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Everyone's talking about vibe coding without looking at code. I was skeptical. I decided to give it a shot on a challenging problem and was blown away by what I could accomplish in 8 hours. I'm not skeptical anymore, but I also do NOT think it kills SaaS Notes:... - I tried to replicate some of my favorite features from the Solve-It platform as a jupyter extension - I've tried this many times before, and it didn't work. - I gave my agent specific testing tools that I packaged as skills. I used AI to write the skills. I found the right testing workflow for this Jupyter extension by having AI peruse lots of other extensions and the Jupyter source code. - I had the AI write and maintain a large suite of tests the whole time. I think this was important in keeping the AI on track. - I watched the diffs and the thinking traces as they streamed by. From time to time, I would see something very suspicious like " try ... except: pass" And would stop the AI and tell it to stop this behavior. Then trigger a comprehensive code review using AI. - Most importantly, I don't think this kills SasS at all. Even if I can create software that replicates some of my favorite features, there is an insanely long tail of paper cuts and features I don't want to manage. The models and capabilities are improving so fast that I don't want to constantly tune everything. So I would rather leave that up to people who are focused on that daily and have good taste, with the knowledge that it has been battle tested against many users.show more

Hamel Husain

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48,930 次观看 • 7 个月前 •via X (Twitter)

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There's so much focus on "how can AI do my work for me?" I think the more important question is "what work can I now do with AI that I would have never attempted before?" Earlier this year I wrote freestiler, a vector tiling engine for R and Python, with the help of Claude and Codex. I knew what the ideal engine looked like and how it would work at a high level. I didn't know how to put it together, and I don't know Rust, the language I wanted under the hood. Previously I would never have attempted this project as the ROI wasn't there. It would have taken me a year or more to learn the internals of a vector tiling engine and enough Rust to implement one. With Opus-level models, I could take it on. freestiler now powers all my vector tiling pipelines, including the map below rendering 143 million jobs from LODES, and it has 114 GitHub stars. Building this way has required a different set of skills. I don't review the code line by line. I set up adversarial agents to do that and write the test suites. What I review is the architecture, the behavior, and the results. Agent teams surface findings and explain their reasoning; I evaluate and critique. My job isn't to stress over code formatting, but instead to focus on questions like whether the engine is designed right, whether the output is correct, and if the UX makes sense. This means that I haven't "replaced my work." I've taken on entirely new work, with the help of agents, that I would have never done otherwise. It has taken some getting used to shipping code I haven't personally typed. In the old way of working, I built understanding through writing that code. Now I build understanding through managing the project - writing a spec, reviewing structure, evaluating UX. And that's helped me think a whole lot bigger in terms of what I can now do.

There's so much focus on "how can AI do my work for me?" I think the more important question is "what work can I now do with AI that I would have never attempted before?" Earlier this year I wrote freestiler, a vector tiling engine for R and Python, with the help of Claude and Codex. I knew what the ideal engine looked like and how it would work at a high level. I didn't know how to put it together, and I don't know Rust, the language I wanted under the hood. Previously I would never have attempted this project as the ROI wasn't there. It would have taken me a year or more to learn the internals of a vector tiling engine and enough Rust to implement one. With Opus-level models, I could take it on. freestiler now powers all my vector tiling pipelines, including the map below rendering 143 million jobs from LODES, and it has 114 GitHub stars. Building this way has required a different set of skills. I don't review the code line by line. I set up adversarial agents to do that and write the test suites. What I review is the architecture, the behavior, and the results. Agent teams surface findings and explain their reasoning; I evaluate and critique. My job isn't to stress over code formatting, but instead to focus on questions like whether the engine is designed right, whether the output is correct, and if the UX makes sense. This means that I haven't "replaced my work." I've taken on entirely new work, with the help of agents, that I would have never done otherwise. It has taken some getting used to shipping code I haven't personally typed. In the old way of working, I built understanding through writing that code. Now I build understanding through managing the project - writing a spec, reviewing structure, evaluating UX. And that's helped me think a whole lot bigger in terms of what I can now do.

