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Fearless 40

Arkansas Razorbacks Men’s Basketball 🐗

288,064 subscribers

40,059 次观看 • 1 年前 •via X (Twitter)

Anya Rossi• Live Now

Private livecam show

10 条评论

Austin Farmer 的头像

Austin Farmer1 年前

@KamaniJohnson20 & @jordanwalshlife sighting 👀👀

Trump2024Film 的头像

Trump2024Film2 年前

He's fearless. He's courageous.

Puddintain Askagin 的头像

Puddintain Askagin1 年前

Is AT available ?

Logen Stone 的头像

Logen Stone1 年前

Billy Richmond poster dunk incoming

BK 的头像

BK1 年前

Stop it with the cuties names/slogans. Don’t need them.

Gretchen 的头像

Gretchen1 年前

Inspiring to see her spirit

भारतीय 的头像

भारतीय1 年前

You're crushing it at 40!

sniffles 的头像

sniffles1 年前

Go hogs

Lisa Barnes, Pharm.D. 的头像

Lisa Barnes, Pharm.D.1 年前

LFG! 🐗

eric musselman’s ghost 的头像

eric musselman’s ghost1 年前

LFGGGG GUYS WOOO PIG

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When her husband was injured, Odisha’s Suni Hembram didn’t back down. She runs a roadside repair shop alone, lifting 40–60 kg truck tires, operating heavy machinery, and proving that women can do anything. Uneducated but fearless, she now supports her family and sends her children to school. Her grit is breaking stereotypes and inspiring countless others. Support her journey: GPay +91 70778 21456. #WomenEmpowerment #RisingWomen #InspiringStories #BreakingBarriers #CourageAndStrength [Women Entrepreneurs India, Female Mechanics, Inspiring Women Stories, Women Breaking Stereotypes, Odisha Women Heroes]

When her husband was injured, Odisha’s Suni Hembram didn’t back down. She runs a roadside repair shop alone, lifting 40–60 kg truck tires, operating heavy machinery, and proving that women can do anything. Uneducated but fearless, she now supports her family and sends her children to school. Her grit is breaking stereotypes and inspiring countless others. Support her journey: GPay +91 70778 21456. #WomenEmpowerment #RisingWomen #InspiringStories #BreakingBarriers #CourageAndStrength [Women Entrepreneurs India, Female Mechanics, Inspiring Women Stories, Women Breaking Stereotypes, Odisha Women Heroes]

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Klay Thompson ranks his top 5 greatest 3-point shooters of all time “Steph Curry: Obviously, you got to say Steph. 4,200 makes at a 42% clip is ridiculous, especially with all the volume” “Ray Allen: He was the all-time leader for so long until Steph took over. But just Ray's ability to shoot off the move with the ball in his hands. And that shot he had in the 2013 NBA Finals, that was one of the greatest shots in league history” “Reggie Miller: I love watching Reggie's highlight tape, especially his game winning highlight tape. Reggie was fearless, and he was, I'd say, the first real player to really use the three point line as his main weapon” “Larry Bird: It's hard not to say Larry because although he didn't shoot the volume of threes, he was so efficient in his shooting. He's a 50-40-90 guy. I think he won three 3-Point Contests and even did one with his warm up jacket on” “Dirk Nowitzki: His 2011 run, look at his shooting numbers. They're insane. He shot 45% from three for the whole playoffs. I'm going to go with those five. I'm not going to put myself in there”

Klay Thompson ranks his top 5 greatest 3-point shooters of all time “Steph Curry: Obviously, you got to say Steph. 4,200 makes at a 42% clip is ridiculous, especially with all the volume” “Ray Allen: He was the all-time leader for so long until Steph took over. But just Ray's ability to shoot off the move with the ball in his hands. And that shot he had in the 2013 NBA Finals, that was one of the greatest shots in league history” “Reggie Miller: I love watching Reggie's highlight tape, especially his game winning highlight tape. Reggie was fearless, and he was, I'd say, the first real player to really use the three point line as his main weapon” “Larry Bird: It's hard not to say Larry because although he didn't shoot the volume of threes, he was so efficient in his shooting. He's a 50-40-90 guy. I think he won three 3-Point Contests and even did one with his warm up jacket on” “Dirk Nowitzki: His 2011 run, look at his shooting numbers. They're insane. He shot 45% from three for the whole playoffs. I'm going to go with those five. I'm not going to put myself in there”

