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Everyone's talking about vibe coding without looking at code. I was skeptical. I decided to give it a shot on a challenging problem and was blown away by what I could accomplish in 8 hours. I'm not skeptical anymore, but I also do NOT think it kills SaaS Notes:... - I tried to replicate some of my favorite features from the Solve-It platform as a jupyter extension - I've tried this many times before, and it didn't work. - I gave my agent specific testing tools that I packaged as skills. I used AI to write the skills. I found the right testing workflow for this Jupyter extension by having AI peruse lots of other extensions and the Jupyter source code. - I had the AI write and maintain a large suite of tests the whole time. I think this was important in keeping the AI on track. - I watched the diffs and the thinking traces as they streamed by. From time to time, I would see something very suspicious like " try ... except: pass" And would stop the AI and tell it to stop this behavior. Then trigger a comprehensive code review using AI. - Most importantly, I don't think this kills SasS at all. Even if I can create software that replicates some of my favorite features, there is an insanely long tail of paper cuts and features I don't want to manage. The models and capabilities are improving so fast that I don't want to constantly tune everything. So I would rather leave that up to people who are focused on that daily and have good taste, with the knowledge that it has been battle tested against many users.show more

Hamel Husain

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49,108 views • 8 months ago •via X (Twitter)

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There's so much focus on "how can AI do my work for me?" I think the more important question is "what work can I now do with AI that I would have never attempted before?" Earlier this year I wrote freestiler, a vector tiling engine for R and Python, with the help of Claude and Codex. I knew what the ideal engine looked like and how it would work at a high level. I didn't know how to put it together, and I don't know Rust, the language I wanted under the hood. Previously I would never have attempted this project as the ROI wasn't there. It would have taken me a year or more to learn the internals of a vector tiling engine and enough Rust to implement one. With Opus-level models, I could take it on. freestiler now powers all my vector tiling pipelines, including the map below rendering 143 million jobs from LODES, and it has 114 GitHub stars. Building this way has required a different set of skills. I don't review the code line by line. I set up adversarial agents to do that and write the test suites. What I review is the architecture, the behavior, and the results. Agent teams surface findings and explain their reasoning; I evaluate and critique. My job isn't to stress over code formatting, but instead to focus on questions like whether the engine is designed right, whether the output is correct, and if the UX makes sense. This means that I haven't "replaced my work." I've taken on entirely new work, with the help of agents, that I would have never done otherwise. It has taken some getting used to shipping code I haven't personally typed. In the old way of working, I built understanding through writing that code. Now I build understanding through managing the project - writing a spec, reviewing structure, evaluating UX. And that's helped me think a whole lot bigger in terms of what I can now do.

There's so much focus on "how can AI do my work for me?" I think the more important question is "what work can I now do with AI that I would have never attempted before?" Earlier this year I wrote freestiler, a vector tiling engine for R and Python, with the help of Claude and Codex. I knew what the ideal engine looked like and how it would work at a high level. I didn't know how to put it together, and I don't know Rust, the language I wanted under the hood. Previously I would never have attempted this project as the ROI wasn't there. It would have taken me a year or more to learn the internals of a vector tiling engine and enough Rust to implement one. With Opus-level models, I could take it on. freestiler now powers all my vector tiling pipelines, including the map below rendering 143 million jobs from LODES, and it has 114 GitHub stars. Building this way has required a different set of skills. I don't review the code line by line. I set up adversarial agents to do that and write the test suites. What I review is the architecture, the behavior, and the results. Agent teams surface findings and explain their reasoning; I evaluate and critique. My job isn't to stress over code formatting, but instead to focus on questions like whether the engine is designed right, whether the output is correct, and if the UX makes sense. This means that I haven't "replaced my work." I've taken on entirely new work, with the help of agents, that I would have never done otherwise. It has taken some getting used to shipping code I haven't personally typed. In the old way of working, I built understanding through writing that code. Now I build understanding through managing the project - writing a spec, reviewing structure, evaluating UX. And that's helped me think a whole lot bigger in terms of what I can now do.