Kyle Walker

13,740 次观看 • 1 个月前

My upcoming release of "Cinematic AI" has made me think about how bodies of work are formed. I think some are manifested and some are revealed. I think "Cinematic AI" falls into the latter category. It was not something I had a clear vision for and then created, but it was something that was revealed to me over time. I thought I saw a glimmer of it early on, but only after some time had past, could I see the body of work emerge. With a bit more context and watching great artists and how they work and think, it finally came to me that this series of 15-20 pieces that I had created could be a worthy collection to mint. AI art has been going through so many transformations from the early GAN work to Collaborative AI to now AI being widely accessible through platforms like MidJourney, Stable Diffusion, and many others. But one area that I have seen explode in recent months is cinematic AI. I distinguish this from animated AI, which has been around for a while, but cinematic AI is where the movements created by AI are getting closer to what you'd see in a movie or captured on a video camera. It still has a long way to go but it is getting more real than surreal as the technology develops. And this is where I seem to have found my groove, my home, my little corner in the artistic landscape. After Runway launched their image-to-video tool, it just blew my mind and I went down a deep rabbit hole and have created a new cinematic AI piece almost every other day for the past few months. I initially saw many of these pieces as just experiments, but with some time to reflect, I am seeing them as having the potential of being relevant pieces of artwork to mark this time in the development of AI. In some cases, I'm not sure if I'll ever be able to create a similar piece again, since the tools I use are not in my control, but in the control of the AI platforms, who are constantly improving and evolving the tools. Given all of this, there is no better way to mark my place in time than on the blockchain. I truly believe that this body of work has the potential to be an important artifact of this era in AI and AI art. It is always hard to judge ones own work, but what I can do is permanently etch in time on an immutable public database saying that I created this. Only time will tell if the work has any value or is of any significance, but who created it and what was created cannot be disputed. I hope this gives you and especially collectors some perspective on the work I'll be releasing next week. I'm still very early in my artistic journey, but hopefully some of you will see promise in what I'm doing and maybe even put in a early bet on my art practice by bidding on a piece next week. Thanks to all of you who have supported me, taught me, advised me, been a friend to me. Much love and respect.🙏 ------------------------------------- CINEMATIC AI October 25, 2023 Marking on the blockchain, establishing historical provenance for a cinematic AI body of work. Minting on Transient Labs ERC-721TL Listing on SuperRare

My upcoming release of "Cinematic AI" has made me think about how bodies of work are formed. I think some are manifested and some are revealed. I think "Cinematic AI" falls into the latter category. It was not something I had a clear vision for and then created, but it was something that was revealed to me over time. I thought I saw a glimmer of it early on, but only after some time had past, could I see the body of work emerge. With a bit more context and watching great artists and how they work and think, it finally came to me that this series of 15-20 pieces that I had created could be a worthy collection to mint. AI art has been going through so many transformations from the early GAN work to Collaborative AI to now AI being widely accessible through platforms like MidJourney, Stable Diffusion, and many others. But one area that I have seen explode in recent months is cinematic AI. I distinguish this from animated AI, which has been around for a while, but cinematic AI is where the movements created by AI are getting closer to what you'd see in a movie or captured on a video camera. It still has a long way to go but it is getting more real than surreal as the technology develops. And this is where I seem to have found my groove, my home, my little corner in the artistic landscape. After Runway launched their image-to-video tool, it just blew my mind and I went down a deep rabbit hole and have created a new cinematic AI piece almost every other day for the past few months. I initially saw many of these pieces as just experiments, but with some time to reflect, I am seeing them as having the potential of being relevant pieces of artwork to mark this time in the development of AI. In some cases, I'm not sure if I'll ever be able to create a similar piece again, since the tools I use are not in my control, but in the control of the AI platforms, who are constantly improving and evolving the tools. Given all of this, there is no better way to mark my place in time than on the blockchain. I truly believe that this body of work has the potential to be an important artifact of this era in AI and AI art. It is always hard to judge ones own work, but what I can do is permanently etch in time on an immutable public database saying that I created this. Only time will tell if the work has any value or is of any significance, but who created it and what was created cannot be disputed. I hope this gives you and especially collectors some perspective on the work I'll be releasing next week. I'm still very early in my artistic journey, but hopefully some of you will see promise in what I'm doing and maybe even put in a early bet on my art practice by bidding on a piece next week. Thanks to all of you who have supported me, taught me, advised me, been a friend to me. Much love and respect.🙏 ------------------------------------- CINEMATIC AI October 25, 2023 Marking on the blockchain, establishing historical provenance for a cinematic AI body of work. Minting on Transient Labs ERC-721TL Listing on SuperRare

Chikai

21,517 次观看 • 2 年前

This might be the best "AI Engineer" I've tried so far. I'm an old school developer who started 30 years ago. I feel very uncomfortable letting AI take control of my code, but for the sake of science, I spent two hours building an application that took me weeks to build a couple of years ago. I used Pythagora, a brand new tool backed by Y Combinator. They just released to the public. Keep in mind that I use AI every day to write code, but Pythagora is something different: it's a tool that leads, and uses you—the human—as the copilot. I go into more details in the video, but here is the TLDR; 1. Holy molly! We've made a ton of progress on this front! This is way better than Devin when I tested it a few months back. 2. Love the approach of generating a plan with sub-tasks before writing any code. 3. The tools never tries to do too much: it tackles every small task one at a time, and gives you instructions so you test everything. 4. It does exactly what you'd do when it gets stuck: writes a bunch of logs and uses those to correct itself. Pretty neat! 5. It's fast. It runs locally. It's an extension to Visual Studio Code. I'm impressed, but I don't think this tool is for me. I'm not the type of developer who's ready to relinquish control. I felt I had no connection with the code because I didn't write it. It was not my code. I know many people who don't care about this. I know many people who will get tremendous value out of Pythagora. I hope they keep pushing the limits, providing feedback, and helping this get to a point where old folks like me feel more comfortable using it. Don't take my word for it. The best thing you can do is to give it a try and see how you feel using it. Thanks to the team who built this, for all of the explanations and support, and especially, for sitting and listening to my dumb questions for 2 hours while I tested this.