dank

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Every American needs to hear this. Ryan Miller urges the American church to stop caring about what the world thinks of you, emphasizing that only then will the Lord equip you for what you were created to do when He was knitting you together in your mother’s womb. “The call to you is not to experience shame. The call to you is to become meek. The call to you is to say, ‘Lord, I will do whatever You tell me to do.’ And oftentimes, to get to that place where you can authentically say that, He’s going to lead you into the round pen, and it’s going to feel like suffering. It’s going to feel like waiting. It’s going to feel like 40 years in the desert… The American church needs men and women who are so fearless that they do not care what people think… The minute you stop caring about what people think of you, you experience the joy of the Nigerian Christians who have nothing, and yet they have everything.” He joined E333 of The Lila Rose Show to share how God called him to Nigeria, a place where Christians are being slaughtered by Muslim terrorists, leading him to change his entire perspective on life, success, and faith.

Every American needs to hear this. Ryan Miller urges the American church to stop caring about what the world thinks of you, emphasizing that only then will the Lord equip you for what you were created to do when He was knitting you together in your mother’s womb. “The call to you is not to experience shame. The call to you is to become meek. The call to you is to say, ‘Lord, I will do whatever You tell me to do.’ And oftentimes, to get to that place where you can authentically say that, He’s going to lead you into the round pen, and it’s going to feel like suffering. It’s going to feel like waiting. It’s going to feel like 40 years in the desert… The American church needs men and women who are so fearless that they do not care what people think… The minute you stop caring about what people think of you, you experience the joy of the Nigerian Christians who have nothing, and yet they have everything.” He joined E333 of The Lila Rose Show to share how God called him to Nigeria, a place where Christians are being slaughtered by Muslim terrorists, leading him to change his entire perspective on life, success, and faith.

Lila Rose

14,069 次观看 • 3 个月前

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How Manohar Parrikar Taught India to Stand Its Ground 🇮🇳 Manohar Parrikar didn't look like a typical Defense Minister. He wore sandals, preferred half-sleeve shirts, and spoke like the engineer he was. But behind that simplicity was the mind that fundamentally shifted India’s military DNA. He brought Logic to a world of Red Tape As an IITian, he replaced paranoia with logic. He overhauled the Blacklist system, targeting corrupt individuals instead of banning entire global firms that crippled our own readiness. By introducing the DPP 2016, he turned Make in India from a slogan into a blueprint, personally clearing the bottlenecks that finally moved the LCA Tejas from the drawing board to the cockpit. He didn't just sign files; he solved them. The Night the Rules Changed For years, strategic restraint made India’s patience look like weakness. Parrikar dismantled that narrative. As the architect of the 2016 Surgical Strikes, he didn't just authorize action; he stayed in the war room all night to ensure the mission's success. He famously compared the Indian Army to Hanuman, helping the forces rediscover their dormant prowess and lethal edge. Under his watch, India stopped just absorbing blows and started delivering them. He actually listened to the Soldier After 40 years of political stalling, Parrikar finally delivered OROP. An engineer at heart, he personally crunched the numbers and fought the bureaucracy to ensure our veterans weren't just promised dignity, but paid it. Even while battling terminal illness, his commitment never wavered. Who can forget him at the Atal Setu inauguration, medical tube in nose, voice frail but spirit indomitable, asking the nation, "How’s the Josh?" He didn't just lead the ministry; he served it until his last breath. Manohar Parrikar didn't just change our capability in terms of tanks and planes. He changed our DNA. He proved that you can be honest, you can be simple, and you can still be the most formidable person in the room. He left India’s defense sector more transparent, more indigenous, and significantly more fearless. He was the Common Man who made India uncommon. Col AJ🇮🇳 Colonel Mayank Chaubey Major Sammer Pal Toorr (Infantry Combat Veteran) Aadi Achint 🇮🇳 TheGlobalDecoder #ManoharParrikar #IndianDefence #MakeInIndia #IndianArmy

