Загрузка видео...

Не удалось загрузить видео

На главную

Experience "Rich Man (English Version)" all around in #SpatialAudio with #DolbyAtmos Apple Music 🎸 "Rich Man (English Version)"을 #DolbyAtmos 기술이 적용된 #공간음향 으로 즐겨보세요🎸 ⚡️ #aespa #æspa #에스파 #RichMan #aespaRichMan

aespa_official's profile picture

aespa

4,566,306 subscribers

80,042 просмотров • 10 месяцев назад •via X (Twitter)

Музыка#SpatialAudio#DolbyAtmos#DolbyAtmos#공간음향#aespa#æspa#에스파#RichMan#aespaRichMan
LIVE

Anya Rossi• Live Now

Private livecam show

Комментарии: 0

Нет доступных комментариев

Здесь появятся комментарии из оригинального поста

Похожие видео

Experience #BABYMONSTER 'BATTER UP' all around in #SpatialAudio with #DolbyAtmos Apple Music 'BATTER UP'을 #DolbyAtmos 기술이 적용된 #공간음향 으로 즐겨보세요! 🎧 #베이비몬스터 #DigitalSingle #BATTER_UP #YG
0:15

Experience #BABYMONSTER 'BATTER UP' all around in #SpatialAudio with #DolbyAtmos Apple Music 'BATTER UP'을 #DolbyAtmos 기술이 적용된 #공간음향 으로 즐겨보세요! 🎧 #베이비몬스터 #DigitalSingle #BATTER_UP #YG

BABYMONSTER

384,456 просмотров • 2 лет назад

_🎵 Experience "𝑫𝒐𝒄𝒕𝒐𝒓! 𝑫𝒐𝒄𝒕𝒐𝒓!" all around in #SpatialAudio with #DolbyAtmos Apple Music "𝑫𝒐𝒄𝒕𝒐𝒓! 𝑫𝒐𝒄𝒕𝒐𝒓!"를 #DolbyAtmos 기술이 적용된 #공간음향 으로 즐겨보세요! Apple Music 🔗 #ZEROBASEONE #ZB1 #제로베이스원 #DoctorDoctor #ZEROBASEONE_DoctorDoctor
0:15

_🎵 Experience "𝑫𝒐𝒄𝒕𝒐𝒓! 𝑫𝒐𝒄𝒕𝒐𝒓!" all around in #SpatialAudio with #DolbyAtmos Apple Music "𝑫𝒐𝒄𝒕𝒐𝒓! 𝑫𝒐𝒄𝒕𝒐𝒓!"를 #DolbyAtmos 기술이 적용된 #공간음향 으로 즐겨보세요! Apple Music 🔗 #ZEROBASEONE #ZB1 #제로베이스원 #DoctorDoctor #ZEROBASEONE_DoctorDoctor

ZEROBASEONE

176,242 просмотров • 1 год назад

Thank you Amazon Music ! Don't forget to listen to "Rich Man" now! 🎸 #aespa #æspa #에스파 #RichMan #aespaRichMan Amazon Musicjp
0:14

Thank you Amazon Music ! Don't forget to listen to "Rich Man" now! 🎸 #aespa #æspa #에스파 #RichMan #aespaRichMan Amazon Musicjp

aespa

118,302 просмотров • 10 месяцев назад

Experience aespa's "Armageddon - The 1st Album" all around in #SpatialAudio with #DolbyAtmos Apple Music 🎧 #aespa #æspa #에스파 #Armageddon #aespaArmageddon #Supernova #aespaSupernova
0:15

Experience aespa's "Armageddon - The 1st Album" all around in #SpatialAudio with #DolbyAtmos Apple Music 🎧 #aespa #æspa #에스파 #Armageddon #aespaArmageddon #Supernova #aespaSupernova

aespa

228,506 просмотров • 2 лет назад

I am a Rich Man #aespa #æspa #에스파 #RichMan #aespaRichMan
0:18

I am a Rich Man #aespa #æspa #에스파 #RichMan #aespaRichMan

aespa

7,025,784 просмотров • 10 месяцев назад

Thank you @Amazonmusic💙 Make sure to listen to "Rich Man - The 6th Mini Album" now⚡️ 🎸 #aespa #æspa #에스파 #RichMan #aespaRichMan Amazon Musicjp
0:15

Thank you @Amazonmusic💙 Make sure to listen to "Rich Man - The 6th Mini Album" now⚡️ 🎸 #aespa #æspa #에스파 #RichMan #aespaRichMan Amazon Musicjp

aespa JAPAN OFFICIAL

51,586 просмотров • 10 месяцев назад

aespa 에스파 'Rich Man' Album Details (Rich Man GUITAR Ver.) Preview aespa 에스파 The 6th Mini Album 〖Rich Man〗 ➫ 2025.09.05 1PM (KST) / 12AM (EDT) 🔗 💿 #aespa #æspa #에스파 #RichMan #aespaRichMan
0:14

aespa 에스파 'Rich Man' Album Details (Rich Man GUITAR Ver.) Preview aespa 에스파 The 6th Mini Album 〖Rich Man〗 ➫ 2025.09.05 1PM (KST) / 12AM (EDT) 🔗 💿 #aespa #æspa #에스파 #RichMan #aespaRichMan

aespa

206,622 просмотров • 10 месяцев назад

aespa 에스파 'Rich Man' Album Details (Rich Man BAG Ver.) Preview aespa 에스파 The 6th Mini Album 〖Rich Man〗 ➫ 2025.09.05 1PM (KST) / 12AM (EDT) 🔗 💿 #aespa #æspa #에스파 #RichMan #aespaRichMan
0:18

