Sensitive content

This media may contain sensitive content.

正在加载视频...

视频加载失败

返回首页

Face down ass up, pinned used hard nsfwhardcore# #Choking,Doggystyle,FaceDownAssUp,Leash,Rough,Submission,doggy style,pounding

RobertJ28062648's profile picture

Hardcore Porn Rough Amateur Wifes and Girls Fucked

10,323 subscribers

54,071 次观看 • 1 个月前 •via X (Twitter)

NSFW#Choking
LIVE

Anya Rossi• Live Now

Private livecam show

0 条评论

暂无评论

原始帖子的评论将显示在这里

相关视频

Alright, you filthy little slut, Yours Lusty Gayathri, you think you can tease me with that dripping, trembling ass and that musky, slick asshole of yours? I’m a rough, dominant bastard who’d love nothing more than to own a needy whore like you. I’d grab those warm butt cheeks, spread ‘em wide, and bury my face in that salty heat, licking every inch of your throbbing hole until you’re begging me to fuck you raw. I’d pin you down, rip that silky black thong off, and pound you so hard you’d feel my cock owning every fucking part of you. How many times you gonna ache for me to fill that slutty ass today, huh? Reply, you desperate little toy, and tell your master how bad you need it.
0:28

Alright, you filthy little slut, Yours Lusty Gayathri, you think you can tease me with that dripping, trembling ass and that musky, slick asshole of yours? I’m a rough, dominant bastard who’d love nothing more than to own a needy whore like you. I’d grab those warm butt cheeks, spread ‘em wide, and bury my face in that salty heat, licking every inch of your throbbing hole until you’re begging me to fuck you raw. I’d pin you down, rip that silky black thong off, and pound you so hard you’d feel my cock owning every fucking part of you. How many times you gonna ache for me to fill that slutty ass today, huh? Reply, you desperate little toy, and tell your master how bad you need it.

Sponjaaaaa

17,469 次观看 • 9 个月前

REPORT: The TikTok app has a concerning hashtag being used called # cutewinterboots. Videos using this hashtag are being posted by liberals all across the country who are using code words to spread information about ICE locations and where they want to meet up to organize riots and demonstrations. When sizes of boots are discussed, they are actually speaking of types of weapons. They are also revealing locations where ICE will be in order to protect illegals. Other topics discussed include how they will ass@ssinate certain leaders in this country, burn down buildings and houses, and go face-to-face with ICE with their selected weapons. To see the thousands of videos about this that have been posted in just the last 48 hours, type in the hashtag and scroll through the videos on TikTok. This is dangerous, and we need to pray for our ICE agents.
1:03

REPORT: The TikTok app has a concerning hashtag being used called # cutewinterboots. Videos using this hashtag are being posted by liberals all across the country who are using code words to spread information about ICE locations and where they want to meet up to organize riots and demonstrations. When sizes of boots are discussed, they are actually speaking of types of weapons. They are also revealing locations where ICE will be in order to protect illegals. Other topics discussed include how they will ass@ssinate certain leaders in this country, burn down buildings and houses, and go face-to-face with ICE with their selected weapons. To see the thousands of videos about this that have been posted in just the last 48 hours, type in the hashtag and scroll through the videos on TikTok. This is dangerous, and we need to pray for our ICE agents.

Sarah Fields

229,735 次观看 • 1 年前

This is from an interaction I had yesterday morning after the Frenchies "board meeting" My video isn't aimed at large breed dog owners. It's aimed at every dog owner, from a pomeranian to a great dane who chose to let their dogs run over to all and sundry. It's all too common seeing situations like this, and all too often, dogs are injured in situations that could so easily have been avoided with the use of a long line. Attitudes and excuses like this really don't wash. It's an offence to have a dog dangerously out of control. This situation wasn't in that category, primarily because I wasn't scared of the dog, and my frenchies are used to large breed dogs, but another person, another set of dogs and the outcome could have been very different. No recall, and being off leash can be a dangerous combination. "My dogs friendly" won't prevent you potentially ending up in court or with a hefty vet bill when it goes up to the wrong dog. It's not an attempt to shame anyone, and I thought long and hard about posting it, but I feel it shows the issue far better than I can put in words. In the near 6 minute conversation, she was adamant that her actions were not an issue. I left my contact details with her if she wanted to seek help down the line.
2:38

This is from an interaction I had yesterday morning after the Frenchies "board meeting" My video isn't aimed at large breed dog owners. It's aimed at every dog owner, from a pomeranian to a great dane who chose to let their dogs run over to all and sundry. It's all too common seeing situations like this, and all too often, dogs are injured in situations that could so easily have been avoided with the use of a long line. Attitudes and excuses like this really don't wash. It's an offence to have a dog dangerously out of control. This situation wasn't in that category, primarily because I wasn't scared of the dog, and my frenchies are used to large breed dogs, but another person, another set of dogs and the outcome could have been very different. No recall, and being off leash can be a dangerous combination. "My dogs friendly" won't prevent you potentially ending up in court or with a hefty vet bill when it goes up to the wrong dog. It's not an attempt to shame anyone, and I thought long and hard about posting it, but I feel it shows the issue far better than I can put in words. In the near 6 minute conversation, she was adamant that her actions were not an issue. I left my contact details with her if she wanted to seek help down the line.

MOM🇺🇸

160,142 次观看 • 2 年前

the ganges is a powerful force... i remember this day clearer than most days in my life. i got sucked down into the deepest parts of the river valley, so deep there was no blue, no surface, no water.. just darkness. pitch black. when you’re that deep you curl into a ball and cover your head so you don’t get knocked out on jagged rock... no life vest, just me and the current. every time i saw nothing but black another wave smashed me into a rock and launched me up just long enough to breathe, then back into darkness. at the deepest points my lungs were empty and my body froze... at one point i gave up. said bye to myself. gulped river water and sank deeper, eyes closed. right when i was done i got pushed up one last time and heard my friend screaming to swim to the beach... too late, i was dead center of the current. people on the shore yelling my name. my body was empty, not even enough energy to paddle. i saw a huge rock and reached out, it swept past me but i caught it with two fingers. the river pulled my legs south while i dragged my body up. somehow i clawed one foot onto the rock... only my face made it up. i felt warm and wet, thought i pissed myself, but it was blood pouring down my body. i couldn’t move, just laid there... gravity pinned me onto knife-shaped rock cutting deeper. voices yelling and then blackout. an hour later a motorboat came up the river. my friend argued with the pilots and finally said fuck it, i’ll pay whatever... my eyes were filled with blood. i didn’t want to negotiate. i wanted to survive. people come to the ganges to die, to be burned to ash and returned to it... i went there to be born again. my body burned in the sun for weeks, bruised and bloodied, barely able to walk. a hostel cleaned my wounds, gave me meds. i almost lost a limb to infection, but i survived. second life... new reason to live with purpose. this sunset feels like a homecoming. days end but life keeps moving... live hard. take risks, maybe not this risky. show up every day. put your whole body and heart on the line. you’re gonna win. my full set from rishikesh is out now
1:01

the ganges is a powerful force... i remember this day clearer than most days in my life. i got sucked down into the deepest parts of the river valley, so deep there was no blue, no surface, no water.. just darkness. pitch black. when you’re that deep you curl into a ball and cover your head so you don’t get knocked out on jagged rock... no life vest, just me and the current. every time i saw nothing but black another wave smashed me into a rock and launched me up just long enough to breathe, then back into darkness. at the deepest points my lungs were empty and my body froze... at one point i gave up. said bye to myself. gulped river water and sank deeper, eyes closed. right when i was done i got pushed up one last time and heard my friend screaming to swim to the beach... too late, i was dead center of the current. people on the shore yelling my name. my body was empty, not even enough energy to paddle. i saw a huge rock and reached out, it swept past me but i caught it with two fingers. the river pulled my legs south while i dragged my body up. somehow i clawed one foot onto the rock... only my face made it up. i felt warm and wet, thought i pissed myself, but it was blood pouring down my body. i couldn’t move, just laid there... gravity pinned me onto knife-shaped rock cutting deeper. voices yelling and then blackout. an hour later a motorboat came up the river. my friend argued with the pilots and finally said fuck it, i’ll pay whatever... my eyes were filled with blood. i didn’t want to negotiate. i wanted to survive. people come to the ganges to die, to be burned to ash and returned to it... i went there to be born again. my body burned in the sun for weeks, bruised and bloodied, barely able to walk. a hostel cleaned my wounds, gave me meds. i almost lost a limb to infection, but i survived. second life... new reason to live with purpose. this sunset feels like a homecoming. days end but life keeps moving... live hard. take risks, maybe not this risky. show up every day. put your whole body and heart on the line. you’re gonna win. my full set from rishikesh is out now

diplo

28,612 次观看 • 6 个月前

A brotherly hug almost 10 years in the making 🫱🏾‍🫲🏼🤎🤍 Jelly Roll Several years ago (roughly 2017) I was going through a very hard thing at the time, I was struggling. My mental wellness turned into my mental hellness. Many of you know the drill, you put on “the face”, show up to work, smile and get through it. Perhaps not the healthiest thing to do, but it’s what I was used to doing at the time. Then a song came on through my headphones one morning on a random shuffle playlist. “Only” from Jelly Roll. The lyrics rocked me. Hard core. The words moved me so much that I reached out to Jelly. I said you don’t know me and I don’t know you, but this song of yours is helping me through some stuff I’m dealing with. I just called to say thank you brother. Our bond was born. The gift I gave Jelly when we finally met, is insignificant to the world, but something I just knew would mean a lot to him and he’d appreciate. It’s an old, and cheap postcard of a little motel called the Alamo Plaza in south Nashville. When I was 15yrs I was forced (family was evicted) to leave Hawaii and make it to Nashville to live with my dad. That didn’t work out so I wound up living with a stranger in this little spot on Murfreesboro Road that has since been torn down and no longer there. Downtown Bruno was that stranger’s name and to this day, he’s one of my best and most special friends. Just like Jelly. A very special friend. Every once in a while we all get sliced up by life, but it’s amazing to see what kind of blessings and people that God and the universe will put in our lives to help us heal through our pain. And a big SURREAL shout out to our boy Craig Morgan 🎶 who I was just listening to in my truck as I pulled up to meet Jelly. How’s THAT for the universe conspiring for us!! F#%king crazy 🤯 Love you brother and cheers to all our plaques coming down. 🥃 Beautiful edit 🎥❤️ Jon Brandon Cruz
5:27

