Video yükleniyor...

Video Yüklenemedi

Ana Sayfaya Dön

Everyone's sleeping on image-to-3D AI models. They can make your app look incredibly unique, with just a little effort. Here's how. This is my calorie tracker, built in a week with nothing but prompting. Just Claude Code + a couple APIs. The visuals are all AI-generated. I'll be sharing...

anshuc's profile picture

Anshu

15,426 subscribers

29,342 görüntüleme • 3 ay önce •via X (Twitter)

LIVE

Anya Rossi• Live Now

Private livecam show

0 Yorum

Yorum bulunmuyor

Orijinal gönderinin yorumları burada görünecek

Benzer Videolar

Create a 3D model from a single image, set of images or a text prompt in < 1 minute 😮‍💨 This new AI paper called CAT3D shows us that it’ll keep getting easier to produce 3D models from 2D images — whether it’s a sparser real world 3D scan (a few photos instead of hundreds) or your favorite 2D image generator like Midjourney (just an image). How does this magic work? “This architecture is similar to video diffusion models, but with camera pose embeddings for each image instead of time embeddings. The generated views are passed into a robust 3D reconstruction pipeline to create the 3D representation (Zip-NeRF or 3DGS)”
0:18

Create a 3D model from a single image, set of images or a text prompt in < 1 minute 😮‍💨 This new AI paper called CAT3D shows us that it’ll keep getting easier to produce 3D models from 2D images — whether it’s a sparser real world 3D scan (a few photos instead of hundreds) or your favorite 2D image generator like Midjourney (just an image). How does this magic work? “This architecture is similar to video diffusion models, but with camera pose embeddings for each image instead of time embeddings. The generated views are passed into a robust 3D reconstruction pipeline to create the 3D representation (Zip-NeRF or 3DGS)”

Bilawal Sidhu

92,926 görüntüleme • 2 yıl önce

MiniMax H3 Instead of sharing the prompts for each of these videos, I thought it would be more useful to share how I created that prompts. All of the videos were generated with text-to-video. First, find an image with the kind of scene, composition and mood you want to recreate. I used a few YouTube playlist thumbnails as references but Pinterest is also a great place to find inspiration. You can even use your own old or nostalgic photographs. Then upload the image to ChatGPT and ask it to describe the scene. The description it gives you can essentially become your text-to-video prompt. From there, you can generate completely new scenes with a similar composition, atmosphere and cinematic language. You can of course use the reference image directly with image-to-video or as a first frame. But if the original image isn't yours, I prefer using it only as visual inspiration and recreating the scene through text-to-video. This is the prompt I use with ChatGPT: "Describe the scene in this image in English, focusing primarily on what is happening, the characters, their actions and body language, the setting and the overall atmosphere. Also briefly describe the composition, framing, camera angle, approximate lens choice, lighting, color palette and cinematic aesthetic. Keep it concise and scene-focused rather than overly technical."
0:15

MiniMax H3 Instead of sharing the prompts for each of these videos, I thought it would be more useful to share how I created that prompts. All of the videos were generated with text-to-video. First, find an image with the kind of scene, composition and mood you want to recreate. I used a few YouTube playlist thumbnails as references but Pinterest is also a great place to find inspiration. You can even use your own old or nostalgic photographs. Then upload the image to ChatGPT and ask it to describe the scene. The description it gives you can essentially become your text-to-video prompt. From there, you can generate completely new scenes with a similar composition, atmosphere and cinematic language. You can of course use the reference image directly with image-to-video or as a first frame. But if the original image isn't yours, I prefer using it only as visual inspiration and recreating the scene through text-to-video. This is the prompt I use with ChatGPT: "Describe the scene in this image in English, focusing primarily on what is happening, the characters, their actions and body language, the setting and the overall atmosphere. Also briefly describe the composition, framing, camera angle, approximate lens choice, lighting, color palette and cinematic aesthetic. Keep it concise and scene-focused rather than overly technical."

