the pond visible. The man resurfaces with duckweed covering his head and his wet tie stuck across his face. The giant koi calmly swims past him with the remains of the bread bag still in its mouth. The camera holds on the man’s stunned expression while the koi casually swims away beside him. Keep the man’s face, dark suit, tie, and paper bag visually consistent throughout. The koi must retain the same orange-and-white markings and enormous size. The pulling, sliding, loss of balance, and fall must show believable weight, inertia, traction, and water displacement. Natural park ambience and a realistic splash only. No dialogue, no subtitles, no music. Avoid cuts, character teleportation, changes in the fish’s size, extra limbs, and cartoonish acting. #MiniMaxH3 #AIVideo
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MiniMax H3 MiniMax Design (H3) just dropped, and I tested it with this 15-second prompt. The results were more interesting than I expected. The character movement, physical interactions, and shot continuity are all impressive. At first glance, it already feels very close to Seedance 2.0. Watch the final video and find the full prompt below 👇 15-second, 16:9 vertical, continuous single-take video that looks like authentic smartphone footage accidentally captured by a passerby in a city park. Overcast natural daylight, subtle handheld shake, limited phone stabilization, occasional autofocus adjustment, and realistic smartphone compression. The absurd event is filmed with a completely serious, unscripted documentary feeling. 0–3s: [Handheld medium shot] A middle-aged man wearing a dark business suit and tie crouches beside the stone edge of a pond. With a completely serious expression, he slowly scatters pieces of bread from a paper bag to several ordinary koi. Small ripples spread across the water as the fish gather in front of him. 3–7s: [Camera instinctively moves closer] An abnormally huge orange-and-white koi suddenly surges out of the murky water, briefly lifting its upper body above the surface and biting down on the entire bread bag in the man’s left hand. He freezes for half a second, then grips the bag with both hands and leans backward. Startled, the person filming steps back. The image briefly loses focus before locking onto the man and the giant fish again. 7–11s: [Close handheld action shot] The giant koi pulls violently toward the deeper part of the pond. The wet paper bag stretches, the man’s arms tense, and his leather shoes slide repeatedly across the wet stone. His knee strikes the edge of the pond. He tries to brace himself with his right foot, but the sole loses traction and his center of gravity moves past the edge. Water, pieces of bread, and fallen leaves scatter from the force as the camera operator hurriedly moves sideways. 11–15s: [Impact and final hold] The paper bag suddenly tears. The man loses all support and pitches forward into the pond, creating one heavy, realistic splash. The camera quickly tilts downward while keeping the center of the pond visible. The man resurfaces with duckweed covering his head and his wet tie stuck across his face. The giant koi calmly swims past him with the remains of the bread bag still in its mouth. The camera holds on the man’s stunned expression while the koi casually swims away beside him. Keep the man’s face, dark suit, tie, and paper bag visually consistent throughout. The koi must retain the same orange-and-white markings and enormous size. The pulling, sliding, loss of balance, and fall must show believable weight, inertia, traction, and water displacement. Natural park ambience and a realistic splash only. No dialogue, no subtitles, no music. Avoid cuts, character teleportation, changes in the fish’s size, extra limbs, and cartoonish acting. #MiniMaxH3 #AIVideo

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Created on seedance 2.0 Prompt: A cinematic, atmospheric scene in a dimly lit, empty underground parking garage at night. A young East Asian woman with long dark hair, wearing an olive-green oversized jacket and cargo pants, walks slowly away from the camera down the center of a wide parking lane, holding a white plastic bag in her right hand. The environment is cool-toned with concrete pillars, fluorescent tube lights on the ceiling casting harsh shadows, and painted arrows on the glossy floor. She approaches a parked dark green/teal luxury sedan on the right side. She stops beside the car, raises her arm, and hangs the white plastic bag on the side mirror or door handle. She then turns slightly toward the camera, leans against the car for a moment, pulls out her phone with both hands, and looks down at the screen with a focused, slightly uneasy expression. Suddenly, a eerie supernatural moment: a translucent, ghostly pale female figure with long black hair and a white dress materializes in the background behind her. The woman looks up from her phone in shock as the ghost stands motionless, staring. Quick motion blur and dramatic tension as she reacts. Moody horror-thriller style, realistic lighting, subtle film grain, cool blue-cyan color grading, slow deliberate camera movement following her from behind then panning slightly to the side. 12-second duration, high detail, cinematic." This prompt captures the full sequence from the provided video frames while being optimized for AI video tools. You can adjust details like aspect ratio (16:9), style (more horror, more realistic), or camera movement as needed.
0:12