A brotherly hug almost 10 years in the making 🫱🏾‍🫲🏼🤎🤍 Jelly Roll Several years ago (roughly 2017) I was going through a very hard thing at the time, I was struggling. My mental wellness turned into my mental hellness. Many of you know the drill, you put on “the face”, show up to work, smile and get through it. Perhaps not the healthiest thing to do, but it’s what I was used to doing at the time. Then a song came on through my headphones one morning on a random shuffle playlist. “Only” from Jelly Roll. The lyrics rocked me. Hard core. The words moved me so much that I reached out to Jelly. I said you don’t know me and I don’t know you, but this song of yours is helping me through some stuff I’m dealing with. I just called to say thank you brother. Our bond was born. The gift I gave Jelly when we finally met, is insignificant to the world, but something I just knew would mean a lot to him and he’d appreciate. It’s an old, and cheap postcard of a little motel called the Alamo Plaza in south Nashville. When I was 15yrs I was forced (family was evicted) to leave Hawaii and make it to Nashville to live with my dad. That didn’t work out so I wound up living with a stranger in this little spot on Murfreesboro Road that has since been torn down and no longer there. Downtown Bruno was that stranger’s name and to this day, he’s one of my best and most special friends. Just like Jelly. A very special friend. Every once in a while we all get sliced up by life, but it’s amazing to see what kind of blessings and people that God and the universe will put in our lives to help us heal through our pain. And a big SURREAL shout out to our boy Craig Morgan 🎶 who I was just listening to in my truck as I pulled up to meet Jelly. How’s THAT for the universe conspiring for us!! F#%king crazy 🤯 Love you brother and cheers to all our plaques coming down. 🥃 Beautiful edit 🎥❤️ Jon Brandon Cruz

Dwayne Johnson

2,673,900 次观看 • 1 年前

🚨RUPERT LOWE’S FRUSTRATION GROWS AS OFFICIALS DODGE SIMPLE IMMIGRATION QUESTIONS AGAIN!🔥😡 “We Get This In Meeting After Meeting – They Just Don’t Know The Data” 😤 Rupert Lowe’s frustration is visibly growing as he once again tries to extract straightforward answers on immigration numbers, only to face more evasion and vagueness from officials. It’s painfully obvious the data isn’t being shared because the figures are bad. You can see the irritation and disdain in her expression – the absolute cheek of an MP daring to demand real transparency instead of accepting excuses. The civil service isn’t used to this level of persistent, no-nonsense pressure. Rupert is wading through the tedious details, scrutinising reports, and refusing to let them off with half-answers or deflections. Could you ever imagine Nigel Farage putting in the same effort? Sitting through these long, grinding committee sessions, forensically dissecting every dodge, doing the unglamorous groundwork behind the scenes? No – Farage prefers the limelight, the TV cameras, the big soundbites. He skips the boring, painstaking work that actually forces accountability. Rupert Lowe is doing exactly what the country needs right now: showing up, asking the hard questions, and not backing down. He’s a genuine breath of fresh air in a system far too comfortable with obfuscation. Well done, Rupert Lowe MP, keep going!💪
2:25

🚨RUPERT LOWE’S FRUSTRATION GROWS AS OFFICIALS DODGE SIMPLE IMMIGRATION QUESTIONS AGAIN!🔥😡 “We Get This In Meeting After Meeting – They Just Don’t Know The Data” 😤 Rupert Lowe’s frustration is visibly growing as he once again tries to extract straightforward answers on immigration numbers, only to face more evasion and vagueness from officials. It’s painfully obvious the data isn’t being shared because the figures are bad. You can see the irritation and disdain in her expression – the absolute cheek of an MP daring to demand real transparency instead of accepting excuses. The civil service isn’t used to this level of persistent, no-nonsense pressure. Rupert is wading through the tedious details, scrutinising reports, and refusing to let them off with half-answers or deflections. Could you ever imagine Nigel Farage putting in the same effort? Sitting through these long, grinding committee sessions, forensically dissecting every dodge, doing the unglamorous groundwork behind the scenes? No – Farage prefers the limelight, the TV cameras, the big soundbites. He skips the boring, painstaking work that actually forces accountability. Rupert Lowe is doing exactly what the country needs right now: showing up, asking the hard questions, and not backing down. He’s a genuine breath of fresh air in a system far too comfortable with obfuscation. Well done, Rupert Lowe MP, keep going!💪

J Stewart

33,760 次观看 • 4 个月前

ＢＬＡＺＥ ＯＦ ＦＵＲＹ I slam down on the little shrimp with the full, earth-shaking tonnage of my colossal bulk. His puny frame flattens like a stomped roach beneath me, and a vicious snap cuts the air as his lungs cough up a sad, broken yelp. It’s fuckin’ wild how his skinny, fragile build sets my blood ablaze—like a brittle twig trembling beneath my hulking, boulder-like chest, begging to be crushed. My pecs squash him flat, mashing his mug into the mat with skull-shattering might. I smack my cock against the twin curves of his ass and grind it awake along their sculpted swell. My hips pound his dainty backside, even as he squirms, tensing and trying to buck me off. His pathetic fuckin’ resistance melts like butter under my sheer dominance—nothing but a sorry little twitch-fest. My junk roars to life faster than a souped-up dragster. I’m a goddamn bulldozer rolling over this fuckin’ worthless speck. I jerk up a couple inches and smash back down hard. A nasty crack rips from his guts under my brutal hammering, but all he’s got left is a faint gasp as the air ditches him. I drag myself slow, pulverizing him into the mat with every fiber of my strength, and growl in his ear: “Wrestle, runt!” I hoist my bulk up a hair, and the wimp starts thrashing under me. He knows I get off on his flailing fight—I crave those desperate, doomed swings. His mousy muscles got no shot at budging me, but even half-dead, he’s hell-bent on lighting my fuse. His tiny bum rubs my dick like mad, sparking like a match on rough timber. My member’s pulsing, primed to pay him back. Wielding my titanic bulk like a sledgehammer, I unleash a savage pounding on him. My gut slams him down with crushing weight. Every hit’s meaner than the last, sinking him deeper into the mat. His wriggling quits cold, his body caving to my relentless beatdown. The hardest blows grind his bones to dust, but he’s silent now—just ragged breaths forced out by my strikes. Conscious? Who gives a shit. After a dozen ruthless smacks, I flop onto him. His frail frame is scorching from the thrashing I dished out. My gargantuan mass locks him in place—no squirming, no breathing, nada. He’s mine to break, and my sheer heft could snuff him out for good. But I ain’t done—my cock’s howling for more. I peel off him. The shrimp wheezes, clawing for air, fumbling his wrecked shell. I give him a sec to pull it together—the grand finale’s coming. He knows a stiff corpse won’t rev my engine. I hiss in his ear: “Flip over!” Battered to hell, he still spins onto his back like a whipped little shit. He wouldn’t dream of crossing me—fear and heat tangle in his eyes as my monstrous shadow looms. I reward his obedience by slamming down full-force. His chest plate cracks, ribs splinter. My meat smacks his steel-hard cock with a loud thwack. The twisted little freak loves it. I’ve flattened him helpless again, and my shaft drinks in his agony. I grind it against his dick, mashing his lean torso with my thick, beefy bulk. His ribcage buckles as I lean in hard. His feebleness and frailty stoke my sadistic blaze. “Wrestle!” I snarl, easing up an inch to let him fan my flames. He tries to fight back—he knows every twitch stokes my fire. He’s desperate to keep me happy; he’s seen what happens to uppity punks who don’t. He don’t want that smoke. His beat-up, aching husk battles to please me. He’s so goddamn insignificant—my junk’s a live grenade. The big finish is close. I start ramming him for real with my cock, fuckin’ banging him into oblivion. My loins grind into his core with full throttle. Our tools collide, sizzling like live wires. My titan’s bulk pounds and smashes the runt under my brutal girth, raging harder each blow. His flopping fades fast, my crushing hits paralyzing him. He’s got no choice but to bow to my beastly fury. His shell cracks under my onslaught—too flimsy to take it. Bones groan and give, sinking with my blows. He’s gotta be out cold, but his stiffy’s trembling, ready to blow. I dive at him with unhinged rage, ready to tear him apart. His delicate rig shatters for good, bones snapping like brittle straw. My cock erupts like a damn volcano, and his tags along. Our gear’s drenched, dripping with heat. I unload again with feral power, roaring deep from my gut, and collapse, winded, on his smashed-up wreck. Our juices meld through the fabric like molten lava rivers. I sprawl over him, catching my breath. He’s pitifully small and breakable, the little shit. The shrimp’s out, his pretty face calm—miles from the fuckin’ hell he just ate. He nailed his role and served me right. I growl low, a sated beast’s rumble: “Good boy, you little fuck.”
6:27