Kyle Walker

13,867 views • 2 months ago

📢| Young Multi addressed the latest situation “As you know, I am a Polish creator, and some international viewers who are seeing this for the first time don’t know my full history online or the Polish context I grew up in; that’s why I wanted to clear this up. So 14 years ago, when I was 15, I used a word in a video that I shouldn’t have never used. I never tried to hide it; I never tried to cover it up. That clip was publicly available the entire time in YouTube. I had the tools to remove it from the channel that uploaded it at any point. And I chose not to because I rather own it than pretend it never happened. I’m not using my age or where I am from as an excuse; that’s only for context. But the responsibility to understand the weight of the word was mine, and I came to understand it on my own. I already talked about this when I just started streaming, to my Polish viewers, before anyone dug it up now. But the video from this is long gone, so I don’t have a recording of it. You can take my word for it or not I’m not gonna push anyone to believe me. I said openly many times that I said stupid things in the past that i wouldn’t say today, that I regret, and I am ashamed of it. Often, I was the one who brought this topic up. Nobody was trying to cancel me or pressure me into talking about it I talked about it on my own. Also, the same clip actually came up once before, around the time I was first introduced to an international audience. And I didn’t address it then not because I wanted to ignore it I just didn’t feel confident enough in explaining something that difficult in English, which I said in my stream in Polish. It's not my first language, and explaining something properly without a context is a lot harder for me than in Polish, and I was afraid that the language barrier would make me come across the wrong way. I'm sorry for what I said. Now that I'm much older, I know that word hurts people, and I'm sorry that I used it. If after this u feel that you don't want to watch me anymore, I understand, and you shouldn't feel bad about that. However, for those who do stick around, I hope my behaviour shows that I genuinely changed and that I see a lot of things differently now. And like I said on the international Discord: liking me doesn't mean u have to defend me all the time. Unlike a lot of stuff that's just Twitter drama, I don't think that this one is; that's why I wanted to address it properly. Also, the one thing I want to address is that I've seen suggestions that deleted videos to hide something: that's not true. Like in 2017-..Like, you don't know the context because you've known me for like 6 months..But in 2017, when I started my music career, I deleted all my gaming videos and not just the "bad ones". I didn't want people to subscribe for gaming content. That was just a career shift. One more thing: I also have seen some accounts saying I reposted a meme referencing this drama today. You know the meme "somehow young multi has something to do with this". That's not true. That repost was from a completely different situation. I think it was about some Twitter ship-related drama and has nothing to do with it. I didn't repost it today. It was like a month ago, I think. Some of these accounts already know it's false and still haven't taken the post down. I think that's it. Thank you for listening. I cannot change the past, and I said multiple times that I'm really sorry, and I'm ashamed of things that I did 14 years ago. The only thing that I can do is to take accountability, and I don't think it's a "Twitter drama". I think the word has a strong meaning. I think talking about it right now is not some stupid Twitter drama, you know. That was my statement, and thank you for listening. [PL]Okay, I think that's it. I said what I wanted to say. You all know very well that.. Like I say.. There were some clips where I was saying some things, and it was a long time ago, but that doesn't change the fact that it was said. But I am ashamed of the things that I said. Just because you (Polish viewers) know the context doesn't mean that international viewers know the context, and I just don't want anyone to think I have the same way of thinking as I did 14 years ago. Many things have changed, and many things have changed in my view. So yeah, that's it."

📢| Young Multi addressed the latest situation “As you know, I am a Polish creator, and some international viewers who are seeing this for the first time don’t know my full history online or the Polish context I grew up in; that’s why I wanted to clear this up. So 14 years ago, when I was 15, I used a word in a video that I shouldn’t have never used. I never tried to hide it; I never tried to cover it up. That clip was publicly available the entire time in YouTube. I had the tools to remove it from the channel that uploaded it at any point. And I chose not to because I rather own it than pretend it never happened. I’m not using my age or where I am from as an excuse; that’s only for context. But the responsibility to understand the weight of the word was mine, and I came to understand it on my own. I already talked about this when I just started streaming, to my Polish viewers, before anyone dug it up now. But the video from this is long gone, so I don’t have a recording of it. You can take my word for it or not I’m not gonna push anyone to believe me. I said openly many times that I said stupid things in the past that i wouldn’t say today, that I regret, and I am ashamed of it. Often, I was the one who brought this topic up. Nobody was trying to cancel me or pressure me into talking about it I talked about it on my own. Also, the same clip actually came up once before, around the time I was first introduced to an international audience. And I didn’t address it then not because I wanted to ignore it I just didn’t feel confident enough in explaining something that difficult in English, which I said in my stream in Polish. It's not my first language, and explaining something properly without a context is a lot harder for me than in Polish, and I was afraid that the language barrier would make me come across the wrong way. I'm sorry for what I said. Now that I'm much older, I know that word hurts people, and I'm sorry that I used it. If after this u feel that you don't want to watch me anymore, I understand, and you shouldn't feel bad about that. However, for those who do stick around, I hope my behaviour shows that I genuinely changed and that I see a lot of things differently now. And like I said on the international Discord: liking me doesn't mean u have to defend me all the time. Unlike a lot of stuff that's just Twitter drama, I don't think that this one is; that's why I wanted to address it properly. Also, the one thing I want to address is that I've seen suggestions that deleted videos to hide something: that's not true. Like in 2017-..Like, you don't know the context because you've known me for like 6 months..But in 2017, when I started my music career, I deleted all my gaming videos and not just the "bad ones". I didn't want people to subscribe for gaming content. That was just a career shift. One more thing: I also have seen some accounts saying I reposted a meme referencing this drama today. You know the meme "somehow young multi has something to do with this". That's not true. That repost was from a completely different situation. I think it was about some Twitter ship-related drama and has nothing to do with it. I didn't repost it today. It was like a month ago, I think. Some of these accounts already know it's false and still haven't taken the post down. I think that's it. Thank you for listening. I cannot change the past, and I said multiple times that I'm really sorry, and I'm ashamed of things that I did 14 years ago. The only thing that I can do is to take accountability, and I don't think it's a "Twitter drama". I think the word has a strong meaning. I think talking about it right now is not some stupid Twitter drama, you know. That was my statement, and thank you for listening. [PL]Okay, I think that's it. I said what I wanted to say. You all know very well that.. Like I say.. There were some clips where I was saying some things, and it was a long time ago, but that doesn't change the fact that it was said. But I am ashamed of the things that I said. Just because you (Polish viewers) know the context doesn't mean that international viewers know the context, and I just don't want anyone to think I have the same way of thinking as I did 14 years ago. Many things have changed, and many things have changed in my view. So yeah, that's it."