Santiago

212,056 次观看 • 1 年前

More of Harry about Aperture “The reason why it's called Aperture is like, you control how much light you let in to your life. And I think the start of this year, I kind of just decided I was going to say yes to everything. And the momentum of that has just brought, like, so many positive things in a lot of different ways into my life. And it's been a really beautiful time in my life. And I think also, just when I would play people the music, it was always the song that I played first. […] I want to say and where I'm at in my life. And I think there's nothing more fulfilling, I think, as a musician than putting out a song that you feel like represents where you're at in your life. I think sometimes, you know, you write a song and by the time it comes out, you've kind of been through a bunch of things, and you're not really kind of aligned with necessarily what is happening in the song. And I think I really felt it when we put As It Was at or I felt like, “oh, I feel like this really represents where I'm at in this moment” and that felt really fulfilling. So I think kind of I wanted to do that again this time. And just I feel great about, like, pressing play and going like, I want to play something. And that's kind of why it ended up being the first song.” - 102.7 KIIS FM

More of Harry about Aperture “The reason why it's called Aperture is like, you control how much light you let in to your life. And I think the start of this year, I kind of just decided I was going to say yes to everything. And the momentum of that has just brought, like, so many positive things in a lot of different ways into my life. And it's been a really beautiful time in my life. And I think also, just when I would play people the music, it was always the song that I played first. […] I want to say and where I'm at in my life. And I think there's nothing more fulfilling, I think, as a musician than putting out a song that you feel like represents where you're at in your life. I think sometimes, you know, you write a song and by the time it comes out, you've kind of been through a bunch of things, and you're not really kind of aligned with necessarily what is happening in the song. And I think I really felt it when we put As It Was at or I felt like, “oh, I feel like this really represents where I'm at in this moment” and that felt really fulfilling. So I think kind of I wanted to do that again this time. And just I feel great about, like, pressing play and going like, I want to play something. And that's kind of why it ended up being the first song.” - 102.7 KIIS FM

HSNews

39,591 次观看 • 6 个月前

Jake Oettinger evaluates his 2025-26 season stating, “I don’t feel like I accomplished any of my goals”. “I want to win a Stanley Cup. I want to win the Vezina trophy, and I want to be a starting goal for team USA at the Olympics. And none of those three things happen. So I think it's important to set big goals for yourself. And obviously those are three really hard things to do, but I think I can do it. And I think when I look back at the season, I think I'm proud of the regular season I had, I think any time you go 35 and 13 year, I would take that the rest of my career, if I could. So I'm proud of the regular season I had, obviously had games I didn't like, as everyone does throughout the course of the year, but I think for the majority of it, I helped the team win and made a difference. Bu I think like there's another level that I can get to, and I have a lot of things I need to look at that I need to change and get better at if I want to achieve those goals and help this team win. I think what excites me about is that I know I can do it. I'm not asking myself something that I can't do, or people don't think I can do around me that support me and help me. So luckily for me, I have unreal coaches and great family that all wants to help me do that. They believe that I can do it.”

Jake Oettinger evaluates his 2025-26 season stating, “I don’t feel like I accomplished any of my goals”. “I want to win a Stanley Cup. I want to win the Vezina trophy, and I want to be a starting goal for team USA at the Olympics. And none of those three things happen. So I think it's important to set big goals for yourself. And obviously those are three really hard things to do, but I think I can do it. And I think when I look back at the season, I think I'm proud of the regular season I had, I think any time you go 35 and 13 year, I would take that the rest of my career, if I could. So I'm proud of the regular season I had, obviously had games I didn't like, as everyone does throughout the course of the year, but I think for the majority of it, I helped the team win and made a difference. Bu I think like there's another level that I can get to, and I have a lot of things I need to look at that I need to change and get better at if I want to achieve those goals and help this team win. I think what excites me about is that I know I can do it. I'm not asking myself something that I can't do, or people don't think I can do around me that support me and help me. So luckily for me, I have unreal coaches and great family that all wants to help me do that. They believe that I can do it.”

