Sensitive content
This media may contain sensitive content.
Загрузка видео...
Не удалось загрузить видео
Everytime Her Big Pretty Shedck Get Hard Im Slurpn Her Balls While Strokn Suckn & Gaggn Her Big Girly Cock W Sloppy Deepthroat Hugs & B4 Spittn On Her Mushroon Tip While Im Suckn W Sloppy Head Until I Catch & Swallw Her Cumm #throatbabies 👰🏻♀️🍆💦👅💍❤️🤍❤️
10,816 просмотров • 3 дней назад •via X (Twitter)
Комментарии: 0
Нет доступных комментариев
Здесь появятся комментарии из оригинального поста
Похожие видео
1:05
Sensitive content
Summer of 07 I learned the entire Beyoncé get me bodied choreo it saved me while dealing w depression & loss last night when this angel did About Damn Time w me & the big grrrls I cried backstage to know I mean to her what my favorite artist meant to me is deeply touching❤️
LIZZO
3,291,598 просмотров • 3 лет назад
![The following is a message from Diana Bloom, an anonymous Iranian activist living in Germany who is being threatened with potentially extremely dangerous "exposure" by what appears to be a lunatic. I am passing this message on since Diana has deleted her account for her own protection and safety. To note, I don't think I should be involved with this crazy Evil Evi woman or her OSINT dramas whatsoever since she went bonkers the other day, but she is acting in defamatory ways and with malicious recklessness in a way that endanger an anonymous Iranian dissident I believe to be good, so I must pass this along. A MESSAGE FROM DIANA BLOOM This is a post in two parts. Part one is a brief summary of what has happened so far. Part two addresses the defamatory claims being made about me. PART 1 - [JL: Diana's explanation and responses] For everyone who doesn’t understand what led to this point, here’s the shortest summary possible: Evi [Kokalari] and I had been friendly in DMs since the end of June. She messaged me first. After [DataRepublican] published her piece on the State Department, I asked Evi not to go too hard against DR. Evi did anyway, and James Lindsay defended DR. I didn’t like the way Evi went after James, including citing Milo. So I unfollowed and removed Evi. She confronted me in DMs, and I explained why. Evi then made a post attacking James that started and ended with me and used my profile picture. I responded once, as politely as I could. Evi then repeatedly threatened to dox me, so I deactivated my account. Now, regarding the substance of the accusations she has made so far: 1. I am not a man. My name is not Derek. 2. I am Iranian. 3. I do know stuff about American politics because (and that is the boring truth) German television is really bad. So I’ve only watched English/American stuff for the past, I don’t know, 15 years, podcasts, late night shows, etc. I didn’t think about it, I just did. Little did I know that that would give me an understanding of the inner dynamics of what’s going on within the Republican Party that would tie back to the Iranian people’s cause in 2026. Believe me, I’m still baffled by it whenever I pause to think about it. But that’s the truth, and here we are. 4. I am not in the United States. I shared a blog, and the provider of that blog (a big, common one) is in the United States. My VPN location is sometimes in the United States. Not me. 5. I am not responsible for the content of people defending me. I have no control over it. It’s not my content, and I keep my distance whenever I see problematic stuff. Many accounts defended me, but going to look for one that has done/said problematic stuff to tie it back to me is not right or fair. I am not responsible. I have nothing to do with it. 6. I wanted to help DR because Evi was threatening to go after her hard, and I didn’t think DR deserved that. I meant no harm, I wanted to help. I made a mistake, and I regret it now, but my intention wasn’t bad at that moment in time. 7. Evi herself was the first to come into my DMs and tell me not to fight with an account named Stephanie. So I did Evi that favor. Meaning: Evi came into my DMs first and tried to calm down a public disagreement between me and someone else. When I did this in defense of DR, I did the same thing Evi had done before. I would never think to accuse Evi of restricting my right to free speech because of it. 8. Publishing private DMs from someone without their permission is wrong. It is something both Evi and Stephanie have now done. Both have shared private messages from me without my permission. 9. Part of Evi’s “sources” seem to be Azi Yazdi (granddaughter of Khomeini’s first foreign minister), Benji, and Nima Yamini, as well as his ghost accounts (I have blocked multiple of them by now). If you know any of them, you know this is insane. None of them are reliable. It’s like using Milo as a source against James Lindsay. This is not about truth but about a (malicious) takedown to silence me and get me out of the way. 10. Evi has threatened to dox me (there is no doubt) multiple times, and she keeps going after me. This puts my life and my family’s lives in Iran in real danger, but she doesn’t care. She keeps going, and I can’t stop her. She keeps putting out one lie after another, and it traps me in a forever loop of defending myself. If I don’t respond to more and more accusations from her against me, rest assured, my silence should never be taken as agreement with the lies she puts out there. Be sure there is always context, a counterargument, counterevidence, etc., that would show that none of what she shares is fair or true. But it’s a forever war that is meant to drain me. So me not commenting on her stuff moving forward is never, ever, ever an admission that she is right about something. It’s just a rejection of playing a game I cannot win. To ALL the people who wrote/shared one or multiple posts and comments in my defense: Thank you very, very, very much. I’ve seen it, and I am grateful. But I think it’s best for my own and my family’s safety, as well as for the whole situation, that I step away and stay away from X. I hope that’s understandable. And Evi, for the last time: if you are not malicious, please just stop. Let me out of this. I am not your target. Just leave me and, through doxxing/"exposing", my family out of it moving forward. I beg of you, please. PART 2 - proof - [JL: The following are direct quotes from Evi indicating her intention to "expose" Diana, which she tries to claim is different than "doxxing," though for all practical purposes the effect will be the same and this is a distinction without a difference. The video below shows all of these quotes from her own posts.] 