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ExtraEmily will be racing alongside Max Verstappen plus 99 other drivers in "Red Bull 's Max vs 100" event today! September 16, 5:00PM UK | 12:00PM ET | 11:00AM CT | 9:00AM PT Streaming live on Disney+ and ESPN!🏎️

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ExtraEmily Updates

8,628 subscribers

10,427 просмотров • 3 дней назад •via X (Twitter)

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Фото профиля Jesus Moreno
Jesus Moreno3 дней назад

Lol why did the add emily love emily though

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Brawl Stars

357,016 просмотров • 1 год назад

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12,945 просмотров • 2 лет назад

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The Trading Competition feature is now live on $KSPR Bot. Look for the🏆emoji in the marketplace trends to spot active trading competitions. Follow the competition in our dedicated Telegram channel: ➡️ We’re excited to announce that the $OGDOG team will kickstart this feature with a massive 200,000 $KAS prize pool for the #KRC20EventOfTheYear! Let's summarize the details of the first-ever KSPR bot trading competition, featuring the largest prize pool in KRC20 history! 🐶Ticker: $OGDOG (Kaspa Dog) 💰Prize Pool: 200 000 $KAS 🚥Start: December, 10th 12:00AM UTC 🏁End: December, 20th 12:00 AM UTC 🏆How to Win: Buy more to secure a higher rank and earn a bigger reward! Prize Distribution: 1. 20000 KAS 2. 15000 KAS 3. 12000 KAS 4. 10000 KAS 5. 8000 KAS 6. 7000 KAS 7. 6000 KAS 8. 5000 KAS 9. 4000 KAS 10. 3500 KAS 11-50 place: 1500 KAS 51-100 place: 1000 KAS 101-150 place: 600 KAS 151-200 place: 400 KAS 201-250 place: 300 KAS

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16,944 просмотров • 1 год назад

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1:27

SLIPKNOT: 25TH ANNIVERSARY EDITION Deluxe Reissue will be released on September 5th featuring the Original Studio Album plus 46 bonus tracks (42 previously unreleased) including the Indigo Ranch Mixes, Demos/Alternate Mixes, and LIVE performances from 1999-2000. 6 LP BOX SET (Limited to 1,999 copies) • Blood Filled Vinyl – 100 [SOLD OUT] • Blood Splattered Vinyl – 1,899 Pre-order the Box Set + view complete tracklisting now at Listen to the previously unreleased demo of “Prosthetics” across all streaming services today. ___ LP 1: ‘SLIPKNOT’ The debut album from Slipknot. LP 2 & 3: INDIGO RANCH MIXES (𝐁𝐎𝐗 𝐒𝐄𝐓 𝐄𝐗𝐂𝐋𝐔𝐒𝐈𝐕𝐄) The legendary Indigo Ranch mixes. In 1999 the band gathered at Malibu’s Indigo Ranch to record their breakthrough debut. These early rough mixes showcase the raw energy and chaotic vibe before the final Ross Robinson mixes. LP 4: DEMOS & ALTERNATE MIXES Side One: Demos - The original demos recorded before the band entered Indigo Ranch with Ross Robinson. These demos were then refined in the studio to become the debut album. Some of the actual tracks from the demos were used in the final mixes. Side Two: Jay Baumgardner and Ulrich Wild Mixes - The band and label wanted to have test mixes done before finalizing the album and connected with two other renowned mixers to see what they would do to the mixes. Each has a different take on the tracks. LP 5 & 6: LIVE (𝐁𝐎𝐗 𝐒𝐄𝐓 𝐄𝐗𝐂𝐋𝐔𝐒𝐈𝐕𝐄) Months after the debut album, the band took to the road and these live recordings showcase the band’s atmospheric rise from headlining Hartford, Connecticut’s legendary 1200 seat Webster Theater in September of 1999, to playing in front of massive crowds in the UK and Iowa in late 2000.

