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Fairlight CMI IIX

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エキゾチカ・ララバイ(改）

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Herbie Hancock demonstrating the Fairlight CMI synthesizer on Sesame Street (1983)
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Her: you better not be demonstrating the Fairlight CMI synthesizer on Sesame Street when I get there. My Herbie Hancock ass:
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Her: you better not be demonstrating the Fairlight CMI synthesizer on Sesame Street when I get there. My Herbie Hancock ass:

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You may think you're cool, but you'll never be as cool as Herbie Hancock playing his Fairlight CMI on Sesame Street in 1983.
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A moment for the ages. Quincy Jones and Herbie Hancock on the Fairlight CMI, 1984. From the "I Love Quincy" documentary.
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A moment for the ages. Quincy Jones and Herbie Hancock on the Fairlight CMI, 1984. From the "I Love Quincy" documentary.

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Happy birthday to Quincy Jones, born on this day in 1933 in Chicago. Here he is receiving a demonstration of the Fairlight CMI synthesizer, sampler, and digital audio workstation by Herbie Hancock in 1984.
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Happy birthday to Quincy Jones, born on this day in 1933 in Chicago. Here he is receiving a demonstration of the Fairlight CMI synthesizer, sampler, and digital audio workstation by Herbie Hancock in 1984.

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1983 was a big year for Herbie Hancock. Not only did he release the hit song "Rockit," a foundational track for breakdance and hip-hop, he also visited Sesame Street to showcase the CMI Fairlight synthesizer, the device that first inspired the term "sampling". #BlackHistoryMonth
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1983 was a big year for Herbie Hancock. Not only did he release the hit song "Rockit," a foundational track for breakdance and hip-hop, he also visited Sesame Street to showcase the CMI Fairlight synthesizer, the device that first inspired the term "sampling". #BlackHistoryMonth

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"Running Up That Hill (A Deal With God)" reached #3 on the UK Singles Chart, this performance on Top of the Pops helped cement Kate Bush as a visionary artist who mixed music, dance, theatre and innovative production (using Fairlight CMI a lot).
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"Running Up That Hill (A Deal With God)" reached #3 on the UK Singles Chart, this performance on Top of the Pops helped cement Kate Bush as a visionary artist who mixed music, dance, theatre and innovative production (using Fairlight CMI a lot).

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Rest in peace, Quincy… In honor of his legacy, here’s a throwback to an incredible moment: Quincy Jones and Herbie Hancock in the studio, exploring the groundbreaking Fairlight CMI synthesizer. Herbie’s demonstration showcases the brilliance of both the technology and their unmatched creativity. A true legend remembered.
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Rest in peace, Quincy… In honor of his legacy, here’s a throwback to an incredible moment: Quincy Jones and Herbie Hancock in the studio, exploring the groundbreaking Fairlight CMI synthesizer. Herbie’s demonstration showcases the brilliance of both the technology and their unmatched creativity. A true legend remembered.

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IIX لا جد شف الفرق :
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IIX لا جد شف الفرق :

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A pediatric doctor and a composer use a Fairlight CMI to make the most boring music imaginable to help premature babies sleep better at a hospital in Dorset. In 1986 Dr Richard Purvis and Dr John Locke were able to show faster recovery and sounder sleep with premature babies.
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The Equalizer (1985-89). Stewart Copeland used a Fairlight CMI Series II for the theme music: an expensive piece of kit for the time with 32 kHz sampling. A number of musicians preferred the (arguably more capable) Synclavier II, but the Fairlight II did had a unique sound and its Page R sequencer was easy to use. You know it when you hear it! In 1988 Copeland released The Equalizer & Other Cliff Hangers, an album of some of his instrumental scores for TV. I think it's on Spotify if you want to check it out.
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