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Figure drawing by Jesse Stern Support the artist #digitalart #arttutorial #digitalpainting #howtodraw #fantasyart #artclass #photoshop #art #artwork #speedpaint #artist #design #anatomy #tutorial

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Cubebrush

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45,755 görüntüleme • 25 gün önce •via X (Twitter)

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Gundam fused with painterly soul. An oil-on-canvas tribute to the iconic EZ-08 by Paperblue. #digitalart #arttutorial #digitalpainting #howtodraw #fantasyart #artclass #photoshop #art #artwork #speedpaint #artist #design #tutorial

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Torso hips relationship. My book #comics #art #manga #drawing #doodle #sketch #anime #fyp #foryou #foryourpage #anatomy #muscles #digitalart #learntodraw #digitalpainting #lineart #pose #ref #arttutorial #howtodraw #howtodrawanatomys #arttutorial #artist

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#xppentutorial How to draw a male torso with arms up ❤️ Credit: @buboosenchan #digitalart #digitalartist #arttutorial #howtodraw #arttips #artadvice #art #artist
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#xppentutorial How to draw a male torso with arms up ❤️ Credit: @buboosenchan #digitalart #digitalartist #arttutorial #howtodraw #arttips #artadvice #art #artist

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Find the intruder 🤭 Follow me here and on YouTube to find out what's coming next: #UnrealEngine5 #3d #3dart #3dartist #artist #art #inspiration #cgart #dailyart #digitalart #gamedev #indiedev #design #TombRaider #LaraCroft #AngelinaJolie #CallofDuty
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Find the intruder 🤭 Follow me here and on YouTube to find out what's coming next: #UnrealEngine5 #3d #3dart #3dartist #artist #art #inspiration #cgart #dailyart #digitalart #gamedev #indiedev #design #TombRaider #LaraCroft #AngelinaJolie #CallofDuty

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Get ready for a gruesome, spine-chilling Halloween drop 🎃 Featuring terrifying artwork by horror artist the art of Skinner from the Creepshow series, each piece of art has been reimagined as 3D digital collectibles displayed on eerie Creepshow tombstones🪦 Add a macabre touch to your digital collection with Creepshow Tombstones dropping Thur, 31 Oct at 9AM PT.
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Get ready for a gruesome, spine-chilling Halloween drop 🎃 Featuring terrifying artwork by horror artist the art of Skinner from the Creepshow series, each piece of art has been reimagined as 3D digital collectibles displayed on eerie Creepshow tombstones🪦 Add a macabre touch to your digital collection with Creepshow Tombstones dropping Thur, 31 Oct at 9AM PT.

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Gazers artwork #189 by artist Matt Kane MattKane.eth 🎨 was recently added to the OpenSea flagship collection. Gazers was released in December 2021 as a Curated project and is part of the Art Blocks 500. Created as a living artwork, syncing with the phases of the moon, Gazers explores the importance of the moon's symbolism to humanity, including its distance as a measure of success. Each work, its own unique and visually evolving lunar calendar, calls attention to changing perceptions with the passing of time.
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Gazers artwork #189 by artist Matt Kane MattKane.eth 🎨 was recently added to the OpenSea flagship collection. Gazers was released in December 2021 as a Curated project and is part of the Art Blocks 500. Created as a living artwork, syncing with the phases of the moon, Gazers explores the importance of the moon's symbolism to humanity, including its distance as a measure of success. Each work, its own unique and visually evolving lunar calendar, calls attention to changing perceptions with the passing of time.

Art Blocks

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Thanks to your overwhelming support, MIGHTY MORPHIN POWER RANGERS: THE RETURN #1 is SOLD OUT! We’re all systems go on a 2nd printing of the brand new series by the iconic Amy Jo Johnson with Matt Hotson and artist Nico Leon, featuring cover art by the legendary Dan Mora! Available in comic shops on Wednesday, March 3rd! DIC: DEC238622
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Thanks to your overwhelming support, MIGHTY MORPHIN POWER RANGERS: THE RETURN #1 is SOLD OUT! We’re all systems go on a 2nd printing of the brand new series by the iconic Amy Jo Johnson with Matt Hotson and artist Nico Leon, featuring cover art by the legendary Dan Mora! Available in comic shops on Wednesday, March 3rd! DIC: DEC238622