Slipknot

304,344 просмотров • 1 год назад

Andrew Kang turned a few early stage robotics investments into a $500 Million publicly traded empire RoboStrategy He is widely considered THE leading investor in robotics Andrew Kang believes the ChatGPT moment for Robotics is happening RIGHT NOW and it will be BIGGER THAN BITCOIN This interview is a masterclass on Robotics investing in 2026 1:18 – Why robotics today feels like crypto in 2015 4:23 – Is robotics a bigger opportunity than Bitcoin? 10:30 – Robotics 101: players, problems & bottlenecks 16:40 – Who's leading the race: Tesla vs Figure 23:10 – China's 100+ robotics companies & the real investment risk 25:28 – US vs China: who's actually ahead? 33:40 – How many human jobs will be replaced? 38:00 – The "ChatGPT moment" for robotics 43:55 – UBI & the new social contract 46:30 – Why Andrew built Robo Strategy 51:20 – Lessons from Bitmine, MicroStrategy & Saylor 1:07:50 – The Boston Dynamics question 1:12:09 – His most contrarian bet: avoid model-only companies 1:19:55 – Tesla or Figure? 1:23:26 – Figure's valuation in 5 years: bear, base & bull 1:29:20 – Final words of wisdom
1:33:03

Andrew Kang turned a few early stage robotics investments into a $500 Million publicly traded empire RoboStrategy He is widely considered THE leading investor in robotics Andrew Kang believes the ChatGPT moment for Robotics is happening RIGHT NOW and it will be BIGGER THAN BITCOIN This interview is a masterclass on Robotics investing in 2026 1:18 – Why robotics today feels like crypto in 2015 4:23 – Is robotics a bigger opportunity than Bitcoin? 10:30 – Robotics 101: players, problems & bottlenecks 16:40 – Who's leading the race: Tesla vs Figure 23:10 – China's 100+ robotics companies & the real investment risk 25:28 – US vs China: who's actually ahead? 33:40 – How many human jobs will be replaced? 38:00 – The "ChatGPT moment" for robotics 43:55 – UBI & the new social contract 46:30 – Why Andrew built Robo Strategy 51:20 – Lessons from Bitmine, MicroStrategy & Saylor 1:07:50 – The Boston Dynamics question 1:12:09 – His most contrarian bet: avoid model-only companies 1:19:55 – Tesla or Figure? 1:23:26 – Figure's valuation in 5 years: bear, base & bull 1:29:20 – Final words of wisdom