Abby Jones

46,587 次观看 • 3 个月前

Pi was built when there were already agent harnesses around. Here’s why Mario Zechner(Mario Zechner), found them suboptimal and built Pi, a minimalist self-modifying agent: #1 - Mario initially was a believer in Claude Code: "I was a believer in Claude code because they were the first that packaged agentic search up in a really compelling package. And at the time that fit my workflow really well. Everything around the LLM was kind of nice and tidy and easy to understand. I was super happy. I was proselytising Claude code." #2 - Reverse engineering Claude Code highlighted the degradation that Mario felt as a user: "I personally like simple tools that are stable and that I can rely on. Even if they have non-deterministic parts, all the deterministic parts should be as stable as possible. That was just not the experience with Claude Code around summer 2025. They would take away your control of the context. They would inject stuff behind your back, which is bad. Then, your workflows stopped working because there's now a system reminder that you don't even see in the UI that would modify the behaviour of the model. They would also do this to the system prompt. I built a little service where I can track the progression or evolution of the system, prompt and tool definitions and, with every release, it was messing with stuff. That just messed with my workflows and I don't appreciate that." #3 - PI was built with an appreciation for simple and reliable tools: "If I commit to a development tool, I want it to be a stable, reliable thing like a hammer. I don't want my hammer to break a different spot every day. That's terrible. We need somebody who goes the full velocity kind of way. But I don't want to work with a tool like that."

Pi was built when there were already agent harnesses around. Here’s why Mario Zechner(Mario Zechner), found them suboptimal and built Pi, a minimalist self-modifying agent: #1 - Mario initially was a believer in Claude Code: "I was a believer in Claude code because they were the first that packaged agentic search up in a really compelling package. And at the time that fit my workflow really well. Everything around the LLM was kind of nice and tidy and easy to understand. I was super happy. I was proselytising Claude code." #2 - Reverse engineering Claude Code highlighted the degradation that Mario felt as a user: "I personally like simple tools that are stable and that I can rely on. Even if they have non-deterministic parts, all the deterministic parts should be as stable as possible. That was just not the experience with Claude Code around summer 2025. They would take away your control of the context. They would inject stuff behind your back, which is bad. Then, your workflows stopped working because there's now a system reminder that you don't even see in the UI that would modify the behaviour of the model. They would also do this to the system prompt. I built a little service where I can track the progression or evolution of the system, prompt and tool definitions and, with every release, it was messing with stuff. That just messed with my workflows and I don't appreciate that." #3 - PI was built with an appreciation for simple and reliable tools: "If I commit to a development tool, I want it to be a stable, reliable thing like a hammer. I don't want my hammer to break a different spot every day. That's terrible. We need somebody who goes the full velocity kind of way. But I don't want to work with a tool like that."

The Pragmatic Engineer

62,825 次观看 • 3 个月前

Q: Any positives you take out of this week? "I mean, I felt like I was more in the mix. Honestly, qualifying was an improvement. I got a good start and I was holding on to the McLaren, just. And then I got this damage and then I was like in no man's land after that. I think there's some positives to take from it. I think if I didn't have that damage, I think I would have held on." "If I didn't have the damage and they didn't keep me out for extra laps and stop maybe at the same time as Piastri, I think I potentially could have been behind Piastri for longer." - F1 2025 Canada -

Q: Any positives you take out of this week? "I mean, I felt like I was more in the mix. Honestly, qualifying was an improvement. I got a good start and I was holding on to the McLaren, just. And then I got this damage and then I was like in no man's land after that. I think there's some positives to take from it. I think if I didn't have that damage, I think I would have held on." "If I didn't have the damage and they didn't keep me out for extra laps and stop maybe at the same time as Piastri, I think I potentially could have been behind Piastri for longer." - F1 2025 Canada -

sim

20,124 次观看 • 1 年前

Here’s DHH (Creator of Ruby on Rails & Omarchy, cofounder of 37 Signals) on why using AI agents does not feel like being a Project Manager: “When I was on that Lex interview last summer, I was saying: I don't want to be a project manager for agents because I had the mental model of a project manager of humans, and that's not what I enjoy. I don't want to be that far away from the production. I want to be in the mix. I want to have my hands in the code. What I failed to realise at the time was that running a bunch of agents feels less like being a project manager for agents and more like stepping into this super mech suit, where suddenly I don't just have two arms, I have 12. I can now look at seven screens at the same time, running five keyboards. I'm still the one doing it, even if I'm not typing ‘this’ as a keyword in a program. I have been hyper accelerated as a programmer. It's a different kind of programmer, but it still has the same affinity to aesthetics, at least when I'm producing Ruby code, and I'm able to combine that while being vastly more productive on a bunch of things.”

Here’s DHH (Creator of Ruby on Rails & Omarchy, cofounder of 37 Signals) on why using AI agents does not feel like being a Project Manager: “When I was on that Lex interview last summer, I was saying: I don't want to be a project manager for agents because I had the mental model of a project manager of humans, and that's not what I enjoy. I don't want to be that far away from the production. I want to be in the mix. I want to have my hands in the code. What I failed to realise at the time was that running a bunch of agents feels less like being a project manager for agents and more like stepping into this super mech suit, where suddenly I don't just have two arms, I have 12. I can now look at seven screens at the same time, running five keyboards. I'm still the one doing it, even if I'm not typing ‘this’ as a keyword in a program. I have been hyper accelerated as a programmer. It's a different kind of programmer, but it still has the same affinity to aesthetics, at least when I'm producing Ruby code, and I'm able to combine that while being vastly more productive on a bunch of things.”