BOOM! Studios

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📣 Artist Open Call The Lumen Prize exists to champion artists shaping contemporary culture through technology, and in 2026 we’re inviting submissions across any medium. This year, the Prize is organised around three theme-led awards, designed to meet artists where practice is heading: ideas, context, and impact. → Legacy Futures Award ($5,000 prize pool) Works engaging time, memory, archives, storytelling and future possibility. → Systems & Structures Award ($5,000 prize pool) Works that examine or reconfigure cultural, ecological, technological or social systems, data, networks, platforms, machine vision, human–machine relations. → Experiential Innovation Award ($5,000 prize pool) Works defined by encounter, participation, presence, immersion, performance, live coding, interactive installation, VR/AR/XR, hybrid forms. 🔗 Enter your artwork: Featured Artist: 2019 Lumen Prize Gold Award Winner Refik Anadol #LumenPrize #ArtistOpenCall #DigitalArt #ArtPrize
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📣 Artist Open Call The Lumen Prize exists to champion artists shaping contemporary culture through technology, and in 2026 we’re inviting submissions across any medium. This year, the Prize is organised around three theme-led awards, designed to meet artists where practice is heading: ideas, context, and impact. → Legacy Futures Award ($5,000 prize pool) Works engaging time, memory, archives, storytelling and future possibility. → Systems & Structures Award ($5,000 prize pool) Works that examine or reconfigure cultural, ecological, technological or social systems, data, networks, platforms, machine vision, human–machine relations. → Experiential Innovation Award ($5,000 prize pool) Works defined by encounter, participation, presence, immersion, performance, live coding, interactive installation, VR/AR/XR, hybrid forms. 🔗 Enter your artwork: Featured Artist: 2019 Lumen Prize Gold Award Winner Refik Anadol #LumenPrize #ArtistOpenCall #DigitalArt #ArtPrize

The Lumen Prize

19,844 görüntüleme • 4 ay önce

The LACMA has long been a great supporter of initiatives in art and technology. From the original Art and Technology Lab, to more recent exhibitions like Coded: Art Enters the Computer Age, 1952–1982, their sustained interest in the development of creative and artistic practices in relation to the rise of computer technology has helped sustain a once controversial yet undeniably fascinating genre of art before it came into public discourse. I am so pleased with the opportunity to highlight an important part of my practice, known as parameterization. By changing one variable in the program, in this case the percentage of pegs to be wrapped by a string, we are able to see how the original artwork, Ringers #962, evolves over the course of 9 frames arranged in a grid. This process is what I call a “parameter sweep” and it’s an honor to present the combined works as the LACMA Iterations. As the artist who coded the algorithm, I had no explicit control over how the artwork would develop, instead relying on randomization and a deep familiarity of the aesthetic form to help guide the output through code.
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The LACMA has long been a great supporter of initiatives in art and technology. From the original Art and Technology Lab, to more recent exhibitions like Coded: Art Enters the Computer Age, 1952–1982, their sustained interest in the development of creative and artistic practices in relation to the rise of computer technology has helped sustain a once controversial yet undeniably fascinating genre of art before it came into public discourse. I am so pleased with the opportunity to highlight an important part of my practice, known as parameterization. By changing one variable in the program, in this case the percentage of pegs to be wrapped by a string, we are able to see how the original artwork, Ringers #962, evolves over the course of 9 frames arranged in a grid. This process is what I call a “parameter sweep” and it’s an honor to present the combined works as the LACMA Iterations. As the artist who coded the algorithm, I had no explicit control over how the artwork would develop, instead relying on randomization and a deep familiarity of the aesthetic form to help guide the output through code.

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DeeKay + People = DeePle For his new work titled ‘DeePle The People’, South Korean artist DeeKay turns his eye to Hong Kong, rendering the Asian metropolis in his signature style. Characterized by nostalgic video game aesthetics and joyful tenderness, the 24-second animation is a buzzing celebration of the city. He renders Hong Kong as both a specific place, and a universal locale on the world’s cultural stage. Commissioned by Art Basel Hong Kong and Hong Kong Tourism Board, ‘DeePle The People’ will be projected onto the Hong Kong Club Building from March 24, from 7:30pm to 11pm and March 25 to 29, 2026 every evening from 7pm to 11pm. DeeKay’s artwork is also on view in his solo booth with AOTM Gallery (Z5) at Art Basel Hong Kong, as part of the Zero 10 digital art initiative’s Asia debut.