Kōda

57,071 görüntüleme • 2 ay önce

If you're using match cuts in your video, the invideo editor + agent gives you the fastest, most seamless experience to do it. Here's what we did to create this in ~40 minutes: ~Picked an image with a circle in the centre. Used that image as a reference to generate other images with circular subjects (but you could always just use your own footage). ~Uploaded the audio track I wanted to use into the invideo timeline, and asked the agent to detect all beats and place markers there. ~Asked the agent to then place all my generated images against those markers. ~Used rulers in the editor to maintain clip/subject alignment.
0:16

If you're using match cuts in your video, the invideo editor + agent gives you the fastest, most seamless experience to do it. Here's what we did to create this in ~40 minutes: ~Picked an image with a circle in the centre. Used that image as a reference to generate other images with circular subjects (but you could always just use your own footage). ~Uploaded the audio track I wanted to use into the invideo timeline, and asked the agent to detect all beats and place markers there. ~Asked the agent to then place all my generated images against those markers. ~Used rulers in the editor to maintain clip/subject alignment.

Invideo

11,077 görüntüleme • 1 ay önce

From product image to video with just one tool - Dzine As you may have noticed, this is one of my favorite tools. It is also very underrated, as probably 50% of my tutorials include some workflow. I was testing the new image-to-video option today, and I love it. Step - by step guide in comments 🔽 I can do 95% of a workflow without switching between apps. Image generation, Image to image with style reference, background removal, background generation, and 2 frames image to video. The only other app I have been using for this video is CapCut so that I can stitch it together. Step by step 🔽
0:11

From product image to video with just one tool - Dzine As you may have noticed, this is one of my favorite tools. It is also very underrated, as probably 50% of my tutorials include some workflow. I was testing the new image-to-video option today, and I love it. Step - by step guide in comments 🔽 I can do 95% of a workflow without switching between apps. Image generation, Image to image with style reference, background removal, background generation, and 2 frames image to video. The only other app I have been using for this video is CapCut so that I can stitch it together. Step by step 🔽

Teodora P L

28,523 görüntüleme • 2 yıl önce

I honestly didn’t expect this part of the AI design workflow to work this smoothly. Turns out GPT-6 Astra + Dreamina Seedance 2.5 is an actual pipeline. I started by creating a poster concept in Dreamina. The image looked finished, but I wanted to edit the individual elements instead of recreating everything. So I gave the poster to GPT-6 Astra and had it call Photoshop to separate the design into editable layers — background, text, objects, and visual elements all became independent pieces. This is the part that surprised me: AI doesn’t just help make the design anymore, it can help turn the final image back into a real design file. Dreamina makes exploring different poster concepts much easier with its competitive pricing, then Astra helps take them into the editing stage. #Dreamina #DreaminaPartner
0:10

I honestly didn’t expect this part of the AI design workflow to work this smoothly. Turns out GPT-6 Astra + Dreamina Seedance 2.5 is an actual pipeline. I started by creating a poster concept in Dreamina. The image looked finished, but I wanted to edit the individual elements instead of recreating everything. So I gave the poster to GPT-6 Astra and had it call Photoshop to separate the design into editable layers — background, text, objects, and visual elements all became independent pieces. This is the part that surprised me: AI doesn’t just help make the design anymore, it can help turn the final image back into a real design file. Dreamina makes exploring different poster concepts much easier with its competitive pricing, then Astra helps take them into the editing stage. #Dreamina #DreaminaPartner

Vipin Gautam (Viipin I Gautam)

45,029 görüntüleme • 1 ay önce

✨ I've brought back from the dead It was my first visual AI project in 2022, and it's this project that generated random ArchDaily-style architecture designs that made me realize AI image models could do interior design That led me to make which then led me to finetune my first interior design model which then for fun I uploaded my own photos too, which led me to make and then pivoted that in to So this project has a special place for me It was still alive but wasn't generating new designs anymore because it ran on Stable Diffusion 1.5 which was outdated and everything stopped working about a year ago I've now migrated it to its own Hetzner VPS now, which means I can run Claude Code on the server with it, and cleaned it up and upgraded it to the latest AI image models (including Nano Banana Pro) It now generates about 12 new designs every day again, and you can up or downvote the ones you like or don't like!
0:13

✨ I've brought back from the dead It was my first visual AI project in 2022, and it's this project that generated random ArchDaily-style architecture designs that made me realize AI image models could do interior design That led me to make which then led me to finetune my first interior design model which then for fun I uploaded my own photos too, which led me to make and then pivoted that in to So this project has a special place for me It was still alive but wasn't generating new designs anymore because it ran on Stable Diffusion 1.5 which was outdated and everything stopped working about a year ago I've now migrated it to its own Hetzner VPS now, which means I can run Claude Code on the server with it, and cleaned it up and upgraded it to the latest AI image models (including Nano Banana Pro) It now generates about 12 new designs every day again, and you can up or downvote the ones you like or don't like!