1. “I’m getting enough information on her from her own community. I may share it…” 2. “Either log back in with your real name, or I will start exposing you. And trust me, you will not like that.” 3. “So stop provoking me. If you continue, I will look much deeper into who you are and what your actual role is behind this anonymous account.” 4. “You know what...WAR IT IS. I will start with Diana!! STAY TUNED” 5. “So I will take those words seriously and dig as deep as I can” 6. “The identities of the "Iranian activists" would never have been called into question had they not attacked my right to freedom of speech in my own country.” 7. Someone: “She deleted her account because she’s concerned for her safety and the safety of her relatives in Iran your threats to dox her” Evi: “She should be...but if she turns out to be clean, I shall protect her identity. But trust me, she is not who she claims to be” 8. “Last I checked, Support on X is against fake accounts. Why are we being threatened for wanting to know the true identity of certain accounts…” 9. “Do you think I know who Diana bloom is? No but I need to find out at this point” 10. “... because I asked one of their group operatives from Germany to debate me using her/his true identity, or I would expose who’s behind the account.” 11. “So I don’t know what you’re all thinking, but this isn’t simply about Diana being scared of the IRGC in Iran. The IRGC has been significantly weakened and has plenty of other things to worry about. There are thousands of Iranian accounts fighting for Iran’s freedom under their own names while still having family members back in Iran. At this point, I think people have every right to ask who is actually behind these anonymous accounts… After a few more new posts on her feed, I was forced to tell her to either come back on X and do this under her real name, or I would expose who she was, so at least we would be having this discussion on equal grounds.” 12. “Don’t freaking interfere with other people’s business like that retard did and no one comes after you. So go ahead down and sue me and I will push harder to expose her and you and anyone else…” MY OWN [JL's] COMMENTS, which Diana has nothing to do with and doesn't know I'm appending here. I now believe Evi is likely to be a malignant narcissist who is incapable of admitting that she is wrong. She will not stop in her behavior, and she will aim to harm anyone who attempts to intervene. I do not recommend you do this. I recommend you mark, avoid, and block. Fighting with her will only fuel her because she simply cannot admit that she's wrong about all of this and can only double down in increasingly insane, dangerous, and reckless ways, including toward Diana and her safety. She believes everything she sees that's trying to talk sense into her about any of this is part of an elaborate "op" that "disrespects her free speech" (which isn't a thing, by the way). No one is silencing her. People are just trying to talk sense into her to stop spreading defamation and reckless "exposure" of people who she will put at risk with it and who do not in any way deserve it, people she considered friends and allies until literally four days ago when she suddenly blew up. Therefore, not only is her reckless belief hermetically sealed against any disagreement, she turns any disagreement into proof of allegedly coordinated attacks against her from a network that simply doesn't exist. As a response, in her malignancy, she is threatening to damage, "expose," or otherwise reputationally harm anyone who even tries politely to talk sense into her, much less to disagree with her or oppose her. I strongly recommend everyone realize what they're getting into if they work with or ally themselves with this crazy woman going forward. You do so at your own risk. I can attest from watching her over the last few days that her research abilities, at least when agitated, are so sloppy as to be beyond worthless, even dangerous. The post I'm quoting below is proof of that. She's trying to prove Diana is secretly an American because she's too sloppy and stupid to realize that a Wordpress domain has an American location. She isn't doing research in good faith or with fidelity on this issue, or about me. She is looking for any information she can to hurt people who have upset her. In fact, she is presently being sued for defamation by an Albanian singer (Evi is an Albanian immigrant to the United States and a U.S. citizen for at least a couple decades), so we might recognize this bad behavior and poor praxis as a pattern with her. I can provide just from the last few days, as can others, much evidence that she's simply grasping at the nastiest straws she can find to try to harm people she has suddenly decided are her opponents because of her jealous outburst at DataRepublican and her narcissistic injury at being called on it. The sloppiness and outright retardation of her "fact" finding and "analysis" are so shocking that it's hard not to laugh even given how horrifically dangerous it is. We can therefore infer this sloppiness, recklessness, and malice-when-opposed to be at least partially true of her other "research" against her other targets, by extension. That's a shame because many of those targets are worthy of real scrutiny, which she is undermining with her loose cannon. Therefore, I insist her OSINT "research" is at best worthless and at worst maliciously harmful. In either case, it cannot be engaged by people who want to make a positive difference in the world, so mark and avoid. Evi seems good at making connections. She was quite positively in my own DMs for a while, trying to find ways to work productively together, even suggesting we start an alternative to CPAC (lol). She appears to be friends with both Eric Trump and Don Jr., though the relationship with the former appears to be more solid. She seems to have worked behind the scenes with a lot of relatively prominent Republican groups. I find all of this incredibly concerning after the events of this week, even though I wouldn't have beforehand. My own assessment from this stupid and nasty drama is that Evi's primary motivation is that she is pathologically envious of DataRepublican and her influence, likely believing it should be her in DataRepublican's place. As we can see, she isn't nearly careful or accurate enough for that. Mark and avoid. Further, though, while DataRepublican has no driving interest to be who or what she is and is doing it in service to the best of her abilities (which are considerable but still limited and imperfect as are anyone's), Evi appears to covet the role, which she has demonstrated she cannot possibly handle responsibly. Again, mark and avoid. Block if you will. I will not unblock her for this post or in the future. You can think of that whatever you want. I will rarely, almost never, say anything about her except in the defense of others she is wantonly and recklessly attacking. I will NEVER interact with her directly again, no arguments, no back and forth, no dunks, nothing. My involvement here is pure exposure and nothing else. Thank you for your attention to this matter.](https://image.24vids.com/tw-2093725313872085205/amplify_video_thumb/2093718725035712512/img/t5AqANtbD3mDn808.jpg)