aespa 에스파 'Rich Man' Album Details (Rich Man BAG Ver.) Preview aespa 에스파 The 6th Mini Album 〖Rich Man〗 ➫ 2025.09.05 1PM (KST) / 12AM (EDT) 🔗 💿 #aespa #æspa #에스파 #RichMan #aespaRichMan

aespa

164,218 просмотров • 10 месяцев назад

aespa is taking over LA & NY with YouTube YouTubeMusic Stream "Rich Man - The 6th Mini Album" now ⚡️ 🎧 🏈 'Rich Man' MV #aespa #에스파 #RichMan #æspa #aespaRichMan
0:16

aespa is taking over LA & NY with YouTube YouTubeMusic Stream "Rich Man - The 6th Mini Album" now ⚡️ 🎧 🏈 'Rich Man' MV #aespa #에스파 #RichMan #æspa #aespaRichMan

aespa

103,527 просмотров • 10 месяцев назад

aespa is on the cover of Apple Music's KPOPWRLD playlist!✨ Don't forget to stream 'Armageddon' all around in #SpatialAudio with #DolbyAtmos now!🎧 💿 💖 #aespa #æspa #에스파 #Armageddon #aespaArmageddon #Supernova #aespaSupernova
0:15

aespa is on the cover of Apple Music's KPOPWRLD playlist!✨ Don't forget to stream 'Armageddon' all around in #SpatialAudio with #DolbyAtmos now!🎧 💿 💖 #aespa #æspa #에스파 #Armageddon #aespaArmageddon #Supernova #aespaSupernova

aespa

223,169 просмотров • 2 лет назад

Experience NCT DREAM's "DREAMSCAPE" all around in #SpatialAudio with #DolbyAtmos Apple Music ❇ 🍏 #NCTDREAM #WhenImWithYou #NCTDREAM_WhenImWithYou
0:15

Experience NCT DREAM's "DREAMSCAPE" all around in #SpatialAudio with #DolbyAtmos Apple Music ❇ 🍏 #NCTDREAM #WhenImWithYou #NCTDREAM_WhenImWithYou

NCT DREAM

222,281 просмотров • 1 год назад

Experience this defining moment in @PinkFloyd history like never before. The pioneering remaster by @stevenwilsonhq immerses listeners in the music, illuminating every detail with unmatched clarity 🎸 #PinkFloydPompeii – MCMLXXII is now available in #DolbyAtmos on Apple Music.
0:15

Experience this defining moment in @PinkFloyd history like never before. The pioneering remaster by @stevenwilsonhq immerses listeners in the music, illuminating every detail with unmatched clarity 🎸 #PinkFloydPompeii – MCMLXXII is now available in #DolbyAtmos on Apple Music.

Dolby

23,711 просмотров • 1 год назад

JAEHYUN is on the cover of Apple Music 's KPOPWRLD playlist! Don't forget to stream 'Smoke' all around in #SpatialAudio with #DolbyAtmos now! 🎧 💿 🔥 #JAEHYUN #재현 #J #JAEHYUN_J #NCT #NCT127
0:20

JAEHYUN is on the cover of Apple Music 's KPOPWRLD playlist! Don't forget to stream 'Smoke' all around in #SpatialAudio with #DolbyAtmos now! 🎧 💿 🔥 #JAEHYUN #재현 #J #JAEHYUN_J #NCT #NCT127

NCT

212,329 просмотров • 1 год назад

aespa “Rich Man” featuring Sevdaliza will seemingly be an English version remix of the original song. The remix will be released tomorrow, September 12th at 1PM KST.
0:11

aespa “Rich Man” featuring Sevdaliza will seemingly be an English version remix of the original song. The remix will be released tomorrow, September 12th at 1PM KST.

윈터얼트

31,314 просмотров • 10 месяцев назад

Experience this defining moment in Pink Floyd history like never before. The pioneering remaster by Steven Wilson immerses listeners in the music, illuminating every subtle detail with unmatched clarity 🎸 Pink Floyd at Pompeii – MCMLXXII is now available to stream in #DolbyAtmos on Apple Music. #PinkFloydPompeii
0:15

Experience this defining moment in Pink Floyd history like never before. The pioneering remaster by Steven Wilson immerses listeners in the music, illuminating every subtle detail with unmatched clarity 🎸 Pink Floyd at Pompeii – MCMLXXII is now available to stream in #DolbyAtmos on Apple Music. #PinkFloydPompeii

Pink Floyd

70,205 просмотров • 1 год назад

"Mega Man X5 Improvement Project Addendum" is about to become "Mega Man X5 Tweaks." Long overdue. The first release aims to make most changes from the Addendum project available individually, including those additional "hex editor" options that some of you might have missed entirely. And everything I've been working on for the past couple of years: 🤖 Armor sprites displayed by Parts (the big one) 🤖 Special Weapons (regular and charged) available for all Armors 🤖 Boss Parameters (Health Bars, Leveling System options, damage and speed values for select moves, and reduced idle times) And a few localization choices that previously were impossible to mix and match: All the English scripts we've gone through: 🤖 Original PS1 version 🤖 Original PS1 + MMXLC2 changes (what we had up to v1.5) 🤖 Retranslation (what we've had since v1.6), now available with either the new or the original font And also: 🤖 Japanese, with all the necessary graphics changes included ...And a bunch of Title Screen options. Why not. The GUI is still a work in progress, obviously, but it's growing daily. I might include a couple of extra things too. The important thing is that every issue under the hood that prevented this from being possible from the start has already been solved. See you soonnn
0:15

