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Exploring what's possible with MiniMaxH3 beyond simple generation. From gritty action to cinematic lighting and nuanced performances, it's impressive how well it follows complex creative direction. #MiniMaxH3 MiniMax Design (H3)

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How I use Claude Code and Remotion to make animated diagrams. Sorry, it's not a single prompt. 1. Find an input language the model knows well. For example, Mermaid for flowcharts. Claude writes it fluently, so it's my entry point. 2. Use Claude to build components that take that input and bake in the guardrails: design system, animation patterns, layout rules. 3. Now I can describe what I want in plain English e.g. "create a flowchart for the tier check section in the script", and Claude translates it to our input language: ``` flowchart TD t1[Tier 1 read-only] t2[Tier 2 in-project writes] t3[Tier 3 everything else] action[Action] --> t1 action --> t2 action --> t3 t1 --> skip([Skips classifier]) t2 --> skip t3 --> classifier{Classifier} classifier --> approve[Approve] classifier --> deny[Deny] ``` The component handles the rest: layout, styling, node and edge reveals. It also takes events for follow-ups like the trace dot that follows a path and lights up nodes. 4. To finish it off, I wrapped the board in a separate CRT shader component. It really helps to have a shared vocabulary with your agent. When I say "rise in fast on enter", it knows I mean fade in while translating up, from a set offset, faster than the default duration, with a specific bezier curve. For common language inspo: look into Matt Pocock `/grill-with-docs` and by Emil Kowalski and Glenn Hitchcock.

How I use Claude Code and Remotion to make animated diagrams. Sorry, it's not a single prompt. 1. Find an input language the model knows well. For example, Mermaid for flowcharts. Claude writes it fluently, so it's my entry point. 2. Use Claude to build components that take that input and bake in the guardrails: design system, animation patterns, layout rules. 3. Now I can describe what I want in plain English e.g. "create a flowchart for the tier check section in the script", and Claude translates it to our input language: ``` flowchart TD t1[Tier 1 read-only] t2[Tier 2 in-project writes] t3[Tier 3 everything else] action[Action] --> t1 action --> t2 action --> t3 t1 --> skip([Skips classifier]) t2 --> skip t3 --> classifier{Classifier} classifier --> approve[Approve] classifier --> deny[Deny] ``` The component handles the rest: layout, styling, node and edge reveals. It also takes events for follow-ups like the trace dot that follows a path and lights up nodes. 4. To finish it off, I wrapped the board in a separate CRT shader component. It really helps to have a shared vocabulary with your agent. When I say "rise in fast on enter", it knows I mean fade in while translating up, from a set offset, faster than the default duration, with a specific bezier curve. For common language inspo: look into Matt Pocock `/grill-with-docs` and by Emil Kowalski and Glenn Hitchcock.

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I think people are still underestimating how important the 3D layer could become in AI video. The problem with complex AI shots has never just been image quality. It’s spatial consistency, camera direction and knowing where everything is supposed to be. GPT-6 Astra can map the scene and keep camera + character paths within the Viewport, giving the shot a spatial structure before generation. I then manually move that scene into CapCut PC and use Seedance 2.5 to render it. From there, CapCut PC becomes the actual editing environment. That feels less like “AI generated a video” and more like a production pipeline worth experimenting with. #CapCutPC #GPT6Astra #AIVideo #Seedance25

I think people are still underestimating how important the 3D layer could become in AI video. The problem with complex AI shots has never just been image quality. It’s spatial consistency, camera direction and knowing where everything is supposed to be. GPT-6 Astra can map the scene and keep camera + character paths within the Viewport, giving the shot a spatial structure before generation. I then manually move that scene into CapCut PC and use Seedance 2.5 to render it. From there, CapCut PC becomes the actual editing environment. That feels less like “AI generated a video” and more like a production pipeline worth experimenting with. #CapCutPC #GPT6Astra #AIVideo #Seedance25