![⚠️ TW // MIGHT BE OVERDO SPOILER ⚠️ ⛔️ DO NOT read this tweet if you haven’t watched the actual ending yet, or, you don’t want the ending you want in your head right now to get ruined ⛔️ I already put the warning, so read at your own risk~ Overdo actual ending in original script (that I got). Reason why it didn’t get included in long episode.. probably because they don’t have enough time to shoot it, as we know the filming cycle for is only 90 days. Enjoy reading! ☺️ [33-10] The flames consume the Dongjiadu Waterworks. Smoke billows into the sky as beams collapse one after another. A rescue worker shouts over the roar of the fire. “There is someone!” It is Murong Qingyi. His whole body covered in blood. His breathing is shallow. “Young Master?” “You know him?” The middle aged man nods slowly, disbelief written across his face. “I used to work for Commander Li.” As they carry him away, Qingyi’s fingers twitch. “Susu...” [33-11] 3 Months later. Qingyi slowly regains consciousness in a small clinic. He instinctively tries to sit up. Pain tears through his body, forcing him back onto the bed. The physician quickly stops him. “Don’t move.” Qingyi look at him. “Who helps me? I have to go back.” “Someone who knows you said you need to recover first before you go.” “My wife is waiting for me” “You’ve been unconscious for 3 months. Your burns are severe, several ribs are fractured, and your lungs are injured from smoke inhalation. You won’t even make it out the front door.” Qingyi grips the edge of the bed. — Over the following months, Qingyi travels from one city to another. Everywhere he goes, he seeks renowned physicians and specialists for burns and internal injuries. One elderly doctor examines the scars on his back before shaking his head. ”You pushed your body too far. If you continue traveling before you’ve healed completely, these injuries will stay with you for life.” [33-12] Two years later. A physician smiles as he finishes removing the last bandage from Qingyi’s body. [33-13] Two years later. The rebuilt lakeside cabin in Shencheng looks much the same as it once did. [Montage] Haitang Qing’s voice is heard reading from her letter. “The Fang Trading Company has found its footing again. Our business in Nanyang is flourishing, and so many of our partners are eager to meet the mysterious boss behind it all. The new plane you donated to the aviation academy has already begun training a promising new generation of pilots. The girls’ school we founded has welcomed its very first class of students. The opening ceremony won’t be complete without its chairwoman. Susu... all of us miss you. How much longer are you going to wait for him? He’s not coming back.” The letter continues as glimpses of Susu’s life play out. Le-an sits at his desk practicing calligraphy while Susu patiently guides him, correcting each stroke with gentle encouragement. Later, she tends to the flowers blooming throughout the garden, carefully watering each one. She pushes Le-an on a swing beneath the warm afternoon sun, mother and son laughing together. That night, she reads him a bedtime story. When his breathing evens into sleep, she smiles softly, tucks the blanket around him, and quietly slips from the room. [Montage END] Spring has arrived. Outside the cabin, the lake shimmers beneath the sunlight. Beneath a flowering tree, a picnic blanket has been spread across the grass. Susu sits beneath the blossoms, finishing Haitang Qing’s letter. The warmth of the afternoon makes her drowsy. She places the letter aside, lies down on her side atop the blanket, and slowly drifts into a light sleep. Everything is quiet. Sunlight filters gently through the branches overhead, petals swaying with the breeze. Then a soft gust brushes past. Half asleep, Susu feels someone settle beside her. She lazily opens her eyes. Only inches away is a familiar face. A handsome man dressed in a white shirt lies beside her, his head resting against one hand as he quietly watches her. She simply closes her eyes again. Dreaming of him has become so familiar that it no longer surprises her. A small smile finds its way onto her lips. “This is strange...” she murmurs sleepily. “Why have I been dreaming about you so often lately?” Murong Qingyi continues watching her, his voice low and gentle. “What do you dream about?” Still caught somewhere between dreaming and waking, Susu answers without opening her eyes. “I dream about the braised pork you cooked... the snowman you made... that night when you woke up in the middle of the night, turned over, and wrapped your arms around me again... and... there’s more...” A smile tugs at Qingyi’s lips. Reaching out, he gently taps the tip of her nose. “Why are all your dreams about the past?” he asks softly. “Dream about our future instead... alright?” His voice is so clear and real. Like cool spring water washing over her. In an instant, Susu is fully awake. She stares at him. At the face she has missed for two endless years. Disbelief floods her expression. Before she can even think, instinct takes over. She throws herself at him. The force knocks Qingyi backward onto the grass as she lands against his chest. Supporting herself above him, she hesitantly reaches out, fingertips trembling as they brush against his cheek, almost afraid that touching him will make him disappear. “I...” Her voice quivers. “I’m really not dreaming... am I?” Qingyi slowly sits up, lifting her effortlessly onto his lap. He holds her close and looks into her eyes. “These past two years,” he begins quietly, “I traveled everywhere to recover... to heal my injuries. But wherever I went, I kept dreaming about you.” A faint smile appears on his face. “I dreamed we were sitting together just like this.” His gaze never leaves hers. “I’d tell you, ‘Come here.’ And you’d crawl over like a little cat. I’d hold you and tell you, ‘I was wrong. Don’t be mad anymore.’ You’d pretend not to understand. You’d yawn... and then curl up in my arms.” Tears begin spilling down Susu’s cheeks, but despite herself, she laughs through them. “You certainly know how to dream,” she sniffles. “I waited two whole years for you... and the first thing you do after coming back is try to sweet talk your way into forgiving you?” Qingyi smiles at her with quiet tenderness. “If you truly blamed me,” he says softly, “you would’ve forgotten me.” Another tear escapes Susu’s eyes. At the same moment, a flower petal drifts down from above, landing with the tear against his brow before sliding to his cheek. “If you were a river,” she whispers, “I’d cross it. If you were a mountain, I’d climb it. But you...” Her voice breaks. “How was I ever supposed to forget you?” Qingyi lets out a small, amused laugh, looking almost pleased with himself. “Ren Susu,” he teases, “you really haven’t changed at all.” She cries even harder, lifting her hand to smack him in protest. Before she can, Qingyi catches her wrist. Without another word, he leans forward and kisses her. A breeze rushes through the flowering tree overhead. Petals tumble from the branches like rain, settling in their hair, across their shoulders, and around their embrace. Their kiss lingers beneath the shower of blossoms, until the two lovers are covered completely in the flowers of spring. Qingyi says that he will always find her, and he did. Susu says she will wait for him, and she did. ❤️](https://image.24vids.com/tw-2085056667209945353/amplify_video_thumb/2085056611241144320/img/v1Ry6y5HyC2LSKO8.jpg)
!["The label just says No Brand" GRWM w Desi Generated on Atlas Cloud Wan 3.0 Prime Esr upscale stitched together on ElevenCreative studio prompt Desi: South Asian woman, mid-20s, warm brown skin with natural, realistic texture — visible pores, subtle natural sheen, no airbrushed smoothness. Expressive dark brown eyes, defined brows, full lips. Long dark wavy hair, undone/messy at the start. No jewelry until the earrings beat. Gold jhumka earrings and thin gold necklace are her fixed accessories once applied. Environment — Desi's Bedroom: Modest, lived-in bedroom, soft neutral-toned walls, single window with sheer curtains, warm diffused morning light with real shadow falloff. Wooden/laminate flooring, small woven area rug. Flows from bed area to vanity/mirror corner to a closet/wardrobe area to a doorway. Bed: simple platform frame, unmade, muted duvet, mismatched pillows, folded throw, nightstand with a plain ceramic mug, analog alarm clock, small lamp. Vanity: wooden dresser, plain oval mirror, small ceramic dish holding her rings/studs/jhumka earrings, a plain glass jar labeled "NO BRAND" in small black sans-serif text, a plain wooden hairbrush — all visible on the surface from the start. Wardrobe area: simple open wardrobe/hangers with a small handful of plain unbranded clothing already visible. Doorway: simple wooden door, softly lit hallway beyond. Visual style (all blocks): Cinematic realism, not commercial polish. Soft natural film-like grain, warm slightly imperfect color grading true to real morning light. Skin genuinely textured, never smoothed or beauty-filtered. Smooth floating steadicam/gimbal camera movement throughout, cinematic framing sensibility, not raw flat phone footage. Audio style (all blocks): Warm, natural, close-mic room-tone quality, not sterile or studio-clean. Real object-contact sounds, natural room reverb on her voice. No music, no artificial sound effects. Standing negatives (repeat in every block): No AI morphing of any kind — no shifting, warping, or unstable facial features, body proportions, or object shapes. No items suddenly appearing or disappearing in frame — every object must already be visible in its place before she interacts with it. No over-polished or beauty-filtered skin — natural texture and imperfection required throughout. No overly clean, sterile, or commercial visual grade. No duplicate Desi in any frame. No identity drift from block to block. Every product/container shows either no text/logo or exactly the plain "NO BRAND" mark — simple black sans-serif on plain packaging. No recognizable real-world brand names, logos, or trademarked packaging/clothing design anywhere in frame. No extra fingers, fused hands, or distorted anatomy. No text overlays or captions. No music — natural ambient audio only. Mirror reflections physically accurate and consistent; camera never visible in any reflection. No sudden speed changes, no time-lapse compression, no rushed dialogue delivery. BLOCK 1 — [0:00–0:15] The Alarm, Waking, Yawn, First Line Continuity note: Opening block — no prior frame to match. Action: Dark, close frame on Desi's sleeping face, soft warm morning light beginning to catch her skin's natural texture. A phone alarm begins ringing on the nightstand. Hold on her unmoving for a real beat as it rings. Her hand fumbles slowly toward the sound, silences it. She lies still a moment longer, then opens her eyes slowly, squinting at the light. She yawns — full, unhurried, genuine — stretching slightly where she lies. A long pause settles after. Dialogue: (after the yawn, slow, groggy, real pauses) "Okay... (pause) ...so it is way too early for this..." (long pause, slow exhale) "...but let's get ready anyway." Camera: Static-to-slow-float — begins locked close on her face, only beginning the faintest float as she finishes speaking, ending the block just as she starts to shift toward sitting up. Block-specific negatives: The alarm sound must play first, before any dialogue or visible movement. Do not have her wake up abruptly or sit up quickly — the entire block stays in slow, groggy stillness. Do not begin the standing/sitting motion before the final line completes. BLOCK 2 — [0:15–0:30] Five More Minutes + Coffee Stretch Continuity note: Opens exactly where Block 1 ended — Desi still lying down, having just finished her line, beginning to shift toward sitting up. Match her position, the room's lighting, and her expression precisely to Block 1's final frame. Action: She sits up fully, stretches with a real, full arms-overhead extension, laughs softly at herself. She reaches for the ceramic mug already present on the nightstand, takes a slow sip, holds it a moment, exhales contentedly. Only after finishing the sip does she swing her legs out and stand, unhurried. Dialogue: "Five more minutes..." (pause, small laugh) "...turned into not five minutes." (beat) "Classic." (pause, after the sip) "Okay." (beat) "...That helps." Camera: Smooth floating steadicam, holding a steady elevated angle through the stretch, following her rise to standing by the block's end. Block-specific negatives: Do not skip or shorten the full stretch. The sip of coffee must complete before she stands — no simultaneous drinking-and-standing. Do not have her rush to her feet; the stand is the final motion of the block, unhurried. BLOCK 3 — [0:30–0:45] Moisturizer Continuity note: Opens exactly where Block 2 ended — Desi just risen to standing beside the bed. This block covers her walk to the vanity and the full moisturizer application. Match her position and the room's light to Block 2's final frame. Action: Camera drifts with her as she walks unhurried from the bed to the vanity, arriving at the mirror. The plain glass jar labeled "NO BRAND" is already visible on the vanity surface as she arrives. She unscrews the lid slowly, scoops a small amount, and applies it in full, unhurried circular motions across her face — the entire application shown start to finish within this block. Dialogue: (spoken only once the application is fully finished, near the block's end) "This is like..." (pause) "...the one step I actually never skip." (beat) "Everything else is negotiable." Camera: Floating lateral tracking during the walk, settling into a steady medium shot at the mirror for the application itself. Block-specific negatives: The jar must already be visible on the vanity before she reaches for it — no appearing mid-motion. The application must be shown completing in full before any dialogue begins. Do not rush the walk to the mirror to make room for the application — both get real, unhurried time within the 15 seconds. BLOCK 4 — [0:45–1:00] Hairbrush + Earrings Continuity note: Opens exactly where Block 3 ended — Desi standing at the mirror, moisturizer just applied. Match her position and expression to Block 3's final frame. Action: She picks up the plain wooden hairbrush, already resting on the vanity, and brushes out her hair with several full, unhurried strokes, working through it completely. She sets the brush down, then picks up her gold jhumka earrings from the ceramic dish and puts them on one at a time — each fully finished and settled before she begins the second. Dialogue: (mid-brushing) "Yeah, I don't even know what's in that jar anymore." (soft laugh) "The label just says 'No Brand.'" (beat, as she puts in the second earring) "...Works though." Camera: Steady medium-close shot at the mirror, holding through both the brushing and the earrings without cutting away. Block-specific negatives: The hairbrush and earrings must both already be visible on the vanity from the block's start. The first earring must be fully in place before she begins the second — no simultaneous application. Do not shorten the number of brush strokes to save time; let the motion read as genuinely unhurried. BLOCK 5 — [1:00–1:15] Wardrobe Change (Revised: Explicit Detail + Locked Outfit) Continuity note: Opens exactly where Block 4 ended — Desi at the mirror, both earrings now in place. This block covers her moving to the wardrobe area and changing. New Outfit — Locked Reference (carries into Block 6 and any future scenes): A simple, plain white or cream-colored short-sleeve cotton top with a round or slightly scooped neckline, no graphics, no visible branding — soft, everyday fabric with natural draping and slight creasing. Paired with plain straight-leg or slightly relaxed-fit trousers in a muted neutral tone (soft khaki, warm taupe, or dark grey), no visible logos, no stitched branding on pockets or waistband. Simple flat sandals or bare feet, consistent with the casual, staying-home-in-the-morning energy of the piece. This exact combination — top, trousers, footwear — must remain identical through Block 6 and any subsequent generation; treat it as a locked reference image once established. Action, explicitly detailed: Camera follows her as she walks from the vanity toward the wardrobe area, where the clothing has been visible on the rod/hangers since the environment was established — including the specific white/cream top and neutral trousers she will select, already hanging there from the start. She reaches the wardrobe, looks over the few items for a moment, unhurried, and lifts the plain white top and the neutral trousers off their hangers, laying them briefly over her arm or the chair. She turns slightly away from camera or angles herself naturally at the wardrobe (matter-of-fact, not performative), and removes her sleep t-shirt first — pulling it up and off in one unhurried motion, setting it aside on the chair or a nearby surface. She then pulls the plain white top on over her head, arms finding the sleeves naturally, settling the fabric down over her torso with a small adjusting tug at the hem. She then steps out of her sleep bottoms or loungewear pants — sitting briefly on the edge of the chair or bed if needed for balance, one leg at a time — and pulls on the neutral trousers, standing to fasten or settle them at the waist, a small natural motion to smooth them down her hips. Once fully dressed, she does a small self-check — glancing down at the outfit, smoothing the top's hem once more, rolling one sleeve cuff slightly — before turning back toward the mirror. Dialogue: "Okay..." (pause, mid-change) "...let's see." (beat, once dressed, considering the outfit) "...Yeah. That works." Camera: Floating steadicam following her to the wardrobe, holding a respectful medium distance throughout the change — matter-of-fact framing, never a close or lingering angle, treating the change the way an ordinary morning routine would actually look on camera, not stylized or drawn out for effect. Block-specific negatives: The white top and neutral trousers must already be visible hanging in the wardrobe from the start of the block — no appearing only once she reaches for them. The change must be shown as a clear, complete sequence — sleep shirt removed, new top pulled