EllioTrades

333,331 просмотров • 3 месяцев назад

“Ryuichi Sakamoto & Tin Drum | KAGAMI+” Makes Its Japan Premiere KAGAMI+, a work that captures Ryuichi Sakamoto’s piano performance in three dimensions and reconstructs it in a mixed reality (MR) space, arrives in Japan for the first time. The exhibition runs from June 27 to October 12, 2026, at VS., a cultural a cultural apparatus in Umekita, Osaka. Tickets are now on sale, and the full programme for the long-awaited Japan premiere has been announced. KAGAMI was conceived and developed over the final four years of Sakamoto’s life in collaboration with Todd Eckert and the creative studio Tin Drum. Since its world premiere at The Shed in 2023, the work has been presented internationally in cities including London, Manchester, Taipei, Singapore, Melbourne, Pesaro, and Hong Kong, receiving wide acclaim. Wearing optically transparent headsets, audiences encounter an authentic representation of Sakamoto at the grand piano, realized through a unique form of dimensional photographic capture. His performance at the grand piano emerges within the space alongside ethereal visuals that respond to the music, allowing audiences to experience the performance at a proximity not possible in a conventional concert setting. The experience extends beyond sound and image. Video, photography, and text are integrated throughout the space, alongside a natural scent personally blended by Sakamoto, creating a multilayered sensory environment. The work has been described by The Guardian as “a magical experience.” For its Japan presentation, an expanded version of the work, KAGAMI+, created specifically for this exhibition, will be unveiled. Two types of tickets will be available: RED and BLUE. RED TICKET holders will receive an exclusive 7-inch vinyl record, An edition for the KAGAMI+ RED 2026, as a special gift. Student discounts are available for BLUE tickets. In addition to the main KAGAMI experience, visitors can view related works that offer different perspectives on Sakamoto’s music, including TIME, TIME, a collaboration between Ryuichi Sakamoto and Shiro Takatani, as well as Ryuichi Sakamoto: Playing the Piano 2026 - D and new sound installations. To celebrate the Japan premiere, commmons will be releasing a special YouTube premiere of Ryuichi Sakamoto: PTP04022020 – YouTube Edit on the official channel. The premiere starts at (JST) on May 7. This is a one-time-only stream — watch live and enjoy a shared experience. Ryuichi Sakamoto & Tin Drum KAGAMI+ Exhibition Period: June 27, 2026 (Sat) – October 12, 2026 (Mon/National Holiday) Opening Hours: – (Timed entry tickets) Closed: Mondays (If a Monday falls on a national holiday or during a holiday weekend, the museum will be closed on the first weekday following the holiday period) RED TICKET（Date & Time Specified Ticket） Price: ¥15,000 (tax included) ・KAGAMI (MR Content) (approx. 60 min.) Open seating (seats are arranged in a circular layout, ensuring a comfortable viewing experience from every seat) ・Exclusive Visitor Gift: 7-inch Analog Record "An edition for the KAGAMI+ RED" ・Access to multiple exhibition works. BLUE TICKET (Date & Time Specified Ticket) General: ¥4,500 (tax included) / Student Discount: ¥2,500 (tax included) ・KAGAMI (MR Content) — ESSENCE (approx. 30 min. including waiting and preparation time) ・Access to multiple exhibition works. Ticket Sales Schedule: ・Tickets for dates from Saturday, June 27 through Monday, August 31 will go on sale on Friday, May 1. ・Tickets for dates from Tuesday, September 1 through Monday, October 12 will go on sale at PM on Saturday, August 1. Tickets (e+): RED TICKET: BLUE TICKET: Official Website: ‘Ryuichi Sakamoto & Tin Drum | KAGAMI+’ YouTube Premiere Screening “Ryuichi Sakamoto: PTP04022020 - YouTube Edit” Streaming on Thursday, May 7 at PM commmons YouTube Channel: #skmtnews #ryuichisakamoto #KAGAMI #坂本龍一 #MR Tin Drum
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“Ryuichi Sakamoto & Tin Drum | KAGAMI+” Makes Its Japan Premiere KAGAMI+, a work that captures Ryuichi Sakamoto’s piano performance in three dimensions and reconstructs it in a mixed reality (MR) space, arrives in Japan for the first time. The exhibition runs from June 27 to October 12, 2026, at VS., a cultural a cultural apparatus in Umekita, Osaka. Tickets are now on sale, and the full programme for the long-awaited Japan premiere has been announced. KAGAMI was conceived and developed over the final four years of Sakamoto’s life in collaboration with Todd Eckert and the creative studio Tin Drum. Since its world premiere at The Shed in 2023, the work has been presented internationally in cities including London, Manchester, Taipei, Singapore, Melbourne, Pesaro, and Hong Kong, receiving wide acclaim. Wearing optically transparent headsets, audiences encounter an authentic representation of Sakamoto at the grand piano, realized through a unique form of dimensional photographic capture. His performance at the grand piano emerges within the space alongside ethereal visuals that respond to the music, allowing audiences to experience the performance at a proximity not possible in a conventional concert setting. The experience extends beyond sound and image. Video, photography, and text are integrated throughout the space, alongside a natural scent personally blended by Sakamoto, creating a multilayered sensory environment. The work has been described by The Guardian as “a magical experience.” For its Japan presentation, an expanded version of the work, KAGAMI+, created specifically for this exhibition, will be unveiled. Two types of tickets will be available: RED and BLUE. RED TICKET holders will receive an exclusive 7-inch vinyl record, An edition for the KAGAMI+ RED 2026, as a special gift. Student discounts are available for BLUE tickets. In addition to the main KAGAMI experience, visitors can view related works that offer different perspectives on Sakamoto’s music, including TIME, TIME, a collaboration between Ryuichi Sakamoto and Shiro Takatani, as well as Ryuichi Sakamoto: Playing the Piano 2026 - D and new sound installations. To celebrate the Japan premiere, commmons will be releasing a special YouTube premiere of Ryuichi Sakamoto: PTP04022020 – YouTube Edit on the official channel. The premiere starts at (JST) on May 7. This is a one-time-only stream — watch live and enjoy a shared experience. Ryuichi Sakamoto & Tin Drum KAGAMI+ Exhibition Period: June 27, 2026 (Sat) – October 12, 2026 (Mon/National Holiday) Opening Hours: – (Timed entry tickets) Closed: Mondays (If a Monday falls on a national holiday or during a holiday weekend, the museum will be closed on the first weekday following the holiday period) RED TICKET（Date & Time Specified Ticket） Price: ¥15,000 (tax included) ・KAGAMI (MR Content) (approx. 60 min.) Open seating (seats are arranged in a circular layout, ensuring a comfortable viewing experience from every seat) ・Exclusive Visitor Gift: 7-inch Analog Record "An edition for the KAGAMI+ RED" ・Access to multiple exhibition works. BLUE TICKET (Date & Time Specified Ticket) General: ¥4,500 (tax included) / Student Discount: ¥2,500 (tax included) ・KAGAMI (MR Content) — ESSENCE (approx. 30 min. including waiting and preparation time) ・Access to multiple exhibition works. Ticket Sales Schedule: ・Tickets for dates from Saturday, June 27 through Monday, August 31 will go on sale on Friday, May 1. ・Tickets for dates from Tuesday, September 1 through Monday, October 12 will go on sale at PM on Saturday, August 1. Tickets (e+): RED TICKET: BLUE TICKET: Official Website: ‘Ryuichi Sakamoto & Tin Drum | KAGAMI+’ YouTube Premiere Screening “Ryuichi Sakamoto: PTP04022020 - YouTube Edit” Streaming on Thursday, May 7 at PM commmons YouTube Channel: #skmtnews #ryuichisakamoto #KAGAMI #坂本龍一 #MR Tin Drum