ＢＬＡＺＥ ＯＦ ＦＵＲＹ I slam down on the little shrimp with the full, earth-shaking tonnage of my colossal bulk. His puny frame flattens like a stomped roach beneath me, and a vicious snap cuts the air as his lungs cough up a sad, broken yelp. It’s fuckin’ wild how his skinny, fragile build sets my blood ablaze—like a brittle twig trembling beneath my hulking, boulder-like chest, begging to be crushed. My pecs squash him flat, mashing his mug into the mat with skull-shattering might. I smack my cock against the twin curves of his ass and grind it awake along their sculpted swell. My hips pound his dainty backside, even as he squirms, tensing and trying to buck me off. His pathetic fuckin’ resistance melts like butter under my sheer dominance—nothing but a sorry little twitch-fest. My junk roars to life faster than a souped-up dragster. I’m a goddamn bulldozer rolling over this fuckin’ worthless speck. I jerk up a couple inches and smash back down hard. A nasty crack rips from his guts under my brutal hammering, but all he’s got left is a faint gasp as the air ditches him. I drag myself slow, pulverizing him into the mat with every fiber of my strength, and growl in his ear: “Wrestle, runt!” I hoist my bulk up a hair, and the wimp starts thrashing under me. He knows I get off on his flailing fight—I crave those desperate, doomed swings. His mousy muscles got no shot at budging me, but even half-dead, he’s hell-bent on lighting my fuse. His tiny bum rubs my dick like mad, sparking like a match on rough timber. My member’s pulsing, primed to pay him back. Wielding my titanic bulk like a sledgehammer, I unleash a savage pounding on him. My gut slams him down with crushing weight. Every hit’s meaner than the last, sinking him deeper into the mat. His wriggling quits cold, his body caving to my relentless beatdown. The hardest blows grind his bones to dust, but he’s silent now—just ragged breaths forced out by my strikes. Conscious? Who gives a shit. After a dozen ruthless smacks, I flop onto him. His frail frame is scorching from the thrashing I dished out. My gargantuan mass locks him in place—no squirming, no breathing, nada. He’s mine to break, and my sheer heft could snuff him out for good. But I ain’t done—my cock’s howling for more. I peel off him. The shrimp wheezes, clawing for air, fumbling his wrecked shell. I give him a sec to pull it together—the grand finale’s coming. He knows a stiff corpse won’t rev my engine. I hiss in his ear: “Flip over!” Battered to hell, he still spins onto his back like a whipped little shit. He wouldn’t dream of crossing me—fear and heat tangle in his eyes as my monstrous shadow looms. I reward his obedience by slamming down full-force. His chest plate cracks, ribs splinter. My meat smacks his steel-hard cock with a loud thwack. The twisted little freak loves it. I’ve flattened him helpless again, and my shaft drinks in his agony. I grind it against his dick, mashing his lean torso with my thick, beefy bulk. His ribcage buckles as I lean in hard. His feebleness and frailty stoke my sadistic blaze. “Wrestle!” I snarl, easing up an inch to let him fan my flames. He tries to fight back—he knows every twitch stokes my fire. He’s desperate to keep me happy; he’s seen what happens to uppity punks who don’t. He don’t want that smoke. His beat-up, aching husk battles to please me. He’s so goddamn insignificant—my junk’s a live grenade. The big finish is close. I start ramming him for real with my cock, fuckin’ banging him into oblivion. My loins grind into his core with full throttle. Our tools collide, sizzling like live wires. My titan’s bulk pounds and smashes the runt under my brutal girth, raging harder each blow. His flopping fades fast, my crushing hits paralyzing him. He’s got no choice but to bow to my beastly fury. His shell cracks under my onslaught—too flimsy to take it. Bones groan and give, sinking with my blows. He’s gotta be out cold, but his stiffy’s trembling, ready to blow. I dive at him with unhinged rage, ready to tear him apart. His delicate rig shatters for good, bones snapping like brittle straw. My cock erupts like a damn volcano, and his tags along. Our gear’s drenched, dripping with heat. I unload again with feral power, roaring deep from my gut, and collapse, winded, on his smashed-up wreck. Our juices meld through the fabric like molten lava rivers. I sprawl over him, catching my breath. He’s pitifully small and breakable, the little shit. The shrimp’s out, his pretty face calm—miles from the fuckin’ hell he just ate. He nailed his role and served me right. I growl low, a sated beast’s rumble: “Good boy, you little fuck.”

No Limits Wrestling 🔞 brutal gay fetish fiction

11,051 次观看 • 1 年前

🚨 ALERT: BEWARE LADIES! CHRISTIAN WOMAN CHEMICALLY ATTACKED IN GEORGIA - ASSAILANT STILL ON THE LOOSE A churchgoing Christian woman in Georgia was doused from behind with a corrosive chemical in a public park, and the man who did it walked away. Women are no longer safe - even in red-state Georgia. This is the kind of violence Americans were told “could never happen here” - the same pattern seen in parts of Europe, where acid-style attacks against women became normalized after years of denial, weak enforcement, and official minimization. Ashley Wasielewski, 46, had just attended a Christmas program at church. She went for a walk in Forsyth Park. She ended up airlifted to the Augusta Burn Center with second- and third-degree burns to her face and upper body after a man crept up behind her and poured a corrosive chemical over her body. Her clothes burned. Her skin burned. The chemical melted her car key fob in her pocket. Nothing was stolen. This was not a robbery. This was a deliberate chemical assault on an innocent woman in a public space. Savannah Police have now confirmed: • The attack is being treated as an acid-style chemical assault • A nearby K–8 school was placed on lockdown • The FBI and ATF are involved to identify the chemical used • Authorities refuse to say whether the attack was random • Police admit they have not seen anything like this in over 30 years • The suspect remains at large, described only as a “person of interest” Residents say they’re staying indoors until someone is caught. City leaders admit they were left out of the conversation. Police flooded the area with patrol cars and mounted units - after the attack already happened. And still, the public is told there is “no broader threat.” That statement is indefensible. When chemical weapons are used on civilians, when schools lock down, when federal agencies are called in, that is a threat. Americans should recognize the warning signs. In the UK, chemical attacks targeting women were dismissed for years as isolated incidents. Officials reassured. Media minimized. Enforcement lagged. The result was a surge of corrosive assaults that permanently disfigured women in public spaces. That pattern did not appear overnight. It was allowed to grow. Christian women should not fear walking after church. Public parks should not become hunting grounds. Chemical violence should never be treated as “rare” or “contained.” Pray for Ashley. Demand accountability, arrests, and consequences! Because if this can happen here, it can happen anywhere. Enough!
5:37

🚨 ALERT: BEWARE LADIES! CHRISTIAN WOMAN CHEMICALLY ATTACKED IN GEORGIA - ASSAILANT STILL ON THE LOOSE A churchgoing Christian woman in Georgia was doused from behind with a corrosive chemical in a public park, and the man who did it walked away. Women are no longer safe - even in red-state Georgia. This is the kind of violence Americans were told “could never happen here” - the same pattern seen in parts of Europe, where acid-style attacks against women became normalized after years of denial, weak enforcement, and official minimization. Ashley Wasielewski, 46, had just attended a Christmas program at church. She went for a walk in Forsyth Park. She ended up airlifted to the Augusta Burn Center with second- and third-degree burns to her face and upper body after a man crept up behind her and poured a corrosive chemical over her body. Her clothes burned. Her skin burned. The chemical melted her car key fob in her pocket. Nothing was stolen. This was not a robbery. This was a deliberate chemical assault on an innocent woman in a public space. Savannah Police have now confirmed: • The attack is being treated as an acid-style chemical assault • A nearby K–8 school was placed on lockdown • The FBI and ATF are involved to identify the chemical used • Authorities refuse to say whether the attack was random • Police admit they have not seen anything like this in over 30 years • The suspect remains at large, described only as a “person of interest” Residents say they’re staying indoors until someone is caught. City leaders admit they were left out of the conversation. Police flooded the area with patrol cars and mounted units - after the attack already happened. And still, the public is told there is “no broader threat.” That statement is indefensible. When chemical weapons are used on civilians, when schools lock down, when federal agencies are called in, that is a threat. Americans should recognize the warning signs. In the UK, chemical attacks targeting women were dismissed for years as isolated incidents. Officials reassured. Media minimized. Enforcement lagged. The result was a surge of corrosive assaults that permanently disfigured women in public spaces. That pattern did not appear overnight. It was allowed to grow. Christian women should not fear walking after church. Public parks should not become hunting grounds. Chemical violence should never be treated as “rare” or “contained.” Pray for Ashley. Demand accountability, arrests, and consequences! Because if this can happen here, it can happen anywhere. Enough!

Amy Mek

111,068 次观看 • 7 个月前

Sleepy's new YT channel: Sleepy ran into Seokjin's giant sized IGIN post, got excited and the camera keeps zooming into that handsome face! He also apologizes to Seokjin 👨‍🦰Wow, my younger bro. Seokjinne! (Later he whipped out his fave vid he clipped and ) 🐹For me, as there was no one at the dorm. I went out to eat together with Sleepy hyung. summary: Sleepy said they got close during the jungle show. And Seokjin causally used to ask him 'Hyung, buy me a meal' and he used to say 'ofc let this hyung buy the meal for u!' At one point, Seokjin contacted him after reading an article about his financial hardship and sent him a message saying 🐹If things ever get really hard for you, I’d like to help out (financially) Sleepy talked about this on Radio Star later, which generated tons and tons of K media articles. He admitted honestly that part of him wanted ppl's attention and recognition by talking about Jin. After the articles came out massively, though, they grew a distant 👨‍🦰I know I was wrong and I truly want to say I’m sorry. He also added he went to a wedding and saw Seokjin sitting far away. But he felt so bad (*about making Jin feel uncomfortable) that he couldn’t bring himself to walk up to him so he just ended going home after the wedding (without getting to talk to him). *We know Seokjin never openly talks about the good things he does. He has always wanted to help people behind the scenes quietly.... Another thing I'd like to mention from a cultral point of view is that in K, younger hubaes often casually ask their sunbaes to buy them a meal as a way of breaking the ice, making the relationship feel more comfortable especially he know how ppl feel and act around a super star like him. Sometimes it’s also a gesture of treating them like an older senior figure and making them feel looked up to.. Seokjin is really down to earth and considerate🙏 #Jin #방탄소년단진
2:13

Sleepy's new YT channel: Sleepy ran into Seokjin's giant sized IGIN post, got excited and the camera keeps zooming into that handsome face! He also apologizes to Seokjin 👨‍🦰Wow, my younger bro. Seokjinne! (Later he whipped out his fave vid he clipped and ) 🐹For me, as there was no one at the dorm. I went out to eat together with Sleepy hyung. summary: Sleepy said they got close during the jungle show. And Seokjin causally used to ask him 'Hyung, buy me a meal' and he used to say 'ofc let this hyung buy the meal for u!' At one point, Seokjin contacted him after reading an article about his financial hardship and sent him a message saying 🐹If things ever get really hard for you, I’d like to help out (financially) Sleepy talked about this on Radio Star later, which generated tons and tons of K media articles. He admitted honestly that part of him wanted ppl's attention and recognition by talking about Jin. After the articles came out massively, though, they grew a distant 👨‍🦰I know I was wrong and I truly want to say I’m sorry. He also added he went to a wedding and saw Seokjin sitting far away. But he felt so bad (*about making Jin feel uncomfortable) that he couldn’t bring himself to walk up to him so he just ended going home after the wedding (without getting to talk to him). *We know Seokjin never openly talks about the good things he does. He has always wanted to help people behind the scenes quietly.... Another thing I'd like to mention from a cultral point of view is that in K, younger hubaes often casually ask their sunbaes to buy them a meal as a way of breaking the ice, making the relationship feel more comfortable especially he know how ppl feel and act around a super star like him. Sometimes it’s also a gesture of treating them like an older senior figure and making them feel looked up to.. Seokjin is really down to earth and considerate🙏 #Jin #방탄소년단진