"Mega Man X5 Improvement Project Addendum" is about to become "Mega Man X5 Tweaks." Long overdue. The first release aims to make most changes from the Addendum project available individually, including those additional "hex editor" options that some of you might have missed entirely. And everything I've been working on for the past couple of years: 🤖 Armor sprites displayed by Parts (the big one) 🤖 Special Weapons (regular and charged) available for all Armors 🤖 Boss Parameters (Health Bars, Leveling System options, damage and speed values for select moves, and reduced idle times) And a few localization choices that previously were impossible to mix and match: All the English scripts we've gone through: 🤖 Original PS1 version 🤖 Original PS1 + MMXLC2 changes (what we had up to v1.5) 🤖 Retranslation (what we've had since v1.6), now available with either the new or the original font And also: 🤖 Japanese, with all the necessary graphics changes included ...And a bunch of Title Screen options. Why not. The GUI is still a work in progress, obviously, but it's growing daily. I might include a couple of extra things too. The important thing is that every issue under the hood that prevented this from being possible from the start has already been solved. See you soonnn

acediez

33,938 просмотров • 3 месяцев назад

"CAN I EXCHANGE MY FULLY PAID FLAT FOR YOUR RURAL LAND?" A white guy in Manchester, England had a frank discussion with an African immigrant about economic development and empowerment in Africa. The English guy asked my fellow African: 'Do you by any chance own land in Africa?' The brother said yes he owns about 10 hectares in his rural village. "So, why come all the way to England when you have the means of production that can make you very rich?' The African brother started giving excuses: the land is undeveloped; the land has no borehole; that he don't have agricultural equipment to till the land; the government is not supporting rural farmers and many other excuses. The Englishman stood there listening quietly. After 20 minutes of giving all sorts of excuses, my African brother looked up at the quiet Englishman, hoping he understood why he travelled thousands of kilometres to come to England to work in menial jobs! The Englishman ask him "Can I exchange my fully paid flat and give you the title deeds and my 2 cars for your 10 hectares of land in Africa?" The African brother was stunned. He did not understand why a white man with a fully furnished flat and everything, would want to go and farm on a rural undeveloped land. The white guy sat him down and explained: ask any white man, he would gladly develop that land into a highly successful farm. He would grow high value crops eg all types of vegetables, strawberries, start cattle fattening programmes and develop a highly successful farm. The Englishman told him all the wealth is in that piece of land. He can make millions of dollars from that fertile land. The African brother spent days pondering about what his white friend said. After several months of planning and selling all he had in England, my brother came back home and started farming on his 10 hectares of land: putting up a borehole, installing solar energy, started poultry, piggery and cattle fattening and a horticulture project. We should never under-value our rural farms and travel to go work in distant lands. Our future is in developing our rural land and turn it into highly productive farms. Here is Wenceslous Nyamupfukudza, a youth farmer, consultant and agribusiness expert helping all farmers including those developing in rural communities. He developed his rural farm and grows all types of vegetables and keeps cattle. He teaches other rural farmers how to effectively and efficiently use the land for maximum agricultural productivity. We need to change our mindset about the land in our rural areas! It is our wealth!!! Knowledge is potential power, understand and grow your specialised knowledge - Think and Grow rich!
1:08

"CAN I EXCHANGE MY FULLY PAID FLAT FOR YOUR RURAL LAND?" A white guy in Manchester, England had a frank discussion with an African immigrant about economic development and empowerment in Africa. The English guy asked my fellow African: 'Do you by any chance own land in Africa?' The brother said yes he owns about 10 hectares in his rural village. "So, why come all the way to England when you have the means of production that can make you very rich?' The African brother started giving excuses: the land is undeveloped; the land has no borehole; that he don't have agricultural equipment to till the land; the government is not supporting rural farmers and many other excuses. The Englishman stood there listening quietly. After 20 minutes of giving all sorts of excuses, my African brother looked up at the quiet Englishman, hoping he understood why he travelled thousands of kilometres to come to England to work in menial jobs! The Englishman ask him "Can I exchange my fully paid flat and give you the title deeds and my 2 cars for your 10 hectares of land in Africa?" The African brother was stunned. He did not understand why a white man with a fully furnished flat and everything, would want to go and farm on a rural undeveloped land. The white guy sat him down and explained: ask any white man, he would gladly develop that land into a highly successful farm. He would grow high value crops eg all types of vegetables, strawberries, start cattle fattening programmes and develop a highly successful farm. The Englishman told him all the wealth is in that piece of land. He can make millions of dollars from that fertile land. The African brother spent days pondering about what his white friend said. After several months of planning and selling all he had in England, my brother came back home and started farming on his 10 hectares of land: putting up a borehole, installing solar energy, started poultry, piggery and cattle fattening and a horticulture project. We should never under-value our rural farms and travel to go work in distant lands. Our future is in developing our rural land and turn it into highly productive farms. Here is Wenceslous Nyamupfukudza, a youth farmer, consultant and agribusiness expert helping all farmers including those developing in rural communities. He developed his rural farm and grows all types of vegetables and keeps cattle. He teaches other rural farmers how to effectively and efficiently use the land for maximum agricultural productivity. We need to change our mindset about the land in our rural areas! It is our wealth!!! Knowledge is potential power, understand and grow your specialised knowledge - Think and Grow rich!