Young Multi News

1,270,780 views • 20 days ago

My upcoming release of "Cinematic AI" has made me think about how bodies of work are formed. I think some are manifested and some are revealed. I think "Cinematic AI" falls into the latter category. It was not something I had a clear vision for and then created, but it was something that was revealed to me over time. I thought I saw a glimmer of it early on, but only after some time had past, could I see the body of work emerge. With a bit more context and watching great artists and how they work and think, it finally came to me that this series of 15-20 pieces that I had created could be a worthy collection to mint. AI art has been going through so many transformations from the early GAN work to Collaborative AI to now AI being widely accessible through platforms like MidJourney, Stable Diffusion, and many others. But one area that I have seen explode in recent months is cinematic AI. I distinguish this from animated AI, which has been around for a while, but cinematic AI is where the movements created by AI are getting closer to what you'd see in a movie or captured on a video camera. It still has a long way to go but it is getting more real than surreal as the technology develops. And this is where I seem to have found my groove, my home, my little corner in the artistic landscape. After Runway launched their image-to-video tool, it just blew my mind and I went down a deep rabbit hole and have created a new cinematic AI piece almost every other day for the past few months. I initially saw many of these pieces as just experiments, but with some time to reflect, I am seeing them as having the potential of being relevant pieces of artwork to mark this time in the development of AI. In some cases, I'm not sure if I'll ever be able to create a similar piece again, since the tools I use are not in my control, but in the control of the AI platforms, who are constantly improving and evolving the tools. Given all of this, there is no better way to mark my place in time than on the blockchain. I truly believe that this body of work has the potential to be an important artifact of this era in AI and AI art. It is always hard to judge ones own work, but what I can do is permanently etch in time on an immutable public database saying that I created this. Only time will tell if the work has any value or is of any significance, but who created it and what was created cannot be disputed. I hope this gives you and especially collectors some perspective on the work I'll be releasing next week. I'm still very early in my artistic journey, but hopefully some of you will see promise in what I'm doing and maybe even put in a early bet on my art practice by bidding on a piece next week. Thanks to all of you who have supported me, taught me, advised me, been a friend to me. Much love and respect.🙏 ------------------------------------- CINEMATIC AI October 25, 2023 Marking on the blockchain, establishing historical provenance for a cinematic AI body of work. Minting on Transient Labs ERC-721TL Listing on SuperRare

My upcoming release of "Cinematic AI" has made me think about how bodies of work are formed. I think some are manifested and some are revealed. I think "Cinematic AI" falls into the latter category. It was not something I had a clear vision for and then created, but it was something that was revealed to me over time. I thought I saw a glimmer of it early on, but only after some time had past, could I see the body of work emerge. With a bit more context and watching great artists and how they work and think, it finally came to me that this series of 15-20 pieces that I had created could be a worthy collection to mint. AI art has been going through so many transformations from the early GAN work to Collaborative AI to now AI being widely accessible through platforms like MidJourney, Stable Diffusion, and many others. But one area that I have seen explode in recent months is cinematic AI. I distinguish this from animated AI, which has been around for a while, but cinematic AI is where the movements created by AI are getting closer to what you'd see in a movie or captured on a video camera. It still has a long way to go but it is getting more real than surreal as the technology develops. And this is where I seem to have found my groove, my home, my little corner in the artistic landscape. After Runway launched their image-to-video tool, it just blew my mind and I went down a deep rabbit hole and have created a new cinematic AI piece almost every other day for the past few months. I initially saw many of these pieces as just experiments, but with some time to reflect, I am seeing them as having the potential of being relevant pieces of artwork to mark this time in the development of AI. In some cases, I'm not sure if I'll ever be able to create a similar piece again, since the tools I use are not in my control, but in the control of the AI platforms, who are constantly improving and evolving the tools. Given all of this, there is no better way to mark my place in time than on the blockchain. I truly believe that this body of work has the potential to be an important artifact of this era in AI and AI art. It is always hard to judge ones own work, but what I can do is permanently etch in time on an immutable public database saying that I created this. Only time will tell if the work has any value or is of any significance, but who created it and what was created cannot be disputed. I hope this gives you and especially collectors some perspective on the work I'll be releasing next week. I'm still very early in my artistic journey, but hopefully some of you will see promise in what I'm doing and maybe even put in a early bet on my art practice by bidding on a piece next week. Thanks to all of you who have supported me, taught me, advised me, been a friend to me. Much love and respect.🙏 ------------------------------------- CINEMATIC AI October 25, 2023 Marking on the blockchain, establishing historical provenance for a cinematic AI body of work. Minting on Transient Labs ERC-721TL Listing on SuperRare

