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FACTS: 1.BTS built K-pop’s global path and opened the doors for every group that came after them. 2.Jungkook isn’t just the biggest K-pop soloist he’s one of the biggest solo artists in Asia. 3. blackpink has never been bigger than TWICE. 4.blackpink barely has a fandom; it’s mostly BTS...

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NOVA

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354,920 views • 2 months ago •via X (Twitter)

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Professor Michelle Cho, Department of East Asian Studies at the University of Toronto speaking with CBC: "It's interesting because, you know, the last Grammys from 2025 had the biggest showing from the K-pop industry that we've seen thus far. You had "Golden" from KPop Demon Hunters, which is a product of K-pop industry's music professionals, win an award. It's actually the first K-pop song to win a Grammy. And also, you had big entries in the pop categories from Rosé of BLACKPINK for "APT." with Bruno Mars, and also KATSEYE. So it's interesting, again, that the more space K-pop as an industry is taking up in the soundscape of North America, the quicker to contain it. Or that seems to be the gesture — by announcing this new category suddenly after that banner year."

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sdington

42,361 views • 1 month ago

Boycotting NewJeans’ music hurts NewJeans far more than it hurts HYBE, because of how royalties, contracts, and public perception work in the K-pop industry. —- You also have to consider this… NewJeans’ numbers is not heavily “fandom based.” As much as you think you all are the source of their massive streaming numbers, you’re wrong. The general public, and non K-pop fans love NewJeans music and they will keep on listening to it even if you convinced Bunnies to boycott. —- HYBE’s revenue base is massive and diversified. HYBE earns from dozens of sources… multiple groups, Weverse, concerts, merch, and even U.S. subsidiaries. Even if NewJeans’ streaming or album sales drop, HYBE can easily offset that loss through its other labels. HYBE doesn’t depend on NewJeans alone. Their system is built to survive the loss of any one group’s income. —- NewJeans’ streaming and sales are their only active revenue right now. Since they’re in hiatus, no tours, no fan meetings, no new releases… the only money that still trickles down to them comes from: - Streaming royalties - Physical album sales still circulating - Brand contracts still running If Bunnies boycott their music, those residual royalties shrink. That means less income to the girls themselves, not HYBE. —- HYBE already collected most of the upfront revenue. HYBE, as the parent company, has already: - Collected bulk profits from the initial album releases - Recouped production and distribution costs Future streaming revenue is a small portion of total income, mostly going to artists. So cutting that stream primarily hurts the artists, not HYBE’s bottom line. —- Public metrics matter for NewJeans’ reputation. Charts, YouTube views, and streaming numbers determine public perception, endorsement value, and global relevance. If Bunnies and casual fans intentionally stop listening, the data will show some sort of decline, which media will spin as “fandom fatigue” or “loss of popularity.” HYBE can use that narrative to undermine NewJeans position, claiming the group has “lost public interest” and was highly dependent on them. —- Supporting NewJeans ≠ Supporting HYBE. When fans stream NewJeans, the signal that matters most isn’t the money, it’s the visibility and demand. Every listen, stream, or social trend proves: “People care about NewJeans themselves and their music.”
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Boycotting NewJeans’ music hurts NewJeans far more than it hurts HYBE, because of how royalties, contracts, and public perception work in the K-pop industry. —- You also have to consider this… NewJeans’ numbers is not heavily “fandom based.” As much as you think you all are the source of their massive streaming numbers, you’re wrong. The general public, and non K-pop fans love NewJeans music and they will keep on listening to it even if you convinced Bunnies to boycott. —- HYBE’s revenue base is massive and diversified. HYBE earns from dozens of sources… multiple groups, Weverse, concerts, merch, and even U.S. subsidiaries. Even if NewJeans’ streaming or album sales drop, HYBE can easily offset that loss through its other labels. HYBE doesn’t depend on NewJeans alone. Their system is built to survive the loss of any one group’s income. —- NewJeans’ streaming and sales are their only active revenue right now. Since they’re in hiatus, no tours, no fan meetings, no new releases… the only money that still trickles down to them comes from: - Streaming royalties - Physical album sales still circulating - Brand contracts still running If Bunnies boycott their music, those residual royalties shrink. That means less income to the girls themselves, not HYBE. —- HYBE already collected most of the upfront revenue. HYBE, as the parent company, has already: - Collected bulk profits from the initial album releases - Recouped production and distribution costs Future streaming revenue is a small portion of total income, mostly going to artists. So cutting that stream primarily hurts the artists, not HYBE’s bottom line. —- Public metrics matter for NewJeans’ reputation. Charts, YouTube views, and streaming numbers determine public perception, endorsement value, and global relevance. If Bunnies and casual fans intentionally stop listening, the data will show some sort of decline, which media will spin as “fandom fatigue” or “loss of popularity.” HYBE can use that narrative to undermine NewJeans position, claiming the group has “lost public interest” and was highly dependent on them. —- Supporting NewJeans ≠ Supporting HYBE. When fans stream NewJeans, the signal that matters most isn’t the money, it’s the visibility and demand. Every listen, stream, or social trend proves: “People care about NewJeans themselves and their music.”