@levelsio

204,387 görüntüleme • 6 ay önce

this is the new benchmark for models. 10 iterations on one generation is where Flux 3 Image starts to add a bunch of noise. I didn't understand at first why the image on the left was drifting so much, whereas on the right it wasn't. After doing a bit of research and reading up on the BFL docs, it turns out it's because when asking it to change hair, it's very hard to apply a stencil to the hair, so it regenerates the entire thing. Whereas when you're asking it to swap a T-shirt, a T-shirt is very easy to trace the outline for, which is basically in-painting. If your object is obvious precise region editing with Flux 3 Image is incredible. If it's not obvious the model is less good. but again you rarely need to go over 5+ iterations. Yesterday I was doing tests with Ideogram 4.5 and I thought it was amazing but I haven't put it through a stress test where the change I'm asking for isn't as easy to trace. I guess now that all image models are getting to the same quality of output, the new benchmark will be how good the vision model is at tracing and inpainting the edits we ask for. I've been doing a bunch of generating and Flux 3 still remains my favorite model for artistic and stylistic choices. It's available now in ElevenCreative.
0:10

this is the new benchmark for models. 10 iterations on one generation is where Flux 3 Image starts to add a bunch of noise. I didn't understand at first why the image on the left was drifting so much, whereas on the right it wasn't. After doing a bit of research and reading up on the BFL docs, it turns out it's because when asking it to change hair, it's very hard to apply a stencil to the hair, so it regenerates the entire thing. Whereas when you're asking it to swap a T-shirt, a T-shirt is very easy to trace the outline for, which is basically in-painting. If your object is obvious precise region editing with Flux 3 Image is incredible. If it's not obvious the model is less good. but again you rarely need to go over 5+ iterations. Yesterday I was doing tests with Ideogram 4.5 and I thought it was amazing but I haven't put it through a stress test where the change I'm asking for isn't as easy to trace. I guess now that all image models are getting to the same quality of output, the new benchmark will be how good the vision model is at tracing and inpainting the edits we ask for. I've been doing a bunch of generating and Flux 3 still remains my favorite model for artistic and stylistic choices. It's available now in ElevenCreative.

Alec Wilcock

24,080 görüntüleme • 11 gün önce

Midjourney sref + Sora 2 Pro is the sauce. With one Midjourney style image, you can give a specific style for your entire project. I created two different 12-second clips and edited them together. Some details aren’t fully consistent, like the iPod or AirPods because the clips were made separately from a single image (Character in a specific style). It could be fixed in post-production, but that would take more time, and this was more of an experimental test. It would be great to add the actual product image with the current one to maintain product consistency. I feel like if there were a way to add 2–4 images into this workflow, it could open up a lot more possibilities and consistency. With an API, it could be possible. Or let’s see what Veo 3.1 has to offer.
0:16

Midjourney sref + Sora 2 Pro is the sauce. With one Midjourney style image, you can give a specific style for your entire project. I created two different 12-second clips and edited them together. Some details aren’t fully consistent, like the iPod or AirPods because the clips were made separately from a single image (Character in a specific style). It could be fixed in post-production, but that would take more time, and this was more of an experimental test. It would be great to add the actual product image with the current one to maintain product consistency. I feel like if there were a way to add 2–4 images into this workflow, it could open up a lot more possibilities and consistency. With an API, it could be possible. Or let’s see what Veo 3.1 has to offer.

Allar Haltsonen

10,141 görüntüleme • 1 yıl önce

let’s create the most dank image library for tap.fun. i quickly vibed together a frontend so everyone can submit images. i’ll drop some cash for the help: - $50 for the most unique meme - $50 for the craziest pic - top 20 will get added to the taplab contributor tg here’s what i’m looking for: images that can transform any image into a unique new one. think memes, crazy visuals, unique outfits, weird energy, funny shit. no text. single image only (not a grid). multiple characters in one pic is totally fine. how to submit: 1. go to 2. submit your image or meme with a name 3. download the image and post it as a comment here so we can see it
0:19

let’s create the most dank image library for tap.fun. i quickly vibed together a frontend so everyone can submit images. i’ll drop some cash for the help: - $50 for the most unique meme - $50 for the craziest pic - top 20 will get added to the taplab contributor tg here’s what i’m looking for: images that can transform any image into a unique new one. think memes, crazy visuals, unique outfits, weird energy, funny shit. no text. single image only (not a grid). multiple characters in one pic is totally fine. how to submit: 1. go to 2. submit your image or meme with a name 3. download the image and post it as a comment here so we can see it