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One warrior. One impossible battle. Only one survives. Created with Seadance 2.0 on Lart AI Here is the link to try: Prompt: A cinematic, hyper-realistic 12-second action sequence in a ruined modern city at sunset. A fearless female warrior in realistic tactical combat armor faces a towering 40-foot monster with rough stone-like skin and glowing eyes. The monster charges with immense weight, causing the ground to crack, dust to erupt, and nearby vehicles to shake realistically. The woman sprints, slides under a massive punch, and uses momentum to leap from a collapsed concrete slab, delivering a powerful strike with an energy-infused sword. The monster staggers backward with believable body mechanics, destroying a building facade as debris falls naturally under gravity. She performs one final spinning aerial attack, slicing through the monster's glowing core. The giant collapses with realistic physics, creating a massive dust cloud, flying rubble, shockwave, and ground vibration. The woman lands in a controlled three-point stance, breathing heavily as the dust settles and sunlight shines through the smoke. Ultra-photorealistic, Hollywood blockbuster quality, handheld cinematic camera, dynamic tracking shots, physically accurate motion, realistic muscle movement, cloth simulation, debris, lighting, shadows, HDR, volumetric smoke, motion blur, 4K, 60fps, dramatic sound design, seamless action, no cartoon style, no exaggerated superhero physics, every movement follows real-world momentum and gravity.

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This creative has pulled in a 33% hook rate and 6x ROAS since we started running it on the client's TikTok ad account. Across the board it's worked extremely well. But why? It's not only relatable, but it's very straightforward We're showing a fit creator How many of us aspire to be in that good of shape? The idea is to show an aspiring fitness level And how someone who is busy can achieve it, even if they don't have a ton of free time We don't want to sell an intimidating amount of work that needs to be done Because no one wants to think about doing 2 hrs of exercise every day + dieting + supplements Workout WHILE you do other tasks Remove the pressure of going somewhere else to workout You can see there aren't a ton of shots. Kept it simple and just had different angles of the creator using the product. So what can you take away from all this? #1 - Give the viewer realistic goals they can achieve with the product (taking 10k steps, rather than "you'll lose 30lbs" - seems much more believable). #2 - Video doesn't have to be complex. If your product is very visual, just showcase the product being used. You don't need to get fancy with your edits. Let the product do the selling.

Nacho Vanzini | DTC Growth

42,144 Aufrufe • vor 2 Jahren

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⚔️ Kingdom Come Deliverance first impressions ⚔️ Loving it so far, basically a medieval detective simulator that really doesn't care that you are the main character. And I'm all here for it. ▪️The WORLD is the real star of the show here and even though it's got plenty of jank and lots of copy and paste NPC faces, it just feels so IMMERSIVE. Even the UI just transports me to the times with a bright colourful medieval art style. ▪️The MUSIC I love, absolutely sells the world and basically ASMR as you trot around on your horse through the world. ▪️THE Combat is a real interesting one, it's got quite the learning curve which I actually LIKE, it definitely has some jank to it as well but I really appreciate the attempt at an original and nuanced combat system. (Having to stop your bleeding with bandages is really cool) ▪️The Story has gripped me (19 hours in so far) And while it seems a simple revenge story on the face of it, I think the story is more about Henry making his way through the world after the horrors of Skallitz. The writing quality is top notch as well as the quest design also. ▪️The CHARACTERS are amazing and the humour is top notch. I'm not sure the last time I laughed so much at a game. Henry is great and so well voiced by Tom McKay This really feels like Warhorse Studios have put a lot of love and work into making an authentic medieval world and as a bit of a medieval nerd I can't get enough of this game. A True RPG as well by all accounts, the game really makes me think hard about how to approach situations. Also I can't wait to get to KCD2.

