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Experience immersive cycling audio like never before. Captured using the ultra-compact DJI Mic Mini, this sound test highlights the natural beauty of bike mechanics in motion. 🎧 Use headphones for the full ASMR effect. 🎬 Creator: @蒋丰旭

DJI

1,342,293 subscribers

31,232 просмотров • 11 месяцев назад •via X (Twitter)

Наука и технологии Искусство

Anya Rossi• Live Now

Private livecam show

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Apple’s first feature-length immersive film for Vision Pro is coming. Bono: Stories of Surrender. The trailer just dropped. Launching May 30, it will put you onstage with Bono in a 180° 8K experience with Spatial Audio. Storytelling, music, and presence like never before.

Apple’s first feature-length immersive film for Vision Pro is coming. Bono: Stories of Surrender. The trailer just dropped. Launching May 30, it will put you onstage with Bono in a 180° 8K experience with Spatial Audio. Storytelling, music, and presence like never before.

Justin Ryan ᯅ

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$Meet My AI Ears. A lot of folks ask me how I capture ASMR video and audio for training of AI? I always use Binaural 3D audio and have for decades in different forms. But how? A Brief History of Binaural Recording Binaural recording, the foundation of 3D audio, dates back to 1881 when French inventor Clément Ader created the first system using multiple telephone transmitters at the Paris Opera to transmit stereo sound to listeners, simulating spatial presence. By the 1920s, patents like W. Bartlett Jones’ 1927 filing advanced devices for capturing and reproducing “binaural” signals. The 1930s saw Alan Blumlein’s work on stereophonic sound, which he termed “binaural,” laying groundwork for modern stereo. Commercial milestones hit in the 1950s with binaural records from labels like Cook Laboratories and the first binaural reel-to-reel tapes. A resurgence came in the 1970s with Neumann’s KU-80 dummy head, the first commercial binaural system. Today, it’s integral to VR, ASMR, and immersive media. The Technology of Binaural 3D Audio At its core, binaural recording mimics human hearing by using two microphones placed in ear-shaped molds or a dummy head, separated like human ears (typically 14-18 cm apart). This captures spatial cues: interaural time differences (ITD) for sound arrival timing, interaural level differences (ILD) for volume variations, and head-related transfer functions (HRTF) that account for how the head, torso, and pinnae filter sounds. The result? A 3D soundscape that tricks the brain into perceiving direction, distance, and elevation when played back via headphones—no speakers needed for immersion. Advanced setups use omnidirectional capsules (e.g., DPA 4060) for high-fidelity capture, often in silicone ears to replicate natural diffraction. I use the 3DIO Microphones today but I would cover a dummy head in texture material and place two stereo (4 channels) microphones in each ear. I would then mix down the resulting signals into stereo. The 3DIO series features dual omnidirectional capsules in realistic silicone ear molds, spaced 14 cm apart for compact, accurate 3D capture based on over 13 years of research into human hearing. Models like the Free Space Pro II use premium DPA 4060 CORE capsules for ultra-low noise and high sensitivity, delivering stereo output ideal for immersive applications like game audio. Today just about any ASMR producer uses these. But I use them to capture, curate and archive sound and video we will lose or just about lost for AI training in a way no model or AI company is doing today. I am duplicating the human 3D binaural audio experience and memory. Below is a crude demonstration. If you can listen in headphones. Or turn your phone sideways to feel the audio space. I’ll have a far more professional demo soon to show the real power of 3D audio. (Oh that music is a MIDI player that uses disks to play).$