Will Mexi

11,376 görüntüleme • 8 ay önce

✨ I can now generate 3d assets for my drone sim at directly from Cursor (sponsor of #vibejam) I need buildings that you'd see in a war torn city, like warehouses in ruins, broken down abandoned houses, bombed out bridges etc. Nano Banana Pro or 2 can generate them really well and then you can put them in an image-to-3d model and you get a GLB or FBX That one you can then import into your Three.js game, the models might be big though, in my case like 16MB, so I ask it to compress it and make it more low poly so it loads fast ThreeJS then loads the individual GLBs on page load and puts them in my drone sim somewhere randomly, I think I should remove some of the grass and match the sandy color of the ruins though to make it fit in more
0:20

✨ I can now generate 3d assets for my drone sim at directly from Cursor (sponsor of #vibejam) I need buildings that you'd see in a war torn city, like warehouses in ruins, broken down abandoned houses, bombed out bridges etc. Nano Banana Pro or 2 can generate them really well and then you can put them in an image-to-3d model and you get a GLB or FBX That one you can then import into your Three.js game, the models might be big though, in my case like 16MB, so I ask it to compress it and make it more low poly so it loads fast ThreeJS then loads the individual GLBs on page load and puts them in my drone sim somewhere randomly, I think I should remove some of the grass and match the sandy color of the ruins though to make it fit in more

@levelsio

134,777 görüntüleme • 6 ay önce

you are making video games all wrong for decades almost all game art time went into reverse-engineering the end result you start with concept art of what you WANT it to look like. then for YEARS you walk the computer backwards into something it can process: a rendering engine, 3d assets that fit that engine, and a gamer’s local hardware that has to turn all of that back into a high fidelity image incredibly slow. incredibly expensive. but it was the best we had ai makes that pipeline faster as everyone is figuring out today. but they’re missing the real unlock: YOU DON’T NEED THAT PIPELINE AT ALL if you have a reference for the end look, you don’t model it in 3d. you don’t reverse-engineer into an engine you keep a very basic greybox model of the world as the source of truth, and track every entity in real time. it doesn’t need to look good at all… the player never sees it! a fast video model turns that into the “game” in real time. it doesn’t have to look like a game. it can look like a 2d cartoon or cinematic live action fal’s h3 max is very fast. astra 6 low-effort too. neither is fully realtime yet but together they can generate continuous, coherent, player-controlled scenes, faster than playback early demo:
0:19

you are making video games all wrong for decades almost all game art time went into reverse-engineering the end result you start with concept art of what you WANT it to look like. then for YEARS you walk the computer backwards into something it can process: a rendering engine, 3d assets that fit that engine, and a gamer’s local hardware that has to turn all of that back into a high fidelity image incredibly slow. incredibly expensive. but it was the best we had ai makes that pipeline faster as everyone is figuring out today. but they’re missing the real unlock: YOU DON’T NEED THAT PIPELINE AT ALL if you have a reference for the end look, you don’t model it in 3d. you don’t reverse-engineer into an engine you keep a very basic greybox model of the world as the source of truth, and track every entity in real time. it doesn’t need to look good at all… the player never sees it! a fast video model turns that into the “game” in real time. it doesn’t have to look like a game. it can look like a 2d cartoon or cinematic live action fal’s h3 max is very fast. astra 6 low-effort too. neither is fully realtime yet but together they can generate continuous, coherent, player-controlled scenes, faster than playback early demo:

Udi Wertheimer

125,097 görüntüleme • 1 ay önce

While building SEV0, I ran into moments where natural language prompting just wasn't enough - too vague, too indirect. So I started using a method that bridges that gap. I call it Bridged Prompting - a technique where you temporarily step out of the prompt-response loop to manipulate something directly using an AI-generated UI, then step back in. Think of it like GenUI, but more user-driven and transient. AI generates a UI on-the-fly, tailored to your prompt, and lets you manipulate the artifact directly before resuming the conversation. Sure, you could build a full tool, switch tabs, wire it up and round-trip your data. But with Bridged Prompting, the AI just spins up a temporary interface right in the flow. In the video below, I used it to construct the hallway system to closely match the layout of the severed floor. This is something I needed to do for this one project, this one time - I didn't need to make a whole separate app. Bridged Prompting lets you: - Make precise edits visually or structurally - "Hit save" to persist changes to local storage or a backend - Return to your natural language prompt
0:05