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SHINTARO

14,889 Aufrufe • vor 11 Monaten

Introducing Kaleido💮 from AI at Meta — a universal generative neural rendering engine for photorealistic, unified object and scene view synthesis. Kaleido is built on a simple but powerful design philosophy: 3D perception is a form of visual common sense. Following this idea, we formulate rendering purely as a sequence-to-sequence generation problem, successfully unifying neural rendering with the architecture principles behind modern language and video models. Unlike traditional neural rendering methods, Kaleido learns 3D purely in a data-driven way, without explicit 3D representations or structures. It acquires spatial understanding directly through large-scale video pretraining, then multi-view 3D data finetuning, inspired by how LLMs acquire textual common sense from large corpora before specialising in domains like coding. Through extensive ablations, we progressively modernised the architecture design and training strategies and tackled key scaling challenges in sequence-to-sequence generative rendering, arriving at a design that’s simple, versatile, and scalable. Kaleido significantly outperforms prior generative models in few-view settings, and remarkably is the first zero-shot generative method matches InstantNGP-level rendering quality in multi-view settings. We view Kaleido also as an alternative step towards world modeling that flexibly spans a spectrum of “realities": with many views, it faithfully reconstructs grounded reality; with fewer views, it imagines plausible unseen details. 🔗 Explore more results and paper:

Introducing Kaleido💮 from AI at Meta — a universal generative neural rendering engine for photorealistic, unified object and scene view synthesis. Kaleido is built on a simple but powerful design philosophy: 3D perception is a form of visual common sense. Following this idea, we formulate rendering purely as a sequence-to-sequence generation problem, successfully unifying neural rendering with the architecture principles behind modern language and video models. Unlike traditional neural rendering methods, Kaleido learns 3D purely in a data-driven way, without explicit 3D representations or structures. It acquires spatial understanding directly through large-scale video pretraining, then multi-view 3D data finetuning, inspired by how LLMs acquire textual common sense from large corpora before specialising in domains like coding. Through extensive ablations, we progressively modernised the architecture design and training strategies and tackled key scaling challenges in sequence-to-sequence generative rendering, arriving at a design that’s simple, versatile, and scalable. Kaleido significantly outperforms prior generative models in few-view settings, and remarkably is the first zero-shot generative method matches InstantNGP-level rendering quality in multi-view settings. We view Kaleido also as an alternative step towards world modeling that flexibly spans a spectrum of “realities": with many views, it faithfully reconstructs grounded reality; with fewer views, it imagines plausible unseen details. 🔗 Explore more results and paper:

Shikun Liu

22,471 Aufrufe • vor 11 Monaten

We just released a new marketing site and I wanted to talk through some of the changes that we made and why. Design thinking is the other side of the feed, it's usually more nuanced than the flashier parts and typically doesn't hold up as well to a quick scroll. Doesn't bode well for this thread! But, this will be my attempt to talk through the changes made and why. First up, this is our new hero. At Loops.so, our goal right now is to be the only platform you need to email your users The H1 matches that intention and the subheader reinforces it. We also wanted it to be clear we ship fast and often, so we added a pill showing the latest featured changelog. Agents are part of how people build software today, so we wanted to give that the second most important placement on the page, right after signup. Finally, the logo strip should not distract too much, but it should still help people understand these are users, not just logos. So we added the date of first payment from Stripe next to each logo. Next up, more things!

Chris Frantz

20,382 Aufrufe • vor 5 Monaten

I've seen a lot of animatics lately that are super detailed, essentially viewport previews of the final shot. But an animatic at it's core doesn't need to be anything fancy. Its main purpose is to plan and test the timing, camera angles, movement, and overall composition. With animatics you have to keep in mind the following: Pre-visualization: It allows to see a basic version of the animation or scene before committing to detailed work. Timing and pacing: An animatic helps identify how long each scene or shot should last, ensuring that the timing feels right. Planning: It helps with layout, camera angles, and transitions. By visualizing the shots, the team can ensure that the framing and overall design of the scenes work well in 3D space. Efficiency: It allows the team to test and fix any potential issues early on, like awkward movements or awkward pacing, before spending time on high-quality rendering or complex animation. In short, an animatic helps in conceptualizing the final animation by giving a low-res, rough version of the scenes, which guides the entire production process in terms of visual design, timing, and storytelling.