ryuichi sakamoto

17,604 просмотров • 4 месяцев назад

Rivian Universal Hands-Free vs Tesla Self-Driving This was my first time testing Rivian's new Universal Hands-Free, and I was honestly surprised by how it performed. I understand this is their first attempt and it will only improve from here, but truthfully, it is worse than any version of FSD or Autopilot I have ever used. I respect Rivian as a company, but I always try to remain unbiased in my opinions, so here are my unfiltered thoughts on where UHF stands today. Hoping to test it more as the system receives major updates! Hope you all enjoy the video. Chapters 00:00 Intro 00:45 Struggling to get UHF to turn on 1:25 Hard resetting the system 2:00 Enabling UHF 2:45 Max speed and lane changing 4:00 Strange warning 5:00 Disengagement 5:28 UHF fails on corner 7:58 Attention monitoring test 9:25 Harsh brake for merging vehicle 10:10 Changing driving styles 10:50 Harsh brake for bus 12:15 Robotic driving style 13:10 I am not comfortable using this 14:35 Parking capabilities 15:40 Getting into Tesla 16:50 FSD vs UHF thoughts 18:20 Final thoughts
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Rivian Universal Hands-Free vs Tesla Self-Driving This was my first time testing Rivian's new Universal Hands-Free, and I was honestly surprised by how it performed. I understand this is their first attempt and it will only improve from here, but truthfully, it is worse than any version of FSD or Autopilot I have ever used. I respect Rivian as a company, but I always try to remain unbiased in my opinions, so here are my unfiltered thoughts on where UHF stands today. Hoping to test it more as the system receives major updates! Hope you all enjoy the video. Chapters 00:00 Intro 00:45 Struggling to get UHF to turn on 1:25 Hard resetting the system 2:00 Enabling UHF 2:45 Max speed and lane changing 4:00 Strange warning 5:00 Disengagement 5:28 UHF fails on corner 7:58 Attention monitoring test 9:25 Harsh brake for merging vehicle 10:10 Changing driving styles 10:50 Harsh brake for bus 12:15 Robotic driving style 13:10 I am not comfortable using this 14:35 Parking capabilities 15:40 Getting into Tesla 16:50 FSD vs UHF thoughts 18:20 Final thoughts