Wenceslous Nyamupfukudza

71,266 просмотров • 2 лет назад

The Delta Snake Review: Continuing the buildup for the eBook version of The Quitturz, here's an informal series that lists albums by artists I consider are the true “Godfathers Of Punk.” The True Godfathers Of Punk - Part One In the early days of Punk, it was common for music reviewers and writers to cite "Godfathers of Punk" from the 60s (or 50s) as influences on the first wave of artists. That was understandable; people naturally try to understand the origins of a new music genre, but it also reflected the age of the writers, most of whom were Boomers and publicists promoting back catalogs of '60s and '70s artists. However, a few decades later, it's evident that Punk wasn't a temporary fad and became a full-fledged genre. As a result, one could say that the true Godfathers were those outstanding groups in the first wave or generation of Punk. The artists in the first generation that I admired covered an extensive range of styles, ranging from pop, Rock, trash rock, and even progressive. In fact, you might only recognize many of the "Punk" songs by their sensibility (lyrics) or the group or artist's appearance. It was very much an attitude and fashion trend also. In the end, one could say that Punk wasn't just the latest thing but part of the natural process of the next generation of artists discovering Rock and Roll (and blowing past the usual gatekeepers that had developed in the previous generations). I will make a list of albums by artists I consider to be the true Godfathers of Punk, given that the genre continued on from their work. It goes without saying that there will be omissions that will convince Punk fans of my incompetence as a music critic and writer. I will cover those in no particular order and discuss one in this blog entry. Some of these albums now sound dated or overrated after a few decades, but those observations will be left out of the review. All of the albums that'll be mentioned deserve the respect given to works that were inspirations to the succeeding waves of musicians and listeners. I should note that, as usual, Google and other search engines are available if you want more details about chatbots or AI apps or if you prefer to read a lecture on the subject. Nick Lowe: Pure Pop For Now People (U.K. Title: Jesus Of Cool) - Stiff Records (US) Nick Lowe was pivotal in the punk movement as a session man, producer, and composer. He influenced the pop aspect of Punk (which was always there). Quite a few punk artists had a distinctive style, complete with a rebellious attitude, but their commercial breakthroughs tended to be their more accessible songs. One of the things he achieved was to make good Pop cool again. His first solo album was an extraordinary combination of Rock and recreations of old pop styles. One of the songs, "The Rollers Show," was very much a tribute to the notion that the younger generation discovers rock and roll hits in each generation, a thrill that you only really experience once before you get older Lyrically, he was quite different, as evidenced by one of his more eccentric songs, Marie Provost, which depicted the death of a once famous silent movie star, whose silent movie career was ruined once the "Talkies" came because of her New York accent. On the surface, it's black humor, but there is an undercurrent of sympathy and warmth, which is present in many of the best pop songs that involve a tragedy. As far as flat-out rockers, his song "Heart Of The City" rocks as hard as any Ramones cut. What can make a song sound like a hard rock isn't always the volume of the guitar(s) but the arrangement and mix. It's an album that doesn't sound dated, and it's well worth checking out. Al Handa 3/10/2024 #punk #newwave #alternative #music #blog #kindle #godfathersofpunk #nicklowe #stiffrecords #review Vella Version Of “The Quitturz” The Delta Snake Review on Google Blogspot
0:19

The Delta Snake Review: Continuing the buildup for the eBook version of The Quitturz, here's an informal series that lists albums by artists I consider are the true “Godfathers Of Punk.” The True Godfathers Of Punk - Part One In the early days of Punk, it was common for music reviewers and writers to cite "Godfathers of Punk" from the 60s (or 50s) as influences on the first wave of artists. That was understandable; people naturally try to understand the origins of a new music genre, but it also reflected the age of the writers, most of whom were Boomers and publicists promoting back catalogs of '60s and '70s artists. However, a few decades later, it's evident that Punk wasn't a temporary fad and became a full-fledged genre. As a result, one could say that the true Godfathers were those outstanding groups in the first wave or generation of Punk. The artists in the first generation that I admired covered an extensive range of styles, ranging from pop, Rock, trash rock, and even progressive. In fact, you might only recognize many of the "Punk" songs by their sensibility (lyrics) or the group or artist's appearance. It was very much an attitude and fashion trend also. In the end, one could say that Punk wasn't just the latest thing but part of the natural process of the next generation of artists discovering Rock and Roll (and blowing past the usual gatekeepers that had developed in the previous generations). I will make a list of albums by artists I consider to be the true Godfathers of Punk, given that the genre continued on from their work. It goes without saying that there will be omissions that will convince Punk fans of my incompetence as a music critic and writer. I will cover those in no particular order and discuss one in this blog entry. Some of these albums now sound dated or overrated after a few decades, but those observations will be left out of the review. All of the albums that'll be mentioned deserve the respect given to works that were inspirations to the succeeding waves of musicians and listeners. I should note that, as usual, Google and other search engines are available if you want more details about chatbots or AI apps or if you prefer to read a lecture on the subject. Nick Lowe: Pure Pop For Now People (U.K. Title: Jesus Of Cool) - Stiff Records (US) Nick Lowe was pivotal in the punk movement as a session man, producer, and composer. He influenced the pop aspect of Punk (which was always there). Quite a few punk artists had a distinctive style, complete with a rebellious attitude, but their commercial breakthroughs tended to be their more accessible songs. One of the things he achieved was to make good Pop cool again. His first solo album was an extraordinary combination of Rock and recreations of old pop styles. One of the songs, "The Rollers Show," was very much a tribute to the notion that the younger generation discovers rock and roll hits in each generation, a thrill that you only really experience once before you get older Lyrically, he was quite different, as evidenced by one of his more eccentric songs, Marie Provost, which depicted the death of a once famous silent movie star, whose silent movie career was ruined once the "Talkies" came because of her New York accent. On the surface, it's black humor, but there is an undercurrent of sympathy and warmth, which is present in many of the best pop songs that involve a tragedy. As far as flat-out rockers, his song "Heart Of The City" rocks as hard as any Ramones cut. What can make a song sound like a hard rock isn't always the volume of the guitar(s) but the arrangement and mix. It's an album that doesn't sound dated, and it's well worth checking out. Al Handa 3/10/2024 #punk #newwave #alternative #music #blog #kindle #godfathersofpunk #nicklowe #stiffrecords #review Vella Version Of “The Quitturz” The Delta Snake Review on Google Blogspot