I've seen a lot of animatics lately that are super detailed, essentially viewport previews of the final shot. But an animatic at it's core doesn't need to be anything fancy. Its main purpose is to plan and test the timing, camera angles, movement, and overall composition. With animatics you have to keep in mind the following: Pre-visualization: It allows to see a basic version of the animation or scene before committing to detailed work. Timing and pacing: An animatic helps identify how long each scene or shot should last, ensuring that the timing feels right. Planning: It helps with layout, camera angles, and transitions. By visualizing the shots, the team can ensure that the framing and overall design of the scenes work well in 3D space. Efficiency: It allows the team to test and fix any potential issues early on, like awkward movements or awkward pacing, before spending time on high-quality rendering or complex animation. In short, an animatic helps in conceptualizing the final animation by giving a low-res, rough version of the scenes, which guides the entire production process in terms of visual design, timing, and storytelling.

Voxyde

22,244 Aufrufe • vor 1 Jahr

🚀 We Promised to Go Big in August! We’re Going Beyond! This August, we’re bringing Trick or Seek to life, an entirely in-house created comic-style masterpiece built from scratch by the $NAKA team for the #NAKAFAM. Over the past weeks, our entire studio has been working relentlessly, and the journey from concept to launch is no small feat. 💪 Here’s the level of work it takes to create just one top-tier $NAKA game: 1️⃣ Concept & Planning – Crafting the vision, gameplay mechanics, and player journey. 2️⃣ Sketching & Storyboarding – Visualizing every scene, character, and narrative flow. 3️⃣ 3D Modeling & Design – Bringing characters, items, and environments to life with stunning detail. 4️⃣ UI/UX Design – Creating an intuitive, immersive player experience. 5️⃣ Environment Design & Lighting – Setting the mood, atmosphere, and world immersion. 6️⃣ Development & Programming – Building the core gameplay, features, and systems. 7️⃣ Sound Design & Music – Composing original tracks and sound effects for maximum impact. 8️⃣ Testing & Optimization – Fine-tuning performance and eliminating bugs across all devices. 9️⃣ Polish & Publishing – Adding the final touches to deliver nothing short of excellence. Every step is executed at the highest possible quality, in record time, and 100% in-house – because our standard is nothing less than world-class. 🔥 August is the $NAKA month, and this is just one of the many things we have lined up. For the #NAKAFAM, we’re not just building games… we’re building the future of GameFi.

🚀 We Promised to Go Big in August! We’re Going Beyond! This August, we’re bringing Trick or Seek to life, an entirely in-house created comic-style masterpiece built from scratch by the $NAKA team for the #NAKAFAM. Over the past weeks, our entire studio has been working relentlessly, and the journey from concept to launch is no small feat. 💪 Here’s the level of work it takes to create just one top-tier $NAKA game: 1️⃣ Concept & Planning – Crafting the vision, gameplay mechanics, and player journey. 2️⃣ Sketching & Storyboarding – Visualizing every scene, character, and narrative flow. 3️⃣ 3D Modeling & Design – Bringing characters, items, and environments to life with stunning detail. 4️⃣ UI/UX Design – Creating an intuitive, immersive player experience. 5️⃣ Environment Design & Lighting – Setting the mood, atmosphere, and world immersion. 6️⃣ Development & Programming – Building the core gameplay, features, and systems. 7️⃣ Sound Design & Music – Composing original tracks and sound effects for maximum impact. 8️⃣ Testing & Optimization – Fine-tuning performance and eliminating bugs across all devices. 9️⃣ Polish & Publishing – Adding the final touches to deliver nothing short of excellence. Every step is executed at the highest possible quality, in record time, and 100% in-house – because our standard is nothing less than world-class. 🔥 August is the $NAKA month, and this is just one of the many things we have lined up. For the #NAKAFAM, we’re not just building games… we’re building the future of GameFi.

Nakamoto.Games

26,107 Aufrufe • vor 1 Jahr