Created on seedance 2.0 Prompt: A cinematic, atmospheric scene in a dimly lit, empty underground parking garage at night. A young East Asian woman with long dark hair, wearing an olive-green oversized jacket and cargo pants, walks slowly away from the camera down the center of a wide parking lane, holding a white plastic bag in her right hand. The environment is cool-toned with concrete pillars, fluorescent tube lights on the ceiling casting harsh shadows, and painted arrows on the glossy floor. She approaches a parked dark green/teal luxury sedan on the right side. She stops beside the car, raises her arm, and hangs the white plastic bag on the side mirror or door handle. She then turns slightly toward the camera, leans against the car for a moment, pulls out her phone with both hands, and looks down at the screen with a focused, slightly uneasy expression. Suddenly, a eerie supernatural moment: a translucent, ghostly pale female figure with long black hair and a white dress materializes in the background behind her. The woman looks up from her phone in shock as the ghost stands motionless, staring. Quick motion blur and dramatic tension as she reacts. Moody horror-thriller style, realistic lighting, subtle film grain, cool blue-cyan color grading, slow deliberate camera movement following her from behind then panning slightly to the side. 12-second duration, high detail, cinematic." This prompt captures the full sequence from the provided video frames while being optimized for AI video tools. You can adjust details like aspect ratio (16:9), style (more horror, more realistic), or camera movement as needed.

liana

12,075 Aufrufe • vor 2 Monaten

A 22-year-old engineer from Mexico has invented a device that identifies elements Claude AI technology 240x240 pixel LCD/OLED module Circular wire frame with NFC sensors Wires, circuit board, battery, and Wi-Fi Via the wireless Wi-Fi module, data is sent to a secure cloud in milliseconds. There, cloud code and a pre-trained neural network take over The cloud sends an encoded signal back to the device's microcontroller. LEDs on the ring begin to glow in a specific color depending on the element In a fraction of a second, an image and the name of the element appear on the screen There are numerous applications for such a device, including in the field of security
0:17

A 22-year-old engineer from Mexico has invented a device that identifies elements Claude AI technology 240x240 pixel LCD/OLED module Circular wire frame with NFC sensors Wires, circuit board, battery, and Wi-Fi Via the wireless Wi-Fi module, data is sent to a secure cloud in milliseconds. There, cloud code and a pre-trained neural network take over The cloud sends an encoded signal back to the device's microcontroller. LEDs on the ring begin to glow in a specific color depending on the element In a fraction of a second, an image and the name of the element appear on the screen There are numerous applications for such a device, including in the field of security

Bober_smart

23,267 Aufrufe • vor 1 Monat

the thing you rent for $200 a month just became something you can own for $1,700 once but the money is not even the real story for the first time a 200 billion parameter model is not in a datacenter, it is sitting on a desk the cloud spent years convincing you a model this size needed their servers, their meter, their monthly bill people are stacking four subscriptions into a $440 a month bill to rent what one box this size now owns outright it needed a box the size of a book the moment the model moves from their datacenter to your desk, the whole game changes it stops being about who has the best AI it becomes about who ships it on every desk the cloud told you this needed a datacenter it needed a desk i did the full math on what this kills in the article below
0:15

the thing you rent for $200 a month just became something you can own for $1,700 once but the money is not even the real story for the first time a 200 billion parameter model is not in a datacenter, it is sitting on a desk the cloud spent years convincing you a model this size needed their servers, their meter, their monthly bill people are stacking four subscriptions into a $440 a month bill to rent what one box this size now owns outright it needed a box the size of a book the moment the model moves from their datacenter to your desk, the whole game changes it stops being about who has the best AI it becomes about who ships it on every desk the cloud told you this needed a datacenter it needed a desk i did the full math on what this kills in the article below

John Doe

26,096 Aufrufe • vor 2 Monaten

🚨⚡️When the camel is deprived of water for a long period in the desert heat and is on the verge of collapse, it tries, as a last resort, to cool itself by expelling its stomach from its mouth.
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🚨⚡️When the camel is deprived of water for a long period in the desert heat and is on the verge of collapse, it tries, as a last resort, to cool itself by expelling its stomach from its mouth.

RussiaNews 🇷🇺

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