The Pragmatic Engineer

29,308 次观看 • 3 个月前

Q: It must be complicated, when I listen to you, to have a private life, somebody to understand your passion and to share this moment. Lewis: "It really is, especially I would say more so today than ever before, which is the way the world is, you know. I look at the other drivers and I wonder how they're doing it. You know, some are having kids and some married, some, you know, most of them girlfriends. I did that when I was in my 20s, but I took a decision to really to maximize my time that I have here because it's not as long as you think and it's limited, you know. And I don't want to look back and be like, ah, if I just gave a little bit more here, I didn't sacrifice my time because I was committed elsewhere." "So I really focused in these last, you know, particularly these last 10 years, like get everything I can out of my performance. Then when I retire, then I can do whatever I want. You know, I can dedicate my time to whatever else it is and not have to worry." "But in this competition time, focus on health, well-being, my mental health, my driving technique, being as good an engineer as I can be, and also being the best teammate that I can potentially be for the guys that I get to work with. That's my sole focus. You know, I want to win." "I've been fortunate enough to win with great teams in the past. Particularly, obviously, with Mercedes and with McLaren, which was incredible. And my dream is to win a championship with Ferrari." "And that's something that hasn't been done for a while. But they have absolutely every ingredient that's needed to win. It's just like getting all the pieces of the puzzle in the right place. And that's what I'm trying to work on in the background with Fred and the whole team." [📹 VIGNERON GAETAN]

Q: It must be complicated, when I listen to you, to have a private life, somebody to understand your passion and to share this moment. Lewis: "It really is, especially I would say more so today than ever before, which is the way the world is, you know. I look at the other drivers and I wonder how they're doing it. You know, some are having kids and some married, some, you know, most of them girlfriends. I did that when I was in my 20s, but I took a decision to really to maximize my time that I have here because it's not as long as you think and it's limited, you know. And I don't want to look back and be like, ah, if I just gave a little bit more here, I didn't sacrifice my time because I was committed elsewhere." "So I really focused in these last, you know, particularly these last 10 years, like get everything I can out of my performance. Then when I retire, then I can do whatever I want. You know, I can dedicate my time to whatever else it is and not have to worry." "But in this competition time, focus on health, well-being, my mental health, my driving technique, being as good an engineer as I can be, and also being the best teammate that I can potentially be for the guys that I get to work with. That's my sole focus. You know, I want to win." "I've been fortunate enough to win with great teams in the past. Particularly, obviously, with Mercedes and with McLaren, which was incredible. And my dream is to win a championship with Ferrari." "And that's something that hasn't been done for a while. But they have absolutely every ingredient that's needed to win. It's just like getting all the pieces of the puzzle in the right place. And that's what I'm trying to work on in the background with Fred and the whole team." [📹 VIGNERON GAETAN]

sim

86,907 次观看 • 1 年前

Sam Altman on GPT 5: "This morning I was testing our new model and I got a question. I got emailed a question that I didn't quite understand. And I put it in the model, this is GPT-5, and it answered it perfectly. And I really kind of sat back in my chair and I was just like, oh man, here it is moment... I felt like useless relative to the AI in this thing that I felt like I should have been able to do and I couldn't. It was really hard. But the AI just did it like that. It was a weird feeling."

Sam Altman on GPT 5: "This morning I was testing our new model and I got a question. I got emailed a question that I didn't quite understand. And I put it in the model, this is GPT-5, and it answered it perfectly. And I really kind of sat back in my chair and I was just like, oh man, here it is moment... I felt like useless relative to the AI in this thing that I felt like I should have been able to do and I couldn't. It was really hard. But the AI just did it like that. It was a weird feeling."

Chris

5,664,840 次观看 • 1 年前

This part breaks and heals my heart at the same time 💔Mingi’s words are full of wisdom, as always🥺 🐥 I was full of arrogance in the beginning, but after I made my debut, I felt so small. From then on, I lost a lot of my mental strength. As soon as I made my debut, I thought I was the best and I thought I was in first place. That’s why those aspirations, that tenacity, and that something about me - my self-worth - was so high. But after that, it was destroyed in an instant. 🐥 I lost a lot of my self-worth, and I started to feel like I was worth nothing. I started to doubt if there was any reason for me to be in this group. When I feel that kind of self-disgust, I think it’s important how I overcome those thoughts. In my early days of my debut, I think I only had a pretty packaging on me. I used to think, ‘I’m doing well, what more can I do?’ But after that pretty packaging came off, I had nothing inside. So I think it took me a long time to fill myself up. Now, even if I break down once in a while, I just go back to the human Song Mingi, and I look for the things I like one by one, and then I think, ‘People will like me a bit now, right?’ Since we’re celebrities, we need to satisfy the people to a certain degree. But I think we still have to satisfy ourselves in the process as well. I think I try to find a harmony between the two in my head. 🐥 It took me a long time to build this up, but I think the process of building myself up, unlike building a sand castle, you build it up little by little. So I feel like, internally, I have become more resilient, compare to before.