Boogie Underground

10,508 просмотров • 2 лет назад

Michael Garrett - NC Senate's Viral Statement on the Bad Bunny Halftime Show “I watched #BadBunny deliver the most American halftime show I have ever seen. Then I came home and watched it again. And I am not okay. In the best possible way. He sang every single word in Spanish. Every. Single. Word. He danced through sugarcane fields built on a football field in California while the President of the United States sat somewhere calling it “disgusting.” Lady Gaga came out and did the salsa. Ricky Martin lit up the night. A couple got married on the field. He handed his Grammy, the one he won eight days ago for Album of the Year, to a little boy who looked up at him the way every child looks up when they dare to believe the world has a place for them. And then this man, this son of a truck driver and a schoolteacher from Vega Baja, Puerto Rico, stood on the biggest stage on the planet and said “God bless America.” And then he started naming them. Chile. Argentina. Uruguay. Paraguay. Bolivia. Peru. Ecuador. Brazil. Colombia. Venezuela. Panama. Costa Rica. Nicaragua. Honduras. El Salvador. Guatemala. Mexico. Cuba. Dominican Republic. Jamaica. The United States. Canada. And then, his voice breaking with everything he carries, “Mi patria, Puerto Rico. Seguimos aquí.” My homeland, Puerto Rico. We are still here. The flags came. Every single one of them. Carried across that field by dancers and musicians while the jumbotron lit up with the only words that mattered: “THE ONLY THING MORE POWERFUL THAN HATE IS LOVE.” I teared up. I’m not ashamed to say it. I sat on my couch and I wept because THAT is the America I believe in. That is the American story, not the sanitized, gated, English-only version that small and frightened people try to sell us. The REAL one. The messy, beautiful, multilingual, multicolored, courageous one. The one that has always been built by hands that speak every language and pray in every tongue and come from every corner of this hemisphere. That is the America I want Jack and Charlotte to know. That when the moment came, when the whole world was watching, a Puerto Rican kid who grew up to become the most-streamed artist on Earth stood in front of 100 million people, sang in his mother’s language, blessed every nation in the Americas, and spiked a football that read “Together, we are America” into the ground. Not with anger. With joy. With love so big it made hate look exactly as small as it is. And what did the President do? He called it “absolutely terrible.” He said “nobody understands a word this guy is saying.” He called it “a slap in the face to our Country.” The leader of the free world watched a celebration of love, culture, and everything this hemisphere has given to the world, and all he could see was something foreign. Something threatening. Something disgusting. Let that sink into your bones. The man who is supposed to represent all of us looked at the flags of our neighbors, heard the language of 500 million #Americans across this hemisphere, and felt attacked. That’s not strength. That’s not patriotism. That is poverty of the soul. Here’s what I want to say to everyone who posted about that show tonight, who shared it proudly, who turned away from Bad Bunny’s celebration because it was in Spanish and the flags weren’t only red, white, and blue: Your children will see those posts. Your grandchildren will find them. The internet doesn’t forget. And one day, when the history of this moment is written, when our kids and their kids look back at 2026 the way we look back at the people who stood on the wrong side of every bridge and every march and every moment that mattered, they will know exactly where you stood. They will see who chose Kid Rock over a hemisphere of flags. They will see who called love “disgusting.” And they will carry that knowledge the way all of us carry the knowledge of what our ancestors did when they were tested. The only thing more powerful than hate is love”
0:12

Michael Garrett - NC Senate's Viral Statement on the Bad Bunny Halftime Show “I watched #BadBunny deliver the most American halftime show I have ever seen. Then I came home and watched it again. And I am not okay. In the best possible way. He sang every single word in Spanish. Every. Single. Word. He danced through sugarcane fields built on a football field in California while the President of the United States sat somewhere calling it “disgusting.” Lady Gaga came out and did the salsa. Ricky Martin lit up the night. A couple got married on the field. He handed his Grammy, the one he won eight days ago for Album of the Year, to a little boy who looked up at him the way every child looks up when they dare to believe the world has a place for them. And then this man, this son of a truck driver and a schoolteacher from Vega Baja, Puerto Rico, stood on the biggest stage on the planet and said “God bless America.” And then he started naming them. Chile. Argentina. Uruguay. Paraguay. Bolivia. Peru. Ecuador. Brazil. Colombia. Venezuela. Panama. Costa Rica. Nicaragua. Honduras. El Salvador. Guatemala. Mexico. Cuba. Dominican Republic. Jamaica. The United States. Canada. And then, his voice breaking with everything he carries, “Mi patria, Puerto Rico. Seguimos aquí.” My homeland, Puerto Rico. We are still here. The flags came. Every single one of them. Carried across that field by dancers and musicians while the jumbotron lit up with the only words that mattered: “THE ONLY THING MORE POWERFUL THAN HATE IS LOVE.” I teared up. I’m not ashamed to say it. I sat on my couch and I wept because THAT is the America I believe in. That is the American story, not the sanitized, gated, English-only version that small and frightened people try to sell us. The REAL one. The messy, beautiful, multilingual, multicolored, courageous one. The one that has always been built by hands that speak every language and pray in every tongue and come from every corner of this hemisphere. That is the America I want Jack and Charlotte to know. That when the moment came, when the whole world was watching, a Puerto Rican kid who grew up to become the most-streamed artist on Earth stood in front of 100 million people, sang in his mother’s language, blessed every nation in the Americas, and spiked a football that read “Together, we are America” into the ground. Not with anger. With joy. With love so big it made hate look exactly as small as it is. And what did the President do? He called it “absolutely terrible.” He said “nobody understands a word this guy is saying.” He called it “a slap in the face to our Country.” The leader of the free world watched a celebration of love, culture, and everything this hemisphere has given to the world, and all he could see was something foreign. Something threatening. Something disgusting. Let that sink into your bones. The man who is supposed to represent all of us looked at the flags of our neighbors, heard the language of 500 million #Americans across this hemisphere, and felt attacked. That’s not strength. That’s not patriotism. That is poverty of the soul. Here’s what I want to say to everyone who posted about that show tonight, who shared it proudly, who turned away from Bad Bunny’s celebration because it was in Spanish and the flags weren’t only red, white, and blue: Your children will see those posts. Your grandchildren will find them. The internet doesn’t forget. And one day, when the history of this moment is written, when our kids and their kids look back at 2026 the way we look back at the people who stood on the wrong side of every bridge and every march and every moment that mattered, they will know exactly where you stood. They will see who chose Kid Rock over a hemisphere of flags. They will see who called love “disgusting.” And they will carry that knowledge the way all of us carry the knowledge of what our ancestors did when they were tested. The only thing more powerful than hate is love”