Chikai

21,517 views • 2 years ago

This might be the best "AI Engineer" I've tried so far. I'm an old school developer who started 30 years ago. I feel very uncomfortable letting AI take control of my code, but for the sake of science, I spent two hours building an application that took me weeks to build a couple of years ago. I used Pythagora, a brand new tool backed by Y Combinator. They just released to the public. Keep in mind that I use AI every day to write code, but Pythagora is something different: it's a tool that leads, and uses you—the human—as the copilot. I go into more details in the video, but here is the TLDR; 1. Holy molly! We've made a ton of progress on this front! This is way better than Devin when I tested it a few months back. 2. Love the approach of generating a plan with sub-tasks before writing any code. 3. The tools never tries to do too much: it tackles every small task one at a time, and gives you instructions so you test everything. 4. It does exactly what you'd do when it gets stuck: writes a bunch of logs and uses those to correct itself. Pretty neat! 5. It's fast. It runs locally. It's an extension to Visual Studio Code. I'm impressed, but I don't think this tool is for me. I'm not the type of developer who's ready to relinquish control. I felt I had no connection with the code because I didn't write it. It was not my code. I know many people who don't care about this. I know many people who will get tremendous value out of Pythagora. I hope they keep pushing the limits, providing feedback, and helping this get to a point where old folks like me feel more comfortable using it. Don't take my word for it. The best thing you can do is to give it a try and see how you feel using it. Thanks to the team who built this, for all of the explanations and support, and especially, for sitting and listening to my dumb questions for 2 hours while I tested this.

Santiago

212,056 views • 2 years ago

More of Harry about Aperture “The reason why it's called Aperture is like, you control how much light you let in to your life. And I think the start of this year, I kind of just decided I was going to say yes to everything. And the momentum of that has just brought, like, so many positive things in a lot of different ways into my life. And it's been a really beautiful time in my life. And I think also, just when I would play people the music, it was always the song that I played first. […] I want to say and where I'm at in my life. And I think there's nothing more fulfilling, I think, as a musician than putting out a song that you feel like represents where you're at in your life. I think sometimes, you know, you write a song and by the time it comes out, you've kind of been through a bunch of things, and you're not really kind of aligned with necessarily what is happening in the song. And I think I really felt it when we put As It Was at or I felt like, “oh, I feel like this really represents where I'm at in this moment” and that felt really fulfilling. So I think kind of I wanted to do that again this time. And just I feel great about, like, pressing play and going like, I want to play something. And that's kind of why it ended up being the first song.” - 102.7 KIIS FM

More of Harry about Aperture “The reason why it's called Aperture is like, you control how much light you let in to your life. And I think the start of this year, I kind of just decided I was going to say yes to everything. And the momentum of that has just brought, like, so many positive things in a lot of different ways into my life. And it's been a really beautiful time in my life. And I think also, just when I would play people the music, it was always the song that I played first. […] I want to say and where I'm at in my life. And I think there's nothing more fulfilling, I think, as a musician than putting out a song that you feel like represents where you're at in your life. I think sometimes, you know, you write a song and by the time it comes out, you've kind of been through a bunch of things, and you're not really kind of aligned with necessarily what is happening in the song. And I think I really felt it when we put As It Was at or I felt like, “oh, I feel like this really represents where I'm at in this moment” and that felt really fulfilling. So I think kind of I wanted to do that again this time. And just I feel great about, like, pressing play and going like, I want to play something. And that's kind of why it ended up being the first song.” - 102.7 KIIS FM

HSNews

39,591 views • 8 months ago

Jake Oettinger evaluates his 2025-26 season stating, “I don’t feel like I accomplished any of my goals”. “I want to win a Stanley Cup. I want to win the Vezina trophy, and I want to be a starting goal for team USA at the Olympics. And none of those three things happen. So I think it's important to set big goals for yourself. And obviously those are three really hard things to do, but I think I can do it. And I think when I look back at the season, I think I'm proud of the regular season I had, I think any time you go 35 and 13 year, I would take that the rest of my career, if I could. So I'm proud of the regular season I had, obviously had games I didn't like, as everyone does throughout the course of the year, but I think for the majority of it, I helped the team win and made a difference. Bu I think like there's another level that I can get to, and I have a lot of things I need to look at that I need to change and get better at if I want to achieve those goals and help this team win. I think what excites me about is that I know I can do it. I'm not asking myself something that I can't do, or people don't think I can do around me that support me and help me. So luckily for me, I have unreal coaches and great family that all wants to help me do that. They believe that I can do it.”