1tokki

35,372 views • 10 months ago

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aespa charts 👑 #KissnTell

12,561 views • 2 months ago

Our biggest worry is mum sleeping on one and squashing them. Thats a real possibility when they are so small. Now that they are a little bigger they can sort of wiggle around and free themselves up. Someone has been in watching her and helping most of the time (4/7)
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Our biggest worry is mum sleeping on one and squashing them. Thats a real possibility when they are so small. Now that they are a little bigger they can sort of wiggle around and free themselves up. Someone has been in watching her and helping most of the time (4/7)

Niall Harbison

105,371 views • 2 years ago

👤: Bad Bunny is one of the most recent artists that has really proven that a language barrier when it comes to music doesn’t matter. Do you guys feel like it’s necessary to cater to the English language anymore to reach a wider audience, or are those days gone? 🐱: I think since K-pop culture has been become more bigger and bigger, a lot of people are interested in K-pop more, so even with singing Korean a lot of people still listen to it. But sometimes we think it’s important to sing in English so that we can get closer to our international fans, like our neverlands, more, so that’s why this time we came out with MONO in English.
0:49

👤: Bad Bunny is one of the most recent artists that has really proven that a language barrier when it comes to music doesn’t matter. Do you guys feel like it’s necessary to cater to the English language anymore to reach a wider audience, or are those days gone? 🐱: I think since K-pop culture has been become more bigger and bigger, a lot of people are interested in K-pop more, so even with singing Korean a lot of people still listen to it. But sometimes we think it’s important to sing in English so that we can get closer to our international fans, like our neverlands, more, so that’s why this time we came out with MONO in English.

minnie

51,080 views • 5 months ago

Rolling Stone praised #TWICE’s groundbreaking performance at Lollapalooza Chicago, where they became the first K-pop girl group to ever headline the festival. - “TWICE Makes History as First K-Pop Girl Group to Headline Lollapalooza” “TWICE made history on Saturday with a powerful, career-spanning set filled with flawless choreography, live instrumentation, and vocals that left the entire crowd — ONCE and newcomers alike — absolutely captivated. From anthems like ‘One Spark’ and ‘Stuck in My Head’ to a glowing encore with ‘Strategy’ and ‘This Is For’, TWICE lit up the stage in every sense. A breathtaking drone show and a sea of neon light sticks turned the field into a living ocean of color. ‘Damn, I got it, I’m iconic,’ they sang — and by the end of the night, no one could deny it.” 🔗:
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Rolling Stone praised #TWICE’s groundbreaking performance at Lollapalooza Chicago, where they became the first K-pop girl group to ever headline the festival. - “TWICE Makes History as First K-Pop Girl Group to Headline Lollapalooza” “TWICE made history on Saturday with a powerful, career-spanning set filled with flawless choreography, live instrumentation, and vocals that left the entire crowd — ONCE and newcomers alike — absolutely captivated. From anthems like ‘One Spark’ and ‘Stuck in My Head’ to a glowing encore with ‘Strategy’ and ‘This Is For’, TWICE lit up the stage in every sense. A breathtaking drone show and a sea of neon light sticks turned the field into a living ocean of color. ‘Damn, I got it, I’m iconic,’ they sang — and by the end of the night, no one could deny it.” 🔗:

Pop Core

126,410 views • 1 year ago