The Sacred Scroll

27,879 次观看 • 8 个月前

A forgotten kingdom waiting above the sky. Used Script to video skill on FlovaAI FlovaAI_Japan prompt Title: "The Castle Above the Clouds" Duration: 45 seconds Style: Grounded naturalistic photoreal cinematic adventure drama, live-action feature film quality, anamorphic 35mm film look, realistic medieval atmosphere, emotional performances, natural sound design, shallow depth of field, atmospheric lighting, epic scale, realistic geology, no fantasy exaggeration. Main Characters: ELIAN (32) — A medieval historian and explorer, calm and observant, wearing a weathered dark leather coat, linen shirt, travel boots, carrying an old leather journal. MARA (29) — A skilled mountain guide, intelligent and fearless, wearing a practical wool cloak, leather gloves, climbing gear, carrying a small lantern and ancient map. Scene 1 — The Fortress Above the World (0–10 seconds) EXTREME HIGH VANTAGE POINT — CASTLE BATTLEMENT TERRACE — MORNING A sweeping aerial establishing shot reveals a massive medieval castle standing on a sheer alpine cliff nearly 1000 meters above the valley floor. The camera slowly moves across the open stone battlement terrace. No people are visible at first. Foreground: Weathered pale sandstone parapets dominate the frame. Ancient crenellations line the edge. The stone is covered with realistic cracks, worn mortar, chipped corners, patches of moss and lichen. A castle tower rises on the left side of the frame with narrow arched windows glowing in warm sunlight. The camera slowly approaches the cliff edge. Beyond the parapet: A terrifying vertical drop disappears into clouds. Far below, the valley appears miniature: A turquoise river winds through green farmland. Tiny villages with red rooftops sit beside the water. A medieval town with walls and towers rests on a distant ridge. The enormous mountain range fills the horizon, glaciers glowing under sunlight. Clouds drift BELOW the castle terrace. Sound Design: Strong mountain wind. Distant bells from the valley. Soft orchestral strings begin. Scene 2 — The Forgotten Map (10–20 seconds) EXT. CASTLE COURTYARD — MORNING The camera moves through an ancient stone courtyard. Empty armor stands beside old wooden doors. Sunlight enters through towering arches. Elian walks slowly through the courtyard, studying carvings on the castle walls. Mara follows behind carrying an old rolled map. She opens it on a stone table. The map shows the surrounding mountains and a hidden route marked through the peaks. MARA "This path hasn't been walked in three hundred years." Elian touches the faded markings. ELIAN "Then why was it hidden instead of destroyed?" Mara looks toward the towering mountains outside. MARA "Because some places are forgotten for a reason." A strong wind blows through the courtyard. The castle bells ring once. Scene 3 — The Edge of the Unknown (20–32 seconds) EXT. CASTLE BATTLEMENT — AFTERNOON Elian and Mara stand on the highest terrace overlooking the impossible landscape. The camera circles them slowly. They look incredibly small against the mountains. The valley below glows with golden sunlight. Clouds move between the castle and the world below. Mara points toward a distant mountain ridge. MARA "Beyond those peaks is the old fortress of Aurelian." Elian looks through a small telescope. Far away, barely visible on a rocky summit, sits another ancient castle. ELIAN "No one could build there." Mara smiles slightly. MARA "Someone did." The camera pushes toward the distant fortress. Snow-covered peaks rise behind it. Thunder rolls softly in the distance. Scene 4 — The Storm Approaches (32–40 seconds) EXT. MOUNTAIN PATH BELOW THE CASTLE — LATE AFTERNOON Elian and Mara descend along a narrow stone path carved into the cliff. The castle towers above them. A dramatic weather shift begins. Massive clouds gather around the mountain peaks. Wind increases. Loose dust moves across the ancient path. Mara stops and looks upward. MARA "The mountain is changing." Elian looks back toward the castle. ELIAN "Then we move faster." The camera rises high above them. They become tiny figures against the massive landscape. Scene 5 — The Final View (40–45 seconds) EXT. ALPINE RIDGE — SUNSET A final cinematic wide shot. The camera rises above the mountains. The medieval castle stands alone on its cliff, surrounded by glowing clouds. The valley below reflects the orange sunset. The river shines like a ribbon of gold. Elian's voice echoes softly. ELIAN (V.O.) "Some kingdoms are remembered because they conquered the world..." A pause. The camera moves toward the endless mountains. ELIAN (V.O.) "Others are remembered because they dared to reach beyond it." Cut to black. END. Visual Notes: Realistic medieval architecture inspired by Alpine castles and mountain fortresses No magic, no fantasy creatures, no exaggerated landscapes True scale: humans remain tiny compared to nature Cinematic 35mm grain, anamorphic lens flares, realistic atmospheric depth Natural mountain wind, distant bells, footsteps on stone, subtle orchestral score. #Flovaai #Flovacpp