Jiniya지니야_RunSeokjin

299,501 次观看 • 1 个月前

Boy oh boy where do I even begin. pge... honey, my pookie bear. I have loved you ever since I first laid eyes on you. The way you grapple into the air and strike fear into your enemies eyes. Your silky smooth flicks and gorgeous headshots. I would do anything for you. I wish it were possible to freeze time so I would never have to watch you retire. You had a rough childhood, but you never gave up hope. I forvever dread and weep, thinking of the day you will one day retire. I would sacrifice my own life it were the only thing that could put a smile on your beautiful face. You have given me so much joy, and heartbreak over the years. I remember when you first left samsara and its like my heart got broken into a million pieces. But a tear still fell from my right eye when I watched you win your first ring in nrg shock, because deep down, my glorious king deserved it. I just wanted you to return home. Then allas, you did, my sweet baby boy came home and I rejoiced. 2015 was a hard year for us, but in 2016 you made history happen. You came back from 22 deaths and I couldn't believe it. I was crying, bawling even, and I heard my glorious king exclaim these words, "SUPER, THIS IS FOR YOU!" Not only have you changed the game of overwatch and the world forever, but you've eternally changed my world. And now you're getting older, but still the goat, my goat. I love you pookie bear, my glorious king, pge.
0:28

Boy oh boy where do I even begin. pge... honey, my pookie bear. I have loved you ever since I first laid eyes on you. The way you grapple into the air and strike fear into your enemies eyes. Your silky smooth flicks and gorgeous headshots. I would do anything for you. I wish it were possible to freeze time so I would never have to watch you retire. You had a rough childhood, but you never gave up hope. I forvever dread and weep, thinking of the day you will one day retire. I would sacrifice my own life it were the only thing that could put a smile on your beautiful face. You have given me so much joy, and heartbreak over the years. I remember when you first left samsara and its like my heart got broken into a million pieces. But a tear still fell from my right eye when I watched you win your first ring in nrg shock, because deep down, my glorious king deserved it. I just wanted you to return home. Then allas, you did, my sweet baby boy came home and I rejoiced. 2015 was a hard year for us, but in 2016 you made history happen. You came back from 22 deaths and I couldn't believe it. I was crying, bawling even, and I heard my glorious king exclaim these words, "SUPER, THIS IS FOR YOU!" Not only have you changed the game of overwatch and the world forever, but you've eternally changed my world. And now you're getting older, but still the goat, my goat. I love you pookie bear, my glorious king, pge.

Overwatch Esports

84,953 次观看 • 1 年前

Peter Weir explains the techniques he employed to make "Picnic at Hanging Rock" (1975) feel unique & disassociated from time & place: "Interviewer: I’ve been surprised to hear of classes of schoolgirls today dressing up and going on Picnic at Hanging Rock picnics: I had the feeling that the film’s point of view was that of an outside observer—almost a voyeur—looking at schoolgirls, rather than coming in any way out of a schoolgirl’s sense of herself. Weir: Films viewed at different times and different places can seem very different—shorter, longer, better, worse, didn’t ever know it was so funny. This film is obviously viewed very differently now from then, and by schoolgirls with a different view from others. It is a simple and emotive series of images that obviously are still going to touch some people, perhaps young schoolgirls in particular. It is often hard to remember what you intended at the time—the more powerful and ingrained memory is the difficulty you face with each project. With much of Picnic at Hanging Rock it was clearly dangerous ground I was treading on, given the audience’s preconditioning, with a mystery that had no solution. I had to supply an ambience so powerful that it would turn the audience’s attention from following the steps of the police investigation into another kind of film. I began some technical experiments (which I continued in 'The Last Wave' (1977)) with camera speeds for example. So within a dialogue scene I would shoot the character talking in the normal twenty-four frames a second, then I would shoot the character listening in forty-eight frames, or thirty-two frames. I would ask the character listening not to blink or make any extreme movement so that you didn’t pick up the slow motion, then I’d intercut those reactions and you would get a stillness in the face of the listener. These things were not discernible to the eye, but you would get this feeling, as you sat in your theatre seat, that you were watching something very different. With the soundtrack I used white noise, or sounds that were inaudible to the human ear, but were constantly here on the track. I’ve used earthquakes quite a lot, for example, slowed down or sometimes mixed with something else. I’ve had comments from people on both 'Picnic' and 'Last Wave' saying that there were odd moments during the film when they felt a strange disassociation from time and place. Those technical tricks contributed to that." (Peter Weir's interview with Susan Mathews, 1985)
0:58

Peter Weir explains the techniques he employed to make "Picnic at Hanging Rock" (1975) feel unique & disassociated from time & place: "Interviewer: I’ve been surprised to hear of classes of schoolgirls today dressing up and going on Picnic at Hanging Rock picnics: I had the feeling that the film’s point of view was that of an outside observer—almost a voyeur—looking at schoolgirls, rather than coming in any way out of a schoolgirl’s sense of herself. Weir: Films viewed at different times and different places can seem very different—shorter, longer, better, worse, didn’t ever know it was so funny. This film is obviously viewed very differently now from then, and by schoolgirls with a different view from others. It is a simple and emotive series of images that obviously are still going to touch some people, perhaps young schoolgirls in particular. It is often hard to remember what you intended at the time—the more powerful and ingrained memory is the difficulty you face with each project. With much of Picnic at Hanging Rock it was clearly dangerous ground I was treading on, given the audience’s preconditioning, with a mystery that had no solution. I had to supply an ambience so powerful that it would turn the audience’s attention from following the steps of the police investigation into another kind of film. I began some technical experiments (which I continued in 'The Last Wave' (1977)) with camera speeds for example. So within a dialogue scene I would shoot the character talking in the normal twenty-four frames a second, then I would shoot the character listening in forty-eight frames, or thirty-two frames. I would ask the character listening not to blink or make any extreme movement so that you didn’t pick up the slow motion, then I’d intercut those reactions and you would get a stillness in the face of the listener. These things were not discernible to the eye, but you would get this feeling, as you sat in your theatre seat, that you were watching something very different. With the soundtrack I used white noise, or sounds that were inaudible to the human ear, but were constantly here on the track. I’ve used earthquakes quite a lot, for example, slowed down or sometimes mixed with something else. I’ve had comments from people on both 'Picnic' and 'Last Wave' saying that there were odd moments during the film when they felt a strange disassociation from time and place. Those technical tricks contributed to that." (Peter Weir's interview with Susan Mathews, 1985)

DepressedBergman

65,830 次观看 • 6 个月前

Created this race using GPT Image 2 and Seedance 2.0 on TapNow Prompt Follow the storyboard strictly in exact order from Panel 1 to Panel 9. Do not skip, merge, or rearrange scenes. Keep the SAME female cyclist identity across the entire film. No face changes, no hairstyle changes, no helmet changes, no body proportion inconsistencies. Baby pink must remain the dominant apparel color throughout all cycling scenes. Avoid black wardrobe replacements. Preserve realistic nighttime lighting continuity between shots. Maintain the same cool blue tones and subtle red light reflections. Heavy rain intensity must stay visually consistent across all scenes. Water physics must look physically accurate: droplets, splashes, mist, wheel spray, and runoff should behave naturally. Avoid artificial AI motion. Camera movement should feel like real cinema rigs, FPV drones, mounted bike cameras, or stabilized tracking systems. Drone shots must maintain locked framing and smooth movement without random drifting or orbiting. Use subtle cinematic motion only — no excessive shaking or jitter. Keep realistic breathing, body fatigue, pedaling mechanics, and fabric reactions to wind and rain. Preserve shallow depth of field in macro shots and atmospheric haze in wide shots. Keep the environment dark, moody, and cinematic with strong contrast between wet reflections and darkness. Ensure all reflections on asphalt, water droplets, and bike components react naturally to changing light sources. Maintain premium commercial pacing: slow controlled preparation and macro shots transitioning into aggressive high-speed riding sequences. Final output should resemble a high-budget Nike / Rapha night cycling commercial shot during a real mountain storm. Ultra-realistic cinematic night cycling commercial about female endurance cyclists riding through an intense rainstorm in the mountains at night. Premium Nike / Rapha aesthetic with baby pink performance cycling apparel as the dominant accent color. Hyper-realistic documentary look, no stylization, no anime look, no beauty filters. Natural skin texture, realistic rain interaction, physically accurate water behavior, cinematic low-key lighting, cool blue night tones mixed with subtle red rear-light reflections. Heavy rain, fog, wet asphalt reflections, cinematic motion blur, high dynamic range, shallow depth of field, premium sports commercial quality. The film follows a strict 9-panel storyboard structure with seamless cinematic transitions and continuity preserved across every scene. The SAME female cyclist identity must remain consistent throughout the entire video: same face, helmet, glasses, body proportions, baby pink apparel, lighting style, and overall appearance. Maintain continuity of rain intensity, wetness, fog density, and environmental lighting between all shots. Panel 1: Extreme macro close-up of the female cyclist’s eyes and face in heavy rain at night. Focus on soaked eyelashes, wet skin texture, raindrops streaming across the face, baby pink helmet and baby pink face mask visible. Red rear bike light flickers dynamically across her eyes and skin while cool blue night tones dominate the scene. High contrast cinematic lighting, shallow depth of field, subtle breathing motion, intense determined expression. Panel 2: Cinematic medium close-up frontal shot of the cyclist riding aggressively through heavy rain at night. She pedals hard with strong effort and forward-leaning posture. Baby pink waterproof cycling jacket soaked with rainwater. Front bike light cuts through fog and rain with subtle flickering illumination. Wet asphalt reflects red and white lights. Smooth cinematic tracking shot with controlled stable motion and slight natural float. Panel 3: Ultra-realistic macro shot of large raindrops impacting wet asphalt at night. Crown-shaped splashes and overlapping ripples in slow motion. Rough wet asphalt texture, cool blue cinematic tones, subtle reflections from bike lights.
0:28