on, sleep bottoms removed, new trousers pulled on — with no skipped steps or instant swaps between states. The change must read as ordinary and unhurried but not sexualized or dwelt upon — medium-distance framing throughout, natural body positioning, nothing posed. No outfit teleporting at any point — every layer change must be visibly performed by her, not implied through a cut or dissolve (there are no cuts in this piece regardless). This exact outfit (plain white/cream short-sleeve top, neutral trousers, sandals or bare feet) is now the locked wardrobe reference for the remainder of the piece — it must not vary in color, cut, or detail in Block 6 or any subsequent scene. BLOCK 6 — 1:15–1:30 FINAL LOOK → WALK OUT CONTINUITY OPEN Block 6 begins immediately from the final frame of Block 5. There is no cut. Desi stands in front of the mirror wearing the exact outfit established in Block 5. Her: white/cream top; neutral trousers; footwear; gold jhumka earrings; gold necklace; hairstyle; makeup; facial features remain exactly consistent. --- 1:15–1:20 FINAL MIRROR CHECK Desi faces the oval mirror. The camera floats gently into position behind/alongside her. She looks at her reflection. A genuine pause. She looks down briefly at the outfit. Smooths the top once. Looks back at herself. A tiny satisfied nod. No exaggerated posing. No influencer-style presentation. She simply looks like someone deciding that she is ready enough to leave. --- 1:20–1:26 WALK TOWARD DOOR Desi turns away from the mirror. The camera smoothly follows. She walks through the bedroom toward the doorway. Her pace remains natural and unhurried. The camera never overtakes her. No whip-pan. No sudden acceleration. No speed ramp. The hallway beyond the doorway is already visible. Morning light spills naturally from the hallway. Dialogue Desi: "Okay." pause "Human." beat "Presentable." pause "Good enough." A small genuine laugh. --- 1:26–1:30 EXIT Desi reaches the doorway. She opens the wooden door. Warm hallway light falls across her. She steps through. The camera continues following her naturally. Just before she disappears completely, she turns her head slightly toward the camera. A genuine late-arriving smile. Dialogue "Alright..." pause "...let's go be a person today." beat "Bye." She exits. The camera remains inside the bedroom. It settles naturally on the empty doorway. Hold for one quiet beat. END. --- MASTER NEGATIVES & CONSTRAINTS BLOCKS 5–6 CONTINUITY One continuous physical camera take. Zero hard cuts. Zero hidden cuts. Zero jump cuts. Zero dissolves. Zero fades between states. Zero time skips. Zero time-lapse. Zero teleportation. Zero duplicated footage. Zero sudden camera repositioning. WHIP-PAN ONE WHIP-PAN ONLY. It occurs exclusively during the wardrobe change in Block 5. The whip-pan must: physically originate from the camera's current position; move through the same bedroom; temporarily obscure Desi; return naturally to the wardrobe area. It must never be used as a disguised cut. No whip-pan during Block 6. --- NO MORPHING / NO MESHING Absolutely no: face morphing; facial meshing; body morphing; wardrobe morphing; texture morphing; object morphing; environmental morphing; frame interpolation artifacts; identity blending; unstable facial geometry; unstable hands; unstable hair; unstable jewelry. Desi must remain the same woman throughout the entire sequence. --- IDENTITY LOCK Do not alter: eyes; eyebrows; nose; lips; jaw; cheekbones; skin tone; face shape; body proportions; age; hair texture; hairline. No identity drift. No alternate version of Desi. No duplicate Desi. No phantom Desi. --- WARDROBE CHANGE The wardrobe change must be physically believable. No: instant outfit swap; outfit teleportation; clothing appearing on her body; clothing disappearing from her body; clothing growing onto her; magical transition; glowing transformation; particle effect; dissolve; morph. The single whip-pan simply gives privacy while maintaining the continuous physical flow of the camera. --- OBJECT CONTINUITY No object may suddenly appear or disappear. The following must remain spatially consistent: wardrobe; clothing; chair; vanity; mirror; jewelry; dresser; plants; rug; door; hallway. The white/cream top and neutral trousers must be visibly hanging in the wardrobe before Desi selects them. --- OUTFIT LOCK Once Desi finishes changing: WHITE/CREAM SHORT-SLEEVE TOP + EXACT NEUTRAL TROUSERS + SAME FOOTWEAR must remain unchanged through the end. No recoloring. No redesign. No different sleeve length. No different trouser cut. No different footwear. No spontaneous accessories. --- MIRROR CONSISTENCY Mirror reflection must be physically accurate at all times. One Desi. Reflection matches her movements exactly. No reflection drift. No alternate face. No duplicated reflection. No delayed reflection. Camera never appears in the mirror. --- ANATOMY No: extra fingers; missing fingers; fused fingers; duplicated hands; malformed hands; warped arms; elongated limbs; distorted torso; unnatural joints; anatomical meshing. --- VISUAL STYLE Cinematic realism. Natural morning light. Natural skin pores and texture. Subtle film-like grain. Slightly imperfect real-world color. No: beauty filter; plastic skin; excessive skin smoothing; glossy commercial lighting; HDR; hyper-clean advertising aesthetic; artificial glow; excessive sharpening. --- AUDIO Continuous natural audio only: footsteps; fabric movement; clothing rustle; jewelry movement; room ambience; natural breathing; door movement; hallway ambience; Desi's natural voice. No music. No cinematic impact sounds. No artificial transition sounds. No sound effect accompanying the whip-pan. --- VOICE Warm low-mid female voice. Natural morning rasp. Close and intimate. Slow. Unhurried. Conversational. Real pauses between phrases. Never sounds like a commercial, narrator, actress, or influencer reading a script. Do not compress dialogue to fit the timestamps. Natural delivery takes priority. --- FINAL GENERATION LOCK ONE DESI. ONE BEDROOM. ONE CAMERA. ONE CONTINUOUS PHYSICAL FLOW. ONE WHIP-PAN ONLY — BLOCK 5 WARDROBE CHANGE. NO CUTS. NO MORPHING. NO MESHING. NO TELEPORTATION. NO IDENTITY DRIFT. NO OBJECT POP-IN. NO WARDROBE TELEPORTATION. NO DUPLICATION. NO TIME-LAPSE. NO RUSHED MOTION. Block 6 must begin exactly where Block 5 ends, with the exact same Desi, exact same face, exact same jewelry, exact same hairstyle, exact same outfit, exact same environment, and exact same spatial continuity. #AtlasCloud](https://image.24vids.com/tw-2093701367797785024/amplify_video_thumb/2093701197957869568/img/ZREoSERJvFSA0lqh.jpg)