Jake Oettinger evaluates his 2025-26 season stating, “I don’t feel like I accomplished any of my goals”. “I want to win a Stanley Cup. I want to win the Vezina trophy, and I want to be a starting goal for team USA at the Olympics. And none of those three things happen. So I think it's important to set big goals for yourself. And obviously those are three really hard things to do, but I think I can do it. And I think when I look back at the season, I think I'm proud of the regular season I had, I think any time you go 35 and 13 year, I would take that the rest of my career, if I could. So I'm proud of the regular season I had, obviously had games I didn't like, as everyone does throughout the course of the year, but I think for the majority of it, I helped the team win and made a difference. Bu I think like there's another level that I can get to, and I have a lot of things I need to look at that I need to change and get better at if I want to achieve those goals and help this team win. I think what excites me about is that I know I can do it. I'm not asking myself something that I can't do, or people don't think I can do around me that support me and help me. So luckily for me, I have unreal coaches and great family that all wants to help me do that. They believe that I can do it.”

Abby Jones

46,631 views • 4 months ago

Pi was built when there were already agent harnesses around. Here’s why Mario Zechner(Mario Zechner), found them suboptimal and built Pi, a minimalist self-modifying agent: #1 - Mario initially was a believer in Claude Code: "I was a believer in Claude code because they were the first that packaged agentic search up in a really compelling package. And at the time that fit my workflow really well. Everything around the LLM was kind of nice and tidy and easy to understand. I was super happy. I was proselytising Claude code." #2 - Reverse engineering Claude Code highlighted the degradation that Mario felt as a user: "I personally like simple tools that are stable and that I can rely on. Even if they have non-deterministic parts, all the deterministic parts should be as stable as possible. That was just not the experience with Claude Code around summer 2025. They would take away your control of the context. They would inject stuff behind your back, which is bad. Then, your workflows stopped working because there's now a system reminder that you don't even see in the UI that would modify the behaviour of the model. They would also do this to the system prompt. I built a little service where I can track the progression or evolution of the system, prompt and tool definitions and, with every release, it was messing with stuff. That just messed with my workflows and I don't appreciate that." #3 - PI was built with an appreciation for simple and reliable tools: "If I commit to a development tool, I want it to be a stable, reliable thing like a hammer. I don't want my hammer to break a different spot every day. That's terrible. We need somebody who goes the full velocity kind of way. But I don't want to work with a tool like that."

Pi was built when there were already agent harnesses around. Here’s why Mario Zechner(Mario Zechner), found them suboptimal and built Pi, a minimalist self-modifying agent: #1 - Mario initially was a believer in Claude Code: "I was a believer in Claude code because they were the first that packaged agentic search up in a really compelling package. And at the time that fit my workflow really well. Everything around the LLM was kind of nice and tidy and easy to understand. I was super happy. I was proselytising Claude code." #2 - Reverse engineering Claude Code highlighted the degradation that Mario felt as a user: "I personally like simple tools that are stable and that I can rely on. Even if they have non-deterministic parts, all the deterministic parts should be as stable as possible. That was just not the experience with Claude Code around summer 2025. They would take away your control of the context. They would inject stuff behind your back, which is bad. Then, your workflows stopped working because there's now a system reminder that you don't even see in the UI that would modify the behaviour of the model. They would also do this to the system prompt. I built a little service where I can track the progression or evolution of the system, prompt and tool definitions and, with every release, it was messing with stuff. That just messed with my workflows and I don't appreciate that." #3 - PI was built with an appreciation for simple and reliable tools: "If I commit to a development tool, I want it to be a stable, reliable thing like a hammer. I don't want my hammer to break a different spot every day. That's terrible. We need somebody who goes the full velocity kind of way. But I don't want to work with a tool like that."

The Pragmatic Engineer

63,020 views • 4 months ago

Here’s DHH (Creator of Ruby on Rails & Omarchy, cofounder of 37 Signals) on why using AI agents does not feel like being a Project Manager: “When I was on that Lex interview last summer, I was saying: I don't want to be a project manager for agents because I had the mental model of a project manager of humans, and that's not what I enjoy. I don't want to be that far away from the production. I want to be in the mix. I want to have my hands in the code. What I failed to realise at the time was that running a bunch of agents feels less like being a project manager for agents and more like stepping into this super mech suit, where suddenly I don't just have two arms, I have 12. I can now look at seven screens at the same time, running five keyboards. I'm still the one doing it, even if I'm not typing ‘this’ as a keyword in a program. I have been hyper accelerated as a programmer. It's a different kind of programmer, but it still has the same affinity to aesthetics, at least when I'm producing Ruby code, and I'm able to combine that while being vastly more productive on a bunch of things.”