While building SEV0, I ran into moments where natural language prompting just wasn't enough - too vague, too indirect. So I started using a method that bridges that gap. I call it Bridged Prompting - a technique where you temporarily step out of the prompt-response loop to manipulate something directly using an AI-generated UI, then step back in. Think of it like GenUI, but more user-driven and transient. AI generates a UI on-the-fly, tailored to your prompt, and lets you manipulate the artifact directly before resuming the conversation. Sure, you could build a full tool, switch tabs, wire it up and round-trip your data. But with Bridged Prompting, the AI just spins up a temporary interface right in the flow. In the video below, I used it to construct the hallway system to closely match the layout of the severed floor. This is something I needed to do for this one project, this one time - I didn't need to make a whole separate app. Bridged Prompting lets you: - Make precise edits visually or structurally - "Hit save" to persist changes to local storage or a backend - Return to your natural language prompt

Chris Tate

42,558 görüntüleme • 1 yıl önce

i tried Framer Agent to build a brand guidelines website template, something i've meant to do for a while. a site i can swap a logo, nudge a colour, update the type, and send a link instead of re-exporting a pdf nobody opens. a few observations on the AI process: - i started with references. pulled together a handful of minimalist grid layouts and had Claude describe the visual style back to me. you can do the same inside Framer, feeding it the references directly. - from there i had it write a detailed prompt aimed at that exact style, then asked it to break it into a few smaller steps. then i fed those into the agent, one at a time. - the scaffolding stage is the satisfying part. for something this grid-driven (the columns, the spans, the whole underlying structure) watching it land in seconds is hard to look away from. - but then i still have to sweat the details: text alignment, line-heights, image sizes. i don't mind it at all; it's the part i like, making these design decisions. the strength of the agent is the mundane work. point it at the stuff that eats your time: cleaning up the build, adding responsiveness, dropping in small effects, checking text and colour styles stay consistent, writing alt text for every image. then i get the time back for the parts of web design that are actually fun. 🤝
0:19

i tried Framer Agent to build a brand guidelines website template, something i've meant to do for a while. a site i can swap a logo, nudge a colour, update the type, and send a link instead of re-exporting a pdf nobody opens. a few observations on the AI process: - i started with references. pulled together a handful of minimalist grid layouts and had Claude describe the visual style back to me. you can do the same inside Framer, feeding it the references directly. - from there i had it write a detailed prompt aimed at that exact style, then asked it to break it into a few smaller steps. then i fed those into the agent, one at a time. - the scaffolding stage is the satisfying part. for something this grid-driven (the columns, the spans, the whole underlying structure) watching it land in seconds is hard to look away from. - but then i still have to sweat the details: text alignment, line-heights, image sizes. i don't mind it at all; it's the part i like, making these design decisions. the strength of the agent is the mundane work. point it at the stuff that eats your time: cleaning up the build, adding responsiveness, dropping in small effects, checking text and colour styles stay consistent, writing alt text for every image. then i get the time back for the parts of web design that are actually fun. 🤝

charlota

37,427 görüntüleme • 3 ay önce

This is getting ridiculous. GPT Image 2.5 is here. Look at the image on the right (that's AI-generated). DALL·E 3 came out in September 2023. GPT Image 1 was huge for editing, but the portraits still had that AI look. Then 1.5 came along. Now look at 2.0 and 2.5. Imagine where we'll be in another 3 years. Here's the exact portrait prompt (unchanged): "A high-resolution, photorealistic, close-up portrait of a woman. The woman, softly and evenly lit, has an oval-shaped face with an even more pronounced oval jawline. She sports an asymmetric bob hairstyle, her hair cut to ear-length. She has an impressively straight nose contour, with the base of her nose being equally straight. The image is a splendid display of macrophotography, with a shallow depth of field adding an extra layer of interest to it. The textures are incredibly detailed, adding much to the overall realism of the image." Try it yourself. You'll see. Get my free AI workflows → Repost ♻️ to help someone in your network.
0:12

This is getting ridiculous. GPT Image 2.5 is here. Look at the image on the right (that's AI-generated). DALL·E 3 came out in September 2023. GPT Image 1 was huge for editing, but the portraits still had that AI look. Then 1.5 came along. Now look at 2.0 and 2.5. Imagine where we'll be in another 3 years. Here's the exact portrait prompt (unchanged): "A high-resolution, photorealistic, close-up portrait of a woman. The woman, softly and evenly lit, has an oval-shaped face with an even more pronounced oval jawline. She sports an asymmetric bob hairstyle, her hair cut to ear-length. She has an impressively straight nose contour, with the base of her nose being equally straight. The image is a splendid display of macrophotography, with a shallow depth of field adding an extra layer of interest to it. The textures are incredibly detailed, adding much to the overall realism of the image." Try it yourself. You'll see. Get my free AI workflows → Repost ♻️ to help someone in your network.