Created this race using GPT Image 2 and Seedance 2.0 on TapNow Prompt Follow the storyboard strictly in exact order from Panel 1 to Panel 9. Do not skip, merge, or rearrange scenes. Keep the SAME female cyclist identity across the entire film. No face changes, no hairstyle changes, no helmet changes, no body proportion inconsistencies. Baby pink must remain the dominant apparel color throughout all cycling scenes. Avoid black wardrobe replacements. Preserve realistic nighttime lighting continuity between shots. Maintain the same cool blue tones and subtle red light reflections. Heavy rain intensity must stay visually consistent across all scenes. Water physics must look physically accurate: droplets, splashes, mist, wheel spray, and runoff should behave naturally. Avoid artificial AI motion. Camera movement should feel like real cinema rigs, FPV drones, mounted bike cameras, or stabilized tracking systems. Drone shots must maintain locked framing and smooth movement without random drifting or orbiting. Use subtle cinematic motion only — no excessive shaking or jitter. Keep realistic breathing, body fatigue, pedaling mechanics, and fabric reactions to wind and rain. Preserve shallow depth of field in macro shots and atmospheric haze in wide shots. Keep the environment dark, moody, and cinematic with strong contrast between wet reflections and darkness. Ensure all reflections on asphalt, water droplets, and bike components react naturally to changing light sources. Maintain premium commercial pacing: slow controlled preparation and macro shots transitioning into aggressive high-speed riding sequences. Final output should resemble a high-budget Nike / Rapha night cycling commercial shot during a real mountain storm. Ultra-realistic cinematic night cycling commercial about female endurance cyclists riding through an intense rainstorm in the mountains at night. Premium Nike / Rapha aesthetic with baby pink performance cycling apparel as the dominant accent color. Hyper-realistic documentary look, no stylization, no anime look, no beauty filters. Natural skin texture, realistic rain interaction, physically accurate water behavior, cinematic low-key lighting, cool blue night tones mixed with subtle red rear-light reflections. Heavy rain, fog, wet asphalt reflections, cinematic motion blur, high dynamic range, shallow depth of field, premium sports commercial quality. The film follows a strict 9-panel storyboard structure with seamless cinematic transitions and continuity preserved across every scene. The SAME female cyclist identity must remain consistent throughout the entire video: same face, helmet, glasses, body proportions, baby pink apparel, lighting style, and overall appearance. Maintain continuity of rain intensity, wetness, fog density, and environmental lighting between all shots. Panel 1: Extreme macro close-up of the female cyclist’s eyes and face in heavy rain at night. Focus on soaked eyelashes, wet skin texture, raindrops streaming across the face, baby pink helmet and baby pink face mask visible. Red rear bike light flickers dynamically across her eyes and skin while cool blue night tones dominate the scene. High contrast cinematic lighting, shallow depth of field, subtle breathing motion, intense determined expression. Panel 2: Cinematic medium close-up frontal shot of the cyclist riding aggressively through heavy rain at night. She pedals hard with strong effort and forward-leaning posture. Baby pink waterproof cycling jacket soaked with rainwater. Front bike light cuts through fog and rain with subtle flickering illumination. Wet asphalt reflects red and white lights. Smooth cinematic tracking shot with controlled stable motion and slight natural float. Panel 3: Ultra-realistic macro shot of large raindrops impacting wet asphalt at night. Crown-shaped splashes and overlapping ripples in slow motion. Rough wet asphalt texture, cool blue cinematic tones, subtle reflections from bike lights.

Sharon Riley

72,716 次观看 • 2 个月前

Chris Sky: Climate Lockdowns Are Here – Just Like I Warned You "I told you all that the COVID lockdowns were always meant to be permanent. That's why they tried to get you on the cyclical lockdown all winter, but you off for a few months in summer, bring you back on lockdown again, perpetually get used to being living in lockdown for the rest of your life." "And I said, it's really all part of the climate change and World Economic Forum, 15 minute cities agenda to basically keep you on lockdowns the rest of your life. And I told you that they're going to use climate change, the newest lie as a reason to start locking you down because now you're used to being locked down and you're so stupid and weak that you actually stayed in your homes and closed your businesses and put on a mask and injected yourself with poison because the TV told you to?" "Well, guess what? It's now 2025 and climate lockdowns are here. Just look at Nova Scotia, responsible for less than 2 % of all wildfires in Canada, which we know are mostly started by government anyway. But because of climate change, You are now banned ban from any activities in the woods because walking, hiking, fishing, camping is probably the only one where I could see possibly causing wildfire because you make a campfire." "But from walking, hiking and fishing in the woods, you can now get a $25,000 fine. And this is all because of supposed climate change causing wildfires. So is that a climate lockdown? When you are told you literally can't go to place, you can't walk to a place where you will get fined, 1000 % it is. But of course stupid people will pretend like this is just another conspiracy theory." "And this is just another reason why I told all you f... idiots to leave Canada. And people are like, it's horrible. Okay. If you were on the Titanic and it started sinking, Would you try to get off or would you say, you know, my kids, my job, I live here, my family. It's hard. That's the type of desperation you should be thinking in. But what a Canadian thing. Uh, this is Canada. Everything's just fine. It's going to be better next year. It'll be better. Your app will be better." "Yes. We call this f... stupidity from weak pussies that are afraid to face reality. And the reality is Canada is a sinking ship. I told you this for like three or four years now since the pandemic and it's time to get the fuck out. But 95 % of you won't do shit. Why? Because the same 90 % of you fucking idiots that warm ass took a jab and did what you were told the first time."
2:45

Chris Sky: Climate Lockdowns Are Here – Just Like I Warned You "I told you all that the COVID lockdowns were always meant to be permanent. That's why they tried to get you on the cyclical lockdown all winter, but you off for a few months in summer, bring you back on lockdown again, perpetually get used to being living in lockdown for the rest of your life." "And I said, it's really all part of the climate change and World Economic Forum, 15 minute cities agenda to basically keep you on lockdowns the rest of your life. And I told you that they're going to use climate change, the newest lie as a reason to start locking you down because now you're used to being locked down and you're so stupid and weak that you actually stayed in your homes and closed your businesses and put on a mask and injected yourself with poison because the TV told you to?" "Well, guess what? It's now 2025 and climate lockdowns are here. Just look at Nova Scotia, responsible for less than 2 % of all wildfires in Canada, which we know are mostly started by government anyway. But because of climate change, You are now banned ban from any activities in the woods because walking, hiking, fishing, camping is probably the only one where I could see possibly causing wildfire because you make a campfire." "But from walking, hiking and fishing in the woods, you can now get a $25,000 fine. And this is all because of supposed climate change causing wildfires. So is that a climate lockdown? When you are told you literally can't go to place, you can't walk to a place where you will get fined, 1000 % it is. But of course stupid people will pretend like this is just another conspiracy theory." "And this is just another reason why I told all you f... idiots to leave Canada. And people are like, it's horrible. Okay. If you were on the Titanic and it started sinking, Would you try to get off or would you say, you know, my kids, my job, I live here, my family. It's hard. That's the type of desperation you should be thinking in. But what a Canadian thing. Uh, this is Canada. Everything's just fine. It's going to be better next year. It'll be better. Your app will be better." "Yes. We call this f... stupidity from weak pussies that are afraid to face reality. And the reality is Canada is a sinking ship. I told you this for like three or four years now since the pandemic and it's time to get the fuck out. But 95 % of you won't do shit. Why? Because the same 90 % of you fucking idiots that warm ass took a jab and did what you were told the first time."

Camus

30,160 次观看 • 11 个月前

His lighthouse stood for 123 years. And in the end it was not the tower that failed. It was the rock underneath it. 🇬🇧 Two lighthouses stood on the Eddystone Rocks before him, 14 miles south of Plymouth, and the sea destroyed them both. The first, built of wood, vanished without trace in the Great Storm of 1703, taking its builder and 5 other men with it. The second stood for 47 years, then burned one December night in 1755, down to the rock it stood on. 🔥 So Britain faced a question: how do you build on a rock the sea owns? The Royal Society's answer was not a lighthouse man. It was John Smeaton, an Englishman from Austhorpe near Leeds, a maker of scientific instruments who had turned his mind to engineering. He started with a question nobody had thought to ask. Why does an oak tree survive a storm? Wide at the root, narrow at the top. So he shaped his tower like the trunk of an oak. Wood had washed away and wood had burned, so he built in granite, every block dovetailed into its neighbours like a carpenter's joint in stone, pinned with dowels of marble. For the mortar he ran experiment after experiment until he proved which limestone sets hard even underwater, a lime the Romans had used whose science had been lost. He worked out why and brought it back. 3 years, 1756 to 1759, 14 miles out in the open sea. Then the lamp was lit, and the sea came to test it, winter after winter. It did not move. He went on to build bridges, harbours, canals and mills across Britain, and because the only engineers Britain named were soldiers, he called himself a civil engineer, the first man in Britain to do it. In 1771 he and 6 others met in a London tavern and founded the first engineering society anywhere in the world. It still exists. 🏛️ His light burned for 123 years. When engineers finally found a fault in 1877, it was in the reef, not the tower. The sea was wearing away the rock beneath it. His tower had outlasted the rock it stood on. In 1882 the lamp went out for the last time. But nobody scrapped his tower. The top came down stone by stone and went back up on Plymouth Hoe, where it stands today in its red and white bands. You can climb it. ━━━━━━━━━━━━━━ Look at any lighthouse standing on a British rock. That curve is his oak, still holding. We are the home of British heroes. There is a place for you in it. 👉 👈 Be part of us. ☝️🇬🇧 Be Proud Of Us. 🙏🇬🇧
3:30