Meet My AI Ears. A lot of folks ask me how I capture ASMR video and audio for training of AI? I always use Binaural 3D audio and have for decades in different forms. But how? A Brief History of Binaural Recording Binaural recording, the foundation of 3D audio, dates back to 1881 when French inventor Clément Ader created the first system using multiple telephone transmitters at the Paris Opera to transmit stereo sound to listeners, simulating spatial presence. By the 1920s, patents like W. Bartlett Jones’ 1927 filing advanced devices for capturing and reproducing “binaural” signals. The 1930s saw Alan Blumlein’s work on stereophonic sound, which he termed “binaural,” laying groundwork for modern stereo. Commercial milestones hit in the 1950s with binaural records from labels like Cook Laboratories and the first binaural reel-to-reel tapes. A resurgence came in the 1970s with Neumann’s KU-80 dummy head, the first commercial binaural system. Today, it’s integral to VR, ASMR, and immersive media. The Technology of Binaural 3D Audio At its core, binaural recording mimics human hearing by using two microphones placed in ear-shaped molds or a dummy head, separated like human ears (typically 14-18 cm apart). This captures spatial cues: interaural time differences (ITD) for sound arrival timing, interaural level differences (ILD) for volume variations, and head-related transfer functions (HRTF) that account for how the head, torso, and pinnae filter sounds. The result? A 3D soundscape that tricks the brain into perceiving direction, distance, and elevation when played back via headphones—no speakers needed for immersion. Advanced setups use omnidirectional capsules (e.g., DPA 4060) for high-fidelity capture, often in silicone ears to replicate natural diffraction. I use the 3DIO Microphones today but I would cover a dummy head in texture material and place two stereo (4 channels) microphones in each ear. I would then mix down the resulting signals into stereo. The 3DIO series features dual omnidirectional capsules in realistic silicone ear molds, spaced 14 cm apart for compact, accurate 3D capture based on over 13 years of research into human hearing. Models like the Free Space Pro II use premium DPA 4060 CORE capsules for ultra-low noise and high sensitivity, delivering stereo output ideal for immersive applications like game audio. Today just about any ASMR producer uses these. But I use them to capture, curate and archive sound and video we will lose or just about lost for AI training in a way no model or AI company is doing today. I am duplicating the human 3D binaural audio experience and memory. Below is a crude demonstration. If you can listen in headphones. Or turn your phone sideways to feel the audio space. I’ll have a far more professional demo soon to show the real power of 3D audio. (Oh that music is a MIDI player that uses disks to play).

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Wishing the incredibly talented #ParineetiChopra a wonderful birthday! To celebrate , I’ve created a rendition of the beautiful song #MaanaKeHumYaarNahi from the movie #MeriPyaariBindu on my #flute. Hope you enjoy it. (Use earphones / headphones for an immersive experience) Do use this audio in your reels and don’t forget to tag me in it. Styled by - Amita Pathak Sachar #maanakehumyaarnahin #meripyaaribindu #parineetichopra #sachinjigar #kausarmunir #ayushmannkhurrana #akshayroy #priyasaraiya #vayu #yrf #yrfmusic #sonunigam #raghavsachar #musicwithraghavsachar

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✨PARTNERSHIP OPPORTUNITY ✨ note : I'm posting this on behalf of my friend #vtuber are YOU 🫵 an ASMR creator (or singer or audio person?) and interested in partnering with a ASMR mic business? a brief : my friend build ASMR mic from scratch and want to create affordable ASMR mic for everyone ( They are ONLY ONE PERSON running the entire business thus they may NOT have the BIGGEST marketing budget, they are offering a revenue split AND providing a FREE ASMR mic for you to use ✨ To enter : Tell us in the comments what you do (your content / intro vid / etc.) and your chara design ✨ this is NOT a raffle, I'm not in control with who gets chosen BUT I WILL CONNECT YOU with my friend 🏆 got question? feel free to ask them in the comment or send me a ✉️

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I used to criticise Pixels and Tensor a lot for the poor benchmark scores, but after I used iPhone 12 mini, I feel like we should cut them some slack. Pixels might not have the best benchmarks but they never perform like this in daily use. Who at Apple thought 4GB RAM at $800 and no cooling system with such a powerful processor was a good idea? 😭 Do they think everyone lives in California weather? Clip 1: Scrolling the wallpaper menu for 5m Clip 2: Using the phone normally outdoors for 5m PS: Before anyone says “it’s because you’re using mini”, it’s the same experience on a non-mini iPhone 13. The 13 might take 4-5 minutes extra to reach the same point but it does reach there quick.

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Dorothy's not in Kansas anymore. "The Wizard of Oz" is coming to Las Vegas, reimagined like never before. Sphere is bringing the Judy Garland classic to life in a jaw-dropping 16K immersive experience on a screen bigger than four football fields. Expect swirling tornadoes, next-level sound, and a bold new vision of Emerald City, brought to life by artists and AI. Ben Mankiewicz takes us behind the curtain for a closer look.

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This is a reimagination of the veena parts I played in "Phir Se", a song from the movie Dhurandhar - The Revenge. Kindly use headphones 🎧 Original song composed by Shashwat Sachdev and sung by Arijit Singh. The caps on my fingers are for a temporary injury. Tempo as in the original ≈ 153 bpm Audio recorded using the custom-made Buddha Systems pickup and ATM-450 microphone, in my home studio. Video recorded with a Canon M50, edited in Davinci Resolve Studio. Aditya Dhar Shashwat Sachdev Arijit Singh #dhurandhar2 #ramanabalachandhran #phirse #veena #cover

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Black Hole

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Shipwreck

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Fish Audio

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