Charlie Hills

55,049 görüntüleme • 1 ay önce

next, here is how to animate the video once you generated the base image of your ai model, attach the image of your model and the product image in your ai tool and prompt, "she is holding this product" now to animate this scene, use such a simple prompt; "the girl is speaking in her beautiful voice; "this is the most powerful drink in the world... drink it once, and your whole hair is gone" no background music, no sound effects." adding "no background music" is necessory part when you're prompting to VEO 3 or Kling 2.6 and for the drinking scene, i also gave it a very simple prompt; "the girl is drinking, handheld camera shaking. No background music," then i asked nb pro to remove her hair, and then turn it into the using that simple prompt method. note; simple prompts works better than complicated one when it comes to animating your video that's it, if you need any help setting up your ai influencer to promote your product/app or service just DM me here on 𝕏 or comment "want" i'll dm you myself if you know how to make viral content + setup such a beautiful ai model 2026 will be yours, cheers
0:16

next, here is how to animate the video once you generated the base image of your ai model, attach the image of your model and the product image in your ai tool and prompt, "she is holding this product" now to animate this scene, use such a simple prompt; "the girl is speaking in her beautiful voice; "this is the most powerful drink in the world... drink it once, and your whole hair is gone" no background music, no sound effects." adding "no background music" is necessory part when you're prompting to VEO 3 or Kling 2.6 and for the drinking scene, i also gave it a very simple prompt; "the girl is drinking, handheld camera shaking. No background music," then i asked nb pro to remove her hair, and then turn it into the using that simple prompt method. note; simple prompts works better than complicated one when it comes to animating your video that's it, if you need any help setting up your ai influencer to promote your product/app or service just DM me here on 𝕏 or comment "want" i'll dm you myself if you know how to make viral content + setup such a beautiful ai model 2026 will be yours, cheers

ViralOps

21,701 görüntüleme • 10 ay önce

been getting a lot of qs on how i vibe coded this demo. and the answer is: stop acting like a coder and start acting like a PM! my exact playbook👇 1. logic first ignore the UI/graphics. focus strictly on how it works. do a massive brain dump of every requirement into a plain txt file and drop it in your root folder. make it exhaustively detailed. 2. the stack · Nano Banana 2 (tiles/textures/3D refs) · Tripo AI (turning the 2D pics into actual 3D models) · Cursor + Opus 4.6 (doing the heavy lifting) · Netlify (deploy) 3. hire the AI PM feed your brain dump to an LLM. tell it to write a technical spec sheet like a senior PM would. drop that in the root too. 4. the scrum master have it break the entire project down into a markdown checklist by phases. notice we still haven't touched the codebase yet. that's the point. 5. let it cook go to your agent in Cursor and literally just prompt "Start Phase 1". test locally. bugs? tell it to fix. works? "Start Phase 2". loop this until you're done. Now you can focus on visuals, refine them with the agent. And yes, it can deploy it for you too if you give it perms. stop rushing to the editor. architect the idea and let the AI sweat the code. Open sourced repo in the qt post below
0:15

been getting a lot of qs on how i vibe coded this demo. and the answer is: stop acting like a coder and start acting like a PM! my exact playbook👇 1. logic first ignore the UI/graphics. focus strictly on how it works. do a massive brain dump of every requirement into a plain txt file and drop it in your root folder. make it exhaustively detailed. 2. the stack · Nano Banana 2 (tiles/textures/3D refs) · Tripo AI (turning the 2D pics into actual 3D models) · Cursor + Opus 4.6 (doing the heavy lifting) · Netlify (deploy) 3. hire the AI PM feed your brain dump to an LLM. tell it to write a technical spec sheet like a senior PM would. drop that in the root too. 4. the scrum master have it break the entire project down into a markdown checklist by phases. notice we still haven't touched the codebase yet. that's the point. 5. let it cook go to your agent in Cursor and literally just prompt "Start Phase 1". test locally. bugs? tell it to fix. works? "Start Phase 2". loop this until you're done. Now you can focus on visuals, refine them with the agent. And yes, it can deploy it for you too if you give it perms. stop rushing to the editor. architect the idea and let the AI sweat the code. Open sourced repo in the qt post below