![This battery is about to change the world in 3 months, or make this guy a fool | Fred Lambert, Hacker News Donut Lab lit the EV and energy storage industry on fire last week with its announcement of a 400 Wh/kg solid-state battery cell that can last for 100 years. At face value, if true, we are looking at the single most disruptive announcement in the history of the electric vehicle industry and energy storage as a whole. We aren’t just talking about a better motorcycle battery. If the claims of a 5-minute charge, 100,000-cycle life, and ~400 Wh/kg energy density are accurate and scalable, as Donut Lab claims, this is the holy grail of energy storage. Battery breakthrough announcements generally don’t catch fire like this, but Donut Lab’s did because it said that the cell was already in production and will be in a production vehicle, Verge’s electric motorcycle, this quarter. It gave credibility to the claim, pushing everyone to report on it. Now, we have interviewed Donut Lab’s CEO and investigated the technology. At this point, it looks like either this battery changes the world within the next 3 months, or it will make the CEO look like a fool. In this article, we discuss the impact of the battery, whether real or not, as well as clues about the secret sauce behind its chemistry. The Holy Grail of Energy Storage Consider the implications. A battery that lasts 100,000 cycles is effectively immortal in human terms. You could charge it every single day for 270 years, and it would still be working. It means the battery outlives the vehicle, not just once, but ten times over. It changes the economics of transportation entirely: you buy the battery once, and you swap it into your next five cars. The power density required for a 5-minute charge and the 400 Wh/kg of energy density opens the door to commercial electric aviation, a sector currently strangled by the weight and slow charging speeds of lithium-ion. It solves the grid storage problem by offering a medium that doesn’t degrade, meaning utility companies could amortize the cost over a century rather than a decade. If this is real, the internal combustion engine didn’t just die today; it was buried 100 feet deep, and every other battery is not far behind. But, and this is a massive “but”, extraordinary claims require extraordinary proof, and Donut Lab has yet to release that proof. And that brings us to the man making them. The Man Betting His Reputation I spoke with Marko Lehtimäki, the CEO of Donut Lab and Chairman of Verge Motorcycles. My goal was simple: ask him about the chemistry behind his battery and, if that doesn’t work, look him in the eye and figure out if he’s selling vaporware or if he’s sitting on the breakthrough of the century. Marko isn’t a random guy shouting about a battery breakthrough that will change the world. He is a legit entrepreneur. A computer scientist who built a no-coding app builder years before “vibe coding” was even a thing and sold it to SAP. After the successful exit, he became an investor and serial entrepreneur with his biggest, or most well-known, company being Verge Motorcycles, which has real products on the road. By announcing that this “miracle battery” is already in production and will be shipping in customer vehicles within 10 weeks, he is betting his entire personal reputation on this technology. If he misses this timeline or if the specs are fake, Donut Labs and Verge Motorcycles might not survive the credibility loss. He has a lot to lose here. In my article about the battery announcement last week, I noted that Marko’s presentation was incredible. He basically described a perfect battery: record energy density, incredible charge rate, unprecedented longevity, no rare metals, a cost lower than traditional Li-ion cells, and in scalable production right now. Sounds too good to be true? The only thing he didn’t share was details about the chemistry, beyond saying it doesn’t use lithium or other rare metals. What’s the point of protecting the chemistry if the battery is already in production and it will be in a product shipped this quarter? If that’s true, the battery will be reverse-engineered before the snow completely melts. We discussed it with Marko during our interview. His logic is that once the bikes ship, competitors will tear them down and figure it out anyway. But that won’t happen for another 10 weeks or so, and the head start is critical for a technology this disruptive. In the meantime, Donut Lab’s goal with the announcement was to get the attention of OEMs and ship them battery packs for validation. Marko said: We are right now shipping demo packs to OEMs under NDAs and under tight disclosures so that they can test that all of that is true, which serves our business very well [better than disclosing the chemistry]. But these programs with OEMs are likely to take a long time before they become public. Shorter term, there’s Verge Motorcycles shipping bikes with the battery by the end of the quarter. Before that, Marko also said that we should soon see third-party testing of those cells: We rather right now ship it to authorized research and science center that tests everything without opening it and telling everybody what’s in there. In short, we should have a good idea whether the claims are true or not in just a few weeks no matter what. What does Marko, or Donut Lab, have to gain by lying about this? I also discussed this with Marko and the only thing I could come up with is if he happens to be raising capital right now, but he shut that down: There are a million investors chasing us right now, but we are literally not talking to anybody. We tell investors that we can discuss terms after we have done all our disclosures. Marko insisted that Donut Lab is not taking any investment until they have proven their cells work. In short, it’s hard to find an upside for Donut Lab in making this announcement if the claims are not true. It doesn’t mean that they are, but it makes you think. The Investigation: What Is the “Donut Battery”? So, what is the secret sauce? Marko wouldn’t say, but after digging into public records, supply chains, and research papers, I believe we have a pretty good idea. Let me preface this by saying that I’m not a chemist or physicist, but I’ve been a journalist covering electric