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Looking to take on an emergency #Live2D rig commission! ⚠️ Work will begin in November! If downpayment of $1000 or full payment is done, total cost will be discounted by 25% and the following will be added for free! ✦ Vbridger ✦ 3-5 free expressions (sticker or animated), depending on model art. If artist permission is given, I can add the art for sticker expressions. ✦ Lost-tracking sleep animation ✦ Bald Toggle ✦ My undying love and support as your mama is always free 💖 Please any shares would be insanely helpful 🙇‍♀️
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Looking to take on an emergency #Live2D rig commission! ⚠️ Work will begin in November! If downpayment of $1000 or full payment is done, total cost will be discounted by 25% and the following will be added for free! ✦ Vbridger ✦ 3-5 free expressions (sticker or animated), depending on model art. If artist permission is given, I can add the art for sticker expressions. ✦ Lost-tracking sleep animation ✦ Bald Toggle ✦ My undying love and support as your mama is always free 💖 Please any shares would be insanely helpful 🙇‍♀️

Bai Feiyan 🐍❄️ | Live2D Rig Artist

19,874 görüntüleme • 10 ay önce

2月17日（土）午後1時から4時まで、創形美術学校にてフィギュアドローイングの講師を務めさせていただきます。イベントはどなたでも参加できますので、是非ご参加ください。以下 要池クロッキー会(池袋/目白) モデル: 美術モデルyu #デッサン #イラスト #クロッキー #スケッチ #漫画 #東京 #Kicstudio #クロッキー会 February 17th from 1:00PM to 4:00PM , I will be giving figure drawing instruction at the Sokei Academy of Fine Art and Design! The event is open to EVERYONE, so please come and join me for a fun drawing session! Please see 要池クロッキー会(池袋/目白) for details! The very inspiring 美術モデルyu will be our special model and anatomy consultant 🌟🩻
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2月17日（土）午後1時から4時まで、創形美術学校にてフィギュアドローイングの講師を務めさせていただきます。イベントはどなたでも参加できますので、是非ご参加ください。以下 要池クロッキー会(池袋/目白) モデル: 美術モデルyu #デッサン #イラスト #クロッキー #スケッチ #漫画 #東京 #Kicstudio #クロッキー会 February 17th from 1:00PM to 4:00PM , I will be giving figure drawing instruction at the Sokei Academy of Fine Art and Design! The event is open to EVERYONE, so please come and join me for a fun drawing session! Please see 要池クロッキー会(池袋/目白) for details! The very inspiring 美術モデルyu will be our special model and anatomy consultant 🌟🩻

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VTuber Artist 46cm Away From You(✦ 46cm away from you)'s class "A-to-Z VTuber Model Creation: Design, Illustration, and Rigging" is now open for viewing! Get to know the entire VTuber creation process in Live2D, by learning how to create reference sheets, sketch & shade model art, prep your model for rigging, mask your model, experiment with deformers, rig your character from top to bottom, set up in VTube studio & more! Already pre-ordered during our Earlybird special? Time to start enjoying your class! ✨ Link: #coloso #46cmawayfromyou #vtuber #animation #live2d #rigging #anime #characterdesign