Devin Olsen

142,964 просмотров • 6 месяцев назад

OpenAI and Anthropic this week: GPT-Red, Fable 5 plan changes, and free Claude for teachers (Week 29, 2026) OpenAI introduced GPT-Red, an internal automated red teamer trained through adversarial self-play to find prompt injection vulnerabilities at scale Training against it made GPT-5.6 their most robust model against prompt injections to date And there's a hidden "GPT-RED // Invader Patrol" game in the article OpenAI also published GPT-Live usage limits, brought ChatGPT back to WhatsApp in the European Economic Area, rolled out a new unified search in ChatGPT across chats, projects, images, and documents, raised the custom instructions limit from 1,500 to 5,000 characters, and updated the ChatGPT desktop app with a clearer Chat and Work layout, unified Recents, Projects, and cloud sync ChatGPT Finances got Apple Card and Savings support On the publishing side, OpenAI shared articles on managing AI investments in the agentic era, why teens deserve access to safe AI, state and federal AI safety action, and Sarah Friar's useful intelligence per dollar scorecard Beyond the official channels, Bloomberg reported OpenAI's first device will be a movable screenless smart speaker, and The New York Times reported a Kalshi partnership showing World Cup odds in ChatGPT search Work Louder launched the Codex Micro keypad built for Codex, OpenAI merch is back in a new Supply Co. shop, and I spotted a new private equity and investment management community in the works Anthropic made Claude Fable 5 standard in all Max and Team Premium plans at 50% of limits starting July 20, with a one-time $100 credit for Pro and Team Standard, after extending Fable 5 access on paid plans through July 19 Claude Code weekly limits stay 50% higher through August 19 Anthropic also introduced Claude for Teachers with free premium Claude access for verified K-12 educators in the US, committed 10 million Canadian dollars to Canadian AI research, and published a Canada Economic Index country brief Artifacts in Claude Code now support public sharing, multiplayer editing, and MCP connectors, plus creation via Claude Tag Claude Code got /code-review effort levels up to ultra, and HIPAA configuration is now self-serve for Claude organizations On the research side, Anthropic published work on Claude's values across models and languages, and four new agentic misalignment case studies
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OpenAI and Anthropic this week: GPT-Red, Fable 5 plan changes, and free Claude for teachers (Week 29, 2026) OpenAI introduced GPT-Red, an internal automated red teamer trained through adversarial self-play to find prompt injection vulnerabilities at scale Training against it made GPT-5.6 their most robust model against prompt injections to date And there's a hidden "GPT-RED // Invader Patrol" game in the article OpenAI also published GPT-Live usage limits, brought ChatGPT back to WhatsApp in the European Economic Area, rolled out a new unified search in ChatGPT across chats, projects, images, and documents, raised the custom instructions limit from 1,500 to 5,000 characters, and updated the ChatGPT desktop app with a clearer Chat and Work layout, unified Recents, Projects, and cloud sync ChatGPT Finances got Apple Card and Savings support On the publishing side, OpenAI shared articles on managing AI investments in the agentic era, why teens deserve access to safe AI, state and federal AI safety action, and Sarah Friar's useful intelligence per dollar scorecard Beyond the official channels, Bloomberg reported OpenAI's first device will be a movable screenless smart speaker, and The New York Times reported a Kalshi partnership showing World Cup odds in ChatGPT search Work Louder launched the Codex Micro keypad built for Codex, OpenAI merch is back in a new Supply Co. shop, and I spotted a new private equity and investment management community in the works Anthropic made Claude Fable 5 standard in all Max and Team Premium plans at 50% of limits starting July 20, with a one-time $100 credit for Pro and Team Standard, after extending Fable 5 access on paid plans through July 19 Claude Code weekly limits stay 50% higher through August 19 Anthropic also introduced Claude for Teachers with free premium Claude access for verified K-12 educators in the US, committed 10 million Canadian dollars to Canadian AI research, and published a Canada Economic Index country brief Artifacts in Claude Code now support public sharing, multiplayer editing, and MCP connectors, plus creation via Claude Tag Claude Code got /code-review effort levels up to ultra, and HIPAA configuration is now self-serve for Claude organizations On the research side, Anthropic published work on Claude's values across models and languages, and four new agentic misalignment case studies