vehicles for more than a decade, and I’m pretty good at connecting the dots, and in this case, I’ve had the help of a couple of great sources, too. I’m not saying that this is the Donut Lab battery, but since they are not sharing much, we have to speculate, and all evidence points to a Finnish nanotechnology startup called Nordic Nano and its Chief Scientist, Dr. Bela Bhuskute. Donut Lab invested in Nordic Nano in October 2025, just months before this announcement. At the time of writing this, the press release has fewer than 200 views. The announcement went under the radar, and while Marko said that Nordic Nano is more of a “solar company” during our interview, the announcement mentions both solar and energy storage. Dr. Bhuskute’s research at Tampere University focuses on amorphous Titanium Dioxide nanostructures, which could benefit many different technologies, including batteries. It fits the “miracle” specs perfectly: - 100,000 Cycles: Traditional solid-state batteries are crystalline (like a brick wall) and crack when ions rush in. Dr. Bhuskute’s amorphous Titanium Dioxide is disordered (like a sponge) and “breathes,” allowing it to expand and contract without breaking. - 5-Minute Charge: This chemistry stores energy via “pseudocapacitance,” which is basically like Velcro. Ions stick to the surface almost instantly rather than having to burrow deep inside the material. - The Manufacturing: Nordic Nano uses a “nanofluid” printing process for its solar product using the technology. This aligns with Donut Lab’s description of a “clay-like” material that enables an easier manufacturing process. Some call this “battery printing”, which could explain Donut Lab’s ability to bring this to production in record time. When I asked Marko for the volumetric energy density (Wh/L), he claimed he “couldn’t remember”. Volumetric energy density is one of the few specs that Donut Lab hasn’t released. This battery is lighter than lithium-ion, but it could be bigger due to the amorphous nature of the titanium dioxide. However, the CEO claimed it has a higher volumetric density than traditional Li-ion batteries, without providing a specific number. If that’s true, not only could electric vehicles and energy storage switch to this new chemistry, but even personal electronics, such as smartphones. In 2025, Nordic Nano has been making moves, including securing a former large retail location in Imatra, Finland, near the Russian border: It could be where the company has set up production. Following investment from the Finnish government, Nordic Nano had to elaborate a bit on its products and confirmed that it is working on “solar energy systems and energy storage solutions”: The company’s range of products includes two product families: solar energy systems and energy storage solutions: The ultra-thin and flexible solar film collects twice the amount of energy compared to traditional silicon-based solar panels. Solid-state salt batteries are manufactured by printing from nanofluid, which enables the efficient use of space and the production of batteries in varying shapes. Furthermore, the company confirmed that it is using a “screenprinting” manufacturing method. This is not new. Other companies have produced battery cells with this technology with varying degrees of success. It appears that the bet is that the amorphous rather than crystalized titanium dioxide nanostructure could be more easily adapted and scaled with this manufacturing technology. Electrek’s Take I’m naturally skeptical, and this screams “too good to be true”, but I can’t find anything that categorically rejects the claims. I get battery breakthrough announcements in my inbox every week, and most of the time they never amount to anything. If I decide to spend some time researching them and talking to experts, I generally quickly hit a problem or two that make them commercially unviable. This announcement is different. We can’t really investigate the actual breakthrough; we can only speculate about it, since it is guarded. Marko’s logic for guarding the chemistry is sound, and the incentives to lie about what they have aren’t clear if he is not currently raising money. Then, because they claim this is already in production and will be in a deliverable product within weeks, we will know whether the claims are true in short order, and their reputations, especially Marko’s, are on the line. During my interview, Marko didn’t seem too worried about it. It doesn’t sound like someone who needs to quickly figure out how to deliver this, but rather someone who has a couple of aces in their hand and is looking to maximize them. It’s also strange that this innovation and then production quickly comes from a relatively small company. I thought researching Donut Lab would make me more skeptical about the claims, but it’s the contrary. It confirms that their technology stems from years of research, backed by university and government funding for its commercialization. Could it be that this critical research went under the radar and a small electric motorcycle startup in need of a significant bump in energy density stumbled upon it? Then, a savvy entrepreneur quickly found a way to optimize the impact of this potentially groundbreaking tech by spinning out a startup from the motorcycle company to market the battery to a broader market. Maybe? This could be real, or it could be hype. Again, I’m still skeptical, but I can’t point to anything specific that would disprove any claim made about this miracle battery. Again, if this is true, we are talking about a complete reset of the entire energy and transportation sectors. Donut Lab would become one of the biggest companies in the world. A Nobel Prize would be coming to Dr. Bhuskute and her colleagues in the near future. If it’s not, Marko and Donut Lab’s reputation would be destroyed. There might also be a middle conclusion where the battery is nearly as good as they claim, but when you ramp up production, other problems arise, such as scrap, which has been the undoing of another company that recently tried screenprinting batteries. Who knows? But it sounds like we should find out soon. Within weeks, we should get independent verifications of the specs. Then the bikes get delivered within months. You can fake a presentation, but there are things you can’t fake.](https://image.24vids.com/tw-2012141965471522941/amplify_video_thumb/2012141829290905600/img/DKuKZ0Te4x4eMdfe.jpg)
