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Fantastic Planet (1973) is psychedelic sci-fi like nothing else. Laloux & Topor animated the film using cutout techniques inspired by Czech stop-motion, giving every frame that dreamlike drift. A political allegory that still feels alien fifty years later.

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733,002 просмотров • 8 месяцев назад •via X (Twitter)

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“Les Escargots” (1966) is a surreal animated short film by French director René Laloux and artist Roland Topor, the same creative duo behind the cult classic Fantastic Planet (La Planète sauvage, 1973) 👽 Known for its dark humor and distinctive visual style, the film tells the bizarre tale of a farmer whose experimental methods lead to the growth of giant snails that wreak havoc on a city 🐌

“Les Escargots” (1966) is a surreal animated short film by French director René Laloux and artist Roland Topor, the same creative duo behind the cult classic Fantastic Planet (La Planète sauvage, 1973) 👽 Known for its dark humor and distinctive visual style, the film tells the bizarre tale of a farmer whose experimental methods lead to the growth of giant snails that wreak havoc on a city 🐌

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Time Masters (1982), directed by René Laloux, is a French animated sci-fi film known for its surreal visuals designed by iconic artist Mœbius ✨ The story follows a young boy named Piel who is stranded on a dangerous alien planet after his parents are killed. While he tries to survive, a group of space travelers races across the galaxy to rescue him, uncovering strange worlds and deep mysteries along the way 👽 A cult classic in European animation, it blends space adventure with philosophical undertones. If you liked Fantastic Planet, this one’s a must-watch 🍿

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$Elon Musk measures every civilization by a single number. By that number, we have not begun. Not by armies. Not by gold. By energy. By how much of it you can actually hold. A Russian physicist named Kardashev drew the scale in the sixties. The first rung should be easy. Musk: “If you’re Type I, you’re using most the energy of your planet.” That is not greatness. That is the entry fee. The moment a species stops being primitive. We have not paid it. Musk: “We’re still using a tiny fraction of the sun’s energy that reaches our planet.” And what reaches us is already almost nothing. Musk: “The Earth only receives about half a billionth of the sun’s energy.” Half a billionth. That is the entire inheritance of everyone who has ever lived. And we built everything we know on the fraction we bothered to catch. Musk: “The sun is 99.8 percent of all mass in the solar system.” Everything you have ever called the world is the rounding error. Every empire, every fortune, every border rose and fell inside a fraction of a fraction. Every war was fought over scraps. Beneath a furnace pouring out more in a single second than we will burn in a hundred years. Every economy ever designed assumed there was not enough. The sun disproved that assumption every morning since the Earth was formed. The abundance was never missing. It fell on us the whole time. We kept our eyes on the dirt. So the scale stops being a measurement. It becomes a verdict. It does not ask how advanced you are. It asks how much smallness you agreed to. Musk looked at the same sky as everyone else. And refused to sign. Scarcity was never handed to us. The sun never rationed anything. We did.$

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.Sam Altman responds to Anthropic's Super Bowl ads: "Well it's just wrong. We respect our users. We understand that if we did something like what those ads depict, people would rightfully stop using the product." "Our first principle with ads is that we're not going to put stuff into the LLM stream. That would feel crazy dystopic, like a bad sci-fi movie." "Using a deceptive ad to criticize deceptive ads feels - I don't know - something doesn't sit right with me about that." "It was well played for sure. And it was a funny ad. And the stuff about the ChatGPT personality that most annoys me - which we'll fix very soon - I thought they nailed in the ad." "I also think it's great for them not to do ads. We have a differently-shaped business. I did notice that they said in their thing like, 'We may later revise this decision and we'll explain why if so.'" "I think it's a sideshow. People are excited for a food fight between companies, but the amazing capabilities of these models, the groundswell of excitement around Codex, that feels way more important."

TBPN

62,949 просмотров • 6 месяцев назад

#JanaNayagan is a literal remake that could've been far better and not the deserving Farewell for the Tamil Cinema's Box Office Samrat! Thalapathy Vijay, who is now the CM of Tamil Nadu, was one of the biggest commercial stars Tamil cinema has ever witnessed after Superstar Rajinikanth, and the kind of farewell film he deserved should have hit much harder. Despite being around a 60% remake of Bhagavanth Kesari, the team has added political and sci-fi elements to differentiate both films. The political portions were decent, but the sci-fi elements in the final act felt completely out of place. The film constantly feels like it is changing its identity—from a father-daughter emotional drama to a political film and finally into a sci-fi action film. CM Vijay as Thalapathy Vetri Kondan, also known as "TVK," shines throughout and carries this mediocre film from H. Vinoth almost entirely on his shoulders. It was so good to see him back in action, especially during the interval and post-interval fight sequences. Thalapathy Kacheri was an absolute blast and a perfect celebration for his last dance on the big screen. Mamitha Baiju shines alongside Vijay as his daughter and delivers a memorable performance, especially in the climax. Pooja Hegde, Prakash Raj, Narain, and others didn't have much scope and felt like typical template characters. Bobby Deol, as the main antagonist, also suffers from the same issue. Musically, Anirudh delivered some banger songs, but the background score felt repetitive, especially with the reuse of themes like "Raavana Mavada" and "Oru Pere Varalaaru” but still elevates TVK’s screen presence whenever he gives entry. If this film was handled by someone like Lokesh or Atlee, who truly understand Vijay's legacy and stardom, it could've been the perfect farewell for the CM that he deserved. Criticism aside, this is the last time we are going to see our favourite entertainer VIJAY on the big screen. So let's celebrate him for one last time in cinemas. ❤️

#JanaNayagan is a literal remake that could've been far better and not the deserving Farewell for the Tamil Cinema's Box Office Samrat! Thalapathy Vijay, who is now the CM of Tamil Nadu, was one of the biggest commercial stars Tamil cinema has ever witnessed after Superstar Rajinikanth, and the kind of farewell film he deserved should have hit much harder. Despite being around a 60% remake of Bhagavanth Kesari, the team has added political and sci-fi elements to differentiate both films. The political portions were decent, but the sci-fi elements in the final act felt completely out of place. The film constantly feels like it is changing its identity—from a father-daughter emotional drama to a political film and finally into a sci-fi action film. CM Vijay as Thalapathy Vetri Kondan, also known as "TVK," shines throughout and carries this mediocre film from H. Vinoth almost entirely on his shoulders. It was so good to see him back in action, especially during the interval and post-interval fight sequences. Thalapathy Kacheri was an absolute blast and a perfect celebration for his last dance on the big screen. Mamitha Baiju shines alongside Vijay as his daughter and delivers a memorable performance, especially in the climax. Pooja Hegde, Prakash Raj, Narain, and others didn't have much scope and felt like typical template characters. Bobby Deol, as the main antagonist, also suffers from the same issue. Musically, Anirudh delivered some banger songs, but the background score felt repetitive, especially with the reuse of themes like "Raavana Mavada" and "Oru Pere Varalaaru” but still elevates TVK’s screen presence whenever he gives entry. If this film was handled by someone like Lokesh or Atlee, who truly understand Vijay's legacy and stardom, it could've been the perfect farewell for the CM that he deserved. Criticism aside, this is the last time we are going to see our favourite entertainer VIJAY on the big screen. So let's celebrate him for one last time in cinemas. ❤️

𝐍𝐆𝐊11 𝕏

12,312 просмотров • 26 дней назад