TechHalla

70,511 görüntüleme • 7 ay önce

Wonderland: Navigating 3D Scenes from a Single Image Contributions: • First, we introduce a representation for controllable 3D generation by leveraging the generative priors from camera-guided video diffusion models. Unlike image models, video diffusion models are trained on extensive video datasets. This enables them to capture comprehensive spatial relationships within scenes across multiple views and embed a form of "3D awareness" in their latent space, which allows us to maintain 3D consistency in novel view synthesis. • Second, to achieve controllable novel view generation, we empower video models with precise control over specified camera motions. We introduce a novel dual-branch conditioning mechanism that effectively incorporates desired diverse camera trajectories into the video diffusion model. This enables expansion of a single image into a multi-view consistent capture of a 3D scene with precise pose control. • Third, to achieve efficient 3D reconstruction, we directly transform video latents into 3DGS. We propose a novel latent-based large reconstruction model (LaLRM) that lifts video latents to 3D in a feed-forward manner. With this design, during inference, our model directly predicts 3DGS from a single input image, effectively aligning the generation and reconstruction tasks—and bridging image space and 3D space—through the video latent space. Compared with reconstructing scenes from images, the video latent space offers a 256× spatial-temporal reduction while retaining essential and consistent 3D structural details. Such a high degree of compression is crucial, as it allows the LaLRM to handle a wider range of 3D scenes within the reconstruction framework, with the same memory constraints.
0:12

Wonderland: Navigating 3D Scenes from a Single Image Contributions: • First, we introduce a representation for controllable 3D generation by leveraging the generative priors from camera-guided video diffusion models. Unlike image models, video diffusion models are trained on extensive video datasets. This enables them to capture comprehensive spatial relationships within scenes across multiple views and embed a form of "3D awareness" in their latent space, which allows us to maintain 3D consistency in novel view synthesis. • Second, to achieve controllable novel view generation, we empower video models with precise control over specified camera motions. We introduce a novel dual-branch conditioning mechanism that effectively incorporates desired diverse camera trajectories into the video diffusion model. This enables expansion of a single image into a multi-view consistent capture of a 3D scene with precise pose control. • Third, to achieve efficient 3D reconstruction, we directly transform video latents into 3DGS. We propose a novel latent-based large reconstruction model (LaLRM) that lifts video latents to 3D in a feed-forward manner. With this design, during inference, our model directly predicts 3DGS from a single input image, effectively aligning the generation and reconstruction tasks—and bridging image space and 3D space—through the video latent space. Compared with reconstructing scenes from images, the video latent space offers a 256× spatial-temporal reduction while retaining essential and consistent 3D structural details. Such a high degree of compression is crucial, as it allows the LaLRM to handle a wider range of 3D scenes within the reconstruction framework, with the same memory constraints.

MrNeRF

52,849 görüntüleme • 1 yıl önce

🚨 one person can now do the work of an entire creative team. i just tested it on a real one. a friend needed an ad for his brand, so I opened the new Runway Agent 2.0 to try it out. here's how it went: → it generated the music and the key image first, so I could approve the direction → once I gave the ok, it built the full video around it → and when something was off, i changed just that one piece, without redoing the rest one prompt, and I had the ad we needed, work that used to take weeks. this is what it made 👇 if you want to try it → · 30% off 3 months with code RUNWAYAGENT — made with Runway · #MadeWithRunway · #ad
0:18

🚨 one person can now do the work of an entire creative team. i just tested it on a real one. a friend needed an ad for his brand, so I opened the new Runway Agent 2.0 to try it out. here's how it went: → it generated the music and the key image first, so I could approve the direction → once I gave the ok, it built the full video around it → and when something was off, i changed just that one piece, without redoing the rest one prompt, and I had the ad we needed, work that used to take weeks. this is what it made 👇 if you want to try it → · 30% off 3 months with code RUNWAYAGENT — made with Runway · #MadeWithRunway · #ad

brenz.

28,770 görüntüleme • 3 ay önce