Ethical American

252,239 просмотров • 5 месяцев назад

I would like to explain the latest batch of viral videos I'm working on to the bemused brainrot-curious reader who is not familiar with "the culture". Why are these characters, mixed with this song, going viral? It's all about connecting infinite referential mirrors. What makes this video interesting are not its individual parts but the signifier links it draws. Let's look at the individual parts: ONE: The song is a Brazilian funk or "pancadão" song called MC Lan e MC WM - Sua Amiga Vou Pegar, these days part of what's broadly referred as Brazilian phonk or just phonk (not to be confused with the original phonk, a Memphis-derived genre from the early 2010s built around chopped Three 6 Mafia samples, cowbells and lo-fi tape hiss and etc. The Brazilian version comes an entirely different lineage and got its name adapted from “funk” to “phonk” exclusively because the names sounded similar. It has a similarly menacing posture but swaps the rap cadence for funk's 4/4 with kicks on 1 and 3 rhythm and a much heavier, distorted 808 synth sound). Phonk is often used for its exaggerated reverb feeling bass lines to signify power, style or simply "aura", which you can take as a shorthand for poise, coolness, being de-bon-air and a general detached positive feeling of high status. Aura. Because most users cannot understand the Portuguese lyrics (which are often quite vulgar and sexual), the singing takes the characteristic of a chant, something to be appreciated entirely for its sound, texture and gravitas. The vocals are just another instrument where you can appreciate the menace and swagger of the delivery directly without the cognitive friction of meaning. Non-Portuguese-speaking audiences are not missing anything they were supposed to get, they get “the vibe” that matters, which is not lyrical. These songs are often paired with (male) characters that are taken to display these traits like American Psycho's Patrick Bateman (yes, yes I know that’s the opposite of what you should feel about the character), Peaky Blinder's Thomas Shelby and a menagerie of anime characters like Satoru Gojo (Jujutsu Kaisen), Yujiro Hanma (Baki) and Goku and, really, any male character that is just a little bit cool. TWO: The man in the suit is a minor Family Guy character called Tom Tucker. The reference comes from a scene where Meg sees him walking through her school and says "It's Tom Tucker from the news!” We then cut to her POV, where he is walking in slow motion with soft romantic music swelling and birds chirping, the whole love-at-first-sight trope. Then a camera crew member off-screen yells "hurry up Mr. Tucker," and we get to see he is not walking in slow motion because Meg is infatuated, he is just walking that slowly in real life. Only the music and the birds were in her head. The gag is built on the viewer recognizing the romantic-slow-motion trope, briefly accepting it as the scene's reality, and then being shown that we (and Meg) projected the trope onto what is actually just a man walking very slowly. HA! The original gag is already about projection: a neutral image (slow walk) being assigned an external meaning (romance) by a viewer's pattern-recognition. This is what makes the edit-culture appropriation work so well. The clip got stripped of its context, paired with phonk and text overlays (AURA or “Me and the boys going to detention”), and retroactively assigned a new meaning, only this time it’s the cinematic nonchalant walk, the slow deliberate gait that signifies a man who knows he's the most important thing in the frame (ta la any 1980s Schwazerneggerian action movie hero walking away from an explosion without looking back, every yakuza boss entering a room, every western gunslinger approaching the duel). The edit is ostensibly projecting a trope onto a neutral image. The first projection was romance; the second projection is aura. Family Guy clips and gifs are easy to access and repost, which makes it a readily available and easy to use building block. The show has, through sheer volume of output and over two decades of YouTube and cable TV saturation, become a kind of public-domain visual library, a default vocabulary that any editor can pull from knowing the audience will recognize the source without having to be told, and we can just keep loading meaning onto it. THREE: The character in the background is Tom, from Tom and Jerry, doing a pose made famous by an iShowSpeed fan who encountered him during a livestream. By quickly and correctly identifying Speed by his full legal name ("Darren Jason Watkins Jr"), she showcased herself to be a true fan, which he responded to with his characteristic exaggerated reactions. The pose the girl hit, with the knowing look to the camera, produced a perfect “aura moment” complete commitment, zero irony, the unshakeable conviction that what she was doing was the coolest possible thing to do. As a result, the clip then got endlessly edited with "aura 🥶🥶🥶" captions to canonize it. Aura, in this lexicon, is not granted by the universe; it