Coloso Global

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Art on Tezos Friday Recap 🔔 → River Davis announced MASCULINITY exhibition for April 30 at Quantum Galerie, Berlin — 17 artists including ann hirsch, Bernardo Martins, ClownVamp, jiwa 🔆, OONA & more explored masculine energy across identity, culture & sexuality. Accompanied by digital works via Cyberforms on objkt, supported by Tezos Foundation. → 3 Monogrids by KiM ASENDORF secondary sales for a total of 24,000 tez — what a week for one of the most iconic generative art series on Tezos. → ACTZ - Art Commissions: April Curators made their selections for the monthly artist curation cycle — congratulations to all selected artists! 🙌 → TezNouns ⌐◨-◨ relaunched the Artist Edition auctions. Open call ongoing: one rule only — create a piece in your style including the iconic Noggles glasses! → Lumineers announced PRISMA, their first exhibition under Lumineers Gallery — focusing on analog and experimental visual practices. Launching April 19 on → "Bio-Drops" series by ailadi announced via InfiniteInk // first drop took place this week. More to come soon → Generative Art Week by TheTezosCommunity kicked off with activities, Discord games, quizzes, and giveaways celebrating Tezos-coded creativity. Artists were invited to share generative works for Support Artists Day #47 via their Warpcast /thetezos channel. → this week @thisisaraid raided Tate R. Tots’s objkt page this week — a collective effort to boost visibility and share support. → XCOLLABZ revealed the first wave of artists for "Echoes of Light" ⚡️ NFC SUMMIT - LISBON - JUNE 4-6 2025 2025 powered by Tezos. Another 10 artists to be added after the open call. → Teia Community hosting the Teia Rave April 12–13 with Oncyber exhibitions, poetry, live music, and the #TeiaRave minting event open through April 14. 🕺 → сcube ıı announces ZEROTERMINAL v1.04 — new standalone version lets you interact with onchain art without visiting the site. → One Love Art DAO, Ìtàn: West African Artistry & NFTCLT share open call for works on Motherhood — 10 artists to be selected for a group show and drop on May 9 on objkt. Submissions open from April 10–24. 🤰🏻 Don't miss: → 『-』M░a░z░i░n 『-』 27 new works on April 9 via vending machine — including 4 1/1s, all editions capped at 25. Pricing: 1 for 20 tez / 3 for 50. → Their eyes are often the same — a new collection by MEK.txt ⌨️ on objkt.one featuring 5 new works // final hours for the auction → Objkt Galleries: fakewhale latest Art Market line-up, 𝘼𝘾𝘾𝙊𝙈𝙋𝘼𝙍𝙏'𝙎 new works in the RARE series, and The Second-Guess Body Anxiety in the Age of AI - with Claudia Hart's "Machiavelli99.1" piece just listed 💥 Image: monogrid bb by KiM ASENDORF collected by delronde
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Art on Tezos Friday Recap 🔔 → River Davis announced MASCULINITY exhibition for April 30 at Quantum Galerie, Berlin — 17 artists including ann hirsch, Bernardo Martins, ClownVamp, jiwa 🔆, OONA & more explored masculine energy across identity, culture & sexuality. Accompanied by digital works via Cyberforms on objkt, supported by Tezos Foundation. → 3 Monogrids by KiM ASENDORF secondary sales for a total of 24,000 tez — what a week for one of the most iconic generative art series on Tezos. → ACTZ - Art Commissions: April Curators made their selections for the monthly artist curation cycle — congratulations to all selected artists! 🙌 → TezNouns ⌐◨-◨ relaunched the Artist Edition auctions. Open call ongoing: one rule only — create a piece in your style including the iconic Noggles glasses! → Lumineers announced PRISMA, their first exhibition under Lumineers Gallery — focusing on analog and experimental visual practices. Launching April 19 on → "Bio-Drops" series by ailadi announced via InfiniteInk // first drop took place this week. More to come soon → Generative Art Week by TheTezosCommunity kicked off with activities, Discord games, quizzes, and giveaways celebrating Tezos-coded creativity. Artists were invited to share generative works for Support Artists Day #47 via their Warpcast /thetezos channel. → this week @thisisaraid raided Tate R. Tots’s objkt page this week — a collective effort to boost visibility and share support. → XCOLLABZ revealed the first wave of artists for "Echoes of Light" ⚡️ NFC SUMMIT - LISBON - JUNE 4-6 2025 2025 powered by Tezos. Another 10 artists to be added after the open call. → Teia Community hosting the Teia Rave April 12–13 with Oncyber exhibitions, poetry, live music, and the #TeiaRave minting event open through April 14. 🕺 → сcube ıı announces ZEROTERMINAL v1.04 — new standalone version lets you interact with onchain art without visiting the site. → One Love Art DAO, Ìtàn: West African Artistry & NFTCLT share open call for works on Motherhood — 10 artists to be selected for a group show and drop on May 9 on objkt. Submissions open from April 10–24. 🤰🏻 Don't miss: → 『-』M░a░z░i░n 『-』 27 new works on April 9 via vending machine — including 4 1/1s, all editions capped at 25. Pricing: 1 for 20 tez / 3 for 50. → Their eyes are often the same — a new collection by MEK.txt ⌨️ on objkt.one featuring 5 new works // final hours for the auction → Objkt Galleries: fakewhale latest Art Market line-up, 𝘼𝘾𝘾𝙊𝙈𝙋𝘼𝙍𝙏'𝙎 new works in the RARE series, and The Second-Guess Body Anxiety in the Age of AI - with Claudia Hart's "Machiavelli99.1" piece just listed 💥 Image: monogrid bb by KiM ASENDORF collected by delronde

