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Everytime. Social Network (2010)

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Ruff Worlock

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2,217,247 görüntüleme • 2 yıl önce •via X (Twitter)

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The outstanding dialogue-heavy opening scene to THE SOCIAL NETWORK (2010).
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The Social Network (2010) - “He’s wired in.” • Directed by: David Fincher • Written by: Aaron Sorkin & Ben Mezrich (book)
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THE SOCIAL NETWORK (2010) is as perfect as movies get. Every scene feels like it was written, shot, and edited by people who knew they were making a masterpiece.
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THE SOCIAL NETWORK (2010) is as perfect as movies get. Every scene feels like it was written, shot, and edited by people who knew they were making a masterpiece.

cinesthetic.

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The Social Network (2010) flies by every time. Sorkin’s dialogue moves at lightning speed, Fincher keeps the tension simmering, and suddenly two hours are gone. Always worth another watch.
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The Social Network (2010) flies by every time. Sorkin’s dialogue moves at lightning speed, Fincher keeps the tension simmering, and suddenly two hours are gone. Always worth another watch.

cinesthetic.

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مشهد من فيلم The Social Network (2010)، يعبّر عنه بيتٌ شعري يتأمل أثر الإحسان في النفوس واختلاف طبائع الناس: "إذا أنتَ أكرمتَ الكريمَ ملكتَهُ… وإنْ أنتَ أكرمتَ اللئيمَ تمرّدَا"
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مشهد من فيلم The Social Network (2010)، يعبّر عنه بيتٌ شعري يتأمل أثر الإحسان في النفوس واختلاف طبائع الناس: "إذا أنتَ أكرمتَ الكريمَ ملكتَهُ… وإنْ أنتَ أكرمتَ اللئيمَ تمرّدَا"

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Mark Zuckerberg speaking about 'The Social Network'.
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The Social Network is such a peak movie.
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The opening bar scene in The Social Network (2010) required 99 takes. David Fincher deliberately wanted to exhaust Jesse Eisenberg and Rooney Mara. He pushed them until they stopped "acting" and the complex dialogue became pure muscle memory.
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The coldest line in the movie The Social Network
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The Social Network (2010) is pure cinematic velocity. Sorkin’s dialogue, and that Reznor–Ross score lock together so tightly the film never loses momentum. Fincher even told the cast to speak faster so the runtime would drop without cutting scenes.
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The Social Network (2010) is pure cinematic velocity. Sorkin’s dialogue, and that Reznor–Ross score lock together so tightly the film never loses momentum. Fincher even told the cast to speak faster so the runtime would drop without cutting scenes.

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