is summoned by the person's own belief that they have it and by displaying the correct attitude. Tom is also dressed as the previously mentioned Thomas Shelby from Peaky Blinders, which is itself a double signifier. The name match (“Thomas”, get it?) and the suit-and-flat-cap costume turn the cartoon cat into a stand-in for the perhaps most used "high-aura" male character of the past decade, the brooding gangster patriarch whose every cigarette drag has been set to phonk, cinematic scores and electronic music a thousand times over. On top of that, he is made entirely out of chrome, a popular trope of asking ChatGPT (one of the few AI tools people have easy and broad access to) to render things out of very high quality materials to indicate "rarity" or "status" like diamonds, platinum and etc. A sign that itself descends from a longer lineage of in-game cosmetic rarity tiers (League of Legends, MMOs, various skin economy freemium game, the Fortnite battle pass, the Pokémon shiny, dacha games and etc) where material finish is the visual shorthand of value. So "chrome" or "platinum" Tom on top of all previous signifiers signals a “maximized” or “maxxd” version. The image is suppose to invoke the superlative highest possible tier, rarest-drop, legendary-rarity version of aura, the way a kid in a playground would describe their dad as not just strong but the strongest in the world. FOUR: Finally, the background black hole calls back to the original Tom image, where he is surrounded by the universe itself, having ascended. The character has transcended the diegetic frame of his own cartoon and now exists at a cosmological scale, with the black hole standing in for the kind of unmotivated, vibes-based "cosmic" imagery that has become the default background for any video trying to signify that something Big is happening (the same visual motif that has powered comic book characters, anime transformations, video game power ups and anything wants to feel grandiose or “epic” without specifying what about). The black hole means significance in the abstract. At this point I think you understand the mechanism at play here. None of these references resolve to a stable meaning on their own. Tom Tucker is “cool” only in the very short context in which his image served as a substrate; he was convenient footage to pair with a song, and the absurdity of doing an "aura edit" on such a minor, strange character scene makes it all funnier and easier to share. Tom-the-cat is doing the aura pose > the aura pose comes from the iShowSpeed girl > the iShowSpeed girl was cool because she correctly played her part in an established bit of a large streamer with the correct timing and theatrical flair > the bit was cool because it was a shared convention unified by a popular central streamer figure > the convention existed because phonk edits had already trained this exact scenario to be read as confidence-plus-detachment as aura > the chrome finish points to AI image generation quirks > the AI image generation style can be mapped to gaming visual rarity shorthands; the gaming rarity tiers point to a much older logic of precious-metal-as-status. Each step on the referential chain is propped by the one behind it, and the one behind it is propped up by the one behind that, so on and so forth. There is no natural endpoint, the entire structure functions more akin to a network than a linked list. If you stop at any single point and ask "but why is particular signifier cool or funny or interesting”, the answer is always "because of the thing behind it.” It’s hyper-citation, Here, what matters is the structure of the whole rather than the content. This is structure is what I mean by infinite referential mirrors. The rate at which a concept is referencing, remixing and calling back to another is what’s interesting. In other words, It’s the velocity that matters. The chain of recognitions, each "I get that reference," and the cumulative effect of getting six references stacked on top of each other a short span of time gives you the feeling that you are participating in something dense and alive, because it allows you to recognize the shared meme ecosystem of the platform that you are participating in, even if only a glimpse of it. You are inside the culture rather than outside it. The brainrot-curious reader who watches this video and feels nothing, has “failed” to understand the joke because they are outside the hall of mirrors I am describing. You can only get the magic if you step in and start counting the reflections: the song, the suit, the cat, the chrome, the black hole, the transitions the video uses. You are looking at connected parts of this network of symbols and at the speed at which one image hands you off to the next. The entire thirteen-second clip is functioning as a single compressed referential payload that decompresses in the viewer's head into a small private essay exactly like this one. The video allows you to recognize yourself as someone capable of decoding it, and that recognition is the reward. That’s why media like this goes viral.
0:13