Tezos

12,880 görüntüleme • 1 yıl önce

The Magic Whip 10th Anniversary. To celebrate, a special vinyl edition of the album featuring brand new artwork and a five-piece capsule collection are being released on 25th April 2025. Includes, a green bomber jacket, red t-shirt, tote bag, ice cream pin badge and a Mr Ok umbrella. Visual artist Tony Hung has reimagined the album’s original artwork to create a special new red and gold album cover. With added foil embossed details, the new artwork edition vinyl is available as a half-speed mastered, single gold disc for the first time. "My reworking for the anniversary edition was inspired by a deep dive into the album’s lyrics. Here, I found more intensity, anxiety and a dystopian edge, all of which I wanted to convey in the new edition. Upturned, the now spoilt ice cream brought a heavier tone, whilst the cone suggested a tower-like structure. The idea of an active broadcast tower, soaring above the clouds felt oppressive and menacing, suitably setting the scene. The final cover art was achieved by juxtaposing the above with the vibrant aesthetic and colours associated with ‘lai see' (lucky money) envelopes; a traditional Chinese gesture, where said envelopes are gifted to loved ones during special occasions such as the lunar new year, birthdays, anniversaries etc. Perfectly befitting The Magic Whip's 10th anniversary, wherein our package contains the gift of music.” - Tony Hung On 12th April, a limited-edition, zoetrope picture disc edition of The Magic Whip will be exclusively available in independent record stores for Record Store Day 2025. Explore the full range and pre-order now via the blur official shop.
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The Magic Whip 10th Anniversary. To celebrate, a special vinyl edition of the album featuring brand new artwork and a five-piece capsule collection are being released on 25th April 2025. Includes, a green bomber jacket, red t-shirt, tote bag, ice cream pin badge and a Mr Ok umbrella. Visual artist Tony Hung has reimagined the album’s original artwork to create a special new red and gold album cover. With added foil embossed details, the new artwork edition vinyl is available as a half-speed mastered, single gold disc for the first time. "My reworking for the anniversary edition was inspired by a deep dive into the album’s lyrics. Here, I found more intensity, anxiety and a dystopian edge, all of which I wanted to convey in the new edition. Upturned, the now spoilt ice cream brought a heavier tone, whilst the cone suggested a tower-like structure. The idea of an active broadcast tower, soaring above the clouds felt oppressive and menacing, suitably setting the scene. The final cover art was achieved by juxtaposing the above with the vibrant aesthetic and colours associated with ‘lai see' (lucky money) envelopes; a traditional Chinese gesture, where said envelopes are gifted to loved ones during special occasions such as the lunar new year, birthdays, anniversaries etc. Perfectly befitting The Magic Whip's 10th anniversary, wherein our package contains the gift of music.” - Tony Hung On 12th April, a limited-edition, zoetrope picture disc edition of The Magic Whip will be exclusively available in independent record stores for Record Store Day 2025. Explore the full range and pre-order now via the blur official shop.

blur

136,729 görüntüleme • 1 yıl önce

5,000 of you. I don’t even know how to put that into words. When I started sharing my art and stories here on X, I honestly didn’t know if anyone would care. The AI community can be loud, fast, overwhelming… and yet, you made space for me. You saw my work. You shared it. You quoted it. You commented. You encouraged me when I doubted myself. This feels like more than a number. It feels like a second chance. I truly believe this might be my last real shot at showing my art and stories to the world, and the fact that 5,000 of you chose to follow, support, and believe in what I create means more than I can explain. Every repost, every like, every thoughtful reply has carried me further than you know. Thank you for standing by an artist experimenting at the edge of AI and imagination. Thank you for helping my stories breathe. Thank you for being here. We’re just getting started.
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5,000 of you. I don’t even know how to put that into words. When I started sharing my art and stories here on X, I honestly didn’t know if anyone would care. The AI community can be loud, fast, overwhelming… and yet, you made space for me. You saw my work. You shared it. You quoted it. You commented. You encouraged me when I doubted myself. This feels like more than a number. It feels like a second chance. I truly believe this might be my last real shot at showing my art and stories to the world, and the fact that 5,000 of you chose to follow, support, and believe in what I create means more than I can explain. Every repost, every like, every thoughtful reply has carried me further than you know. Thank you for standing by an artist experimenting at the edge of AI and imagination. Thank you for helping my stories breathe. Thank you for being here. We’re just getting started.