Here’s DHH (Creator of Ruby on Rails & Omarchy, cofounder of 37 Signals) on why using AI agents does not feel like being a Project Manager: “When I was on that Lex interview last summer, I was saying: I don't want to be a project manager for agents because I had the mental model of a project manager of humans, and that's not what I enjoy. I don't want to be that far away from the production. I want to be in the mix. I want to have my hands in the code. What I failed to realise at the time was that running a bunch of agents feels less like being a project manager for agents and more like stepping into this super mech suit, where suddenly I don't just have two arms, I have 12. I can now look at seven screens at the same time, running five keyboards. I'm still the one doing it, even if I'm not typing ‘this’ as a keyword in a program. I have been hyper accelerated as a programmer. It's a different kind of programmer, but it still has the same affinity to aesthetics, at least when I'm producing Ruby code, and I'm able to combine that while being vastly more productive on a bunch of things.”

The Pragmatic Engineer

29,308 views • 5 months ago

Sam Altman on GPT 5: "This morning I was testing our new model and I got a question. I got emailed a question that I didn't quite understand. And I put it in the model, this is GPT-5, and it answered it perfectly. And I really kind of sat back in my chair and I was just like, oh man, here it is moment... I felt like useless relative to the AI in this thing that I felt like I should have been able to do and I couldn't. It was really hard. But the AI just did it like that. It was a weird feeling."

Sam Altman on GPT 5: "This morning I was testing our new model and I got a question. I got emailed a question that I didn't quite understand. And I put it in the model, this is GPT-5, and it answered it perfectly. And I really kind of sat back in my chair and I was just like, oh man, here it is moment... I felt like useless relative to the AI in this thing that I felt like I should have been able to do and I couldn't. It was really hard. But the AI just did it like that. It was a weird feeling."

Chris

5,664,840 views • 1 year ago

This part breaks and heals my heart at the same time 💔Mingi’s words are full of wisdom, as always🥺 🐥 I was full of arrogance in the beginning, but after I made my debut, I felt so small. From then on, I lost a lot of my mental strength. As soon as I made my debut, I thought I was the best and I thought I was in first place. That’s why those aspirations, that tenacity, and that something about me - my self-worth - was so high. But after that, it was destroyed in an instant. 🐥 I lost a lot of my self-worth, and I started to feel like I was worth nothing. I started to doubt if there was any reason for me to be in this group. When I feel that kind of self-disgust, I think it’s important how I overcome those thoughts. In my early days of my debut, I think I only had a pretty packaging on me. I used to think, ‘I’m doing well, what more can I do?’ But after that pretty packaging came off, I had nothing inside. So I think it took me a long time to fill myself up. Now, even if I break down once in a while, I just go back to the human Song Mingi, and I look for the things I like one by one, and then I think, ‘People will like me a bit now, right?’ Since we’re celebrities, we need to satisfy the people to a certain degree. But I think we still have to satisfy ourselves in the process as well. I think I try to find a harmony between the two in my head. 🐥 It took me a long time to build this up, but I think the process of building myself up, unlike building a sand castle, you build it up little by little. So I feel like, internally, I have become more resilient, compare to before.

This part breaks and heals my heart at the same time 💔Mingi’s words are full of wisdom, as always🥺 🐥 I was full of arrogance in the beginning, but after I made my debut, I felt so small. From then on, I lost a lot of my mental strength. As soon as I made my debut, I thought I was the best and I thought I was in first place. That’s why those aspirations, that tenacity, and that something about me - my self-worth - was so high. But after that, it was destroyed in an instant. 🐥 I lost a lot of my self-worth, and I started to feel like I was worth nothing. I started to doubt if there was any reason for me to be in this group. When I feel that kind of self-disgust, I think it’s important how I overcome those thoughts. In my early days of my debut, I think I only had a pretty packaging on me. I used to think, ‘I’m doing well, what more can I do?’ But after that pretty packaging came off, I had nothing inside. So I think it took me a long time to fill myself up. Now, even if I break down once in a while, I just go back to the human Song Mingi, and I look for the things I like one by one, and then I think, ‘People will like me a bit now, right?’ Since we’re celebrities, we need to satisfy the people to a certain degree. But I think we still have to satisfy ourselves in the process as well. I think I try to find a harmony between the two in my head. 🐥 It took me a long time to build this up, but I think the process of building myself up, unlike building a sand castle, you build it up little by little. So I feel like, internally, I have become more resilient, compare to before.

Irene | AhgaTiny

35,998 views • 1 year ago

Most people still aren't using AI. (I know, we're in a bubble on X.) But for the majority that are, they're still in chat mode. And they're only using about 5-10% of what's actually there. In this video, I teach you how to use the other 90%. To be honest, I was hating on chat for a while. Then I took the time to really learn it. And in the process, I found that chat mode has 2 features that are world class and not available in the other modes. I break down what those are, how to use them, and the rest of the features you're probably sleeping on. This video is for you if: → You're a beginner looking to do more with AI → You're already in chat / Cowork / Claude Code and want to learn best practices, token efficiency, and which chat features are genuinely GOATED → You have colleagues who need to be doing more with AI but don't know where to start That last one is the real reason I made this. This is the video you send to your team. I'm doing the same with my network right now. Uncle J, Freddie, Genny, this is coming your way. Hope it helps (if so, show some 💙)