This part breaks and heals my heart at the same time 💔Mingi’s words are full of wisdom, as always🥺 🐥 I was full of arrogance in the beginning, but after I made my debut, I felt so small. From then on, I lost a lot of my mental strength. As soon as I made my debut, I thought I was the best and I thought I was in first place. That’s why those aspirations, that tenacity, and that something about me - my self-worth - was so high. But after that, it was destroyed in an instant. 🐥 I lost a lot of my self-worth, and I started to feel like I was worth nothing. I started to doubt if there was any reason for me to be in this group. When I feel that kind of self-disgust, I think it’s important how I overcome those thoughts. In my early days of my debut, I think I only had a pretty packaging on me. I used to think, ‘I’m doing well, what more can I do?’ But after that pretty packaging came off, I had nothing inside. So I think it took me a long time to fill myself up. Now, even if I break down once in a while, I just go back to the human Song Mingi, and I look for the things I like one by one, and then I think, ‘People will like me a bit now, right?’ Since we’re celebrities, we need to satisfy the people to a certain degree. But I think we still have to satisfy ourselves in the process as well. I think I try to find a harmony between the two in my head. 🐥 It took me a long time to build this up, but I think the process of building myself up, unlike building a sand castle, you build it up little by little. So I feel like, internally, I have become more resilient, compare to before.

Irene | AhgaTiny

35,998 次观看 • 10 个月前

🎙️: “i am very often looking to the body language and you seem a bit more focused on yourself, insulated to the outside world. why this approach? because it seems to work” lando: “it wasn't like i suddenly have to be like this or like that. it's just i needed to improve in many areas on the track and off the track. and i guess over time, maybe i changed. i don't know. i think i find it hard to notice everything myself. but if that's what you think, then good. but i'm not thinking of that. for once, i'm not thinking of the perspective from the outside. i'm just sticking to doing my own thing, focusing on myself and it's been working. so i will continue to do that. but of course, yeah if you're seeing things paying off and seeing differences, that's also i guess a good thing at times”

🎙️: “i am very often looking to the body language and you seem a bit more focused on yourself, insulated to the outside world. why this approach? because it seems to work” lando: “it wasn't like i suddenly have to be like this or like that. it's just i needed to improve in many areas on the track and off the track. and i guess over time, maybe i changed. i don't know. i think i find it hard to notice everything myself. but if that's what you think, then good. but i'm not thinking of that. for once, i'm not thinking of the perspective from the outside. i'm just sticking to doing my own thing, focusing on myself and it's been working. so i will continue to do that. but of course, yeah if you're seeing things paying off and seeing differences, that's also i guess a good thing at times”

ray

65,589 次观看 • 8 个月前

.cova on why AI made creativity more valuable: "The rise of AI has given way to a massive flooding of the internet. As a creator, I've noticed a lot of audiences have realized this, and the work that really cuts through the noise is work that is really resonant. You can tell it comes from a place the creator is deeply passionate about, and it feels very authentic. It's made for connection, but it's also very true to the person making it." "With AI producing this flood of content, people have felt like the media they're consuming feels more rootless. And therefore the high-taste, high-creativity stuff that's actually crafted by the person, people are starting to value way more." "I use so much AI, and a lot of it's invisible, a lot of it's very visible. I've found a way to automate away the logistical side of things, so I can focus on the creativity. I built a bunch of custom tools for video-making, and I built them all with AI. Even though I prefer to edit myself and I script everything myself, I still use AI to bounce ideas off of." "The way I initially blew up was I used AI to transform my dorm room into different crazy sets, and people thought I was a professional. I was by no means a professional. It was my tiny dorm room, and I added a piano there, a vinyl record player, fairy lights, a moving robot in the background, cool lighting. It was all AI. I really accredit AI to a lot of my success."

.cova on why AI made creativity more valuable: "The rise of AI has given way to a massive flooding of the internet. As a creator, I've noticed a lot of audiences have realized this, and the work that really cuts through the noise is work that is really resonant. You can tell it comes from a place the creator is deeply passionate about, and it feels very authentic. It's made for connection, but it's also very true to the person making it." "With AI producing this flood of content, people have felt like the media they're consuming feels more rootless. And therefore the high-taste, high-creativity stuff that's actually crafted by the person, people are starting to value way more." "I use so much AI, and a lot of it's invisible, a lot of it's very visible. I've found a way to automate away the logistical side of things, so I can focus on the creativity. I built a bunch of custom tools for video-making, and I built them all with AI. Even though I prefer to edit myself and I script everything myself, I still use AI to bounce ideas off of." "The way I initially blew up was I used AI to transform my dorm room into different crazy sets, and people thought I was a professional. I was by no means a professional. It was my tiny dorm room, and I added a piano there, a vinyl record player, fairy lights, a moving robot in the background, cool lighting. It was all AI. I really accredit AI to a lot of my success."