Toshi

18,193 görüntüleme • 4 ay önce

The Sabotaging Practice of Over Supply and Sameness in the NFT Space. The current zeitgeist of the NFT space is that the same artists are doing the same kind of work five times a year, with project after project leaving a trail of disappointment and discontent among collectors and all of us watching in disbelief as huge resources are extracted from the space over work that feels like it could be left as an "artist study." I understand that you can do what you want with your money as collectors, but we are killing the whole space with this incestuous practice. No artist is that prolific to be able to do 5 collections of 100+ pieces each every year and actually deliver innovation and some kind of creative evolution. Of course, they can pretend play that the work has something new, but there is no precedent nor proof that that has ever happened in the speed that it happens in the NFT space. Again, people are free to through away their resources on whatever they want but with this way of doing things, we more and more are going to start seeing the consequences. Oh! There are consequences? Yes. Maybe unintended, but there are. Let's see. Let's start with the loss of belief in the NFT space as somewhere where emerging artists can come and find support for their experiments. Why even bother to bring experiments, innovation, and new ways to think of art on the blockchain if the same people have all the collectors hypnotized with their magical flutes? Why even try to come to a space where taking risks and challenging the status quo (the mission of art!!!) is overlooked? This makes the NFT space a social club and not a space for art. I guess it is fine, but IMO it is a recipe for disaster. New collectors stay away because the art will slowly but surely become stale and un-challenging. Why even bother to come and see what is happening here if you can't, as a collector, see new weird and up-and-coming artists? The amount of noise emitted by the same artists doing the same art over and over, drowns out any new voices. Again. A recipe for disaster. The NFT space is becoming a space of disappointment and doubt. We think that collections going to zero one after the other, over and over, is not damaging? I feel we are kidding ourselves. Disappointment piles up, and again, the people who will hurt are the emerging artists, the new blood, the ones who are willing to risk the most and, in return, put fire in this cold space of sameness. I love this space—don't get me wrong—it has changed my life, and I believe it has a ton of potential, but things need to change for it to become a beacon of light in art. But we need to support new voices. We need to support new ideas. The challenge is huge. I hope to contribute all I can to this change. I hope more and more see how exciting it is to go out and try to discover what else is out there and move this space forward. But again, I understand the leaps of faith needed, but if there is a space that is based on that, it's the NFT space...so there is hope. We will see. 📺by Boldtron
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The Sabotaging Practice of Over Supply and Sameness in the NFT Space. The current zeitgeist of the NFT space is that the same artists are doing the same kind of work five times a year, with project after project leaving a trail of disappointment and discontent among collectors and all of us watching in disbelief as huge resources are extracted from the space over work that feels like it could be left as an "artist study." I understand that you can do what you want with your money as collectors, but we are killing the whole space with this incestuous practice. No artist is that prolific to be able to do 5 collections of 100+ pieces each every year and actually deliver innovation and some kind of creative evolution. Of course, they can pretend play that the work has something new, but there is no precedent nor proof that that has ever happened in the speed that it happens in the NFT space. Again, people are free to through away their resources on whatever they want but with this way of doing things, we more and more are going to start seeing the consequences. Oh! There are consequences? Yes. Maybe unintended, but there are. Let's see. Let's start with the loss of belief in the NFT space as somewhere where emerging artists can come and find support for their experiments. Why even bother to bring experiments, innovation, and new ways to think of art on the blockchain if the same people have all the collectors hypnotized with their magical flutes? Why even try to come to a space where taking risks and challenging the status quo (the mission of art!!!) is overlooked? This makes the NFT space a social club and not a space for art. I guess it is fine, but IMO it is a recipe for disaster. New collectors stay away because the art will slowly but surely become stale and un-challenging. Why even bother to come and see what is happening here if you can't, as a collector, see new weird and up-and-coming artists? The amount of noise emitted by the same artists doing the same art over and over, drowns out any new voices. Again. A recipe for disaster. The NFT space is becoming a space of disappointment and doubt. We think that collections going to zero one after the other, over and over, is not damaging? I feel we are kidding ourselves. Disappointment piles up, and again, the people who will hurt are the emerging artists, the new blood, the ones who are willing to risk the most and, in return, put fire in this cold space of sameness. I love this space—don't get me wrong—it has changed my life, and I believe it has a ton of potential, but things need to change for it to become a beacon of light in art. But we need to support new voices. We need to support new ideas. The challenge is huge. I hope to contribute all I can to this change. I hope more and more see how exciting it is to go out and try to discover what else is out there and move this space forward. But again, I understand the leaps of faith needed, but if there is a space that is based on that, it's the NFT space...so there is hope. We will see. 📺by Boldtron