A forgotten kingdom waiting above the sky. Used Script to video skill on FlovaAI FlovaAI_Japan prompt Title: "The Castle Above the Clouds" Duration: 45 seconds Style: Grounded naturalistic photoreal cinematic adventure drama, live-action feature film quality, anamorphic 35mm film look, realistic medieval atmosphere, emotional performances, natural sound design, shallow depth of field, atmospheric lighting, epic scale, realistic geology, no fantasy exaggeration. Main Characters: ELIAN (32) — A medieval historian and explorer, calm and observant, wearing a weathered dark leather coat, linen shirt, travel boots, carrying an old leather journal. MARA (29) — A skilled mountain guide, intelligent and fearless, wearing a practical wool cloak, leather gloves, climbing gear, carrying a small lantern and ancient map. Scene 1 — The Fortress Above the World (0–10 seconds) EXTREME HIGH VANTAGE POINT — CASTLE BATTLEMENT TERRACE — MORNING A sweeping aerial establishing shot reveals a massive medieval castle standing on a sheer alpine cliff nearly 1000 meters above the valley floor. The camera slowly moves across the open stone battlement terrace. No people are visible at first. Foreground: Weathered pale sandstone parapets dominate the frame. Ancient crenellations line the edge. The stone is covered with realistic cracks, worn mortar, chipped corners, patches of moss and lichen. A castle tower rises on the left side of the frame with narrow arched windows glowing in warm sunlight. The camera slowly approaches the cliff edge. Beyond the parapet: A terrifying vertical drop disappears into clouds. Far below, the valley appears miniature: A turquoise river winds through green farmland. Tiny villages with red rooftops sit beside the water. A medieval town with walls and towers rests on a distant ridge. The enormous mountain range fills the horizon, glaciers glowing under sunlight. Clouds drift BELOW the castle terrace. Sound Design: Strong mountain wind. Distant bells from the valley. Soft orchestral strings begin. Scene 2 — The Forgotten Map (10–20 seconds) EXT. CASTLE COURTYARD — MORNING The camera moves through an ancient stone courtyard. Empty armor stands beside old wooden doors. Sunlight enters through towering arches. Elian walks slowly through the courtyard, studying carvings on the castle walls. Mara follows behind carrying an old rolled map. She opens it on a stone table. The map shows the surrounding mountains and a hidden route marked through the peaks. MARA "This path hasn't been walked in three hundred years." Elian touches the faded markings. ELIAN "Then why was it hidden instead of destroyed?" Mara looks toward the towering mountains outside. MARA "Because some places are forgotten for a reason." A strong wind blows through the courtyard. The castle bells ring once. Scene 3 — The Edge of the Unknown (20–32 seconds) EXT. CASTLE BATTLEMENT — AFTERNOON Elian and Mara stand on the highest terrace overlooking the impossible landscape. The camera circles them slowly. They look incredibly small against the mountains. The valley below glows with golden sunlight. Clouds move between the castle and the world below. Mara points toward a distant mountain ridge. MARA "Beyond those peaks is the old fortress of Aurelian." Elian looks through a small telescope. Far away, barely visible on a rocky summit, sits another ancient castle. ELIAN "No one could build there." Mara smiles slightly. MARA "Someone did." The camera pushes toward the distant fortress. Snow-covered peaks rise behind it. Thunder rolls softly in the distance. Scene 4 — The Storm Approaches (32–40 seconds) EXT. MOUNTAIN PATH BELOW THE CASTLE — LATE AFTERNOON Elian and Mara descend along a narrow stone path carved into the cliff. The castle towers above them. A dramatic weather shift begins. Massive clouds gather around the mountain peaks. Wind increases. Loose dust moves across the ancient path. Mara stops and looks upward. MARA "The mountain is changing." Elian looks back toward the castle. ELIAN "Then we move faster." The camera rises high above them. They become tiny figures against the massive landscape. Scene 5 — The Final View (40–45 seconds) EXT. ALPINE RIDGE — SUNSET A final cinematic wide shot. The camera rises above the mountains. The medieval castle stands alone on its cliff, surrounded by glowing clouds. The valley below reflects the orange sunset. The river shines like a ribbon of gold. Elian's voice echoes softly. ELIAN (V.O.) "Some kingdoms are remembered because they conquered the world..." A pause. The camera moves toward the endless mountains. ELIAN (V.O.) "Others are remembered because they dared to reach beyond it." Cut to black. END. Visual Notes: Realistic medieval architecture inspired by Alpine castles and mountain fortresses No magic, no fantasy creatures, no exaggerated landscapes True scale: humans remain tiny compared to nature Cinematic 35mm grain, anamorphic lens flares, realistic atmospheric depth Natural mountain wind, distant bells, footsteps on stone, subtle orchestral score. #Flovaai #Flovacpp

Sharon Riley

604,606 次观看 • 2 个月前