His lighthouse stood for 123 years. And in the end it was not the tower that failed. It was the rock underneath it. 🇬🇧 Two lighthouses stood on the Eddystone Rocks before him, 14 miles south of Plymouth, and the sea destroyed them both. The first, built of wood, vanished without trace in the Great Storm of 1703, taking its builder and 5 other men with it. The second stood for 47 years, then burned one December night in 1755, down to the rock it stood on. 🔥 So Britain faced a question: how do you build on a rock the sea owns? The Royal Society's answer was not a lighthouse man. It was John Smeaton, an Englishman from Austhorpe near Leeds, a maker of scientific instruments who had turned his mind to engineering. He started with a question nobody had thought to ask. Why does an oak tree survive a storm? Wide at the root, narrow at the top. So he shaped his tower like the trunk of an oak. Wood had washed away and wood had burned, so he built in granite, every block dovetailed into its neighbours like a carpenter's joint in stone, pinned with dowels of marble. For the mortar he ran experiment after experiment until he proved which limestone sets hard even underwater, a lime the Romans had used whose science had been lost. He worked out why and brought it back. 3 years, 1756 to 1759, 14 miles out in the open sea. Then the lamp was lit, and the sea came to test it, winter after winter. It did not move. He went on to build bridges, harbours, canals and mills across Britain, and because the only engineers Britain named were soldiers, he called himself a civil engineer, the first man in Britain to do it. In 1771 he and 6 others met in a London tavern and founded the first engineering society anywhere in the world. It still exists. 🏛️ His light burned for 123 years. When engineers finally found a fault in 1877, it was in the reef, not the tower. The sea was wearing away the rock beneath it. His tower had outlasted the rock it stood on. In 1882 the lamp went out for the last time. But nobody scrapped his tower. The top came down stone by stone and went back up on Plymouth Hoe, where it stands today in its red and white bands. You can climb it. ━━━━━━━━━━━━━━ Look at any lighthouse standing on a British rock. That curve is his oak, still holding. We are the home of British heroes. There is a place for you in it. 👉 👈 Be part of us. ☝️🇬🇧 Be Proud Of Us. 🙏🇬🇧

Proudofus.uk

35,212 次观看 • 4 天前

Dropbox founder Drew Houston on why distribution is more important than product LinkedIn founder Reid Hoffman wrote in his book Blitzscaling: "Many people in Silicon Valley like to focus on building products that are, in the famous words of the late Steve Jobs, "insanely great." Great products are certainly a positive, but the cold and unromantic fact is that a good product with great distribution will almost always beat a great product with poor distribution." Dropbox is a great example of this. As Dropbox founder & CEO Drew Houston explains, great distribution is ultimately how they beat out dozens of competitors with similar product offerings. Drew believes that too many startups overlook the importance of great distribution. Dropbox had a great product, but it succeeded because of its great distribution. They used a combination of organic virality (users shared files with nonusers) and incentivized virality (Basic account holders get 500 MB of extra storage per user they refer; Pro account holders get 1 GB) to grow. Virality helped Dropbox double its 100,000 users at launch to 200,000 users just ten days later, then skyrocket to one million users just seven months after that. An important caveat though: if your distribution strategy focuses on virality, you have to make sure you solve retention first. Bringing new users in through the front door doesn't help you grow if they immediately turn around and leave. According to Drew, Dropbox discovered this truth the hard way, when activation rates revealed that only 40% of the people signing up were actually putting files in their Dropbox and linking them to their computers. As Drew partially explains in the clip, the early Dropbox team went on Craigslist and offered $40 to anyone who'd come in for a 30-minute usability test. They asked these people to go from a Dropbox e-mail invitation to sharing a file with another email address. Zero of the five people tested succeeded--they didn't even come close. This stunned the team. So they made a list of 80+ things in an Excel spreadsheet and sanded down all of the rough edges in the experience. They soon watched their activation rate climb and left the competition in the dust as they marched on to a $9+ billion market cap. Source: Y Combinator (Feb 2017)
2:21

Dropbox founder Drew Houston on why distribution is more important than product LinkedIn founder Reid Hoffman wrote in his book Blitzscaling: "Many people in Silicon Valley like to focus on building products that are, in the famous words of the late Steve Jobs, "insanely great." Great products are certainly a positive, but the cold and unromantic fact is that a good product with great distribution will almost always beat a great product with poor distribution." Dropbox is a great example of this. As Dropbox founder & CEO Drew Houston explains, great distribution is ultimately how they beat out dozens of competitors with similar product offerings. Drew believes that too many startups overlook the importance of great distribution. Dropbox had a great product, but it succeeded because of its great distribution. They used a combination of organic virality (users shared files with nonusers) and incentivized virality (Basic account holders get 500 MB of extra storage per user they refer; Pro account holders get 1 GB) to grow. Virality helped Dropbox double its 100,000 users at launch to 200,000 users just ten days later, then skyrocket to one million users just seven months after that. An important caveat though: if your distribution strategy focuses on virality, you have to make sure you solve retention first. Bringing new users in through the front door doesn't help you grow if they immediately turn around and leave. According to Drew, Dropbox discovered this truth the hard way, when activation rates revealed that only 40% of the people signing up were actually putting files in their Dropbox and linking them to their computers. As Drew partially explains in the clip, the early Dropbox team went on Craigslist and offered $40 to anyone who'd come in for a 30-minute usability test. They asked these people to go from a Dropbox e-mail invitation to sharing a file with another email address. Zero of the five people tested succeeded--they didn't even come close. This stunned the team. So they made a list of 80+ things in an Excel spreadsheet and sanded down all of the rough edges in the experience. They soon watched their activation rate climb and left the competition in the dust as they marched on to a $9+ billion market cap. Source: Y Combinator (Feb 2017)

Startup Archive

29,561 次观看 • 17 天前

Dropbox founder Drew Houston on why distribution is more important than product LinkedIn founder Reid Hoffman wrote in his book Blitzscaling: "Many people in Silicon Valley like to focus on building products that are, in the famous words of the late Steve Jobs, "insanely great." Great products are certainly a positive, but the cold and unromantic fact is that a good product with great distribution will almost always beat a great product with poor distribution." Dropbox is a great example of this. As Dropbox founder & CEO Drew Houston explains, great distribution is ultimately how they beat out dozens of competitors with similar product offerings. Drew believes that too many startups overlook the importance of great distribution. Dropbox had a great product, but it succeeded because of its great distribution. They used a combination of organic virality (users shared files with nonusers) and incentivized virality (Basic account holders get 500 MB of extra storage per user they refer; Pro account holders get 1 GB) to grow. Virality helped Dropbox double its 100,000 users at launch to 200,000 users just ten days later, then skyrocket to one million users just seven months after that. An important caveat though: if your distribution strategy focuses on virality, you have to make sure you solve retention first. Bringing new users in through the front door doesn't help you grow if they immediately turn around and leave. According to Drew, Dropbox discovered this truth the hard way, when activation rates revealed that only 40% of the people signing up were actually putting files in their Dropbox and linking them to their computers. As Drew partially explains in the clip, the early Dropbox team went on Craigslist and offered $40 to anyone who'd come in for a 30-minute usability test. They asked these people to go from a Dropbox e-mail invitation to sharing a file with another email address. Zero of the five people tested succeeded--they didn't even come close. This stunned the team. So they made a list of 80+ things in an Excel spreadsheet and sanded down all of the rough edges in the experience. They soon watched their activation rate climb and left the competition in the dust as they marched on to a $9+ billion market cap. Video source: Y Combinator (2017)
2:21

Dropbox founder Drew Houston on why distribution is more important than product LinkedIn founder Reid Hoffman wrote in his book Blitzscaling: "Many people in Silicon Valley like to focus on building products that are, in the famous words of the late Steve Jobs, "insanely great." Great products are certainly a positive, but the cold and unromantic fact is that a good product with great distribution will almost always beat a great product with poor distribution." Dropbox is a great example of this. As Dropbox founder & CEO Drew Houston explains, great distribution is ultimately how they beat out dozens of competitors with similar product offerings. Drew believes that too many startups overlook the importance of great distribution. Dropbox had a great product, but it succeeded because of its great distribution. They used a combination of organic virality (users shared files with nonusers) and incentivized virality (Basic account holders get 500 MB of extra storage per user they refer; Pro account holders get 1 GB) to grow. Virality helped Dropbox double its 100,000 users at launch to 200,000 users just ten days later, then skyrocket to one million users just seven months after that. An important caveat though: if your distribution strategy focuses on virality, you have to make sure you solve retention first. Bringing new users in through the front door doesn't help you grow if they immediately turn around and leave. According to Drew, Dropbox discovered this truth the hard way, when activation rates revealed that only 40% of the people signing up were actually putting files in their Dropbox and linking them to their computers. As Drew partially explains in the clip, the early Dropbox team went on Craigslist and offered $40 to anyone who'd come in for a 30-minute usability test. They asked these people to go from a Dropbox e-mail invitation to sharing a file with another email address. Zero of the five people tested succeeded--they didn't even come close. This stunned the team. So they made a list of 80+ things in an Excel spreadsheet and sanded down all of the rough edges in the experience. They soon watched their activation rate climb and left the competition in the dust as they marched on to a $9+ billion market cap. Video source: Y Combinator (2017)

Startup Archive

113,218 次观看 • 7 个月前

🚨We Are Being Conquered - Is This America Anymore!? Now We’re Celebrating MENA “Heritage” Month — Middle Eastern & North African Jihad, Bombs & Bloodshed Edition While Boston’s Mayor’s Office of Housing smugly rolls out “MENA Heritage Month” in April, narrated by militant Palestinian extremist Janna Ramadan, let’s drop the rainbow-washed fairy tale and speak the ugly truth they’re desperate to bury. Of course, this Sharia-compliant radical is decked out in her hijab, that walking billboard of submission to Islamic law, while draped in her Palestinian war scarf, because nothing screams “Boston strong” quite like Islam and Palestine (aka Hamas). This taxpayer-funded propaganda comes straight from far-left radical Mayor Michelle Wu, the socialist progressive who has weaponized City Hall for the Red-Green Alliance in action. Wu, endorsed by the hard-left Our Revolution machine and Squad-style allies like Ayanna Pressley, supplies the political power, sanctuary-city open borders, and your tax dollars, while Islamist activists like Janna Ramadan deliver the grievance politics, demographic replacement, and anti-Western rage. This is how the Reds and the Greens work together, one dismantles America from the inside with “equity” and endless migration, the other cheers the conquest in the streets. In her own words, Janna Ramadan proudly declares her family is “from Palestine, which is right in the middle” of the region, then pivots to rebranding it as “Southwest Asia and North Africa” (SWANA), the activist euphemism designed to airbrush Israel off the map. (This sums up the Palestinian movement) She gushes about 1880s immigrants building “Little Syria,” conveniently omitting that it was later bulldozed by urban renewal, while claiming these same communities, Arabic, Turkish, Persian, Kurdish, Berber, have “enriched” Boston with their languages, food culture, faith traditions, and entrepreneurship. This isn’t some harmless celebration of “diverse cultures, histories, and contributions.” It’s a whitewash of the very ideologies that turned Boston into a cautionary tale. MENA communities didn’t just “help build our city”, they helped bomb it. Remember the Tsarnaev brothers? Chechen Muslims who slaughtered innocents at the Boston Marathon in the name of jihad? That’s MENA “heritage” exploding in your face while the city pretends it never happened. Now the same Housing Office drowning in a catastrophic shelter crisis, fueled by sanctuary policies and endless unvetted arrivals, lectures us about gratitude. Grateful? For the record-shattering surge in anti-Jewish, anti-infidel attacks that made Jews and other non-Muslims the #1 target in Massachusetts since October 7? For parallel societies where Sharia values clash violently with Western freedoms? For the “all identities” nonsense that somehow never includes the women, gays, apostates, Christians, and Jews brutalized, silenced, or hunted under the very cultures being glorified? Janna Ramadan isn’t honoring contributions, she’s airbrushing away the skyrocketing welfare dependency, strained shelters packed with unvetted migrants, and the growing bloc cheering Hamas flags in the streets while Boston taxpayers foot the bill. Her closing line, “You belong here,” isn’t welcoming. It’s a declaration of conquest dressed up as diversity. 💣Boston, you’re not “great” because of this. You’re bleeding out from it. Stop the performative gratitude and start protecting the city that your actual citizens built, before the MENA import project finishes the demolition.
1:27