Tibor Blaho

13,137 просмотров • 2 месяцев назад

🎫9/5（土）10:00〜チケット発売開始!☄️ ダダルズ 野外公演『よだれ観覧車』 作・演出・出演：大石恵美 🗓️：10月17日（土）16:20／10月18日（日）16:20 📍：GLOBAL RING THEATRE〈池袋西口公園野外劇場〉 🎫：9月5日（土）10:00 発売 【全席自由(入場整理番号付・税込)】 一般：3,500円 U29：2,000円 U18：1,000円 障害者割引：3,150円（一般料金から10％引き） ※チケット購入特典として、オリジナルステッカーを入場時にお渡しいたします。 ※荒天中止、小雨決行 ※開演の2時間20分前（14:00）に開催情報を公式WEBサイト、SNSで告知します。 ※客席内では傘はご利用いただけません。雨天時は、レインコート等をご使用ください。 ※ご来場前に必ずプログラムの注意事項と最新情報をご確認ください。 ＜鑑賞サポート＞ 📱バリアフリー日本語字幕（要予約) 実施日：2026年10月18日（日）16時20分開演回 📝英語舞台上字幕 ♿️車いす席 👶託児 🔗詳細はこちら 🎫Tickets on Sale Sat Sep 5, 10:00 AM! ☄️ Dadaruzu Outdoor Performance “Drooling Ferris Wheel” Playwright, Director, Performer: Emi Oishi 🗓️：Sat Oct 17, 4:20pm / Sun Oct 18, 4:20pm 📍：GLOBAL RING THEATRE 🎫：On general sale from Sat Sep 5, 10:00am - [All seats non-reserved (with numbered entry / Tax included)] Adult: JPY 3,500 U29s: JPY 2,000 U18s: JPY 1,000 Discount for Persons with Disabilities: JPY 3,150(10％ discount from adult prices) *As a special benefit for ticket purchasers, you will receive an original sticker upon entry. * In the case of severe weather, the event will be canceled. The event will proceed in light rain. * Event status will be announced on our official website and official social media 2 hours and 20 minutes before the show (at 2:00pm). * Umbrellas are not permitted in the seating area. Please bring a raincoat or rain gear in case of rain. * Please be sure to check the event rules and the latest updates on our official website before coming to the venue. ＜Audience Accessibility＞ 📱Closed Captions in Japanese 📝English Surtitles ♿️Wheelchair Seating 👶Childcare Service 🔗Details ☄️舞台芸術祭「秋の隕石2026東京」 🗓️26/10/9（金）～11/3（火･祝） 📍東京芸術劇場、GLOBAL RING THEATRE〈池袋西口公園野外劇場〉 ☄️Performing Arts Festival: Autumn Meteorite 2026 Tokyo 🗓️ Fri Oct 9 - Tue Nov 3, 2026 📍Tokyo Metropolitan Theatre, GLOBAL RING THEATRE #秋の隕石 #秋の隕石2026東京 #autumnmeteorite #autumnmeteorite2026tokyo チェルフィッチュ／岡田利規 東京芸術劇場 東京舞台芸術祭｜Tokyo Festival 大石恵美｜ダダルズ
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🎫9/5（土）10:00〜チケット発売開始!☄️ ダダルズ 野外公演『よだれ観覧車』 作・演出・出演：大石恵美 🗓️：10月17日（土）16:20／10月18日（日）16:20 📍：GLOBAL RING THEATRE〈池袋西口公園野外劇場〉 🎫：9月5日（土）10:00 発売 【全席自由(入場整理番号付・税込)】 一般：3,500円 U29：2,000円 U18：1,000円 障害者割引：3,150円（一般料金から10％引き） ※チケット購入特典として、オリジナルステッカーを入場時にお渡しいたします。 ※荒天中止、小雨決行 ※開演の2時間20分前（14:00）に開催情報を公式WEBサイト、SNSで告知します。 ※客席内では傘はご利用いただけません。雨天時は、レインコート等をご使用ください。 ※ご来場前に必ずプログラムの注意事項と最新情報をご確認ください。 ＜鑑賞サポート＞ 📱バリアフリー日本語字幕（要予約) 実施日：2026年10月18日（日）16時20分開演回 📝英語舞台上字幕 ♿️車いす席 👶託児 🔗詳細はこちら 🎫Tickets on Sale Sat Sep 5, 10:00 AM! ☄️ Dadaruzu Outdoor Performance “Drooling Ferris Wheel” Playwright, Director, Performer: Emi Oishi 🗓️：Sat Oct 17, 4:20pm / Sun Oct 18, 4:20pm 📍：GLOBAL RING THEATRE 🎫：On general sale from Sat Sep 5, 10:00am - [All seats non-reserved (with numbered entry / Tax included)] Adult: JPY 3,500 U29s: JPY 2,000 U18s: JPY 1,000 Discount for Persons with Disabilities: JPY 3,150(10％ discount from adult prices) *As a special benefit for ticket purchasers, you will receive an original sticker upon entry. * In the case of severe weather, the event will be canceled. The event will proceed in light rain. * Event status will be announced on our official website and official social media 2 hours and 20 minutes before the show (at 2:00pm). * Umbrellas are not permitted in the seating area. Please bring a raincoat or rain gear in case of rain. * Please be sure to check the event rules and the latest updates on our official website before coming to the venue. ＜Audience Accessibility＞ 📱Closed Captions in Japanese 📝English Surtitles ♿️Wheelchair Seating 👶Childcare Service 🔗Details ☄️舞台芸術祭「秋の隕石2026東京」 🗓️26/10/9（金）～11/3（火･祝） 📍東京芸術劇場、GLOBAL RING THEATRE〈池袋西口公園野外劇場〉 ☄️Performing Arts Festival: Autumn Meteorite 2026 Tokyo 🗓️ Fri Oct 9 - Tue Nov 3, 2026 📍Tokyo Metropolitan Theatre, GLOBAL RING THEATRE #秋の隕石 #秋の隕石2026東京 #autumnmeteorite #autumnmeteorite2026tokyo チェルフィッチュ／岡田利規 東京芸術劇場 東京舞台芸術祭｜Tokyo Festival 大石恵美｜ダダルズ