MTS

10,699 次观看 • 9 天前

I want to post my animation The Ascent of Alfred this morning- animated in Flash and After Effects from Feb-Nov 2016 and released right before the election. This time of year reminds me of the thrill of bringing this to completion 8 years ago. It captures the meme magic of /pol/ in a way that no other piece of art does, I don't think.. that time was truly something you had to be there for; it's hard to describe the synchronicities and sense of divine intervention. Not only did I learn AE as I created the work, but I was also getting redpilled during those 9 months, emerging as a National Socialist by the time it was done. Releasing this piece a week before Trump's victory and having it screened at an event in NYC on election night as the votes rolled in was definitely one of my peak moments of existence. I plan on making something of this caliber again soon.. I can feel myself gearing up to it, especially as the AI has landed in my hands. Please enjoy, especially in the midst of a new, hilarious, and very memetic election cycle.

I want to post my animation The Ascent of Alfred this morning- animated in Flash and After Effects from Feb-Nov 2016 and released right before the election. This time of year reminds me of the thrill of bringing this to completion 8 years ago. It captures the meme magic of /pol/ in a way that no other piece of art does, I don't think.. that time was truly something you had to be there for; it's hard to describe the synchronicities and sense of divine intervention. Not only did I learn AE as I created the work, but I was also getting redpilled during those 9 months, emerging as a National Socialist by the time it was done. Releasing this piece a week before Trump's victory and having it screened at an event in NYC on election night as the votes rolled in was definitely one of my peak moments of existence. I plan on making something of this caliber again soon.. I can feel myself gearing up to it, especially as the AI has landed in my hands. Please enjoy, especially in the midst of a new, hilarious, and very memetic election cycle.

Emily Youcis

60,637 次观看 • 1 年前

Jimin my dear YOU ALL DID AMAZING 😭 🐥: ‘ah, but honestly, I also have a lot of regrets about today. It rained so much, and originally… This time, I really wanted to try this new production, even if it meant removing some of the dance parts to make it happen. I put a lot of effort into it. But the smoke from the fireworks didn’t come out well, and there were parts that didn’t work as planned. Because of the weather, there was no wind, so normally it would have dispersed well when it appeared… that was a bit disappointing. 🐥: At the same time, while I really wanted everyone to enjoy it, I also felt a lot of worry before going on stage today. As I said on stage, it was a bit burdensome and difficult. I wanted to see it go well even more than anything…I felt like I had to perform well and repay everyone’s waiting with a good performance. So I don’t think I went on stage with a completely light and carefree heart. So if the people who came were even a little happy, then I think that’s enough. Then I think I can relax a bit and feel that it went well’

Jimin my dear YOU ALL DID AMAZING 😭 🐥: ‘ah, but honestly, I also have a lot of regrets about today. It rained so much, and originally… This time, I really wanted to try this new production, even if it meant removing some of the dance parts to make it happen. I put a lot of effort into it. But the smoke from the fireworks didn’t come out well, and there were parts that didn’t work as planned. Because of the weather, there was no wind, so normally it would have dispersed well when it appeared… that was a bit disappointing. 🐥: At the same time, while I really wanted everyone to enjoy it, I also felt a lot of worry before going on stage today. As I said on stage, it was a bit burdensome and difficult. I wanted to see it go well even more than anything…I felt like I had to perform well and repay everyone’s waiting with a good performance. So I don’t think I went on stage with a completely light and carefree heart. So if the people who came were even a little happy, then I think that’s enough. Then I think I can relax a bit and feel that it went well’

Lore ⊙⊝⊜ ᴀʀɪʀᴀɴɢ

48,150 次观看 • 4 个月前

Ethan Hawke tells Sydney Sweeney his unique method for memorizing massive amounts of dialogue by treating it like a personal journal. "What I do, and I started doing this a really long time ago, I handwrite everything like it's my journal. When I'm memorizing, I'm not memorizing from a typewritten final draft page. I don't want to have that in my brain, and I don't want irrelevant stage directions to be part of it." "And then I do it again to see what I remember and what I don't remember. I try to write it from memory. And then I look, and I see what I got wrong. That process really helps me." "Then I try to record it with no acting. I listen, when I if I think I have it, I take three pages or something and you try to learn that. And then I look at the script and see what I got wrong." "Jon Voight taught me this when I was like 19, which is you unlace your shoe, and you have to do the speech lacing your shoe. If I'm trying to remember, then it's difficult to do. Until you can do that, until you can do other things, you don't really know it."

