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Fathers need #daughter 's help sometimes. Especially when #bully ies comes #cheating #cheatingcaptioons #cheatingkink #cuck #Daddy #Dad #agegap #agedifference #bullyfantasy
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1:05
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Okay! WAN 3.0 let's go! Whenever I test a new video model, the first thing I always do is test how well it handles language nuance. And yup, WAN 3.0 did it pretty well. I tested it via Venice And nope, this is not sponsored content. I use my own money. I’ve always used Venice for some of my more erotic video work because it’s uncensored and awesome. As simple as that. 👍😎 The reason i quote this post because people keep asking like heeey where do you generate uncensored stuff. Only two places right now, either Venice or D-zine. So there you go! bUTTTT!!!! If there's more, let me know 👍 I guess I could say that WAN 3.0 is probably the closest model to Seedance 2.0 in terms of quality right now. For my very specific needs, I love making dialogue-driven scenes, and WAN 3.0 is absolutely fine for that. In fact, I have to say it’s much better than MiniMax H3 in some ways. But of course, keep in mind that every model has its own strengths and flaws. Unfortunately, when it comes to very precise, extremely dynamic scenes, like what I usually do with my Sari & Ploy series, especially fight scenes, it’s not quite there yet. The only other problem is that sometimes, if you’re unlucky, WAN 3.0 can produce this weird audio artifact. I don’t really know how to explain it. It’s kind of like that flanger-like sound you sometimes get when generating with Seedance. Yeah, WAN 3.0 can occasionally have the same problem, LOL 😆 But performance-wise, for my use case, especially conversational scenes, candid moments, and the kind of raw camera movement I’ve always loved, WAN 3.0 really delivers. For me personally, this is where things start to get really exciting, especially when I think about series production. I can now be much more strategic about which model I use for each type of scene. For example, I’ll still use Seedance 2.0 and 2.5 mainly for more extreme, dynamic fight scenes, while conversational scenes are something I can comfortably do with WAN 3.0. MiniMax H3, meanwhile, feels more like the experimental option. I personally think H3 is a very unique model. Maybe it’s not as powerful for conversational scenes, but it definitely has its own flavor and can produce things that feel different from the others. But you know what, I can’t help it. I really need to say this LOL. It’s funny how a model like Grok Imagine Video used to be sooo good, and I praised it a lot, but now it feels like an extreme slot machine. At this point, I sometimes feel like it’s mostly being hyped by people who just want to glaze Elon Musk. Somehow, it actually went backwards. 😅 And it’s interesting how models like Seedance 1.5 and the previous WAN versions have improved so much over time. It feels very ironic because I wasn’t even a fan of Seedance back then, and the same goes for WAN. But yeah, at the end of the day is the output quality that matters for me.
MXVDXN // DAN
322,187 Aufrufe • vor 1 Monat
3:12
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Interviewer: "Men cheating is way worse than women cheating." First Woman: "Men cheating is way worse than women cheating." Interviewer: "False. Why?" First Woman: "A man cheats without a reason. A woman always has a reason." Man in Mesh Top: "When a man cheats, it's because he's thinking about one thing and that's all it is. A woman has to be fed up, tired, done, before she emotionally even gets close enough to a man for her to want to cheat with him." Third Speaker (Guy in street): "Men and women cheat for different reasons. Men cheat because they're impulsive James J. Sexton: "I mean, I got to tell you, I don't like the phrasing of it, but I can't argue with the concept." Host: "Really? I thought you were going to disagree with that one. James J. Sexton: "No, I mean, look, I don't think the way they parsed it is correct, which is that women never like, men, it's always an impulsive act, and women, it's never an impulsive act. Because I think sometimes alcohol gets involved, and sometimes people make bad decisions. But I will say that, yeah, I mean, I have had a lot more women I've dealt with a lot of, I've had a lot of clients that have cheated that were male, a lot of clients that have cheated that were women, okay? And have been caught, or who left for the paramour or whatever it might be. So I've seen this from every angle. I represent the cheater and the cheated-on. I've really been through all of the permutations of this." "A lot of the men, by an order of magnitude, say, 'Yeah, this had nothing to do with my wife. This was just like, yeah, I was just distracted. It was like a shiny object and I went after it. Like it really was like a moment of weakness.' Or it was like, 'Yeah, I just like, I don't know, I wasn't getting enough s*x, and I didn't have the courage to have the conversation about that, so I just ended up meeting my needs outside of...' Host: "But isn't that a reason?" James J. Sexton: "Of course! I mean, there's a chapter in my book called 'Go Without or Go Elsewhere.'" Host: "Yeah." James J. Sexton: "Which basically says like, if your partner's not meeting your needs sexually, you either have to go without which no one likes or go elsewhere, which always ends in bad things. So the goal should be to try to keep your relationship in a place where you don't ever have to go without or go elsewhere, where you can share with your partner what it is that you need s*xually, and openly and honestly have discussions about how you can meet each other's sexual needs, especially if you've decided, 'We are going to only sleep with each other'bwhich you don't have to decide! But you've decided that. So if you've decided that, and you've said, 'You're the only person allowed to do this job,' then take the job seriously and try to be good at it. Because if you're the only person if you're saying to me,'The only person I'm allowed to sleep with is you,' then you have to sleep with me. That's how that works! Because otherwise, we're going to delegate that responsibility to somebody else. Because the other option is just 'go without,' and nobody wants to go without."
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