🚨We Are Being Conquered - Is This America Anymore!? Now We’re Celebrating MENA “Heritage” Month — Middle Eastern & North African Jihad, Bombs & Bloodshed Edition While Boston’s Mayor’s Office of Housing smugly rolls out “MENA Heritage Month” in April, narrated by militant Palestinian extremist Janna Ramadan, let’s drop the rainbow-washed fairy tale and speak the ugly truth they’re desperate to bury. Of course, this Sharia-compliant radical is decked out in her hijab, that walking billboard of submission to Islamic law, while draped in her Palestinian war scarf, because nothing screams “Boston strong” quite like Islam and Palestine (aka Hamas). This taxpayer-funded propaganda comes straight from far-left radical Mayor Michelle Wu, the socialist progressive who has weaponized City Hall for the Red-Green Alliance in action. Wu, endorsed by the hard-left Our Revolution machine and Squad-style allies like Ayanna Pressley, supplies the political power, sanctuary-city open borders, and your tax dollars, while Islamist activists like Janna Ramadan deliver the grievance politics, demographic replacement, and anti-Western rage. This is how the Reds and the Greens work together, one dismantles America from the inside with “equity” and endless migration, the other cheers the conquest in the streets. In her own words, Janna Ramadan proudly declares her family is “from Palestine, which is right in the middle” of the region, then pivots to rebranding it as “Southwest Asia and North Africa” (SWANA), the activist euphemism designed to airbrush Israel off the map. (This sums up the Palestinian movement) She gushes about 1880s immigrants building “Little Syria,” conveniently omitting that it was later bulldozed by urban renewal, while claiming these same communities, Arabic, Turkish, Persian, Kurdish, Berber, have “enriched” Boston with their languages, food culture, faith traditions, and entrepreneurship. This isn’t some harmless celebration of “diverse cultures, histories, and contributions.” It’s a whitewash of the very ideologies that turned Boston into a cautionary tale. MENA communities didn’t just “help build our city”, they helped bomb it. Remember the Tsarnaev brothers? Chechen Muslims who slaughtered innocents at the Boston Marathon in the name of jihad? That’s MENA “heritage” exploding in your face while the city pretends it never happened. Now the same Housing Office drowning in a catastrophic shelter crisis, fueled by sanctuary policies and endless unvetted arrivals, lectures us about gratitude. Grateful? For the record-shattering surge in anti-Jewish, anti-infidel attacks that made Jews and other non-Muslims the #1 target in Massachusetts since October 7? For parallel societies where Sharia values clash violently with Western freedoms? For the “all identities” nonsense that somehow never includes the women, gays, apostates, Christians, and Jews brutalized, silenced, or hunted under the very cultures being glorified? Janna Ramadan isn’t honoring contributions, she’s airbrushing away the skyrocketing welfare dependency, strained shelters packed with unvetted migrants, and the growing bloc cheering Hamas flags in the streets while Boston taxpayers foot the bill. Her closing line, “You belong here,” isn’t welcoming. It’s a declaration of conquest dressed up as diversity. 💣Boston, you’re not “great” because of this. You’re bleeding out from it. Stop the performative gratitude and start protecting the city that your actual citizens built, before the MENA import project finishes the demolition.

Amy Mek

19,141 次观看 • 2 个月前

Patrick Swayze on how Marshall R. Teague & he nearly ki!!ed each other while filming this fight scene in "Road House" (1989): "'Road House' (1989) gave me the opportunity to hone an old skill [Martial Arts] that I never realized I’d missed. I soon found out that I’d need all the fighting skills I could muster for this movie. Because the actor who played my primary opponent, Marshall Teague, was ready to kick my ass for real if he could get away with it. From the very beginning, Marshall R. Teague, who played the bad-guy enforcer Jimmy, treated me like some snot-nose know-nothing actor. He had served in Vietnam and was a Navy SEAL—which meant he was a serious, real-life badass. He had no patience for bullsh!t and would say so to anyone’s face. Marshall apparently thought I was a dilettante pretty boy he could knock over with one of his meaty fingers. But when we started training, he learned otherwise. He and I started rehearsing our fight scenes, and soon enough he saw that I knew what I was doing, and that I could take a punch. “Let’s put some contact into it,” I told him, well aware that he could lay me flat out if he chose to. But I knew if we choreographed it well, we could have some contact without killing each other, and it would look amazingly real onscreen. When you earn the respect of a man like Marshall, you earn it for life. He and I became friends on the set of Road House, and we’ve been friends ever since. Not that many people understood his mentality, but when I looked him in the eye, we really connected. It was a good thing, too, because the fight scene we shot was absolutely epic, and we very nearly killed each other. We fought in a river, and I was wearing nothing but little hip-hugger sweatpants—no shirt, no pads, no nothing. So when I hit the ground, I was hitting the ground hard. Since both Marshall and I loved the adrenaline high of a fight, it was easy to get carried away, and we really started pounding on each other in this scene. After a few minutes of us punching and kicking the shit out of each other, Marshall picked up a log and swung it over his head. My eyes got wide as I realized he was about to break it right over my back. Marshall apparently thought it was a prop log, which would have been perfect for the scene—but unfortunately, it wasn’t. He realized his mistake midswing, but it was too late: He cracked me right across the spine with a real log, breaking a couple of my ribs and knocking the wind out of me. I dropped to my hands and knees, gasping for breath, but the scene called for us to keep fighting. I didn’t break character and didn’t give up —we kept fighting, and eventually got to the part where Dalton is forced to ki!! Jimmy. When you watch this scene in the movie, the exhaustion you see on my face is absolutely real. I barely had the strength to drag myself out of the river after that fight." ("The Time of My Life", Patrick Swayze and Lisa Niemi, 2009) P.S: On this day, 37 years ago, "Road House" (1989) was released in the USA & Canada.
1:37

Patrick Swayze on how Marshall R. Teague & he nearly ki!!ed each other while filming this fight scene in "Road House" (1989): "'Road House' (1989) gave me the opportunity to hone an old skill [Martial Arts] that I never realized I’d missed. I soon found out that I’d need all the fighting skills I could muster for this movie. Because the actor who played my primary opponent, Marshall Teague, was ready to kick my ass for real if he could get away with it. From the very beginning, Marshall R. Teague, who played the bad-guy enforcer Jimmy, treated me like some snot-nose know-nothing actor. He had served in Vietnam and was a Navy SEAL—which meant he was a serious, real-life badass. He had no patience for bullsh!t and would say so to anyone’s face. Marshall apparently thought I was a dilettante pretty boy he could knock over with one of his meaty fingers. But when we started training, he learned otherwise. He and I started rehearsing our fight scenes, and soon enough he saw that I knew what I was doing, and that I could take a punch. “Let’s put some contact into it,” I told him, well aware that he could lay me flat out if he chose to. But I knew if we choreographed it well, we could have some contact without killing each other, and it would look amazingly real onscreen. When you earn the respect of a man like Marshall, you earn it for life. He and I became friends on the set of Road House, and we’ve been friends ever since. Not that many people understood his mentality, but when I looked him in the eye, we really connected. It was a good thing, too, because the fight scene we shot was absolutely epic, and we very nearly killed each other. We fought in a river, and I was wearing nothing but little hip-hugger sweatpants—no shirt, no pads, no nothing. So when I hit the ground, I was hitting the ground hard. Since both Marshall and I loved the adrenaline high of a fight, it was easy to get carried away, and we really started pounding on each other in this scene. After a few minutes of us punching and kicking the shit out of each other, Marshall picked up a log and swung it over his head. My eyes got wide as I realized he was about to break it right over my back. Marshall apparently thought it was a prop log, which would have been perfect for the scene—but unfortunately, it wasn’t. He realized his mistake midswing, but it was too late: He cracked me right across the spine with a real log, breaking a couple of my ribs and knocking the wind out of me. I dropped to my hands and knees, gasping for breath, but the scene called for us to keep fighting. I didn’t break character and didn’t give up —we kept fighting, and eventually got to the part where Dalton is forced to ki!! Jimmy. When you watch this scene in the movie, the exhaustion you see on my face is absolutely real. I barely had the strength to drag myself out of the river after that fight." ("The Time of My Life", Patrick Swayze and Lisa Niemi, 2009) P.S: On this day, 37 years ago, "Road House" (1989) was released in the USA & Canada.