Most people still aren't using AI. (I know, we're in a bubble on X.) But for the majority that are, they're still in chat mode. And they're only using about 5-10% of what's actually there. In this video, I teach you how to use the other 90%. To be honest, I was hating on chat for a while. Then I took the time to really learn it. And in the process, I found that chat mode has 2 features that are world class and not available in the other modes. I break down what those are, how to use them, and the rest of the features you're probably sleeping on. This video is for you if: → You're a beginner looking to do more with AI → You're already in chat / Cowork / Claude Code and want to learn best practices, token efficiency, and which chat features are genuinely GOATED → You have colleagues who need to be doing more with AI but don't know where to start That last one is the real reason I made this. This is the video you send to your team. I'm doing the same with my network right now. Uncle J, Freddie, Genny, this is coming your way. Hope it helps (if so, show some 💙)

JJ Englert

30,447 views • 3 months ago

I want to post my animation The Ascent of Alfred this morning- animated in Flash and After Effects from Feb-Nov 2016 and released right before the election. This time of year reminds me of the thrill of bringing this to completion 8 years ago. It captures the meme magic of /pol/ in a way that no other piece of art does, I don't think.. that time was truly something you had to be there for; it's hard to describe the synchronicities and sense of divine intervention. Not only did I learn AE as I created the work, but I was also getting redpilled during those 9 months, emerging as a National Socialist by the time it was done. Releasing this piece a week before Trump's victory and having it screened at an event in NYC on election night as the votes rolled in was definitely one of my peak moments of existence. I plan on making something of this caliber again soon.. I can feel myself gearing up to it, especially as the AI has landed in my hands. Please enjoy, especially in the midst of a new, hilarious, and very memetic election cycle.

I want to post my animation The Ascent of Alfred this morning- animated in Flash and After Effects from Feb-Nov 2016 and released right before the election. This time of year reminds me of the thrill of bringing this to completion 8 years ago. It captures the meme magic of /pol/ in a way that no other piece of art does, I don't think.. that time was truly something you had to be there for; it's hard to describe the synchronicities and sense of divine intervention. Not only did I learn AE as I created the work, but I was also getting redpilled during those 9 months, emerging as a National Socialist by the time it was done. Releasing this piece a week before Trump's victory and having it screened at an event in NYC on election night as the votes rolled in was definitely one of my peak moments of existence. I plan on making something of this caliber again soon.. I can feel myself gearing up to it, especially as the AI has landed in my hands. Please enjoy, especially in the midst of a new, hilarious, and very memetic election cycle.

Emily Youcis

61,362 views • 1 year ago

.cova on why AI made creativity more valuable: "The rise of AI has given way to a massive flooding of the internet. As a creator, I've noticed a lot of audiences have realized this, and the work that really cuts through the noise is work that is really resonant. You can tell it comes from a place the creator is deeply passionate about, and it feels very authentic. It's made for connection, but it's also very true to the person making it." "With AI producing this flood of content, people have felt like the media they're consuming feels more rootless. And therefore the high-taste, high-creativity stuff that's actually crafted by the person, people are starting to value way more." "I use so much AI, and a lot of it's invisible, a lot of it's very visible. I've found a way to automate away the logistical side of things, so I can focus on the creativity. I built a bunch of custom tools for video-making, and I built them all with AI. Even though I prefer to edit myself and I script everything myself, I still use AI to bounce ideas off of." "The way I initially blew up was I used AI to transform my dorm room into different crazy sets, and people thought I was a professional. I was by no means a professional. It was my tiny dorm room, and I added a piano there, a vinyl record player, fairy lights, a moving robot in the background, cool lighting. It was all AI. I really accredit AI to a lot of my success."

.cova on why AI made creativity more valuable: "The rise of AI has given way to a massive flooding of the internet. As a creator, I've noticed a lot of audiences have realized this, and the work that really cuts through the noise is work that is really resonant. You can tell it comes from a place the creator is deeply passionate about, and it feels very authentic. It's made for connection, but it's also very true to the person making it." "With AI producing this flood of content, people have felt like the media they're consuming feels more rootless. And therefore the high-taste, high-creativity stuff that's actually crafted by the person, people are starting to value way more." "I use so much AI, and a lot of it's invisible, a lot of it's very visible. I've found a way to automate away the logistical side of things, so I can focus on the creativity. I built a bunch of custom tools for video-making, and I built them all with AI. Even though I prefer to edit myself and I script everything myself, I still use AI to bounce ideas off of." "The way I initially blew up was I used AI to transform my dorm room into different crazy sets, and people thought I was a professional. I was by no means a professional. It was my tiny dorm room, and I added a piano there, a vinyl record player, fairy lights, a moving robot in the background, cool lighting. It was all AI. I really accredit AI to a lot of my success."