舞台芸術祭「秋の隕石」| Autumn Meteorite Tokyo

15,688 просмотров • 15 дней назад

Real agents will not be limited by models first. They will be limited by data access. Max from Teneo Protocol joins the Acc Podcast to unpack why public web data is getting locked behind walls, and what permissionless infrastructure could unlock for builders, businesses, and the agent economy. Max Full conversation below. 👇 00:00 Intro + what we are covering 01:17 Teneo in one line (elevator pitch) 02:07 Why it matters - users as data owners, not “data lords” 04:06 Max’s origin story + how he got into Web3 05:02 Early days - Ethereum mining, rigs, learnings 05:35 The founding team - 4 co-founders, 8 years together 06:38 The pivot - how Teneo was born 08:19 Product overview - Community Node as the foundation 10:35 Chatroom - the simple UI for specialized agents (private beta) 11:41 SDKs - building on Teneo (customer SDK + agent SDK) 14:17 AI agents era - why real-time data access is the bottleneck 19:27 The core problem - APIs locked down, access gets expensive 22:36 What Max does day to day as CEO 26:28 How to start with Teneo - beginner to advanced paths 30:08 Lessons from pivots + building with the right team 33:08 Ops advice - trust and the right people 35:16 2-10 year landscape - data pipelines, cost barriers, opportunity 37:26 What’s live now + how people contribute today 38:50 Agent SDK launch - early feedback and traction 39:56 Next 6-12 months - pushing more open source 42:36 Awareness + surprising use cases (example: government PDFs) 46:00 Speed, latency, and agent-to-agent payments (microtransactions) 48:38 Web3 adoption - users won’t notice, it just needs to work 51:07 What’s next + closing thoughts + where to get involved
50:36

Real agents will not be limited by models first. They will be limited by data access. Max from Teneo Protocol joins the Acc Podcast to unpack why public web data is getting locked behind walls, and what permissionless infrastructure could unlock for builders, businesses, and the agent economy. Max Full conversation below. 👇 00:00 Intro + what we are covering 01:17 Teneo in one line (elevator pitch) 02:07 Why it matters - users as data owners, not “data lords” 04:06 Max’s origin story + how he got into Web3 05:02 Early days - Ethereum mining, rigs, learnings 05:35 The founding team - 4 co-founders, 8 years together 06:38 The pivot - how Teneo was born 08:19 Product overview - Community Node as the foundation 10:35 Chatroom - the simple UI for specialized agents (private beta) 11:41 SDKs - building on Teneo (customer SDK + agent SDK) 14:17 AI agents era - why real-time data access is the bottleneck 19:27 The core problem - APIs locked down, access gets expensive 22:36 What Max does day to day as CEO 26:28 How to start with Teneo - beginner to advanced paths 30:08 Lessons from pivots + building with the right team 33:08 Ops advice - trust and the right people 35:16 2-10 year landscape - data pipelines, cost barriers, opportunity 37:26 What’s live now + how people contribute today 38:50 Agent SDK launch - early feedback and traction 39:56 Next 6-12 months - pushing more open source 42:36 Awareness + surprising use cases (example: government PDFs) 46:00 Speed, latency, and agent-to-agent payments (microtransactions) 48:38 Web3 adoption - users won’t notice, it just needs to work 51:07 What’s next + closing thoughts + where to get involved