I would like to explain the latest batch of viral videos I'm working on to the bemused brainrot-curious reader who is not familiar with "the culture". Why are these characters, mixed with this song, going viral? It's all about connecting infinite referential mirrors. What makes this video interesting are not its individual parts but the signifier links it draws. Let's look at the individual parts: ONE: The song is a Brazilian funk or "pancadão" song called MC Lan e MC WM - Sua Amiga Vou Pegar, these days part of what's broadly referred as Brazilian phonk or just phonk (not to be confused with the original phonk, a Memphis-derived genre from the early 2010s built around chopped Three 6 Mafia samples, cowbells and lo-fi tape hiss and etc. The Brazilian version comes an entirely different lineage and got its name adapted from “funk” to “phonk” exclusively because the names sounded similar. It has a similarly menacing posture but swaps the rap cadence for funk's 4/4 with kicks on 1 and 3 rhythm and a much heavier, distorted 808 synth sound). Phonk is often used for its exaggerated reverb feeling bass lines to signify power, style or simply "aura", which you can take as a shorthand for poise, coolness, being de-bon-air and a general detached positive feeling of high status. Aura. Because most users cannot understand the Portuguese lyrics (which are often quite vulgar and sexual), the singing takes the characteristic of a chant, something to be appreciated entirely for its sound, texture and gravitas. The vocals are just another instrument where you can appreciate the menace and swagger of the delivery directly without the cognitive friction of meaning. Non-Portuguese-speaking audiences are not missing anything they were supposed to get, they get “the vibe” that matters, which is not lyrical. These songs are often paired with (male) characters that are taken to display these traits like American Psycho's Patrick Bateman (yes, yes I know that’s the opposite of what you should feel about the character), Peaky Blinder's Thomas Shelby and a menagerie of anime characters like Satoru Gojo (Jujutsu Kaisen), Yujiro Hanma (Baki) and Goku and, really, any male character that is just a little bit cool. TWO: The man in the suit is a minor Family Guy character called Tom Tucker. The reference comes from a scene where Meg sees him walking through her school and says "It's Tom Tucker from the news!” We then cut to her POV, where he is walking in slow motion with soft romantic music swelling and birds chirping, the whole love-at-first-sight trope. Then a camera crew member off-screen yells "hurry up Mr. Tucker," and we get to see he is not walking in slow motion because Meg is infatuated, he is just walking that slowly in real life. Only the music and the birds were in her head. The gag is built on the viewer recognizing the romantic-slow-motion trope, briefly accepting it as the scene's reality, and then being shown that we (and Meg) projected the trope onto what is actually just a man walking very slowly. HA! The original gag is already about projection: a neutral image (slow walk) being assigned an external meaning (romance) by a viewer's pattern-recognition. This is what makes the edit-culture appropriation work so well. The clip got stripped of its context, paired with phonk and text overlays (AURA or “Me and the boys going to detention”), and retroactively assigned a new meaning, only this time it’s the cinematic nonchalant walk, the slow deliberate gait that signifies a man who knows he's the most important thing in the frame (ta la any 1980s Schwazerneggerian action movie hero walking away from an explosion without looking back, every yakuza boss entering a room, every western gunslinger approaching the duel). The edit is ostensibly projecting a trope onto a neutral image. The first projection was romance; the second projection is aura. Family Guy clips and gifs are easy to access and repost, which makes it a readily available and easy to use building block. The show has, through sheer volume of output and over two decades of YouTube and cable TV saturation, become a kind of public-domain visual library, a default vocabulary that any editor can pull from knowing the audience will recognize the source without having to be told, and we can just keep loading meaning onto it. THREE: The character in the background is Tom, from Tom and Jerry, doing a pose made famous by an iShowSpeed fan who encountered him during a livestream. By quickly and correctly identifying Speed by his full legal name ("Darren Jason Watkins Jr"), she showcased herself to be a true fan, which he responded to with his characteristic exaggerated reactions. The pose the girl hit, with the knowing look to the camera, produced a perfect “aura moment” complete commitment, zero irony, the unshakeable conviction that what she was doing was the coolest possible thing to do. As a result, the clip then got endlessly edited with "aura 🥶🥶🥶" captions to canonize it. Aura, in this lexicon, is not granted by the universe; it is summoned by the person's own belief that they have it and by displaying the correct attitude. Tom is also dressed as the previously mentioned Thomas Shelby from Peaky Blinders, which is itself a double signifier. The name match (“Thomas”, get it?) and the suit-and-flat-cap costume turn the cartoon cat into a stand-in for the perhaps most used "high-aura" male character of the past decade, the brooding gangster patriarch whose every cigarette drag has been set to phonk, cinematic scores and electronic music a thousand times over. On top of that, he is made entirely out of chrome, a popular trope of asking ChatGPT (one of the few AI tools people have easy and broad access to) to render things out of very high quality materials to indicate "rarity" or "status" like diamonds, platinum and etc. A sign that itself descends from a longer lineage of in-game cosmetic rarity tiers (League of Legends, MMOs, various skin economy freemium game, the Fortnite battle pass, the Pokémon shiny, dacha games and etc) where material finish is the visual shorthand of value. So "chrome" or "platinum" Tom on top of all previous signifiers signals a “maximized” or “maxxd” version. The image is suppose to invoke the superlative highest possible tier, rarest-drop, legendary-rarity version of aura, the way a kid in a playground would describe their dad as not just strong but the strongest in the world. FOUR: Finally, the background black hole calls back to the original Tom image, where he is surrounded by the universe itself, having ascended. The character has transcended the diegetic frame of his own cartoon and now exists at a cosmological scale, with the black hole standing in for the kind of unmotivated, vibes-based "cosmic" imagery that has become the default background for any video trying to signify that something Big is happening (the same visual motif that has powered comic book characters, anime transformations, video game power ups and anything wants to feel grandiose or “epic” without specifying what about). The black hole means significance in the abstract. At this point I think you understand the mechanism at play here. None of these references resolve to a stable meaning on their own. Tom Tucker is “cool” only in the very short context in which his image served as a substrate; he was convenient footage to pair with a song, and the absurdity of doing an "aura edit" on such a minor, strange character scene makes it all funnier and easier to share. Tom-the-cat is doing the aura pose > the aura pose comes from the iShowSpeed girl > the iShowSpeed girl was cool because she correctly played her part in an established bit of a large streamer with the correct timing and theatrical flair > the bit was cool because it was a shared convention unified by a popular central streamer figure > the convention existed because phonk edits had already trained this exact scenario to be read as confidence-plus-detachment as aura > the chrome finish points to AI image generation quirks > the AI image generation style can be mapped to gaming visual rarity shorthands; the gaming rarity tiers point to a much older logic of precious-metal-as-status. Each step on the referential chain is propped by the one behind it, and the one behind it is propped up by the one behind that, so on and so forth. There is no natural endpoint, the entire structure functions more akin to a network than a linked list. If you stop at any single point and ask "but why is particular signifier cool or funny or interesting”, the answer is always "because of the thing behind it.” It’s hyper-citation, Here, what matters is the structure of the whole rather than the content. This is structure is what I mean by infinite referential mirrors. The rate at which a concept is referencing, remixing and calling back to another is what’s interesting. In other words, It’s the velocity that matters. The chain of recognitions, each "I get that reference," and the cumulative effect of getting six references stacked on top of each other a short span of time gives you the feeling that you are participating in something dense and alive, because it allows you to recognize the shared meme ecosystem of the platform that you are participating in, even if only a glimpse of it. You are inside the culture rather than outside it. The brainrot-curious reader who watches this video and feels nothing, has “failed” to understand the joke because they are outside the hall of mirrors I am describing. You can only get the magic if you step in and start counting the reflections: the song, the suit, the cat, the chrome, the black hole, the transitions the video uses. You are looking at connected parts of this network of symbols and at the speed at which one image hands you off to the next. The entire thirteen-second clip is functioning as a single compressed referential payload that decompresses in the viewer's head into a small private essay exactly like this one. The video allows you to recognize yourself as someone capable of decoding it, and that recognition is the reward. That’s why media like this goes viral.

Pleometric

63,281 просмотров • 2 месяцев назад