DepressedBergman

301,892 次观看 • 2 个月前

Soooo... if you haven't accidentally collided into them yet, lets talk about the GODDAMN CHAIN-LINK FENCES FROM HELL in our Grand Theft Auto 3 port to the Sega Dreamcast, which were not present in the PS2 original. We begin by examining these two side-by-side direct hardware captures. On the left is what will happen if you've been unfortunate enough to disturb one of these evil bastards.... The game becomes a slideshow until you move far enough away from them that they despawn. On the right is what it looks like after I FINALLY got that shit fixed, showing running the god-forsaken things over and sending them back to hell where they belong without a performance dip. This has been an issue we've known about since almost day 1, but we haven't been able to come up with a good solution for fixing it, because just ripping them out is totally not our style on this team... But no low-level SH4 math acceleration for the physics engine gained more than a couple FPS when we dipped into the single-digits. We honestly just hoped our haters and doubters wouldn't notice these damn things... So wtf was the deal? Why are these fences the last boss for the Dreamcast's 200Mhz SH4? Were they put there by bitter PS2 fans to spite us? Well, the story here is quite interesting. It turns out that by default, in the REGTA3 codebase, upon collision, every chain link within that fence immediately becomes a simulated rigid body. These bodies then are all interacting with and checking for collision against one-another, so that if you hit one link hard enough, it can cause a chain reaction that brings the entire fence down and destroys the performance while the physics engine contends with resolving all of the contacts... Then to make matters worse, the lower the framerate, the more steps the physics engine has to run during the contact resolution phase, since that means each object moves further per frame. This causes a feedback loop of shit performance leading to shittier performance. Okay, cool. So how'd they do it on the PS2? OH YEAH, THEY DIDN'T. There are no goddamn fences on the PS2 version. They were added to the PC version! Then to make matters more interesting, how does the REGTA3 port to the PLAYSTATION VITA perform upon hitting these fences? Like shit. Tanking to 14FPS! WTF!? ...Okay, so on the low-end, we got the PS2 featuring NO goddamn fences with a 300Mhz MIPS processor (plus a couple vector units that could've accelerated the math here), and on the high-end we have the PSVita choking and dying on them with a quad-core ARM Cortex-A9 MPCore... so... any other samples? Why, yes. What the hell does the original Xbox do in the middle-ground between the two, with its custom 733 MHz Intel Pentium III? OH, SOMETHING QUITE INTERESTING. There are fences present, but... They do NOT respond the same way to being disturbed. Like the REGTA3-based ports, and I believe the official PC port, the Xbox port does feature fences you can knock over by bashing into them; HOWEVER, unlike those two, the Xbox has settled on a compromise: chain links do not interact with one-another. They simply react to collisions with the player, so no domino effect from hell is produced through a collision response chain reaction. So right there, I knew what the best approach would be for us with a 200Mhz SH4: we're going with what the Xbox did! We get to still say "fuck da PS2," and flex with extra fences, but we don't also look stupid choking on them and dying tring to handle the extra physics and collision calculations.
0:43

Soooo... if you haven't accidentally collided into them yet, lets talk about the GODDAMN CHAIN-LINK FENCES FROM HELL in our Grand Theft Auto 3 port to the Sega Dreamcast, which were not present in the PS2 original. We begin by examining these two side-by-side direct hardware captures. On the left is what will happen if you've been unfortunate enough to disturb one of these evil bastards.... The game becomes a slideshow until you move far enough away from them that they despawn. On the right is what it looks like after I FINALLY got that shit fixed, showing running the god-forsaken things over and sending them back to hell where they belong without a performance dip. This has been an issue we've known about since almost day 1, but we haven't been able to come up with a good solution for fixing it, because just ripping them out is totally not our style on this team... But no low-level SH4 math acceleration for the physics engine gained more than a couple FPS when we dipped into the single-digits. We honestly just hoped our haters and doubters wouldn't notice these damn things... So wtf was the deal? Why are these fences the last boss for the Dreamcast's 200Mhz SH4? Were they put there by bitter PS2 fans to spite us? Well, the story here is quite interesting. It turns out that by default, in the REGTA3 codebase, upon collision, every chain link within that fence immediately becomes a simulated rigid body. These bodies then are all interacting with and checking for collision against one-another, so that if you hit one link hard enough, it can cause a chain reaction that brings the entire fence down and destroys the performance while the physics engine contends with resolving all of the contacts... Then to make matters worse, the lower the framerate, the more steps the physics engine has to run during the contact resolution phase, since that means each object moves further per frame. This causes a feedback loop of shit performance leading to shittier performance. Okay, cool. So how'd they do it on the PS2? OH YEAH, THEY DIDN'T. There are no goddamn fences on the PS2 version. They were added to the PC version! Then to make matters more interesting, how does the REGTA3 port to the PLAYSTATION VITA perform upon hitting these fences? Like shit. Tanking to 14FPS! WTF!? ...Okay, so on the low-end, we got the PS2 featuring NO goddamn fences with a 300Mhz MIPS processor (plus a couple vector units that could've accelerated the math here), and on the high-end we have the PSVita choking and dying on them with a quad-core ARM Cortex-A9 MPCore... so... any other samples? Why, yes. What the hell does the original Xbox do in the middle-ground between the two, with its custom 733 MHz Intel Pentium III? OH, SOMETHING QUITE INTERESTING. There are fences present, but... They do NOT respond the same way to being disturbed. Like the REGTA3-based ports, and I believe the official PC port, the Xbox port does feature fences you can knock over by bashing into them; HOWEVER, unlike those two, the Xbox has settled on a compromise: chain links do not interact with one-another. They simply react to collisions with the player, so no domino effect from hell is produced through a collision response chain reaction. So right there, I knew what the best approach would be for us with a 200Mhz SH4: we're going with what the Xbox did! We get to still say "fuck da PS2," and flex with extra fences, but we don't also look stupid choking on them and dying tring to handle the extra physics and collision calculations.

Falco Girgis

18,056 次观看 • 1 年前

Admin post: Today was the final Rally Obedience trial of 2024 and in the upper level classes there was Chesnyy and I, the only wheelchair team, AND a blind woman with her dog. We competed on the exact same course as everyone else and we both turned in respectable rounds. In fact, although this wasn't our best show, Chesnyy and I firmly secured the Top Rottweiler in CKC Rally Obedience in Canada for 2024. Considering we missed 3 of the big shows due to illness, we've done amazing! A middle aged, non ambulatory woman and a 26 months old dog. ❤️ It's not often I have the privilege of competing against someone else with significant barriers because of their disability. To accommodate her, she's allowed to have someone accompany her on the course (without interfering with the dog) to read the signs to her and give some instruction (ie sit, forward, left turn, 10 feet to the jump-handler passes by, 10 feet to left about turn). That simple accommodation allows her to participate, just like everyone else. Most of the clubs that now host shows in our province are now used to me, but up until this year, accessibility and accommodations weren't something they put much thought into. Although, at the big shows they expect some disabled spectators or owners, there was often the mindset that people with disabilities don't train and compete with dogs, especially in performance events. There we're some major barriers and it took a lot of hard work just to be able to participate. The biggest barrier we face is the attituse. There's a LOT of things people assume we don't do, not ever considering that the main reason we don't, is because they have so many barriers that make it hard. "Disabled people don't go outside in the winter so it's OK if the sidewalk doesn't get cleared for a few days." "Wheelchair users don't drive themselves, they get dropped at the door, so we don't need proper accessible parking." These attitudes are backwards. Unfortunately, my ability to get out in the community, participate in activities and even pursue education and employment are all at the mercy of other people's decisions. The individuals at the municipal level who decide not to be proactive about enforcing snow removal, the elected officials who have decided not to put in accessibility legislation, putting us decades behind some other provinces. I don't even have the chance to demonstrate my competency at a job interview if a business decides to open up in an inaccessible spot. I've had to turn down speaking engagements at schools because they didn't have appropriate accessible parking in the lot, and community was designed with boulevards between the parking lane and sidewalk that are impassable when covered with snow or after rain. But when the decision makers choose accessibility and inclusivity, I get involved. I participate. I succeed. I make a positive impact. I go from being the disabled woman who got stuck trying to cross the street in a wheelchair while walking her dog to the badass woman in the wheelchair that trains the awesome rottweilers. #InclusionMatters #XDogs #Disability Alberta Government Video description for accessibility: clips of a young rottweiler on a rally obedience course with her handler/trainer, a woman in a power wheelchair
2:28

Admin post: Today was the final Rally Obedience trial of 2024 and in the upper level classes there was Chesnyy and I, the only wheelchair team, AND a blind woman with her dog. We competed on the exact same course as everyone else and we both turned in respectable rounds. In fact, although this wasn't our best show, Chesnyy and I firmly secured the Top Rottweiler in CKC Rally Obedience in Canada for 2024. Considering we missed 3 of the big shows due to illness, we've done amazing! A middle aged, non ambulatory woman and a 26 months old dog. ❤️ It's not often I have the privilege of competing against someone else with significant barriers because of their disability. To accommodate her, she's allowed to have someone accompany her on the course (without interfering with the dog) to read the signs to her and give some instruction (ie sit, forward, left turn, 10 feet to the jump-handler passes by, 10 feet to left about turn). That simple accommodation allows her to participate, just like everyone else. Most of the clubs that now host shows in our province are now used to me, but up until this year, accessibility and accommodations weren't something they put much thought into. Although, at the big shows they expect some disabled spectators or owners, there was often the mindset that people with disabilities don't train and compete with dogs, especially in performance events. There we're some major barriers and it took a lot of hard work just to be able to participate. The biggest barrier we face is the attituse. There's a LOT of things people assume we don't do, not ever considering that the main reason we don't, is because they have so many barriers that make it hard. "Disabled people don't go outside in the winter so it's OK if the sidewalk doesn't get cleared for a few days." "Wheelchair users don't drive themselves, they get dropped at the door, so we don't need proper accessible parking." These attitudes are backwards. Unfortunately, my ability to get out in the community, participate in activities and even pursue education and employment are all at the mercy of other people's decisions. The individuals at the municipal level who decide not to be proactive about enforcing snow removal, the elected officials who have decided not to put in accessibility legislation, putting us decades behind some other provinces. I don't even have the chance to demonstrate my competency at a job interview if a business decides to open up in an inaccessible spot. I've had to turn down speaking engagements at schools because they didn't have appropriate accessible parking in the lot, and community was designed with boulevards between the parking lane and sidewalk that are impassable when covered with snow or after rain. But when the decision makers choose accessibility and inclusivity, I get involved. I participate. I succeed. I make a positive impact. I go from being the disabled woman who got stuck trying to cross the street in a wheelchair while walking her dog to the badass woman in the wheelchair that trains the awesome rottweilers. #InclusionMatters #XDogs #Disability Alberta Government Video description for accessibility: clips of a young rottweiler on a rally obedience course with her handler/trainer, a woman in a power wheelchair

Team Servicerottie🇨🇦🐕‍🦺🦽

17,561 次观看 • 1 年前