Ethan Hawke tells Sydney Sweeney his unique method for memorizing massive amounts of dialogue by treating it like a personal journal. "What I do, and I started doing this a really long time ago, I handwrite everything like it's my journal. When I'm memorizing, I'm not memorizing from a typewritten final draft page. I don't want to have that in my brain, and I don't want irrelevant stage directions to be part of it." "And then I do it again to see what I remember and what I don't remember. I try to write it from memory. And then I look, and I see what I got wrong. That process really helps me." "Then I try to record it with no acting. I listen, when I if I think I have it, I take three pages or something and you try to learn that. And then I look at the script and see what I got wrong." "Jon Voight taught me this when I was like 19, which is you unlace your shoe, and you have to do the speech lacing your shoe. If I'm trying to remember, then it's difficult to do. Until you can do that, until you can do other things, you don't really know it."

thelotachi 🔲⛓️

483,335 次观看 • 28 天前

#ต้าห์อู๋ #Daou #Oueiija 🦖: There was a music festival in Pattaya, and I brought my Mama along. Lately, I have been bringing my Mama to work a lot. And I felt like booking the best hotel for her to sleep in, so I did. That day, she kept looking at the view from the hotel, and I saw her reaction. She said, “Mama has never slept in a hotel like this in my whole life. Mama has been working since the age of 14, performing Chinese opera to provide for the family. I never thought I’d have something like this. Never thought I’d have a beautiful home or get to ride in nice cars.” And it resonated with me, especially since Pa passed away. When Mama says things like that, (it is) true. What I had planned was just one (more) year until Pa and Ma could retire… (but) it was too late. Even if it was just one year or one day, it was too late. Success can wait for tomorrow, (but) if they are not there tomorrow, then it is too late. So, I felt like, “Hey, when can I make her happy?” To be honest, the new house that I built for her, where she can do this and that, is finished. The renovations are all done. The cats have moved in. (She?) has a role as the pillar of the house. So, I feel that the car… I had bought one before, but that time, I had to thank the fans. But this time, it came from (my own) hard work. I want it to be something that makes Mama happy. I know that I bought a car, and she can’t drive it, but I want her to see that I am starting… I want her to see that I have succeeded.

#ต้าห์อู๋ #Daou #Oueiija 🦖: There was a music festival in Pattaya, and I brought my Mama along. Lately, I have been bringing my Mama to work a lot. And I felt like booking the best hotel for her to sleep in, so I did. That day, she kept looking at the view from the hotel, and I saw her reaction. She said, “Mama has never slept in a hotel like this in my whole life. Mama has been working since the age of 14, performing Chinese opera to provide for the family. I never thought I’d have something like this. Never thought I’d have a beautiful home or get to ride in nice cars.” And it resonated with me, especially since Pa passed away. When Mama says things like that, (it is) true. What I had planned was just one (more) year until Pa and Ma could retire… (but) it was too late. Even if it was just one year or one day, it was too late. Success can wait for tomorrow, (but) if they are not there tomorrow, then it is too late. So, I felt like, “Hey, when can I make her happy?” To be honest, the new house that I built for her, where she can do this and that, is finished. The renovations are all done. The cats have moved in. (She?) has a role as the pillar of the house. So, I feel that the car… I had bought one before, but that time, I had to thank the fans. But this time, it came from (my own) hard work. I want it to be something that makes Mama happy. I know that I bought a car, and she can’t drive it, but I want her to see that I am starting… I want her to see that I have succeeded.

𝐟𝐢𝐥𝐦.

22,766 次观看 • 1 年前

Joe Rogan says he called Theo Von to apologize for his comments last week where he voiced concern for Von’s mental health. Rogan admitted he did a huge “disservice” to Von and it came across as though he was “throwing his friend under the bus.” ROGAN: “Then it comes out, like Theo has to defend it and then I called him up and I said, dude, I’m so sorry.” “I didn’t even think of that, and that’s very selfish of me. I didn’t think that you would have to respond. I didn’t even think of it.” “Theo is one of my favorite people...the last thing I would ever want to do is hurt that guy and the last thing I would ever want to do is say something that would have people think about him in a negative way.” “Which I’m sure I did. This was one of the reasons that I wanted to make this video and I wanted to apologize.” “I felt like a huge disservice to my friend and also to people listening.”

Joe Rogan says he called Theo Von to apologize for his comments last week where he voiced concern for Von’s mental health. Rogan admitted he did a huge “disservice” to Von and it came across as though he was “throwing his friend under the bus.” ROGAN: “Then it comes out, like Theo has to defend it and then I called him up and I said, dude, I’m so sorry.” “I didn’t even think of that, and that’s very selfish of me. I didn’t think that you would have to respond. I didn’t even think of it.” “Theo is one of my favorite people...the last thing I would ever want to do is hurt that guy and the last thing I would ever want to do is say something that would have people think about him in a negative way.” “Which I’m sure I did. This was one of the reasons that I wanted to make this video and I wanted to apologize.” “I felt like a huge disservice to my friend and also to people listening.”

Overton

324,425 次观看 • 2 个月前