Acc Ventures

43,976 просмотров • 9 месяцев назад

Retro TEKKEN vid of the day No. 9 🕹️ TEKKEN 5: Dark Resurrection (ARC) 🇯🇵 Gunsou Cup ~ Battle for Pride ~ 📽️ Originally published by Enterbrain/Arcadia. Edited by Nakatsu. English Subtitles by n0pants/MarkMan In January of 2007, a battle between some of the world's greatest TEKKEN talent was held in Japan's game center Saitama POPY. This legendary battle would go down in history as one of the greatest days of competitive TEKKEN. Watch the build up through earlier battles between S. Korea and Japan in TEKKEN 5's earlier revisions. The history, legacy and story from various players come full circle in an epic showdown between the strongest fighters at Gunsou Cup. The Gunsou Cup featured a 5 VS 5 team tournament format in a new era of TEKKEN. At the time this coincided with the arcade version of Namco's TEKKEN 5: Dark Resurrection. This story surrounds the best players from Japan's Kansai region, led by the fabled Mainstreet Ryu and his team, JAPANESE FINAL WEAPON. Mainstreet Ryu's sights were set on South Korea's strongest player at the time, Qudans. Qudans and 4 other S. Korean TEKKEN all-stars rounded out TEAM KOREA as the BATTLE FOR PRIDE was set. In 2019, the latest entry in the series (at the time), TEKKEN 7 -- is beloved by many around the world. It is undoubtedly the most popular TEKKEN title in terms of viewership and competition. In 2017, ten years after the Gunsou Cup, Qudans, now a living legend is crowned TEKKEN World Tour Champion. This is a rare look into the legacy and legend of yesteryear that helped develop what global TEKKEN competition is today. Please enjoy it. Originally recorded and distributed by Enterbrain's Tougeki Damashi MAX as a DVD release in 2007. This is a fan translation and not meant to be sold, reproduced or redistributed in any way. All rights reserved.
23:35

Retro TEKKEN vid of the day No. 9 🕹️ TEKKEN 5: Dark Resurrection (ARC) 🇯🇵 Gunsou Cup ~ Battle for Pride ~ 📽️ Originally published by Enterbrain/Arcadia. Edited by Nakatsu. English Subtitles by n0pants/MarkMan In January of 2007, a battle between some of the world's greatest TEKKEN talent was held in Japan's game center Saitama POPY. This legendary battle would go down in history as one of the greatest days of competitive TEKKEN. Watch the build up through earlier battles between S. Korea and Japan in TEKKEN 5's earlier revisions. The history, legacy and story from various players come full circle in an epic showdown between the strongest fighters at Gunsou Cup. The Gunsou Cup featured a 5 VS 5 team tournament format in a new era of TEKKEN. At the time this coincided with the arcade version of Namco's TEKKEN 5: Dark Resurrection. This story surrounds the best players from Japan's Kansai region, led by the fabled Mainstreet Ryu and his team, JAPANESE FINAL WEAPON. Mainstreet Ryu's sights were set on South Korea's strongest player at the time, Qudans. Qudans and 4 other S. Korean TEKKEN all-stars rounded out TEAM KOREA as the BATTLE FOR PRIDE was set. In 2019, the latest entry in the series (at the time), TEKKEN 7 -- is beloved by many around the world. It is undoubtedly the most popular TEKKEN title in terms of viewership and competition. In 2017, ten years after the Gunsou Cup, Qudans, now a living legend is crowned TEKKEN World Tour Champion. This is a rare look into the legacy and legend of yesteryear that helped develop what global TEKKEN competition is today. Please enjoy it. Originally recorded and distributed by Enterbrain's Tougeki Damashi MAX as a DVD release in 2007. This is a fan translation and not meant to be sold, reproduced or redistributed in any way. All rights reserved.

Mark Julio 『マークマン』

405,957 просмотров • 18 дней назад