MTS

10,699 views • 1 month ago

Jimin my dear YOU ALL DID AMAZING 😭 🐥: ‘ah, but honestly, I also have a lot of regrets about today. It rained so much, and originally… This time, I really wanted to try this new production, even if it meant removing some of the dance parts to make it happen. I put a lot of effort into it. But the smoke from the fireworks didn’t come out well, and there were parts that didn’t work as planned. Because of the weather, there was no wind, so normally it would have dispersed well when it appeared… that was a bit disappointing. 🐥: At the same time, while I really wanted everyone to enjoy it, I also felt a lot of worry before going on stage today. As I said on stage, it was a bit burdensome and difficult. I wanted to see it go well even more than anything…I felt like I had to perform well and repay everyone’s waiting with a good performance. So I don’t think I went on stage with a completely light and carefree heart. So if the people who came were even a little happy, then I think that’s enough. Then I think I can relax a bit and feel that it went well’

Jimin my dear YOU ALL DID AMAZING 😭 🐥: ‘ah, but honestly, I also have a lot of regrets about today. It rained so much, and originally… This time, I really wanted to try this new production, even if it meant removing some of the dance parts to make it happen. I put a lot of effort into it. But the smoke from the fireworks didn’t come out well, and there were parts that didn’t work as planned. Because of the weather, there was no wind, so normally it would have dispersed well when it appeared… that was a bit disappointing. 🐥: At the same time, while I really wanted everyone to enjoy it, I also felt a lot of worry before going on stage today. As I said on stage, it was a bit burdensome and difficult. I wanted to see it go well even more than anything…I felt like I had to perform well and repay everyone’s waiting with a good performance. So I don’t think I went on stage with a completely light and carefree heart. So if the people who came were even a little happy, then I think that’s enough. Then I think I can relax a bit and feel that it went well’

Lore ⊙⊝⊜

48,359 views • 5 months ago

Ethan Hawke tells Sydney Sweeney his unique method for memorizing massive amounts of dialogue by treating it like a personal journal. "What I do, and I started doing this a really long time ago, I handwrite everything like it's my journal. When I'm memorizing, I'm not memorizing from a typewritten final draft page. I don't want to have that in my brain, and I don't want irrelevant stage directions to be part of it." "And then I do it again to see what I remember and what I don't remember. I try to write it from memory. And then I look, and I see what I got wrong. That process really helps me." "Then I try to record it with no acting. I listen, when I if I think I have it, I take three pages or something and you try to learn that. And then I look at the script and see what I got wrong." "Jon Voight taught me this when I was like 19, which is you unlace your shoe, and you have to do the speech lacing your shoe. If I'm trying to remember, then it's difficult to do. Until you can do that, until you can do other things, you don't really know it."

Ethan Hawke tells Sydney Sweeney his unique method for memorizing massive amounts of dialogue by treating it like a personal journal. "What I do, and I started doing this a really long time ago, I handwrite everything like it's my journal. When I'm memorizing, I'm not memorizing from a typewritten final draft page. I don't want to have that in my brain, and I don't want irrelevant stage directions to be part of it." "And then I do it again to see what I remember and what I don't remember. I try to write it from memory. And then I look, and I see what I got wrong. That process really helps me." "Then I try to record it with no acting. I listen, when I if I think I have it, I take three pages or something and you try to learn that. And then I look at the script and see what I got wrong." "Jon Voight taught me this when I was like 19, which is you unlace your shoe, and you have to do the speech lacing your shoe. If I'm trying to remember, then it's difficult to do. Until you can do that, until you can do other things, you don't really know it."

thelotachi 🔲⛓️

483,986 views • 2 months ago

Joe Rogan says he called Theo Von to apologize for his comments last week where he voiced concern for Von’s mental health. Rogan admitted he did a huge “disservice” to Von and it came across as though he was “throwing his friend under the bus.” ROGAN: “Then it comes out, like Theo has to defend it and then I called him up and I said, dude, I’m so sorry.” “I didn’t even think of that, and that’s very selfish of me. I didn’t think that you would have to respond. I didn’t even think of it.” “Theo is one of my favorite people...the last thing I would ever want to do is hurt that guy and the last thing I would ever want to do is say something that would have people think about him in a negative way.” “Which I’m sure I did. This was one of the reasons that I wanted to make this video and I wanted to apologize.” “I felt like a huge disservice to my friend and also to people listening.”

Joe Rogan says he called Theo Von to apologize for his comments last week where he voiced concern for Von’s mental health. Rogan admitted he did a huge “disservice” to Von and it came across as though he was “throwing his friend under the bus.” ROGAN: “Then it comes out, like Theo has to defend it and then I called him up and I said, dude, I’m so sorry.” “I didn’t even think of that, and that’s very selfish of me. I didn’t think that you would have to respond. I didn’t even think of it.” “Theo is one of my favorite people...the last thing I would ever want to do is hurt that guy and the last thing I would ever want to do is say something that would have people think about him in a negative way.” “Which I’m sure I did. This was one of the reasons that I wanted to make this video and I wanted to apologize.” “I felt like a huge disservice to my friend and also to people listening.”

Overton

324,468 views • 4 months ago