alejandro cartagena

98,261 görüntüleme • 2 yıl önce

April 30 • 12:00pm ET Art Blocks + OpenSea “Gift of time” began during my residency in Marfa, Texas, as part of the Art Blocks and OpenSea artist residency program, where a distinct shift in the experience of time became central to the work. In the desert, I felt time move differently. It stretched, slowed, and became something I noticed. After a few days, the rhythm changed. Moments felt longer, attention sharpened, and I became increasingly aware of each moment as it passed. This work comes from that condition. Time is not treated only as a theme, but as a system embedded in the structure of the piece. Different ways of measuring time, such as mechanical cycles, calendars, and lunar phases, are translated into rules that continuously transform the work. The piece does not represent time. It runs on it. Its movement is tied to blockchain time. Even when unseen, it continues to rotate and evolve. When loaded, it synchronizes with the present moment, but it does not begin when it is viewed, and it does not stop when it disappears from the screen. During the residency, I spent hours thinking, sketching, and making connections. Those connections are also visible. Elastic lines, like rubber bands, link elements across the piece, representing how memories connect, how one thought leads to another, and how everything builds over time. These same connections introduce moments where the system attempts to pull itself back, as if trying to regain control. But it never fully resets. It is not a loop. The movement continues, drifting forward, never returning to a fixed state. Visually, the work reveals its own construction. Lines, paths, and rotations expose an internal logic, like looking inside a mechanism. The drawing language recalls diagrams, technical sketches, or the interior of a mechanical watch. It is a system in motion, always active. “Gift of Time” exists because I was given time by Art Blocks, OpenSea, and above all my family. It is my way of saying thank you. It is both a reflection on time and a product of it. April 30 @ 12:00pm ET on Art blocks & OpenSea 1 / 1 / 365 • 0.02 Eth Art Blocks, OpenSea
0:18

April 30 • 12:00pm ET Art Blocks + OpenSea “Gift of time” began during my residency in Marfa, Texas, as part of the Art Blocks and OpenSea artist residency program, where a distinct shift in the experience of time became central to the work. In the desert, I felt time move differently. It stretched, slowed, and became something I noticed. After a few days, the rhythm changed. Moments felt longer, attention sharpened, and I became increasingly aware of each moment as it passed. This work comes from that condition. Time is not treated only as a theme, but as a system embedded in the structure of the piece. Different ways of measuring time, such as mechanical cycles, calendars, and lunar phases, are translated into rules that continuously transform the work. The piece does not represent time. It runs on it. Its movement is tied to blockchain time. Even when unseen, it continues to rotate and evolve. When loaded, it synchronizes with the present moment, but it does not begin when it is viewed, and it does not stop when it disappears from the screen. During the residency, I spent hours thinking, sketching, and making connections. Those connections are also visible. Elastic lines, like rubber bands, link elements across the piece, representing how memories connect, how one thought leads to another, and how everything builds over time. These same connections introduce moments where the system attempts to pull itself back, as if trying to regain control. But it never fully resets. It is not a loop. The movement continues, drifting forward, never returning to a fixed state. Visually, the work reveals its own construction. Lines, paths, and rotations expose an internal logic, like looking inside a mechanism. The drawing language recalls diagrams, technical sketches, or the interior of a mechanical watch. It is a system in motion, always active. “Gift of Time” exists because I was given time by Art Blocks, OpenSea, and above all my family. It is my way of saying thank you. It is both a reflection on time and a product of it. April 30 @ 12:00pm ET on Art blocks & OpenSea 1 / 1 / 365 • 0.02 Eth Art Blocks, OpenSea

Manuel Lariño ☔️

21,818 görüntüleme • 2 ay önce